#the absolute cinematography though

[maladaptvs]

this show is so awful because i was watching this scene near absolute tears and then reece shearsmith bursts in to do this

[ectoplasmer]

hi. not to sound like I’m trying to make every single movie and show I’ve seen hyped up into some sort of literary masterpiece, but I watched I Saw The TV Glow last night and like. wow. I might still be processing it really. but I don’t think I’ve ever seen a queer story be told that raw and vulnerably and truthfully before. and maybe it doesn’t seem like a lot on its surface, just at its base level and story, but the more I step back and look at it in its entirety and what it was meant to show the more I feel some sort of connection with it that I can’t place. Something about knowing who you are and still not living your truth. Something about apologizing for being what you are and how you feel. Something about the world not being made for people like you. there’s still time or something or other. siiigh

[fisshgutss]

okay so basically saltburn is like a british boy version of a toxic codependent depressed middle school and possibly gay girl friendship where you have a girl who is genuinely mentally ill and then her friend in order to fit in or impress her just straight up LIES about multiple aspects of her life. ie self harm, parental abuse, substance abuse etc. because not only is she jealous what her “friend” “has” she has glamorized the lifestyle that she just simply does not live, she’s stealing it. in fact her home life is fine, so she’s just farming sympathy from someone who is trying to relate to their friend at least theirs eyes a friend.

oliver is just like that fucking dynamic but dial it up to a full 100%. oliver stole poor poor felix aka jacob elordis life. he saw a man who was clearly loved by many of his peers where as he was a loser for a reason. sometimes people are losers FOR A REASON. SOMETIMES PEOPLE HAVE NO FRIENDS FOR A VERY GOOD REASON. and you should not give them sympathy, that’s oliver. that fucking freak and not in a good way. he fetished, objectified, glamorized, romanticized felix and quite poetically said by felix’s sister ate felix from the inside. a moth drawn to the flame of a man who he desperately wanted to be. despite having a perfectly good home life. maybe i would feel bad if he actually was from a bad home life or whatever the fuck. but since he’s not it’s just cruel. you come in someone’s home and you just defile it. you smear blood literally, you i don’t even know i don’t even know, but this this character is probably why i found hard to watch because someone deep inside my soul i knew something was off. HE DIDNT EVEN KNOW HIM, he knew him for 6 months. taking advantage of a dog who’s belly is wide open, taking advantage of someone with a pretty good heart, people LIKED felix for a reason. you will NEVER be jacob elordi NEVER. oliver will NEVER be felix and it’s so grating to watch him win in the end and just straight up defile their home one last time and they can’t even rest in peace he took the rocks out of the river!!! PERVERSE! THATS WHAT IT IS! you defiled him while he was alive you defiled him when he was DEAD you fantasized about having him all to yourself oliver wasn’t his toy felix was oliver’s toy, and he wasn’t planning on keeping him he was planning to take it allll away

[comfyymoon]

the way i have to take breaks between watching each episode of the living and the dead because horror is not my genre but i am literally hyperfixating on colin morgan so sacrifices have to be made.

also, i willingly walked into watching a show that ended on a cliffhanger (so I've heard) and then cancelled because colin morgan is in it. fucking awesome

[reidsworld]

Beekeeping Age

Summary: Who knew having a crush on your best friends dad would turn out so good? Based on this request.

Pairing: Hugh Jackman x Fem!Reader

Category: Fluff

Content Warnings: Age Gap (25 and 55), Secret Relationship, not proofread

Mars speaks... Thank you so much for the request, I'm sorry it took me so long to respond! Also I'm pretty sure his daughter is like 19 but for the sake of this, she's like 25 lol.

Masterlist

You and Ava had met in your first year of university. She was studying communications, and you were pursuing cinema, but your friendship clicked immediately. Movie nights turned into inside jokes, and your shared love for Formula 1 only solidified the bond. By the time you were finishing your degree, her house felt like a second home.

And her dad? Well, Hugh Jackman was always around, friendly and easy to talk to. Over time, your admiration for him began to grow into something more, though you’d never admit it out loud… until one day, a TikTok joke set things in motion.

“You know what we should do?” Ava said, sitting beside you on the living room floor, phone in hand.

“What?”

“This audio!” She played a popular audio on tiktok about beekeeping age.

You snorted, shaking your head. “Seriously? You wanna do that?”

“Come on, it’ll be hilarious,” she said, nudging you playfully. “Besides, half the world already has a crush on my dad.”

You rolled your eyes. “Fine.”

With a laugh, you both set up the shot. Ava played the part of the daughter, gushing over her dad’s wholesome bee-keeping hobby, while you delivered the punchline.

When you finished recording, Ava burst out laughing. “Oh my God, that was perfect.”

You laughed along, but you couldn’t help but feel the warmth creeping up your face. The joke hit a little too close to home. Ava raised an eyebrow, catching your expression.

“Wait…” she began, eyes twinkling with amusement. “You don’t actually—”

“What? No!” you quickly protested, but she kept laughing.

“Oh, come on. Everyone’s into him! I mean, he’s Hugh Jackman. It’s fine,” she teased.

You flushed but waved it off. She had no idea how much truth there was behind that joke.

A few days later, you found yourself chatting with Hugh after one of his early morning runs. You were both sitting at the kitchen table, drinking coffee in comfortable silence.

“Ava tells me you’re a big F1 fan too.” Hugh said, glancing over with a grin.

“Yeah, I’ve been obsessed for years,” you said, grateful for the change in subject. “I actually studied cinematography partly because I loved the way F1 races are filmed.”

Hugh’s eyes lit up with interest. “No kidding? I didn’t realize that’s what got you into it.”

You nodded, feeling more at ease. “I’ve always loved how dynamic the sport is—the speed, the angles, the tension.”

“Well,” Hugh said, leaning back in his chair, “speaking of F1, Ryan just gave me tickets to the next race with Alpine. I was thinking of taking Ava and… maybe you, if you’re interested?”

Your eyes widened in excitement. “Wait, really? You’re inviting me to watch the race from the garage?”

He chuckled at your reaction. “Absolutely. I wouldn’t ask if I didn’t think you’d enjoy it.”

The race weekend was a dream come true. Standing in the Alpine garage, so close to the action, was something you’d always fantasized about. Hugh was at your side, just as enthusiastic, and you found yourself growing more comfortable around him. As the weekend progressed, your conversations flowed effortlessly—from F1 to films to life, and everything in between.

By the end of the trip, there was an undeniable connection between the two of you. You couldn’t help but feel that spark.

What started as innocent conversations turned into something more over time. Hugh would call or text you when he wasn’t busy, and the two of you found more excuses to spend time together. Coffee runs became long walks, and movie nights became opportunities to hang out alone. It wasn’t long before you realized your feelings for him were deeper than a crush.

The sneaking around was thrilling, but it also felt right. You and Hugh kept things under wraps for a while, not wanting to complicate your friendship with Ava.

One evening, you were relaxing on the couch, scrolling through TikTok when an edit of Hugh popped up on your feed. It was a compilation of his movie moments, and you couldn’t help but smile at how good he looked in each clip. As the video played, you whispered to yourself, “He really is amazing…”

You didn’t notice Hugh walk into the room until he chuckled from behind you. Startled, you looked up, realizing he’d seen the reflection in your glasses.

“Why watch videos when you have the real thing right here?” he teased with a playful smirk.

You blushed, embarrassed. “I—uh, I wasn’t—”

But he just laughed and sat down beside you. “It’s alright. Still nice to know I’ve got some fans out there.”

Eventually, you both knew you couldn’t keep the relationship a secret forever. The guilt was starting to weigh on you, and Ava had always been too important to lie to.

Sitting in the kitchen one afternoon, you glanced at Hugh nervously. “I think it’s time we tell Ava.”

He nodded, though he looked just as apprehensive. “Yeah, I think you’re right.”

You sat down with Ava, your heart pounding in your chest. “Ava, I need to talk to you about something important.”

She looked up from her phone, sensing the seriousness in your tone. “What’s going on?”

You exchanged a quick glance with Hugh before speaking. “I’ve been seeing someone… and it’s your dad.”

Her eyes widened, and the room fell silent. You could see the surprise and confusion on her face as she processed what you had said. The tension in the air was thick as you braced yourself for her reaction.

“This is… really weird,” she finally said, rubbing her forehead, “but I still love you guys. I guess I just wasn’t expecting that.” She looked between the two of you, a small smile forming. “Just treat him well, alright?”

Relief washed over you as the tension melted away. You hadn’t known what to expect, but Ava’s acceptance lifted a weight off your shoulders.

“I promise,” you said with a smile.

Mars speaks... Thank you for reading, any and all feedback is always appreciated 🫶

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 3

Episode 3 picks up the day after the camping trip, and Wilhelm calls his mom to check on her. She dumps a massive guilt trip on him, maybe unintentionally, and Wilhelm is feeling a little bit down.

Culture: These are Swedish studentmössor. They originated in the 1800's among Nordic university students and they wore them as a common marker. Later, they were adopted as graduation caps for high school students, signifying that they were now allowed to begin studying at a university.

Culture: Valborg, April 30th, is a traditional Swedish holiday where you celebrate the coming of spring with bonfires. It is also the start of graduation season for high school students, and graduates are allowed to start wearing their caps.

Cinematography: This season they started writing most on-screen social media commentary in English, despite those users being pretty obviously Swedish. I suspect it's because it saves them having to subtitle all of them, it makes it a bit easier for all the viewers to follow along.

Subtext: No, keeping up appearances is more important than mental health for the royal family, which is why this is new behaviour that Wilhelm has never seen before.

Subtext: As a reminder of the increased interest, here's a paparazzi intruding on school grounds. Also, where the hell is Malin? Isn't it her job to shoo away photographers?

Culture: Vintern Rasat is a classic Swedish song celebrating spring that's often performed by student singers at Valborg.

Subtext: Boris cleverly offers August individual therapy, something he sorely needs.

Subtext: It's of course a bit ironic that pretty much the entire fandom hates August and has decided that he can't be forgiven or redeemed. Yes, you, dear reader. But Boris lays out a way for August to start his redemption arc. Will it work? Tune in for next week's episode!

Culture: These usernames reek of white supremacy. Norse mythology references are very popular, and 88 means H*il H*tler, so that's the kind of people we're dealing with. The show is also foreshadowing what's gonna happen at the end of the episode.

Blink and you miss it: Linda made Pabellón, a Venezuelan dish. In season 1 we didn't know where Linda was from, but in season 2 she was canonically made as being from Venezuela, just like Omar is in real life.

Subtext: I think August actually cares, Kristina is family to him too, but Wilhelm refuses to treat him as family, so he lies about how she's doing. Not very convincingly, though.

Cinematography: This is an absolutely hilarious shot with a bunch of students anxiously peering out through the windows as the dreaded enemy arrives: Skolinspektionen! Dun-dun-dun!

Blink and you miss it: There's a rainbow flag on the board to the left.

Subtext: Vanessa totally knew she interrupted a makeout session between our boys. Oh, and there's a lot of purple in these two scenes, colour theory exploded with joy.

Subtext: Simon will be proven wrong, someone will be honest.

Subtext: It's also ironic that Simon joins the rest of the Forest Ridge boys pretending to have a great meal together that is totally not stiff and awkward at all, absolutely not.

Lost in translation: Simon Walter says that May 1st is a "röd dag" - a red day, which is how Sundays and public holidays are usually marked in a Swedish calendar. "Bank holiday" is the term used in the UK for public holidays. There are 13 public holidays in Sweden each year.

Culture: Första Maj is the name of the International Workers' Day in Sweden, because it always occurs on May 1st. In defence of Henry and Walter's shared braincell, most Swedes actually don't participate, but it's a bit weird to not even know what it is.

Subtext: This entire sequence shows how Felice's dad tried to stick up for himself, but quickly learned to keep his head down instead and conform and roll with it. And it wasn't just the other students who were racists, the staff was in on it too. This goes for all the shit the students are doing, the partying, the booze, the alcohol, the bullying: The staff is in on it. They know. They're complicit.

And despite all of this, Poppe's immediate answer when asked how his time at Hillerska was, is that it was the best time of his life. This is why schools like this stay the way they are, why they never change, because they're very good and very bad at the same time. Trauma-bonding works, the kids will all get friends for life, they'll forget the shit and remember the good times. They'll become like him.

But when Felice learns what the school did to her dad, she decides to help shut it down, to stop the cycle of abuse. The reason she goes in alone is because she now knows she can't trust her dad, he's gonna defend the school, and she also doesn't want him to know that she snitched.

Subtext: In official surveys, students from schools like this generally rate them very highly. Student satisfaction is very high. Maybe they're lying, maybe they're delusional, but they sure care more about their schools than public school students.

Blink and you miss it: REAL SUBTLE THERE, SHOW.

Subtext: Keeping with the school theme, this is how students defend the shit that goes on. Outsiders are kept in the dark, you don't tell them anything, because they "wouldn't understand", they're missing the "full context", etc. Oh, I don't know shit about fashion, but Fredrika's jacket smells very expensive.

Blink and you miss it: While Wilhelm pinned a polaroid of himself and Simon prominently on his wall, August keeps a similar polaroid of himself and Sara hidden.

Subtext: Micke's redemption arc is in full swing, so why not play a song that reinforces the idea that people can change?

Subtext: August's redemption arc is in full swing, so let's cut to him nervously waiting outside Micke's place for Sara to come home, while the same song is playing. Is he gonna be a villain forever?

Blink and you miss it: Micke introduces himself as Micke af Eriksson when August introduces himself as August Horn af Årnäs. The English subtitles for some weird reason went with "Micke Eriksson of Bjärstad", but that's actually not what he says.

Subtext: Sara is pretty realistic about her expectations of her dad because she's seen this before, but this also applies to her expectations of August, because she knows that he can also slide back into his normal shitty self. Also, she's wearing a purple sweater.

Subtext: In case you forgot, August's dad also struggled with addiction, and died from it, so he and Sara actually has that in common. Maybe there's hope for this redemption arc thing?

Cinematography: I don't fucking know why they included this baking scene. It serves no purpose, and I suspect quite a few people in the production have a serious hand fetish, because what is this? What is this? Also, why are Simon and Wilhelm joining what appears to be a Manor House thing with the rest of the girls? How? Why? This makes no sense! It's very cute, though!

Subtext: Oh ok, we got a social media pic that Sara could see and feel bad for her lost friendships. But man, those Hillerska aprons! On point!

Subtext: This is unfortunately a very common thing for people on any kind of psychoactive medication. How can you tell if you need medication if you feel good right now? Is it lasting or temporary? Can you trust your own brain? Either way, fantastic conversation between Micke and Sara, which starts her on her journey to reconcile with Felice at least.

🎵 I can change, I'm not the same, not forever. 🎵

Culture: The official hat-on-putting ceremony where all the third-year students put on their hats, set to another traditional Swedish spring celebration song: Vårvindar Friska.

Culture: It's Valborg, so Hillerska has their own little bonfire. We saw some students with torches pretending to light it, but it's actually floating in the middle of the fountain so, uh, how did they do that? Normally, your local bonfire or Majbrasa is just a huge heap of wood that you set on fire.

Cinematography: Man, this is a pretty show. Look at that shot. The fire, the sunset, the pool reflection. The end of April is over a month after the spring equinox, so the days are getting longer, and the sun now sets at about half past nine in the evenings.

Subtext: Ok, let's do one more on-the-nose lyrics thing for when August sees Sara back at school. Yes, yes, he needs her.

Culture: I had to post about it immediately after watching the episode, because setting a sex scene to Uti Vår Hage is hilarious. Everyone in Sweden knows it, most people have sung it at school, it's a cute little song about enjoying your garden, flowers, and giving your loved one a wreath of flowers. I can now never hear this song without thinking about this scene. Thanks a lot, show.

Blink and you miss it: Simon fucks Wilhelm. Yay! Versatile supremacy!

Subtext: Sara is still so suspicious of her dad's behaviour, she can't make herself trust that his current good period will last.

Subtext: Even though this dialogue is about how Simon and Sara are so different, it of course also applies to how Wilhelm and Erik were different, because Wilhelm struggles with not being able to handle his duty the same way Erik could.

Culture: Alright, it's time for the actual local Första Maj event in Bjärstad. The town is probably a bit small to have a proper demonstration parade, but there's people with banners and socialist slogans, and a bunch of local organisations have joined in, including Bjärstad BK, the football club Rosh plays in.

Culture: Meanwhile, the absolutely not socialist rich kids at Hillerska are nursing their hangovers and enjoying the day off, and they're doing some yoga and playing some padel instead. As you do.

Subtext: Drugs. He looks like he's selling drugs.

Culture: These apparently confused a bunch of viewers, but they're just raffle tickets. It's one hundred numbered, rolled up, paper tickets stuck on a metal ring. When you buy a ticket you just tear it off at the perforation, and when all tickets are sold you can just break the seal on the ring and pour all the stubs in a bag or whatever so you can draw winners.

Blink and you miss it: Cute kiddo has a pride pin on his jacket.

Lost in translation: The show waited a bit with showing what it says on the banner behind them in the photo, but if you can read Swedish you immediately saw that it says KROSSA ÖVERKLASSEN - CRUSH THE UPPER CLASSES. Oh no, Simon, what have you done?

Blink and you miss it: Like a pack of rabid wolves, the social-media starved Gen Z kids rush to their phones for an hour of glorious feeding on Instagram and TikTok.

Blink and you miss it: I love Vincent so much, he's terrible, but he's just so much fun! The little fist he makes as he says "kampen" just seals it.

Subtext: The show still hasn't revealed the banner text to the non-Swedish audience, but Wilhelm immediately sees it and knows how bad it is and why Farima tried calling him seven times. Also, Vincent is just on a roll here.

Cinematography: Man, this is a pretty show. Look at that shot. Look at how they perfectly aligned the hole in the window with Simon, the police car, and the entrance to their house, as he discovers that someone decided to vandalize it.

[randomness-is-my-order]

the pjo show’s cinematography is so warm and homey and clever and detail-oriented so i wanna compile a few of my favourite still shots because why not??

^this one had me smiling so hard, not because it’s a particularly beautiful shot but the framing of the three is so well done. the focus is on sally who is talking to grover (both prominently in the front of the shot) while percy – who isn’t a part of the conversation but a listener of it – is still properly visible through the glass of the door and like??? i just think it’s a super cool way of having a passive character in the shot that i haven’t ever seen before, in a way that percy is both highlighted and still so clearly in the background that it doesn’t take away from the focus characters. also percy’s sweater matching the colours on the door is the cherry on top!!

^next is this one. it’s so perfectly angsty and though not complete, the symmetry is still eye-catching. it encapsulates the feeling percy must experience in that moment–him, amidst destruction, knowing he’s the cause but not knowing how or why. he looks all of twelve with his haphazard hoodie and almost forlorn look. he is not gloating, he is not cheerful. though he doesn’t know the gravity of his parentage, it’s almost like the show is telling us that his powers–which cause the door to break, too btw–will always be a source of isolation for percy. he is a force of nature, a destructive one most of the time, and the fact that he is just a child who is confused will never matter because this world doesn’t care for childhood but godhood alone.

idk, this shot just evokes a very unsettling kind of sadness for me. i think it’s beautifully framed.

^i absolutely love this one simply for the fact that the sheer struggle of the fight is so prominently visible. and yes, i cheated, this isn’t exactly a still shot but like an action sequence screenshot but whatever, it’s too good to not mention it here. the way percy is, honest to gods, bracing against the spear for his dear life, the evident and overwhelming rage on clarisse’s face, the blocking of the scene – it’s perfect. clarisse is not playing and percy is genuinely in danger and i love how this shot and the whole scene really sold us on that fact.

^ i just think it’s extremely cool that we can see the minotaur howling in pain, percy having his mouth wide open as if he’s letting out a yell as he goes to plunge the horn and that as percy does this act–killing the minotaur–which is surefire source of safeguarding himself and grover, something that will get him to camp, we can see thalia’s tree in the background. there is no reason percy had to make the kill here, with the chaos of the fight, so the fact that this is the spot and this is the shot as he kills the minotaur makes me think it’s deliberate. having thalia in the background is so impactful because again, percy could have met a similar fate in some other alternate universe but here, he wins and he survives.

^ do i even need to explain??? the shot is pretty and beautiful and almost magical. percy, alone with a tin of fire, burning blue food and talking to his mother. maybe one thing i can point out is that the sally-percy bond has been heavily indicated through glowing lights since the start. if you recall, the “you are not broken” speech by sally was given in front of the warm, glowing headlights of the car and percy’s face was illuminated by that warmth just the same way it is illuminated by the tin-fire in the forest.

^ first, this is too fucking gorgeous. second, percy is wearing his red jacket again and this dream happened after he reached camp so in my opinion, this dream was initially a comfortable imagining of percy’s mind and was then hijacked by kronos but i could be wrong since i don’t clearly remember how they manifested in the books originally. nevertheless, it’s a great detail to have him wear the red jacket because even if he may not have it with him anymore, it’s still clearly something he holds dear – and might associate sally’s memories with.

also, the fact that percy seems to have alot of scenes with fire might be because as someone who can control water, fire can never truly be a source of danger for him and therefore, he can find comfort in its warmth unhindered, always?

^ how could i not love this epic moment? the trident is perfect, big and blue and grand and majestic. half the screen is water, obviously. but what makes this good shot a great one is that there is literally no one else directly near percy except annabeth. the campers are all far away and in this shot itself only annabeth remains close to percy, though she is fittingly on the land, observing the scene before her. remember how i said percy’s legacy promises isolation but this shot tells me that despite that, percy will have someone who he can count on to be by his side (also cool that even in the bathroom, annabeth was technically still near him, even if she was, well, stalking him) and maybe this is my delusional ass talking, but annabeth being here is foreshadowing for me. i just think it’s a choice to have this epic revelation where they could easily have had percy standing alone in the middle of the lake but no, annabeth is also there and not only because she’s the one who led to that revelation but because she’s someone who isn’t intimidated by percy’s parentage and still can be beside him.

^ i adore this shot because 1) it shows us just how young and tiny percy is and 2) it tells us that maybe that door is so fucking huge because it’s being inclusive of centaurs and other giants of their world. also, symmetry strikes again!!! the colours are so well balanced, not bright and vibrant but on the pastel side that indicates an aged feel to them.

and lastly,

^ i just find it funny that a private academy like yancy has an official vehicle that looks as beat up and terribly malfunctioning as this. 😭 like this half van was so out of place i literally goggled at the screen when it first appeared.

okay, i’m done for now. i also really liked the faceless sally scene in the start paralleling medusa’s eventual beheading but i already made a post about it. this legitmately only covers about 10% of the shots i wanted to talk about but these might be my favourites. this was long af so if you read the whole thing, mad respect to you.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 成化十四年/The Sleuth of the Ming Dynasty

(The) Sleuth of (the) Ming Dynasty (it's hard to get an agreement on how many definite articles should go where) is a beautiful, high-budget 2020 drama about a weenie genius detective, his long-suffering and deeply traumatized sugar daddy, and the eunuch with the most difficult job in the Great Ming: keeping these two dumbasses from getting their fool selves imperially executed.

Depending on how you like it, it's either an OT3 or an OTP with an intense, underage third wheel, and either way, it's delightful. I wouldn't call it a comedy, but it has very many funny elements that keep the drama fun and engaging. The first half is full of shorter mysteries that are clever and thoughtfully plotted, and the second half goes in on the longer mystery that ties them all together.

I've already done my quick guide to the early-episode characters, if you want a taste of just how many people are running around and how wonderful they all are. But in case you want to know a little bit more before you commit yourself to a 48-episode series, here's five reasons I think you should watch it!

1. The whole thing smacks of gender

Yeah, this was originally going to be selling point #2, but I know what the people want.

This is not a show about gender. But boy it is a show that has a lot to say about gender, and not just by way of critiquing premodern Chinese gender roles (though it does do that!). Many of the cis characters are either a) somewhat gender nonconforming, b) canny enough to weaponize binary gender expectations, or c) both. Sui Zhou's entire third-act storyline is about how expectations of masculinity exacerbate PTSD in veterans. Three different AFAB characters either dress or live as men. The part where one of the male characters goes undercover in drag is played for laughs, but the joke isn't 'ha ha, a boy in a dress,' it's 'ha ha, this particular boy in a particular dress, and also he's terrible at it.'

And that's even before we get to the eunuchs.

There are several professionally dickless, permanently unmanned characters running around. One-third of the OT3 canonically had his external genitalia nonconsensually removed when he was five years old, and because of this, he has been given unimaginable authority. He's basically the second most powerful man in the entire empire, and he only gets that way by being unquestionably, ostentatiously, and genuinely submissive to the first most powerful man.

I have seen other Chinese media where eunuchs are treated like sinister clowns, good only to be the bad guys and the butts of jokes. Sleuth's main eunuchs are real and complex characters, and because of this, the show gets to explore what it is to live in this weird third-gender category of incredible power and powerlessness.

Now, don't go into this expecting woke gender treatises. Wang Zhi's never going to sit down and go, "You know, my friend and fellow eunuch Ding Rong, because of my lack of a penis, I understand my relationship to masculinity differently than other men do." But the show understands that even if he doesn't say it, it's true. And that makes a lot of the characters and their relationships just so much more interesting.

2. Uncle Jackie Money

Sleuth was the was the fourth c-drama I dove into, following the Untamed, Word of Honor, and Guardian -- or, Some Money BL, Less Money BL, and No Money BL. So imagine my absolute wall-eyed shock to find this was All The Money BL, courtesy of its executive producer, Jackie Chan (seen here with some of his handsome boys):

Sleuth looks good. The costumes are amazing. The sets are stunning. The cinematography is beautiful. Everything is so detailed, and while I can't speak to the absolute historical accuracy of all those details (see point 3), they're still gorgeous. In fact, you know what? I'm going to shut up and show you some of the promotional images.

(For actual screenshots, I'm just going to point you at @rongzhi's tsomd photoset tag, as they have done a tremendous service to the fan community -- though do beware of spoilers.)

Uncle Jackie's influence doesn't end with the money, though. Even though things get a bit goofy and wirework-y near the end, most of the drama's fights are shows of real martial arts skill. You can see his fingerprints on a lot of the choreography -- I'm thinking particularly of the time Tang Fan tries (and fails!) to stab Sui Zhou three times, which is pure Jackie Chan high-speed dexterity.

Add this one to the category of shows your Average American Television Enjoyer Who Can Handle Subtitles would like. In fact, I have shown the first episode to my normie father-in-law, who was impressed. Show it to your dad! See if he picks up on the gay!

3. I am from ... HISTORY!

The Chinese title translates to "The 14th Year of Chenghua," which works out to the year 1478. There are some clear anachronisms, but they tend to be played for comedy, so it's hard to hold that against them. On the whole, though, the show is trying real hard to evoke a very specific moment, and I feel it does so beautifully.

This does, however, mean that several of the characters are real people. I don't even have a good sense of how many of them are based on historical figures, that's how many. Hilariously, Wang Zhi's tag on AO3 used to read "Wang Zhi (?-1487 CE)."

Moreover, these are characters I've seen pop up in other media, played very differently! In particular, Noble Consort (up there in blue) tends to be written as an uncomplicated villain elsewhere, whereas Sleuth gives her a chance to add some goodness to her badness, until, damn, you can't but root for the bitch. (It also downplays the cradle-robbing, which, honestly, is for the best.)

You may have guessed from the eunuch section earlier, but it bears repeating: Wang Zhi is straight-up the best character in the show. He's smart as hell, and he has to be, because the second he's stupid, he's dead. I actually consider it helpful to know ahead of time that he's never going to do a heel turn -- I feel like on my first watchthrough, I was holding my breath for the first two-thirds of the show, waiting for his sudden but inevitable betrayal. It does not come. Wang Zhi is one of the heroes.

He's also, like, evil. He orders people flogged, tortured, and executed. The very first thing you see him doing is sinister as hell. And the show clearly doesn't think this is good, but it also doesn't judge him for it. He's a traumatized seventeen-year-old who has not had a normal moment of his entire life. He's working thanklessly for a boss who could kill him on a whim -- and he's doing it because he literally, physically was made for his job. He's mildly freaking out because he has no emotional grounding to help him understand that these weirdos want to be his friends.

Was the real Wang Zhi like this? That's beside the point. The point is, you get to see how someone in that position could wind up as the war-crimes-committing platonic ideal of a little meow meow.

4. oh my god the food

Warning: This show will make you hungry.

Again, beware of spoilers, but @peppersandcreamsicle and @qinzai have put together an entire cook-along Google Doc so you don't just have to drool -- you can do something about it! Or you can just read it and learn about Chinese cuisine, which is a little more my speed.

But it's not just about how good the food looks. Food is a vital emotional part of the series. People bond over it. They make and share it as a sign of love and care. It indicates status, ethnicity, interest, personality. The show's message about the healing power of cooking for the people you love will bring you to tears.

And yes, Sui Zhou is the main one doing the cooking, so get ready to drool over both the dishes and the handsome man preparing them.

Oh, and as though that weren't enough, Fu Meng Po can actually cook in real life. He's so dreamy. Absolute unreal handsome man with a devastatingly sexy voice. (I know my opinion might be different if I could hear his Taiwanese accent, but I can't so it's not!)

5. An Unsunk Ship

So like I said, my intros to c-drama couples had been WangXian, WenZhou, and WeiLan. That meant I'd basically come to terms with the idea that you can't have a main couple in a BL-but-not-really drama without splitting them up at least a little in the end, for no-homo plausible deniability reasons.

Tang Fan and Sui Zhou are still definitvely, unequivocally together when the story ends, as the iconic pentultimate scene of the series confirms with beauty and simplicity. I refuse to give any more details than that, but that ship's afloat.

(These shirtless pictures aren't from the end, but I wanted to include them, and I didn't have a better place to do it. ...Also, you know, ships and water? Yeah?)

And I think their winding up together reflects Sleuth's entire attitude. Tang Fan is made of sunshine, and the series loves him for it. There is tragedy aplenty in this show, but there's no misery. It is ultimately a hopeful show that believes in the power of second chances, if you're willing to take them. Time and again, the moral of the story is that you are only ever as good as the people who have your back -- but you have to be willing to let them have your back. Let people help you. Let people cook for you. Let people give you a reason to keep living. And then keep living.

Also, Sui Zhou gets two good kabedons off on that little twink, which means they're legally married now. I don't make the rules.

Bonus: Banger opening theme

This is one you will watch all 48 times.

Bonus #2: The Halo Video

This is the video that made me go, huh, these Sleuth boys seem like other boys I've enjoyed! Perhaps I shall enjoy them as well! And then I did. So if that might be convincing to you too, well, have at it. Even if it isn't, it's a fascinating three-minute study of shared those-boys-are-in-love visual language across these shows.

Fair warning that it contains shots from right up to the end, so if you'd rather go in completely blank, give this one a pass until later. (Excuse me while I now go watch it for the 10000th time.)

Have I convinced you to watch it yet?

It originally ran on iQiyi, though Viki's got it as well, and Viki's is free if you're willing to put up with some ads about it.

...I just noticed iQiyi's description of the series reads, "When the two handsome leading actors Darren Wang and Fu Meng-Po work together, what will happen? A lovely prefectural judge and an arrogant embroiered [sic] uniform guard join hands to crack unusual cases! Are you going to choose a new idol?" And you know what? Yes. The details are a little off, but that is the correct spirit. Thank you, thirsty blurb.

[cellarspider]

The Prometheus rant, Part 0/30

⛬ | (Index) | (Next)

I have promised a dissection of the movie Prometheus. It begins.

So, to summarize, and give you a taste of what we're in for. 

I am a geneticist with a background in history, including some undergraduate archaeological field work. I'm deeply interested in linguistics as a hobby. Prometheus manages to be stupid in every one of these fields.

But I absolutely love H.R. Giger aesthetic, the cinematography is beautiful, and whoever did the editing was absolutely solid because the movie consistently cuts slow scenes at moments when the cuts feel just slightly jarring. It’s a very subtle way to maintain tension.

The soundtrack holds the intended tone well, the practical effects are numerous and impressive, and even though their story completely undermines it, they got an actual academic linguist to work with them on the language stuff: the guy actually has a speaking role in the film, as a virtual tutor of a reconstructed language he taught to one of the actors.

And on top of all that, there's at least one scene in the movie which is just unbelievably tense and well-executed body horror. It’s the scene everybody mentions as a highlight when they talk about the movie. So, it's a successful movie in so many ways.

But.

The writing does not back this up. There are stretches that are fine, even elevated by some of the performances. But you can feel the movie shift any time a scene has plot relevance, or a character is supposed to do their job. 

Unlike Alien, where the main cast making dumb decisions is believable because they're a bunch of space cargo haulers and maintenance people who are not supposed to have any relevant expertise for the situation they find themselves in, Prometheus' characters are supposed to be scientists, doctors, and the best a trillionaire could buy for a mission that he expected would

make first contact between technologically modern humans and a race of aliens that had visited Earth thousands of years ago

convince said aliens to give him the secret to eternal youth, because he's an old rich asshole

so when things start going wrong, I felt less like "oh no these poor bastards don't know what the fuck they're getting into" and more like "THAT'S WHAT YOU GET FOR CONTAMINATING AN ALIEN ARCHAEOLOGICAL SITE YOU BASTARDS"

this approximately culminates in a scene where the last surviving alien on the planet is woken from two thousand years of emergency stasis, gets talked at in something very much like Proto-Indo-European by Michael Fassbender at the behest of the old rich asshole, while a woman screams in English in the background. The alien proceeds to rip Fassbender's head off and beats the old man to death with it, which is just the funniest goddamn thing

That’s the TL;DR. Yes, really.

The actual rant will start next time.  Well. Part One of the rant. This is going to be a multi-parter, because I want anyone who follows me on this journey to understand how the movie builds up into such a mess, and get some actual science out of this.

⛬ | (Index) | (Next)

[connabeth]

The first two episodes were wonderful and I really enjoyed the imagery and cinematography along with how every actor embodied the character but here are things I will complain about because I can:

1. I don’t want to see R*ck in it, why did they have to show his face…

2. Sally Jackson still just seems like a Random White Woman™️ to me. The acting was good but something just isn’t clicking for me. Also…the way she was a hardass on grover…i did not like it.

3. WHY WAS THERE BARELY ANY ANNABETH?? my girl is the star of the show!!! she’s supposed to be the one to show percy around camp and have that funny banter where he asks her questions and she answers all of them without answering at all, leaving him more confused than he was before. that was the best part of the intro chapters imo. WHY DID CH*RON TAKE HER PLACE???

3a. the full shot of a little percy standing next to chiron’s absolute wagon while walking into the hermes cabin still absolutely sends me 😭😭. it ALMOST makes up for a lack of annabeth

4. why was annabeth just hovering there in the infirmary and not nursing him like she did in the book😭 they rly made her stalk him instead of just being the person who introduced him to everything. in the book, he was already taking mythology lessons with annabeth by the time the quest came around. she didn’t feel quite as integrated into the narrative as she should’ve been. i did love how blunt she was though. she’s many things, but apparently a liar isn’t one of them.

5. clarisse didn’t call him prissy

6. why was smelly gabe so…sanitized. he’s a loser who doesn’t treat them well but his depiction also doesn’t live up to the abusive pos he really is. the interactions with him didn’t have the same gravity as they did in the books, they just seemed too lighthearted…he also should’ve looked greasier. i know abuse comes in many forms and doesn’t always reveal itself right away but he was a lot more of a pushover than i would expect him to be if sally stood up for herself

7. the plot about the hellhound that sets up luke as the traitor…simply vanishing. annabeth shoving percy’s ass into the water to figure out he can heal was funny though. would’ve been cooler if it healed a giant hellhound claw mark rather than a nick

8. percy doing some half-assed flossing on a rock alone while waiting to be maimed during capture the flag, not knowing who his dad is or if he’ll ever get his mom back is so fucking funny in the most miserably way but also…why is he a fortnite kid, this is supposed to be 2006 😭. the implication that annabeth is standing there silently watching him almost makes up for it. i can’t imagine what was going through her mind…like girl that’s your future husband good luck

[burst-of-iridescent]

atla live action thoughts: season one review

first things first: anyone who says the Movie That Does Not Exist is better than the live action is straight-up lying. the shymalan film fails on the criteria of even being a decent movie, let alone an adaptation. the netflix series, for all its problems, is at least an enjoyable watch with great effects, music and (mostly) appropriate casting. there's absolutely nothing to compare here - the netflix version clears easily.

now that we've gotten that out of the way, let's delve into the series, starting with the positives.

the good:

visuals and cinematography. they really did a great job of making it feel like a fantasy universe you wanted to be in & i love how vibrant the saturation and colour grading was. it made the world feel so much more dynamic and alive instead of the same flat, boring dullness that so many movies and shows have these days. sometimes i didn't even mind that i was being fed obvious exposition because at least they were giving me something pretty to look at lmao

effects and action. the bending was surprisingly good for the most part, and they did a good job of making the elements feel unique through the stunt choreography and the actors' movements. i'm immensely thankful they didn't try to skimp on budget by merely cutting away from fight scenes or showing us as little as possible. almost all the action sequences were fast-paced and engaging, and i was never bored watching them

acting. the main four were all great, but gordon cormier and dallas liu have to be the standouts for me. gordon brings such an earnest, innocent sweetness to aang that you can't help but like him, and dallas plays all of zuko's facets perfectly: the angst, the explosive anger, the bratty snark, and especially the deep-rooted pain that characterizes so many of zuko's actions in book 1. the range he has, especially when flashing from younger to older zuko, was insane. special shoutout to maria zhang and sebastian amoruso as suki and jet respectively, because they killed it

music. leaves from the vine instrumental had me tearbending and i love how they kept the iconic avatar theme while making it a little darker for this iteration of the story. in general, the soundtrack felt very true to the animation while still being a fresh spin on it

zuko and iroh's relationship and expanding on zuko's crew. i think the fandom universally agrees that lu ten's funeral and zuko's crew being the 41st division were the best changes in the series, so i'm not going to talk about it further other than to say that these scenes show me what the show can be, and that's why i'm not giving up on it

the bad:

characterization. almost all the main characters are missing the little nuances that made them so great in the original, but the greatest casualty is katara. i hate that they took away so much of her rage, and gave many of her traits and struggles to sokka. i don't think this is a problem solely with the writing though, because certain lines do feel like things animated katara would say, but the directing and line delivery don't have the same punch that made her so fierce in the original. this is an easily fixed issue though, so i hope they take the criticism and let my girl be angry and fuck shit up next season

exposition. this was primarily a problem in depicting aang's personality and the relationship between the gaang, because a) why are you TELLING me that aang is mischievous and fun-loving instead of just showing me and b) the gaang do NOT feel like close friends, mostly because they spend so much time apart in every episode that they have little screentime to actually bond and develop intimacy.

lack of focus on the intricacies of bending. for a show whose tagline is "master your element" the characters spend very little time actually... mastering their element. zuko is never shown to struggle with firebending (which is going to have ramifications when it comes to developing his relationship with azula), and neither aang nor katara ever learn waterbending from a master throughout the the entire show. i'm pretty sure aang never willingly waterbends ONCE in the entire eight episodes, discounting the avatar state and koizilla. bending isn't just cool martial arts, it's closely linked to the philosophies and spirituality of each nation, and i wish that had been explored more.

pacing. they really needed to do a better job of conveying that time passed between episodes because an 8-episode season is just going to FEEL shorter than a 20-episode one. the original animation felt as though they'd truly been on a long journey before arriving at the north, but here it feels like the entire show happened in the span of a fortnight or so because each episode seemed to pick up right after the previous. they needed to have more downtime within episodes instead of just rushing from plot beat to plot beat because it made everything feel a lot more rushed. give the characters and story time to breathe.

final rating: 7/10.

overall, i would describe the live action as a better version of the percy jackson movies - not an accurate or perfect adaptation, but a decent story that's very fun to watch. but what really makes me root for this show to get a season 2 is that it has a lot of potential and more importantly, a lot of heart. it's evident that the people who worked on it do genuinely love and respect the original series, and it shows onscreen.

regardless of anything else, this show created opportunities for so many asian and indigenous actors, writers and creators to tell the kinds of stories and play the kinds of roles they don't usually get, and that's something worth supporting. if they take the criticism from this season and improve, i believe they really do have something special on their hands which - although it might not be the original we all know and love - could still be a story to be proud of.

[therabbitthatpostthings]

Okay let’s talk about Murder Drones Finale 😭😭😭

SPOILERS FOR EP 8! ALL OF IT. MURDER DRONES SPOILERS HERE

First off that opening was so cool. Brayden's still on fucking fire, the teacher is so over it. I love it.

Nuzi being Cringe!

THEY ARE SO FUCKING CRINGE YOUR HONOR I LOVE THEM! Uzi asked are they dating and he says "That was the plan!" I LOVE THEMMMMM OMGGGG! I can't get a good screenshot of it but they do wrap they tails together during the fall.

The Animation

I just- it's so fucking good. The red lights as the planet is destroyed. The way that the purple light of Uzi's Null reflects on Cyn's robotic and flesh parts. This is an episode you gotta watch frame by frame. I'm just gonna lump cinematography and shot choices in here too. Like the only way for everyone to truly understand what I'm talking about I NEED YOU TO WATCH THE EPISODE! Like it's well known that every episode is a reference to a horror movie, the Prom is Carrie, Cabin Fever is Friday the 13th, etc. I feel like we don't appreciate how scary this show actually is. The way shots are laid out and scenes are paced give off such unease. It's great I love it. I'm sorry but Uzi trying to put her own heart back in her chest AND save N who is being disemboweled is INSANE WORK. AND THE HANDS! THE HANDS!

AND THE EXPRESSIONS! YALL- FUCK- getting across so much emotion with robot characters is always my favorite thing to see.

And of course! Uzi, N, and V vs Cyn and J. I- it's just- y'all go watch this fight pls. This shot is so fucking beautiful...

J vs V

So J knew the whole time. Big Yikes. ALSO MY PRINCESS BABY GIRL IS ALIVE! God on J for living past the end credits but WOW- for Cyn to trick her... I wonder how much of that she really thought was Tessa.

Khan, Lizzy and Thad

I love this shot of Khan so much.

I still believe that the "secret friend" was Khan and/or Nori just because there is no reason for Lizzy to not tell Thad (also V texted her AFTER the planet exploded to let her know she's alive which she wouldn't need to do if she still thought Tessa was Tessa). It would be funny if it was all three. Nori was gonna get the cross to the surface and give it Lizzy to get to Khan. Khan asked Lizzy to find the hideout since she was hanging out with V in between Ep2 and 3 and then V texted her after the planet exploded to stall J. Honestly love that for Lizzy did the most and cared the least. Side note, the way Lizzy is so unbothered in the fight confirms to me that she is the homeroom teacher's daughter.

But yeah! I'm glad these three made it to the end and they didn't do the thing where Lizzy and Uzi become besties. I like Lizzy as V's friend more. Love love LOVE- Khan looking at Nori's core and saying "Kinda hot..?" Nice to know that the Doorman women have a type. And Thad. Sweet little prince Thad. Just a good dude.

Cyn (this whole part is rambly)

I've been very specific about referring to Absolute Solver as Cyn. I usually write "Absolute Solver/Cyn" when reffering to them. Cyn is dead though. Uzi burned up her core and ate the [null]. So for brevity, I'm just gonna call it/them Cyn.

Speaking of Cyn. I love Cyn. I don't think I talk about how much I love Cyn. I can't talk about Cyn without talking about her relationship to N, V, and J. N, V, Nori and Uzi all refer to Cyn as her. J refers to Cyn as it. Cause that's all it really is. Cyn was the host- someone who is long gone. Even when Uzi was taken over V was angry at Cyn: "Same horrors, huh Cyn?"

J on the other hands says: "It tricked me too." She's knows what the Solver is and sees it for what it is, a virus. We've seen from the memories that N and V (especially N) were a lot closer to Cyn than J who sided with Tessa and the Elliots. This distinction of calling Cyn shows that N and V can't or won't distinguish the two. This is someone they grew up and lived with. N is hesitant and scared cause that's who little sister vs V who is angry cause this is the creature that replaced Cyn. Remember V says "We do our job, and that thing leaves us alone." As far as V is concerned Cyn was always like this and she just wants to save her team, especially N. (As far as Uzi and Nori go, they've never known the Solver by any other name except Cyn so no need to change it. Absolute Solver is a mouthful compared to Cyn). My point it, it hurts seeing the person you love become a monster and even more to know that Cyn 1001 was never there. The only time we saw her was as that little scared Robot in the pile. They never really knew her and maybe there's hope that Cyn, their Cyn, is in there but she isn't. She never was, it's always been the Solver.

And because I have to mention it. In N's flashbacks after Cyn caves his chest open we see flashes of this happening at the mansion and V's body on the floor. Which was expected, we know Cyn made them but what I'm thinking is, Cyn DEFINITELY used N to kill Tessa.

ANYWAY- now I get to talk about how much I love this fucking little freak. She is so CREEPY! I love everything about Cyn. I love how she moves- how her movements are so creepy and fluid. Like all the animation is fluid but she moves extra-fluid. It's creepy she's creepy I love her! I love how much personality she has, they totally could have went the soulless machine route but no, just like the Worker Drones she HAS personality! She sadistic, malicious, and manipulative. Genuinely there is so much wrong with her. Like there is so much about her to talk about that I can't even explain in words. Better to assimilate than explain tbh. Like she shows genuine interest in the Murder Drones. She kept their personalities in tact because of N, even knowing that V and J would be liabilities. She even told Tessa as long as she didn't get in her way, Tessa would be unharmed. She could've easily killed the banquet without all the flair but she was angry at the Elliot family for threatening her, N and the rest of the Drones. The singularity is the point where technology reaches when we, humans, can no longer control it. It is indistinguishable from our concept of humanity. I'm not gonna get all philosophical and ponder the legitimacy of the Drones AI, I think the show does that well enough. They have thoughts and feelings, they are alive, plain and simple. This story is not new btw, robots living in the remains of human society and having their own personalities and living as an extent of humanity has been done before. The examples I can think of are Wall-E, Stray and I Have No Mouth... works too (kinda). Basically, Cyn as the antagonist have her own personality that goes beyond the mindless machine route is so fucking cool and I love it. I love has antagonistic she is to everyone, even people she likes. It's not like she doesn't understand empathy, she just doesn't care. "Your copies will forgive me." And again! The is not new, this is not a new character type, I'm sure but it's done well here. She is amazing and I love everything about her. Cyn you are freaking crazy baby girl and I love you.

The Ending

She a damaged OC now, what else is there to say?

[becauseimanicequeen]

My Pride Month Watch List

In celebration of Pride Month, I've decided to watch some (or a lot) of the stuff I've been meaning to watch and want to watch. My list will include current watches, what I want to rewatch, and things I want to watch for the first time.

Here are all the things I will watch this beautiful month of June (in alphabetical order because, yes, I'm that person):

Current Shows

These are shows I’m currently watching and the ones I know I am starting this month.

At 25:00, in Akasaka (Japan)

This is nearing its end. I've enjoyed it so far (despite the dead fish kisses). Not one of my favorites, but definitely enjoyable.

Blue Boys Part 2 (Korea)

Part 1 was so good in terms of the chemistry and overall vibe that I'm excited to see part 2 (which is set to be released sometime this month).

My Stand-In (Thailand)

One of my favorite current shows. A naive (but slowly growing) main character, a scum male lead (whom I absolutely love), beautiful cinematography, grief is present (and I love that shit because it's like therapy for me), angst, supernatural elements, etc. It also has Up Poompat and Poom Phuripan in the main roles. I just love it.

Knock Knock, Boys! (Thailand)

This show started this week with the first two episodes, and it exceeded my expectations. I went into this series wanting to watch it for Seng (who is an amazing actor) and Best (who has something I can't quite put my finger on that pulls me in every time I see him). So far, after only two episodes, I already love it for the chaos (and I’m sure more chaos will come). Also, it includes a loud and proud pansexual character! I love both him and the representation.

Love Sea (Thailand)

It's about a writer (which means I have to watch it) and about the sea (which I love). And not just the sea, but diving as well (I love that even more). I'm starting this as soon as it premiers on the 9th.

My Marvellous Dream is You (Thailand)

I haven’t started this yet because I wanted some episodes to be out before I dove in. But I really like the gifs I’ve seen so far and will definitely dive into this series this month.

OMG! Vampire (Thailand)

This is the 3rd(?) series I'm watching with Frank and Long but I'm having a hard time getting into it. It started with a bang with Frank and Big kissing (dead fish kisses are clearly banned here, and I love it!) and then a bite (which is one of my kinks, lol). But, then... I'm hoping it picks up again soon because it has the potential to entertain me.

Only Boo! (Thailand)

Definitely not my cup of tea. This is way too cute for me. But, since it's about artists, three boys who want to become dancers/performers/idols, I have to watch it. The acting is great, though. I'm really impressed with these kids.

The Rebound (Thailand)

It's Meen. That's it. That's the reason. It's set to start on the 26th.

Sunset X Vibes (Thailand)

I need more Mos and Bank on my screen. That's it. That's the reason I'm watching this. Honestly, I don't know that much about this series, and want to go in blind. I know they'll deliver on the chemistry, and that's more than I can ask for. I'll be watching this as soon as it premiers on the 15th.

The Two of Us (Thailand)

This is the Freya and Meji spinoff from Deep Night and I can't wait to watch these mature sapphic women being domestic. The first episode came out on Thursday, but I'm watching it today.

Wandee Goodday (Thailand)

Another one of my favorite current shows. This is everything I want in a light, funny, super horny show and I love it so much. Yak is one of my all-time favorite GMMTV characters, and I love how this show has paired two buff eye candies together in Inn and Great. (I can't remember if I've seen this dynamic since Max and Tul, but my memory is fucked so I might've forgotten the others...) I just love everything about this show and the chemistry between Yak and Dee. It also includes an ace character, whom I hope I get to see more of in coming episodes. And it includes a lot of neon lights (and I'm a slut for that).

We Are (Thailand)

I'm watching this for the artists that are in the series (and since I'm an artist, it's my duty, lol). I also love Tan and Fang as well as Q and Toey (which are currently the two couples that are keeping me hooked).

Rewatches

These are, just as the headline states, stuff I want to watch again.

I Told Sunset About You + I Promised You the Moon (Thailand)

I want to be blessed with this cinematography and the amazing chemistry between Billikin and PP Krit.

Secret Crush on You (Thailand)

I just love the friend group in this show so much that I want to rewatch it again. Also, it has neon lights (and I'm a slut for that). And Looknam. Do I need to say more? I think not!

Step by Step (Thailand)

This series isn't necessarily that great, but I want need more Up on my screen. Also, Man is such a huge man (and Scandi), and that's a big plus (that he's huge, I mean). And it's got Zorzo (my ideal woman) and Poppy (he's such a gem)! Despite its flaws, I'm really excited to rewatch this.

To Be Continued (Thailand)

I've been meaning to rewatch this since it ended because I loved it so much. So I'm telling myself to dive into it again this month.

Unintentional Love Story (Korea)

There was just something about the vibe of this series that I want to experience again. Also, it's about a potter (and, as you can probably tell from this post, I love watching shows with artists of all kinds).

New Watches

These aren't necessarily newly produced. They are shows/films I've been meaning to watch for quite some time without having gotten around to it. But now is my chance (and duty) to dive in.

A Shoulder to Cry On (Korea)

I've heard some mixed feelings about this, but that doesn't really deter me. And since Korean BLs are usually short, it doesn't matter that much if I end up not liking it.

The Blue Hour (Thailand)

This is a film with Gun ATP (one of my favorite Thai actors), which I've been putting off for far too long. I'm going into it without knowing very much, which is just how I like it.

His (Japan)

I've been meaning to watch this for months, especially after seeing Miyazawa Hio in Egoist at the end of last year.

Light on Me (Korea)

I've heard about this from various sources a lot lately, so I figured I would watch it this month. I don't know anything about it, but I've heard it's good.

Mama Gogo (Thailand)

I've been putting this off for far too long. It was created by Jojo. That's all I need to know, and all I need to dive into it this month.

The Warp Effect (Thailand)

I've been putting this off for far too long. It's about damn time to watch it. Also, it was created by Jojo.

I could put more on my list, but they say June only has 30 days. So, I'll start with this.

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 4

Last episode ended with Simon coming home to a smashed window, this episode starts the morning after, Simon takes the bus to school, while Wilhelm is anxiously waiting for him.

Culture: At a high school level in Sweden, there's national tests in Swedish, English, and Math. Like everywhere else, the purpose of these tests is not only to grade students, but to align all schools across the country to combat grade inflation.

Blink and you miss it: Vincent is trying to cheat by looking at Nils' answers.

Blink and you miss it: Vincent draws a dick in the gravel while waiting for the others to be done with the test.

Subtext: This entire episode is overflowing with examples of privilege. For Vincent, and many other rich kids like him, studying and learning doesn't matter, they'll graduate regardless, so he doesn't care about the exam, he only cares about the graduation party.

Cinematography: Even with Felice and friends being completely blurred out in the background, you can still see Stella and Fredrika turning to look at Sara, and then turning their backs on her.

Culture: In the US, a lot of people are using "socialism" as a catch-all phrase which means politics they don't agree with, regardless of its actual ideology. Likewise, in Sweden, a lot of people use "communist" in the same way about generally left-wing politics, which is what Vincent is doing here.

Subtext: Wilhelm asks Simon if he can reconcile the conflict of dating a royal while being anti-monarchy, but the real question is of course if Wilhelm can reconcile the conflict in himself.

Subtext: This is where the show's political stance shines through, and this argument, that Wilhelm wasn't allowed to choose his life for himself, is the main argument they're gonna use in the finale.

Subtext: Wilhelm is weakly defending the monarchy, but just ends up repeating what his mother told him; it's a privilege, not a punishment, but does he believe it himself?

Subtext: The letter-to-yourself plot is mainly there in order to help August along his redemption arc, but here the show is using it to reinforce the point of the previous scene. Who does Wilhelm want to become? Does he have a choice?

Culture: In Sweden, Säkerhetspolisen, SÄPO, is the government agency in charge of national security, which includes providing security and assigning bodyguards to the royal family.

Subtext: Note the great use of passive voice here by Farima to avoid taking responsibility for the decision to force August to join the birthday foundation event. She's also expertly bargaining with Wilhelm to get what she wants.

Subtext: We know it was the far-right assholes who posted comments to Simon's videos a couple of episodes ago.

Blink and you miss it: Jan-Olof really perks up when Linda talks about moving to Gothenburg, because that would probably mean the end to the relationship between Wilhelm and Simon, which would solve all of his current problems.

Subtext: Like Farima, he bargains with Linda and Simon to get what he wants, for Simon to stop posting things to social media. It's almost as if their strategy was to do nothing at the start, waiting for things to blow up so they could swoop in, help out, and start making demands in exchange...

Blink and you miss it: The option to inactivate and hide your social media account is right there, but of course Simon has to choose to delete everything, because it will cause more drama and anguish.

Blink and you miss it: Fencing! Woohoo! I did fencing for five years as a kid until 8th grade or something, but I only did foil, and not épée like these students. I have absolutely no idea where these two are coming from or going to though, where would they practice? Is there a hidden fencing hall somewhere on the grounds that we haven't seen yet? How many kids at Hillerska are fencing? Also, he's carrying a practice blade and not an electric competition blade, so that checks out. Of the three types of modern fencing, épée is unique in that the entire body counts as a valid target, while in foil only the torso counts, and in sabre only the upper half counts. Oh wow, it looks like the gear is now wireless and every fencer carries their own indicator lights. Cool! Back in my day you had to be strapped in with a cord for competitions.

This tumblr is now about French School fencing. Allez! Touché!

Subtext: The narrative is that it's perfectly ok for the crown prince to be gay, as long as he's not gay gay.

Culture: The show keeps saying this, but in real world Sweden it's no longer the case. Supporting los jibbities is viewed as a completely mainstream and inoffensive opinion, on par with supporting human rights in general.

Subtext: Another example of privilege is being in a position to do a lot of good, and then just not caring about it. Simon is fighting for the causes he believes in, so seeing Wilhelm just casually throw it away is extremely disappointing for him.

Subtext: Unlike Vincent, August is actually a natural leader, someone people listen to, which is why he manages to quiet down the room when Vincent is unable to. Maybe a good quality in a future king?

Subtext: Simon is continuing the argument from before. Wilhelm could have shown solidarity with mental health causes or LGBT causes, but chose not to. However, he immediately decided to join in solidarity with the other rich kids protesting the school rules, which is rather selfish.

Subtext: Colour theory! Sara in purple, because part of the reason she's back at school is that August asked her to? And Simon in yellow, because he sure isn't loving Wilhelm very much right now.

Subtext: Just a reminder that Sara has actually been completely out of the loop since the end of season 2. She has no idea about the school rules, what's happened at home, how it's going with Simon and Wilhelm, or what's happening at school.

Blink and you miss it: Fredrika is so close to stop striking as soon as she's threatened with repercussions.

Subtext: I keep hammering this point home: The culture is in the walls, it's not something some of the kids made up. The visiting alumni were also hazed as new students and kept it going as third years. Same for the parents of all these kids. They're all part of the system, they all kept the cycles of abuse going, because they want the school to be like that.

Subtext: Privilege is thinking you can get things your way with almost no effort. None of these kids have ever struggled or protested something for real and then not been given what they wanted, so they seriously believed they'd win immediately.

Subtext: Another theme of this season is bringing secrets out in the open. We've all seen August struggling with body dysmorphia and an eating disorder since season 1, but no-one has ever called it out and put words on it, until Simon immediately recognizes it and calls it out.

Subtext: ...while the rich kids are just stuck in denial, because eating disorders is for poor people or something, it's not something that happens to them. And if it did, you certainly wouldn't admit it to anyone else.

Subtext: August tries to jokingly fend off Nils because he doesn't want anyone to know that the letter actually meant something to him, until Nils pushes too hard, and August punches him.

Subtext: Vincent talked a big game about striking in solidarity, but when they're caught as hilariously unprepared as they are, they're not pooling their resources in solidarity with each other, and instead resort to selling them to the highest bidder. Capitalism in a nutshell, illustrated perfectly by the behaviour of spoiled rich kids. Also, pet peeve, the English word for the currency of Sweden is "kronor", not "crowns".

Lost in translation: They're actually repeating a single word in Swedish, "svikare", which is pretty hard to translate. The verb, "svika", is a bit worse than letting someone down, but not as bad as betraying someone. The adjective, "besviken" typically means disappointed. So "svikare" means a person who is letting other people down, disappointing them, or betraying them.

Subtext: The culture is in the walls of the place, but the kids are also pretty damn complicit in continuing all the shitty traditions. This looks like a game of strip poker or truth or dare that went off the rails and just resulted in more bullying, with everyone joining in.

Subtext: The other girls are upset with Felice because she broke the code. You don't snitch to outsiders, you don't tell the truth, you keep up appearances.

Blink and you miss it: Henry won the potato chip auction, happily ate the entire bag, and passed out in a chair, clutching the bag. Mmmm, sourcream and onion.

Subtext: Speaking of closing ranks towards the outside, this also applies to this strike. It would be bad PR for the school if anyone outside found out that it happened, so it's better to solve it quietly and discreetly. Vanessa can trust the kids not to snitch. Vincent is also right, the parents, who are paying the tuition fees, are on their side.

Subtext: Felice can't be seen talking to Sara, so she checks that the coast is clear, and then drags Sara into a private bathroom to have their conversation.

Subtext: Likewise, Sara was probably Felice's first real friend.

Subtext: Nice little foreshadowing. I would have loved seeing Simon's drawing though!

Subtext: Well, he could have just made his social media private, but the show has to maximize the drama, so here we are, piling on more examples of how Simon is losing himself to the monarchy, that maybe he can't reconcile the conflict.

Subtext: Erik spent three years living at Hillerska, of course he wouldn't have told his then twelve year old kid brother about all the shit going on at the school. August spent an entire year living with Erik at the school, seeing what went on first hand, so of course he knows a side of Erik that Wilhelm doesn't.

Subtext: August has been trying to keep his mouth shut and avoid Wilhelm, but since they have yet another fight, he decides to drop the bomb about Erik to hurt Wilhelm.

Subtext: Again, the culture is in the walls. This is not something that only Erik's class did, once. It's probably been happening to all the boys for decades. It happened to the current second-year students, it happened to Erik, and lots of students before him who kept this shitty initiation tradition going.

Culture: Let's talk about the gay porn hazing a bit more. To me, this is an urban legend. I heard about it when I was a teenager back in the 90's, but I don't personally know anyone it happened to, or anyone who did it to anyone else. It was always hearsay, it happened to a friend of a friend's brother, or a classmate's cousin's friend or something similar, as is typical of urban legends.

Let's also make one thing absolutely clear: It doesn't work. The homophobic idea behind this shit is that if you are forced to watch gay porn and get a boner, you are gay, and if you don't, you're straight. But that is actually not true, erections don't work that way, and the fear of being found out is quite the boner killer. Also, what if you like guys, but the guys in the porno aren't your type? There's just so many ignorant misconceptions behind this idea.

I've also seen a lot of fan comments that keep playing into this ignorance; that the only reason Nils decided to stop the tradition was because he obviously failed it. Or that the only reason August is against it is because he failed, and the only reason he failed is because he's secretly not straight. No. Remember that the test doesn't work. Nils probably passed, despite actually being gay. August might have failed, despite being completely straight. Regardless of what happened, they both found it humiliating, and that is why they made a pact to stop it.

[ducktracy]

The Ducktators is a fascinating little cartoon, though not a particularly enjoyable one. It’s very hard to watch nowadays but your review makes its strengths as animated propaganda very clear. As always, a very nice review. Also, sorry to bring him up, but I always thought the racist stereotype Japanese duck was supposed to be Hideki Tojo (Hi-duck-i Tojo?).

THANK YOU FOR THE KIND WORDS!!! that really means a lot! absolutely, it's not a short i revisit for obvious reasons, but i'm almost glad for that "fresh pair of eyes" point of view because it definitely allowed me to view its directorial strengths much more clearly. in terms of pure cinematography and directing alone, it really shows that Norm McCabe had a lot of potential to be a great director if he wasn't bogged down so much by shoehorning topical references (ie propaganda) into his cartoons! like, this is a crazy shot

it is an extremely fascinating watch to see how they play on the psyche and psychology of the audience. cartoons are manipulative! i know this from working in them! i don't mean that in a bad way, but objectively: cartoons manipulate emotions of the audience and inspire them to laugh, to cry, to be scared, to be triumphant, they manipulate where you're supposed to look or how you're supposed to ingest--or NOT ingest--the information. it's almost comparable to a magic trick. even the most inconsequential, silly, stupid, "nothing" cartoon you can imagine has some sort of subliminality in it dictating how you are interpreting the information on screen. i'm being hyperbolic with my wording and i swear i don't mean this in a Dale Gribble conspiracy theory way LOL. it's just a fact! and it's so fascinating to me! and propaganda cartoons are really at the zenith of seeing how these subliminalities and playing on the psychology of the audience works. obviously, not always (and really, seldom) for the better, but it's very neat to study and see how that is accomplished. it makes for a very fascinating deep dive

I HAD ASSUMED FOR THE LONGEST TIME IT WAS A TOJO CARICATURE TOO.. i've gotten some conflicting information. cartoon wise, i plucked the voice credits from Keith Scott's book, who bills him as a Hirohito caricature, Jerry Beck and Will Friedwald's book just labels him as "a Japanese duck"--i've been getting a bunch of conflicting research, and it evidently seems that historians themselves are in conflict as to the extent of Hirohito's role in the war. i assumed that for the purposes of the cartoon, the duck was Hirohito since it seems he was considered one of the leaders of the Axis Powers, which is of course what the short hinges on. that, and that he was Emperor, whereas Tojo just reported to him. the general consensus seems to be that Tojo took the majority of the blame (obviously, given that he was hanged)--the website of the National WWII Museum points out that Douglas McArthur and Harry Truman seemed hesitant to charge Hirohito with war crimes since they were scared of a retaliatory uprising, given that he was the Emperor, and so publicity instead fell on Tojo.

I TYPED ALL OF THIS OUT BUT I SEEM TO BE PROVING YOUR POINT LOL Tojo seemed to be much more active on the militant side and received more publicity, so i guess that technically would make him a candidate... but given that Hirohito was at the very tip top and considered the reigning Axis leader for Japan, my assumption was that it was him for the purposes served by the cartoon. it'd probably make more sense for it to be Tojo though if he was more directly involved on the military side... that, and it's clear there's a little bit of a divide in power between the Tojo/Hirohito duck and the Hitler and Mussolini duck, but i also assumed that was a byproduct of the clear resentment directed towards Japan, and was just them jumping at any chance they could to belittle and humiliate them. riding on the catharsis of making such a big figurehead seem small and weak and easy to pummel and all that. (it also doesn’t help that the extent of caricaturing is “uhhhhh Japanese people have squinted eyes and big teeth right?”, both Tojo and Hirohito wore glasses and so that’s really the only visual clue… but i guess the duck also has a military cap that probably would be most associated with Tojo)

any historians who are obviously much more equipped to answer this, i welcome any corrections! it's obviously been a bit since my last World History class and i am genuinely embarrassed i can't give a more concise answer :')