I hear a lot of talk about how Hollywood isn't comfortable with showing romantic relationships, interracial or otherwise, without a white person involved. But I'm not sure that fans are actually comfortable with that either? And I don't think they're comfortable without a significant white (white male specifically) presence in their favorite genre shows.
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Imagine being a guy who is really devoted to your job as an information broker for a hitman organization in the 21st century. Imagine being largely confined to a shady bar in a city alleyway where your main customers are all variations of hitmen and other shady people. Imagine knowing that however important you are, a disgruntled employee or someone screwed over by the organization you devoted your life to could come and enact vengeance on you. Imagine living your life with the healthy fear that this organization will take you out if you show any signs of threatening them. Now imagine that two idiot "definitely not in-love" hitmen manage to fuck up two important jobs in a row and it takes you a lot of effort covering up their mistakes. Imagine after having them lay low and refraining from giving them jobs they show up with a child. This is the child of the man they killed on the first mission they messed up. Imagine having to watch those two somehow manage parenthood when they forgot that daycare existed. Everyday kugi kyutaro wakes up.
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ok but real talk has the phrase "control your heart" ever been used without katsuki being the catalyst for that convo happening
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OH MY FUCKING GOD
I JUST WENT TO MY LOCAL HOT TOPIC THAT I'VE BEEN GOING TO FOR LIKE. 5 OR 6 YEARS NOW RIGHT??
I GOT SOME MCR STUFF BECAUSE. OF COURSE. IF YOU'VE SEEN MY RECENT POSTING HABITS YOU KNOW. THE BRAINROT IS REAL
I WAS TALKING WITH THE CASHIER ABOUT THEM BECAUSE HE WAS ALSO A FAN AND HE FUCKING SAYS "you wanna know a fun fact? this is the hot topic the lead singer used to work at! :D"
FUCKING WHAT
GERARD WAY USED TO WORK AT MY LOCAL FUCKING HOT TOPIC?!?
AND AFTER I LEFT I LOOKED IT UP TO MAKE SURE HE WASN'T FUCKING WITH ME AND YEAH. HE WAS RIGHT. WHAT THE FUCK
SORRY FOR THE ALL CAPS THIS IS LIKE. WORLD-SHATTERING INFORMATION TO ME AND HE JUST DROPPED THAT SHIT SO CASUALLY WHAT THE HELL BRO. I NEEDED TO SCREAM ABOUT THIS SOMEWHERE
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actually i'm still thinking about the moral orel finale.
he has a cross on his wall. do you know how much i think about that bc it's a lot.
a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).
but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.
and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.
he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.
and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal
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