#tell me more about maya she's the best character and only had 2 lines so far which is a crims | Explore Tumblr Posts and Blogs

mostlymovieswithmax · 3 years

Text

Movies I watched in July

Once again I’m doing my monthly round-up of movies I’ve watched. This was a good month for the cinema getting back on track and seeing new releases including the new M. Night movie, Old and James Gunn’s The Suicide Squad. Pretty sure Marvel put out a new movie also. I’m hoping that this list can help in guiding a decision about what to watch (or what to avoid) and introduce people to movies they may otherwise not have heard of or bothered to see. These short reviews are my own subjective opinions on each individual movie and maybe a more informal approach to movie criticism can help include others who are just passing through. Here is every film I watched from the 1st to the 31st of July.

Bridesmaids (2011) - 4/10

Off to a good start. I won’t say Bridesmaids is a terrible movie but I don’t think I’m exactly the target audience. As far as I know, this is a beloved comedy but I just can’t get on board with all the boring, juvenile humour; with Maya Rudolph shitting in the street, with Rose Byrne and Kristen Wiig trying to one-up each other at a toast that went on forever, with Melissa McCarthy shitting in a sink… the conflict is so done to death and makes the movie feel unspecial. I do understand the appeal of the film, especially for women in that before this movie the likelihood of seeing something like this, where women play up the more crass and gross side of comedy, was probably few and far between. But the story is very tired and while I did appreciate some moments, namely a couple of decent jokes and some of the more intimate scenes, for the most part it felt like they wanted to corner a more quiet type of line delivery in a way that was supposed to be understated but very funny so as to not rely on over the top body language or musical cues, and it ended up being super dull.

Spectre (2015) - 7/10

As far as I can tell, a lot of people don’t like this instalment of the James Bond franchise… but I really enjoyed it! I’ve really taken a shine to these Daniel Craig-era Bond movies and while I can’t say any of them are the most amazing thing, I have a lot of fun with them. The biggest problem I have with Spectre is the villain being utterly pointless and uninteresting in basically every way. The idea of every villain Bond has fought before being tied to this one organisation controlled by this one guy is ridiculous, and what makes it worse is that the villain is barely in it! There’s so much that doesn’t come together in this but as it goes, I still had a really good time. Daniel Craig holds the whole thing together; he is excellent as 007 and the main reason I’m up for each of these movies is because of him. Sam Mendes directs again after the previous instalment and for what it’s worth I do think he does a good job with some of the action set pieces and the locations. I’m so ready for No Time To Die.

Shazam (2019) - 7/10

Shazam is a genuinely fun superhero movie that doesn’t take itself seriously at all. I was having a great time throughout and while it could conform to some of the same tropes we’re used to with these kinds of movies, it still remained playful and used the character of Shazam to his fullest potential in a way that showed an understanding of just how silly the idea of a kid who can turn into an adult and shoot lightning out of his hands is.

High School Musical (2006) - 6/10

So as you may or may not know, I co-host a podcast: The Sunday Movie Marathon. It’s a film podcast and every week I get together with my other co-hosts and watch movies. For episode 38, we watched the High School Musical trilogy. This first movie blew me away. I was really surprised with just how much fun I had, and if you want to hear more of my thoughts on the film, please listen to episode 38 of the podcast.

High School Musical 2 (2007) - 4/10

We then jumped into the second and while it’s certainly not as good as its predecessor, there are still some brilliant songs that manage to top the last movie. Again, more of what I have to say can be heard on episode 38 of the podcast.

High School Musical 3: Senior Year (2008) - 3/10

Senior Year was pretty hard to get through. I don’t remember it being as bad as it was, but then I didn’t really remember it anyway. It did however have one redeeming quality, which you can discover on episode 38 of the podcast.

The Piano Teacher (2001) - 9/10

What the fuuuckkkk. The Piano Teacher is horrendously affecting and I was so upset when it ended, maybe not because it’s not what I wanted but because it’s just so fucking dour and unrelenting. This is the second Haneke movie I’ve seen (after the original Funny Games) and I’m so impressed with how well executed it is. Following a woman who teaches piano, we get a glimpse into the life she lives, how sheltered she is from living with her mother at an age where you’d reasonably expect a person to be living alone or with a partner or friends (even going so far as to be sleeping in the same bed as her), and how repressed she is sexually. It’s clear she’s never experienced any kind of sexual interaction or romantic love with another person, so she goes out of her way to take control and make that happen. The upsetting nature of it comes from just what she does in pursuit of it or as a result of her repression, and what is done to her. It is by no means a movie to recommend to your parents but The Piano Teacher offers so much in terms of the ideas it presents (and I’ll admit there seems to be a lot more going on than I think I picked up on a first go round) about women in modern society, and about the portrayal of sex and expectations of people when it comes to how that is represented in a person’s character depending on their gender. I really enjoyed this movie but it is not for the faint of heart.

Sharpay’s Fabulous Adventure (2011) - 1/10

My podcast co-hosts decided it’d be a right laugh to add Sharpay’s Fabulous Adventure to this episode and that might have been a fun idea for them because they got to watch it together, but I was just watching it alone. Just a 24-year-old man watching Sharpay’s Fabulous Adventure alone and having a miserable time, I might add. But for a short and sweet ramble on what we all thought, please listen to episode 38 of The Sunday Movie Marathon podcast.

Dr. No (1962) - 6/10

A lot of very iffy parts of this movie. A lot of discomfort arising from how black people are portrayed that really didn’t sit right with me. As far as a Bond movie goes, this first instalment in the series is one I’ve seen before and it’s not wholly engaging but it plants the seeds for the rest, with Sean Connery breathing life into the role and making an otherwise lacklustre plot bearable.

Black Widow (2021) - 6/10

I think probably the best part about Black Widow is the experience I had while watching it. It was great being back in the cinema with a couple of friends in a packed theatre. The energy was high and I’m sure for a lot of people, this is the first time they’d been to the cinema since Endgame. For what it’s worth, I did have a lot of fun with Black Widow and I’ve explained more of what I thought about the movie in episode 39 of the podcast.

The Climb (2020) - 10/10

The Climb was added to Now TV recently and I already knew I loved it, having seen it in an empty cinema theatre last year, which I had an absolute blast with. The Climb details the years of a rocky friendship told over scenes filmed as one-shots. Not only is the presentation something to gawk at, but the performances by the two leads playing these friends with a terrifically dysfunctional dynamic is truly captivating. They’re both trying to figure out their own lives and where one can come across as being rather selfish, the opposite is true in his counterpart, whom everyone loves. This is a truly funny and heartwarming movie with a lot to say about how we choose to live our lives and who we choose to be with. It’s a shame the distributors of The Climb didn’t do a very good job because if not for it being available on Now TV, it would be near impossible to watch without forking out more money than is necessary to purchase a film.

From Russia With Love (1963) - 5/10

The second Bond movie. I thought perhaps I’d change my mind on it with another watch, having seen it for the first time maybe a year ago. But no, it’s still largely boring and it treats women like absolute garbage. From Russia With Love is one of those movies I forget as I watch it, and I was trying very hard (in the middle of the day!) not to fall asleep.

The Good, The Bart, and The Loki (2021) - 1/10

I don't usually talk about the short films I watch but for this I'll make an exception. As we all should know, Disney owns The Simpsons now, through their acquisition of Fox, so, coupled with another of their properties, that being Marvel, they decided to make a six-minute animated film wherein Marvel’s Loki is stranded in Springfield. This felt as though it was a minute long due to the horrendously jarring pacing; it is a movie that feels adamant that it needs to exist, while trying as hard as it can to be over as soon as possible. It serves only to stare the audience directly in the face and say “look, characters from The Simpsons are dressed as Avengers”, shit out three credit scenes, then end before you’ve even processed the atrocity you just bore witness to.

Russian Ark (2002) - 8/10

For this next episode of the podcast, we watched a few Russian movies, starting with Russian Ark, a film shot completely in one take as the camera moves about a luxurious museum in a first-person perspective as this main character watches what is happening around him, seeing people moving about the place but unable to interact with them, guided only by another man who seems to be just slightly out of his own perception of reality. This is a tremendous feat in filmmaking and more can be heard about what I have to say in episode 39 of The Sunday Movie Marathon podcast.

Ivan’s Childhood (1962) - 7/10

For my own pick of Russian movies to discuss on the podcast, I chose the debut feature from one of my favourite directors, Andrei Tarkovsky. It’s amazing that while this is not his best film by far, Ivan’s Childhood is still such a stellar debut, jumping around in its timeline as it details a child’s experience in the second world war. Again, I do go into more depth in episode 39 of the podcast, so be sure to check that out.

Outlaw (2019) - 1/10

The third movie chosen for this marathon is apparently the fourth Russian LGBTQ+ movie ever made. I’m unsure of the ultimate goal of this movie but what seems to be clear is that it hates the LGBTQ+ community. This is perhaps the worst film we’ve discussed on the podcast to date, so listen to episode 39 to understand exactly why it’s such trash.

Almost Famous (2000) - 7/10

I too love heavy music and also studied journalism so it stands to reason that a movie about a teenager who makes his way onto a band tour, following them through America and interviewing them as they hang out and play shows is going to be a premise that resonates with me. This certainly did. I enjoyed Almost Famous a lot; this kid is living the dream and I was so along for the ride, seeing a lot of myself in what was being portrayed. That said, the story itself is at times a bit by the numbers and I really would’ve been more on board if the visual component was more interesting. For what it is, technically it’s fine enough but nothing in that department ever jumped out at me.

Minari (2021) - 8/10

It’s crazy that this didn’t get a theatrical run where I live in the UK. It feels as though I complain about film distribution all the time but I really don’t understand the process by which a movie gets no cinematic release and yet, months later will pop up on the front shelf of hmv, taking pride of place. But of course I got the blu-ray straight away. Minari has a lot to say about the immigrant experience, specifically in America as a family comes over from Korea and tries to start a business and make something of themselves. You get to see a lot of what you might not think twice about when you think about immigration: the hardship of coming from a place where you know everyone to somewhere rural and sparsely populated, having to make friends with locals and integrate within the community; the strain it can put on a family and on a marriage where this idea is presented about the importance of making it on your own in order to live and not just survive, while also taking into account why you’re doing it in the first place and the value you place on being part of a family that you decided to make because that was more important than money, than economy, than proving you were good enough to make it in a place that gave you very little advantage from the offset. This concept of the promised land, of the American dream is a construct. There are times when it’s not pretty, when you have no running water, or you’re in debt, or a family member is dying and it just feels like you’ve been dealt as bad a hand as you can get. But it is better to know you’re not facing all that alone.

Roma (2018) - 10/10

This was my recommendation for the podcast episode on Alfonso Cuarón movies. Roma is as beautiful as it is heart-wrenching and I would recommend listening to episode 40 of the podcast to find out more about my thoughts.

An American Werewolf In London (1981) - 8/10

In all fairness, London is enough to make anyone a little crazy at the best of times. An American Werewolf in London showcases some fantastically grotesque effects, akin to something like Carpenter’s The Thing, in showing the dead brought back to life and a horrifically gory transformation scene. Although the film is from the perspective of an American protagonist, directed also by an American, the depiction of British culture and climate is something I’ve not seen many films pull off quite so well, and I was pleasantly surprised at the more comedic tone the film has overall, which is something that works more in its favour than straight horror would.

The Party’s Just Beginning (2018) - 6/10

Karen Gillan’s directorial debut is… pretty good! There are a lot of ideas I like in this movie: a woman living life and through convenient circumstances, is confronted with death in many ways. Gillan obviously knows her homeland as well as she can, imbuing the whole thing with an intensely Scottish vibe (though maybe not in the same vein as something like Trainspotting) that makes it a bit more unique than a more run of the mill movie of this ilk, backed up in no small part by her own main performance. The plot itself is no great diversion from the kind of story I’m used to with these smaller movies and for something that’s trying to include messaging about transgender issues and suicide, it probably could have been handled better or done in a different way.

Solaris (1972) - 9/10

Another Tarkovsky joint, one I thought I’d revisit to see if there was indeed more to get out of it a second time. Well, it’s no surprise that yes, there was certainly more to get out of it. Solaris is a crazy trip of a movie and I would liken it to Kubrick’s 2001 in terms of how grand the scale of it feels. Yet this is a film that comes across as deeply personal, choosing to focus on a specific character as he goes to a space station to help those on board who are experiencing some kind of emotional crises, only to feel the effects of the planet, Solaris invading his own mind as it has the crew. To many, I can see this lengthy Russian sci-fi being a tad slow but my personal experience is one of deep engagement. Solaris pulls its viewer in a lot of different directions and it is always doing something unexpected in terms of where its narrative goes. There’s a lot to think about with the movie and thankfully it’s no chore to watch again.

Y Tu Mamá También (2001) - 9/10

Another recommendation for the podcast episode on Alfonso Cuarón movies. This is a very relaxed experience, following three young people as they go on a road trip, visit different places and have sex. Listen to episode 40 of The Sunday Movie Marathon podcast for more of my thoughts.

Children of Men (2006) - 10/10

My favourite Cuarón movie, one that never stops being tense as its characters are constantly moving towards the end goal. Set in a future where humans are infertile, the oldest living person is 18, and London is the last city in the world that’s still keeping it together, somewhat. This is masterclass filmmaking. Listen to episode 40 of the podcast for more insights.

Minority Report (2002) - 5/10

I’m really not the biggest fan of Spielberg… Minority Report is an interesting movie in terms of its concept of stopping crimes before they happen by way of prediction, but I just didn’t connect with the heart of it. The colouring is way too overexposed in a way that’s supposed to be eliciting a futuristic vibe but instead feels so early-2000’s in the worst way. My biggest problem with Minority Report is just how long it is, clocking in at two hours and twenty-five minutes which allows for a lot of meandering, all while never quite developing characters enough for you to care about.

Caché (2005) - 9/10

Oh god! Another Michael Haneke movie! Here we see a couple periodically sent video tapes featuring hours of footage of the outside of their house. The anxiety ratchets up and the mystery gets deeper with every minute. There’s always at least one moment in any of his films that have so far made me realise just how out of my depth I am. Caché is no exception, and I won’t spoil anything here because I think it’s better just to watch the movie and see for yourself. He is a director that wants the audience to know something and that something is never what is explicitly shown at face value; it is pressed into the fabric of the film - plainly evident, yet hidden. Caché is so stupidly clever in displaying its themes and messaging - making reference to the Siene Massacre of 1961 as well as a deeper study of colonialism - and there’s no way to change a single detail of it without risking the Jenga tower crumbling to the ground. It all works in tandem. It is passion and fury and haunting.

Coco (2017) - 7/10

Pixar had a string of around seven forgettable movies before this point so thankfully Coco emerged to show the company still had something good in them. Coco deals a lot with themes of death and legacy, remembering those who are gone in order to preserve them and while its plotting is quite basic and there are certainly moments that either drag or cannot escape the same Pixar formula, most of what the movie has to offer is a lot of fun, with creative, colourful animation and emotional beats that resonate the way they’re supposed to.

Incredibles 2 (2018) - 5/10

Oh, they almost had it! There's a lot here that could have been explored in far more interesting ways. Setting Incredibles 2 directly after the events of the first movie was not a good idea. If it had taken place five or ten years after, the characters could have been in different places in life and it would feel as though they'd actually changed and developed. But instead of trying to be a film that actually cares about its characters and the journeys they go on, a lot of the film is wrestling with the idea that Bob isn't supportive of his wife and Jack-Jack has to fight a raccoon… They have to shoehorn in a villain that in no way compares to the genius of the original. The ending of the original introduces another antagonist that gets wrapped up within this film's first ten minutes, except they don't catch him and he's never mentioned again. It's a real shame because the animation is fantastic and the acting is superb and there are great ideas sprinkled throughout. It just doesn't come together.

Toy Story 4 (2019) - 6/10

I was rather reluctant to watch Toy Story 4 because from the get-go I’m not really here for sequels being made just for the sake of it. Everyone loves Toy Story and making another one is a sure fire way to make money. This is the first time I’ve seen Toy Story 4 and for what it’s worth, I did enjoy it. The animation is immaculate and that alone feels like a huge flex from Pixar who tend to step up the game when it comes to animation in film, despite not having the best track record for films generally at this point. While it was nice to see these characters again, I found a lot of them to be side-lined (namely Buzz) in favour of a story that focuses mainly or entirely on Woody, who I just don’t like as much as in the previous movies. Generally the movie is good and decent enough but there’s no real antagonist and the plot is quite loose… it doesn’t feel as though it needed to be made from a story point of view.

Onward (2020) - 6/10

And with that I have seen every Pixar movie. And Onward is a fine one to go out on. While I don’t think it compares to the likes of earlier Pixar it’s still pretty fun. Or maybe I’m just a sucker for a medieval setting filled with bright colours and magic! Speaking of which, the animation was super and the medieval quest element is something that hooked me with the film. Again, plot-wise it does feel very familiar and I don’t know, maybe I’m past the point now of expecting Pixar to mix it up where their formula for story-telling is concerned but the movie is quite predictable. Nonetheless, while I’m not rushing back to see Onward I would hardly turn it off or refuse if someone wanted to watch it.

Old (2021) - 3/10

Oh boy! New M. Night movie dropped and my word, was it fun! For more of my thoughts on this… masterpiece (?) of a movie, please direct your attention to episode 41 of The Sunday Movie Marathon podcast.

T2 Trainspotting (2017) - 5/10

Trainspotting is perhaps one of my favourite movies and I had never bothered with the sequel, 20 years on, because the ending of that first movie is so conclusive. T2 felt more an excuse for these guys to get together again and in that, I probably would have preferred a couple of pictures on Twitter of the main cast and director, Danny Boyle having dinner or something. This is a fine movie - very arty in its presentation but meandering and dull in its story that doesn’t offer much in the way of proof that it had to exist.

Taste of Cherry (1997) - 9/10

What makes life worth living? This is a central question and theme of Taste of Cherry, and one that leaves such interpretation not only up to its central character but to the viewer as well. This film got me thinking about times in my life when I truly have had no answer to hard questions. Because it’s hard to convince people of things they are so adamantly against and harder still to rationalise what you believe if you’re not even entirely sure why you believe it in the first place. We are all of us alive and in recognising that, does that make it precious? And if indeed living is not a happy thing, why then should we fight so hard to preserve it? I felt upset as I watched this movie because I’ve been asked these kinds of questions before and it makes me feel stupid when I’m unable to answer. But the only real answer I can give is, everything. And if you can’t see the point then you’re not looking hard enough. Taste of Cherry is beautiful in its exploration of these topics and in its overall presentation, offering some of the best visuals in any movie I’ve seen - fitting for a feature with so much to say about the beauty of life - and an ending that as much pulls the rug out from under you as it does pull you out of the dark and make you realise just how lonely you’ve felt.

Bones (2001) - 2/10

Snoop Dogg is Jimmy Bones! This film is super funny but I’m not sure it’s trying to be and I really didn’t love it overall. But I do talk more in depth about it in episode 41 of the podcast.

The Duchess (2008) - 5/10

Another recommendation for the podcast. The Duchess was pretty much exactly what I thought it was going to be and there’s a lot to like about it but generally it’s a bit sparse. For more chat on the movie, listen to episode 41 of the podcast.

The Man With One Red Shoe (1985) - 1/10

This was another one for the podcast and man, was it awful. We had to watch it at 1.5x speed towards the end because it just wasn’t getting finished otherwise. To find out more, make sure to listen to episode 41 of the podcast.

The Emperor’s New Groove (2000) - 7/10

Pull the lever, Kronk! Haha! Slays me. I do quite miss this era of Disney, where the animation was hand-drawn and the stories were actually compelling and funny. The Emperor’s New Groove is vibrant, it’s got great characters and memorable moments that will forever be ingrained in the memory of culture. All in all, it’s just a solid flick that doesn’t waste time, developing the standard fall from glory type of arc but smoothly and in an entertaining way.

The Suicide Squad (2021) - 8/10

Oh, bloody hell! They actually made a good one! The Suicide Squad is not only better than the ‘Suicide Squad’ of 2016 in every way, it’s a genuinely great film! This time, James Gunn (director of Marvel’s Guardians of the Galaxy movies) is at the helm and it seems clear that Warner Bros. basically let him do what he wanted with the movie, as it doesn’t seem to bog itself down with the restrictions of a more family-friendly rating. The result of this is a far cleaner, colourful film with a clearer vision that takes from early Vietnam movies and uses that style to craft a superhero/villain movie that differentiates itself among the copious amount of existing films of the genre. The Suicide Squad wastes very little time, introducing fun, crazy characters we’ve not seen on the big screen before and isn’t worried about killing a whole bunch of them, with standouts being Elba’s Bloodsport, Melchior’s Ratcatcher 2, Stallone’s King Shark (expertly rendered with fantastic visual effects), and Robbie’s returning interpretation of Harley Quinn. A lot of Gunn’s trademark sense of humour is laced throughout and more often than not, it hits. The audience at the cinema were truly loving this movie and I’ll admit, I was right there with them. This mix of the gritty, gory and absurd is not something that should work as well as it does but the basic premise of the film is already so silly (and boy, do they know it) that it just works! Certainly one of the best DC movies since The Dark Knight and one I’d be more than happy to watch again. This is what the modern comic book movie should be: just balls to the wall fun!

68 notes · View notes

rivalsforlife · 3 years

Note

Do you have anything you wished was different from Ace Attorney canon?

Hello I'm finally slowly starting to get around to answering some of these! Sorry for the wait.

Uh this ask got super long so a basic summary of it: narumitsu being canon in a well-written way would be nice even though I don't think it would ever happen, I stand by not bringing back Phoenix as a main protagonist in DD, and I'd also want to rewrite all of SOJ so that Apollo goes to Khura'in in place of Phoenix, to have more interesting character stuff going on.

So the longer answer is this:

Aside from some of the actually problematic stuff that I don't feel qualified to talk about, story-wise, I answered a sort of similar question about a year ago here. I have changed my opinions a little bit since then, particularly with regards to the canonicity of narumitsu... because while I do love narumitsu I feel like I don't trust Ace Attorney to actually do it properly. After all if this past November has taught us anything "making a ship canon" could actually be quite undesirable and I have no desire to see Phoenix and/or Edgeworth sent to superhell. (I literally know nothing else about supernatural sorry about that.)

If capcom were somehow able to make narumitsu canon but in an unobtrusive way and as a natural progression of the storyline, like oh hey, the court record profile for Miles Edgeworth's Obligatory Last-Case Appearance has Phoenix mention they're dating, and maybe there's a few lines suggesting they live with each other, but it's not like... taking the entire story to force them together and otherwise does not change the way they interact with each other and butcher one or both of their characterizations in the process? I'd definitely be happy about that. Not gonna lie even if they made narumitsu canon in the most terrible way possible I'd have a "holy shit I can't believe they did that it's the best day of my life" kind of moment before I could think about it critically. But I honestly see no chance of them ever actually making narumitsu canon, so that's quite unrealistic to hope for anyways.

Aside from that in that other ask I talked about basically the premise of an Apollo trilogy and not bringing back Phoenix as the main protagonist in DD, and I still stand by that, buuut in my other ask I did touch on making SOJ a different game where Apollo goes to Khura'in instead of Phoenix - and you know what I'm going to take some time to actually talk about my dream version of SOJ because there were a lot of little things about the one we got that I didn't like. And it's going to be very long. So it's under a cut.

SO yeah I talked about it a bit in the other ask. I think that Phoenix going to Khura'in is a rather weak idea both externally and in-universe. In one of the interviews, too lazy to find which one, Phoenix basically goes to Khura'in because the writers couldn't figure out how to challenge him anymore. ... And then they don't actually challenge him at all. Because oh well now we're going to this new country where they KILL DEFENSE ATTORNEYS WHO LOSE and then it's supposed to be *shocking* that Phoenix would risk his life for a kid or his best friend. you know the guy who ran across a burning bridge to save his best friend. you know the guy who got punched in the face, nearly killed by the mafia, and tazed trying to save his clients. This doesn't tell me anything new about Phoenix's character. His whole travel in Khura'in doesn't tell me anything new about Phoenix's character. Basically the only reason he's there is to see Maya - Maya who theoretically would be returning home in about two weeks. Maya who was still in her training for two more weeks when Phoenix visited so he wouldn't be able to see her anyways. ... And in the meantime Trucy had the biggest show of her life that was going to be on TV and Phoenix wasn't there for it. And of course Phoenix didn't return home after Trucy was accused of murder (yes he couldn't be there for the trial, but he definitely could have for the emotional support afterwards) and instead just sits for two weeks in Khura'in doing literally nothing after Ahlbi's trial.

(And yes I know about the anime prologue that has Phoenix think Maya's in danger... but that's not strictly canon since it's never mentioned in game, isn't technically a part of the game, and even still, why wouldn't he go home after knowing that Maya's safe and that Trucy had been ACCUSED OF MURDER. Honestly that's what makes me angriest about this whole thing is that it makes Phoenix out to be a terrible dad. We really don't need any more takes like that, especially not from canon.)

And what about Apollo, you may ask? Well, given case 5 of SOJ, Apollo actually has a personal link to Khura'in and ends up staying there afterwards... after being there for like a day or two. I should note here that it has been a while since I went through SOJ in its entirety so I am fuzzy on many of the details. But both through what I remember and some conversations with people who actually played the game recently, the motivation for Apollo to actually stay in Khura'in isn't that great. It mainly seemed like guilt about his dead dad who he hadn't been in contact with for years and had completely written off until a few days ago but oh he died and then went to go visit him so... better take up the law office!

If Apollo had gone to Khura'in in place of Phoenix and spent more time there, reconnecting with his childhood home and actually getting passionate seeing how corrupt the legal system is there (even though we have a corrupt legal system at home) and being driven to fix it, that would make for a stronger story, I think. The Khura'in plot is more personally focused around Apollo than it is Phoenix. Phoenix's connection to Khura'in is through Maya, but Maya doesn't really have much of a connection to it aside from "it's where spirit channeling is from and she trains there". But Apollo, I guess, grew up there. So it's so strange to me that they force all of Apollo's connection to Khura'in in the last case while Phoenix is running around doing who-knows-what for the rest of the game. Phoenix spends more time getting to know the state of Khura'in and the Defiant Dragons and case 3's whole thing but he isn't the one who in the end decides to sit down and fix it; that's all on Apollo. It almost feels like they forced one of the two plots in to everything. And it was probably conceived as a Phoenix story that they needed to fit Apollo into last minute because oops he's supposed to be a protagonist too.

Some other strengths to Apollo going to Khura'in include that it would shake up the character dynamics a bit. Instead of Phoenix defending Maya, it's Apollo defending Maya, and that's a particularly interesting thing to look at in the context of Khura'in's "we kill defense attorneys" system. Of course, Phoenix would risk his life to save Maya, 100%, every time. But what about Apollo, who hasn't met Maya, who only knows her as "Mr. Wright's former assistant" - would he risk his life for her? And I feel like Maya would argue more against him defending her because of that. "We're strangers, you don't know me, you don't have to risk your life defending me." (Sidenote that I was always upset that Maya didn't protest much when Phoenix offered to defend her, knowing his life was at risk - sure she knows him better and knows he's always been able to get her out of these situations, but at the same time, the fact that there was no "what about your daughter?" conversation sucks. I really wish SOJ wouldn't have like. completely forgotten about the phoenix-trucy father-daughterisms.)

Let's say Apollo goes to Khura'in. Phoenix stays at home. Phoenix gets a call from Apollo that's basically "uhh hi Mr. Wright you know your friend Maya, she's been arrested for murder, if I defend her and I lose we're both dead," then you can tie in to that moment in 6-2 where Phoenix (who can't make it in time for the trial!) believes in Apollo and his skills as an attorney, not just to save Maya's life, but also his own. It ties in a bit more to the overall challenge of defending someone at the risk of your own life. Again, Phoenix would have very few hesitations, if any, risking his life to defend Maya. Apollo may have more defending a stranger at the risk of his own life.

Then if you can actually have Apollo and Maya talk together that would be neat - Maya can tell him embarrassing stories about Phoenix's rookie days, for instance. Their dynamic would be quite a bit different from Phoenix and Maya's, and that would be an interesting thing to see, unlike what we have in SOJ where all of Maya's substantial interactions are with characters she already knows or brand new characters.

(It would also be pretty neat to know more spirit channeling politics and dive in more to Maya's perspective on Khura'in and also her role as upcoming Master of the Kurain Channeling Technique and where she plans to lead the village in the future and also reconcile with her family's bloody legacy, but I'm not quite sure how to fit that in right now.)

And how about Phoenix, back home in Japanifornia? Evidently he'd end up being in charge of defending Trucy. Now, I did love the siblingsisms in canon 6-2, but I feel like there is still potential for Phoenix defending Trucy. All of Apollo Justice has a bunch of good moments between Apollo and Trucy, and she's co-counsel on all his trials, but we've never had any substantial Phoenix and Trucy investigation or co-counsel moments. I feel like AU 6-2 would be a great opportunity to dive more into Phoenix and Trucy's relationship and how it may have changed after Phoenix got his badge back. Plus, Phoenix being "the only one who knows how she really feels on the inside", he'd have unique insider knowledge into some of the Gramarye stuff that comes up in the case and Trucy's personal connection to the Gramaryes, which Apollo knows a bit of, but Phoenix knows more of. ... Or at least, should know more of, given that he raised Trucy for nine years at this point and they're very close, and Phoenix knows her better than anyone else does, even if capcom has forgotten this.

... Of course having Athena defend the case would also be great because more Athena spotlight is never a bad thing, but it's hard to come up with a reason why Phoenix wouldn't be there to defend her. And doing more switcheroos in terms of role in the plot is a bit beyond the scope of what I have in mind right now. Sorry Athena.

Aside from that, Athena still gets Storyteller, Apollo still heads Turnabout Revolution, and Phoenix still gets the DLC case. Apollo stays in Khura'in in the end with a bit more to his motivations. Rather than it just being about carrying on Dhurke's legacy, it's also something Apollo is passionate about after all he witnessed here. While we're at it I'd still rework a lot of Turnabout Revolution to make it so that Phoenix genuinely believes in Atishon because that makes for sooo much more interesting of a plot and actual character development on Phoenix's part than "Maya was kidnapped again and Phoenix is only wrong when he has no other choice", but that'd require some more detail and this post is long enough already.

And in terms of other details that need to be sorted out, there's the question of why Apollo would need to go to Khura'in in the first place. I'd probably say something to do with Dhurke. Maybe he comes back a bit earlier - actually alive, maybe, though crossing borders would be a bit of a challenge, or he reaches out to Apollo remotely somehow and Apollo goes to yell in his face about abandoning him (or at least that's what he thinks he wants.) Then we could have some more Dhurke and Apollo bonding time, potentially? Idk, if you switch up Phoenix and Apollo you're pretty much writing a whole new game and obviously I have not worked out all the details, but I think if Capcom had tried to go with this route from the outset they'd have a stronger game. At least stronger character motivations.

So... yeah. Those are my opinions. If you read through this whole thing I'm very impressed because it got very long!

#asks #soj spoilers #aa6 spoilers

53 notes · View notes

elfboyeros · 3 years

Text

Misako: The Most hated Character in Ninjago

Misako Garmadon! Wife of Garmadon and mother to green ninja Lloyd, but also the most hated character in the Ninjago roster!

Not only because she abandoned her son at Darkely Boarding School for Bad Boys in an effort to discover a way for her evil husband and choose one son not to have a fight to the death. Which seems sound, besides leaving your son at a Boarding School, instead of with his uncle who seems pretty capable of taking care of a child (I’ll get into that in a bit). Although I'll play devil’s advocate for a minute and say it was so Lloyd didn’t think his father was the massive piece shit that everyone could/would make him out to be.

Although in Misako’s debut episode: The Stone Army, Lloyd shows disdain for his mother, because she abandoned him, which is more than fair! Although it only takes him a small little history lesson, goes more in-depth about his own prophecy to forgive her and treat her like a mother for the rest of the series because it makes sense to leave your son at Boarding School instead of HIS OWN UNCLE!

Now we know from Season 5 of the series that Wu is more than capable of taking care of the kid(s) given his experience with Morro. Although let me play devil’s advocate, once again in Misako’s favor, and say that given the fact that Morro later ran away in his pursuit to become the boy in green and went missing/died made Misako apprehensive to Wu take care of a child.

*(I don’t think that would make much sense because she states in her debut episode that she KNEW that Lloyd would be the green ninja before even Wu. The only reason she does not leave Lloyd with him is: her wanting to put off the fulfillment of the prophecy.)

It seems very odd that Misako’s poor parenting is never addressed beyond at most a 5-minute conversation, and quickly dismissed like it didn’t happen is very lacking. I understand this show is for children and trying to explain why her actions of “protection” are bad would possibly be difficult, trying to pass her actions off as if they didn’t happen is another case of bad writing.

Besides her horrible actions as a mother, she had made some other choice actions as a person in general in regards to Wu especially. Misako is established to be Garmadon’s wife, although estranged, and obviously that they (with the confines of a children show) loved each other enough to have a child! Although in the episode The Day Ninjago Stood Still It is implied that Wu has feelings for Misako (and he has since they met) and that Misako may reciprocate as she even states “I should have chosen you,” to Wu they are alone. But once the Overlord is defeated in Season 2 and Garmadon is relinquished of his “evil part,” Misako and Garmadon rebuild their relationship for the two-season good daddy Garm is around. Although the rebuilding is promptly destroyed when it is revealed that Garmadon forged his name on a love letter Wu wrote Misako, making him a bit of a liar and a coward (how Misako was able to get the two sons of God to fall in love in with her in the first place, and I can’t get a simple match a Bumble anymore is fucking beyond me!). And dispute the fact at Garmadon sacrifices himself for the name of all that is holy in the episode The Corridor of Elders, instead of I don’t know morning you husband who loved you despite his fault and attempted to make up for it and showing that he truly cared for his son when he was evil and then even greater father when he was good, Misako is promptly up Wu’s ass the following seasons.

The only parents that we can compare Misako to are Ray and Maya, As Ed and Eda along with Dr. Julien are extremely good parents to their children. Lou’s major fault with Cole was projection and the want Cole to follow in his feet which is resolve in his debut episode The Royal Blacksmiths, letting the two of them have a good relationship, and little is know about Jay birth parent to conclude why they abandoned him, do it was being unwise to try to say that are the extremely horrible people if we don’t have context.

Although we can only really compare Ray and Maya in a broad sense. Technically Ray and Maya did abandon their kids, but they were also coerced and kidnapped into doing so by Krux to make his armor and weapons. Although, because of, I guess, a step in the right direction for the writing of this show. Ray and Maya's abandonment of their children is addressed in the new season of the series where Nya is upset about Maya trying to be motherly towards her. Nya is under the belief that Maya has no right to act this way given the fact that she was not there for Nya's childhood to be the mother that she wants to be now.

The writing fails Misako here, Lloyd is upset about seeing his mother for at most 5 fucking minutes and then treats her as if she is the best parent he ever fucking had. Adding the fact that it seems like She wants to be with at least one of the sons of God and can’t make up her damn mind.

I could understand if Lloyd wanted at least one good relationship with a parent, give the circumstances at the time, but this is never said or addressed, and I understand the meaning of hindsight and Misako telling Wu that she should have chosen him over Garmadon was her having hindsight after the fact. As well as think that if she chooses Wu the events of the series would not have happened, allowing her to raise a son instead of abandoning him. Although where that may fit in the context of that one line, don't think it justifies all of the implied love that both characters share, at that point, it isn't hindsight.

It really is that Misako’s whole is to cause conflict (a complaint made by @hiddensneker ) and to give exposition and despite this and whatever she has tried to do to make up for her actions this doesn’t change the fact that Misako Montgomery Garmadon is one of the most hated characters in Ninjago.

#ninjago #ninjago misako #misako #analysis #i worked hard on this #give me more charcters to analysis #character analysis #ninjago character analysis

30 notes · View notes

from-red-string · 2 years

Text

I posted 697 times in 2021

5 posts created (1%)

692 posts reblogged (99%)

For every post I created, I reblogged 138.4 posts.

I added 30 tags in 2021

#maya y los tres - 5 posts

#soy luna fic week - 4 posts

#doom at your service - 4 posts

#extraordinary you - 3 posts

#fanfiction - 3 posts

#thank you artist - 3 posts

#that's so cute - 2 posts

#simbar - 2 posts

#thank you - 2 posts

#they look so good - 2 posts

Longest Tag: 136 characters

#the true bilingual experience is at least once thinking the songs was talking about all the 21 nights of september not specifically 21th

My Top Posts in 2021

I just saw a mutual I hadn't seen posting in a long time. When we used to talk, they were going through a tough time. I worried about you but didn't dare to message. I'm happy to see you're alive and seems okay

0 notes • Posted 2021-08-08 19:37:04 GMT

Oi lembra de mim

Oiiee claro KKK que icon lindo

3 notes • Posted 2021-01-16 16:40:30 GMT

The Fall

Soy Luna Ficweek 2021

You can read the fics on @sl-server

Day 2

Prompt: “I scraped my knee and now you’re fixing it up and I swear if you don’t stop running your hands over my leg, I will kick you.”

Summary: Benício's stubbornness had real consequences. Emília got hurt because her partner is stupid but she can't help but feel her heart racing.

Warning: blood

Genre: fluff (?) Benício is one of the main characters so you decide what it means

Pairing: Emília x Benício

"Benício, slow down." I heard Juliana yelling from the corner of the rink, but my partner didn't seem to do so keeping the same pace. "Your hand is too high." He ignores her again, not moving his hand on my hip. The next step of this choreography is a lift which wouldn't work because his hands are in the wrong place. I slide away before the next point.

"You need to listen to Juliana." Benicio stared at me in disbelief as if I betrayed him with only a phrase.

"What? Are you crazy? You're telling me to listen to Juliana?" Defensive as always, I wouldn't give in to his stupidity, I set my hands on my hips clearly ready for the confrontation. "She is just picking on me, Emília."

"No, she's right. You won't be able to lift me if you don't keep a steady pace or hold me the right way." He scoffed and looked away. My partner has to be the cockiest person alive. His eyes weren't on me exactly, staring past me, I followed his eyesight line until it landed on Ámbar, he was waiting for reaction to decide on his next act, but Ámbar didn't show anything, she was just watching.

I'm more than sure Ámbar knows Benício's feelings for her better than Simón's, she wouldn't believe the guitarist could forgive her but knew exactly what Benício expected from her and she wouldn't give him. Benício is too stupid for not noticing Ámbar didn't and won't move on from Simón. I wondered daily if he really liked her or just the idea of having Ámbar.

Benício is complicated, not in a good way, you don't want to stick around to solve his puzzle, learn his cracks, and how to put it all together. He's complex in the sense that you're left guessing why you are still around him, what makes you stay with him. That's where I find myself right now. He's my best friend in Buenos Aires, but why do I trust him?

"Maybe you're not a partner on my level." His voice filled with poison, he knew it would hurt. Pouring alcohol on an open cut. His eyes weren't even on me, focusing on Ámbar.

"No! You're not on Emília's level, you won't be near mine." She rejected him, nothing new, Benício didn't show surprise. "Hear Juliana." The coach stayed quiet the whole time, she is used to his mood already, he's unbearable when he's like this.

"Are you done, Benício? From the start." Juliana says not waiting for his answer, counting down before playing the song.

My partner is completely oblivious to what we said, or that's what he wants us to believe. I know him too well, he's putting this as a show to prove his right even when he's wrong. He makes the same mistakes again, switching between rhythm, at a second slowing down to spin then speeding up for our moves together. When he holds me again, his left hand is placed between my back and hips but not on any of them. If that's how he wants to play, I'll accept his lead.

Until 10 seconds for the lift:

1… He won't be able to lift me at this speed. 2,3… Turning around to face him, I should let go of him. 4,5… His eyes shine with determination, I could trust him. I lowered my kees getting ready. 6,7… His grip on me gets stronger. 8,9… It'll work, pulling myself forward I repeat these words. 10… It's too late to get away, I'll fall.

At first, the lift began as expected, Benício held me high, above his head. A clean move. My legs were at a good height. My right hand pinned to his shoulder while I made the moves I trained so many times before, I watched my fingers moving to make sure it was what I practiced with Juliana but I felt Benício's hands tighten around me, when I looked down at his arms were shaking, and then one of his skates kicked the ground, I immediately prepared myself for the fall, placing my arms around my head and spun to my side.

Benício fell on my legs making me hit the ground harder, the bruises would color my right side later, I felt my hand get hot and swollen. Although it hurt, my first instinct after remembering how I fell is checking on Benício, his head lying on my thigh, he seems alright, I shake him scared because he wasn't moving.

"Benício?" He answered to his name with a groan while sitting up. I hear Juliana and Ámbar gasp and notice blood on his neck. "You're bleeding!" He looks at me confused then touches his neck.

"No, Emília that's yours..." Ámbar says kneeling near me to help me sit, Benício softly moves my legs to look for the cut. My black skate tinted read, they were stained. Then when I moved my left leg to the side, the pain started, we found the cut on my knee. It hurt a lot but the scariest part is the blood drips, the red liquid pooling the floor under me. "I'll get the first aid kit," Ámbar warned running. Juliana said she'd help Ámbar and ask someone to clean it. Benício's arm scooped me from the floor, his arms embracing me tightly. He ran to the bleachers. He sits with me on his lap.

"Sorry." He whispers still holding me. Surprised, I tried to escape from his lap but he still held my legs, his eyes landed on mine which made me stop. He felt guilty. "You shouldn't have gotten hurt for me." I can say anything, I shouldn't have been hurt for him. "I just wanted to prove my point." I know that. "You." The last word I heard. Right after that, his hands started moving on my legs, caressing them? His fingers tracing mindless on my skin, his invisible drawing left a trail of goosebumps, his tips were cold in contrast to my temperature. He isn't aware of his acts. My heart races, my head feels lighter, the pain seems like a memory from long ago. He is much less aware of his effect on me. His hands distract her enough for me to absently listen to him, nodding to anything he is saying, probably his apologies.

My own thoughts occupied the surrounding. I accepted falling. I never accepted going on when I knew I was going to be hurt. That's called self-preservation, risking myself for someone else is not okay. This cut would prevent me from practicing at all for 2 days and no heavy training for a week, I don't have time to waste how did allow it to happen. His stupidity is the only answer, it must be contagious.

Benício calls me getting my attention again, well getting to face him, my head still too clouded for him, I nodded. My eyes began to study his face, noting the details, he's not ugly. If it wasn't for his obsession for Ámbar, he'd be a nice person, we could've been friends with benefits or more than that.

No this again. I hate thinking about this, imagining Benício as a boyfriend seems like a distant dream, something that shouldn't belong in my head but it is a sweet and comforting scenario, Benício is her best friend in Buenos Aires, he was there for her in her brightest and darkest hours, whenever she called him. Did I accept falling not only physically but also metaphorically? Can I just like him?

It has to stop. It's not okay, he's obsessed with Ámbar.

See the full post

10 notes • Posted 2021-02-09 17:57:34 GMT

Instinct

I'm so nervous for posting this for Day 3, I worry if anyone would read about Ana and Mora since they're not even secundary characters, they are just extras not in my heart but in the show, and this made it harder to write it. Anyway, it's here and I hope you like it.

Shout out to @sapphire374 for easing my worries and beta reading it 💛

Find all fics for Soy Luna Ficweek 2021, here

Day 3

Prompt: “Is this the second time we’ve both gotten stuck in the same elevator?”

Summary: The first time Ana and Mora got stuck in the elevator was when they stopped talking, a week later when it happens again: is it the time to rebound? or something more?

Warning: unfortunately it's not canon. Tino and Cato don't exist, they have never seen them, no one knows them in this fic

Genre: angst

Pairing: Ana and Mora a.k.a the lesbian moms

---

Another silent morning in the apartment, a rare situation for Nina. From what she could remember, there has never been a quiet day home ever since they moved in. Mora's sewing machine, some random song playing as background noise, or just Buenos Aires' downtown being crowded and busy. Although she appreciated the silence, it's odd, the girl is not used to it anymore.

Now both her mom and auntie didn't exchange a word, Mora has been working on arranging some photoshoots, she woke up for lunchtime and only came back late at night, while Ana left early for her meetings then arrived at 4 pm. Seems like they had it all planned out just so they didn't have to face each other.

Nina didn't know what happened between them but hoped it would go away soon.

Well, unexpectedly it got different from other days from the beginning. When Nina left her room, Mora was awake and making herself breakfast. The girl checked the clock again, still at 7 am.

"Good morning, cariño" Mora smiled at her while Nina approached to sit on the chair.

"Morning." She reached for the bread slowly, hesitant. Her instincts told her to move carefully. "I thought I'd only see you later." Mora laughed but it was too stiff.

"I have to drive 3 hours to check for some special fabrics I'm looking for." The redhead tried to show excitement, however, such a rush manner showed her nervousness. Nina knew it wasn't about the fabrics. As soon as the clicks sound of Ana's heels started, Mora stands up. "I really need to go. Bye, darling." And left through the door carrying her purse, phone, and keys.

"Good luck there." Nina greets her and takes Mora's plate away immediately. She'd rather not step into whatever happened. Ana comes from her room in a rush and Nina wide her eyes when her mom gets to the front door. "Mom, you can't leave without eating."

"I'm late already. Sorry, cariño. I'll be back early. Bye… Hold the door, please!" Ana fleed before Nina could react. The girl opens the door to check on them but they were already gone.

The silence from home followed them into the elevator. None dared to look up from their phones. Mora started to tap her foot impatiently when she noticed the elevator was slow today.

"Can you stop?" Ana asked, staring at her screen.

"Oh, good morning. Now you can see me." Mora smirked, still avoiding Ana's face, kept tapping her shoe.

"More like I can hear you. Always so noisy."

"Can you? It didn't seem like that last week." The snark got the fashion designer, she provoked back looking at Ana and waiting for a reaction but she got nothing. "Back to ignoring me. Hope Mario has a better shot talking to you than I do." The lack of response from the lawyer building up her annoyance. "Even though we live together and have been friends for a lifetime. You rather believe in him than..."

"Give me a reason," Ana said, losing her temper. The elevator stops, slowing down. "I need a plea." Walking side to side in this shiny box they were failing to realize they were trapped in.

"My instincts are not a good one. I don't trust him." Mora decided to watch her friend through the reflection, pretending to fix her hair in the mirror.

"Of course not." Ana laughed at her. "Do you think I can defend a case based on your feelings? A judge would accept it, declare him guilt for you." Her voice was cold, but the rage -boiling inside was still audible.

"You're not a judge, Ana." Turning around she steps in Ana's way, staring at her. "Ain't a case but your life." Each word was another step forward, the lawyer's back hit the wall, but she wouldn't give up on a debate, her index finger touched Mora's shoulder.

"That's exactly the problem." This time the designer was the one walking backward. "My life is never good enough for you. I can't even decide on Nina's life without you around." Mora's jaw dropped and she stuttered, with a non-comprehensible sound coming from her mouth. "Not even a boyfriend." That's the moment Ana breaks, lowering her head and resting on Mora's shoulder while the other was glued on the wall, still recovering from shook, nevertheless, she wrapped her arms around her friend's body.

See the full post

12 notes • Posted 2021-02-10 17:59:01 GMT

Before the Storm

It's finally here!! The first day of 2021 Soy Luna fic week!!

It's been a few years since I last wrote a Soy Luna fic, so I took this chance to look for characters and interactions I didn't explore before.

I hope you enjoy reading it!

Day 1

Prompt: “Hey, I hope you don’t mind, but I’ve turned your entire living room into a blanket fort and I have no plan in taking it down any time soon.”

Summary: Matteo told them he never had a blanket fort since he kept moving and his parents were too strict to let him have friends at home. Gastón and Ámbar decided to surprise him.

Warning: probably not canon accurate, they're 14

Genre: fluff

Pairing: Matteo Balsano x Ámbar Smith, Gastón

See the full post

19 notes • Posted 2021-02-08 13:44:41 GMT

Get your Tumblr 2021 Year in Review →

#my 2021 tumblr year in review #your tumblr year in review #i'm glad i even posted 5 times #now i have a top 5 lol #i'm proud of my fic week contribuition #thank you sl server for that #sorry i'm a ghost #i have few fics I hadn't post but well i don't know when they'll ever be ready

2 notes · View notes

cherrybombfangirl · 3 years

Note

Hello, dear! You've been visited by the random character question fairy! :D ~☆

What does your character most regret? Even if it would change who and where they are now, would they travel back in time and change what they regret? Why or why not?

I have too many OCs so I did the ones I currently can't stop thinking about 😅. This is actually a great question, really made me think about some of my characters.

Amy (Ninjago)

Depends on when you ask Amy, either before Replica (my Fanseason) or after Season 8, because of a big choice that Amy made at the end of her season.

Before Replica, Amy regrets everything the White Room had her do- mostly assassinating anyone that posed a threat to the White Room. At the time, Amy didn’t know that the things she was doing were wrong because she never knew anything else, only to obey orders and do as the White Room told her. After she gets out and learns about the real world, Amy wishes she could go back and change it all, even if it would change not just her history, but the history of the world as well

At the end of Replica, Amy made a painful choice to stop Hatch (the villain) and her only option to stop him from using her and turning her back into an assassin to kill her family was to “take herself out of the equation”, AKA unalive herself. After she gets resurrected and comes back at the end of Season 8, Amy hates that she had been forced to make that one way choice- even though it was the only way to stop Hatch, she still left the people that she loved, and even though she did come back, the damage had still been done- the people she loved had still suffered the loss of her. But Amy wouldn’t change the choice she made for the world, because if she hadn’t, she would’ve been turned back into a weapon and hurt the people she cared about most

Devin (Ninjago)

Nothing for now, BUT if one of the ninja were to die while she’s trying to save them (she’s the team medic) Devin would hate herself for letting them die because she had the skillset to save them yet was unable to. So nothing yet, but if something like that were to happen, Devin would hate herself for not being good enough

Stacy (Marvel, Avengers)

What happened with Thanos, especially in Wakanda. Even though it was physically impossible to stop him, Stacy still beats herself up to this day that she couldn’t stop the Titan. 100% would go back and change the events of that day if she could

Saris Tanda (Star Wars, The Mandalorian)

Nothing really when the series starts, but after the Season 1 finale- when the Mandalorians under the city in Naboo were all killed, Saris’s two oldest brothers among the dead- Saris wishes she had been there when they’d been attacked, because maybe, just maybe, if she had been there, her brothers along with so many others would still be alive

Sky (Voltron: Legendary Defender)

Either that she spent more time arguing with her Mom throughout her teenage years than actually trying to understand why she was so protective and bonding with her. Would go back and chage it if given the chance

Or that she didn’t tell her best friend that she loved her sooner, even though she didn’t realize her feelings for Kendall were romantic until Sky almost died

She's glad everything turned out alright though

Maya (Voltron: Legendary Defender)

A lot of things over time, actually

When the series starts, Maya’s biggest regret is the risky move she pulled in the heat of battle that crashed her fighter jet behind enemy lines- resulting in a piece of shrapnel getting lodged in her knee and being kidnapped and held hostage by terrorists for three months

After Season 2, Maya hates that she didn’t fight harder, because maybe if she had, Shiro wouldn’t be dead (even though he wasn’t but they don’t know that for a while)

After Season 6, it’s that she didn’t realize the Shiro who came back was actually a doppleganger-ing bad guy

After “the accident” in Season 8, it’s that she didn’t do enough to protect her and Shiro’s twins that she was pregnant with, even though she took a lot of risks that day to protect the babies and what happened was anything but her fault (for context, one of the twins was killed and the other was born crippled)

All of these things, she would go back and change if given the opportunity

Kendall (Voltron: Legendary Defender)

That she didn’t tell her best friend she was in love with her sooner, but she’s glad that did tell Sky that she loves her and that the two of them are now safe and happy together

6 notes · View notes

urproblematicfav-arsonk · 4 years

Text

There's a lot of things about Borderlands 3 that makes it kinda a garbage game. And all of those things are valid and true but a aspect of bl3 that deeply bothers me isn't something I've really seen people talk about?? Maybe they have but I missed it but I want to say my interpretation. (Also like, spoiler warning throughout all of this post)

To start off with: hi, I'm a autistic afab nonbinary person and this is relevant for this little rant I'm bout to go on.

I want to begin by stating why I love this franchise so much.

Borderlands, whether you like it or not, is INCREDIBLY queer. And not in a coded kind of way, it's just flat out gay as fuck. And that means so fucking much to me. Borderlands 2 was one of the first times I ever felt fully represented in a game. Zer0 being this dumbass making Yugioh references and generally being a fun garbage boy and also being nonbinary meant a lot to me and I adore him to this day (nonbinary people can use gendered pronouns fuc off). And getting more and more into this series and finding out that basically every character was on some level queer was really cool to me. Maya being asexual and most of the characters being attracted to multiple genders so honestly and off handily was so refreshing and amazing to get to play through. The casual mentions of a woman's wife or some man's husband in the echo's you find or Moxxi talking about her ex girlfriends was one of the reasons I loved this so much.

Another thing I loved particularly about Borderlands 2 was how feminist it was. I can not tell you how quickly I lost my shit at Mr. Torgue talking about the friend zone being misogynistic(it is btw). And the repeated jokes about fully murdering men for being rude to women was some of the highlights of my first playthrough. Punching a guy till he explodes because he disrespected a sex worker?? Fucking immaculate.

SPEAKING OF SEX WORK.

Mad Moxxi is a icon. She is a mother of MULTIPLE children, a survivor of rape and assault and a fucking bad bitch who runs a now intergalactic titty bar. Getting to have not only a sex worker be respected in a narrative, Moxxi is fun and a genuinely complex character who isn't defined by her job or her appearance. She is emotional and strong and funny and flawed but amazing person.

And then there's the way the male characters a represented and treated. I'll be honest here, I haven't really played Borderlands 1, mostly because have been spoiled by auto pick up and also I just didn't feel like it. So my idea of most of the men are based entirely off of Bl2, the pre-sequel and Tales. Anyway, Mordecai in particular is a character I really liked upfront. I love how a lot of his motivation and character is driven by his love of animals and Bloodwing. He's kind and though troubled knows when to get his shit together and be there when he needs to be. His casual "are you okay?" After the latter falls in the Arid Nexus was such a nice moment and the way he genuinely tries to be there emotionally for all of the people around him who he cares for is so fucking rare to see in a male character. And his arc of giving up alcohol to focus on being a better bird dad and you getting to help Brick make Mordecai a special gift to celebrate his sobriety is so amazing and I'm so proud of him.

Mr. Torgue is my dad and I love him. As mentioned, he is normal and believes that the friend zone is absolute garbage talk is ICONIC™ and the best scene in that game fight me. Torgue is a crybaby. He is an emotional person who is not afraid to express his pain and hurt when people are mean to him. He respects women and loves unicorns. The fact that is physical appearance is a big muscle guy who screams but is the literal opposite of toxic masculinity will forever make him the best male character of all time and I love him and he is my dad.

Roland was a character that I was never in particularly attached to but I still respect him and did enjoy his presence. I really appreciated his leadership style being primarily based on empathy and logic as opposed to him being a big meanie man with a HUGE dick who yells at people. I always really resonated with the echo from Tannis talking about how she came to Sanctuary. Roland going out of his way to bring Tannis to safety while completely respecting her autism and struggle with socializing really made his death hit harder when Tannis was very obviously distraught by losing him. It really seems that Roland was the only one who didn't treat her differently. And as someone who's autistic, finding people who legit 100% understand and respect you and just let you live the way you want/need to is kinda hard and those are the qualities I'd personally want in a leader.

Angel is also a big spot of affection for me. Handsome Jack being a irrefutably horrible person who Angel flat out says gaslights people and killed her means a lot to me considering 99% of Bad Parent stories end with "I forgive u" getting to see an abusive victim take that narrative and say fuck you was powerful and meant a lot to me coming from my own abusive home life.

There's a lot of other things I love about Borderlands but if I keep going I won't stop lol so let's get into why Borderlands 3 makes me so uncomfortable.

One of the main things that bothered me was the sexism. Its nothing too horrifying but given how feminist bl2 was it was really shocking and a bit hurtful the number of times women are called bitches or made to seem crazy. If you recall I brought up how you punch a man to death for calling a woman a bitch? Yea no, in this game we mock women for having boundaries and opinions because lol she's just a CRAZY BITCH who just needs to stop acting so hysterical am I right guys?

Yea the whole mission with that stupid bear thing and his ex robot girlfriend made me insanely uncomfortable and upset. I kept waiting for the gotcha moment where it says actually this bear guy is a dick and he shouldn't use language like that but no we just,,,,,, are supposed to laugh along. I hate it.

Even though Borderlands 3 is still very much queer, this game introducing 2 new trans characters as well as a whole DLC about a gay marriage and one of the playable characters being a lesbian there was this some shit that bothered me.

The mission where you crash and ruin a lesbian wedding.

That mission made so upset and uncomfortable. I hated how traumatized and hurt Tumorhead was as I murdered her family and wife. I hated how unfulfilling the mission was where PLOT TWIST the lady was actually a spy or whatever. I hate how there's a mission about ruining some poor psycho ladies wedding. I would've much more preferred a mission where Idk Bloodshine asks you to help her kill a spy who's causing problems and then fucking go around Promethea collecting wedding decorations or something. OR MAYBE JUST NOT A MISSION WHERE YOU KILL LESBIANS FOR NO FUCKING REASON.

I'm mad, anyway.

I also hated how Tannis was treated in this game. Under absolutely no circumstance would Doctor Patricia Tannis ever willingly take up a position of leadership. She is a severely autistic woman who gets nose bleeds from talking to people she wouldn't just be like "I'm in charge now pls talk to me!!!" Fuck off. And the joke about her dating a minecart isn't funny. The whole thing with the chairs, though funny in its absurdities was still a very important and powerful moment of character exploration. Tannis is insane. She is traumatized and hurt and in a moment of severe torture, she humanized some inanimate objects to cope. Tannis crying over the echo over Phillip is a heartbreaking moment of true vulnerability. It is also funny, because that's how good dark comedy works. It can be both hysterical and emotionally ruining at the same time. So what exactly does Tannis divorcing a minecart mean? What is this saying about her character? Why is it funny? Because lol lol reference??? Again, fuck off.

I hate how the Calypso twins childhood is handled. Troy implies it was horribly abusive and traumatic. But when we met Typhon whatever, he acts like it wasn't that bad??? He acts like he just didn't buy his kids the latest iPhone and oh no whoopsie now they're evil, my bad guys. It feels super weird and I don't like it.

Speaking of abusive parents. THEY DID MY GIRL ANGEL DIRTY SO BAD. This was literally when I decided I hated this game. Angel being the one who killed her mother and not Jack was fucking horrible. Especially after the literal foreshadowing in borderlands 2 implying he did. The fact that Jack is treated like a fearful man making what he thought was the right decision was insulting. I get that MattPat manipulated the fandom into thing Jack is a uwu bean but fuck you, you're the writers and you should fucking know better. Handsome Jack saw his daughter had power and turned her into a living battery for him to use as he saw fit. He was not scared and he was NOT right. Fuck you and fuck you for framing child abuse as chill and ok if your spooked enough like that. And the mission directly contradicts the echo's in Get To Know Jack. If Angel killed her mom why does she ask Jack where her mommy is when he's putting her in her chambers?? Why is it in the echo Jack is aggressive and forcibly and hurtfully makes her go into her chambers but in the memory, he's quiet and passive about it?? That's literally just flat out bad writing. Also fuck you.

Anyway,

I think that's really all I wanted to say about this topic. Obviously, there are also things that suck about bl3 but I'll try to chill and not make this too long.

I mostly wanted to make this to see if people cared/are bothered by the same things I am. I've seen how some of the fandom treats the more emotional and gay aspects of this franchise(the people throwing a fit over Amara, the friend zone line, not respecting trans peoples pronouns, sexualizing and being gross about Moxxi)

Anyway that's it byeeeeeeeeeeeee

#rant time #i was also gonna post this on reddit but it turns out i don't know how to use that app lol #so i prob wont #but dont worry still got tumblr #anyway #borderlands #borderlands spoilers #borderlands 3 spoilers #borderlands 3 #borderlands 2

37 notes · View notes

ramblings-of-a-mad-cat · 4 years

Text

If you have sent me an Ask in the last thirty-six hours or so, This post is for you.

I was almost entirely done with answering all your beloved messages, when Tumblr decided to crash. Lost all the paragraphs of my rambling (which is why I’m no longer taking chances and am typing this on Google Docs) and even worse, the Asks seem to have been eaten by Tumblr’s great void. They’re gone, and nothing I’ve tried seems to work to get them back. Thankfully, I’m fresh off of responding, so I’ll try to summarize with one big epic post. Apologies for the inconvenience and unusual style, blame the Tumblr Overlords.

WARNING: If you don’t read the data-mines and don’t want spoilers, do not go beyond this point. This mainly concerns The Quidditch Cup.

There were a couple of Asks about Ismelda, someone talked about the head-canon that she’s secretly blonde and dyes her hair. Which I agree with, and really like. It would tie in to how Ismelda saw Penny as being no different from her sister. It would be a sign of her trying to spite her parents and distance herself from her family, to the point of even looking like them. I also think it would echo with Beatrice and how she changed her look to reinvent herself and be less of a “Mini Penny.” Another message was talking about her parents, wondering why they would ever visit her at Hogwarts given how they were portrayed. After all, they’re not about to be the next Ethan Parkin, are they? Not going to turn around and be well-meaning, but oblivious. I think it’s far more likely that they would visit her sister at Hogwarts, and it would be pure chance that Ismelda was there at the same time - if there was indeed any overlap where both sisters were at school. But that’s the real question of the hour - just what is the sister like? After all, it’s not her fault that she’s the favorite, right? Newt Scamander was estranged from his brother, who was engaged to his ex-girlfriend. From that description alone, we might think he was awful, but he wasn’t. Theseus was genuinely caring, he just didn’t know how to connect with Newt. We might have a similar situation on our hands here. Or, who knows, the sister might be the “Dudley” to Ismelda’s “Harry.” She was compared to both Emily and Penny, if memory serves. But until such a time that we meet her, we have no way of knowing who she’s really more like. Psst, Jam City, you getting this down? This would be a great TLSQ, to have Ismelda come face to face with her sister. Could perhaps end with, oh I dunno, befriending her? Just a thought…

I saw another Ask talking about how Beatrice would go back and forth between MC and Jae during their detention and how adorable it was to see her all flustered and excited, how it looked like she was gushing to MC “He’s so dreamy” and things of the like. It’s making me wish they would come back to this sub-plot because it’s funny as hell and a good way, again, to tie in Ismelda. She also fancied someone she had no chance with, she was also jealous of another person. (Chiara might not actually have a thing with Jae, but if memory serves, Beatrice is shown to be jealous of them talking anyway.)

There was an Ask that talked about punching Barnaby’s father in the face. Or at least, the idea of doing so. But regrettably, he is in Azkaban and it cannot be done. Well, maybe not by MC, but someone who was already there could do it. New head-canon, Sirius decked him on his way out. It happened, I don’t make the rules.

@guppygirl I read the first chapter of your fic! Do you know what you’ve done to me, do you know how many feelz it gave me to see Rowan alive and well and acting so sweet? You nailed their character and I love the inclusion of their parents! Maya’s reactions make just want to give her a hug. Everyone should check out the fanfic on her page, seriously!

I believe there was an Ask lamenting that the Festival TLSQ didn’t come out this week, and believe me friend, I’m right there clowning with you. It seems like every week now, we think, “Okay, this time it will come out, they can’t delay it anymore.” And we’re always wrong. Here I am just starting to worry that my far-fetched theory about them shelving it until next year because it’s no longer “seasonal” isn’t so far-fetched after all…

But the vast majority of messages that were lost were, as I’m sure you can guess, about the data-mined House Cup for Season 2. I wrote a lot about it and I do indeed have some thoughts and feelings.

Before I get into anything else, can I just say...that first scene with Ethan where he meets MC. I don’t think it’s possible for me to ever dislike Skye. All it ever takes is one vulnerable moment to erase any doubts and have me back in her corner. And you cannot tell me that Ethan knowing everything about MC because “Isn’t this the best mate you always talk about?” Didn’t melt your heart or at least give you feelz. Think back to how hurt Skye was when MC befriended Rath - to the point of snapping a broomstick in half. This is just proof of what I’ve been saying. She has no social skills and hardly any friends. Of course she sees MC as her bestie. The poor thing, oh my god, it’s adorable...

Ethan Parkin….I’m not a fan, even now. As I heard, he’s not as bad as we all feared he would be. He definitely has his moments. Still...he’s still pretty annoying. Ethan is basically a less obnoxious version of Lockhart, who actually has the talent to back it up. But I didn’t like how he involved himself in the practice and took over deciding who should be leader. Seriously, if he knows the game this well then he should know we already have a leader assigned. That’s what a Captain is. He was quite rude to Orion and while his pressuring Skye might have been inadvertent, it was still his fault. He’s also an extremely violent Quidditch player, which I’m not a fan of (Although apparently Penny is? The fuck?) I get that he would never cross the line into cheating, but I’m not impressed by how he lied. Didn’t give his team credit. And seriously...is cheating morally inferior to harming another player in a “legal” way? I guess it’s just a Quidditch culture thing, but I’m not here for it.

Orion’s reaction to Ethan, though? God I loved it. He took everything completely in stride, had the maturity to say that no, he was happy to learn from a Quidditch master. His concern wasn’t about his ego, it was about Skye’s feelings. Because once again, he’s the only one with the empathy to realize what she might be going through. Orion’s response was measured and thoughtful and god, I love him so much. Side note: Were they seriously debating whether or not keeping Ethan around to learn his mystery move was worth it, even if it was stressing Skye out? My dudes, this is the exact same mistake you made during the Rath TLSQ. Involving someone who doesn’t need to be involved, just for the sake of a potential advantage in a meaningless sports game, regardless of how much it will hurt someone who is supposed to be our friend. Screw that.

Folks were talking about Erika Rath. Someone brought up how hilarious it was in a previous chapter to see Andre actually tell her to be quiet, and for her to do so. And yeah, I agree. It’s a testament to how close their friendship must really be (Sorry, Depressed Erika Anon) I mean, most people wouldn’t dare say that to her. And I don’t think she’d have such a calm and passive reaction to just anyone. It’s unconventional, but their relationship is a sweet one. Overall, they’re involving Rath more and I’m quite glad of it. Seeing her proud of MC is heartwarming. Seeing her become more of a main character is great - I mean, she is one of the main four, after all. Face Paint Kid is a background character, as much as I love him. Penny is only here to develop Skye, and Andre is only here to develop Rath. There was also an interesting comparison made between her and Ethan, about how they both play pretty violently. Still not a fan of this. Maybe that’s one of the reasons that I’m mostly indifferent to Rath. But I’m coming around on her.

This was a lovely place to cap off Skye’s character arc. Seeing MC stand up to Ethan (although I wish you could be firm without having to say that stupid “You’re off the team, Parkin!” line) was especially cathartic, and it’s clear that Skye appreciates it. She’s happier by the end, and has actually communicated with her father. I would sincerely like it if Season 3 focused on, say, Murphy a little more. He hasn’t gotten any development since the first half of Season 1. Even Orion got some development in this TLSQ. But...make no mistake, we’re not done hearing about Skye. I know that no one wants to hear this, but...they slipped in that line about her wishing she could play Rath. She still hates her. That hasn’t been resolved. Oh well, at least it’s an opportunity to further flesh out Rath. There’s also the possibility that, if they do give focus to Orion, it might be that Season 3 is his last hurrah. I hope he stays for the entire story, but even if they don’t want to confirm character ages...he could very well graduate. If he does, there’s going to be a story-line about choosing his successor. And again, I know that nobody wants to see this happen, but...the only candidates who matter in the story are MC and Skye. So they could be pitted against each other again. But I hope that won’t happen.

Curse you, Tumblr. Oh well, it should be safe to send in Asks again because I’m quite literally going to copy them onto a Google Doc from now on just to be safe. If I missed out on one that you sent in, please feel free to let me know or re-send it. I’ve also seen people taking screenshots of their Asks and then responding to the picture instead of just responding outright. Might do that too...thank you for your patience, this has been a doozy.

#Harry Potter: Hogwarts Mystery #Fandom Asks #HPHM Quidditch #HPHM Datamines #Skye Parkin #Ethan Parkin #Orion Amari #Erika Rath #Murphy McNully #Ismelda Murk #Barnaby Lee #Beatrice Haywood

11 notes · View notes

eurofox · 3 years

Text

Finally finished shadow of the tombraider and I did end up enjoying it despite how much the start of it dragged.

The slow, methodical pace of the classic series isn't here and it took awhile to get used to. But it's fun when I got the hang of it and could just zip along. I did like the grapple but what I didn't like was areas where your seemingly at a dead end with everything way out of reach, but a random leap into the abyss and lara will move almost like a magnet to a wall that genuinely looks way too far out of her way. That got annoying, especially when you've spent ages trying to find some other way because it looks impossible. After awhile I just started making leap of faith when I was stuck and 99% of the time that's the answer.

The combat was surprisingly alright, even though I was dreading it. I played on normal and it was fine. Stuff like the fear arrows was cool and the stealth kill was very generous. And it didn't over stay its welcome like in uncharted. Close combat felt awkward as fuck though and this made the final fight annoying. As well as fighting fast animals and cultists. Missed her flipping and dual pistols in these parts as it was annoying to get distance between you and an enemy who can take you down fairly quickly.

The plot didn't grab me at all but in fairness I haven't played the other games in this trilogy. Although even if I had I don't think I'd have liked it anymore. The bit with the cult at the end was cool but that was it. I didn't even realise I was killing one of the big baddies until he was dead he was that much of a non-character. And the endless long cutscenes as the beginning were a chore to get through, it nearly put me off playing.

Jonah was likeable enough but I didn't really care for the rest. But because he's with you a lot you don't get the feeling of isolation you got in the classic series, which I missed. I also can't warm to this new lara, I really preferred her original storyline as a lone badass estranged from her parents who does whatever she wants whatever the consequences just for thrills. Tombraider 2 was my very first game so I guess I'm too attached to that Lara. Also you could tell the old stories in a handful of short cutscenes no matter how batshit the plot was which is a plus in my book. Like I didn't care about the parent plot line at all but the flashback was cute and fun. All of this can remedied though by choosing triangle tits lara and rendering every emotional cutscene hilarious. I do get what they were trying to do with the colonial /white savior criticism but I don't think it really worked. Imo anyway. And the hidden city doesn't seem all that hidden either.

I think this is the best looking game I've played on the ps4. Only problem is that like tombraider 4, the same aesthetic gets tired after awhile. Although I can see how they spiced it up a bit with Christian and maya sites, and shit like Spanish galleons.

There is a lot of content here. A lot of it seems like busy work though which I'm not gonna bother with but I will finish all the challenge tombs. They are done really well and neat how you have to find them with extra exploration. And puzzles in these tombs are mostly good, no stupid 'how the fuck did anyone get that without a guide' solutions like in some of the classic series levels.

Overall I enjoyed it a lot more than I was expecting to after the rocky beginning and my attachment to the classic series I recently marathoned at the beginning of lockdown. I don't know if its worth going back to the first 2. But this is going to be a long lockdown so I might.

#I have a lot to be doing rn so why not distract myself with a pointless tombraider review #Tombraider #Shadow of the tombraider #Lara croft

1 note · View note

jmsa1287 · 4 years

Text

A Year in Review: The 31 Best Episodes of TV of 2019

There's never been more TV than this year. Thanks to the launch of new streaming services like Apple TV+ and Disney+ (with more to come in 2020!), there is an infinite number of hours of content out there. And while not all those TV shows are worth a watch, mot seasons of shows genuinely contain at least one great-to-amazing episode. The 31 episodes listed below are the ones that stood out the most; that either became part of the cultural conversation or were not well-watched but still resonated in a way that deserved more attention. Whether it was the writing, the acting, a visual moment or a hilarious scene, these selected episodes rose above the cut to show what TV can do in this unprecedented era.

31. “Striking Vipers,” Black Mirror Season 5, Netflix

30. “Smell Ya Later,” Killing Eve Season 2, BBC America

29. “Chase Gets the Gays,” The Other Two Season 1, Comedy Central

28. “Refugees,” Ramy Season 1, Hulu

27. “Finish It,” The Deuce Season 3, HBO

26. “Chapter 7: The Reckoning,” The Mandalorian Season 1, Disney+

25. “Life’s a Beach,” Pose Season 2, FX

24. “Easter,” Better Things Season 3, FX

23. “Chapter 8: Overview,” The OA Season 2, Netflix

22. “Reborn,” Servant Season 1, Apple TV+

21. “Stories,” Broad City Season 5, Comedy Central

20. “Blondie,” High Maintenance Season 3, HBO

19. “The Trials and Tribulations of Trying to Pee While Depressed,” Euphoria Season 1, HBO

18. “The Bad Mother,” Big Little Lies Season 2, HBO

17. “405 Method Not Allowed,” Mr. Robot Season 4, USA

16. “1:23:45,” Chernobyl Season 1 HBO

15. “Dundee,” Succession Season 2, HBO

14. “Episode 9,” Mindhunter Season 2, Netflix

13. “401 Unauthorized,” Mr. Robot Season 4, USA

12. “Take Me as I Am, Whoever I Am,” Modern Love Season 1, Amazon

11. “Part Four,” When They See Us Season 1, Netflix

Ava DuVernay's achingly painful "When They See Us" miniseries about the persecution of the Central Park 5 is capped off with its brilliant final episode; a showcase for Jharrel Jerome ("Moonlight") who undergoes a transformation here unlike any other actor on TV this year. Playing Korey Wise, we see Jerome go from happy-go-lucky New Yorker to a victim of the vicious prison system who is beholden to his truth despite its consequences. It is a harrowing 88 minutes of TV that is both devastating and beautiful, carried on the shoulders of Jerome's unparalleled performance.

10. “A God Walks Into a Bar,” Watchmen Season 1, HBO

The penultimate episode of "Watchmen," the buzziest show of the fall, is the most Damon Lindelof has been during this stellar season of TV. "A God Walks into a Bar" is a revealing episode in the same way as the last season of "The Leftovers," Lindelof's previous project. The episode reveals that for all of its surrealness and commentary about race and gender in our world, the "remix" of the popular comic book series is, at its core, a love story. Lindelof sets the episode as a classic cosmic joke but as it goes on, it exposes itself to be full of heart and emotion; about two people from different parts of the universe (and different parts of the space-time continuum?) connecting. At a bar. Over beer, conversation, and eggs.

09. “Strawberries,” Ramy Season 1, Hulu

Unlike anything depicted on TV, "Strawberries," the peak of Hulu's comedy "Ramy," created by standup Ramy Youssef, is told in flashback, tracking a young Ramy in the days leading up to and after 9/11. Seeing the event play out from the perspective of a young Muslim child in middle school is heartbreaking and raw; a highlight that is thoughtful, meditative, funny and surprising.

08. "Shook One Pt. II,” Euphoria Season 1, HBO

It's not until "Shook One Pt. II" that "Euphoria" finally clicks and finds its groove. Playing out at a carnival, the episode raises the dramatic stakes for the show's young cast, where creator Sam Levinson's bold aesthetic choices complement the intense tension on display. Part thriller, part romance and all edge, this episode of "Euphoria" features stellar performances from Zendaya, Hunter Schafer, Jacob Elordi and more.

07. “Volume 7: The Magician" + "Volume 8: The Hanged Man,” Too Old to Die Young Season 1 Amazon

It was hard to pick just one episode of Nicolas Winding Refn's twisted noir cop saga "Too Old to Die Young." The controversial auteur made a perfect thing for streaming age; somewhere between a film and a series. NWR said himself that you can watch the episodes out of order, or start from anywhere, which is sort of true. But it's the back-to-back episodes towards the back half of the series, "Volume 7: The Magician" and "Volume 8: The Hanged Man," that stand out the most; a chaotic and insane set of events that turn "TOTDY" on its head.

06. “Posh,” PEN15 Season 1, Hulu

"PEN15" is hands down the funniest show of 2019 but it's the Hulu series episode "Posh" — a thoughtful and insightful examination of racism in the 00s — that is the show's highlight. In the episode, BFFs Maya (Maya Erskine) and Anna (Anna Konkle) make their own version of the Spice Girls with a group of mean girls at their middle school for a class project. They force Maya, who is Japanese-American, to play Scary Spice — the only woman of color in the insanely popular British girl group, because Maya is the only girl of color among them. It sparks a deep divide between Maya and Anna that is explored in the short episode with maximum effect.

05. “DC,” Succession Season 2, HBO

Over the last few years, Americans have made Congressional hearings they're own sort of perverse reality show. So, it's no surprise that "Succession" would go there and put members of the Roy family on display and under scrutiny. The main targets here are Tom (Matthew Macfadyen) and Cousin Greg (Nicholas Braun), who have to answer a number of questions about Waystar Royco's handling of alleged sexual assaults and crimes involving the company's cruise line. "Succession" had been building up to this moment since early Season 1 and the payoff is both cringe-worthy and hilarious.

04. “The Great War and Modern Memory,” True Detective Season 3 HBO

Filmmaker Jeremy Saulnier's ("Green Room," "Hold the Dark") crack at a TV show is nothing short of spectacular. With "The Great War and Modern Memory," he establishes an unsettling mood and tone to the third installment of "True Detective," a somber story about two cops investigating the disappearance of two young children over the span of several decades. The episode is poetic and solemn, featuring two mind-blowing performances from its stars Mahershala Ali and a career-best Stephen Dorff. They're both in tune with what kind of show they're in, selling creator Nic Pizzolatto's writing, which coming out of the mouths of other performers would likely sound dreadful.

03. “Episode 1,” Fleabag Season 2, Amazon

Filming a dinner scene is not as easy as it looks. For the first episode of the second season of the outstanding "Fleabag" both writer/creator/star Phoebe Waller-Bridge and director Harry Bradbeer hit out of the park. It's a whirlwind of an episode where PWB's Fleabag character literally tells the audience Season 2 is a love story, which, of course, involves the so-called Hot Priest (Andrew Scott). "Episode 1" is fast, zippy, and manages to get most of the show's cast in one room, featuring wonderful performances from not only PWB and Scott but also Olivia Coleman, Sian Clifford and Brett Gelman. It's a chaotic half-hour of TV that has a kinetic energy unlike anything else this year, taking an awkward family dinner to its limits.

02. "Series Finale Part 2: Hello, Elliot,” Mr. Robot Season 4, USA

The series finale of “Mr. Robot” is as emotional as it is shocking. Sam Esmail sticks the landing with his hacking drama, turning a story about a vigilante and his crew trying to right the wrong world into a personal journey of a young man struggling with deep trauma. It’s a beautiful sendoff, that is fully satisfying and a magnificent accomplishment of modern television.

01. “Never Knew a Love Like this Before,” Pose Season 2, FX

"Pose" proved itself to be an uplifting and hopeful show, uprooting cliched and tragic stories about trans people we've come to see on screen and instead, opts to show us something beautiful. But its "Never Knew a Love Like This Before" that is 2019's best episode of the year — a heart-wrenching and unexpected boom and a reminder that trans people, especially trans women of color, are often in danger. Here, Candy (an out-of-this-world performance from Angelica Ross), who orbited around the main cast in the series, is murdered. She returns to her funeral in spirit, having in-depth conversations with her friends, enemies and frenemies. Pray Tell (Billy Porter) honors her by moving forward with her wish — a lip-synch category for the balls that he previously rejected. It's a beautiful story about the history of queer culture that's personalized in an unexpected way.

65 notes · View notes

ambitionsource · 4 years

Note

Hi, I am so here for all this ambition content right now. I check this page every day! I remember u guys mentioning about a rl and dasher road trip and I was wondering about that! Thank you!

hello pal!! literally so honored and happy that you’re enjoying ambition and the fact that you check our page every day... ugh you’re too sweet. hopefully the nonsense we do around here is entertaining! very happy to have you in our fandom community <3

so yes, rl + da road trip! i hope it’s okay that i took a bit to answer this, bc i wanted to ruminate on it for a bit before typing it up. so as y’all know we refer to the summer between s1 and 2 as “cruel summer” (thank u tswift), and similarly we have a code name for the summer between s2 and 3 which is “summer of love.” this is admittedly mainly because of rl, but also because a majority of the characters are in such a better headspace this summer than they were last.

boppin the rest under a read more, because i just go on... and on... and on............. (i really love rl & da)

-- Maggie

one facet of this summer is that around... july sometime, dylucasher decide they want to take a trip down to virginia beach (or the beaches in that general vicinity) because they want to check out a beach that isnt grey and cold like the ones close to them in ny, and because a trip before their last year of school together seems like a fun and Classic idea. originally they plan it for just the three of them, but somehow riley comes up and all of them agree -- especially dylan -- that it would be way more fun if she came along too. so they try to convince her to come along, which doesn’t take much convincing, it’s more so about figuring out how she’s going to get around cory because if he knew she wanted to go on a like week long trip with her boyfriend (who he doesn’t really trust) and two other boys he would probably have a heart attack.

you know, it would be like “you can’t go on an overnight trip with three boys!!!” “dad, you know dylan and asher. they’re gay. they’ve been dating for three years. they’re GAY. i do not think i’m at ALL at risk in that scenario???” fsdfSDKGDL

so riley devises a plan / cover story that involves like “going to stay with mom” for a few days, maybe a lie about staying over at isa’s or yindra’s for a couple days in there, you know, she lays out the whole lie and then bribes maya to go along with it and help cover her tracks (rl have very inverse influences on one another -- where riley sort of tames lucas and helps calm him and make him less feral, she develops a bit of a rebellious streak from him or just better identifies the nuances of which rules should be followed vs which were meant to be bent or broken..)

the good thing about this road trip is that it’s what truly cements riley’s friendship with dylan and asher. they’ve been toeing the line of friendship for like two years now (as riley said in cruel summer, she regretted not taking the time and establish a friendship with them in sophomore year before everything fell apart), and it’s kind of like it’s bound to happen. riley and asher takes a little more time to grow and develop just because of the kind of person asher is, but on this road trip dylan and riley just Click. like they were basically made to be best friends, dylan is the first person who kind intrinsically Gets riley and they match each other in terms of enthusiasm / personality / brightness. again, a friendship that’s just been Waiting to happen, and this trip really brings that to the forefront.

(on that note, i once joked that when dylan and riley get really into chatting about something and lucas zones out, they start sounding like the villagers in animal crossing to him. like if he stops paying attention for even a second suddenly dyley sound like this. and i stand by that claim.)

as for the trip itself, its not like i have the whole thing perfectly plotted or anything like that, more just... musings and ideas. oh and a playlist, of course i have a playlist. obviously they’re really good about swapping around drivers and sort of organizing their time since they only have a week, and i think it’s mainly funded by dylan’s youtube vlogger coin. asher helps and riley chips in her fair share, but dylan basically covers lucas because obviously he can’t pay but they all want him there. he makes up for this by driving the most even tho the other three insist its not a big deal.

when it comes to sharing space, the quartet of them are pretty good at it. obviously when they stop for the night they just share beds by couple, but it is interesting to think about how different these two relationships are in terms of like... you know, where they’re at. like its super easy for da to share a bed because they basically do that all the time now, but for rl breaking that boundary would be a kind of unspoken big deal and lucas would be so cautious about it. like they spend most of the summer in riley’s car (can’t hang out at her place with cory there and no one is going to lucas’s) and so theyve probably like fallen asleep together there once or twice and maybe napped ONCE at riley’s place when maya and cory were both gone in the 2.5 months they’ve been together, but it’s still... not the same. so at first lucas would be really nervous about it, but after the first couple of nights he’d relax and realize its really not that big a deal -- esp since riley seems pretty confident and comfortable with it. by the end of the week, lucas wakes up in the middle of the night and riley has cuddled up next to him and he’s like... okay MAYBE sharing a bed with someone makes points. perhaps.

one of the nights on the way down the coast, what truly breaks the ice for dylan and riley is that they break out a SMALL amount of alcohol and both get tipsy (which for them is just like. giddy and giggly and very chatty. they’re both happy drunks without a doubt). lucas and asher don’t indulge bc lucas doesn’t trust himself getting intoxicated and asher is just wary of it in general, but they figure dyley can do it as long as they’re both supervising. so dylan and riley talk A LOT that night and truly form their Kindred Spirit bond and also lucasher end up regretting letting them drink bc for like a half an hour dyley do this thing where they just pretend to share secrets with one another. like they theatrically whisper in one another’s ears and look at lucasher while they’re doing it and then start laughing and they’re literally not saying anything Important (like it’s probably like riley being like “psst... i think lucas is... hee hee... lucas is hot”) and then dylan cracking up and agreeing but bc lucasher don’t know what they’re saying they’re like ha ha very funny........... but y’all aren’t talking about us doe right. wait, what did you say. hold on --

a lot of the trip is also based around being in nature and the outdoors, since they don’t get to do much of that day-to-day in manhattan. considering one of their favorite spots to hang out as a group during senior year is at central park, they’re all definitely fresh air outdoorsy kind of people to a degree. so like, stopping at parks, going on hikes, and of course the beach itself. i made an instagram edit of one of said hikes when i was testing a template i made:

naturally, and i swear this happens at least once on a long road trip whether it is with family or friends or any combo of people, but you hit a point where you get irritable and start to get a little sick of one another. i think in this case that mainly starts between lucas and asher, because although they’re Best Friends i think lucas has a knack for finding ways of irritating him. and also lucas probably gets irritated by dylan’s high energy after too much time with no breaks, so he’s also snappy, and as they’re on the way back up to nyc people are spatting at one another or getting snippy over stupid things so riles is like. here’s an idea! how about we split up for the day when we get to philadelphia. this is an excellent idea and none of them are opposed, so when they arrive in philly, dylan and asher split off to go explore the city + historical sites.

what do riley and lucas do? well, riley takes lucas to meet her grandparents, of course.

at first lucas is like ummmmmmm no because he’s SUPER nervous about meeting her family -- the only family he’s met is cory and we know that’s... unideal, and eric, both of whom have a completely different perception of him bc of school and his behavioral record. he’s yet to meet topanga or auggie yet or anything like that -- but riley assures him that her grandparents are chill and she has no doubt she’ll like them. they’re also meeting lucas with a completely blank slate (i.e. no preconceived notions about him like those who work at aaa), so it’s not hard for lucas to make a good impression since he really is like... a good guy. not to mention no way is he snarky or deadpan in situations where he doesn’t feel comfortable or like he has the right lmao, so he’s on his BEST behavior around amy and alan.

the good thing is that alan himself kind of had a similar background and run on the wild side that lucas does (kind of like jack, altho jack was never as troubled as lucas), and so i think he would kind of... inherently Get him. like he’d strike up a conversation with him and at first lucas would be like omg why is this man speaking to me please i’m invisible pretend i’m not here... but after a bit he’d find it’s surprisingly easy to talk to alan. and they’d talk for like an hour and get on pretty well. meanwhile, amy is talking to riley and is like so... let me guess. cory does not know you’re traveling with your boyfriend???? and riley is like... perhaps. maybe don’t tell him? pretty please? and once amy convenes with alan and is like how is he and alan is all “he’s fine, we can approve,” then they agree not to rat riley out.

riley and lucas also climb up into the matthews tree house and take a look around and they comment on how strange it is that cory and eric once used to like, hang out in there and in that house and were once teenagers (lucas: be careful this is humanizing your father too much for me). and i’d think they’d sit up in the treehouse for a little bit and just talk and riley would talk about how nice it must’ve been to grow up in the suburbs like this, and she’s surprised when lucas agrees and he admits he fucking hates living in manhattan. and that kind of prompts this subtle internal thinking in both of them of like hmm well... maybe in the future when things are different and we can make our own rules maybe we’ll move out of the city and into a quieter life... they don’t say any of that out loud, but they’re both thinking it. and at the tail end of that conversation riley kisses lucas which turns into a Really Good Kiss... but then they’re interrupted by amy calling for them to come down for dinner and its kind of like lmao, they’re both a little bashful but in a casual silly way

#riley x lucas #dylan x asher #riley x dylan #rl x da #SOL #bonus content #kind of lol #is this readable? who knows. i just really Love them #thank you for asking about them!!!#there's also an insta edit buried in here gJFDLGH #Anonymous #answered #high praise tag

16 notes · View notes

radiantmists · 3 years

Text

rhythm of war part two thoughts

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa (spoilers through the second interludes under the cut, and at the very bottom some comments based on what i have to assume is a major spoiler for the entire book, or close to it, though i'm warning again beforehand.)

well, last things first: taravangian's working against odium! i'm super excited about this, and very happy about the support for the concept that Taravangian's compassion isn't his curse, it's just the division of his intelligence and compassion that's sthe problem.

so we've been able to talk to the sibling, who is mostly trying to help despite genuinely feeling that what navani is doing is wrong. except now they're locked away, and navani is under the direct scrutiny of rabaniel and messing around with her is going to be risky. that being said, we're on our way to some very interesting revelations about how investiture works on roshar:

the stormfather is purely of honor. the sibling is a mix of honor and cultivation. the nightwatcher is purely cultivation

the sibling should not be able to function on pure stormlight, because it's purely of honor.

lift may not run on stormlight at all-- we already knew she can't pull it from spheres.

adhesion, which is somehow a fake surge and purely of honor, is not totally cancelled by whatever rabaniel did to the sibling. from lift's interlude, neither is regrowth when she uses it, which if i had to pick is the surge i would choose to be purely of cultivation.

as far as we can tell, people can still draw in stormlight with no issue, they just cant use it to power surges.

windrunners, who bond honorspren, are less affected by the fabrial: this applies especially to kaladin and syl, and we know syl is different from other honorspren, older. my money is that she's in some way more fully of honor than the others. lift, who's been hugely modified by cultivation directly, is also immune. the edgedancers as a whole are not immune and apparently are reacting as badly as anyone else.

...syl notes in the last set of interludes that she's different from other honorspren, mentally. is this a byproduct of whatever she did to sneak out of shadesmar, or of her being older? interesting.

To me, this all implies that whatever rabaniel did interferes with how cultivation and honor interact. lift, who seemingly only uses cultivation's investiture, can power the surge that seems most directly associated with cultivation; kaladin, probably closest to honor, can do the surge that seems to be entirely honor. the regular edgedancers aren't immune at all because they run on stormlight; the windrunners are somewhat but not fully immune because they're almost fully of honor, but cultivation likely had some hand in the way honorspren were made after the shattering.

Regrowth really is a very odd surge, compared to the others, which seem to deal with much more fundamental physical forces.

the fused do have access to regrowth while powered by voidlight, though. interesting.

speaking of: did navani's weird sphere contain some kind of... cultivationlight? or maybe it's some kind of combination, and that's why the sphere exploded right around the time of rabiniel's experiments (or the sibling was drawing on it somehow?)

on a more immediate level, the current tower resistance is as follows: navani, under constant monitoring but she has the best chance to figure out how to fix this shit. kaladin, who's a mess, being hunted by the pursuer, and who's about to start getting suicide-baiting nightmares from odium, but he does know how to fight! lift, who's amazing and knows how to sneak around the tower but is being hunted by someone who i assume has to be mraize. and rlain, masquerading as a singer (im so worried about him i hope he's okay).

if this somehow ends with kaladin killing mraize to protect lift before he can give shallan answers, i'm going to fucking SCREAM.

speaking of frustrating things: lirin turn on ur location i just wanna talk. Kaladin was actually rebuilding himself until this whole invasion thing, and i don't understand how lirin can look at a man who's that committed to doing good, sees exactly what it is that drives him to kill, and then calls him a monster.

I loved Kaladin's efforts to deal with mental health care! He's in the unique position ofhaving way more political power than any medical professional, darkeyes, or mentally ill person could ever have hoped to have, and I really want to see him come back to this once the world is burning down a bit less again, especially because it genuinely seemed to be helping him.

navani's plots have sorta been subsumed into this whole plotline, but i enjoyed what we got-- the little episode with the other scholars taking bets on whether she'd use tomor's fabrial was adorable, and i also liked how clear it is that they look to her to make things work.

moving on, uh... shadesmar stuff.

adolin's making some progress at waking maya! she doesn't talk but she shows a clearly unusual ability to learn and make independent decisions. i love it.

...also the thing with notum's horse implies that ryshadium are sentient enough to imagine spren. that's fun, and also terrifying.

adolin offering to stand trial for the crimes of humanity is fascinating, but all i'm thinking about is the episode of avatar where he agrees to stand trial for kyoshi, except in this case we already know that humanity did actually do the thing he's in trouble for. it would be unjust to punish adolin for it, but... i worry.

especially because there are, apparently, new deadeyes. this isn't extraordinarily surprising as syl was two skips away from death (though, im curious, does it work differently if the spren's never been a blade prior to dying? or are there just deadeyes wandering around who aren't tied to blades?) but it is very alarming.

and then there's the other thing: pattern is lying to shallan. i frankly don't think it's as simple as him being a spy for the ghostbloods; we saw even here that he's a terrible liar, and to have concealed this he'd have to have been pretty impressive.

on the other hand there was clearly some shit going on between shallan, her family, and the ghostbloods when she first got pattern. he's admitted that he has more exposure to humans than most spren. it doesn't look great, honestly.

i also appreciate that brandon is acknowledging how fucking weird shallan's timeline is. hopefully we get some answers about this.

adolin and shallan's relationship continues to be adorable; the sequence with the starspren is lovely and i totally get why it's brandon's favorite chapter in this part. between this and part one, he clearly enjoyed how the shadolin came out in this book and i agree. the fact that his romances continue after the marriage, with issues beyond just jealousy, is one of my favorite things about sanderson books.

venli's whole set of pov's this part was about walking up to urithiru. i really do want to like her, but she spends a ton of time just following more dynamic characters around and observing in these first two parts, and if not for the juicy secrets rabaniel's been dropping, it would make me just want to get back to other characters. hopefully that'll change in the next few parts.

i was going to make a comment about how we havent even had flashbacks yet, but i just glanced at the POVs for the next part, so I guess those are coming. I do wonder if these eshonai flashbacks will be info venli knows, or what.

she did kill someone for the first time, and attuned the rhythm of the lost for the dead man. the whole incident disturbs her, and i appreciated that as the rest of our viewpoint characters are extremely accustomed to death. i'm interested in seeing how this affects her going forward.

the epigraphs are so exciting! sazed is writing to hoid again, but this time he's gotten his bearings and spoken to some new shards... ones we haven't heard from before! also he asks hoid to say hi when he's on scadrial, which, fair enough tbh. i dont remember whether hoid shows up much in mistborn era 2 but for some reason i have the feeling he is not going to oblige this request.

the epigraph where sazed mentions he wants someone who can both preserve and kill immediately made me think of kaladin. (i think this is what he ends up trying to do with wax, but shhhh) he and sazed would agree on a lot of things philosophically, i think. (omg au where kaladin ends up working for sazed?? i have no idea how this would work the idea just fascinates me.

...where are the heralds? did dalinar take them with him, or are they in the tower? if the latter, are they also passed out? probably not, since they're not radiants, right? although whatever they are is very investiture-dependent so who knows. vasher's probably alright.

why is odium afraid of nightblood? is he worried it could eat him?

lots of POVs for the next part, but no shadesmar crew, so i guess we'll find out whether adolin gets executed by honorspren later. i do wonder why so many pov's from the battlefront; i guess something more is going to happen along those lines than i'd really expected. crossed fingers for some actual insight into renarin, finally.

in light of said spoiler: holy god i hope that division (between taravangian's intelligence and compassion) doesn't continue, though I have the horrible feeling that it will. This puts sazed's discussion of the intent of a shard combined with the cleverness of its vessel into a terrifying light: a godlike being who is at his smartest when he's a complete sociopath is like, the worst case scenario, not even taking into account that the odium shard is uniquely suited to make people act on impulses. this is so bad.

but i can't know the full extent of that until i read the context, so let's move on!

#row liveblog #row spoilers #holy shit

1 note · View note

oodlyenough · 5 years

Text

aight... here’s a pretty long yet tip-of-the-iceberg collection on my overall thoughts on bl3 now that i’ve finished the damn thing, every main mission & every sidequest (dynasty dash don’t interact).

obviously mega spoilers

the good

aside from that one infuriating difficulty spike when i arrived on promethea, i had a lot of fun playing. i found the gameplay a lot smoother than the others in the series (as it should be), i liked being able to climb stuff, i liked having an easy mode tbh!!

i really liked playing amara and i like the flexibility of action skills and being able to swap on the go without having to respec. the brawl tree ended up being very well suited to my type of play, it hindered me only during boss fights and even then at least i could switch to phasecast y’know

i had a lot of big fears about what this game would do and it managed to not do anything that makes me want to, like, burn and salt the earth, so that’s a win

i thought it was pretty funny! or at least on par with the other main games, which always kind of ride the line between funny and obnoxious and sometimes misstep

i enjoyed a lot of the cast, both new characters and characters who were returning but who i had no particular feelings about before, hammerlock, zer0 and ellie as particular examples

hammerlock and wainwright were cute af and it’s nice to see a gay couple in a triple-a game

thought the twins were fun and funny af i liked them. because fandom is Like That i was a little exhausted by troy before he even showed up but even then, like, idk i liked them as a duo and i liked the break from jack honestly

a lot of the new gun quirks were fun. i’m not like a big... gun person... but i found some cool ones i enjoyed playing with.

loved getting to see different planets, it was a nice break from pandora all the time. and skywell was super fun! love the low-grav playfulness from TPS without the infuriating oz kit nonsense

the little quality of life improvements from previous games were great, like fast travel from anywhere, auto-refilling ammo, etc

some of the side quests were really fun. i liked the ratch quest for rhys, the birthday party quest for mordecai, the claptrap dancing quest was sweet, the buff movie buff quest was fun, the quest where i killed grandpappy 2 seconds in and got a reward was funny as hell esp because i drove off a cliff by accident, etc

lots of people had really bad glitches and stuff but... honestly can’t relate the game ran very well for me. advantages to not marathoning it before they’ve released their first couple patches, i guess, lol

the less good

i played a solo amara and there are some bosses that seem like they would’ve been pure hell to do alone... i was lucky and able to phone a friend for a lifeline in those scenarios (shoutout to @heavybreathingcatt and @valoscope) but if i couldn’t do that idk i would’ve just broken my controller in rage i guess lmao

why is resurrecting each other so hard? i don’t think i’ve ever done it successfully, because it takes too long and more importantly bc while i’m doing it some enemy will just toss a grenade or punch me and i get knocked away from the ally, rendering it useless

rest in peace maya, the best res AI in the whole damn game, got me through the rampager fight her damn self

there were a lot of characters and themes and ideas that i liked in theory more than in practice... because in practice they felt like a first draft. very often i felt like i liked a thing, and then on reflection thought about nine hundred ways it could’ve been better, deeper, more emotionally resonant, more developed, whatever.

the angel stuff was kinda nice but... also... my longest deepest sigh ever @ Poor Sad Jack Some People Terrorize Entire Planets And Abuse Their Daughters To Cope With Their Fridged Wife

like the siren lore... wish i coulda heard it without having to backtrack across every map post-game

while i found the game generally pretty funny, almost all the emotional scenes fell completely flat for me and there were a number of scenes that SHOULD have been emotional that just were not

for eg i am actually not upset about maya or lilith dying (or turning into the moon as it were) -- i am ok with those beats for those characters, especially lilith getting a heroic sendoff. however... both of those scenes could’ve been more impactful than they were. maya’s i think was better than lilith’s, but both of them felt flatter, either in the moment or in the aftermath, than those characters deserved.

related: NPCs reacting to major events is fun. i liked to do the tour and check in with all my buds to get their couple custom lines after a big plot thing happened. HOWEVER... those lines are obviously timed which is *mostly* fine but in some cases really, really weird? the lines about maya should stay in rotation for a lot longer. ava shouldn’t go back to LOL LET’S STEAL two seconds after maya’s gone. i missed zer0′s maya lines entirely bc i didn’t track down zer0 on time lol. stuff like that

the bad

i miss my girls :( we really did keep only the white men huh

the last act felt severely underbaked. i have to wonder how many rewrites this game went through, and how much the back end was slapped together last minute, or cobbled together from various drafts. a lot of this felt very first or second draft, where the characters and themes are *there* but not refined at all, or they contradict each other. the family theme that goes basically nowhere and says nothing. the way the story handles atlas vs the way the story handles jakobs vs the way the story handles corporations writ large.

for the twins -- lack of proper emotional resonance or development for them is one of the biggest failures imo, because i think they WERE very enjoyable villains and the core concept of like... evil video game streamers is honestly on-brand and funny af for the franchise... but as soon as troy died everything went downhill? tyreen’s non-reaction to her brother dying isn’t even a reaction, it’s not even “tyreen doesn’t care she’s evil lol” which would’ve been a boring direction to take anyway) it’s just.... “we barely wrote a response don’t worry about it”. her endgame is to be a big monster because... she’s ... fame hungry? huh? her motivation fell apart.w whether they went with “troy and tyreen are shitty people who get caught up in a power struggle but ultimately love each other” OR “troy and tyreen are shitty people who turn against each other in individual bids for power” could both have been interesting stories but they did neither.

i’m def missing some echos on the twins which brings me to another thing i hate although it’s endemic to the series and not to bl3 specifically -- hiding important lore and characterization in random echos in random places on the map without even an indication of how many there are total, how many you’ve collected, where to find them... frustrating as hell. a lot of those echos are some of my favourite material in the game! at LEAST tell me “1 of 5 echos on this map” if you don’t wanna tell me where they are! why is major lore like the twins’ backstories hidden??????

and bc i haven’t heard them i don’t know if it’s fandom doing what fandom always does, or if it really is the game implying tyreen is The Evil Mastermind and troy is poor manipulated brother, but either way fuck that entire noise lmao of course the women of colour in the series are just Born Evil but jack and troy and whoever else are just Sad :( fuck off actually

typhon... sucks... what an irritating character. irritating to retcon him in as The First Vault Hunter, irritating to have him talk about shit and sex all the time, irritating to have every established NPC be like oh wow my HERO typhon deleon what a HERO i LOVE him, irritating that we skate over his parenting failures, irritating that he has a fridged beloved wife, ESPECIALLY irritating he gets a memorial sidequest and maya didn’t . just. bad.

aurelia is evil now cause reasons... bad...

vaughn also bad lmao i can’t believe they made amara yell “blood feud”... disgusting...

the playable had no role in the story. they’re just a fly on the wall in every cut scene. this is whack in general, and a crit i can apply to all of the main borderlands games, however it is extremely jarring to play amara in a siren-heavy game and have no one acknowledge it.

OVERALL... I guess like a B-? Maybe a B. I had fun playing it and I’m still having fun running around in Mayhem Mode and I am def looking forward to the DLCs. Gameplay is great. But while I had hoped this installment would take the storytelling of the main games a step further, it actually felt like a step back in virtually every respect.

#bl3 spoilers #borderlands 3 #borderlands

47 notes · View notes

rivalsforlife · 4 years

Note

oooo i'm sorry but one more scene for commentary if youre up to it: maya and phoenix talking in chapter 6?

Of course, no need to apologize!! Once more, keeping this under a “keep reading”:

Around noon, his apartment intercom buzzed. “Nick, it’s Maya! Let me up.”

Maya? What was she even doing here? Maya never visited him out of the blue anymore… Whatever. She’d probably think he was at his office. She’d go away soon.

There was another buzz. “Nick! I know you’re in there! I called your office, you know!”

Kids these days. Selling out their bosses that easily… Maybe he should cut Athena’s salary. Nah, he wasn’t Edgeworth. … Edgeworth.

“don’t think about Edgeworth don’t think about Edgeworth -- ah damn it”

“Nick! Hello! Nick!”

She had to give up eventually, right? Whatever she was here for, someone else could help her…

“Security’s coming after me, if they arrest me you’re gonna have to defend me, you know, do you want that? I’m not even gonna try to pay you for it since it’s gonna be your fault —”

Ugh.

Phoenix stumbled out of bed and buzzed her in. “Fine. Come up.”

“Thank you!” she chirped in a sing-songy voice. “Hey, you heard him, let me go…”

Maya’s Obnoxious Little Sister Energy is eternal. Her next strategy was to break from the guards and dash as far as she could go trying to break her way into Phoenix’s apartment which... wouldn’t have ended well haha.

Also! Like I mentioned in the previous ask, a lot of this fic was just Phoenix’s Relationship Issues, and the way I characterized him in this fic was a lot of... he needs to have people around or he kind of falls apart, and his history of having people around was that these people needed him in some way -- Maya after she was accused of murder and then hanging around for Mia’s sake, Trucy being abandoned and needing looking after, even Miles to an extent needing to be saved from his corrupt ways and the von Karma influence -- and now that they’re all growing up and don’t need him anymore he thinks they’re going to abandon him.

That’s a long-winded way of referring to that one sentence of “Whatever she was here for, someone else could help her”

Also... I don’t live in an apartment and haven’t visited many apartments? So I’m not totally sure how the whole buzzing someone in process works. no one’s called me out on it though so I guess I’m okay.

Phoenix sighed and wondered if he should make himself look presentable. There probably wasn’t enough time. Maya wouldn’t notice that he hadn’t changed his clothes for two days, right?

She probably would. But he couldn’t do anything about it, as just then there was a knock on the door. Figuring he should appease her so she wouldn’t give security anymore trouble, he reluctantly let her in.

Indeed, there was Maya, looking cheery as ever. “Hey, dude. What’s going on with you?”

“Nothing,” said Phoenix, and in response to Maya’s raised eyebrow as she took in his appearance, “Just not feeling well. Why’re you here, Maya? I thought you were busy up at the village.”

passive-aggressive “oh aren’t you supposed to be busy?” from Phoenix here...

One of the other major changes I made to this fic in the editing process was cutting out a LOT of Maya content. I really love her and wanted her to be here more, but to properly go through the Phoenix Characterization Study I had to make it seem like she wasn’t around as much so that Phoenix would feel more lonely. again, sorry, Phoenix... but like originally she came down for the picnic in chapter 3 and was around at the beginning of chapter 4, so it would be SO WEIRD if she showed up in every single chapter except for chapter 5 and then Phoenix accuses her here of being too busy to hang out with him. She was there all the time! So I only had her show up for the wedding and added in a few more lines alluding to her not being here as much as she used to in trilogy days.

“I am,” she admitted, pushing her way into his apartment. “But your daughter called me yesterday morning and said that if you didn’t call, I should check in on you. So. Here I am. And I know you’re not just sick.”

Kids these days indeed! Like Phoenix didn’t feel bad enough, his own daughter had to go and parent him. “Look, Maya, everything’s fine. I’m sorry Trucy made you think something was wrong.”

One writing tip I got and I’ve been working on implementing is like... trying to have a general idea of what every character is up to when they’re not “on screen”, so to speak. Even then, what they’re thinking about when they’re not the POV focus. So basically after the call with Trucy just prior to this scene, she immediately decided to call Maya (because she could tell something was Off with her dad and Miles, given his reaction when she mentioned his name,) and then told her to check up on him because he really scared her during that phone call... though she wouldn’t admit it. She basically saw it as a hint of returning to a sort of... disbarment-era depression, which she didn’t want, so she wanted to make sure someone could check in on him as soon as he could since she couldn’t.

Also another small aspect of Phoenix characterization (that’s going to be like 99% of my commentary about this fic I’m sorry) is that the way he deals best with depression is like... being around people, and doing things with people. It’s obviously not a method that works for everyone, but it keeps him from dwelling on things and kind of gives him a purpose, helps him feel like he’s needed. Mostly got this headcanon from RFTA where he says he was unable to take on any cases when Maya was gone until Ema showed up... and then even at the beginning of 2-2 he does seem pretty down. Trucy kind of knows some of this since she was the main thing keeping him together during disbarment era, at least enough to know that when Phoenix is depressed he’ll do much better if he’s got someone he cares about around.

Anyways, Trucy probably told Maya just to call in, because she knows her aunt is busy and part of the reason Maya hasn’t been around much is because she’s stuck with all sorts of Master responsibilities at Kurain, but Maya herself wanted to come down and check on Phoenix in person because she knows how he can get and if it was enough to worry Trucy, then she was pretty worried too.

Maya planted her hands on her hips. “No way, mister. I did not take a two hour train ride down here for you to tell me everything’s fine. Do you know how difficult it was to get permission to leave?! I had to pull the old ‘I need to visit my boyfriend’ card for them to let me go!”

Phoenix groaned, despite himself. “Have they still not caught on about that?”

“Their desperation for an heir has blinded them to common sense. They made me drink some disgusting fertility tea before I left, so you really owe me one.” She lowered her hands and sighed. “Look, Nick, I know something’s up. So talk to me. Please.”

I took a few liberties to sprinkle in my Kurain headcanons in here... which I’ve rambled about more in depth elsewhere, so I won’t go into too much detail, but basically: hereditary spiritual power leads to a lot of pressure on people who have said hereditary spiritual power to reproduce so they can pass it on to the next generation. Particularly with Maya (and Pearls to some extent though I believe Maya would willingly take the heat on it) since the two of them are the only remaining spirit channelers of the Kurain technique. And since it took Maya a really long time to become the Master officially (I don’t buy the idea that she wasn’t skilled enough by the end of T&T, my headcanon is the Master training process involves two years in Khura’in but she put that off until Phoenix was in the clear regarding Kristoph stuff) they probably don’t want her leaving the village to “goof off” unless she’s doing it to produce an heir. her biological clock is ticking! haha! (... ugh.)

And this kind of leads to -- in the elaborate backstory of this fic that I can only touch on through DVD commentaries which is like half the reason I do these things -- Maya and Phoenix agreeing that if Maya needs to get out of the village but whoever the other people in the village are start putting pressure on her, she can say she’s “visiting her boyfriend” who they think is Phoenix but really isn’t... and I guess they assume they’re getting up to heir-making activities but oh darn! didn’t work this time! guess I’ll have to go again next week! (obviously they’re just out getting burgers or something.)

Hence people in the village pushing fertility tea on her because they think the problem is that she’s not getting pregnant... although they’re kind of misunderstanding the reason why she’s not getting pregnant... because no amount of fertility tea in the world will lead to a spontaneous pregnancy without other activities first. which aren’t happening. I feel like I need to clarify this multiple times just in case someone misunderstands.

Pearls both knows about this agreement and knows that Phoenix and Maya aren’t actually dating because she’s like nineteen now? She’s probably known for years, she never brings it up during DD and SOJ.

“I won’t go into much detail” oops. I’m so sorry.

Phoenix didn’t say anything.

Maya took him by the arm and guided him to the couch, plopping him down none-too-gently before sitting next to him. “You can trust me, right?” she asked. “You’re my best friend. I’m here for you, even if you did something really stupid.”

Phoenix laughed a bit. “Yeah… I did something really stupid.”

“Okay. Tell me.”

Phoenix buried his face in his hands with a sigh, then rolled his head to peek through his fingers at Maya. She looked — angry, sure, he wasn’t exactly being the most cooperative of people right now, but — open. Prepared. Like she was actually going to listen.

I know that SOJ called Miles Phoenix’s best friend, which don’t get me wrong I absolutely loved, but I do wish Maya was ALSO considered Phoenix’s best friend if not one of his closest friends, because they’re so obviously best friends. They’re a different flavour of best friends than Phoenix and Miles, because Phoenix and Miles are the “it’s complicated and there are secret romantic feelings possibly but we trust each other unconditionally” best friends, Phoenix and Maya have a twenty-five step secret handshake they have to execute every time upon meeting.

But of course that doesn’t mean they can’t be serious, Maya is absolutely here for her dumb best friend

“It’s…” He sighed, again. “Have you ever — have you ever wanted something for a really long time, but — but you never thought you’d get it, and then you have this chance, and you just… panic?”

Maya nodded solemnly. “Steel Samurai movie premiere tickets. I won a raffle, but I forgot I signed up for them and thought it was a hoax, and didn’t get to accept them before the deadline. The bad Wi-Fi didn’t help, either.”

“But that doesn’t mean they can’t be serious” um

The one constant among all the ace attorney main characters is that NONE OF THEM WANT TO TALK ABOUT THEIR FEELINGS EVER

Also I struggled a lot with this fic trying to figure out... exactly what was going on in Phoenix’s head, and how he would interpret what was going on in his head. I kept changing opinions all the time and it was so off before I did editing haha. Even this line is still a little weird with the “Have you ever wanted something for a really long time” because he probably shouldn’t be aware that he has wanted this for a long time. ... I’m going to stop pointing out the flaws in my own fic now--

At Phoenix’s glare, she added, “I’m just kidding. Thought I’d lighten the mood a bit. Is this about Edgeworth?”

“What makes you think that?”

“‘Cause when is it not about Edgeworth with you,” asked Maya, cutting straight to the heart of things, as always. “Did he ask you out?”

“Not even that.” Phoenix turned his gaze to the floor, ashamed. “He said he loved me. I… I told him I didn’t feel the same.”

Maya was silent for a moment. Phoenix didn’t dare look at her. “Do you?”

“I like being around him,” said Phoenix. “I like seeing him smile, and laugh, and — and he makes me happy.”

What he wouldn’t give to see Edgeworth smile and laugh at him again.

“Not what I asked, dude.”

“Nick’s being really broody again it’s GOTTA be Edgeworth...”

Anyways that second-to-last line there is sticking out at me and I’m pretty sure it’s one I wavered back and forth on deleting before deciding to keep. ... at least I think I kept it? I’m taking these from google docs so there might be a few tiny changes from the ao3 version but I don’t think there’s anything too major I changed while doing last-minute edits.

Again we run into the problem of Phoenix Is Incapable Of Admitting He’s In Love With Miles -- which is the whole psyche-locks thing that pops up in the scene after this. The psyche-locks were also a pretty last-minute addition plot-wise... I think this fic was the most I deviated from my outline, but I was pretty rushed for time so I didn’t do as much planning as I normally would.

Hm I think there’s another ask where I can talk more about the psyche-locks? I’ll talk a bit here because I put a lot of thought into it. Basically I ran with the idea of black psyche-locks hiding something even the owner isn’t aware of, and that those psyche-locks are (typically? who knows about Kristoph) inflicted through traumatic events. Phoenix has three because I came up with three main Issues he had to work through, but some of them kind of blend together... two of them came up through specific traumatic events (Phoenix guesses them in chapter 8) and another one is just general overall trauma. if no one brings up the particular scenes by the time I get to that other ask, I’ll talk more about them, but basically there are three locks from three separate traumas and three occasions where they break -- someone guessed one of the breaking scenes on the narumitsu discord, but no one’s brought up the other two yet!

Long-winded way of saying that the psyche-locks are the reason that Phoenix can’t admit that he’s in love with Miles yet... and it’s kind of a cheap fantasy visualization of the trauma, basically? Maybe not the most elegant way of addressing it, but I never claimed to be writing for a series which addresses issues elegantly.

“But — but can you even imagine it?” Phoenix demanded, raising his head to gesture fully at the ridiculousness of it all. “Me and Edgeworth?”

“Yeah,” said Maya, simply. “It’s not that hard, really.”

Phoenix had no response.

“You two balance each other out well, and you trust each other, and you both care a ton about each other,” Maya elaborated. “If you love him, what’s the problem?”

oh Phoenix you have no idea. you and Miles are so easy to imagine together that you’re the number one pairing on ace attorney ao3 by a longshot.

Also one thing I kind of wanted to avoid was less of the... “you and Miles are PERFECT for each other how do you not SEE this” thing. nothing against the trope, of course! Just the whole concept of people shipping their friends intensely is something I’m not super familiar with and tbh would make me pretty uncomfortable...? It’s sort of the deal with rpf. Of course this is fanfiction with fictional characters but from an in-universe perspective...

So Maya’s taking the approach of more “Yeah, I can see you and Edgeworth as a couple, I think you’d work well together” rather than “you two are SO perfect together and I’ve been shipping you since 2016!!” because while that may be what Maya is THINKING it’s definitely not what Phoenix needs to hear right now.

“It just… seems like a recipe for disaster. I wouldn’t even know how to… like, this isn’t my first time feeling like this, but when I think about us, me and Edgeworth, it’s…” Why couldn’t he find the right words? “It’s too much.”

Maya brought a hand to her chin and tilted her head thoughtfully. “So — tell me if I’ve got this right — you like Edgeworth too, but for some reason, when he confessed to you, you panicked and you don’t know why.”

“I guess…” Phoenix returned his face to the comforting darkness of his hands. “I don’t know what it is. I-I shouldn’t have a problem, right? But the thought of a-actually admitting that I… or being in a relationship, it feels like I’m standing at the edge of a cliff and am about to fall off.”

Maya was silent for a long time. Phoenix just hoped that whatever she said next, it would somehow magically fix all his problems.

Instead, she said the most ridiculous thing Phoenix could possibly imagine. “Maybe you have trust issues?”

It certainly lightened the mood. Phoenix threw his head back and laughed harder than he had in a long time.

Phoenix is a very trusting person, absolutely, but you can’t tell me this man walked out of the Dahlia Debacle without quite a few romance-related issues. It’s kind of a weird sort of contradiction...

“No, I’m serious,” she persisted, through his laughter.

“What are you talking about, Maya?” Phoenix managed to get out, once he had that fit of mirth under control. “There’s no way I have trust issues. My whole thing is trusting people and believing in people until the end, you know?”

“Yeah, I know. But trusting someone not to be a murderer is a bit different, isn’t it?”

“It’s not like that’s as far as it goes,” Phoenix argued. “I trust you, I trust all of our friends, more than just not being murderers.”

“Yeah, sure, but romance is kind of on a different level.” She leaned back into the couch thoughtfully. “When’s the last time you’ve been with anyone?”

“... At least not since I got Trucy,” Phoenix admitted, only a little shamefully. “You try hooking up with people while having the world’s most perceptive daughter who’s desperate for a ‘new mommy’.”

“Been with anyone seriously, I mean.”

Phoenix winced. “... College.”

“I rest my case, Your Honor.”

Prettty self-explanatory here, I managed to get most of my thoughts on the actual fic instead of wanting to put it in an appendix or something. Basically... you can trust people in different ways? Phoenix can trust someone to not be a murderer to the extent of putting his own life on the line for them... but when it comes to revealing any sort of details about himself, or general emotional intimacy, he’s kind of stingy about it. Of course the out-of-universe explanation is “Phoenix doesn’t talk about this stuff because we need suspense so the player keeps playing the game instead of an exposition dump as soon as the issue comes up” but I like finding in-universe explanations for out-of-universe stuff.

I think I just regurgitated my points in a few excerpts oops.

Last little comment there regarding the idea of Phoenix presumably having a casual sex life -- Iiiiii am super asexual, have known that for a long time, generally kind of squeamish about the concept and also live a very sheltered life. so I don’t know much about people hooking up... like how people just go out and do these things. But I know people do these things so I try to reference it within my limited knowledge. Anyways yeah presumably that was happening in the background throughout the trilogy in the universe of this fic. probably not an important point. i’m moving on now.

“I’m not hung up on that!” Phoenix insisted. “Iris was a good person, she was the person I trusted. I’ve known that for years, now!”

“But she did lie to you,” Maya pointed out. “And you thought she tried to kill you for five years. I dunno, if it were me, I’d have a hell of a lot of relationship issues now.”

“Do you want me to psychoanalyze you too, now, Maya? It’s not gonna be pretty.”

“Oh, no thanks, that’s what therapy’s for,” she said, far too cheerily. “But really, Nick.”

Anyways I’m pretty invested in the whole Iris-Phoenix dynamic post-Bridge to the Turnabout, because like on the one hand, hypothetically the woman you were in love with but you thought was a killer coming out to say that she actually didn’t kill anyone and was actually in love with you should resolve all your lingering relationship issues resulting from that... but I don’t see that actually happening.

It probably took Phoenix the whole five years to come to terms with the fact that Dahlia hated his guts and tried to kill him, because I do believe he was seriously hardcore in love with her at the time. Well, Iris, but he didn’t know the difference. And then finding out Iris actually loved him... but not enough to actually, say, tell him this beforehand?... makes things kind of messy. Phoenix probably thinks he should be all better now but really the whole Dahlia-Iris thing was messed up and undoubtedly messed him up a lot.

Last little bit is just me squeezing in that Maya probably also has a lot of messed up relationship issues and also definitely needs therapy. (And is getting a bit of therapy in this fic! Good for her!) I have a lot of thoughts about Maya’s trauma... but unfortunately this fic is about Phoenix so I couldn’t go too in depth about that. Sorry, Maya. One day.

Phoenix sank further into the couch. “I don’t have trust issues.”

“Y’know, there’s still a lot of stuff I don’t know about you,” said Maya. “You never tell me anything personal until there’s a murder or something and then you have to. What happened to Edgeworth, both times. The whole Dahlia thing. It took me ages to get you to tell me how you got disbarred, even! And, like, romance has this level of intimacy to it, where he’d need to know stuff about you that I wouldn’t know, that Trucy wouldn’t know. And Nick, you know I love you, but I know you’re scared of that.”

“What do you know about it?” Phoenix snapped. “You’re barely ever here.”

He felt horrible as soon as the words left his mouth. Maya gave a sharp inhale and stiffened, her eyebrows knitting above an angry and hurt glare.

“I’m sorry,” Phoenix apologized, looking at the floor. “That was… that was unfair.”

“Yeah,” said Maya. “Yeah, it was.”

yep regurgitating my points from above. Anyways, highlights: platonic “I love you”s are great, we should have more of those. Just... emphasizing that it’s platonic because the Phoenix and Maya friendship is one of my favourite things in the series.

And there’s that “You’re barely ever here” comment that I had to cut Maya out of most of this fic to fit in, because otherwise it wouldn’t make any sense. In the universe of this fic Maya was pretty distant being busy with training and spirit medium Master stuff after the trilogy... and presumably hasn’t seen Phoenix as much as either of them would like. She loves hanging out with her best friend, and probably feels super guilty too, that Phoenix is dealing with all these issues and she can’t be there because she has other responsibilities -- so obviously it upsets her when Phoenix kind of accuses her of not being there for him, because she definitely would be, if she could, and if Phoenix would let her.

Pretty much you can’t always be around for everyone all the time, Maya would be so worn out if she had to juggle coming down to the city to hang out with Phoenix all the time on top of all her other responsibilities. She knows this, Phoenix knows this too, he’s just kind of lashing out right now because he’s hurt and confused and misses all his important people, but Maya just happens to be in front of him right now.

And yeah what Phoenix said was pretty uncalled for, which he realizes right away, and Maya acknowledges -- a pretty short fight, I don’t think these two would stay mad at each other for too long.

They sat in a tense silence for some time, until Maya sighed and brushed back her hair.

“Look, I’m saying these things because I’m scared of it, too,” she said, barely above a whisper. “After Mia, and Mom… I don’t want to be left behind again.”

“Maya…”

“Just think about it, okay?” She extended a pinky towards him. “Promise.”

Reluctantly, Phoenix linked his pinky with hers. “Fine. I’ll think about it.”

points at this and says Maya’s Definitely Got Trauma From Trilogy Events then brushes it off to get off the uncomfortable emotion topics

“Good.” Maya hopped up from the couch and stretched her arms above her head. “I’ll forget about what you said if you buy me lunch, okay? I’ve got a client this evening, so I can’t stay long, but I’ve got enough time to stop by Eldoon’s.”

“If you insist,” said Phoenix with an exaggerated sigh, and Maya laughed, so Phoenix willed himself to push the conversation from his mind for now. Maya would be spending four hours on a train today for his sake; Eldoon’s really was the least he could provide.

and in true Phoenix and Maya fashion we’re just gonna forget about the emotions and go get ramen!

Anyways thanks anon for requesting this scene I apparently have so many thoughts about Phoenix and Maya friendship... sorry if this is totally incoherent I should not have started this so late it’s like 11:30! But thank you! I will do more of these tomorrow... hopefully.

#dvd commentary meme #the catch-up game #asks

5 notes · View notes

maya-matlin · 4 years

Note

Top 5 things you’d change about Next Class, go!

1.) The Gracevas arc + Degrassi queerbaiting their audience (This speaks for itself. Deciding to make Grace straight and into Zig without even the slightest bit of foreshadowing was a bad move. It was done in a very condescending way like shame on us for assuming Grace could like girls when they clearly intended for us to be misdirected. I can’t stand what this arc did to Grace as a character. She somewhat recovered in seasons 3 and 4, but it was never the same. Grace as a character never reached her full potential. Gracevas not only could have been one of Degrassi’s major ships, but they absolutely 100% should have been. Even after Grace officially “came out” as straight and Gracevas was supposedly platonic, some of the most significant moments in Zoe’s journey happened with Grace, not Rasha. As likable as Rasha was, it will always feel like she was given to Zoe as a consolation prize because the NC writers fucked her over back in season 1. Don’t even get me started on Grace’s romances with boys.)

2.) Tristan’s biphobia (I’ll never understand the point of this? Tristan’s biphobia was frequent enough that you expected some sort of resolution/lesson, but it never happened. Even as a Triles fan I can admit that if this had been used to break them up, it would have been a logical conclusion. But instead it comes across like Miles doesn’t even care that his boyfriend is ignorant about his sexuality and is willing to erase it in order to feel secure in their relationship. It really sucks because the opportunity was there to either have Tristan be educated or prove that he’d changed his stance and become less ignorant in season 4 when Miles officially identifies as bisexual. Instead, Lola gets to be the one to tell Miles she doesn’t have a problem with him being bi. That’s great for M*la fans, but I don’t get the overall purpose if it’s not to indicate Miles should choose her which doesn’t fit at all with Triles being romanticized both in seasons 3 and 4. But I digress.)

3.) The aftermath of Hunter and friends cyber bullying Maya/the swatting/the attempted shooting (Season 1 left gamer club in a terrible position because it was virtually impossible to sympathize with or root for any of these characters. I don’t feel the work was done to redeem any of them, Yael included. It seemed as if as soon as season 1 ended, the writers were eager to pretend Hunter’s (because it was a Hunter story line featuring his three best friends) arc never happened. There was a small attempt made to redeem Hunter via showing the beginning of his progress while staying in the psychiatric ward. But after that it was like the writers were eager to pair Hunter with Yael and didn’t care to show Hunter making any more progress. If that wasn’t bad enough, the writers, IMO, made Baaz their resident asshole character for no other real reason I can fathom other than to make Hunter not the biggest piece of shit in the room. Lastly, the strange need to put Maya in story lines with her tormentors. Literally the only good reason for Maya to have a plot with any of these characters after everything they did to her would have been for the sake of one or all of them giving Maya a genuine apology. Instead, the two times Maya had plots with them involved MAYA having to go out of her way to do them favors. Other than Yael, I don’t feel any of these characters overcame their actions in the first season. It almost makes me glad I didn’t have to watch Hunter/Baaz/Vijay in seasons 5 and 6.)

4.) The aftermath of the bus crash/Tristan post coma (These are basically the same issue, so I’m going to discuss these things together. First things first, I’ve never been a huge fan of season 2′s cliffhanger. It was heartbreaking and difficult not to get caught up in all the sadness throughout the hiatus. Especially during the period where we weren’t sure whether or not Tristan would live. But the cliffhanger also felt very cheap and almost un-Degrassi. So when season 3 began and the show skipped over nearly everything relevant to the characters in the bus crash, I was disappointed but not surprised. It was a huge missed opportunity not to use the bus crash to develop/rehabilitate characters who could have used the extra attention (Zig, Tiny, Grace, Jonah). I GET why Miles was given focus. Eric Osborne was one of NC’s strongest actors and his character was Tristan’s boyfriend. But it’s also so typical that Miles was given all this attention at the expense of multiple other characters. We got to see nearly every beat of his grief, his guilt, his struggles, etc and NOTHING from any bus crash survivors who weren’t Maya. All that so we could watch Miles get a new love interest. In regards to Tristan post coma, it’s unacceptable that he was given only one plot in season 4 to Miles’s five in season 3. So much more could have been done to expand on Tristan post accident and develop his character.)

5.) The constant drama within the Frankie/Shay/Lola trio (I understand that all friendships have their ups and downs, but it was difficult to consider this friend group the power trio NC was clearly going for when basically whenever their friendship was showcased, it was proven all three were insufficient when it came time to give emotional support. Whether it was Frankie and Shay gossiping about Lola’s pregnancy, Shay and Lola fighting over Tiny three seasons in a row or Frankie’s ignorance in season 2, there was always something preventing these three characters from being good friends to each other for longer than an episode. Generally these clashes would pave the way for yet another character to come in (Esme, Jonah, Zig, Miles, Tiny, Yael) and give Frankie/Shay/Lola whatever emotional support/advice they weren’t getting from their so called best friends. It’s disappointing because the majority of the seniors’ friendships were written as much more supportive. This is yet another area in which the writers failed the grade 11′s. Because while that group had a lot of potential, the personal bonds within the grade were severely lacking.)

Honorable mentions:

Using cheating (Zig/Maya/Zoe, Miles/Tristan/Lola) as a way to create drama for their main ships

Grace’s characterization in season 2

Zig’s inconsistent writing during seasons 1 and 2

Esme becoming a physically abusive partner at the end of season 4

Lack of development for the majority of characters introduced in NC

Jonah emotionally cheating on Frankie with Grace yet Frankie being written as the irrational girlfriend

Zoe filming Zig without his consent

#obsessive-mess #nocakesformissedith #I promise I love Next Class #But the series is fresh in my mind so it's easy to come up with things I'd change #My main problems with Next Class are 1-4 but I had more to say about Frankie/Shay/Lola so that became my number five

13 notes · View notes