"Welcome Aboard, Just Let Me Stab You."
Remember that merrywhumpofmay post I wrote with the vampire pirate captain and her newly acquired, very reluctant source of fresh blood? Yeah? Well, here's part two because hah I got hit with an idea.
(continued from here)
cw: manhandling, noncon body modification (giant spiky earring), vampire whumper, human whumpee
***
The vampire brought the human into her cabin. They caught a glimpse of a cluttered desk and knives embedded into the wooden walls.
They immediately looked down again, legs turning to water.
The vampire let go of their shirt collar and moved to her desk, searching for something in the drawers.
A shudder ran down the human’s spine. The vampire’s bite throbbed at their throat as a crimson and bruised reminder of last night.
“What’s your name?”
The human froze, eyes gripping the hardwood floor with a physical intensity.
A drawer slammed shut and they flinched.
“Can you speak, little pest?”
They nodded. Then, “Yes.” Their voice was less a whisper and more a crumpled sound of defeat.
They didn’t see the toothy smile the vampire gave them. They didn’t see the golden spike the vampire pulled out from a small chest. She spun the spike idly, watching it catch in the light.
Her grin faded into one of satisfaction. “Your name.” Not a question.
“...uh, it– it’s Adan.” Again, that choked voice.
“Adan. Come here.”
Adan didn’t move. Eyes on the ground, heart in their throat, terror in every nerve in their body. The ship swayed beneath their feet and brought a fresh roll of nausea with it.
The vampire crossed the distance between them in the blink of an eye. She towered above them, head almost hitting the candle chandelier.
“I have a gift for you.” There was a velvet-lined throat in her every word.
Adan trembled, shrinking back. They didn’t get far. The captain grabbed their jaw, tilting their head to the side.
“Something to make sure you remember you’re my blood source.”
As if the holes at my throat aren’t enough.
“I believe the words you’re looking for are ‘Thank you’.”
Red flashed behind their eyes. They were going to throw up. “Thank you?”
Adan had been expecting the vampire to bite them again. Not to yank at their ear and to stab the golden spike through it.
They screamed.
One blood-stained moment stretched into a heavy aching.
The captain wiped the blood away with her thumb. Crimson-red ran along her hand and with the greatest attention, she licked it off.
Adan gagged. With shaking fingers and blurred vision, they explored the throbbing hole in their ear. Humiliation burned nearly as bright as the pain itself.
The vampire smacked their hand away. “Don’t touch it—Well, I’ll be damned if you aren’t crying. I think the earring looks good, if that’s what you’re worried about.”
“I–I’m–” their voice cracked. “I’m not crying.”
“Do not address me with such impudence.” The vampire dropped her casual tone, baring her teeth. Then with a smile, she added, “You will call me Captain.”
tagging: @brutal-nemesis
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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