The worst trope in the universe is when someone accuses character A, who is part of a real or fantasy or coded minority, of doing something bad and everyone's like "That's just your prejudice against [real or fantasy minority]!" and it turns out character A actually did do that bad thing and everyone else was stupid for not believing they did that bad thing.
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You have the astounding ability to make me consider liking things that I previously did not. Cable and Wade. Shiklah and Wade. Johnny and Peter. I’m a stubborn Spideypool obsessor, I’m sure I’ve mentioned, so pat yourself on the head for being SUCH a stan that you’ve broken through my OTP walls and gotten me to glance at other ways for Wade and Peter to he happy and loved.
i think if you truly love a character then you want them to get some no matter where it comes from
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> Someone remind me to elaborate on how I want to characterize Kirby later
:) ? I'm curious now
Like I said on the post that prompted this, he's a nice silly boy who's also the strongest being in the known universe. He's pretty emotionally mature for his age and always wants to help people out. Kirby radiates positivity to everyone around him. He's the kind of person that makes a really great friend.
He loves simple pleasurable things, like eating and sleeping and playing. When he's not saving the world, he's out somewhere enjoying himself, probably with a buddy.
His life isn't perfect. He's unsure of himself and doubts if he deserves everything he's got. He feels guilty for not always being able to save everyone, regardless if that's even possible. He loses his patience sometimes, most often with people like Marx or Magolor who like to push his buttons. He struggles with identifying and dealing with his feelings, especially negative ones.
When he feels bad, though, his friends have his back. They care about him a lot, especially his closest friends like Bandana Waddle Dee and Gooey.
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I feel like I liked yakuza 5 a lot more than most people for some reason
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Honestly, for me, one of the more ... uninspired and a little bit grating takes on problématique characters with sad backstories is: "well this other character experienced this and worse and they're not out there killing people!"
i mean, good for them, but I don't think we need a "best practice" approach to trauma
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If you played the Pokemon DLC, what's your opinion on Kieran and Carmine :0
Absolutely love the both of them, kind of wild how my opinions swapped between them
At first I loved Kieran and really disliked Carmine but by the end of the teal mask I thought Kieran was becoming a little bitch (affectionate + positive) and I absolutely loved Carmine
Still do, I'd say Carmine is probably my favourite to come from scarvio, below Arven but above Drayton
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Like. Once again, I of ALL people understand what it's like to imprint on/relate to/be drawn to/care most about unpalatable or destructive or vicious characters who Aren't Good People, but, you know. I do have to ask why, for so many people, this NEVER seems to happen when those characters are women.
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Thinking more about umbraclaw and while there’s stuff to critique from the gameplay side I think probably the biggest flaw of it is like everything to do with the writing, and I don’t mean just plot.
It’s one of those things where it’s like- The basic narrative of the story is got across well regardless of what ending you get-yes I did look it there being multiple endings lol-and it’s the first entry of a series so the story not being the best can be forgiven but it’s a shame NOTHING is super fleshed out. Not just the soul plane but the characters don’t get much at all, they kinda just exist as set pieces to move the narrative forward. Kuon, the mc oddly never talks that the characters always acknowledge it so she’s basically a blank slate and I’m unsure if it’s because we’re meant to project onto her/interpret her whoever we please or if it’s just to reflect she’s not like the others and she’s a normal animal.
We also don’t get to know enough about her owner that it’s actually hard to care about her other then “well she seems nice ig” since you can’t say you want to care about Kuon because she’s blank unless you really put yourself in her shoes or your own pet into her place ig. And don’t even get me on how LOCKE is so weirdly interrogated into the plot and clearly has more to him yet is left off being so vague, like we get teased he’s like you but never are directly shown or hinted at that. He’s just there as a rival but he’s not at ALL fleshed out enough or placed right into the plot even if he’s spared at the end which doesn’t amount to anything, he’s just there yet again to be a set piece that’s just a bit different from the others. (And also how he hints at a deeper theme of losing control of yourself in terms make you forget who you are but it’s not explored ENOUGH even if he’s there to reinforce it it only comes up in one ending)
Like this story doesn’t make me super angry to hate the game as I’m still gonna do another ending and overall playing it is a really interesting experience I won’t get from anything else, but maaan if we get a sequel I hope the plot is reworked significantly cause it sucks how it’s “not a bad story but also a story with no substance”.
Its something that’s satisfying only because it’s a what you see is what you get thing but doesn’t have anything deeper to really pick at.
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2024 reads / storygraph
The Queens of Innis Lear
slow-moving political fantasy, retelling of the shakespeare tragedy king lear
set in a dying island kingdom, where the prophesy-obsessed king (having neglected the wild magic of the land) must pass on the crown to his three daughters
the elder two hate their father and have been planning their rule for years, and the youngest loves her father and does not want the crown- but does care for the magic of the land
but when the king makes an unforeseen decision, and other kingdoms and spies circle, vying for land and power of their own
earth magic, fate and duty, complicated sister relationships
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i havent seen a single person on my dash talk abt starfield. we're all in baldurs gate hell
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I’m sorry I have to speak my truth lmao it’s a little bit hilarious that kingpin is stylistically offered such flourish and creativity, when writing wise he’s so fucking generic.
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I don't get what's so hard to understand about "Don't talk about Nancy or Steve or NancySteve you don't have the proper clearance" like how many times must I say it!!!
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well. finished yakuza 5.
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I’m really sad about it but I really am not looking forward to the next Dragon Age game. All of the press and statements that have been released just feel like it’s gonna be a let down in one way or another. I understand that the company and devs want to draw in a wider audience and get more people interested in the series, but the statement of ‘you won’t need to play the first games to play this one’ really concerns me. As well as them saying the Inquisitor won’t be a huge factor nor will your (possible) romance with Solas? A huge part of why I personally was looking forward to this game was that tie in. That ending of will it be a bitter end truly or will there be a chance for some sort of happiness? I felt before the announcements a bigger sense of need to not mess up my choices. Now I just feel like it’s going to be a horrid let down and something that ties in poorly with not so great character development. I’m hoping I’m wrong but man, it really is looking like this isn’t going to be a game for the older fans.
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playing through scarlet and the dlcs again cause i have Thoughts on the story and i wanna maybe write "my version" of it. but that also means i gotta go through the teal mask and blueberry academy stuff again to get to the good stuff (area zero)
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Adult contemporary novel
Follows a group of characters in 2019 London over the course of one weekend during a heatwave
Maggie (pregnant artist preparing to move home to raise a baby), Ed (Maggie's boyfriend, grappling with his sexuality and past relationship with Maggie's childhood friend), Phil (Maggie's childhood friend who spends his weekend partying and trying to figure out the budding relationship with his roommate, Keith), Rosaleen (Phil's mother struggling to tell her son about her cancer diagnosis) and others in their social circle
Explores the financial and emotional turmoil of Londoners and their families back home
Includes a fair number of queer characters among the cast
Read as an ARC
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