#sounds easier

[sga-owns-my-soul]

not tryna die

not tryna live through the current state of the world

need a secret third thing

[original-punks]

send halp

[newttxt]

crisis of disbelief

[attyrocious]

couldnt upload this yesterday bc of the tumblr ban but anyway, my hands were tired doing lineart for a work thing so heres a painting to cooldown

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[oursystemblog]

Hi I’m a newly discovered system and its been causing me a little stress that I (the host?) don’t experience blackouts or full amnesia, but then I read some of your old posts about feeling like everything’s in grayscale and emotional amnesia and was like “:0 that’s like me!”

I was wondering if you would be okay describing what it feels like when someone else fronts? That’s something I’m trying figure out for myself and maybe hearing other people’s experiences would help ¯\_(ツ)_/¯

(Also all the comics are amazing keep up the good work 👍)

so the uhhh. so the person fronting never really feels like they "disappear" or get pushed away it just feels like they Change Into A Different Person . but we still Exist while not fronting but nobody remembers what that's like because w. yeah no i don't get the technicalities of how this works i'm not worrying about it too hard

[inkskinned]

i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.

and that should be fine; but it's never fine.

i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.

for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.

we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.

i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.

restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.

[batbabydamian]

The Boy Wonder #1 by Juni Ba rambling about why every time i open this book, i stare in wonder...HAHA and ofc!! how cute Damian is!!

Juni Ba’s style is so absurdly effective in telling a fairy tale for the ages. It’s a stunning blend of simplicity and complexity I'M GRIPPING THE PAGES AGAINST MY EYES…

Before getting into the interiors, THE COVER!! It associates autumn leaves to Damian's Robin title through the iconic cape shape/color; and on top of that, for a Robin going through a big transition in his life...a season of change one might say...Juni Ba your brain...

Damian and the leaves being the only colored parts of this cover is nice in focusing on those elements, but i also like to think by not coloring the background it prepares you to expect impressive inkwork in this book.

On that note, the interiors!! Starting off with Ba's backgrounds of Gotham as it establishes the strange new world that our young hero has been thrust into:

We get a neat tracking shot following a champagne glass that gives us a glimpse of Gotham from the upper echelons to the downtrodden in "Underwell"

This opening sequence quickly lays out the environment Damian will be traveling through in this series! It also sets the tone for some silliness with the cute zoom on the champagne glass before it BOKs the robber lol. Along with Ba's inks, O'Halloran's colors makes every part of Gotham pop - especially love the golds of the higher society shifting into the blues of the underbelly!!

Besides Damian’s personal conflict, Gotham feels like its own entity that he has to contend with. The dialogue speaks for itself, but within the art as well!!

"This city of ours swallows and crushes everything it can" -> a gargoyle's beak over Damian, crowds of people, and walls of advertising

"You've seen it too...the way it coils around one's mind from below." -> bridges and a passing train on a rail viaduct towering over a civilian

"A dark voice calling as if to say..." -> literally, "FEED ME"

LOVELY SHOT OF MOVEMENT... and i love how Damian's venture into Gotham opens with him passing a tree - its branches and leaves are the most organic element on the page before getting into the gritty details of the city! Some yammering because the inks are. so cool: the delicate lines of the leaves in the tree to the thicker/bigger lined ones closer to the camera on the right; the background inks allowing space around Damian's form + the fine line of his grapple!! More O'Halloran praise - PRETTY, and love his coloring over Ba's bg lines, particularly here, keeping the leaves darker on the right.

It's not only a pretty page it's just a really clean layout!! Ba exhibits this throughout the book but i really enjoy it here - from Damian nyooming, we head into these last 3 panels. his cute lil "Robin" shape easily draws the eye to the tops of the panels as we take in Gotham's liveliness alongside the lettering/narration

and the "Robin" shape?? SO CUTE. it's instantly familiar to us as Robin!! bold outline and filled with yellow...it's a Robin in movement!!...AN AUTUMN LEAF IN THE WIND... yeah, still not over that 😭

Damian's inciting incident is introduced in the former panel with a gorgeous backdrop of Gotham in the distance (plus itty bitty Trinity cameo haha). The shot parallels!! beautifully!! in the final page!! Damian is now in the depths of Gotham, his objective out of reach. The colors are of note too, where the familiar yellows of Gotham are suddenly a startling green after the demon makes its appearance. The Gotham land looks even more unfamiliar, which prompts Damian to seek help.

Some speculation, but the green could also be associated with the more mythical side of demons and such (like the ghost?? of the thief), but it could even imply there's a connection to the Al Ghuls themselves as it's the only other time green is so prominently used.

Now that the land of Gotham is established, popping in other fav bgs!

More lovely mix of Ba's inks and O'Halloran's colors!! especially allowing some of the brush/marker strokes to show faintly as part of the twinkling sky...STUNNING!! 😭 i love this whole page but this panel gets me weepy, SMALL DAMIAN IN THE VAST UNIVERSE COMBINED WITH THIS LINE "He knew he could be great. How unfair of the world to make him feel so small." KICKS MY ASS... i need to lie down

YAPPING AT MORE WONDERFUL INKING: the suggestion of windows offscreen from the frames casting these thick lines over the walls and stairwell; the minute shadow details over the railing; the hatching on the suits in the portrait; the framed portrait being its own panel!! cute hooded Damian in the gutter space looking in on the portrait/panel!! CUTE HOODED DAMIANS!!

SPEAKING OF PANELS, along with general effectiveness and efficiency, there's more whimsy in others!! like this kickass page of Nightwing whipping his escrima from first panel -> afterimage lines going POWPOWPOW hitting demons from a distance to ones closer to the camera -> and back into his hand!! IT'S SO GOOD AND SO FUN!!

Ba's action employs more diagonal panels, and characters are less restrained within boxes - there's more energy and freedom across the page!

not necessarily focusing on the action for this one, but THE WHIMSY!! the border itself is goop!! Also gotta point out that looming hammer shape!!

Nightwing's critical hit spans the entire page!! from silhouettes of a flip -> flashy stomping pose/Clayface -> to a distant shot of Dick landing

and a smooth finisher page!! love the motion lines on Dick's arms and waist + his head and arc effects popping outside of the borders; then the smaller panels for quick activity, and the final WOOB WOOB WOOB LOL i can hear this sound effect just as much as i can see it

Along with O'Halloran on colors, Aditya Bidikar on lettering works seamlessly with Ba's vision!! The text boxes for the fairy tale narration are like strips of yellowing pages from an old storybook!! Had to look up the term for this lol, but also reminiscent of those storybooks, there's even a use of "drop caps" - the big fancy capital letter!

Smaller things of note, but the bit of "Weakness" text from Ra's has a kind of. grandiose feel to it. Then the cute B< Damian behind the window!! Love how the bubble and text are faded behind the glass too! The end of the bubble tail is a nice touch as it matches well with Ba's bg inking :0

Otherwise, it seems Ba has done a majority of the lettering - dropping a couple of my favs below!!

also just this whole page: the very loud AAAH! text draws both Damian's and the reader's attention to the panel below!! it's a cool transition to a new shot where you can see Damian's silhouette on the building! The final panel is cartoony violence off-page through the bold POW BOOM SLAM haha + DAMIAN'S LIL FIST!!🥺 and the guy's tooth RIP

Pure speculation - Juni Ba's concept art included Carrie Kelley, so i'm wondering if the hostage in the beginning could be her and we'll be returning to this moment in time by the end. The worn Robin colors are similar to the design + their head is conveniently covered.

In terms of story, I'm obviously heavily biased, but the initial read got me rolling in emotions with how it has you caring for Damian. Damian as a character is so fantastical in essence - it’s part of his individual charm in the batfam cast! an heir of two kingdoms, born and raised with great expectations suddenly thrust into an unfamiliar land. he has a sword. he has a dragon bat for a companion. he is haunted by the sins he has committed. he is two apples tall. he's truly fairytale material!!

LIKE...past the panels of only his silhouettes, this is our introductory appearances of Damian. It's laid out clearly in the narration, but this parallel is SO GOOD: from the powerful and ornate visuals of Damian and the Al Ghuls -> to a simple panel of Batman's shadow behind a boy littered in scars, stripped of his home and status

Damian is out of his element and proves himself in the way he knows how!!

just kick me down a flight of stairs why don't you. i don't know which messes me up more, the top 3 or bottom 3 panels. His facial expressions!! his expectations for approval dashed!! Damian's hand reaching for his father!! only to be left alone with the body. The page after this is the final nail in the coffin in feeling just how lost he is in the world before he acts on it. And you root for him the entire way!!😭

Despite Damian's fanciful background there's so much heart to be shown in his struggles and discoveries - and this classic form of a fairy tale lays it out so brilliantly!! It's shaping up to be an amazing balance of heavier elements and whimsy based on this first issue, and it leaves you wanting more!!

Besides being a thoroughly enjoyable read, it's inspiring work!! i've ordered Juni Ba's other books to consume more of his storytelling, and here's the ones i've found so far if you're interested in checking them out as well!!

Mobilis: My Life with Captain Nemo

Monkey Meat

Djeliya: A West African Fantasy Epic

The Unlikely Story of Felix and Macabber

okay shockingly, i didn't blab about how cute Damian is as much as i thought i would, but i think the collage at the top speaks for itself lol

this is all you need to know how cute Damian is in this!! his cheeks are so pinchable, it was done on page!! 🥺 these panels obliterate me

[circusinarun]

Welp... Just some time ago I realized that this is not what neurotypicals feel...

Bonus:

Yeah...I gotcha Don 😞

And yeah, small headcanon that Splinter was not aware of such a thing as neurodivergence, so he made a lot of bad decisions towards his sons, (despite the fact that he is the same... Come on, am I the only one who thinks so?). Therefore, for at least half of his life, Donnie (and his bros) suffered from not knowing what was happening to him and tried to be “normal”... Sad, but very realistic

Don't be afraid, Donnie gave Splinter a lecture and now he understands his fuck ups

[naamahdarling]

You know what? You know what I think?

I think that if we lived as we were meant to, in larger intimate ("extended family") groups and with more shared labor and time to do it (UBI NOW) people like me would not feel so useless and burdensome because there would be people around to help and to do what neurodivergent people can't while making valuable space for the neurodivergent to do what they ARE good at.

The way we live right now, all right, the way we live right now forces units of two adults to be able to do EVERYTHING or PAY to have someone come do it for them. I have to do the housework. I have to do it! But I am having to do a million different things and most of them I am not good at. I suck at them.

I wouldn't feel like shit, okay, if I had more than one other person around who was not a child and who could do the things I can't, like do the yard and cook and do repairs and basic maintenance; and someone else to split everything else that I like but is too much for me. It would free me to do what I am good at and enjoy. Cleaning, as in the sink and toilet, the windows, the blinds. Taking out trash. Folding, hanging, and sorting laundry.

But because all the shit I can do often relies on other shit being done first, and I can't do or have trouble doing those things, the shit I can do often can't be done. And even the shit I can do, I can't do ALL of it. So I can't keep up, and things get very bad.

We aren't meant to live like this. We are not meant to live like this.

That thought hurts so much because being able to flee the birth family is integral to survival for so many people. I'm so afraid that living in larger family groups would create more opportunities for, say, queer kids to be isolated, rejected, bullied, and abused. But if we gave people enough money to survive, and stopped considering children the property of their parents with no system in place to help them escape bad situations except a system that is often just as bad, just different.

I'm aware that communes and collectives aren't all that successful and are kind of a joke. I don't mean that. I mean a fundamental shift to multigenerational families where taking in "strays" (which my family did) is also normalized so people escaping abuse into existing households was accepted, with these families centered in maybe a couple of different larger residences so not everyone has to buy and maintain their own fucking washing machine and vacuum cleaner, and so people can benefit from large group meals that yield leftovers, and so child and elder care can also be centralized.

Then disabled people and the neurodivergent and sick and injured people, and pregnant people, and grieving people, would not have to either labor through all those stressors or consign themselves to living off an unlivable pittance or being put under legal guardianship.

I'm not saying anything new. People live like this in other parts of the world and maybe it sucks and I am wrong. But I'm just really mad right now because I can either do laundry or clean the sink but not both, and I really think we could improve society somewhat by making it so I did not have to choose one without sacrificing the other.

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[will41n]

was drawing fluffy etho again and thought that he might be staightening his hair so it's easier to braid/put in a ponytail and hermits usually see him with his hair staightened but a couple have seen him like a fluffy cloud right after he dries his hair after a shower.

[chittychittyyangyang]

Look, with the show getting a new home and the rise of people being needlessly shitty about it, I've been very liberal with the block button. I'm just so tired after a decade of this, and even IF you're new to the show (none of these people are) there are many critiques that have been talked about to death that have been fixed, apologized for, or were never in good faith to begin with.

Yes, we know the faunus race allegory was poorly done. The writers have outright said it. It was overly ambitious for their limited experience and the time constraints of the show. No, Jaune isn't a self insert, and Miles hasn't even written his character since volume 2? Either way, for most of the runtime now. Ruby has the most screen time and speaking lines (almost like she's the leader of the titular characters). Adam was never "retconned", even in the Black trailer he didn't care about casualties, and Blake outright calls him a monster in Volume 2. No, Ironwood becoming a dictator willing to do anything necessary didn't come out of nowhere. He brought his military to a peaceful event in Volume 2, which is actively called out, and it's called into question if he even has a heart. It's also brought up of why Atlas (and more specifically Ironwood) would want robot fighters with souls. For Adam and Ironwood, your inability to read media isn't bad writing, it's just annoying.

At best case, these are people new who don't know it's been talked about to death (though given the show is over 10 years old do you think you're adding anything new to some of these topics?). Worst, it's people being shitty because they focus so much of their self on hating things and not just enjoying what they like. Either way, I'm too old and tired, and the world is bad enough without bad faith "critiques" about something I love.

[ispyspookymansion]

i miss when movies were allowed to suck a little. low budget passion projects made by new, unpolished actors. effects that are obvious but done with care. sound and color and direction that were partly just the product of technological limitations, but partly given a greater measure of “this can be a little messy” than we have now. now the movies suck too but its stuff like, this is a remake of a remake and it’s also funded by the US military and all the sfx were done by cgi artists being ground into dust because they cant unionize

[lassieposting]

Okay but

Modern Witchers who use an app to find and pick up contracts. Like Fiverr or Uber, but for monster hunters. Witchr.