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#sparked core
drenched-in-sunlight · 3 months
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monster
Rusty and O’Keeffe talk.
- or, birds are meant for the sky, and not to be shot down by dumb, stupid boys.
* this is a character analysis of Rusty, or rather, the version of him that is in my head. Based on the premise of Rusty/621 and O’Keefe/Flatwell.
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- dragonfly signals the end of summer and the start of winter
- it also represents self-realization and divine revelation
This is like a fever dream (i drew these 19 pages in 3 days), but I’d love to hear what you think :)
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fictionadventurer · 2 months
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Thinking about Rory Williams. What a character.
The completely ordinary man who doesn't become extraordinary, but is already extraordinary.
The coma nurse who can watch over patients becomes a guardian who watches over the love of his life for two-thousand years.
A man being faithful to one woman makes him one of the greatest heroes in history.
Being good, kind, honorable and faithful is a higher kind of virtue than the Doctor's flashy cleverness.
He didn't need to become a hero. He was a hero and got to prove it when put in extraordinary circumstances.
Just a fantastic character.
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kpopstages · 2 months
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Nayeon ♡ One Spark Music Core 240302 for Anon
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uncanny-tranny · 6 months
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If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀
#art#crochet#honestly the closest thing i feel to love when crocheting is this feeling that this is bigger than me if that makes sense...#...i think it'sthe feeling of knowing how old the craft itself is and knowing that millions of people have done the same as you...#...millions of people have stabbed their crochet hook into the yarn because it's stubborn but so are you...#...millions of people in the past have sat and devoted their time and effort into all of this...#...millions of people have passed on this knowledge and kept this thing alive...#...and it's the feeling of knowing that humans across millenia aren't THAT different#to our core we are more or less similar - across the ages across the colours across everything. that really comforts and humbles me#have you looked up ancient textiles? because that also sparks these emotions in me#it makes me think about the tupes of people to make the textile but also about who wore it#and so many of them are still beautiful and colourful and it shows you SO MUCH about the people who made them#even the ones that are tattered and faded and stripped of colour still feel beautiful...#...because it has SURVIVED. it is evidence of a people who made it and a people who had technical skills#and THIS is why i HATE HATE HATE the idea that ancient people were just 'dumb' and 'uneducated'#that is so unfair to them and cruel and just. wrong. (and often it reeks of white supremacy)#i'm sorry i rant and rave about this so much but i canNOT be normal about this. i can't be normal about humanity#i am learning to love humanity and learn about us and learn everything and it'll never be enough - i will never know enough#i will never know everything about everybody and it will be the death of me#okay the only thing i liked about the greatest showman movie was Never Enough because that is me thinking about all this
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mfdragon · 1 year
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Been a while since I posted, apologies life has been HARD!
Anyway here’s some sketches of my “Good Vlad” au.
Fire core Yada yada but have you considered LIGHTNING CORE!?!
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hikarivii · 1 year
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Halo-Portal crossover part 2
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pookiebearnancy · 1 month
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Jameson is Sparks Fly coded.
Grayson is Midnight Rain coded.
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ellie-makes-mbs · 8 months
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name moodboard for “meredith” for @girloftheseasons
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jasontoddssuper · 8 months
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Red Hood and The Outlaws:Volume 1-2(2011)
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luminitewrites · 1 year
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I’m back to thinking about SJ avatar style, so get ready for some rambling.
CW: mentions of trauma and abuse via administered electric shocks
One thing’s stuck in my head about this particular AU of an AU. Leading up to the revolution where animatronics are granted rights, I would think one of the main driving forces behind that is animatronics discovering the ability to bend as well. Up until then, they’ve been treated as machines beneath humans. Not all humans can bend, but they are the sole beings who can. That is, until animatronics discover on their own that they have the ability to bend water, air, earth, and fire—lightning, metal, lava, and ice, every and any iteration of the four elements—just like humans can.
I don’t think it would take them long to discover that they are equivalent to humans in this manner. So in an effort to control the animatronics and hide their bending prowess to further the mindset that humans are above machines, chi blockers would be introduced. Maybe in this specific world, it’s a chip inserted into the animatronics that keeps them from connecting to the elements or figuring out if they even can bend. But nothing can ever be kept silent forever, and when word gets out about this process, advocation for animatronic rights begins to ramp up full throttle. You can only bury the truth for so long before someone else comes around and digs it up.
That’s all to say that I believe the extraction of these chi blocking chips, while severely dangerous but doable with the correct knowledge and force, is exactly what the daycare attendants learn. It starts with Eclipse enduring a terrible cruel shock from the owners for not responding to their call quick enough. What they don’t account for is how this continued abuse is just what he needs in order to dismantle the chip that’s kept him from an intrinsic part of himself since his creation.
In the shadows of the daycare one night, he unscrews the panel in the back of his head, finds the partially working chip, and rips it out.
He blacks out and comes to hours later, hooked up to a charging port and the owners screaming at him because they’ve had to close the daycare for the day due to his supposed incompetence. His fragile wires in the back of his faceplate are still exposed, but the humans make no mention of it, having no understanding of what’s happened or what he’s done.
And that sets into motion what few other animatronics have come to learn on their own: that the chip is removable, and something crucial has been kept from their reach for far too long.
I think there would be a more violent uprising. Those who regain their bending are still outnumbered, but their message reaches the ears of the people who do care, and it becomes a unity of animatronics and humans demanding equal rights be granted. Freedom is still an uphill battle, but it doesn’t escape their grasp.
Like the events of SJ, I imagine that Sun, Moon, and Eclipse still don’t break free until animatronic rights have been established, and the owners have to kick them out. But there’s a strong chance that prior to that, Eclipse removes the chi blocking chips in each of his brothers’ heads, a methodical surgery that comes with the unfortunate need to fry the things first before they can be removed. And wouldn’t you know it, he just so happens to be a firebender with the unshakable urge to use his ability to take back what they are all owed.
He’s not as precise with his fire, still new to it aside from the secret snatches of hours he’s practiced creating it with his hands. He nearly ends up scorching Sun’s delicate wires, something that has him even more afraid to try it again, especially on Moon, but they need this freedom. They need to know like he does what was stolen from them. They need to have it to be ready in case… just in case.
Moon takes to his waterbending like a duck to water. He does have a brief incident where he accidentally gets spooked and ices his hands and nearly panics, but Eclipse melts it right off with a heated flash of his palm. Sun’s practice is a little less than stellar in his eagerness, not for lack of want but because his bending doesn’t come right away. It doesn’t click like it does with the others, and it causes a deep frustration in him that he might not be a bender like them. His frustration and disappointment grow until one night during a practice session following a truly rough day, he claims that it’s just not going to work and in a rather rare show of deep upset, he kicks a stack of crates, wanting to just channel out some of that hurt in a harmless way.
The ball of fire that shoots from his foot lights the crates ablaze, and the three brothers have to quickly stamp out the fire before it can grow. As soon as it’s controlled and doused, Eclipse rounds on Sun with pure excitement that shows the flames of hellfire in his very eyes, and he clasps Sun’s shoulders and proudly tells him that that’s what he needs to channel his fire. He needs anger, he needs rage, just like Eclipse. That’s how he can bend. Eclipse will show him how.
Sun is… not enthused by this. He’s not angry; he was just frustrated. A small moment of anguish because of how he wants to have this connection with his brothers. Moon doesn’t need anger to waterbend. It just dances to his call like it’s meant to.
But with no one else to teach him and with Eclipse being so proud of Sunny for being just like him, proving that he’s right about this, Sun can’t say no. He begins to learn the way Eclipse wants him to, and he struggles to voice his discomfort at needing rage to kindle his fire. It’s why it doesnt come as a shock to him that his fire staggers and fails to remain bright and beautiful after the small incident.
Sun isn’t angry, not truly. He was made for love and compassion and justice, but not anger. His fire is never as brilliant as his older brother’s, and though Eclipse keeps pushing him and encouraging him in the only way he knows, his own frustration at Sun’s inability to progress is still just under the surface. He blames the owners, of course. They’re the ones holding Sun back. They must be, since they’re to blame for everything else.
When they are freed, it is no less rough. But Sun is exposed to a whole world of possibilities, and in the long spans of Eclipse’s absence as he fights to make them survive, Moon spars with and teaches Sun what he’s learned. To their surprise, Sun is able to apply it to his own bending, and together, they create a bond built on striving to use their bending to make the city a better place. They train endlessly so that one day, they can use it to show their strength in the police academy.
It’s the first of many walls that build between them and Eclipse. And it highlights the forces behind their bending that let them become in tune with their core elements. Slowly realizing that this will be the start of what separates them, and the first time Sun and Moon turn their bending on Eclipse without holding back is when they’re detectives and jumping out of range of his sizzling dark blue fire.
That’s when they’re certain there’s no turning back now. Eclipse has already burned the bridge between them and now uses the very tool that he taught them how to wield against his own family. He has become like those he hates, those he blames and faults for the city’s imperfection. He lusts for power and control, and when the old daycare is set ablaze in searing blue fire one pitch black night, it’s just another step in that direction. And wouldn’t it be ironic if he starts the blaze with an electrical fire, envisioning all those days spent under the fury of the owners’ controlled shocks and using those horrid memories to fuel his anger as lightning turns to flames.
The detectives are powerless to do anything but fight back, and it leaves horrible scars that are visible to no one but them.
No one, that is, until the vigilante comes around.
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callmeonmyrazr · 1 year
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ok i’m actually v sad about the gossip girl reboot getting canceled
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fictionadventurer · 1 year
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I love setting fantasy around and after WWI. It's such a good combination. WWI was a loss-of-innocence on a societal level. There had been this assumption that technology and progress could solve all our problems and make us better people, and then WWI comes and shows us horribly and violently that it does not, and then in the aftermath we have to deal with what this means for us as a society and as people.
Throwing magic into that is a perfect thematic fit, because magic and technology are basically the same thing--people trying to impose their will upon nature. It can do good things or terrible things, but the issue is not necessarily the technology or the magic itself, but the hearts of the people using it, the cost to bring it about, the drain on resources and the effect on the environment and people. In the aftermath of a major conflict, we have to take a long hard look at ourselves and the choices we've made and will continue to make. Are the benefits worth the cost? What is the true nature of man--can we ever trust ourselves again? Have we progressed to a better stage of humanity or reverted back to beasts? There is just so much to explore there. The WWI connection has been built into the genre ever since Tolkien, and it continues to be relevant to our modern world.
#random thought of the day#adventures in writing#fantasy#wwi#history is awesome#i've been thinking about this since i reread chunks of 'the fairy's daughters' last week#i started writing that not long after 'rilla of ingleside' first sparked my wwi interest#and i didn't know nearly as much about the war back then#i managed to hit upon a core truth that makes the central story pretty compelling#like there are big issues with the story on a logic and character level#but the core thing is that the fae have cut off contact with the human realm after seeing what horrors they were wreaking with technology#but the humans distrust my half-fairy girls because they're afraid of what they can do with magic#the girls fit in nowhere#and neither side realizes they're both making the same mistake#trusting or distrusting a certain method of imposing one's will on the world#and forgetting that it comes down to the choices of the person who has access to the technology or magic#and that theme is strengthened because it's a twelve dancing princesses retelling#so the story pivots around one human man who is trusted with a powerful magical item because he has a good heart#and my explanation here is really bad#but what i'm getting at is that the history weaves together with the fantasy here in really cool ways#because the specific conflict of post-wwi lends itself really well to this magical setting#i've also got my story idea where the spanish flu is replaced with a plague that gives people animal-shapeshifting abilities#so people are literally having to grapple with their beastly natures#which plays out a different aspect of the post wwi conflict#and no matter what form it takes wwi is just a really good setting for fantasy hence the above post#that refuses to put the words in my head into sensible order#i hope maybe a little of this makes sense
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thegreatkarma · 2 months
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born to be a sparks fly-mine-timeless girlie
forced to be a dear john-electric touch-foolish one girlie
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catboyidia · 2 months
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Okay but I feel like Genesis would be such an inspiration for other omegas bc hes the first (and only??) Omega to make it to first class
Also, if you have any note thoughts about omega genesis or genesis in general I'd love to hear them
yeah, i can definitely get behind that too! i think it’d be really sweet if he got to be that kind of inspiration for people!
as for other little omega genesis headcanons:
- i definitely feel like he’s the type to get super clingy around the time of his heats, but as soon as his heats are over he will deny that he ever acted that way…
- i feel like despite omega stereotyping of being oh so uwu helpless, he’s the one that generally takes charge, and he keeps up with his alpha counterparts, sometimes even needing to save and lead them! he’s a strong independent omega for the most part!
- even in romantic situations he will rarely let himself be outwardly submissive, even if his omega instincts will sometimes desperately try to make itself known, but there are always subtle signs; a certain amount of clinginess, stealing his partners clothes and using them to nest but doing it slowly over time so it’s hard to notice, just doing all the normal omega stuff but in the subtlest way possible and denying it if anyone asks!
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small-spark-of-light · 11 months
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i wanted to shade something so heres choir
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mamawasatesttube · 9 months
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Bart would leave his game charging in Kon’s room and later come back for it and walk in on Timkon having sex
Doesnt even react just goes grab his game while timkon is like DUDE and pulling up the covers
that would certainly happen at least once but by the 4th time literally all parties are just chill with it. tim is the most flustered at any point; kon's just like oh hey imp. bart's like oh you guys are being boring right now huh :/ ok lmk when you wanna play overcooked 2 with me. bye. and then he just zips on outta there. no boundaries tbh
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