ok but like, Modest!Alicent Hightower au (more modest than she already is) cause I feel like it, it adds ✨layers✨
Alicent who veils her hair during her day to day life, elegant laces and silks adorning her long ginger-brown hair, covering it completely at the Sept.
Alicent who wears dresses with long heavy skirts and always covers her elbows with billowing sleeves.
Alicent who conceals her silhouette with thick shaping garments. they also just helped her back during her pregnancies and taking care of kids (her servants recommended them so she'd have full range of motion and support)
Alicent who was stripped of her modesty, her dignity and sense of security whenever Viserys wanted her. stripped of it by her own father when he sent her to Viserys's chambers in a dress that didn't cover as much as she would have liked, especially when she visited a man with those (silent) instructions.
Alicent who lets her hair down around people she trusts. covering it around Rhaenyra after she abandoned her, a blow to Rhaenyra, a blatant "you hurt me and broke my trust". letting Criston see her hair after he becomes her sworn sword. covering in front of Viserys until he demands she stops. Alicent putting a little makeshift veil on her daughter, who wanted to look like her mum, promising it would protect her from how loud the world was.
Alicent who only trusts her closest servants to dress her, and even then insists on being in a full shift before they can come in.
Alicent who felt stripped bare while giving birth to her children.
little Alicent looking up to her mum who was also very modest, and spending her childhood playing in long skirts.
Alicent who wears shawls and scarves out in public or at events. Criston watches to make sure she remains properly covered. her hands fiddling with the patterns or tassels while she talks to others.
Alicent doing this with her kids:
Criston offering her his cloak when she's put in bad situations like sudden crowds or outings.
wearing flowy but opaque fabrics during the summers, looking ethereal and goddess-like with her layers skirts and sleeves.
the whole Larys situation being even more sickening.
all 3 of her sons being protective of her modesty alongside Criston, always offering their cloaks to her or standing to block her from the wind or wandering eyes. Aegon holding her veil in place when it's windy, Aemond placing a cloak over her in public, Daeron fiercely defending his mum from lusting glances or lingering stares.
Helaena continuing to veil with her mum when they go out, they love matching veils and trying ornate styles.
Alicent fixing her daughters veil in attempts to get it to stay in on dragon back. it doesn't. but they don't mind the extra bonding time none the less.
gold veils that literally make her look like she's dripping in gold.
tucking her babes in her shawls or holding them against her skirts that are practically swallowing them whole.
Alicent collecting layers. Ornate undergarments that cover her arms in gold and embroidered patterns, some almost like tapestries others more simple. undershirts that cover her neck, with "choker" patterns and sewn in jewels. modest nightgowns and robes made of the softest, most breathable fabrics in existence.
covering her face on holy days/days of importance.
I just have so many thoughts.
408 notes
·
View notes
something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
220 notes
·
View notes
I finished Ordem Paranormal: Calamidae Episode 3! Wa hoo! A shorter episode, which obviously means this will be a shorter journal post right? Right???
And we're back with the Ordo crew! So happy to have my little guys again, I missed them. The Escripta crew was very interesting though, glad to have met them, looking forward to another session with them. I'm actually writing this having started Episode 4 because up until now I've had time to watch bits of episodes but not sit down and write up a big post like this. But I'm here now!
Me and my mutuals reblogging and liking each other's posts back and forth.
There isn't too much I want to talk about this episode. My last post sure was. A long one. I'll try to keep this one to the basics.
This episode should just be renamed to Carina and the Terrible Horrible No Good Very Bad Day. Jokes aside, though, Gabi was just. Holy shit. The sobbing, fuck, the voice cracking; the sheer vitriol and anguish and desperation. Chills. Her acting for Carina in this moment felt so raw, open wound. The pain in her voice. Ugh. God. Phenomenal.
The Devil sure is scheming something. More mentions of an oncoming "war," and an invitation to seemingly join a side. But seriously---invitations to a game from Kian, delivered by the Devil, found in Signore Leone's chest, locked in a box with the key found with blood beast Signora Leone, with the symbol from Arnaldo's grimoire on the envelopes. Okay. What the fuck. Whose side, exactly?? This "invitation" sure seems to have passed through a lot of hands. The battlefield of this war is currently a tangled mass of who-do-I-hate-less and my guys need to focus on just making it out of this mansion alive because oh shit there is a whole entire horde of blood zombies after them now D:
You know it's really funny. In my first journal post I was talking about how blood zombies are, at best, tutorial creatures to help new and returning players learn the revised combat mechanics, but now they're STILL TUTORIAL CREATURES MY GUYS FUCKED EM UP ROCKED THEIR SHIT TORE THEM TO SHREDS LETSGOOOO.
Highlights from this fight for me are: Carina turning into a human blender with her knife when in the zombie mosh pit, Dante dual-wielding his AoE spiral ritual, and "torretta."
Then there was the Hanna blood zombie. Lovely lovely detail to include that it looks like its limbs were reattached at wrong angles, as well as the Japanese character carved where its face would be. My boy is an artist <3
Really, though, it feels so. Mh. How do I say this. It's the fact that it's basically a creature of his own creation, intentionally or not. His hatred for the paranormal and the creatures it harbors vs the fact that he is somewhat responsible for this abomination existing. He feels. I don't want to say he feels unhuman, to call him no longer "human" would be doing the character a disservice, but he feels slightly left of human, you know? Not quite creature-coded, but more along the lines of a force of nature. A force of pain. Something that brings things like this into the world. Hanna, having been a powerful occultist in life, was always going to leave behind a powerful creature if left in a paranormally active area, but now it has some of Joui's influence on it and some of Joui's wrath inflicted upon it, which certainly has to be helping on the power-front.
I don't know. There's something about this that I feel like I'm walking around but not quite landing on. Get back to me in 3-5 business days.
(Update: I'm starting to think thoughts, and I might be terribly wrong about Joui being Death-leaning-but-backed-by-Blood-because-Devil and is instead just Blood. Not going to elaborate more because those thoughts need to stay in the pot to cook a little while longer but I really do hope Joui is still Death-leaning. Please it would make me specifically so happy.)
In any case, they took care of creature, even if it landed on top of Carina (ouch). Oh and the fan. Yes, the fan. Surprised that the fan does not, in fact, give the infamous paralysis ritual, which is what it was used for, and instead gives a zoomy ritual. Hanna does have multiple fans. According to Arthur's reaction, though, this seems to be the same one used to paralyze them, which I would assume would have the appropriate ritual symbol drawn on it. Ah well. Another ritual pocketed.
Upstairs and medical room (aka checkpoint before boss fight) and papers time, papers time, time to papers!
I actually don't remember too much about what they were talking about here, I'm pretty sure I was half-asleep when they were discussing lore. They looked over some more things with the black light (mention of a throne? like the Devil's?), they talked about the x-rays and the potential fact that Signore Leone had made a pact with the Devil when he was declared terminal with a heart tumor and BAM blood beast! Kinda sad that they didn't get to theorize more, but unfortunately this house is just full of horrors. I think I'll rewatch this section later.
Blood beast Signora Leone. MASSIVE. Rubens ran out into the hall, followed by Carina, because damn, short ranged weapons are a bad idea. (Head in hands, poor Balu....and with a paranormal Death spiral scar too...)
Believe it or not, these are screenshots from the same pause frame. Two very different emotions here.
At the very least, Arthur and Dante's sniper + echo dolor team attack came in clutch again (even if it was nerfed, rip Rakin) and it was especially cool this time around because Dante's turn was right after Arthur's for this combat. It really felt like they were trading off, chaining attacks. Neat!
More lore. Did not catch all of it. New page for the Grimoire with the symbol of the Mascaras...? Or something...? As you can see I pay careful attention to this series and all of the important plot points and investigation threads when they come up because I am an attentive viewer. Have a squished Dante.
Then there was the funeral for Signora Leone and the rest of the Leone family---once again a symbolic funeral, because there's rarely ever any remains left to bury when someone dies in this series, unfortunately. One thing I've noticed is that when a person dies in the middle of a mission, the burial always starts with their closest loved one(s) digging a grave with their bare hands. Sometimes someone else starts to help, sometimes someone else goes and finds a proper shovel, but it always starts with someone getting on their knees and clawing at the earth. It's raw. It's personal. You know the risks of your line of work and yet you still weren't prepared to do this; you could never be prepared to do this.
Arthur being there to support Carina in this horrible time, using everything he's learned from his own heartbreak and his own families to comfort her... He, too, lost his family in the span of a day. He, too, never got the chance to say goodbye. He, too, never could have imagined that something like this could happen. And Carina, just like he was, will also be saved by her new family---her team. So he gets on his knees beside her and helps her start to dig the grave. He tells her they'll carry the memories of their parted loved ones with them, and they'll continue fighting those bastard Occultists for the ones who are still here, and that the rest of the team will be here with her, always.
EVIL that Guaxi had Arthur pull out this photo. I get why, but EVIL.
A detail I love: in the middle of Arthur explaining all of this to her, calmly offering reassurances and comfort, at some point he hides his face and makes a furious expression---not the first time he's done this. I love the little peaks into how Arthur is really feeling about all of this bullshit. He's trying to stay level-headed and collected, presumably for the people on his team, but damn, it still hurts, and he's still pissed off. Just because he's showing less emotion than he used to doesn't mean he doesn't feel it.
Rotating Balu as well. He said he joined the Order looking for vengeance, like so many others, and everything that his vengeance and hate put him through wasn't worth it. so he left. "It’s better to live a life with a smile rather than with hate, even if it’s forced. You’ll see it’s not worth the pain. [...] I want to be the protagonist of my own story, I don’t want to just be the guy that hates others." Implying that letting yourself be moved by nothing but hate signifies a lack of agency over your own life LIKE YEAH. YEAH. THAT.
Clarissa continues to be stubborn. Everyone handles grief in different ways, and her taking a painful dig at Rubens is certainly a response---hurt people hurt people. Good on Rubens for simply leaving that conversation, it was going nowhere good.
Team sleepover on the (bloody) couches after making some food in the (bloody) kitchen in the (bloody) murderhouse! (If I had a nickel for every time etc etc.) Carina's conked out on the small couch mentally, physically, and emotionally exhausted, Arthur and Dante are sharing the big couch and you cannot tell me Arthur is not drooling on him, Balu is sprawled out in one of the arm chairs, and Rubens has fully curled-up-crammed his body in the other.
The arrival of the rest of the Order really felt like the arrival of dawn. Agatha my beloved little alarm clock. Love how Carina, Rubens, and Balu jump when she shouts into the room and both Arthur and Dante barely stir. Something tells me they're used to this. And Ivete! She's here :D Things are feeling a bit lighter. Carina got to tell her sister that she deserves a day to break down and be a mess. Supporting each other <333
And oh, yeah. I feel physically ill about this. In a good way. More stuff about the Marcados being connected to each other by their players. And more stuff to imply the players are themselves entities of the Other Side if I squint, too. Foaming at the mouth.
"Liz would reveal [to Carina] that hate solves nothing, and the love of your family is much stronger." SO SOMEONE ON THE DISCORD TOLD ME THAT THIS WOULD'VE BEEN LIZ'S LAST WORDS TO JOUI IF SHE HAD BEEN ABLE TO SAY THEM. UNFORTUNATELY GABI WAS CUT OFF BY CELLBIT AS LIZ HAD CHOKED ON HER OWN BLOOD AS SHE DIED. ANYWAY. THINKING ABOUT THIS IN RELATION TO HOW JOUI IS NOW. CONSUMED BY HATE. Hard to say if hearing this would have done anything to "save" Joui considering that it was seemingly outstanding circumstances---the deal with the Mascaras---that really started him on that downward spiral in opd, though he was struggling before the Mascaras showed up and gave their deadline. Still. It's. A lot. Incredible coming from Liz, who in life believed herself to be a fundamentally bad, hateful person.
Does anyone still think about Elizabeth Webber because I think about Elizabeth Webber I think about Elizabeth Webber a lot actually I think tha
Bonus:
Fofoca (they are talking shit about you)
3 notes
·
View notes