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ladyluscinia · 11 months

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What Exactly Did David Jenkins Say?

Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.

But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...

Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.

Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.

(Listed in chronological order from oldest to newest - post contains spoilers below the cut)

Pre-S1

Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link

Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"

Post 1x01 - 1x03

Polygon - March 5, 2022 - with Tasha Robinson - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."

About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."

Mashable - Mar 5, 2022 - with Belen Edwards - Link

About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."

On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."

About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"

Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""

Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""

Post 1x09 - 1x10

Decider - Mar 24, 2022 - with Kayla Cobb - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."

About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."

About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."

Collider - Mar 24, 2022 - with Carly Lane - Link

On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."

Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."

Discusses history and kissing scene

Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."

Is Lucius dead? - "You got to wait."

EW.com - Mar 25, 2022 - with Devan Coggan - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"

Polygon - Mar 25, 2022 - with Tasha Robinson - Link

Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."

Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."

Discusses kiss scene filming and the national moment around gay rights

What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."

TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link

Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."

Discusses historical inspiration

Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.

The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link

Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"

Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"

Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."

Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."

On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."

Discusses masculinity and piracy as an escape from that

Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."

Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link

Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."

Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."

EW.com - Dec 13, 2022 - with Devan Coggan - Link

Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."

Pre-S2

Collider - Oct 2, 2023 - with Carly Lane - Link

Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."

Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."

Discusses adding more female characters

Discusses S2 needle drops including "This Woman's Work"

Discusses 3-season arc

Post 2x01 - 2x03

Mashable - Oct 5, 2023 - with Belen Edwards - Link

Discusses fandom response to S1

About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."

Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link

Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."

Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases

Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."

Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."

Discusses importance of the mermaid scene

Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link

Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."

Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."

Discusses historical divergence

Discusses matelotage and pirates as weird outsiders

TV Guide - Oct 5, 2023 - with Allison Piccuro - Link

About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."

Discusses playlists he makes

Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."

Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."

Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"

On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."

About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."

Discusses the A Star is Born aspect of seeking fame / retiring

Mashable - Oct 7, 2023 - with Belen Edwards - Link

About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."

About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."

Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link

Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"

Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link

Short tease on leaning into the love triangle

About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."

Post 2x04 - 2x05

IndieWire - Oct 12, 2023 - with Sarah Shachat - Link

Discusses directing and show creation

"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""

"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"

PopSugar - Oct 12, 2023 - with Victoria Edel - Link

About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."

Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"

Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."

Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."

Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""

Variety - Oct 13, 2023 - with Hunter Ingram - Link

Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."

Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."

Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."

Discusses adding historical pirates

Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."

Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."

Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."

Polygon - Oct 14, 2023 - with Tasha Robinson - Link

Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."

Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"

"The second season is more overtly about romance, and more a relationship story."

Energizing aspect of fan reaction

S3 is about "love is work"

Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link

About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."

Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."

Discusses the A Star is Born aspect of seeking fame / retiring

Discusses Zheng Yi Sao

Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."

Post 2x06 - 2x07

Mashable - Oct 19, 2023 - with Belen Edwards - Link

Discussing drag performance in 2x06

"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."

Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link

Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""

Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""

Discusses Jim x Archie

Discusses 3-season arc

Polygon - Oct 21, 2023 - with Tasha Robinson - Link

Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect

Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."

About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."

Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"

Post 2x08

AV Club - Oct 26, 2023 - with Saloni Gajjar - Link

Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."

Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."

Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point

Discusses parallels, Republic of Pirates, and Zheng Yi Sao

Short bit about fan response

Collider - Oct 26, 2023 - with Carly Lane - Link

Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."

Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."

Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."

Discusses Republic of Pirates / music parallels from premier to finale

Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."

Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""

"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up

EW.com - Oct 26, 2023 - with Devan Coggan - Link

Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."

Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."

Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."

Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."

Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."

Variety - Oct 26, 2023 - with Hunter Ingram - Link

S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."

Discusses the draw of a "Golden Age" and it's ending

Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."

Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link

Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."

"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."

Discussing Con O'Neill & Rhys Darby acting

Jenkins confirms the season was always 8 episodes due to budget cuts

About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."

Teases S3 revenge against Ricky and going to the Americas

Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link

About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."

Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."

Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."

Discusses adding Zheng Yi Sao

Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."

Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"

Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed

Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."

Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link

Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."

Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."

Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."

Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."

On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."

Vulture - Oct 28, 2023 - with Sophie Brookover - Link

Discussing Izzy as a "father figure" and his S2 send-off being a priority

Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."

Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"

Third season about the work of a relationship between still damaged main characters

Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences

About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."

Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."

Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link

Discusses historical premise of S1 and easing into the romance

Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."

Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."

Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."

Discusses diversity staffing

Discusses performative masculinity

Discusses Izzy's death, happy endings, and openness to S3

#trust me i appreciate the irony of making an extensive word of god reference when i want people to stop blindly promoting word of god #(and also when i'm currently very irritated with the creators)#and fyi showrunners talk A LOT but i was already committed so this was more work than i was expecting #i'll even use a small bit of my extra hour of destiel day to post this (most of it was assembled while watching supernatural)#our flag means death #ofmd #ofmd meta #david jenkins #word of god #ladyluscinia

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jake-g-lockley · 2 years

Text

Did You Mean It? (Poe Dameron x reader)

Masterlist | Playlist

Warnings: None

Word Count: 1.3 k

A/N: Short lil thing I wrote spontaneously out of a lil thought, Poe my beloved <3

.・。.・゜✭・.・✫・゜・。.

Your eyes are trained intensely onto the monitor before you, your hands pressing down on the earmuffs of your coms. His face was illuminated by a big blast as a victorious smile bloomed. A joyous laugh rang through your ears, turning your stomach into an unstable rollercoaster.

“YOU SAW THAT Y/N?!” he yelled. “YOU OWE ME DRINKS!”

Commander Poe Dameron never failed to make your heart skip its way straight to oblivion. From the first second you met him, his aura drew you to him and his character made you stay. Every single day with him was like a new adventure and you wouldn’t miss it for the world.

Your admiration for him turned into love before you could stop yourself from falling into the abyss that was your feelings. You repressed everything, worried that if you had let anything slip out it would ruin you. He is your commander, your squadron leader, your best friend. You are his flight lieutenant, a pilot to him, a soldier of the rebellion.

The pain of wanting to maintain everything to be strictly professional and platonic was absolutely unbearable. People would shoot you with knowing looks when Poe would casually wrap his arm around your shoulder, bring you a plate of food or even joke with you. You reciprocated everything, casually of course, until people stopped batting their eyes at the both of you.

Internally, you couldn’t get enough of him. His laughter was your drug, his smile your light, his warm embrace your oxygen. You needed him to thrive, to stay alive. You tried going on dates with random people you knew, you tried meditating the feelings away and you even tried avoiding him but in the end, you would always still want to run your hands in his stupid crown of curls.

You switch to a private channel and roll your eyes at the pretty commander. “Maker, I’m never gonna hear the end of this aren’t I?”

“This is why you never make bets with the best, my girl.” he retorted cheekily.

My girl.

Ignoring the blatant thudding in your chest from his casual cuteness, you replied, “Ugh, could the next bet be something that I’m good at for a change? Let’s bet on the fact that you’ll clean your room if you lose, Commander Stinky.”

The Mess of Poe Dameron’s Quarters was a tale known amongst many at base. It all started when BB-8 blew a fuse and Poe had insisted he would fix him all on his own. It only took three explosions and two fires for him to finally let you come over and fix the poor droid.

“Deal. Mainly because we all know I’m good at everything. Get your cleaning supplies ready Y/N, you’ll need to clean my X-Wing too!”

“HEY! THE X-WING WASN’T PART OF THE DEAL!” you yell into the coms.

“Fine. Just the room. Then maybe you’ll start visiting me there more often?” Poe wiggled his eyebrows suggestively at the camera.

Your face burned at the thought but you brushed it off as quickly as the speed that the statement left Poe’s mouth.

“Maturity is unfortunately not your strongest suit, Commander.” you said grimly.

“So I have been told. Landing in a bit, see you then for the debrief?” he winked, flashing you his beautiful smile.

“Copy that, see you at base. Love you.” you say hazily, smiling at him.

You froze as your mind blanked out and your dopey smile dropped. Your brain replayed what you said over and over again like a broken record and you sank far into your seat.

What.

The.

Fuck.

Your brain literally couldn’t believe how badly your tongue betrayed you. Your hands started to shake and you felt cold sweat beading on your forehead. Your breath started coming and going in short puffs as you tried to gather your bearings.

Scrambling back up, you pull the mic close to your face.

“Commander?” you say shakily.

No answer.

“P-poe?” you whisper.

Poe had already shut his coms off and you heard cheers erupting as you presumed his arrival at base.

He might not have heard you right?

You straightened your uniform and slowly made your way to the main meeting room where Poe Dameron marched in from the other side, in all his piloting glory. You froze again in shock as you caught the emotionless expression he wore. You averted your eyes from him as he took his place beside you.

You could only hear the blood roaring thunderously in your ears as Poe headed the debrief. You wanted nothing more than to run to your room and hide under your covers. Once you saw people moving around, you realized that everyone has been dismissed. You were going to attempt to make a beeline for the exit once everyone was gone but a strong hand powerfully gripped your wrist and pulled you back.

You found yourself crashing right back into Poe. His free hand steadied you and adjusted you so that you were standing in the middle of his two feet.

“Didn’t say I was done with you.” he whispered. “What did you say right before I cut off coms, Y/N?”

You were shaking, your mind raced to the worst of conclusions and you realized that today might be the day you lose your friendship with Poe Dameron.

The hand at your snaked up your arm and cupped your jaw, tipping your face so that you were facing him. His eyes softened as he gazed into yours, your heart melting at the sight of the lovely brown orbs.

“What did you say?” He repeated, a little louder this time and your heart skipped a beat.

“Commander, it was a slip of the tongue, just an accident.” you pleaded, trying not to let your heavy breathing get the best of you.

“Did you mean it?”

“What?”

“I said, did you mean what you said over coms?”

Fuck it.

Yet again, your tongue betrayed your brain as fast as lightning, terrorizing your mind.

“Yea.” you whisper.

“Oh Maker…” Poe sighed.

He leaned into you and pressed his forehead to yours, your eyes fluttering close as you felt yourself slowly going into cardiac arrest.

“Say it again. Say what you said over coms again. Please?” He whispered.

“I love you.” you whisper back, in a trance.

“Again.” Poe said, let out a shaky breath.

“I love you.” you swayed with him as he caressed your cheek.

“One last time. Please.” he was the one pleading now, his voice desperate as he pulled away to look at you.

“I love you. I love you. I love-”

Poe cuts you off with a breathtaking kiss. If he wasn’t holding on to you, you would be best friends with the floor. You melt into his touch, binding yourself with him as your thoughts struggle to comprehend what was happening. He kissed you like you were water and he was a man lost on Tatooine.

“I. Love. You. Too.” he breathed out the second his lips left yours.

Your face erupted into a symphony of emotions and you wrapped your arms around Poe’s neck, hugging him close.

“I could sit here and give you a billion reasons why I do but I’d bore you to death. What do you think happened to poor BB?” Poe sheepishly said into your shoulder.

“WAIT! BB fused that chip because you were talking about ME?” you gasped, appalled.

“Yea.”

“You’re a menace, Dameron.”

“I’m your menace.” He said pulling back to look at you again.

Nothing mattered then. Your Poe was now yours and you had everything you wanted. Except-

“This isn’t a coup for me to clean your room right?” you checked.

“Huh, should've thought of that.” Poe says thoughtfully, earning himself a punch. “Okay! You win this round, I’ll get the cleaning supplies.”

“That’s more like it, Dameron.”

.・。.・゜✭・.・✫・゜・。.

Tagging: @ahookedheroespureheart @mintpurplemnm @delightful-kiwi @p0edameronswife @my-secret-shame-but-fanfiction @cherryesskisses @einno-arko

Reblogs are appreciated <3 love you all so so much *muah*

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ghastigiggles · 11 months

Text

danse macabre

so uh. uhm. hi. i kept forgetting to post this and i feel really bad about it. i'm so sorry tadc nation here's some food for you

npc oc because i didnt feel comfortable writing anyone as a ler - not yet, anyway. but pomni needed to get wrecked so bad. she's so cute. i get cuteness aggression every time she's on screen

usual disclaimer; sfw tickling fic, very soft and fluffy, even a little goofy and silly.

"Given that our last adventure took an exciting turn, I thought doing a rerun would be a better idea today!"

A rippling groan passed through the veteran players that Caine seemed to entirely ignore, turning his attention to Pomni with an exaggerated movement.

"Something a little more calm, I'd say! Should help bring you down from any thoughts of the Void from the other day!"

"Ahh… I don't –"

"You'll love it," He interrupted, swooping back into the air with an extravagant gesture; "It's a fan favourite! Everyone knows it, everyone loves it, it's… 'Where in the World is Sir Wigglesburg?'!"

Pomni, of course, didn't miss the way everyone else in the room tensed up – though she didn't catch the way Gangle actually perked instead, immediately shooting sideways glances at everyone else before poorly mirroring their tension.

"... You're kiddin'," Jax muttered, his eyes narrowing in annoyance. Caine simply continued as though he didn't hear the rabbit while Bubble floated nearby with an empty look in her eyes.

"Sir Wigglesburg is one of our most esteemed citizens –"

"Not an actual player," Ragatha helpfully cut in with a glance to Pomni, trying to give her context.

" – with a terrible habit of wandering off! His dear wife has, once again, asked us – rather, you – to lend a helping hand and bring him home safe! The first to lead Sir Wigglesburg back to the stage shall win a prize! (To be determined, prize may or may not meet or exceed expectations.) Good luck!"

And, with no further context or instruction, their ringmaster and his companion entirely disappeared. There was a brief silence before Zooble grunted, already walking away.

"... Right. I'm going back to my room, then."

"Aww, somebody too chicken to help the poor guy?"

Jax sneered in their direction, and they shot him a searing glare; "Well, if you want a repeat of last time, be my guest. I don't."

"I will also take my leave," Kinger muttered in a hurried fashion, looking askance; "The last time we did this, it was before… Mngh…"

Ragatha offered him a sympathetic smile, nodding as the other two softened just slightly.

"It's alright, Kinger. We understand."

"Thank you… If you do take on the quest, give Sir my best."

With that, both Zooble and Kinger headed towards the living quarters, leaving Pomni to finally pipe up again, looking between Ragatha and Jax.

"... So, um… W-what's so upsetting about the rerun, anyway? Is it, um, bad…?"

"Oh – no, not – not per se," The ragdoll replied quickly, tapping her chin; "I mean, Caine wasn't lying… This is one of the calmer adventures."

"Yeah. You should do it, newbie."

Both sets of eyes snapped to Jax, who simply grinned passively. Ragatha squinted.

"... And I don't suppose you'd be coming along?"

"I will, actually. Could be funny. What about you, Rags?"

Though she grimaced, Ragatha sighed in resignation, turning a little to give Pomni a small smile.

"Well, I'm not gonna let her go it alone… Again."

That much, at least, gave Pomni heart, and she almost smiled back – until she realized one of their party wasn't accounted for, and her brow furrowed.

"Uh… Where's Gangle?"

The other two also seemed to only just notice Gangle's absence, and the three of them glanced around briefly before their search was cut short by a distant shriek from the player in question.

"That sounded like her…!"

"Is she getting hurt?! W-what if someone else abstracted?!" Pomni shot them a panicked glance; "Sh-should we –"

"Let's go investigate before anything else," Jax interrupted calmly, barely keeping the amusement from his face as he gestured for Pomni to take the lead. When Ragatha shot him a glare, he simply shrugged, following after her with the ragdoll shortly behind.

They had little more than a vague direction, down a corridor and two left turns that seemed to dim the further along they went; Gangle made no further sounds, giving them little in the way of direction, and eventually Pomni sighed haplessly, squinting into the darkness.

"... It's no use… Should – should we go find Caine again…?"

She was met with silence, and turned around – only to find Ragatha and Jax were nowhere to be seen, and her stomach dropped with dread.

"... Guys…?"

"Ooh? Who is this…? A face I've yet to see and greet?"

At a new voice, Pomni yelped, whipping around – and coming face-to-face with what appeared to be some kind of massive, cartoonish caterpillar. His body appeared to be covered in green fur, disappearing into the darkness past his neck – or so Pomni assumed at first glance, anyway. His face and what could only be described as underbelly were covered in white fur that parted around his features, such as a long purple nose and big black eyes – one of which sported a golden monocle. And, of course, his hands had the same cartoon glove sort of thing that Kinger had going on, though this time with black noodle arms seemingly attached.

In her shock, she entirely lost her voice, merely stammering wordlessly – and earning a chuckle from the caterpillar looming over her.

"Such a small thing, you are! 'Tis a pleasure, indeed!"

Smiling, he extended one of his hands for a shake, a gesture that finally managed to pull Pomni from her stupor.

"I am Sir Wigglesburg! And you, my gentile jester, would be…?"

"A-ahhh…" Though hesitant, she extended her own hand, despite it being barely half the size of his own, "P-Pomni – woah –!"

The moment their palms yet, Wigglesburg pulled her closer, twirling her around so suddenly that her eyes spun in alternating directions – and as she was steadied again, pulled along by his sudden movements, she was abruptly made aware of his overwhelming amount of hands, with a second dominant one taking her free hand to hold her steady while two more settled on her back and hip, respectively.

"Pomni, Pomni! A wondrously adorable and charming name! Please, indulge me with a dance – 'tis a formal greeting between my people!"

"I – I'm actually – ah!"

The hand on her hip pinched her side unexpectedly, making her jerk in an attempt to escape – yet Wigglesburg easily moved with her reflexive maneuver like it was a step in her dance.

"I'm actually – ehh! – l-looking for s – hey! – some – sohome –"

The hand squeezed again, and again, and again; and every time, she tried to sidestep or wiggle away – and every time, it just encouraged their "dance", with Wigglesburg's gentle but firm grip keeping her upright despite the giggles bubbling in her chest and the involuntary smile that had been pulling at her lips.

"My dear Pomni," Wigglesburg crooned as though she wasn't struggling to articulate a sentence; "You are a wonderful dancer!"

" – Ghhh, thank you…? But I – ah!! – would you plehease –"

She squeaked again as she was suddenly pulled into a dip, very nearly panicking before she realized Wigglesburg was still supporting her gently. His wide smile was kind and sweet, but undercut by the mischief in his eyes as he looked down at her.

"... That said, you are giggling quite a lot! I didn't think dancing with a wyrm would be that much fun for you!"

"I-It's not the dancing – GyaAH –"

"Is it not?"

Pomni couldn't manage a reply, stuck in a fit of uncontrollable giggles caused by the fingers wiggling at both sides, forcing her to squirm back and forth with no true escape from the unexpected and overwhelming sensation. Wigglesburg hummed, tilting his head with an adoring expression.

"I say, I was under the impression that it was the jester who caused nobles to laugh, not the other way around! Yet, here you are, practically beside yourself…"

For a mercy, he did release her hands, and she immediately brought her arms in – not that they did much, proportionately, to protect her.

"Aheheh, I can't – I cahahan't –"

"Oh, my poor dear, does it tickle? Are we feeling a little sensitive?"

She hiccuped through her laughter at that, shaking her head and ducking down; it felt like the teasing sent a shot through her nerves, which only made it worse when he started scratching experimentally at her ribs, prompting a few snorts to escape her as well.

"Ngh – nahahaa, not th - thehehere…!"

"What? Here? Or here – oh, dear me."

His hands shot to Pomni's underarms for just a few seconds, but it was enough to prompt a shriek from her, wriggling and kicking fruitlessly with even more vigour than before.

"NnnoOHOHO – gh – $%^@# – I cahAAHAAN'T –!"

"Yes, I can see that! 'Twould seem that 'tis an especially sensitive spot."

"Plhehe – PLEHEEHEEHEASE!"

She threw back her head with a loud cackle as Wigglesburg doubled down, every stroke of his fingers sending shocks down her arms and through her body – but she only had to endure it a moment longer before he finally laid off, lightly massaging her sides with his thumbs as she gasped for breath – an act that was more instinctual than actually necessary, given that breathing wasn't really a thing anymore – with a goofy, natural smile still stuck on her face.

"I do hope you can forgive my zeal in tormenting you," Wigglesburg offered after a moment, smiling apologetically; "I cannot help myself around the players."

"I – it's… Haah…" With a final breath, Pomni shook out the residual giggles, looking back up at Wigglesburg; "It's alright…"

"Oh, I figured! You never once asked me to stop, after all."

She stiffened at that, her eyes widening as she searched her memory – because, surely not… And yet, he was right.

She had no idea if the digital avatar could blush, but with how hot her face felt upon that realization, she really, really hoped it couldn't.

"But enough of that – you were searching for someone, yes?"

"Uh! Um. Y-yeah. You, actually, but also – Gangle, if you've seen her…"

"Oh! My dear Gangle has been here all along!"

Pomni blinked dumbly, and Wigglesburg chuckled, curling in on himself and cradling her close as his spine arched up to where she could see clearly – and, sure enough, Gangle was splayed out in the wyrm's green fur, seeming a little sleepy and out of it… Yet, content, even as she looked up and waved at Pomni.

"But… Her scream…"

"'Twas a scream of joy and laughter," Wigglesburg assured her; "Gangle is one of my favorite dancing partners – and I, hers! I admit, I went overboard this time, though… It has been too long since the last time."

"Oh."

A lot of things made sense, now. The way everyone had seemed tense and awkward when Wigglesburg's name came up; Gangle's quiet disappearance in the wake of the adventure's start. The little comments everyone was making towards each other…

"Pomni! Are you alright?!"

Ragatha's voice pulled Pomni from her thoughts, and she looked down to see the ragdoll standing below, looking up with faint relief… And heavy amusement. Shortly behind her stood Jax, smug as ever – yet, notably, keeping a good generous distance between himself and the wyrm.

"Uh. Yeah," Pomni replied; "I found Gangle? And… And Sir Wigglesburg."

"We know. We heard you," Jax chuckled, easily side-stepping to avoid a tiny kick from Ragatha. For her part, the doll smiled.

"That's great! Let's head back to the stage and wrap up this adventure, then!"

Sir Wigglesburg, however, pouted a little, looking down at her.

"Oh, are you sure I can't convince you to share just one dance with me…?"

"Ahh… Maybe next time?"

Ragatha offered him a nervous smile, and Wigglesburg sighed dramatically – but he didn't object, simply setting Pomni on his back near Gangle before he began to crawl along on the path back to the stage. Distantly, Jax grumbled about not being offered a ride as he and Ragatha followed on foot.

In the softness of his fur, Pomni felt a tempting urge to "nod off", partially encouraged by the dance she'd just been through – but Gangle's voice, just barely loud enough to be heard – kept her in the waking world.

"... I'm glad you like his game. I've been the only one for awhile… Knowing someone else likes it makes me feel less weird."

And, with a small nod in response, Pomni hid her smile in the wyrm's fur.

Maybe not every part of the digital circus was terrible or terrifying.

#tadc #the amazing digital circus #tatc #tadc tickles #the amazing digital circus tickles #lee!pomni #lee!gangle #i'm not tagging every character this time you can't make me!!!!!#if anyone wants me to draw sir wigglesburg and his wife (lady wigglesbury. if u even care.) lmk i kind of really love them tbh #they were literally meant to be a throwaway like. gloink queen esque standin but honestly i vibe so hard with them...#anyway here u go. eat up. tastey food #my fic

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ofliterarynature · 22 days

Text

TBR TAKEDOWN: Week 14 (September 1)

TLDR: I have too many unread books, and I’m asking tumblr to help me downsize. Pick one or none, comment if you have opinions, and please reblog if you can! Book descriptions below the cut, see my pinned post for more info.

The Ladies of Mandrigyn by Barbara Hambly

The City of Mandrigyn was conquered, and its men enslaved in the foul mines of the evil Wizard King, Altiokis. Now the women of the city, led by Sheera Galernas, have come to hire the mercenary army of Captain Sun Wolf. But Sun Wolf was too wise to become involved in fighting against wizardry…

...Until he woke to find himself kidnapped and offered a grim choice by Sheera. He could train and lead the ladies of Mandrigyn against Altiokis - or he could die in lingering agony from the anzid they had given him and for which only they had the antidote.

There was more to the ladies than Sun Wolf could have guessed. There was also far more to the evil of Altiokis then anyone knew.

But above all, there was a great deal more to Sun Wolf and his destiny then he had ever dreamed.

Gideon Smith and the Mechanical Girl by David Barnett

Nineteenth century London is the center of a vast British Empire. Airships ply the skies and Queen Victoria presides over three-quarters of the known world--including the East Coast of America, following the failed revolution of 1775.

London might as well be a world away from Sandsend, a tiny village on the Yorkshire coast. Gideon Smith dreams of the adventure promised him by the lurid tales of Captain Lucian Trigger, the Hero of the Empire, told in Gideon's favorite penny dreadful. When Gideon's father is lost at sea in highly mysterious circumstances Gideon is convinced that supernatural forces are at work. Deciding only Captain Lucian Trigger himself can aid him, Gideon sets off for London. On the way he rescues the mysterious mechanical girl Maria from a tumbledown house of shadows and iniquities. Together they make for London, where Gideon finally meets Captain Trigger.

But Trigger is little more than an aging fraud, providing cover for the covert activities of his lover, Dr. John Reed, a privateer and sometime agent of the British Crown. Looking for heroes but finding only frauds and crooks, it falls to Gideon to step up to the plate and attempt to save the day...but can a humble fisherman really become the true Hero of the Empire?

The Crossing Places by Elly Griffiths

Forensic archeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy.

Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth’s remote home?

#tbr takedown #bec posts #poll #polls #book poll #booklr #bookblr #bookish #books #the ladies of Mandrigyn #Gideon smith and the mechanical girl #barbara hambly #David Barnett #the crossing places #Elly Griffiths #Ruth Galloway #one of these was pretty terribly reviewed by an author I like so we'll see what y'all have to say lol

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madschiavelique · 2 months

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Hello! May I request a drabble or headcanons for a poly romance with Astarion x Fem!Reader x Shadowheart? Perhaps taking place post-game or late Act 3? I’d love to see them trying to navigate their new lives together. It can be fluff or hurt/comfort, whatever fits best to you. Thank you! :)

hey there sweet anon !! okay so it wasn’t specified if Astarion was ascended in this or not so i’ll go the route where he is not ascended !

─ . 𝜗𝜚‧ pairing : astarion x fem!reader x shadowheart

─ . 𝜗𝜚‧ content warning : some hurt/comfort, mostly fluff (i am so soft for them), fem!reader (although i think it could be read as a gn!reader), no use of y/n

─ . 𝜗𝜚‧ words : 1.5k + bonus 400 words (around 1,9k)

( not proofread, english is not my first language ☆)

Shadowheart, depending on if her parents are still alive or not by the end of Act 3, would definitely want to visit them more with you and Astarion by her side. Not only because she wants them to meet you both, but definitely because she is frightened.

Frightened ? yes, because she has lost so many of her memories, and she fears that she might never recover them no matter how hard she tries. Yet somehow, you and astarion being by her side reminds her that the best memories are the ones to come, the one she will create with the both of you.

As for Astarion, he has never been much out of Baldur’s Gate during his life, being tied to Cazador and trying to escape wouldn’t have made it possible for him to get his freedom in any case.

He had tried to escape, failed several attempts, and never managed to let his mind fully take in that he could taste freedom someday. He has probably dreamed about it though, this need for liberty, for a change of scenery, which he got from travelling all this time with you and defeating his master.

So one word would reunite you three on the matter : travelling.

Now that you had the title of heroes of the nation, or actually, heroes for saving the entire world, you had no worries for anything. You couldn’t wait to travel, just the three of you and see all the places you had only seen on maps, but you had to stick with a few activities in Baldur’s Gate.

Posing for hours on end for painters to make sure your heroicness would live through history, inaugurating monuments to your memory, and all sorts of reunions with bards and writers with each and everyone of you reciting your versions of your adventures.

Some receptions took place in Cazador’s now empty manor, Astarion having inherited the place, and some rings that would allow him to be constantly exposed to the sun if he wished.

You were not accustomed much to big events like these. The last months had been made of exploring in various armours and dirty clothes, fighting and eating whatever you could find or steal along the way.

And here you now were, all three of you in expensive clothing, a corset tightening your waist till you felt like breathing was the hardest fight of your life, buffet so full you thought the tables would crack under so much food at any moment, a flute of golden champagne in your hand as you had to boringly listen to whatever aristocrat lady was rambling about before you.

“I’m starting to feel like I miss wearing armour,” you huffed as you tried battling with the laces of your corset, struggling to untie them.

The evening was over, you had all retired to your quarters, undressing for the night.

Astarion’s cold hands came to stop your fingers from any more tie wars, taking the reins to undo them.

“I thought that woman would never stop talking, she could make Gale look like a debutant in the art of monologuing.” laughed the vampire, softly unlacing your cage and allowing you to breathe again, placing a soft kiss to the back of your neck as his fingers came to massage your soft skin.

No matter how many times he did that, you always shivered. Your head fell back on his shoulder, sighing with contempt in his embrace.

“When will we finally be off of here?”

“Soon enough,” smiled Shadowheart with her hair down, wavy from her braid. “Pity you have to remove that dress though, I could get used to seeing you wearing more of those.”

Her smile was contagious, and you allowed it to place itself on your own lips. She came to help with your hair, removing the assortment of pins, pearls and other ribbons in them, kissing your temple and face from time to time as you giggled.

She was right, soon enough you three had gathered everything proper for a good trip. You didn’t have many belongings, moving from one region to the other during your adventures had taught you to not get too materialistic.

This hero's-pass was however useful in many aspects. You were given goods for your travel, scrolls, alchemy necessities, and big fancy tents with comfortable futons. But the most interesting and probably useful gift were the three horses and the donkey given to you, the latter given to carry your belongings.

“Tell me this isn’t some sort of bad joke made by Halsin,” asked Astarion as he arched a brow, eyeing the dapple grey stallion that was about to be his new road companion.

“Scared of a different ride than us ?” you chuckled as you lifted yourself on the stirrup and pushed yourself on your mount.

“You’re hilarious,” sighed the rogue, biting the inside of his cheek as he seemed unsure as to the way he was supposed to handle this thing.

“Have you never been on horseback, Astarion ?” Shadowheart ended up asking.

“I think your clarity of judgement must’ve understood by now that during the last couple of centuries, I didn’t have the best scenery to ride those kinds of things.”

After convincing him numerous times that the horse would not stomp on him or do a rodeo as soon as he went on top of it, he finally accepted to get on it.

Thus, your trip began. It had no end in sight, just the beginning of something new with your two loves, and that was all you needed to know.

As you were about to take a path leading you to another region, Astarion stopped, turning towards the silhouette of the city for just a moment before following you and Shadowheart.

“Is everything alright ?” you asked after a few minutes, Astarion lost in thought.

“Hmm ?” he asked as he raised his eyes to yours. “Oh yes, I’m fine it’s just… Odd.”

“Odd ? What do you mean ?” asked the Shadowheart.

“Well,” Astarion started, “I thought that some sort of magical invisible rope would tie me back again to the city and forsake me to leave. But the further we are from it, the more this feels… normal ?”

“I feel the same way,” she seconded, “my purpose was pulling me to it, and now I don’t feel anything.”

“Exactly, but it doesn’t make me feel empty, more like…”

“Liberated ?” she smiled.

“Yes, liberated...” he hummed as he repeated the word with a satisfaction.

The journey went smoothly, the familiar sensation of resuming the adventure in a certain way taking hold of your heart, but the firmness of your saddle leather reminding you of the discomfort it could cause.

It took Astarion barely an hour to start complaining, two before he finally decided to get off his mount and walk, and three to convince you to take your first break.

It was a pattern ready to be repeated for all the days to come. There were no itineraries, only discovery.

Passing through new areas meant that a few villagers and other locals would recognise you. You were offered food, asked to touch the heads of new-born babies as if you were saints, and children crowned you with daisy tiaras.

Some of the smells of the food revived in Shadowheart the ghosts of a past that was gradually revealing itself to her. You stayed overnight in villages, and she always listened to the stories told to children before going to sleep, hoping to recognise a character from one of the stories, or the feeling of the petals she pressed tenderly between her fingers, reminding her of such distant fragments of fields coloured by all sorts of flowers.

You could see it in her eyes, every time the past pressed its fingertips to her temple and squeezed its hands across her throat when her voice broke, that glimmer of hope glistening in her eyes.

You took her hand every time, encouraging her to go back to her memories as far as she possibly could. She looked at you with such tenderness, each time.

Every morning, without missing a beat, Astarion would wake to see the sun rise from its slumber. The feel of it on his skin was an embrace he loved and cherished every single moment.

When the three of you shared the same bed, and he didn't want to wake you up by moving around, he'd just sit there, upright, waiting for the rays to pass through the curtains.

The first joy of the day was a ribbon of sunlight that wrapped itself around your hand and caressed your shoulder, and Astarion traced it with his fingertips without waking you up. He would never dare disturb your peace.

It was after visiting everything there was to see that you finally decided to settle in a pretty, dilapidated stone house that you renovated with your own resources. To this day, you receive your friends when they would be able to afford to come and see you, and you bask in your freedoms.

Bonus content for this :

Several months into your travels, you had already received Gale's invitation to meet him in Waterdeep, so that he could find out more about your new life and see you all again.

You set off, and soon enough the realisation that you would have to take the boat to shorten the journey seemed to displease your two companions.

‘Are you sure we can't make some better use of the horses ?’ interrogated Astarion.

‘We have mostly made them walk and trot a bit, we could surely make them galop just a little?’ Shadowheart rejoined.

But they finally gave in when the entire length of the journey by horse was compared to that by boat.

The two of them tried as best they could to stuff themselves with anti-seasickness potions, but as the effects of the latter were short-lived, they remained cloistered in the holds of the boat for the duration of the journey.

Back on dry land, you took the horses that had travelled with you for the last little stretch of the journey. Having finally reached Waterdeep, you asked the first passer-by where Gale Dekarios was staying.

You almost expected someone to look at you with round eyes of incomprehension as to whom you were searching for, but with a broad smile the passer-by gave you a precise indication of where he was staying.

Gale welcomed you with open arms, his new mage robes modest yet exuding nobility.

‘I wish I could say otherwise but sincerely, the beauty of a cloth doesn't equal the kind of comfortability I had when we were in the middle of the Absolute's schemes. I sometimes grieve for these times, I never thought I would admit to it one day but I have got to say that ending the day with mud and whatever creature's blood we'd encountered on my robes sounds more thrilling than some of the books I now own.’

When Gale started a sentence, it was hard to stop him in his flow of words, and although it may have made you huff and puff at times, you had missed it.

It was while discussing Shadowheart's memory that Gale suggested a spell that he had been trying to master recently, allowing you to reopen memories buried deep in your brain.

During your stay in Waterdeep, Gale helped you to piece together Shadowheart's memory and restore as much of her past as possible.

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dontmindme-imjustfangirlin · 6 months

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it's MY turn to share my ratgrinders theory

this has been stewing in my head for weeks and it has little to no support from what we've seen thus far but it speaks to me and may not be coherent but here it is. this got suuuper long so everything is under the cut.

what if the ratgrinders aren't evil or manipulative, what if they're just traumatized and in way over their heads and scared?

i just keep picturing them running in parallel to the bad kids' freshman year. just another group of six kids with powers and abilities they can't wait to learn to harness, to use; to make the world better and to help. arthur aguefort stands in front of them on the first day and tells them an adventurer is a violent wanderer. he romanticizes the adventure, the glory, the prestige. they go to their first classes, and kipperlilly sits two seats behind a goblin her height with a briefcase trying to hand out business cards with his phone number on them; hakinvar, oisin sits a row away from abernant, adaine in material components; ruben ducks his chin down to avoid his brotherdaduncle? henry and completely misses the tiefling girl stomping past the bard class door; mary ann boredly watches on as a half-orc three times her size sings at her barbarian instructor; ivy rolling her eyes when a braggart of a child cold-cocks a fellow freshman; lucy sits beside a redheaded girl who, in the rush of first-day jitters and habitually shielding her little brothers from her parents' vitriol, forgot to bring a pencil to class. of course lucy has one to spare.

i wonder how they met. who found whom first. if kipperlily, type-a and organized, presented everyone she met with a perfect four-year plan. day one to graduation laid out in color-coded sections, the school years broken down by quarter. maybe she found mary ann first, and mary ann went along with her because no one else had bothered to approach. ruben was two feet tall at best and could barely see over the crowd; he kept getting his feet stepped on until a frost genasi gently caught his wrist and healed his bruises with a soft burst of chilly, bracing wind. oisin's horns caught on ivy's bow as they passed by, and he apologized so profusely and earnestly she could only laugh. maybe kipperlily and ivy went to the same middle school, and kipperlily was so excited to see a familiar face she marched right up to her and oisin. maybe lucy noticed the strawberry plush keychain swinging from mary ann's backpack and approached to tell her how much she loved it. she had a matching watermelon, you see. they laughed, hopeful, right there on the sunny turf of the bloodrush field. they decided to call themselves the high-five heroes.

they were so excited to take on the world. they thought they were ready. and then the screaming started.

they'd been at school for less than a day, and the cafeteria was destroyed. the half-orc mary ann watched disinterestedly had been killed. the redheaded cleric lucy gave that pencil had died, too, blood staining the wood of the no.2. the lunch lady who smiled at ivy despite the grimace on her face had been killed. the counselor who said "welcome to aguefort" to oisin with a calming smile had been killed - murdered - by their principal, who immediately took his own life as well in order to bring the two students back.

an adventurer is a violent wanderer. but death and violence found them without warning, and without much wandering at all. the world was a vast and dangerous place. kids died on the tiled floor where they ate lunch. girls were going missing; the most recent one to go missing, penny luckstone, bore a terrifying resemblance to kipperlily.

the far haven woods were not very far at all, but they were safe. they were close to home. they stomped on rats and small elementals and this was not the glory they dreamed of, the rush of adventure or the thrill of wandering this vast world. this was not making the world better. but then even home was not safe anymore. the coach of the bloodrush team pulled half his athletes into a cult and tried to kill their fellow classmates. their assistant principal ended up being an evil dragon and defeated by the aptly named bad kids.

the bad kids, who for their part spent their freshman year murdering people in car chases, doing sick kickflips in abandoned mithral mines, releasing devils from gemstones, tearing up arcades, getting themselves arrested, and saving the missing girls and the world. as sophomore year rolled around, maybe the high-five heroes looked at each other and thought, surely we can do that. they thought they were ready.

their path hadn't been a glorious one, but they grew stronger nevertheless. mary ann never grew taller, but whenever she flew into a rage, she was scrappy and fierce and relentless. ivy's arrows always flew true. oisin bolstered their numbers with fey, elementals, constructs, once even the faded visage of one of his draconic ancestors. kipperlily ducked and wove between rats and put them down with quick slices, so rapid and humane they never felt them. ruben tuned his guitar to folksy ballads and inspired them to imagine they could be more than rat exterminators in the forest behind the school. and dear, sweet lucy, their glue, who kept them safe and healed their wounds.

sophomore year included a project worth a whopping sixty percent of their grade. this did not surprised the high-five heroes like it did the bad kids. preparations for this were baked into kipperlily's plans from the first day of school. ideas for projects were tacked up on her bulletin board and home and in sticky notes in all her binders. i wonder if the high-five heroes really cared what they did, just so long as it was something more that indiscriminately killing rats in the woods. lucy was a cleric; surely she heard whispers of the forgotten one, the god of giants whose name was stricken from the giants' records. maybe the name was hidden so well she had no idea why this god was one best left forgotten. maybe she thought even gods of rage deserved redemption, kindness, a second chance.

sophomore year flew by in a blaze of research and magic. oisin and kipperlily spent long nights in the library and on a rotating series of floors reading tomes of religious history. lucy prayed and communed with her goddess for information, snuck ancient giant texts out of the library and translated them for all to read. ivy and ruben weren't scholars, but their suggestions were occam's razor slicing through thousands of dusty pages of arcane theory and religious treatise. the simplest explanation is likely the right one. mary ann was as quiet as ever, but after long nights of reading, the high-five heroes would awake under soft, fluffy blankets, a plush nestled right up beside them.

when did things start to go wrong? when did ruben's lyrics take a turn to the dark and angry, the romanticizing of self-harm? when did kipperlily go cold and controlling, her thin-lipped smile an iron veneer over anything beneath? when did ivy's attitude turn disinterested and condescending? when did mary ann go into a rage and sneer, all teeth and claws? when did lucy realize they had passed a point of no return and return to the woods to revive the rats they killed, a small penance only she could offer?

what happened that night in the forest? the night lucy died? was it a ritual gone wrong, the culmination of a year of research trying to contact a dead god? was it a channeling or communion turned possession? something dark and evil came to the far haven woods that night. it took their dearest friend from them. was it a rage, this god possessing lucy and forcing the rest of the high-five heroes' hands? was it a gambit, the giant god of rage returning to snatch lucy's soul from her body as collateral?

learn my name, the god whispered that dark night. bring me back, and i will bring her back. you need my name to get her back.

they thought they were ready. they were so, so wrong.

what else could they do? where could they go? they could hardly tell anyone they killed their cleric trying to contact a dead god. arthur aguefort may have helped, but he is gone, running amok across time with his daughter. principal grix would disintegrate them all if he knew what they were doing.

maybe this, too, is where the ratgrinders' (or at least kipperlily's) disdain for the bad kids comes from. when two of their number died, arthur aguefort killed both a teacher and himself to bring them back. he stopped time for half a day to let them rest and defeat the dragon kalvaxus. he smoothed everything over after the bad kids broke out of jail. he risked war with a neighboring country - the second in as many years - because one of his students was detained illegally. the ratgrinders had none of the bad kids' chances or resources or connections. for the long, dark summer of no sun, that resentment festered. they needed a plan to get her back. kipperlily likes to make plans, and she has friends - angry, traumatized, terrified friends - ready to do whatever it took to get lucy back.

maybe the ratgrinders weren't ready before, but for lucy, they would do anything.

i just. do you see my vision?

#dimension 20 #fantasy high #fantasy high spoilers #rat grinders #i am gnawing at the drywall i don't think any of this is right but what IF!!!!!

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whats-in-a-sentence · 2 days

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"Come, Watson," said he, and we passed from that house of grief into the pale sunlight of the winter day.

"The Illustrated Sherlock Holmes Treasury" - Sir Arthur Conan Doyle

#book quotes #the return of sherlock holmes #sir arthur conan doyle #the adventure of the missing three quarter #sherlock holmes #john watson #grief #pale lights #sunlight #winter days

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oneshotnewbie · 9 months

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Hope you're well =)

Maya and Carinas Daughter go on a field trip to a high ropes course that also offers rock climbing. Carina is one of the chaperons. the class arrives to the destination, and getting harnessed up. there are different levels of rock climbing, beginner, medium, and expert and professional free climb which doesn't require you to have a harness.

Through out the ropes course (Daughter) and a few others are getting bored with how easy it was. they want more of a challenge. the few kids slip from the group and make their way to the free climb. the free climb is an "At your own risk" mountain. with only a rope harness (But no rope) they make their way up to rock mountain until they realize how high it goes and how much easier it is to go up than down. panic starts to set and Carina starts to notice that kids are missing including their daughter.

their daughter slips and gets caught on a divot in the mountain. First responders have to be called. (Maya enters the story)

!!!If you aren't interested in writing this its no worries please let me know so I can't try and write it :)!!!

ᕚ---ᕘ

Sunshine and pent-up warm air penetrated the dense leaves of the trees and made the forest surrounding the high ropes course shine in an autumnal light. A group of excited young people and all the accompanying people, including Carina, who had volunteered, entered the area.

The smell of fresh resin and wet grass hung in the air and the tall climbing poles rose into the sky, ropes snaked between the treetops, and the students marveled and whispered as they saw the challenges before them.

“Good morning, dear class,” the instructors greeted the group and quickly explained the safety guidelines. Carina listened intently as she heard the details about the different courses and the possibility of climbing without safety harnesses. The students were divided into small groups and began to equip themselves with helmets and harnesses.

After a short briefing you began the climb. As usual, you and your gang formed a group and excitedly stood at the base of a 131-foot-tall climbing pole - the largest parkour you could do in this high ropes course. The colorful climbing holds and ropes magically attracted you and your mother watched you with a mix of pride and nervousness and bated breath as you fought your way up step by step. The branches swayed slightly and the ropes creaked softly as you found your way and the heart in the brunette's chest beat faster as she followed your every move.

After about three quarters of an hour, you finally reached the end and amusedly spread your arms to enjoy the feeling of victory. Your friends cheered and applauded and Carina couldn't help but smile when she saw how happy you looked.

But your initial enthusiasm gave way to noticeable boredom. Even the hardest parkour seemed too easy, and your group was looking for a greater challenge. "Is that all? That was boring," you sighed, leaning against a tree as you felt the ground beneath your feet. Your best friend nodded in agreement. "We need something more exciting. Let's get to that pro parkour."

Your eyes lit up but immediately went dark again as you looked around. "Mr. Andersson strictly forbade us to use this parkour," your friend spoke from the other side as she rappelled down. You all just shrugged your shoulders and during a brief distraction, you quietly slipped away from the group to look for more adventure on your own. You were drawn to the idea of an “at your own risk” mountain that promised a thrill.

The path to the mountain, less than 500 meters further, was steep and surrounded by dense greenery. You climbed over rocks and through thick bushes until you finally reached the foot of the mountain wall. You led the group as you laboriously worked your way up the steep wall. The air became thinner and the effort became more and more demanding. "It's really tiring but the view from the top will be worth it!" your best friend gasped, winking at you before sneaking past you to get upstairs faster.

When you reached the top, a breathtaking view spread across the landscape. However, the joy of success was soon overshadowed by a feeling of trepidation as you realized how much easier the climb had been compared to what lay ahead: the descent.

A slight panic spread among you as you realized the steep descent and the risk of a fall without safety equipment. The carefree excitement gave way to the realization that you had gotten yourself into a dangerous situation. You, who was normally full of courage, felt fear rising in your stomach.

Meanwhile, your mother noticed that you and some of your friends were no longer on the high ropes course. "Y/n! Ava! Mason!" An uneasy feeling ran through her as she began to call your names, but her shouts were swallowed up by the trees. The other chaperones and teachers looked around, but there was no sign of you or your friends. "What's wrong, Carina?" a father of another student asked worriedly, walking towards her to get more certainty. "I think some children are missing. Including my daughter, I haven't seen her in a while."

A touch of fear rose in her when some students moved towards her shortly after and told her that they last saw you disappearing towards the mountain and together with the other parents and teachers, she set off to look for you.

ᕚ---ᕘ

Your friends and you struggled on the mountain with your fear of the descent, unaware that the search for you had already begun. Each step down seemed more dangerous than the last and your upper arms trembled from the force you had to exert and the fear that permeated you. The steep slopes and loose rocks weighed heavily on you and you tried to stay calm, but the uncertainty was heavy in the air. "I don't know if we can do it. It's way too steep," you whispered to yourself, swallowing hard as you dared to look down.

The mountain path was steeper and more challenging than expected and you were cautiously trying to negotiate the middle section when you suddenly slipped and fell into a small but deep ditch lined with brush and rocks. Your impact was cushioned by a tree stump, but you remained stuck with a painful groan, unable to move.

"Y/n!! Are you okay? Answer us, please!" Your friend called down worriedly, hoping for an answer from you. She couldn't see or hear you and the fear that you were seriously injured weighed heavily on her chest. "No. I can't move. I can't feel my legs," you replied in a shaky voice, clenching your teeth to suppress the pain in your upper body.

Panic gripped the group when they saw that you were in a threatening situation. You were injured, probably to your spine, and unable to free yourself. "We need to get help. HELP!" your best friend shouted and as they screamed for help every second, you struggled to stay calm even though fear and pain overwhelmed you.

Carina and the others who were already looking for you heard the scream and realized the seriousness of the situation. She quickly ran towards the mountain and when she got there, she saw two people hanging on the cliff - but there was no sign of you. "Ava, Mason. Are you okay?"

Hearing voices from below, the two felt a sense of relief at the prospect of help. "We're up here but y/n fell and is probably seriously injured in the ditch below us. She can't feel her legs and we can't hear her anymore!"

Both your mother and the other people rushed over to help, but they were also aware that they couldn't get you out of this situation without professional help. At the moment when Carina was desperately looking for a solution, she pulled out her cell phone and dialed Maya, who was currently working her shift at Station 19.

Briefly describing the situation, her voice full of worry and fear, the blonde promised to come to the location with the team immediately in order to save their daughter. Her face showed concern and determination as she took in the scene before her, unable to do anything that could help her daughter. She didn't have the climbing skills to get to the ditch at a height of several meters and from down here she got no answer to her calls.

Less than fifteen minutes later, a woman stepped through the trees. It was Maya. Her expression was serious and yet you could clearly see the concern. "What happened?" She asked quickly as she approached with a stretcher.

Carina quickly explained the situation again and her team immediately jumped into action. Her trained eyes analyzed the situation as she began to give instructions to her people to get you safely out of the ditch. "Y/n, it's me, Mom. If you can hear me- stay calm. Gibson and Warren will get you out of there," Maya spoke in a calm voice as she began to use her equipment and experience as a captain.

The other youth and chaperones helped by following instructions and providing Maya with whatever she needed and could find. "You're doing great, darling. We'll get you out of there soon, don't worry," she continued calmly as she carefully assessed the situation, knowing she wouldn't get an answer. However, she wanted you to know that she was there and that you were not alone when you were conscious but unable to speak.

It was a laborious process, but eventually Gibson and Warren managed to carefully free you from the ditch and slowly bring you down with the lift and turntable ladder while Hughes and Travis secured the others and brought them down. The relief in the air was palpable when they finally had you lying on solid ground.

“Y/n, where is your pain?” Warren asked worriedly as he checked your body for injuries. Carina's heart skipped a beat and without hesitation, her legs moved as if fueled by adrenaline. She sprinted over to you, Maya in tow. "My back and my arm hurts," you replied with a shaky voice, but a smile crossed your face when you saw both of your mothers.

Carina was overwhelmed with gratitude and relief as she watched the two men use their expertise to help you. She and Gibson's eyes met and they nodded silently at each other, knowing that she was overjoyed that he had ensured your safety.

"You're going to the hospital now and you'll be taken care of. We'll be with you the whole time," the blonde whispered in a calm but firm voice and spoke more soothing words to stabilize you. Her hand reached for yours and you managed to grasp it securely.

The adrenaline of the two women smoked in their ears as they carefully looked after you. The students and instructors gathered around you and watched eagerly. A collective sigh of relief and applause echoed through the forest. "Mom, I'm scared."

"It'll be okay, please don't worry and don't move, Bella," Carina spoke to you carefully while Hughes and Warren provided further medical care. Carina got into the ambulance with you to accompany you to the hospital while Maya joined Warren in the passenger seat. "I'm sorry, Mom. It was so stupid of us,"

Carina brushed your disheveled hair away from your face and spoke to you seriously but lovingly about the dangers of your decision. You were relieved, but also deeply affected by the negative experiences you had. It was an important lesson that you would definitely never forget. It was a reminder of the importance of caution and knowledge in an environment that presented challenges and dangers.

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