Reading a Terry Pratchett book is literally just:
Here's a funny little joke
Here's something that you can tell is a joke but don't get and will only figure out five years later
Here's a surprisingly cool fantasy concept
Here's a unique and well written simile
Here's a lil guy
Here's something that has aged depressingly well into the modern day
Here's something that has aged remarkably queer into the modern day
Here's a character that you can barely understand what he's saying
Here is the most terrifying and deeply disturbing concept you have ever heard, casually mentioned
Here is the dumbest fucking pun you've ever heard but in the best way
Here is a quote so profound that it makes you view morality and the world in a different way
Here is a plot twist that you can't tell if it's genius or stupid
Congratulations! You've finished the book! It has fundamentally changed you as a person and you will never be the same!
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I feel that Lord Peter and Sir Percy would get on well.
Also Sam Vimes and Richard Hannay
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Alright, I will start with this one then - everything starts with the glorious revolution and everything starts with the night watch 🌸
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wee oo wee oo discworld doodle dump (and i mean really doodle)
(cheery, i love her)
small nobby!!
+ i love that angua got comforted by sybil and vimes,,,, i like how people point out that angua and vimes are kinda similar, how they both have a darker side and are loved by someone who they feel is too good for them sometimes.... and how vimes taught angua some dirty street fighting moves that she uses on wolfgang, absolute dad moment
also carrot, now that im looking at it his hair looks crown-ish, i might go into that direction more
some other tidbits under the cut
vimes as a dog vimes as a dog
vimes playing the werewolf game........ god dammit i gotta draw more stuff from fifth elephant this was absolutely epic, so was night watch
((tried to sketch out the werewolf game, failed miserably))
height headcanons? more or less
and wuffles......patricians terrier
((also shoutout to the one person who set out one of my vimes arts as their discord pfp i love when people use my art as pfp's aaargfhn im glad you enjoy))
ok thats all i could gather, i am constantly doodling discworld characters theyre running in my head like little creatures but its hard to gather it up all in a post grhn
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“Commander Vimes didn't like the phrase 'The innocent have nothing to fear', believing the innocent had everything to fear, mostly from the guilty but in the longer term even more from those who say things like 'The innocent have nothing to fear'.” -- Discworld (Snuff)
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He took another sip of his cocoa. It was only lukewarm now, but along with the cigar it meant that both his hands were occupied. That was important. He wasn't holding a weapon. No one could say afterwards that he had a weapon.
-Terry Pratchett, Night Watch
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Every step I choose to take begins to set the world aflame!
And the soldiers march behind me,
I can hear them beat their spears!
And for the first time in all my life,
I know I'm more than what I fear!
Happy Glorious 25th of May!
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--The Fifth Elephant - the 24th Discworld novel by Terry Pratchett, 1999
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Crowley Of The Day: how are the back of their heads attractive also?
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See how they rise up! Wishing you all Truth, Justice, Freedom, Reasonably Priced Love, and a Hard Boiled Egg.
[Alt text: 3p Discworld stamp commemorating the Glorious 25th of May. Includes lilac blooms and a figure atop a barricade waving a flag.]
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A feature I noticed that Vimes, Granny Weatherwax, and Tiffany Aching, three of the most major discworld protagonists, have in common is that they all bear an immense anger that they use for good. Vimes has an anger that an eldritch vengeance demon sees as ideal, and yet has such self control that he contains not only the rage but the demon with it. Granny has her white-hot anger that she lets build inside of her until she releases it and gods help any that stand in her way when she does. And while Tiffany isn't as cynical or intimidating as the other two, I do believe that she holds the same righteous anger. When that little girl lets it out, literal gods fear her. And yet none of them let this anger make them abusive to those around them. Vimes might snap at people, Granny might seem a bit intimidating, and Tiffany might make the occasional stupid decision or comment out of anger, but they all ultimately have self control and will always direct that anger towards helping those that need it. Although, for your own safety, do not threaten Sam Vimes Junior, do not tell Granny Weatherwax what she is not allowed to do, and do not hurt Tiffany Aching's sheep.
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I like that Vimes' reaction to Cheri Littlebottom's character arc in Feet of Clay is... distracted acceptance. Like, he's so caught up in the a-plot of the novel (Sam and Carrot Unravel a Conspiracy) that he doesn't really consciously notice the b-plot (Cheri and Angua's Adventures in Gender Expression). He notices her wearing fingernail polish and high heels, asks about them, and moves on before using her preferred pronouns at the climax.
It's easily missed, but it's nice that it's there.
Then, in Fifth Elephant, he's willing to throw the fuck down - like, start a goddamn war - when someone uses a slur directed at Cheri.
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People on the side of The People always ended up disappointed, in any case. They found that The People tended not to be grateful or appreciative or forward-thinking or obedient. The People tended to be small-minded and conservative and not very clever and were even distrustful of cleverness. And so, the children of the revolution were faced with the age-old problem: it wasn't that you had the wrong kind of government, which was obvious, but that you had the wrong kind of people.
As soon as you saw people as things to be measured, they didn't measure up.
Terry Pratchett, Night Watch
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Okay okay, listen, Night Watch is an absolute masterpiece of storytelling. It’s done so well I want to scream. Not only do we, the readers, know that the revolution will end in tears, the protagonist of the story knows it too!
Vimes goes into this with the exact same expectations as the reader of here we go, we know we’re in a tragedy, we’re know we’re doomed by the narrative. AND YET, AND YET as the story goes on, you start to hope that maybe, just maybe, something will be different this time.
Even Vimes starts to entertain the idea, but every time this happens, you get reminded (by the History Monks) that No. This is only going to go one way. This. is. a. Tragedy.
BUT STILL. These are good people and look, some things have gone better this time, maybe it’s enough? Vimes always wins in the end, doesn’t he? And so you HOPE and by hoping, you wilfully forget what you’ve been told again and again, that this is a tragedy.
AND THEN THEY GET SO CLOSE. SO FREAKING CLOSE that when it all goes wrong you feel surprised, even though you were told from the very beginning how it was going to go.
It’s insane. It’s Terry Pratchett at his finest. Its’s a goddammed masterpiece.
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