#thankfully we know the answer

[serpentarius]

I'm on my S1 OFMD rewatch before I dive back into S2, and I'm only now realizing something.

So, we can pretty much all agree that Ed's transformation into the Kraken by the end of Episode 10 (and leading into 2x01) is an intense one, especially considering he's only known Stede for a few weeks. (I know the descent into detached violence is primarily egged on by Izzy, but for all intents and purposes, the pivotal trigger is Stede leaving Ed.)

Here's the thing though. Ed's depression and subsequent spiral into the Kraken isn't just about Stede the person. It's about all the things Stede represents.

Sure, Ed's fallen hard for Stede. And for any of us who have gone through a particularly hard-hitting breakup (or been ghosted by someone we really liked), we can easily understand the deep heartache. But there's so much more to it than just Ed's feelings for him.

When we first meet Ed in Episode 4, he's already at wit's end. He's fed up with life and searching for a new purpose. He's already reached legendary status as Blackbeard, so of course the question is: what's next? He even toys with the idea of dying ("Haven't done that before, have I?"), and actively acknowledges that his physical presence on a ship has become obsolete. Just the name and flag alone instil the fear of God into other sailors/pirates. And at this point in Season 1, it doesn't even seem like Ed's super keen on pillaging and plundering, except for when he and his crew get to go into teaching mode when they're showing Stede's crew how to raid. But even that scene goes to show that he only enjoys it when there's some larger purpose at play.

Ed wants to be known for more than the reputation that's currently out in the world. ("Is this what they think I look like? Fucking viking vampire clown with.... nine guns all over him?" & "I'm a ghost. There's no chaos, there's no drama, there's no fuckin' life!")

He's itching to be more than this. He doesn't want to be a ghost, or the "shell of a man" that Izzy later accuses him of being.

And Stede—Stede is the person who sees something more in him. Who allows him to be softer and sillier. A human; not the larger-than-life Mad Devil Pyrate Blackbeard. Ed feels seen, perhaps for the first time in his life. And he proceeds to spend a glorious, genuinely happy few weeks with Stede.

So then cut to 1x10 when Ed's staring into the flame of the candle, eating marmalade in his blanket fort and crying while wrapped in Stede's robe. He sees everything he's lost. He was on the cusp of something new, a chance to break free from the Blackbeard persona - but it was ripped away in an instant, ripped away before he even had a real chance to explore this path.

He desperately wanted to distance himself from Blackbeard, from the Kraken, and thought Stede was his ticket to this happier future. One filled with excitement (and warmth, and good food, and possibly even orgasms). Ed told Stede that the last few weeks were the most fun he'd had in ages, years, maybe ever. And now it's all gone; and he's mourning the loss of that hope.

Where does he go from here?

[meirimerens]

Something something threefold bullet (j’ai tout de suite pensé à toi)

my favorite part of those is genuinely the caption. the inherent secrecy and intimacy of Confident. the inherent voyeurisme and triangulation of Indiscret.

also you'll never guess what esteemed threefold bullet scholar and phD candidate max bankys drew one of these days.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[soaps-mohawk]

thought i'd drop a little morning chat before i grab the horses 🫡

okay, this may be weird, but this is the total joy of self-inserts as reader. whenever i get scared, my brain immediately goes to a napoleon fact, and talking about him calms me down (i'm autistic, he's my biggest hyperfixation). the absolute chaos i could instil on those boys with my napoleon knowledge 😈

also, also, also, ghoap!!!! poor poor johnny. please please ghoap scenes during omega's heat 🙏🙏 they make me SO feral.

and i also forgot to say how much i was laughing at simon rizzin with the tism. it totally would've worked on me and i'd be absolutely floored, specifically by the bookshelf. that's so sweet of him!! it's so bizarrely intimate, too. would've had to tug him into bed for some well-deserved cuddles afterwards.

anyways, how are you pookie?? i hope you're good!! heat is dying down in england (after a 1 week heatwave) so i've never been more joyous about a 16 degree celsius wednesday morning in my life. i'm so sunburnt 😭 horrible farmer's tan.

- 🪐

You're probably already with the horses but I am here to chat now (since it's 6am for me currently) 🫡

Dang what a hyperfixation 🤩 I want a cool hyperfixation like that!! Lmao you'd be pulling out the "did you know..." and at first they might roll their eyes and go "yes" 😂 eventually though they'd figure it out and let you share even if it's something they already know.

Don't worry, y'all will get your Ghoap 😂 wouldn't be an after heat chapter if we didn't lmao. I'm almost following the exact same format as the last heat except with a slight change. You'll see.

I've been adding Simon's 'tism habits more and more since we're getting more of an intimate look at him. Honestly though, if he wants to come over and organize my room....I wouldn't complain 👀

I'm alright. Not looking forward to the 4th. I hate fireworks and my neighbors are obsessed with setting them off. So I'm gonna take my sleeping meds super early and hope they kick in before dark while my roommate stands guard to make sure none of those stupid asses burn the house down. Because it's supposed to be hot and windy that say and it's been insanely dry (not that unusual for this time of year) and even though sane people understand that, there's always going to be those that don't care and have to set off their fireworks. It's like an addiction I think atp.

God I wish it was getting cooler here 😭 it's going to be the exact opposite

If I die, it's because I melted into a puddle of goo

[maryland-officially]

(also consider this message an open invite to be moots)

(also I tried my best to not use the singular when referring to y'all in those messages but I may have messed up, lmk if I did and if you all have a preference)

okk love ya all bye bye

AAAA

[theyeontheskullship]

Yo Andy, I was wondering if you were there when Lord haters presented a video of commander peeper sabotaging the bounty hunters in front of everyone in the room. Not only that, but I was wondering if anyone in the skullship seen killbot 86 walk out of the area after getting fired. He seems extremely bummed out and I was worried if he was okay at that time. Perhaps I was wondering if lord hater even knew he was sabotaged alongside the other two as well?

...About that, y'see I did happen to be there when he showed the video, and Lord Hater was completely aware that the bounty hunters were sabotaged, but.. I don't think he really cared.. From what I saw he cared more about the fact that Commander Peepers let Wander and Sylvia escape, rather than the fact that his bounty hunters were sabotaged...

As for the rest of your question, I believe a couple of watchdogs may have saw him leaving, and from their recounts of what they saw he did seem pretty bummed

[flippedorbit]

guy who feels annoying All Of The Time for rambling gets told it’s fine to do so unapologetically…… sobs :’] <3 /pos

i shall dm you i guess????? i think that’s most comfy for Me lol??? <- is so bad at social interaction omg save me

(responding to tags again: you fucking GET IT!!!!! shakes you so much omfg dude RAHHHH!!!!!! /affectionate

your cat is so cute…… she is goals (i’m catkin lmao) she looks so cozy and warm and soft and yeah she’s just great. giving her a little kiss because what cat doesn’t deserve lil kissies?)

-gregarious anon

:D yeah i ramble constantly about whatever’s on my mind and am constantly worried about being annoying so when someone else feels that way about rambling to me i just go with it, no being annoying here, just fun and chatting about whatever comes to mind :3

and o7 looking forward to it, gregarious anon

[louiswilliamtomlinsons]

Why didn't Louis just cancel the concert even a few hours before same as many others did? Now Louis is 100% liable in lawsuits and a very wealthy target for all ambulance chasers. 

hi anon. so, i’m not the best person to ask this because i don’t know much about how this works, but i asked people who work in the industry about how these things work.

according to reports from fans who were there, the weather was forecasted for some rain and possibly hail, however not to the extent of how it ended up being. at 9:02pm, the weather forecast sent out an alert for the hail storm. the venue then proceeded to announce that the concert was delayed and for people to take cover in their cars. however, it was the same wording they had given previously when the first delay happened, they said nothing about hail, so fans decided to stay in their seats thinking it was just another delay and nothing more. 20 minutes later the venue gives the hail storm alert, which only gave fans 2-3 minutes to leave their seats, ergo not enough time, and then we know what happened.

we don’t know what louis was told during all of this. assuming he was also told the same thing fans were told, that it was just a normal weather delay and he could perform as soon as it passed, then it’s the venue and local authorities responsibility for not alerting the fans of what was coming. not to mention the fact that after it began hailing the venue workers did nothing to help fans, and instead screamed at them, closed doors on them, laughed and recorded them. if i recall correctly, while people were taking cover, someone asked one of the employees about canceling, and they said they wanted to but local authorities didn’t want to.

so in case of a lawsuit, it would potentially be against the organizers, employees and local authorities. if someone wanted to sue louis he could potentially say the organizers and local authorities gave him the all clear to perform, and the venue was responsible for giving the fans the alert.

[floralovebot]

Ive seen a lot of ppl say that Musa was whitewashed by the Fate: Winx saga, but while I agree an east asian actress should have been chosen, the actress Elisha Applebaum is jewish. From what Ive read, its controversial whether jewish ppl inherently count as poc or not so im not sure if I would call it "whitewashing"

Well, I'm not sure I'm the best person to talk to about this considering I'm not Jewish?

But from what I do know, this is an extremely controversial topic (like you said) that really doesn't have any one answer. There are Jewish people who fully consider themselves to be white (and Jewish of course but like... white too), and there are Jewish people who consider themselves to be poc. I think it's important to remember that a lot of the "Jewish people aren't poc if they aren't black/asian/dark-skinned/etc" comes from antisemitism or anti-zionism. A lot of poc in the west specifically say this because of antisemitism so a lot of the arguments for it are... not great to say the least.

In regard to Elisha specifically, she's ethnically Jewish so I think you could argue that it doesn't count as whitewashing, but that's really up to Jewish people to discuss. It's obviously still wrong for her to have been cast as Musa, that's not up for discussion, but whether she considers herself white, whether Jewish people consider her white, whether non-Jewish people (goyim?) consider her white and how much of that response is linked to internal antisemitism is all very personal and case by case. I'm not sure if there's a specific term for when people sort of... race or ethnicity change a character of color to a different but still not white race so like...?

But anyway, again there is no One specific answer because there's so much discussion and outright arguing over it. A lot of Jewish people do consider themselves to be poc and often West Asian/Middle Eastern (depending on who you ask) but there are a lot of arguments among themselves as well. This discussion really should be left up to them!

It's funny you mention this because I was actually discussing this with a Jewish mutual years ago! Here are some really interesting articles (written by Jewish people (as far as I'm aware)) that I found really helpful at the time: one, two, three, and four. There were others but I can't find them now :(

(There's also the matter of people converting to Judaism which is a similar but ultimately very different conversation so I do want to clarify that I'm specifically referring to ethnically Jewish people.)

[uygfiug]

hiii just wanted to say i hope your illness isnt treating you too badly and you feel better soon <33

thank you <33333 im feeling a bit better :) i have to go back to school tomorrow though :( which i am not at all looking forward to but if i want to stay home longer id need a doctors note and idk if im sick enough to go to the doctor for a note for one day yknow

[whoviandoodler]

day 302903203 of youtubers i follow saying the most autistic shit on this goddamn earth

[why-animals-do-the-thing]

There's a viral video circulating from the Fort Worth Zoo, of two keepers who ended up in a habitat at the same time as a silverback gorilla. Spoiler for good news: neither the humans nor the gorilla got hurt. It's a bad situation that ended extremely well, and that's why I want to talk about it.

The audio for this video is mostly someone praying loudly, so if you need to turn the audio off to watch it, you won't miss anything relevant. If you don't want to watch it, here's the summary: it starts with a keeper running around the corner into the main exhibit, pursued by a large male gorilla. She is quickly able to get into a doorway at the back of the exhibit, but does not completely close the door because the gorilla is standing across from her, watching. He eventually moves off to the right hand side of the exhibit, where we can see a keeper is trapped in the corner at the front. She was trying to move towards the exit as he moved to the right, and she stops, standing very still behind a tree, while he stays along the far right wall. They stay like that for a minute, and then the gorilla runs to the front right corner, and the keeper is able to run to the door in the back of the exhibit and get to safety.

Let's start with basic information. Even though it's just going viral now, this video is from October of 2023. It was taken not by a guest, but by the zoo security officer responding to the situation. Hmmm, seems like he maybe should have been doing something else during that situation, instead of than taking a phone video. It's going viral now because the guy (who is no longer employed at the zoo) decided to post it on TikTok for his five minutes of fame. This guy immediately started giving all sorts of media interviews, answering questions like "why no tranquilizers" inappropriately, making memes out of his own video, generally distasteful shit.

Zoo spokesperson Avery Elander gave a public statement that "thankfully, there was no physical contact between keepers and gorilla, and all staff and animals are safe." A comment from the zoo has also indicated that the incident was due to keeper error. (As opposed to, for instance, something in the fencing breaking.) According to the guy who posted the video, a lock was left unsecured and the gorilla was able to open the door to the habitat. I don't know if I buy it, and again, this just... is probably why he doesn't have a job anymore. By sharing that detail - real or not - he places a ton of public scrutiny and blame on that keeper team. (If that's what happened, I can promise you it will have been dealt with internally.) He also was nice enough to say he wouldn't name the women in the video... but verified they're still staffers at the zoo... which means they're eminently identifiable! Excuse me while I ragequit for a second.

So there's two reasons I wanted to talk about this. The first is to make sure it is well known that this guy is purposefully and intentionally exploiting the worst day of someone's life for media attention. Their lives were in danger, and he's using it for fame. His name is in the media articles - I'm not going to share it because he doesn't deserve that attention. The second reason, though, is because this video is a masterclass on how to survive if you end up sharing space with a gorilla. Every zoo person I've spoken to or seen comment on the video is so, so impressed with how the keepers handled themselves.

The gorilla in this video is 34-year-old Elmo. All apes in AZA zoos are managed in protected contact, so keepers are supposed to be separated from them by a barrier at all times. The zookeepers were in the habitat putting out a mid-day meal when he got out. Watching the video, you can see he's not actively being aggressive towards them - he's not making threat displays or trying to approach them. Mostly, Elmo seems like he doesn't know what is going on and he's kinda freaked out about it. (This is confirmed in the zoo's press statement, too). The staff stayed calm, and importantly, watched and waited to see how he'd move and act.

The zoo did say one thing, though, that's a bit misleading. In one article, their press person I quote as saying “In general, gorillas are considered the “gentle giants” of the great ape species.” Just because this may be true in comparison to other great ape species doesn't meant gorilla aren't still incredibly dangerous. This type of messaging always worries me, because I think it leads people to misunderstand the risks of being close to megafauna. Gorilla are extremely strong animals, and their social norms/behaviors are very different from that of humans. That's why it's such a big deal any time people end up in gorilla habitats, and why sometimes in those circumstances lethal measures have to be taken to protect human life.

These keepers are incredibly lucky to be unharmed. These women stayed safe specifically because they're trained professionals who knew how to act around gorilla, they knew this particular animal well, and they'd learned the escapes from the exhibit just in case this ever happened. We should applaud them for their cool heads and quick thinking.

As for the guy who posted the video? As a colleague put it, may he always step on a Lego.

[bigassmoth]

yandere! elf x reader

Character belonging to @meo-eiru

(I hope I did him justice)

You are quite fed up with your stupid captor coddling you like a "mother" and then coaxing you to swallow his cum. While you have tried to correct his thinking, talking just didn't cut it. You had to take action now.

"Sit down." You speak to Silas as soon as he comes into the home, tone authoritative. He gives you a large smile, ears flushing- since when have you ever greeted him so cutely!? He happily chirps his assent and sets down a basket of various berries and herbs to sit with you on his couch.

"How are you? Are you hungry? Are you thirsty-"

"Do you remember what I have told you about mothers?" You interrupt him and take a sip from your mug, which contains a latte thankfully absent of his cum.

Silas claps and then finally picking up on your tone, decides to lower his hands and voice to sound serious. "Yes! You said mothers care for their children so they grow into adults and then let them go to support them from afar. And you said that mothers don't....uhm..." It was a genuine mental block, Silas didn't like or understand what you told him about his un-motherly behavior so he forgot it entirely.

As you silently scrutinize him, Silas begins to tear up. "I-I'm sorry I forgot-- I was listening I promise but I just can't- it's so hard." He blubbers and then wails, tears spilling over his cheeks. Months ago you would have thought it was over-dramatic acting trying to gain your sympathy. Ah, such a sweet thought. But no, this elf couldn't help but cry over the idea of disappointing you- or worse, not giving you his full undivided attention.

"That's ok, Silas." His waterworks stop when you softly use his name, a rare treat. "I know, it's complicated for you. So we are going to try something different today, I am going to show you everything that a mother cannot do." You set down your mug.

"Ok! Please show me!" He readily agrees, fired up despite his cheeks still being wet.

"Show you, what mothers never do." You emphasize and crawl into his lap, gently pushing him down on his couch.

He tilts his head in confusion, "Mothers don't do this?"

"They do not." You assert and press your lips to his. You start off the kiss with searing heat, all tongue and teeth. You slurp his own tongue into your mouth and nibble it- he squeaks and jerks but your hands hold his face still. Through the thin gossamer fabric of his clothes you feel his cock begin to harden. Quick to seize the opportunity, you grind down harshly on him, using the rough material of your own pants and the rolling of your hips to push his dick down as it struggles to stand.

Silas is beside himself, his hands have naturally come to rest on your hips and cannot decide if they should push or pull you. His hips have a mind of their own, bouncing up against you as you cruelly keep his now fully-hard member between his thighs. He is seeking friction and relief now, different from the controlled release of his 'feedings'. The noises that come from his mouth are high in pitch and frequent, he slips out 'please's in between your bites. Only after you are satisfied he will remain under you do you pull your mouth away from his.

"Who can do this to someone else, Silas?" You demand coolly. He squirms under you and your hips still. Coming down from the feelings of surprise, Silas thinks hard about his answer.

"M....Mothers?" His hesitant answer is progress.

You briefly lift your hips just so his cock can raise against the back of your ass and then you sit back down- hard. Silas throws his head back and yelps, his thighs trembling.

"No." Comes your rigid response. Silas is crying and squirming, likely without realizing he is doing so. He doesn't give you a response, only moans and sniffles. You grip his face until he looks at you.

"Silas, this is what a lover would do." You lift and roll your hips so his dick can finally stand up, and you place yourself behind it so it sits between your crotch and his stomach. You grind on him without build-up, setting a rough and hard pace. To keep your balance you place your hands on his chest and pinch his nipples hard enough you know it hurts.

He is practically possessed under you, letting out the deepest sounds you had heard from him as they become unlocked from his chest. He fully grinds his hips against yours, holds your ass tightly. Typically he touches himself lightly, as if unsure why he is doing it. The wetness he feels from between your legs, restricted by your clothing. The warmth, angry painful warmth, from his cockhead against his own stomach and the trail of thick cum that has begun sliding down his stomach from all of his bucking. Dimly, Slias is aware of how small you are compared to him, not small like a child anymore. Small in a different way, still exciting but new. Would his throbbing piece fit inside of you? Would you even let him? Small as you are, clearly you are an experienced and controlled adult. For the first time since he found you, you finally hold power over him. Now he wants to relinquish all of his power, trust it in the hands of someone who can make him feel so good, so used, so...in the back of his mind Silas remembers a term he read in human erotica, "sexy".

"Lovers milk cocks, lovers pin each other down, lovers touch these parts. Only lovers, no one else is allowed." He wonders how he could have ever thought your voice was innocent. Just hearing you made his ears tickle and his balls tighten. Would you say his name in that husky tone? Would you say his name the way he is chanting yours, mouth thick with drool and tongue too abused to enunciate?

He is choking under you, at this point you can't tell if he is processing your words or not. Finally without warning he snaps, his orgasm zaps through him with a ruthlessness that he hasn't experienced before. His cum coats your pants and his stomach, his cock twitches under you. He moans softly, erotically, as he comes down from his high. On your ass his fingers are twitching, weak from the strongest orgasm of his life but desperate to continue holding you. You pull away anyway, deciding that your work is done. You could now change into clean clothes and hopefully be done with this strange misguided pseudo-incest coming from the biggest bimbo of his species. No more waking up to hear "A good mother always feeds her children!" and receiving a cumshot to the face. You briefly clean the cum off of your own skin and slip into decidedly more comfortable clothes, finding Silas where you left him.

You are tempted to leave him on the couch, shuddering in his afterglow. But your sympathy wins out, you quickly clean him off with a rag (and ignore the way he starts loudly moaning as you touch him), throw a blanket onto him, and place a cup of water by his head.

"Rest for a bit. Once you can walk, clean yourself up. I'm going to make dinner." You turn to go to the kitchen but Silas catches your wrist.

Patiently, you look at him and wait for him to speak. But nothing comes out, the elf stares at his hand holding onto you, mesmerized by your fragility. Something so dainty he could easily break it- this used to terrify him. But now he can only think of ways to restrain you, or to be touched by you.

"Ok, let go. We need food." You sigh and pull your hand back but his grip tightens.

"I am not your mother."

Your face lights up, thank god! He caught on way faster than you thought he would! You should have done this ages ago! Of course some backwards pervert elf would respond to backwards pervert reasoning.

"Yes! Perfect!" In your excitement you are patting his massive shoulder and grinning, "You got it. I am an adult, not a child. You are not my mother, and I don't need a mother. So no more feedings-"

With a speed you didn't know he had, Silas pulled you against his chest. You groan with frustration.

"Fuck! Not this again! I'm not going to suck your tits, your mammary glands don't produce milk if not pregnant-"

"Lovers..." He rasps against your ear. You still as one of his hands, suddenly so intimidatingly large, slides down your back and pushes itself into your pants. His fingers glide between your asscheeks and curiously rub at your hole. You are flinching from the contact, his arms iron cages. He raises his legs and puts them between your own, then spreads them so your hole is forcibly exposed for his fingering.

"No- this isn't what I meant. We aren't lovers, lovers are- it's different. It requires a mutual component of emotional intimacy and chemical responses from environmental circumstances-" He presses a kiss to your ear and then wiggles his tongue inside. You writhe against him until he withdraws.

"Hmm~ I don't get it." He cheerily says and his fingers begin thrusting into you. "But I am not a mother, I understand now. I'm sorry for making so many mistakes." Your clean pants are becoming drenched in your own slick. "We will only do lover things from now on. Milking, Pinning, Touching. Both of us." He whispers sappily into your ear, positively lovestruck. You are still as cute as ever, protesting against the things that make your body feel good. He understands now that you are used to giving, which is why you gave him so much pleasure. He will have to be more assertive a lover for you, to make sure that your body is milked, pinned, and touched.

[waloeders]

and back to sleipnir n barnabas thoughts bc we are on LOCKDOWN 24/7!!! it is always them o clock oml,,,

[fingertipsmp3]

Really need to turn my instagram notifications on. Why did I check it for the first time in months and discover that my best friend made a meme account, and that this woman I had a crush on four years ago requested to follow me

[roaringroa]

fucking hate doing uni work with people who aren't my designated group project friends cause some people really just blatantly plagiarize and copy from chatgpt like huh you didn't even try to hide it