#studios hergé

[personnage-neutre]

Plans for Tintin-themed floats for an annual parade in the Belgian city of Namur, 1959. Sadly, though around ten of them, each representing a different album, were in fact constructed, there don't seem to be any published photos of the completed floats...

[tomoleary]

“Joyeux Noël” and “Bonne Année” Greetings card – Studios Hergé – 1965

Source

[atomic-chronoscaph]

Tintin in Tibet (1992)

[downthetubes]

Tintin Reporter - Cigars of the Pharaoh game launched

Tintinimaginatio and Microids have just released the new Tintin Reporter - Cigars of the Pharaoh game, based on the eponymous comic story by Hergé

Tintinimaginatio and Microids have just released the new Tintin Reporter – Cigars of the Pharaoh game, based on the eponymous comic story by Hergé. Co-produced by Tintinimaginatio and Microids and developed by the renowned Spanish studio Pendulo Studios, a pioneer in adventure games for nearly 30 years, Tintin Reporter – Cigars of the Pharaoh will be available at the end of November 2023 on…

[animatejournal]

The Adventures of Tintin | Creator: Hergé Studio: Nelvana | France/Canada, 1991

[aboardthescheherazade]

New Years cards from Studios Hergé, 1974 thru 1982

[dirtyriver]

Some pencils from Yoko Tsuno 31: L'aigle des Highlands by Roger Leloup, album to be published in May 2024.

Born in 1933, Roger Leloup started his career in 1950 as an assistant to Jacques Martin and joined Hergé's studio in 1955 while still working for Martin. As Studio Hergé started producing less Leloup began working for Peyo, and created what would become Yoko Tsuno on Christmas 1968, as a secondary character for an aborted project of relaunching Peyo's Jacky et Célestin.

Yoko's first story was published in Spirou in 1970. Leloup celebrated his 90th birthday last November and still writes, pencils and inks Yoko's stories all by himself.

[ptbf2002]

My Top 10 Favorite Nickelodeon Movies

#10 The Rugrats Movie

#9 Rugrats In Paris: The Movie

#8 Rugrats Go Wild

#7 Playing With Fire

#6 The Adventures Of Tintin

#5 Yours Mine And Ours

#4 Teenage Mutant Ninja Turtles: Mutant Mayhem

#3 The SpongeBob Movie: Sponge on the Run

#2 The Loud House Movie

And #1 The SpongeBob SquarePants Movie

Original Template: https://www.deviantart.com/jackskellington416/art/My-Top-10-Favorite-Nickelodeon-Films-852482372

The Rugrats Movie Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, David N. Weiss, J. David Stem, Animagic Studio, Anivision Corporation, Sunwoo & Company Co., Ltd. Class-Key Chew-Po Commercials, Grimsaem Animation Co. Ltd. Klasky-Csupo, Inc. United International Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Rugrats in Paris: The Movie Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, J. David Stem, David N. Weiss, Jill Gorey, Barbara Herndon, Kate Boutilier, Grimsaem Animation Co. Ltd. Koko Enterprises Ltd. Seoul Movie, Sunwoo Digital International, Sunwoo & Company Co., Ltd. Tama Production, Wang Film Productions Co., Ltd. Yowza! Animation, MFP Munich Film Partners GmbH & Company I. Produktions KG, Rugrats Production K.G. Klasky-Csupo, Inc. United International Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Rugrats Go Wild Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, Steve Pepoon, David Silverman, Stephen Sustarsic, DongWoo Animation Co. Ltd. Lotto Animation, Inc. Sunwoo & Company, Co., Ltd. Klasky-Csupo, Inc. Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Playing with Fire (2019 film) Belongs To Dan Ewen, Matt Lieberman, Broken Road Productions, Walden Media, LLC, Anschutz Entertainment Group, Inc. Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

The Adventures of Tintin (film) Belongs To Hergé, Steven Moffat, Edgar Wright, Joe Cornish, Casterman, Les Éditions du Lombard, Egmont International Holding A/S, Little, Brown and Company, Hemisphere Media Capital, The Kennedy/Marshall Company, WingNut Films Productions Ltd. Amblin Entertainment, Inc. Amblin Partners, LLC. Columbia Pictures Industries, Inc. Sony Pictures Releasing, Sony Pictures Entertainment Motion Picture Group, Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Yours, Mine & Ours (2005 film) Belongs To Mort Lachman, Melville Shavelson, Bob Carroll Jr. Madelyn Davis, Ron Burch, David Kidd, Robert Simonds Productions, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Columbia Pictures Industries, Inc. Sony Pictures Releasing, Sony Pictures Entertainment Motion Picture Group, Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

Teenage Mutant Ninja Turtles: Mutant Mayhem Belongs To Peter Laird, Kevin Eastman, Brendan O'Brien, Seth Rogen, Evan Goldberg, Jeff Rowe, Dan Hernandez, Benji Samit, Mikros Animation, Technicolor Creative Studios S.A. Vantiva S.A. Cinesite, Mirage Studios, Point Grey Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

The Spongebob Movie: Sponge On The Run Belongs To Stephen Hillenburg, Tim Hill, Jonathan Aibel, Glenn Berger, Mikros Animation, Technicolor Creative Studios S.A. Vantiva S.A. MRC, United Plankton Pictures Inc. Nickelodeon Movies, Paramount Animation, Paramount Players, Paramount Pictures Corporation, And Paramount Global

The Loud House Movie Belongs To Chris Savino Kevin Sullivan, Chris Viscardi, Top Draw Animation, Inc. Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studio, Nickelodeon Movies, Nickelodeon Group, Paramount Players, Paramount Home Entertainment, Paramount Pictures Corporation, Paramount Global, And Netflix, Inc.

The SpongeBob SquarePants Movie Belongs To Derek Drymon, Tim Hill, Stephen Hillenburg, Kent Osborne, Aaron Springer, Paul Tibbitt, Rough Draft Studios, Inc. Rough Draft Korea Co, Ltd. Toon Boom Animation Inc. United Plankton Pictures Inc. United International Pictures, Nickelodeon Movies, Paramount Players, Paramount Pictures Corporation, And Paramount Global

[bartoonist]

Tintin in an Isekai Fantasy World: I made this at my ECF Art Studio in Inglewood about a week ago, only to realize a week later just now how I forgot to post it on the day I finished this Tintin Fan Art Illustration last week, well anyway, this is an Isekai Tintin fan art illustration of Tintin and Archibald Haddock in an Isekai Novel Fantasy World I just wanted to draw for fun, it was originally going to be titled: Tintin and the Seven Witches of Sin since it was originally going to be a Tintin x Re:Zero crossover fan art piece, but since I didn’t think to add in a Re:Zero Character to go with this Tintin Isekai illustration, which I’ll admit in hindsight: that’s probably whoever I should’ve drawn in this Tintin Fan Art piece with Tintin and Haddock to convey that its technically a Tintin x Re:Zero mashup picture, but all I did was just draw the Re:Zero background of Lugunica no crowds in it whatsoever, I just thought it would be fun to imagine what a direct spiritual sequel to the unfinished final Tintin Story: Tintin and Alph-Art would look like if Tintin got Isekai Reincarnated to another after the bittersweet cliffhanger event of when Tintin was held at gunpoint by a thug behind his back and told Tintin he was going to be turned into a Caesar Statue, which was the last thing Hergé drew before he eventually died of Cardiac Arrest at old age due to being in his 70's in the early 1980's at that time, I had some fun drawing Tintin and Haddock wearing Isekai fantasy reincarnate clothes, and I hope you folks like it anyway of course.

[victvideo]

Tintin Destination Moon Paint gag Comparison

Objectif Lune (Originally serialized as On a Marché sur la Lune)

Written by Hergé

Drawn by Studios Hergé (Hergé, Bob de Moor et al.)

In this blog I attempt to show the key differences between this gag in the original serialized version and the later collected edition. I originally wanted this to be a short and simple post but when analysing the strips more closely I started to notice many other differences between the two versions, and I started to write those down as well. Obviously, the colouring is very different between the two versions something which is to be expected and I won’t really comment on.

The original serialized version of the story has only ever been rereleased in French in Hergé, le feuilleton intégral tome 11 and Tintin Les premiers pas sur la Lune both of which can be purchased on the official Tintin store. Unfortunately, the Dutch translation of the original version was never rereleased, and it has never seen a release in English at all. The images I use for this blog are scans of the Dutch language versions of these stories.

On a marché sur la Lune, Le Journal de Tintin Year 5 #27/Mannen op de Maan, Weekblad Kuifje Jaargang 5 #27 was originally published by Le Lombard on the 6th of July 1950.

Objectif Lune/Raket naar de Maan/Destination Moon originally published in Dutch and French by Casterman in 1953 (This Dutch edition is from 1981).

I will be going over these pages panel by panel, describing what’s different and sometimes explaining why. The first panel has been completely redrawn, so all the characters fit in the now slightly shorter panel. Tintin’s position is unchanged, but Haddock and Calculus were moved more to the left. The pockets and folds in their clothing is slightly changed, Tintin’s eyebrows are more pronounced in the redrawn version. The biggest change in this panel is Haddock’s positioning, his head is now turned more to the left (our left). At first glance panel 2 seems to have only been shortened, cutting out Calculus’ question mark balloon, Haddock’s dialogues is shortened to “Watch out!...” dropping the word “Professor”. But on closer inspection we can see that Haddock’s head is drawn differently, Calculus’ pupils are also in a different position. The third panel is now longer and a Haddock chasing after Calculus was added. The man holding the grate has been completely removed from the comic, instead we now see a signpost with a sign saying “Watch out! Freshly painted!”. But these are not the only differences in this panel, when looking closer one can see the painter has also been redrawn slightly. His overall has more folds and is a bit more detailed, his neck has also gotten an extra line and his overall also doesn’t cover his shoes as much as it used to. When looking closely at his head we can also notice that he has a new cap in the redraw which is more spherical. The last difference surrounds the man walking in the background, his original position is now covered up by the sign, so he was moved to the left and is now walking the opposite direction. Panel 4 was also changed significantly. Obviously, the man holding the grate was removed again his exclamation mark balloon was also removed and instead the painter now gets a question mark balloon. The panel is also wider now, so we actually see Haddock getting hit by the paint. Calculus falling into the painter now also has the added side effect of knocking over the signpost, causing the sign to leap through the air. The painter was redrawn again for this version, his face was redrawn in a style much closer to Bob de Moor’s personal art style and his cap now has 129 on it instead of the double-digit number it had before. Panel 5 is also quite different, in the redrawn version Haddock no longer has the striped pattern because the man with the grate was removed and is instead completely read from the shoulders and above. The original panel shows us a medium shot of Haddock which the redrawn version changes to full shot. In the redrawn version the paint blast has also knocked over Haddock’s captain’s hat which can be seen (painted red) on the floor in the bottom left corner. The sign has also landed on Haddock for added comedic effect, the knocked over signpost can still be seen in the bottom right corner. Panel 6 was completely removed from the collected edition, its text now having been added to panel 7. The seventh panel is the only one not to have been redrawn, the only changes were the added caption from panel 6 and that the text balloon was moved down to make room for this.

The main differences between the two versions are that the grate was removed from the joke and Haddock was more present in the drawings as extra set up. This last bit caused some panels to be widened which in turn caused others to be shrunk. Although Bob de Moor worked on both versions, it’s obvious judging by the style that he redrew the pages largely on his own.

Destination Moon and its companion book Explorers on the Moon have many differences from their original serialized version. Certain pages were added, others were scrapped, certain panels were redrawn, reordered, or slightly enlarged. Most of this was done because the original 118 page* story had to be divided over two collected editions each holding 62 pages of comic strips. Most of the new pages were added to Destination whilst about 2,5 pages were cut for Explorers. The reason I decided to focus on this paint gag specifically was because it looks very different from the original yet there seems to be no obvious reason for the change. Both versions take up the exact same amount of space on the page. Perhaps Hergé wasn’t happy with the original gag, the grate does make it a bit more contrived or perhaps he wanted Haddock to be more present in it. But this is pure speculation, in any case I’m happy it got redrawn. I personally find the version in the collected edition much funnier because there’s a bit more anticipation in this version; we see Haddock chasing after Calculus and then we actually see him get hit by the spray paint. That said I really like the original drawing on panel 5, I like Haddock’s expression and figure more in that one. The paint dripping off his fingers is a nice touch too. I hope you enjoyed my comparison of this short gag from Destination Moon, as mentioned before the story has many differences which I might delve into in the future!

*The exact number of pages depends on whether or not you count the cover pages especially made for the story and the summary page, I excluded these from my count (none of these made it into the collected editions anyway) including them the total would be 125 pages.

[personnage-neutre]

Proposed alternate covers by Bob de Moor and Jacques Martin for the 1965 reedition of L'Île Noire

From BDZoom.com

[tomoleary]

Hergé et Studios Hergé, double page de l’album Pop Hop Le sceptre d’Ottokar (1971)

[sjstone-author]

In addition to his own self-published books, Gonzalez has also worked in comics for companies like Boom Studios and Dark Horse, and illustrated a few magazine covers, but, unlike many artists, he says it’s not necessarily the job he dreamed of having as a kid. He always wanted to do something creative, but he struggled with drawing, often feeling like he would never improve to the point that it become a career. “Somewhere around my 20s I really entered a solid learning curve and from there I've really grown to love drawing and creating illustrations,” he explains. “I feel I still have a ton to learn but now the road is there.” Gonzalez says that he started out with a style that was more painterly, and only more recently adopted the ligne claire — clear line — style he’s become known for, a look that was pioneered by Belgian artist Hergé on Tintin. Gonzalez’s list of influences includes the usual suspects: like defining French sci-fi artist Moebius and American comic illustrator Geof Darrow, as well as manga artists like Hiroaki Samura and Akira creator Katsuhiro Otomo. "It’s a long list," Gonzalez says.

The bleak and charming cyberpunk art of Josan Gonzalez | The Verge

Investigating comic styles for a project I’m thinking about.

[isabelpemberton]

FAS 3003- Blexbolex

Blexbolex is a French graphic artist who is known for his picture books, comics, silkscreens and posters. He studied silk screening in Paris as part of Jean-François Guilberteau's studio (Schuddeboom, 2021). His artwork is inspired by the style 'Ligne Claire', a drawing style most commonly seen in the book 'The Adventures of Tintin', created by Hergé (Thomas, 2012). Ligne Claire in French translates to 'Clear line' and involves clear, concise outlines with vibrant colours most commonly seen in children's books.

Looking at this art style and specifically Blexbolex's work, I wanted to experiment using similar techniques to create my outcomes. I started by selecting an image to work from and blocking out the image's primary colours. From this, I was able to make a stencil that I could screen print from. I decided to remove the finer details as it gave the image more of a comic book effect which I liked.

The use of negative space created by the stencils worked well for this piece. This helps make a focal point within the piece and directs the viewer's eyes to the positive shape in this photo, which is the motorway road signs.

[lagiorgiet]

*ANGOULÊME FESTIVAL SIGNINGS* ⁠ I made a postcard for my beloved studio, 'L'Atelier du Gratin', there it is, I hope you will like it! ✨⁠ You can find the postcard alongside the others made by my colleagues at the Gratin stand at the Festival de la Bande Dessinée of Angoulême! 😉 There's no new book coming up this year (why do we even have to publish a new book every year? I don't think it’s necessarily a good thing anyway) but you can still find me signing at the 'Café Creed' and the 'Gratin' stand at the Bulle in Place New York. ⁠ ⁠ Here the schedule: ⁠ ⁠ THURSDAY, 26th⁠ Signing with Café Creed, noon to 2 PM, Pavillon d'Angoulême, 71 rue Hergé⁠ ⁠ FRIDAY, 27th ⁠ Signing with Café Creed, 4 to 6 PM, Bulle Place New York⁠ ⁠ SATURDAY, 28th⁠ Signing with L'Atelier du Gratin, 6 to 8 PM, Bulle Place New York⁠ ⁠ SUNDAY, 29th⁠ Signing with L'Atelier du Gratin, noon to 2 PM, Bulle Place New York⁠ ⁠ The collective Café Creed celebrates its 30th anniversary! 🎉There's an exhibition going on at the Pavillon d'Angoulême (71 rue Hergé) during the whole Festival. Come and stop by! ⁠ ⁠ I still have to fix up my social skills after these years in which we were locked in our homes, so I may look and act in a very shy way but I'll be the happiest to see you, either if you're a friend or simply a reader who wants to meet me/my work. 😊 ⁠ ⁠ See you soon,⁠ ⁠ G.⁠ ⁠ #FIBD23 #comics #bandedessinée #angouleme #illustration #postcards #newyork⁠ (presso Angoulême, France) https://www.instagram.com/p/CnuQbIPIsVf/?igshid=NGJjMDIxMWI=

[aboardthescheherazade]

More humanity, more peace!

A poster produced by Studios Hergé for a Flemish Red Cross campaign, 1984