Fight Club headcanons ↴
Narrator
Autism food kinda guy, chicken nuggies (unseasoned) and apple sauce
Puts random shit in his mouth and accidentally eats a lot of it
Prefers weed tbh (NO edibles)
Wears women's undergarments
Outwardly masc
New Jersey :(
Really likes muted colors, Tyler's clothes sometimes give him headaches
Has been institutionalized before for sure
Very gay (he doesn't know)
Definitely threatens suicide and will go through with it just to win arguments
Subby for Tyler but also emotionally manipulates him (they are equals and as bad as each other)
Pervert in an Edwardian type of way, very shameful
Has a special blankie at the house that he hides from his roommate
Libertarian(?)
Tries to pet every animal he sees
Bitemark scars inside his mouth
Extreme cattiness
HATES kids
Marla is his manic pixie dream girl (platonically)
Tyler
Psychological warfare turns him on
Anarcho-communism all the way
Wears femme men's clothes or women's shirts and sometimes will wear dresses for Narrator
Disaster Bi slut
Cheats on Narrator all the time (no he doesn't get away with it, there have been many broken bones)
Over spices his food to the point of inedibility for everyone else
Hotboxes cars with cig smoke because he's an asshole
Actually decent at chess
Will do anything for $20
Versatile power bottom/bossy top
Emotional toxic masculinity
Probably is a baby daddy
The one who meticulously catalogues and restocks the first aid
Only reason Tyler has a driver's license is because he fucked the girl at the DMV
Crust punk in highschool (ew)
From North Carolina
LOVES cars, very much a car guy
Violent snuggler
Adores children
Is also misanthropic
Dad rock listener
Marla
Bestfriends with Narrator (even if he denies it)
Likes to make friendship bracelets
Nymphomaniac
Beautiful Princess Disorder :)
Shopaholic
Doesn't use labels
Very physically affectionate
Likes Narrator more than Tyler
Smells like rotting flowers
Not much of a drinker, only benzos and nic
Pretty goth gf why wont anyone date her :(
Wears briefs no bra or very complicated lingerie (no in-between)
Femme Fatale
Has killed a man
Crochets stuffed animals and granny square blankets
Listens to shitty Pop music unironically
Spearmint kind of girl, FUCK peppermint
Loves those stuffed gnomes you find in a Khol's and has a collection in her closet
Bitter foods are her favorite
Award for most STDs at one time
Breeding kink
Chicago girlie
Passenger princess all the way, never learned to drive
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i’ve got a question about your writing process: in order to write a 30 year narrative, you create it out of hundreds of individual moments & actions, and each one has to function by itself and also part of a whole—have truth to itself and emotional resonance in a timeline. imo the key to doing this successfully is to care about each moment and make each one memorable, which seems very difficult: you have to get at the meat of the human behavior, believably, in a way that matters and explains and progresses the story, every time. and to write 200k words of it you do it hundreds of times! could you talk a bit about idea generation for each moment and how you brainstorm and write them?
omg an excuse to make more diagrams ! Thank you so much for this lovely ask!
okay: in case you don’t want to scroll through like four/five months of my inane icemav Poasting, I’ve done a couple other posts that go into my process — here about specifically chapter 1 and here about the fatal flaw of my fics from a construction standpoint
but from an idea generation standpoint… it’s pretty boring and cynical. I literally just make checklists. “things that HAVE to happen.” here’s my notes app check list of stuff that HAD to happen for the story to make sense in my rewrite of what is now chapters 8 & 9. this is from last december lol
and here’s a checklist/diagram of the major story beats and the changes in relationship dynamics throughout the story. any one of these dynamics changing reflects on the others in a way that‘s worth talking about. the hard part is finding a framing device or scene to talk about them.
the A plot of the fic is ice’s relationship with the navy, primarily. his arc is defined by his rank. so that’s the number 1 dynamic I wanted to focus on in such-and-such scenes, and why I stuck as stringently as possible to the “one rank per chapter” formula until ice got to the top & had to reckon with what being at the top actually means. His change in ranks is inspiration enough for most scenes because it shifts the dynamics in a way that is worth remarking upon in and of itself.
as an example im thinking of this scene (mostly because it’s short but also) because i think it’s kind of representative of how my idea generation process works
It fills a lot of gaps that i needed filled at that specific juncture in the story. the idea started with a stupid little section of dialogue in my head (mav would be surprised that ice’s official Navy docusign signature isn’t his actual signature) that happened to be symbolically relevant too (of course ice would have two different signatures for his two different personas). Then it morphed into a discussion of Ice’s canonically unhappy-looking compacflt portrait, which is canonically unhappy-looking. Then add onto that ice admitting he’s only happy at home (home obviously meaning with maverick, given that he’s literally in his house right now and still doesn’t feel like he’s home) and maverick telling him, “well that’s a problem that has literally the easiest fix in the world. youre making this way more complicated than it needs to be. just come home to me.”
so it’s literally just checking off boxes of things I wanted to talk about. as I said, a very cynical creation process. ✅ ice and mav doing the long-distance-relationship phone call thing (framing device for the whole scene). ✅ mav knowing ice’s real vs fake signature ❤️. ✅ ice’s canon unhappy compacflt portrait that makes an appearance in TGM. ✅ ice not feeling at home in Hawaii. ✅ ice not being fulfilled by the job & only being fulfilled by mav. ✅ ice coming up with excuses to see mav at any possible chance he gets. ✅ ice still obviously thinking of mav and Bradley as his family & maverick as his home. Etc etc. You see what i mean? how many stupid little ideas, symbols, and dynamic shifts can i cram into a page or so? that’s pretty much my thinking.
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THIS FRIDAY ONLY!
Your local Ghumblr is offering a Per happy trail for every day of the week!
But wait, there's MORE! For this 4th of July holiday we are celebrating ‘Merica and throwing in BONUS NIPPLE RINGS!
REMEMBER, THIS FRIDAY ONLY!
Act now! Only while supplies last!
(No refunds, no returns. While supplies last. May cause tremors and horny thoughts. Use only as directed. Offer valid only today. Ghock not included)
GREMLIN
Gremlin how DARE YOU.
You know I can't resist an offer like that. It's the deal of the century.
Comence the tremors and the horny thoughts IMMEDIATELY.
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Let's be honest, and I say this with full offense, Lucerys Velaryon is the Archduke Franz Ferdinand of the Dance of the Dragons. He is meant to be a sacrificial lamb to kick off the entire war proper. If we had gotten a full season of development with him like we did with the younger cast in Game of Thrones, I guarantee more people would've felt something. The only reason I personally feel bad is from a baseline level of empathy, because he was a child who was placed in an unwinnable situation due to his mom being completely irresponsible with him and his brothers.
However…
The comparison between Lucerys and Aemond is no contest. Love him or hate him, Aemond has an actual personality and goals when we first meet him. There's enough dimension in Aemond as a child to showcase the potential for sympathy between him and Jace at the funeral, a scene they didn't need to put in, but they did, which emphasizes his own innocence. Even before he breaks bad fully in S1E10, he's still far more compelling to watch due to the number of scenes allocated to him and his dynamic with other people.
This is where you and I are going to disagree just a bit, because Lucerys does do something in S1E07 and S1E08. He gouges out the eye of a family member and petulantly whines that he “didn’t do anything!” when confronted with the possibility of getting in trouble for it, then years later has the nerve and complete lack of sense to giggle at the person he permanently maimed only hours after his legitimacy was publicly called into question (again) and resulted in a murder. The narrative (perhaps unintentionally) glosses over these moments in favor of portraying him as good, whereas if you read between the lines, you can see that as being an oversimplification. The problem is that because S1 was truncated, secondary characters like Lucerys don’t receive screentime dedicated to portraying anything other than a single personality trait. Unfortunately, because of his role in the text and the way it was adapted for television, there was never a chance that Lucerys would be interesting.
I don't even have anything to add, this is just objectively correct.
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oh whoops- only just saw your boundaries page
please excuse my comment about how slutty they look covered in blood in your Ending the Parable AU 😭
you're good man 😭 at least it was funny
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