#that show just turned into such dogshit

[xhanisai]

Nah

I don’t trust anyone in the fandom who shits on ML and genuinely believes that their or someone else’s AU is so much better.

I don’t care if it’s illogical. 

I just don’t trust you LMAO.

S T A Y    A W A Y    F R O M   M E .

[pinkeoni]

You couldn’t force me to watch that weekday show no matter how many nominations it has you would have to clockwork orange me but even then i would roll my eyes inside of my skull

[thisgodwontforgiveyou]

i guess anything that happened in re5 is irrelevant tho because its stunningly clear the writer didnt bother playing or even like reading a summary of any of the games besides 2 and 4

[reikunrei]

thought i just had a really interesting idea where maybe El’s power isn’t being able to open gates to the UD but maybe she’s the one that’s actually splitting off all of these alternate timelines and stuff and the gates/cracks are just the manifestation of these alternate universes/timelines that you could potentially jump between and just like it’s ALL because of El, but then i remembered that uuuhh Henry exists. and like. he. did some shit in the Creel house when “he” killed his family. and i went hm. oh yeah. hm. hm. me? idiot, mayhaps?

[dira333]

Latte me be your lover - Iwaizumi x reader

requested by @ur-local-simp - tagging @shoulmate for reasons

Haikyuu taglist: @lees-chaotic-brain

"A hot coffee for a hot guy."

You roll your eyes. Hajime just thanks the barista and steps to the side to let you through.

The very second he turns away the smile drops from her lips and she scowls at you. But you've been anticipating it, your own smile saccharine sweet.

It's like this wherever you go. They hit on Hajime until they realize he's not coming alone. Some of them are embarrassed at your sight, others... not so much. And it's not like you're his girlfriend by any means - well, except the means of where you dream about it every night - but they don't know that, right?!?

-

"Are you going to call them?" You ask as soon as some caffeine has entered your bloodstream.

"Who?" Hajime grabs your hand and pulls you back, narrowly saving you from stepping into dogshit. Ugh.

"The barista. She wrote her number on your cup."

"She did?" He furrows his brows as he inspects the little paper thing that's wrapped around his cup to keep him burning his hands.

The amount of smugness you feel when he slips it off and uses it to pick up the dogshit and throw it away is insane. If only you could go back and tell her. Also, your crush is seriously environmentally motivated. Go, Hajime!

-

"One Latte Machiatto with extra Caramel drizzle," Hajime tells you before turning back to the girl ordering. "Anything else?"

"Your number?" She purrs, completely disregarding the line forming behind her.

"What number?" Hajime asks, stiff as a board. From where you're standing you can tell how tense his shoulders are. Bless him.

"Your phone number, duh," she laughs and you have to admit, she's really pretty. Her teeth are a little too white for your taste, though, but you know she'd be Oikawa's type. If only she'd come in yesterday when you had to endure his whining for a whole shift. It's not your fault he cannot get a girl.

"Sorry," you slip up to him, press into his side like a cat. Breathe, you scream at him in your thoughts, but your smile is sweet as you hand her her drink. "He's taken."

-

"Are you sure?" Terushima asks.

"Absolutely," you tell him, willing Hajime to work a little faster.

"You didn't even give me a chance." Terushima's not above begging to get a date, it seems. "I got a tongue piercing, you know." He sticks out his tongue but all you can hear is the splish-splash-clatter of someone dropping a drink. When you turn, Hajime's already on his knees, red-faced, wiping up the remnants of what was supposed to be Terushima's coffee order.

Terushima grins knowingly back at you. "So, since I have to wait a little longer..."

"No," you tell him, stone-faced, "Never."

"Come on!" He whines. "Like, one date?" His eyes flicker to where Hajime's disappearing in the back. "We could make him jealous."

Heat errupts in your cheeks. You knew you'd been pretty obvious in your advances, but this takes the cake.

"Don't ever ask me again," you tell him through your clenched teeth, seconds away from stabbing him with a fork. "You get me?"

He laughs, carefree and easy as if this doesn't matter to him at all.

"All good, all good. Say, do you have the number of your coworker? The cute one with the blond hair?"

You harrumph. "Give me yours," you insist, "I'm not giving out Yachi's number to strangers."

"I'm not a stranger," he defends himself, "We've been in a class for more than a year. But here," he makes a whole show of it, scribbling his number on a napkin and handing it to you, "My number. Take care of it."

You snort and tuck it into your pocket, only realizing Hajime's back when he clears his throat awkwardly behind you.

-

Hajime's been distant for the past week.

It's not unusual not to hear much from him for a few days, especially during exam season. You don't think much of it at first, because even though you've been crushing on him for the better part of your three-year friendship, you both still have a life outside of each other and the hell-hole you call work.

But then you're suddenly working your Monday shift with Makki instead of him. You've never worked Mondays without him. It's the worst day to work except maybe the weekend and he had to pinky promise to never let you down when the boss asked who'd cover it - you got free weekends but still, are pinky promises nothing worth anymore?

"Where's Hajime?" You ask Makki. The guy only shrugs. But he's been Hajime's friend longer than he's been yours so you don't think he'd tell you even if he knew.

On Wednesday you work with Mattsun. And boy, does he know what's going on. You can read it in the tilt of his eyebrows, the curve of his mouth.

"Spill," you tell him, "Or I'll never give out your number to cute girls again."

"I have a girlfriend," he replies lazily. You narrow your eyes at him.

"And apparently so do you," he continues, "Or rather, a boyfriend."

You furrow your brows. "Since when?"

"I don't know..." He doesn't seem to take this seriously at all. "I'm just telling you what Iwaizumi told me."

"Hajime told you I have a boyfriend."

"Mhm," he smiles brightly. "And then he asked to switch shifts with me."

-

Hajime has the decency to look guilty. He's ducking his head and it's probably only his manners that keep him from shutting the door on you.

"Why did you tell Mattsun I have a boyfriend."

He grimaces, but his mouth stays closed.

"Hajime," you insist, voice low, "I don't have a boyfriend."

"Maybe not yet," he argues, "But Terushima..."

"That's what this is about?" You ask, "Terushima asking me out? He's done that for months and I've never shown any interest. What makes you think I would change my mind?"

"You took his number," he tells you, eyes flickering around, lips pushed forward in something like a pout. "And he's got a piercing-"

"Hajime," you say, more than just exasperated, "Girls flirt with you every time you step out of your room. If I cut contact with you every time we wouldn't be friends anymore, would we?"

He flinches a little, but he's too stubborn to give in. Yet.

"No one's flirting with me," He insists, now an angry line between his brows, "You're imagining-"

"I've been flirting with you for the past two years," you add. If you're going down, you're at least going down with everything you've got.

Hajime freezes. His eyes are wide and his hand tries to grab the door but misses.

"You- what?!"

"What do you think writing my first name with your last name means? Or writing your name on my skin pretending it's a tattoo? Or cuddling into you during movie nights?"

"You run cold!" He defends himself, "A-and... And you said my name was pretty!"

"YES!" You huff, "Because I'm in love with you!"

Hajime's mouth opens and closes without any sound coming out. Your heart is hammering painfully against your chest. One more second, you tell yourself, one more second you'll give him before you finally give up.

His hand shoots out, grabs yours, and pulls you inside before you've fully finished that thought.

"Really?" He asks, a shy smile spreading over his face. "Really really?"

"Really really really," you promise, offering him your pinky. "I swear."

-

"Wow, you've got bad taste," you tell Atsumu when he's finished his order. He balks at you, but you snicker and his twin joins your teasing.

"I'll never come to visit you at your job again," he threatens and you shrug. "Sucks to be you, I guess."

"Come on, don't be like that," Atsumu wouldn't be Atsumu if he didn't try and wheedle his way into your favorites again. His eyes flicker to the side and he grins. "Can I at least get your number?"

Hajime's chest slams into your back. You can feel his anger without turning to look.

"She's taken," your boyfriend huffs behind you. "Don't be disrespectful!"

my Kofi if you want to tip me

[showtoonzfan]

I never understand how HH/HB fans get upset and defensive when people say that the shows target audience is for white people/white queers. What did these people expect. Last time I checked the most famous characters/characters upfront are all white coded, and any black character doesn’t even look black. The creator meanwhile talks like a white fake Starbucks mean girl and she is one, along with most of her friends/higher ups who work for her. Her work is geared towards kids and middle aged edge lords who are obsessed with swearing and sex and favor/fetishize yaoi, be so fr. Y’all are the same people who turn racist the minute a black person says they don’t like the show, or when someone says the POC characters are drawn with zero melanin because GOD forbid we ask for a few visible curls or puffs, or god forbid we ask that the color of a black/Hispanic woman not to be grey. Meanwhile this white ass fanbase will turn into Elvis fangirls at a con (with zero POC’s in sight mind you) when they see their favorite white coded rich twink rapist owl character on screen, yet have the nerve to preach to black people about what they THINK classism and slavery is, just to defend dogshit early 2000’s writing like get the fuck outta here.

[tainbocuailnge]

I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.

when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.

there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.

there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.

it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.

the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.

[punkitt-is-here]

How can I cultivate the same, "just keeping making stuff all the time" kind of energy you have? It's very impressive and something I wish I could do!

well, theres a couple reasons i think! one is that i just found ways to be satisfied with small amounts of work. its in part because of my ADHD, but my parents were always trying new things (motorcycles, leatherwork, acrylic paint, collage art, photography, video editing) so that definitely rubbed off on me; i had a great example of people just wanting to try stuff. i keep making stuff all the time because i love trying out new things; you don't have to be an expert to try something new! you just have to have a desire for it! wanna make a zine? google it! wanna write a comic? give it a shot! wanna get into woodworking? buy a carving knife and find a stick or something! i think theres plenty of ways to find entry points into interesting stuff and you gotta let yourself be okay with making shit that sucks just because its fun. which leads me to my second point!!

im okay with being dogshit at stuff! i try new things, i kind of suck at them, and i think it's either 1. cool that i made it this far or 2. kinda funny that this is what its like at the moment. i know that sucking is never permanent, everything can be improved with time, and rarely does anyone ever magically get good at something first try. i think of myself as a talented artist, but its over the course of 2+ decades of drawing; im always improving, and no matter what im going to find things i want to get better at, so why fault myself now for not being perfect? a couple of months ago i really wanted to try woodcarving, so i made spoon with my dad. did it turn out great? not really! you cant even use it as a spoon! but im glad i tried it, it was fun, i had a great time with my dad, and now i know a little bit more going in next time. the idea that you have to be perfect or make tangible progress every single time you try something new is a recipe for burnout. i promise you, it doesnt matter if something doesn't come out like God's Gift to Humanity! Did you have fun? did you learn something? are you satisfied in some small part? good!

(pictured: tha spoon)

last, im just really easy to please myself! I'll make a doodle or implement an idle animation in my game or color a piece and go "wow! thats so cool i did that :)" and it really is just a matter of realizing that its fucking COOL to create stuff, no matter how small! whatever you made didn't exist before you, especially in your own unique way, and now it does! doesn't that rule?! i'm obsessed with it! even if its just a stick figure, its a stick figure you made, and it wasn't there before. thats fucking awesome!!! art is so cool!!!! i think that being happy with small goals and victories is a great way of trying out new things and showing off cool stuff u made, no matter what skill level. :) this turned into a whole big thing, but i hope this helps! tl;dr is try things if they seem fun, be okay with not being good at them, and find stuff about it that makes you happy or satisfied!

[yeah-yeah-beebiss-1]

I feel like if people had any sort of common sense at all, they would've realized that Nintendo firing a voice actor over an apparent pay dispute but then hiring someone that costs much more might have meant that there was more to the story than just money. Perhaps unrelated, Hellena Taylor is a TERF.

Thing is, “video game voice acting pays like dogshit” and “companies can and will use lowball offers to get contractors to leave of their own accord” are both commonly-known facts. With this in mind, I don’t blame people (myself included) for taking Taylor’s initial claims at face value because they were plausible. The multiple-session rate that it turned out Platinum actually offered was still low in a general sense, but it was at least consistent with union rates in the field. From what I can tell, if this new information is correct, it seems like it went something like this:

-Platinum approached Taylor with an industry-standard offer, five several-hour sessions at $3-4k each. VAs absolutely should be getting more than this, but it isn’t a lowball offer by current industry standards.

-Taylor declined and asked for six figures plus residuals, which is frankly unrealistic in the current industry (even if game VAs absolutely should be getting residuals).

-Platinum opted to bring on a new VA who would take the standard union rate (Jennifer Hale). Platinum initially announced to the public that the change was due to “scheduling conflicts.” They still offered Taylor a cameo role that would be a single $4k session.

-For whatever reason, Taylor took to the social-media warpath and spun the cameo offer as her being offered $4k for the entire game. People took her at face value because, again, plenty of VAs have been paid less for similar projects. Other VAs in turn speak up about some of the dogshit rates they’ve been offered for games that are frankly much bigger than Bayonetta.

-When Taylor’s story went viral, rather than hunkering down and letting PR do their thing, Hideki Kamiya went on his usual hyper-abrasive Twitter routine. When people started roasting him online over the allegations, he made very angry vaguetweets about the situation and blocked so many people that the Twitter suspicious-account-activity algorithm flagged his account. This is, as the kids say, not a good look for someone whose studio is facing scrutiny.

-Someone within Platinum or familiar with the project leaks documents showing the full situation to journalists, Jason Schreier is the first to break the story. He’s generally been pretty aggressively pro-worker when reporting on stories related to labor issues in the games industry, so the fact that he’s vouching for these documents suggests that he’s pretty confident in their legitimacy.

-Taylor doubles down on her side of the story. Jennifer Hale has mostly been silent on the matter (likely due to NDAs), but has liked tweets alluding to the idea that there are two sides to the story. Platinum has yet to issue a direct statement about the situation beyond the initial “scheduling conflicts” claim.

This is just my attempt to piece the situation together based on the public information available right now. For all I know, some new development may crop up that completely vindicates Platinum or proves Taylor correct. We’ll watch this space, I guess. My gaming time is still being consumed by Xenoblade 3 so I’m in no rush to get the new Bayonetta at launch, as much as I love the series.

(And yeah, Hellena Taylor’s dodgy politics don’t strike me as surprising in retrospect; I’m already on a “probably transphobic until proven otherwise” attitude with any Brit over the age of, like, 40. But if her claims of being offered $4k for the lead role of the whole game are true, then her being a shitty person doesn’t change the fact that Platinum made a ridiculously low offer.)

[local-crying-boy]

If you dated Jasper Hale

Head-cannons

——————————————————————————————————

Just a few head-cannons about if you dated Jasper Hale

Warnings: This is probably dogshit seeing as I’ve never made head-cannons before, reader’s gender is not mentioned, nsfw head cannons included!!

Word Count: 516

——————————————————————————————————

Alice saw you coming, obviously.

She was excited about it too, having a new person in the house that wasn’t her adoptive siblings who had no fashion sense.

Obviously she was happy about Jasper having a mate too

She told Jasper immediately, who then quickly told the rest of her family.

If your human Jasper would be worried at first, he won’t want to hurt his mate

However, if you were a vampire, he’d be quite excited to find you

When you had met you were at school.

Broski was so infatuated with you, staring at you, admiring you

But, if you’re human, also ultimately afraid he’d lose control and drain you of your delicious smelling blood

If you were human, he definitely took a week or so off to better his resistance to human blood. Granted, he still struggles around you though.

If you’re human, he obviously won’t tell you straight away what he and his family truly are.

If you’re a vampire you have much more fun than if you were human, due to the blood that you lack.

Meaning you can play baseball with the Cullens, hunt together, run through the woods together and do other… stuff… with our favourite

Speaking of fun, this man would be so goddamn sweet and gentle during your first time. Specifically if you were human when you first met

But, you goddamn know that he would go full out when you are finally turned.

Mother fucker would literally make you a full moaning mess, make you only remember his name for the night.

However, he is usually the sweetest man when it comes to the bedroom

Like 99.99999% of the time, trust that he is slow and passionate, taking his time to admire every crevice of your body

He’d praise you, telling you how good you’d take him, whispering compliments and words of affirmations

He’d say “you’re so beautiful” And “you’re takin’ me so well, Darlin’”

He’d definitely kisses your neck, collarbone and anywhere you’re insecure about, showing you how much he truly loves every. Single. Part. Of. You.

After care. This gentleman of a man with the most gentle aftercare.

he’d clean you up and run you a bath, whispering how good you did and how much he loves you, he’d stroke your hair and caress your cheeks

When cuddling, he’s typically the one holding you

He’d have you place your head in his chest and wrap his arms around your waist

He’d often run his fingers through your hair or rub circles on your back to help you sleep

He’d wait for you to sleep, even then he’d wait until you woke up

The first time you were cuddling and you fell asleep, this sweet man would practically melt. If he was alive he would have been a blushing mess and his heart rate would be through the roof.

Now, when your a vampire (or was already a vampire when you met), cuddling would be a quiet thing you too would do if you just wanted to be in each other’s arms

Sometimes you two would lay peacefully in silence, but sometimes you two would have a quiet conversation that was just the sweetest, sappiest shit ever.

Masterlist

[yourqueenb]

I thought I’d be able to write a semi coherent post expressing my thoughts on the finale and the book overall after stepping away from it for a while. But as I’ve started thinking about it again, I’ve only gotten more annoyed. So here’s some disorganized rambling on my issues with Blades 2 instead. Probably just gonna make separate posts for my thoughts as they come to me.

I feel like I should start with Valax because she’s one of the biggest reasons why I feel like this book was absolute dogshit tbh. When you create a whole new character who will eventually be instated as member of the main friend group or an LI, there’s a certain amount of prep work that has to go into establishing them as a character. That work doubles when the character starts off in opposition to the MC or other important characters. And in Valax’s case, not only did she start off simply opposing MC and what we stood for, she stole us from our home and family, forced and kept us in a vulnerable state (for a year? 2 weeks? do we even know atp?), and then violated us by quite literally trying to bleed us dry.

MC’s kidnapping and torture were the catalyst for this entire book. Yet the perpetrator doesn’t have to acknowledge anything that she did at all… Our friends can ignore and downplay what happened (even though it was apparently oh so hard without us) for the better half of the book… And worst of all, MC defaults to brushing everything off, placing trust in this person, and even going out of the way to empathize with her at every turn.

We have the option to express some anger and frustration with our friends’ treatment of us in a rushed scene in the second to last chapter of the book. But that’s where the majority of the focus goes. The only mention of Valax is MC expressing confusion about her role in things and a little bit of hurt about being “betrayed”. Yet up until that point, the writers had done nothing meaningful outside of diamond scenes to actually establish her as someone that could be trusted or become a friend, nothing to show that she could empathize with MC and the insane amount of trauma inflicted on MC and friends because of her, and nothing to prove that she was even seeking forgiveness for it in the first place.

Then to add the icing on the cake, they turn around and invoke the word “friend” in reference to Valax at every opportunity in the last chapter. They have her claiming she couldn’t hurt us. Pouting and shedding a couple of tears in what is probably the most ridiculous and melodramatic CG I’ve ever seen. And MC once again empathizing with her at every turn. Placing trust in her, protecting her, standing up for her, offering to leave her friends, family, and entire life behind to go to the Shadow realm with her.

It’s already been established that MC was basically just a tool the writers used to tell all of the other characters’ (especially Nia’s) stories. But as of now, I feel Valax far surpasses Nia in that regard. MC had to bleed, lose time that can’t be replaced, have her agency stripped from her, and ultimately suffer in silence through all of it just so Valax (a completely new character) could have her lackluster story told in scenes that you don’t even see if you don’t pay for them.

[solar-plant-princess]

Everything I see and hear about the live action remake of Avatar is just a spit in the face. It’s so disrespectful to the characters. The writing is a mess and unfocused. And they routinely attempt to sanitize and soften all the characters, deflating the value and purpose of their character arcs.

There is nothing they can do to salvage this. The actors deserve far better than to be stuck in this poorly written disaster.

This is the end state of all soulless cash grab remakes. Gut out all the worthwhile character development in order to make room for empty set pieces and gags in a desperate attempt to replace heart with a modicum of entertainment value. They aren’t interested in telling a new or even good story, they just want to cash in on brand recognition and will take out all the worthwhile stuff and add unnecessary fluff the whole way.

Don’t give them anymore money, don’t watch the show, don’t watch the future seasons. Don’t waste your time on a show that will only ever respond to you wanting genuinely good content with a spit to the face.

Also the meta level sexism of removing ALL of Katara’s personality is just disgusting (same with literally every other named woman character, the genuine misogyny from the writers is on full display the entire time), it’s literally on par with the play episode where the actress is constantly whining about “hope” while doing nothing else, that’s legitimately where they are at.

Zuko fights back against his dad, and doesn’t even mention his honor ever, so what’s even the point of his redemption arc if he had that in him from the start?

Aang doesn’t run away from his responsibilities (or the Air Temple for that matter, he just gets caught in a storm by chance) or need to learn how to accept being the Avatar, or even feel guilt about what happened to the Air Nomads so what’s the point of his arc?

Sokka doesn’t need to unlearn his false bravado or learn how to be a real leader, literally being written out of the Jet episode where he was the starring protagonist, so what’s the point of his arc?

I’m willing to put actual money on Toph’s parents actually just letting her leave and in fact will not even condescend to her about her disability. What’s the fucking point of this show if none of the characters are allowed to have any flaws or growth or personality????

(I also simply can’t ever forgive them for the broad daylight murder and butchering of Suki. Taking a strong confident leader who humbled Sokka by force into accepting that women were just as worthy and capable as men and made him not just accept but embrace her culture. To a spoiled brat that spends her entire screen time being boy crazy, and teaches Sokka literally nothing other than some fighting moves while THANKING him for “bringing the world to me”, by which she means being a boy she can oogle at. This isn’t Suki, this isn’t Katara, the writers are beyond sexist pigs for this shit.

They wanted to improve Sokka’s reputation that wasn’t even threatened and in turn reduced every single named woman to flat-caricatures of incapable, quiet, obedient, boy obsessed little girls all of which rely entirely on the men in the show to do anything.

This is beyond the pale in overt but unacknowledged misogyny which is an insult to every member of the audience especially all the women in the audience. They make it very clear they actually just agree with not-that-covert sexism and patriarchy and it’s disgusting. Never watch this show, dear god never show this to kids who might pick up on this dogshit misogyny)

[the-girl-in-the-high-castle]

The absurdity and stupidity of all shitflix cancelations lies in one simple question: How many of those canceled shows have you actually heard of before they got canceled?

- Warrior Nun - never heard of it until the moment I started seeing its fans spamming every shitflix post. And that was its second season. It had two seasons, for fucks sake, and most of us have never heard of it. You wanna know whose fault that is? Let me give you a hint. No, it's not the viewing numbers.

- First Kill (or whatever its name is) - Never heard of it until, once again, I saw people complaining about the cancelation under shitflix posts. Once again, guess whose fault that is.

- Santa Clarita Diet - Never heard of it. Didn't even know it was canceled until it made it to the list of pissed of people counting how many of them they axed. Whose fault is that?

- Inside Job - Yeah, never heard of it until it got canceled. Also, canceled after they renewed it. Shitflix: guess we changed our minds.

- Archive 81 - Heard of it when the cancelation was announced.

- The OA - Remember just hearing about it through the fog, even though it came out years ago.

- Sense 8 - know about it only thanks to fans' videos and fanart. I don't remember shitflix ever mentioning it.

- Lockwood & Co - I know about it thanks to fans spamming posts asking for renewal news.

And the list goes on with, I assume, shows I have never heard of.

I've never seen any of these shows, but my open wound is 1899 that I believe got treated the dirtiest of them all.

I have heard of it two years before the premiere, thanks to a 50 seconds long teaser that got me patiently waiting for years because it was my cup of tea. It came from the people who proved themselves before by creating a critically acclaimed show that you can find on a top 10 list of greatest shows of all time. Those people have spent years developing a new filming technique for shitflix. What a way to say thank you.

8 out of 10 people around me have seen 1899. Those people haven't even seen GoT or LotR for fucks sake, the most famous show and movie ever, but they have seen 1899. But not because shitflix promoted it, but because people did.

There was zero promotion, zero cast interviews, zero mentions after the release. It was still watched and talked about by so many people. It has more viewing hours than their hit shows running for 3+ seasons put together. It's a show you can't just binge and forget, you have to actually turn your fucking brain on. It was released in the most busy time of the year, during the damn World Cup and winter holidays. It was still number one for weeks. It was given less than 30 days. They decided to cancel it before it even premiered. They deleted the trailer with 10+ million views from YT.

The same goes with other shows. I have seen zero cast interviews, zero promotion or mentions by their own platform and they still have loyal fan bases that didn't stop talking about them.

But then you have dogshit shows like the Night agent that is getting hyped by shtflix every single fucking day. Fake numbers, pumped up to get people to watch a generic, a hundred times seen before, piece of crap. It got more hype than fucking GoT, and yet I know zero people who have actually watched it. Yep, there is no one I know, in real life or online, that has actually watched this show. So you figure it out.

People who have watched the shows I've mentioned probably have the statistics for them, and have probably seen the viewing hours being blamed for it, which was bullshit.

The latest nail in the coffin was Lockwood & Co. They kept fans waiting for months, and then they announced the cancelation during Eurovision so that fans wouldn't be able to go viral about it because everyone talked about fucking Eurovision.

Shitflix has canceled 26 sci-fi/fantasy shows in the last 3 years. 26! Do you all remember when we couldn't even name 26 shows of all genres put together, let alone watch them?

What all these shows had in common is that they were original and more or less unique and creative, not something you can find at least 6 copies of in either streaming or network TV.

It's like they created all these shows just so they can cancel them, because they are doing their best to actually burn every trace they ever existed.

Shitflix is killing creativity in every form, but in the end, that will be their undoing.

[aihoshiino]

chapter 136 thoughts

before i get into the sad stuff i need to say that ai eating ice cream with her head empty no thoughts expression blasted ten hundred million billion tons of dopamine directly into my brain. thank you.

This chapter is interesting for a lot of reasons but I will say up front that I'm really glad the story is taking the time to humanize Nino and to flesh out the absolute mess that are her feelings towards Ai. I was really excited when she entered the story because I had always wanted to know more about the 45510 narrator (which this chapter basically unambiguously confirms even more strongly than before — we get the 45510 drop again!) but I was worried after meeting the real Nino that she would be painted as a black and white villain. Through Kana's empathy for her and the movie's portrayal of her though, we get to see her as just a normal person.

Because like… I'm gonna be honest, I feel so deeply sorry for Nino! Like, Jesus Christ, don't forget that she was anywhere between twelve and sixteen when all this was happening. She was just a kid being brainpoisoned by the entertainment industry and held to impossible standards. She had no power and the few things she felt she had any control over were being ripped out of her grasp. Is it any wonder she reached a breaking point?

Not just that but… man, B-Komachi gen 1 just seemed like it was an utterly dogshit experience for everybody but especially anyone who wasn't Ai. Both Nino and Kyun have said it explicitly: they did not feel like valued members of the group. Saitou pushed and favoured Ai to the extent that everyone else in B-Komachi felt like backup dancers who were just there to make Ai shine brighter. We see this pattern repeated in B-Komachi gen 2, as well! I've already talked about how in a very real sense, the group only exists for Ruby's sake and Kana and Memcho really are just there as her accessories but Miyako herself is favouring and pushing Ruby for work to the extent that even Ichigo points out that she needs to give the other girls more jobs. No wonder Kana empathizes with Nino so deeply.

Something else really interesting about this chapter is getting to see what dealing with Ai is like from someone else's POV. Understand that I'm saying this as the Internet's Foremost Ai Wife Guy but oh my god!!! I think this is the first time we've gotten a really good understanding for how deeply, deeply frustrating Ai really must have been to deal with as a person only allowed to see the perfect 'Ai of B-Komachi' mask. Nino is all but breaking down in front of someone she considers a friend, begging her for the slightest bit of honesty and authenticity, for Ai to just show that she cares about Nino in the least… and Ai just gives her a bunch of blithe, noncommittal answers. Even knowing Ai as well as I do, I could almost feel a ghost of Nino's desperation and frustration pass over me as I read that exchange.

With that in mind, Nino's outburst at the end of the scene here doesn't feel like pure nastiness - it feels like desperation. It feels like her lashing out with the worst possible thing she can think to say because if she hurts Ai, if Ai actually shows that Nino's words reach her at all, if Ai's human enough for Nino to hurt then…

But, well. We already know how this all turned out. Even so, like Kana said… Ai's smile is suffocating.

Speaking of Kana, this was a damn good chapter for her. A lot of people seem to have interpreted her as getting 'lost' in the role of Nino but going by this chapter's portrayal, Kana seems to have a much healthier distance from her than Ruby does to Ai right now (BUT WE'LL GET TO THAT….), being literally portrayed as viewing the scene as if from a distance. I do think her empathizing with Nino is allowing her to examine and get out some of the hurt and resentment that's been bubbling away since Black Hoshigan Ruby but things are being so infinitely more complicated by everything else going on around this split.

Speaking of which… whoooooooof, Ruby. Her levelling up her understanding of Ai was uh, not quite as good for her as I'd previously thought. It's important to note that this is pretty clearly Ruby's feelings that she is projecting onto Ai: in 45510, Ai herself explicitly says that she never hated the B-Komachi girls and Ruby blurting this out here feels like a very pointed contrast to that. It's pretty clear to me that we're coming back around to something established during the preproduction phase: that this material is quite literally triggering for Ruby and it's damaging for her to be engaging with it.

… which is why it's so, so scummy for Gotanda to be pushing this. I'm holding back on really going into what I'm thinking of Gotanda right now because I want to see if/how the manga addresses this but I'll just say that I'm coming away from this part of the story feeling much more sour about him than I think I'm intended to. It's possible that this is just because I'm fresh off hearing Jeanette McCurdy's horrific account of how damaging this kind of acting was to her as a child but… I find it really hard to like and get behind a director who is purposely letting his actors endure intense psychological suffering for the sake of His Vision lol

After all, like… for all that he talks about wanting to film 'the true Ai', this Ruby freakout is not that! That's Ruby, snapping under the strain of the pressure put on her. Even if you want to argue Ai felt similar strain… is her restraint and her grace and patience in not giving out under it not also 'real'? Why does authenticity necessitate turning Ai's ugly feelings into a spectacle? Why does Gotanda think he has the right to make calls on what is 'authentic' here?

I'd say "who died and made him king" but that's the point, isn't it? Ai died. She's not here anymore to make calls about her identity and the people who are here and who are in a position to do so aren't actually doing it with care and consideration or proper respect for her memory. This movie has been touched by so many people who have their own agendas, who did not know anything about Ai and quite frankly have no right to be making calls about who she really was and what she really felt. 15 Year Lie is an utterly ghoulish production and nobody is coming out of it clean.

[shuttershocky]

Do you have a dislike for media universes that "rewards" people for watching/reading all of it in general?

Or do you think there is one that executes that idea well?

I'm answering this 5 months late, but I'm pretty sure I still remember this ask being prompted by a post making fun of the MCU.

Do I dislike story universes that reward people for reading all of it? Not at all. I mean, I'm a fan of both Middle Earth and Star Wars, I fucking love big, big universes with plenty of stories in them. When they intersect in some small way it's a delight to me, I love those little personal winks from the author for having read their other works or recognizing the most obscure names only a nerd would know.

However, there's a difference between a little reference in a story meant for people who can connect the dots, and making something almost required reading for your enjoyment. It's the difference between an acknowledgement from the creators that you liked the setting enough to come back for a new yet familiar ride, and a company realizing they've found their cash cow and can't wait to milk it for all its got until it's dead.

And dead the cash cow will be, eventually. It's been said before that the reason why the Big Two of western comics have ceded more and more ground to manga over the years is that Spider-Man has 10 different starting points while Naruto starts with Volume#1. That's not just a funny joke. Onboarding new readers has genuinely been Marvel and DC's problem for decades, which is why it was both incredibly predictable yet shocking all the same that this is what the MCU turned itself into.

Sure, early on you could ask the audience to watch a couple movies before the big Avengers crossover, but now they've got all these TV shows on top of the movies that you have to watch in order to "catch up", and it's not even about the cool characters anymore. More and more of their fanbase is going to stop caring once the barrier of entry gets too high, and it's ridiculous to me that Marvel went this road with their movies when they know this is what happened to their comics first.

I mean, are you serious, their next big bad is Kang? I am not watching several TV shows and an Ant-Man movie that's somehow worse than the second one all to see how the currently left Avengers meet goddamn Kang the Conqueror. He's in both the TV shows and the movies, which means they're somehow giving Kang more buildup screentime than Thanos. Why? Either I've been extremely out of touch with Marvel comics or the MCU picked a wild choice to headline their next billion dollar franchise when Doctor Doom is actually available to them now and barely needs an introduction.

Sorry, got lost for a bit. Back on topic, yeah I know I know, all art right now exists under capitalism which means every setting that becomes a wider story universe is an author trying to milk their existing fanbase. Whenever a creator makes a thing that I like, and then announces they have a new thing set in the same setting as their first thing but isn't a direct sequel so they can keep gaining a new audience while keeping their existing one, I know I'm being suckered in.

Just, don't make it so blatant. And don't make it so hard. I am the exact target audience for these shenanigans and even I'm starting to feel like it's homework because it's all fucking required now.

If I, a lifelong Star Wars fan, want to watch the newest Star Wars thing, I have to see a hundred hours of other Star Wars media first. If I want to watch The Mandalorian Season 3, I can't just have seen Season 1 and 2, oh no, I have to also see The Book of Boba Fett too, because halfway through that show became The Mandalorian Season 2.5. Well I did see Boba Fett, and the combination of my dislike for turning it into required homework AND the show itself just being kinda dogshit meant I never touched season 3 of the Mandalorian. That show used to be so great because it wasn't tied down to any existing story arcs or characters, so it stood on its own and made for an amazing watch no matter how much Star Wars you've actually seen. And then it succeeded and so had to become the new spine for the entirety of Disney Star Wars afterward. Fuck. Now if I want to watch their latest show Ahsoka, I have to have seen the Clone Wars animated series AND Rebels, because the Rebels cast are in it too! I mean I did see Clone Wars and Rebels, but that still sucks!

That makes me worried now! Andor was also really fucking good and it stood on its own so hard you didn't even need to see Rogue One, the movie that introduced Cassian Andor in the first place. But now that season 1 was a success and everyone sang its praises, it certainly means season 2 is suddenly going to get real cramped with Ahsoka and Luke Skywalker and whatever guys are currently alive in its timeframe. Shit, they're probably gonna add Cal Kestis in season 2 of Andor. The Respawn Star Wars games are still doing their own thing which means it's time to connect to something else.

I hate what all this has become. It was fun to read the Silmarillion and see what kind of fuckery one family of elves got up to that eventually turned Sauron from minion to big evil eye parked next to evil mountain, but you didn't need to read all that before The Lord of the Rings. LOTR didn't assume you knew anything at all (and oh boy did Tolkien never miss an opportunity to explain shit).

Let me repeat. I am the target audience. I live for the ridiculously nerdy habit of reading things set in the same universe as other things and connecting all the dots. If /I/ feel like it's become homework, I can't imagine what the average person thinks of all this. Make it stop. Stop running everything I once loved into the ground in the name of endless profit. Star Wars was already doing this to itself before the Disney acquisition and yet it didn't feel this bad.

[mangora]

I’m so tired here are some assorted Disventure Camp headcanons:

•Jake is really into poetry. Some of his poems are bangers, some of them are absolute dogshit. He posts some of them online, mostly the bad ones because he’s not self-aware of how bad they are. He will spend hours on end writing in his notes app. Guy is a big fan of sonnets and free verse but his strong suits are odes and villanelles

•Rosa María, James, Yul, Lake, Riya, Fiore, and Alec are all multilingual. Rosa speaks English and Spanish, James speaks Portuguese and English, Yul speaks Korean and English, Lake speaks German and English as well as some French, Riya speaks Hindi and English, Fiore speaks English and some Italian, and Alec speaks English as well as a variety of other languages (he did a minor in linguistics for his university degree so he knows the basics of multiple major languages).

•Hunter’s a competitive chess player. Ally’s the only person who’s ever beat him fair and square, but even then, that rarely happens

•Lake is great at baking. She’s incredibly exact when it comes to measurements, timing, and technique. Rosa, meanwhile, is a great cook and she doesn’t measure anything

•Aiden can play bass guitar. He started learning as a teenager because he wanted to join an emo band one day. Chase your dreams boy

•Yul used to have braces and he’s really embarrassed about it

•Gabby’s a forager, she loves to forage for wild fruit and mushrooms and greens

•Ellie’s kinda a ghoul in the kitchen. Like she can make good food and drinks but most of the time she’s so tired that she makes evil energy drink-instant coffee potions or like that pistachio & condensed milk concoction from Arthur

•In a better universe I think Ellie and Jake are frenemies instead of fully hating each other and they play Minecraft together and Ellie is constantly stealing Jake’s shit and trying to defeat the Ender Dragon meanwhile he screams every time he sees a Creeper and begs her to turn Keep Inventory on because he keeps dying

•Miriam gets a cat after the show. She’s an older white cat named Snowball and she has the same personality as her. They are best friends and Miriam is so annoyed by her. She made them matching sweaters. Snowball is only fully nice to Jake

•Fiore listens to Thrash Metal. It’s partially just to throw people off when they find out, she thinks it’s funny

•Fiore also enjoys those YouTube prank videos, she knows they’re fake they’re just so stupid that she finds them hilarious. Kristal gives her an iPad for a day one time for entertainment and it pisses the rest of the Magenta team off so bad because she keeps playing these prank videos and watching epic fail compilations at full volume

•Grett loves crocheting. She slowly turns into one of those people who crochets during lectures and while watching movies and shit

•James is really good at Tetris

•Ally is obsessed with Sci-Fi. She, Tess, and Hunter watch Star Trek, Doctor Who, and Star Wars together because they all love the worldbuilding so much. Tess writes fanfiction about almost everything they watch. Hunter has terrible media literacy and misses the themes every time but he has fun watching

•After All Stars, Riya gets really into tattoos. She gets matching ones with Connor

•People antagonize Tom with the cop slide video and every time he clenches his fist and goes, “Stop laughing at him.”

•Kai has a bunch of pet bugs. Maggy’s secretly afraid of them still but she’s getting there. She likes rollie pollies

•Karol used to do roller derby and Lill used to ice skate. Ggirlf,riends,,, I miss them chat. Where is my old woman yuri

•Aiden eats plain yogurt nothing on it and it’s the one thing James doesn’t like about him. Like it’s so upsetting to him. Why does he eat plain yogurt

•Ashley likes hyperpop, don’t tell anyone

•Tom likes crockpot food. He is not invited to potlucks for this reason. He will always bring the crockpot

•Alec doesn’t like splatter films but he really enjoys psychological horror, especially mockumentaries and mondo films

•Lake read creepypasta a lot as a kid and she wouldn’t go into the kitchen after dark because she was afraid of Jeff the Killer appearing at her fridge