#thank you for your nice words!

[maxwellscorner]

Gordon doesn't like being called cute (we will keep calling him that and yes, grumpy cat)

Thanks y'all for giving me excuses to draw Henny 💚

[zazrichor]

hi! im a big fan of your dragon age art, would you happen to sell prints anywhere?

unfortunately I don’t, sorry!

[morriganartblog]

Hello @canisalbus, have this wrinkled doodle of Machete

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[heybiji]

I love your art style, ESPECIALLY your DnD art! I wanna give your scarred elf boi a big ol hug! Never has a drow ever made me wanna play the race as much as your art of Dandelion!

oh, he could certainly use a hug lately, please do please do.

and FOLLOW THE DROW DREAM!! just don't be a donut like I was and have them in disguise for 60-something sessions while you are desperate to draw and share art of them but CAN'T

[zu-is-here]

Happy birthday @yuriyuruandyuraart! ◟(๑•͈ᴗ•͈)◞

Ribbon (pink!Cross) & Buns (pink!Killer) by yuriyuruandyuraart respectively ;3

Cross from xtaleunderverse by jakei95

Killer by rahafwabas / rahaf-wabas / rahofy-sketch

+ the transparent one ehehe <3

[imnotlole]

Okay maybe this is a little off the cuff, but I wanted to tell you how much I adore your art. 🥺🥺 It is literally so gorgeous, I love your shading and anatomy and the way you draw eyes is super cool!!!! It’s like… creepy, but I love creepy so so much. Idk!!! Just I really love your art, and I hope you continue posting. <3

Creepy is a compliment that I would take with pride so Thank you so much for your kind words !!

♡🖤♡

[flowercrowngods]

part 1 | part 2 | part 3 (these make one big story, you won't understand this part without the others)

day 04: here come the tears

a/n: the people have requested a surprise eddie pov and i have decided to pull a eurovision and ignore the public vote, just a little bit. but you get a tiny eddie pov, as a treat 🤍

Steve is crying. It's 1:07 a.m. and Steve is crying. And there is nothing Eddie can do about it as he's lying in bed, his heart breaking further with every passing second that they lie there in silence, quiet sniffles carrying over the phone. 

Steve is crying and Eddie is breaking. Steve is not talking to him and Eddie is breaking. Steve is not okay, and neither is Eddie. They're both breaking. 

And Eddie doesn't know what to do about it, how to fix it. How to make it better. How to tell Steve that he misses him, how to ask him to talk to him, how to keep him. To stop him from slipping through his fingers further and further until all there is is silence. 

"You know," his mind wanders back to years ago, his heart cracking at the memory. "I had the biggest crush on him for the longest time. Forever, really."

He remembers the way Steve's eyebrows shot up, his eyes round with... shock? Surprise? Or maybe something bad? 

"Oh?" 

"Yeah," Eddie had chuckled, fiddling with the straw in his drink to give his hands something to do. "Remember that kiss?" Steve nodded. "Well." Another chuckle, awkward this time, and possibly too revealing. 

Steve grinned at him, a self satisfied smirk that wavers just a little. "So you're saying you did fall madly in love with me, Munson?" 

Eddie's breath had hitched a little because Steve remembered those words so perfectly that had since doomed Eddie completely. But he covered it up with a laugh so easily, he was sure Steve didn't notice. 

"Maybe," he grinned. "But eh, that's in the past." 

It wasn't a lie; not really. But wasn't the truth either. 

The truth was that Eddie had moved on. The truth was that it's the kind of crush that was never really a crush. The kind that is a Forever more than anything else. 

The kind that will always be there, a flame burning inside my chest that carries your name and keeps it alive, keeps me warm. The kind of flame that will always be ready to become a bonfire again. Just say the word, Stevie. It's written in the universe. Say the word and I'll be yours. 

"Good," Steve said after a while, and Eddie remembers frowning, remembers that he wanted to ask what that tone was, what Steve was thinking. If he was worried or disgusted or felt betrayed that Eddie's been so hopelessly and helplessly in love with him. 

But all he said was, "Yeah. Remember Chrissy? We're kinda official now." 

And Eddie had known then just as he does now, that he'll be a happy man with Chrissy. She's his best friend, a sunshine on bleak days. She's no Steve, but she makes him happy. He had to move on from Steve – to try – and allow himself his own kind of happiness. He'd never expected to find it with Chrissy, but he loves her so much. He's grown to love her in the past years – not the movie kind of love, not the all-encompassing Steve kind of love, because that flame inside his chest can still only carry one name. 

But life is not a movie. And love is not always a fire. But he's still warm, still content, still happy. And so is Chrissy. She knows about his flame, says she understands. Eddie thinks he has one of her own, but he never asked; just held her that night, creating more of that silent happiness.

…Is he happy? Lying in bed, listening to Steve's quiet breaths that are barely audible over the phone, remembering the kiss, the confession, the Forever that he tried to move on from, he wonders what he's doing. Wonders if that contentment is worthwhile if it somehow lead him to losing Steve. 

Did he miss something? Did he fuck up without realising? 

He can't ask; Steve won't talk. 

All he can do is lie there and feel that flame that still carries Steve's name after ten, eleven, twelve years scorching his insides. 

All he can do is wonder if the whispered, "Good night, Stevie. I miss you," is some kind of goodbye. All he can do is lie awake all night and wonder where they started losing each other. 

~*~

Missing Eddie is worse than loving him. Missing Eddie makes it feel like all the heartbreak songs are written for Steve and his pain that will persist.

It’s been three months since the engagement party, and the sharp, biting heartache that cut into his lungs every time Steve tried to take a deep breath has dulled now, turned into a constant ache, an emptiness, the sorrowful traces of where an I love you turned into an I miss you. 

He’s barely talking to Eddie anymore, and with every passing day he just misses him more. 

Steve types the words I miss you over and over and over again, but never hits send. Just stares at them, wondering if Eddie knows. Wondering if he’s doing the right thing. He isn’t. There is no right thing. Nothing is right. Not without Eddie. 

He scrolls up in their chat, past Eddie’s questions if he’s okay, past his very own I miss yous, up and up and up to the strings of hearts, to the inside jokes, to the gentle teasing, to the You’re my favourite persons, to the happiness and joy and good, good times. 

He scrolls and scrolls until his phone vibrates and tells him there’s a new message in the chat. Steve frowns, his hollow heart racing as he scrolls down again to see Eddie’s new message. 

Eddie Munson: — Can I come over? 

Steve frowns. 

— why? are you okay? 

Eddie Munson: — No. — Nothing is okay. You’re gone and you’re not talking to me and I miss you and I’m losing you and I don’t know why — I dont know anything. — I just wanna know, wanna talk, wanna understand — I wanna fix this. I fucked up, I think, and I wanna make it better. — I need to talk to you — Please. Please can I come over 

Steve swallows hard, as he reads the incoming messages over and over again, watching the little bubble that says Eddie’s typing still. Watching as it disappears and reappears, reading until his eyes begin to sting and his vision is blurred with tears for the first time this week. 

Letting them fall as he types, 

— no. please dont 

Eddie doesn’t reply to that, and Steve breathes out long and hard, throwing his phone to the side, not caring where it lands on the couch as he slumps over to the other side, turning up the music even louder. 

Oh, can you tell I haven’s slept very well Since the last time that we spoke. I said, ‘Please understand I’ve been drinking again And all I do is hope.’

It consumes him, this song and the way it was written for him. The way it was written about him. Because he has no right to ask Eddie to stay. He’s the one who’s leaving. He’s the one not telling Eddie what is wrong, why he’s pulling back so suddenly. 

I’m not strong enough for the both of us. What was I supposed to do, You know I love you. Please, stay.

Please stay. Please, please, please stay. It’s about him. It’s about Eddie. About them. 

And Steve listens to it over and over again, not caring that his neighbours will know it by heart by know, will be so tired of him wallowing for weeks and months, and will come knocking soon. He doesn’t care, not when Mayday Parade are singing, All the love’s still there, I just don’t know what to do with it now. 

He types that into Eddie’s chat. Doesn’t hit send. Sends it to Robin instead, and gets a shaking hands emoji in return. It makes him smile as he re-starts the song. 

~*~

That night, he wakes around 2 a.m. to a missed call an hour ago and one new message on his mailbox. He lifts his phone to his ear with shaking hands and bated breath, a pit opening in his stomach when he hears the Judas Priest song that’s been in his Sad Eddie playlist since the beginning. 

His heart cracks open when he hears Eddie’s sniffle, a heavy sigh, and another sniffle, followed by a little, Fuck. 

“Stevie? I’m… You don’t get to do this. You don’t get to just— to just disappear. To slip through my fucking fingers, or float away like a— a dream, when you wake up, and you wanna go back to sleep because it was a good dream, and you— I don’t wan’ you to be a good dream Steve. You’re like… Fuck, man!” 

Eddie’s voice is breaking, and so is Steve’s heart as his hand begins to tremble and he sits up in bed, closing his eyes, squeezing them shut because he doesn’t want to see the world as Eddie’s rambling at him. 

“I miss you. I miss you so much, and I don’t understand what’s happening. I don’t… I don’t wanna miss you. How do I get you back, Stevie? Please just… God, please just talk to me. I’d do anything for you, you know that. Just tell me, just say the word. Just… Just say the word, please.” 

There’s silence after that, only Judas Priest’s Here come the tears over and over as the song is ending. Steve is crying as he listens to Eddie’s silence. 

“Just. Just… Please, Stevie.” 

The call ends then, the line cutting to the staticky voice instructing him to save or delete the message. Steve saves it. He doesn’t know why. 

He also doesn’t know why he’s scrolling through his contacts with trembling hands and hits Call when he reaches Eddie. 

The call doesn’t even get to the second ring before it’s picked up already. 

“Stevie?” Eddie sounds breathless, wild, and just a little hoarse. Like he was still crying. 

“Hi,” he says lamely, still shaking, a little breathless himself, and with absolutely no idea what he should say. 

“I’m… Hi.” 

Silence falls, and Steve wipes at his eyes. He’s still in bed, just sitting there with his phone pressed to his ear, and the ball that’s coiled inside him is growing larger and larger with each passing second that he doesn’t say Sorry, that he doesn’t say I miss you, too. That he doesn’t say I love you. 

“Can I come in?” 

He blinks, the question throwing him off his thought spiral. “Huh?” 

“I’m sort of… outside your building right now.” 

Why, he wants to ask. No, he wants to say. You’re gonna see, you’re gonna know, you’re gonna hate me forever. 

“Okay,” he breathes and climbs out of bed, blanket around his shoulders despite the summer heat, because suddenly he’s freezing. He buzzes Eddie in, listens to him on the phone as he walks up the stairs, neither of them thinking of hanging up, and opens his doors with shaking, trembling hands. 

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @imzadidragonfly @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript (sorry if i missed anyone just give me a shout if i did <3)and thanks to everyone who said nice things about this 🤍🌷

come back tomorrow/later for [redacted] | read here

[ningadudexx]

Hey there! I just wanted to say that your art style is something that always brings out my inner child out because I was always fixated on colours and soft styles like yours and it perfectly captures how lovely life can be whenever you draw. 💕🫂 Keep going with being awesome.

hello this one of the kindest things someone has ever said about my art!! Thank you so much i felt that words werent enough to reply to this so i drew art too!

.

what a delightful treat...! 🍑🌸

[ranchthoughts]

Hi! I'm working on a large stats project about the colour coding of superheros in a/b/o fics, and someone pointed me in the direction of BL as a possible similarity. You've written a Iot of cool stuff about BL symbolisms before, so I thought I'd reach out in case you have any insight.

I admit, I know next to nothing about BL, and while I do know the terms seme/uke have gone out of fashion, have you noticed any particular colour coding of characters in similar dynamics? In superhero a/b/o, for example, those in yellow, orange, or metalics are more likely to be alphas, where as those in brown, purple, and pink, are more likely to be omegas.

No pressure to reply, but if you have any thoughts (or know where to find some), I'd love to hear it!

Hi!

While I love data and analysis, I am not the person to come to for colour coding dynamics. You want @respectthepetty, BL Tumblr's premier colour coding expert and the true master when it comes to anything colour related.

What a fascinating question!

[maxwellscorner]

Your humanised engines' faces look kissable to me. Idk why, they just do.

(Sorry if this is a weird ask 😅)

Don't worry that's not weird, I wanna make them as kissable and cute as I can, it's part of my evil plan >:3

The actual question is which one is the most kiss-worthy? 🤔

Also I'm obssessed with your sausage engines, I had to sketch this

[poorly-drawn-mdzs]

*deeper sigh* *head in hands* What's sugondese?

Sorry anon, but you know too much now

[crescentfool]

so you want to use OBS

hello! i’ve decided to compile information on my OBS setup and some resources that have helped me along the way.  this is mostly for personal reference, but maybe others can make use of this information!

some notes before i get into it:

i use OBS for both offline recording and (twitch) streaming. any footage i record is edited using DaVinci Resolve 18, which is free.

most of my OBS captures are of video games (through a USB capture card, specifically elgato), and the occasional screen/application capture (like clip studio paint, and sometimes PC games).

as such, the information here is reflective of these experiences. this post is not comprehensive to all of OBS’s features- this is just an overview of the settings and configurations that are most relevant to me.

with that out of the way, all the information will be under the cut!

Basic Setup

file format:

how to change: settings -> output -> recording -> recording format -> press “apply” once finished!

I save most of my recordings as .mkv files- it supports multi-track audio! i prefer .mkv over .mp4 because if your power goes out, you still have a recording to work with. 

.mkv files can be read by DaVinci Resolve without an issue- but for Adobe software, they'll need to be remuxed to .mp4 within OBS! (file -> remux recordings -> press the … to select a file -> press the “remux” button)

video resolution and framerate:

how to change: settings -> video -> output (scaled) resolution

my obs canvas is @ 1920 x 1080p (16:9)

i switch between 720p and 1080p as needed! if you're concerned about space, you can probably just go for 720p. i also record at 30 fps, simply because that’s what my capture card supports.

video bitrate:

how to change: settings -> output -> encoder settings (located in both the streaming and recording tab) -> press “apply” once finished!

bitrate is a bit of a doozy to explain, but the most important thing to know is that bitrate affects your video’s quality. lower numbers = lower quality, while higher numbers = higher quality. 

generally speaking, you'll want higher bitrate when you're recording things with high depth of information (e.g. you’d want a higher bitrate for something fast-paced like splatoon, compared to a slower-paced game like animal crossing).

my video bitrate is either set to 3000 or 4000 kbps! and here's some of my other (related) settings while i'm at it:

you can put your bitrate at much higher values than me if you're a stickler for quality- but keep in mind that a higher bitrate means:

bigger file size

more information to upload (when streaming)

your computer will need to encode more

i’d recommend reading twitch’s guidelines on encoding, bitrate, resolution, and framerate to get an idea of what values to pick. for people who are doing offline recording or streaming on a different platform, i suggest googling the appropriate resources!

multi-track audio:

this is mostly applicable to anyone looking to do video editing!

multi-track audio basically allows you to separate your audio sources (e.g. discord, game audio, and your own microphone) into different tracks. 

this is an immensely helpful tool because it lets you adjust audio levels in post-production (editing). some examples of how this can be used:

increasing someones microphone volume if they speak too softly

increasing/decreasing game audio

muting swear words/sensitive information

completely muting voice call + microphone if you want to upload a no commentary video

and more!

to set this up, take a look at your audio mixer panel, and press the ⚙ icon. this will bring up advanced audio properties.

by checkmarking a track box, it puts the audio on that track. to make the above screenshot easier to digest:

track 1 consists of ALL three audio sources- desktop, elgato, and microphone.

track 2 only has the microphone audio.

track 3 only has desktop audio (i use this for voice calls)

track 4 only has the elgato capture card audio (game audio). the volume has also been lowered so that any speaking voices can be heard clearly.

tracks 5 and 6 are unused.

you might be wondering, “why do all three of these have 1 checked off?” this is what i call the universal audio track. i recommend having a universal audio track for a few reasons:

when you stream from OBS onto twitch/youtube- you have to select ONE audio track.

it’s also a nice backup in case you didn’t separate your audio correctly.

if for whatever reason you need to move around your individual audio tracks in editing, the universal track acts as a nice reference point.

mark off your audio tracks for each audio source as you see fit! once you’re finished with the advanced audio properties, go to settings > output.

for the streaming tab, you’ll want to have the number of your universal audio track selected. in my case, that will be audio track 1.

for the recording tab, checkmark all the audio tracks that are applicable to you (in my case, audio tracks 1, 2, 3, and 4). by default, only audio track 1 is selected.

if you don’t check off the additional audio tracks in the output > recordings section, you will not have access to those audio tracks in editing, and you won’t be able to edit your audio tracks independently of each other. so don’t forget to do this! 👍

custom browser docks

custom browser docks are a great tool for when you’re streaming and want to have access to your twitch chat and/or activity feed! (or if you wanted to have some other web browser on OBS).

to create one, go to docks -> custom browser docks.

you’ll be given a table interface that asks you to put the dock name and URL. for streamers who want to have chat and alerts available, do the following:

on twitch’s homepage, go to the upper right and click your icon

then, click creator dashboard

once you’re on your dashboard, go to stream manager

click the vertical “...” on my chat OR activity feed.

press “pop-out chat” OR “pop-out activity feed”

copy and paste the link into the table back into OBS

press apply once you’re done

click and drag the docks around at your leisure to put them where you like!

if you ever decide you don’t want to have something on your OBS dock (or want to bring something back), go to the toolbar, click “docks,” and click the appropriate dock!

third party things

a section of optional things that you may enjoy having.

streamlabs alerts

this is basically for anyone who streams and wants to have their chat and/or follower notifications visualized on screen!

streamlab alerts can be added to OBS by adding a browser source into your scene, and the specifics can be customized on streamlabs itself. it’s pretty self-explanatory, so i’ll just leave a link to streamlabs website, where you can log in using the streaming platform of your choice: https://streamlabs.com/

discord overlay

this is a browser source that can be set up to show people who are in a server's voice chat and who speaks. i recommend this to people who make multiplayer content- it can help viewers distinguish who is who but also it can be helpful in editing.

to set this up, go to https://streamkit.discord.com/overlay, click “install for OBS,” and after logging in with discord, go to “voice widget” and click the server and voice channel you want.

you are able to apply CSS if you'd like more control over the visuals, but the standard layout tends to work fine for me! a search of “discord overlay css” on youtube can help you get more information.

veadotube mini

this is a pngtuber software that a friend recommended to me! no webcam is required- mouth opening and closing is based on your microphone input!

you can download it here (it’s pay what you want!): https://olmewe.itch.io/veadotube-mini

for a proper tutorial on how to use it, i recommend checking out the app's documentation, which you can read here: https://veado.tube/help/

source record

have you ever wanted to stream something with a chat overlay/layout, but wanted your recording to ONLY be the gameplay? or maybe you wanted to record BOTH your gameplay AND your webcam so that you can have a crisp zoom-in on your webcam!

source record is a third party plugin that can help you with that!

the general gist of source record involves applying the “source record” filter on either a scene or source, and customizing the encoding settings accordingly. the exact details of how to set it up is beyond the scope of this post, so I'll just direct people to this video instead (it was very helpful to me):

⚠ a quick note about source record: this plugin can be intense for your computer. be sure to do test recordings and the like to see what your computer can handle (and see if the recordings come out the way you like). it took me a few tests before i settled onto something i liked!

you can download and install source record here: https://obsproject.com/forum/resources/source-record.1285/

vdo.ninja

have you ever wanted to do a collaborative video or stream where you feature someone else’s video on your stream? or maybe you’re doing a multi-person streaming event! vdo.ninja is the perfect tool for you!

vdo.ninja turns your OBS virtual camera into a browser source link- which your collaborator can add on their stream! this is a new tool that i’ve added to my arsenal recently- since my friend and i are planning to stream a side order challenge together! i’ve still got to iron it out a bit more, but i like what i’ve used of it so far.

try it out for yourself at their website here (with documentation and demos available on the homepage!): https://vdo.ninja/ (no downloads required!)

ok! i’m set up! what now?

and with that, that’s all of the settings and tools that i thought would be worth mentioning! while most of my setup was written with video games in mind, some of these plugins and setups may be applicable to other types of videos (e.g. tabletop gaming with a physical camera)!

now that i’ve outlined all these settings, i have one more thing i have to say: regardless of what you're using OBS for, do a test recording before doing anything “official” with it. this recording can be as short as 30 seconds. it’s a good habit to develop that can make sure your streams/recordings turn out the way you want them to!

here are the kinds of things i like to check! it’s not an exhaustive list, but this can be a starting point:

video:

does my video look the way i want it to (and can my computer handle that)?

can my computer handle the load of encoding? - OBS will note in the bottom if the encoding is overloaded. if it can’t handle it, turn down your bitrate or adjust other encoding settings (e.g. i had to toggle psycho visual tuning OFF because it was causing lag)

this is especially the case if you're recording PC games- you don’t want to have slowdown on either your game or the recording!

audio:

are my audio sources (e.g. desktop audio and microphone) correct? - if you plug/unplug devices a lot, be sure to check this (settings -> audio).

are any of my audio sources muted? - make sure you don’t have anything on 🔇 if you don’t want it to be muted! otherwise the audio will be lost forever… (i lost my friend’s VC audio once… it was sad)

are my audio tracks separated properly? - requires you to boot up your editing software, but it's worth doing! for the test recording, just have something from all your sources playing at once, and see if your editor has things separated into tracks.

can i hear the voices clearly? or does the music and/or game overpower them?

if for whatever reason your OBS crashes, or you want more information on anything “critical” or “warning” worthy in your set-up, you can go to help > log files > upload current log file > analyze. crash logs currently can’t be analyzed by the log analyzer- but they’re a valuable tool when asking for help on the OBS forums!

and that’s all! for real, this time. i hope that some of these tools and settings can help anyone wanting to get more out of OBS. there’s definitely other things i didn’t touch upon (e.g. audio filters for noise compression, suppression, etc.), so i suggest doing your own research and trying things out!

happy recording/streaming, and thanks for reading! ✨

[heybiji]

Dude!

Your stuff looks like it came straight out after an anime and I’m here for it!!! It just looks so good and yummy and handsome and beautiful!!!!!!!!! And omg you’re dnd character Dandelion is just so cool!!!!!

Sh*t may be going down rn but I love your stuff and I’m here to tell you you’re doing amazing!!!!!!!

That is all, may the change of seasons inspire you and may art block stay locked in the pits of hell.

(Like the creative closer?)

you are so kind to send me this, thank you for all the sweet words!

Edit: back to say, man, this is really nice... Thank you again

[six-of-cringe]

I think that one of the reasons why people misinterpret Wylan's character and arc, among others, is because they misinterpret the relationship between him and Kaz. This post has kind of mitosised off from the BFWP (Big Fucking Wylan Post) I'm writing because it's a bit of a different focus and constitutes its own post.

A lot of people talk about Wylan's character and development as though it's meant to match Kaz's - starting out as a nice kid who the city forces to become amoral, indifferent to violence, and well-versed in crime. These qualities are usually talked about with a weird reverence as an irrefutable symbol of "badassery", as though it's always a positive development for any character regardless of the story's narrative, which annoys me but is not the topic of this post. That's part of the BFWP's job.

Following Kaz's exact development is not the point of Wylan's character. The point is that Kaz and Wylan narrative foils - very similar in many ways, but with a fundamental difference that creates the "broken mirror" effect/shows how they could have turned out if they'd chosen differently. I think that difference is how they respond when they climb out of the harbor after their respective betrayals. Narratively, Ketterdam represents a very harsh system that presents the people struggling there with very few options. You can either choose to ditch decency, play by the Barrel's rules, and live, or you can hold on to decency and die.

When Kaz returns to the streets after Jordie's death, he chooses the first option. He copes with what happened through ideas of revenge, and to survive long enough to see it he quickly turns to thievery and violence. He thinks to himself after he robs a kid for money and food that it was much easier to survive when you've left decency behind. He survived through violence, creating the Dirtyhands persona around himself for protection.

When Wylan has to fend for himself, he choses the second option. He finds "honest work" at the tannery, where they exploit workers and expose them to toxins. He wonders if he'll live long enough to use his savings to leave the city, or if the chemicals would kill him first. He was smart enough to steal and survive, but he chose decency, and with it, he chose death. There are a number of reasons why he chose differently than Kaz despite their similarities - his older age and thus more developed moral code, having no one to avenge but himself when he believed himself worthless, his more privileged upbringing, and his relatively low drive to live. Alone, he would have died.

Then Kaz steps in. Kaz's role in all the crow's lives is that, intentionally or not, his ruthless rule of the Barrel creates a sort of haven that allows them to survive where they would have died had they stayed alone. Wylan is a really clear example of this, and though Kaz's intentions were at least partly self-serving, his involvement both kept Wylan from dying of exposure or street violence as well as prevented him from needing to do the more terrible things that it takes to survive in the Barrel. Throughout the books, we see Kaz kind of taking the brunt of enacting violence in Wylan's place - traumatizing Smeet's daughter, killing the clerk on the lighthouse. Wylan could get by making explosives in the workshop rather than having to shoot or stab or beat the life out of people. And at the end of the series, Kaz sees to it that he never will have to. Of course Wylan did bad stuff to survive when working with the Dregs, it's the Barrel. But the extent is greatly lessened because of Kaz's involvement.

Wylan's arc was never about becoming comfortable with violence, or becoming just like Kaz - the way people characterize him as some sort of ruthless murder mastermind is inaccurate and redundant with Kaz's character. He isn't nonchalant or celebratory about crime or death or violence by the end of the book. He doesn't HAVE to become like Kaz, because Kaz himself gave him the space to continue being decent, intentionally or otherwise. Understanding that dynamic is important to understanding what Wylan is like as a character and as a person. If you assume Wylan's trajectory is to become "Kaz 2.0", then you're going to mischaracterize him. I've seen posts about how Kaz was the Jordie that he didn't have to Wylan, and I think that makes a lot more sense. Because Kaz is willing to do the horrible things in his stead, Wylan has the third option otherwise impossible in the Barrel - maintaining his decency and surviving.

[silverskye13]

not yet/love run (reprise) by the amazing devil feels very tanguish and helsknight to me, honestly, with not yet being tanguish and love run being helsknight.

(also i finally caught up and, uh, have been singing my praises. woe, five million comments upon ye.)

🎵

Aaaaaa Amazing Devil how do you always hit so hard, pull your punches, you destroy me

But I held your hand

As you shook in the middle of the night

Without waking you said

Not yet not yet

Not yet not yet

Not yet not

Sing me awake with a song about pirates

And I will try to harmonise

And sip the sunlight from your eyes

Oh sing me awake

With all the things we’ll do today

//////////////

Let foul men band and heed your hum

For that ancient hymn you heard me strumming?

Is nought but fumble-falls and guns

And tumbleweeds. Love, run!

It's nought that rum won't solve

Though some would harm you, none - not one - no none

Will raise to you a hand nor thumb

Not while by you I stand and hum

Love run!