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#the daughter always becomes the mother
littlerosette · 5 months
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i would love to talk more about how katniss’s codependence on peeta mirrors that of her mother’s codependence on her father but i don’t want to scream right now
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cacw · 2 months
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meet your maker
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brookheimer · 1 year
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okay. i need to rewatch the episode probably but i think my current feeling is that i like most of it a lot (rome, ken, the siblings not getting ceo, etc), think the tom ceo makes sense from a logical/character perspective but not sure how i feel about it from a broader more thematic lens (altho i'm leaning towards fine with it), and am very mixed on shiv's ending because i think it's well-conceived and meaningful from a broader thematic lens (shiv becomes her mother, the cycle always repeats, etc) but doesn't quite make sense to me from a logical/character one -- it could've worked, it could've worked brilliantly, but it was far too rushed and forced. it makes sense as an ending for shiv, but not her next step. i'm largely talking about her decision to return to tom, not her decision to vote against kendall (which i think should've been executed better and given more space but can understand given her character, mostly). i'm fine with it as an ending for shiv, but what i'm struggling to stomach is the way it played out -- it didn't feel like a choice the shiv we know would've made. it's an ending that makes sense thematically and for her character arc, but not a decision that makes sense for her character at present. that's kinda where i'm at right now
#long shiv post talking ab this upcoming lol#bc so far i haven't seen like any shiv takes i've actually agreed with#it's either entirely anti ending or pro ending#whereas like. to me the ending works as an ending for the character. it's tragic dark devastating but it works and works well#but shiv making that choice does not make sense for where she is right now. it was rushed writing that forced an ending on her#that would be a satisfying ending but not a satisfying character choice and thus NOT a super satisfying ending#could've been EXTREMELY satisfying. but shiv wasn't there yet. her fatal flaw is blowing up good situations when she feels she's being#disrespected -- she's respect > power when it comes down to it#even tho she thinks she wants power more she NEEDS respect and is unable to stay quiet or make the smart choice in the face of disrespect#or men thinking they're superior etcetcetc. so her making a choice that allots her power (wife of CEO) but is the singular least respecting#outcome imaginable (meekly returning to your husband who betrayed you and stole the job you've been fighting for your entire life right out#of your grasp alongside your closest ally/flirt guyfriend who tapped him to do it explicitly to fuck you over because you're a pregnant#woman and thus inferior to the man who inseminated you -- and EVERYONE KNOWS ALL OF THIS! everyone knows you're the daughter of#the previous CEO and on two separate instances were meant to be CEO and now the weak man you married publicly betrayed you TWICE#but you still meekly return to him and place your hand in his and have his baby like the good pawn you are...)#that does not make sense for shiv. if we saw some development on the power > respect front or had a few more scenes or episodes developing#shiv as someone who would choose to become her mother (powerful and rich yet a disrespected pawn) over literally anything else#given her fundamental fear of being disrespected than maybe this would've made sense. it could be a great meaningful devastating ending#but it's one that just does not track for shiv as we know her right now.#ok tags got long as always sorry LOL i'm gonna write a longer thing explaining my hashtag thoughts bc i haven't seen much i agreed w on thi#front yet oops. ok bye 4 now tee hee#succession#succession spoilers#casey shut the fuck up about shiv roy
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queensparklekitten · 9 days
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time princess players how do y'all picture the MCs of every story
like since every set and piece of official art has a different hair colour, length, and style with every picture of them, and sometimes there's descriptions that don't match the images, which one do you go with
and do you make half of them look like your avatar or have your own designs
#dutp#time princess#when playing/viewing it through the ''story traveler'' lens#i often justify the hair colour changes in-universe by headcanoning that it's story kingdom magic that allows you to change your hair colou#by default i make half the mcs look like (taller versions of) me/my avatar (who's designed after me but with purple eyes) to some extent#but there are exceptions#like if the mc isn't white i'm obviously not gonna base her design off myself#except Maybe giving her my/my avatar's hair length#and if a spinoff shows the mc i'll often use that design#i always pictured zoya blonde until the salvia spinoff story came out and showed her with the light brown hair from that one set#it also described zoya as having black eyes which i went with#i didn't have a locked in eye colour headcanon for her before but i didn't really picture her with eyes that dark#probably because none of the album art gave her black eyes#though eye colours tend to be inconsistent in this game#nastia's described with gray eyes but that one album art gives her blue eyes#and on the flipside charlotte's described with blue eyes in one side story but her model doesn't have blue eyes#nor does at least one album art of her#i give virtually every mc long hair just because most of the hairstyles in those sets require it#i always picture cordelia with dark hair and ocean green-blue eyes#like a vivid teal colour. just fits someone whose name means ''daughter of the sea''#and sometimes i have her stop shaving her legs when she becomes a pirate because a) she lives on a boat#and b) representation of her leaving behind that gilded-cage life of fancy etiquette and ''you must become a perfect wife and mother''#in which she did everything society demanded of her at the expense of her own happiness#like yeah after escaping that i Will make cordelia stop shaving her legs. for the symbolism. and the fact that she lives on a pirate boat.#i always give aurora that pastel-almost-white shiny gradient dyed hair#because a) it's in half the sets b) it looks so so so cool c) it looks great next to the companions i ship her with#matches with novi and gives her a light-dark duality with selene's dark purple hair#idk her natural hair colour but i also give her the creepily pale eyes from Silent Night Rebirth#to match the pastel clothes she's so often in. this is not her natural eye colour either. hey that's p clearly a common thing in this city#i strongly doubt that selene's eyes are naturally that bright blueish purple
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origamiyoda · 9 days
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happy mothers day to the feeling that comes with knowing you and your mother will inevitably be at odds with eachother
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sareesnotsorries · 4 months
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the burden of understanding your mother in a way no one else does
I love her. I hate her. I still flinch when she raises her hand. Her hugs are still one of the greatest comforts to me. She looks at me and sees herself and we shoulder that together. (She hates our broad shoulders.) We stopped saying, I love you. We can talk for hours about nothing. We have gone weeks without properly speaking. We have entire conversations during family gatherings with a single glance. Sometimes it feels like she doesn't even know me. I'm jealous of how gentle she is with my nephew. I wonder if she'll ever want to meet my kid. Sometimes I hate that I know her. I'm her most loyal guard dog. I know she's just trying her best. It's not good enough. It's not good enough. It's not good enough.
I deserve better.
So does she.
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ruinakete · 4 months
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peony : what would a ‘ happy life ’ look like in your muse’s eyes ?
BOTANICAL HEADCANONS ・ accepting! ( warning for discussion or mentions of pregnancies, childbirth, child neglect / abuse, religious trauma, and bad parenting overall )
there are two answers to this depending on pre-death and post-death Zephia, so i'll answer this question twice, elaborate on both, and compare the expectation between the two, as slight as it might be. the order will be PRE-DEATH → POST-DEATH → COMPARISON. warning for rambling and long paragraphs, too 💕
first off, a "happy life" in PRE-DEATH Zephia's eyes would be pretty basic and concise. she would bear a child by Lord Sombron and heal her loneliness. but that's where it ends. she hadn't thought of anything after gracing a womb with a child, thus, after her child would be born, what then? what would she want after? though this "happy life" would consist of Sombron giving in to her wish, would he not expect her child to become a pawn if she taught them the ways of the Fell Dragon? but if she didn't, if she tried to be a mother like her mother once was, would her child not snap their jaws at the world like it was theirs?
no matter how many children she has, there is no place for the Four Hounds in this happy life. they were temporary in her real conquest and, thus, would be discarded once she was deemed pregnant. after all, her only reason to be Sombron's follower in the first place was for him to realize how good of a mother he could make her, right? there's a question of where she and her child go but for that, she has no answer. whatever it be, it would be nowhere close to a Fell Church. that much was for certain. she saw the treatment they gave children—took part in it, even. but she would be damned if anyone besides herself hurt her child. this, likely, extends to Sombron. she chose him as a father simply because of how absent he is in the lives of his own children so it should be the same for hers. he won't care and her child's entire world will revolve around her.
but, a "happy life" in POST-DEATH Zephia's eyes is more thought-out but less sensical. her conquest of bearing a Lord Sombron's child is still a priority, but she does not know where it stands among the others. because, now, she realizes that she does have other people she cares for. whether she has one child or plenty, the Four Hounds deserve a place at her side, however, she doesn't know where or how that is. would she take them far from the Fell Church? even after its damages have already been done? would she name Griss as the godfather of her child? Mauvier? would she forgive Marni and, in some twisted form of fate, pronounce her the dead godmother? either way, she will have a child ( because, to her, she needs to start over. a clean new slate. a clean new family. ) but where would she go to raise them?
after her death, Zephia doesn't really understand her goals or desires. she's realized that the Four Hounds were the family she wanted, yes, but would they be enough? especially after she had such an influence in all of their fates? what's to say that Griss would even be a good godfather? and if he isn't, what would she do? it isn't his fault that he's the way he is as much as it's her fault for encouraging his desires. would she discard him from the new life or would she see her child as the problem?
now for the COMPARISON. let it be known that imagining Xephia with a child is a dangerous game, as her own traumas are only repressed, not healed, and putting a child under her care would only prove how inept she is at motherhood. she wasn't made or taught how to properly love someone and her definition of parenthood is a transaction of obligation from the child for being born so... yeah.
pre-death Zephia is selfish whereas post-death Zephia is not as blind to her prior desires. this has nothing to do with Sombron, unfortunately, as she still wants to have his child. that will not change. for over a thousand years, that was her goal and, likely, will not change until a thousand more years of self-introspection occur. however, post-death Zephia does now see the Four Hounds as a family, though her understanding of this doesn't reflect that. she doesn't fully recognize the impact Griss, Mauvier, and Marni had on her conscious. so while she definitely imagines them being a part of a "happy life", in comparison to pre-death Zephia who will not think of them as anything beyond what they are, i don't think she knows what or where they'll be. because, after all, Marni's death was by her hands and Mauvier is nowhere to be found.
it's simple to assume that a "happy life" in Zephia's eyes would be something cruel and purposefully full of malice ( ex. founding a Fell Church of her own, or another faction of followers, or reviving Sombron completely ) but the only goal in life that she can remember having is to bear a child and live a life of fullness with them. the specifics aren't and were never thought out fully.
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ninas-gf · 8 months
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thinking about an AU in which jean dies young and frederica attempts to train barbara to become the next gunnhildr heir…
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oh-katsuki · 2 years
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i cannot express how much this bonnie burstow quote fucks me up. i really can’t. 
“Often father and daughter look down on mother (woman) together. They exchange meaningful glances when she misses a point. They agree that she is not bright as they are, cannot reason as they do. This collusion does not save the daughter from the mother's fate.”
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tigerlily1615 · 5 months
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watched the barbie movie with my mom (and my dad, and my little brother...) and just watched some vids on trans people and their relationship to stories like barbie and nimona and across the spiderverse. many thoughts head full very angry about a lot of things
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serizawaliker · 8 months
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i NEED to make transgender horror
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betawooper · 1 year
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after learning more about dokja and sookyung in ch 172 or whatever, im Genuinely considering making dokja transmasc in the transfem yoo joo au
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sanctamater · 1 year
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me, shaking elizabeth and amelia like a snowglobe: i just think they’re neat. 
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just finished s6 of elementary (finished s5 on sunday. lol) and i’m trying to get my friends to watch it also so unfortunately i can’t drown them in my spoilery rantings so instead everything is going in the tags here so uh. abandon all hope ye who enter these tags, spoilers abound
#im gonna pad these tags a bit actually#so the spoilers go behind a 'read more' or whatever#youre welcome <3#have i mentioned you should watch this show#anyways we're probably safe now su#HOOOOOOOOOLY SHIIIIIIT#that is not at ALL where i expected that to go#gregson was really warming up to me this season. he had never really stood out as a characted before but i think he really shown in s5&6#but man. that finale. honestly idk if i can forgive his character for that. i know he was just trying to protect his daughter but she had to#take responsibility for killing michael because it was not fair for joan to take the fall for that even unintentionally. im definitely gonna#miss him tho. and marcus too. i mean i knew his presence was coming to an end anyways with the marshalls but this finale has really dissolve#d the core cast here. now its jsut sherlock and joan. back in london too; thats quite the move#and in the last season. i guess the total shift is setting and cast didnt do well with ratings? or maybe it was always going to end at 221b#idk. but i think my favorite part of this season was sherlock completely devoting himself to the idea of joan getting a kid#personally idk how i feel about the narrative making her a mother in the end. i could say it has come problematic implications about women's#roles but honestly within the context on the narrative? i dont think thats entirely true. anyways i jsut thought it was super cure how much#sherlock just wanted joan to be happy and fulfilled. 'i would make adjustments for you watson always.' 'we're two people who love each other#they way he develops through her. the way he learns how to love and be loved. the way he becomes kinder and he lets down his walls to laugh#with her and smile with her. the way that they understand each other in ways nobody else ever has. it makes me som emotinal#HE NAMED A BEE AFTER HER#im never going to get over that#anyways 'uncle detective' is maybe the cutest thing ever. he cleaned up his murder dollhouse for a kid she didnt even have yet :)#ok i think im done. for now. its 1am and i have class at 8:30 so uh i guess  i'll just die about it but oh well. i was gonna watch one more#and then i realized the one after that one was the season finale so you see how i did what i had to#anyways. good night#:')#will tags this far in even get registered? oh well#elementary#cbs elementary#please someone talk to me about them
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supercutszns · 4 months
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Luke x reader where a girl, daughter of Aphrodite, flirts with him and insults the reader, causing her to avoid Luke, but later he manages to find her and confesses that he actually likes them... I don't know if they should already be together or not, but I believe in you!!! you write very well :ooo
Sorry if the idea is bad or you wouldn't want to write something like that, if that's the case please pretend you never read this 🤡🤡🫶
true colours; luke castellan
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wc + pairing: 3.6k, luke castellan x child of iris! reader
synopsis: everyone wants luke castellan, including you. curse your mother for getting your hopes up.
warnings: friends to lovers, reader is very insecure, bullying, lee fletcher & will solace cameo!! some angst with a fluffy ending
notes: thank you for the request!! as always this is longer than i anticipated but hope you like it :) i also combined it with another request for a child of iris reader (i also identify as a child of iris sometimes so i lovee writing for them) also i’m pretty sure lee + a lot of parts of this are ooc sorry but i havent read the books in about a year so hopefully everything’s fairly accurate!🌈
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You knew this summer would be different because your mother sent her wishes twice as much. On the first day of July, when children flood into Camp Half-Blood like a hive of wild bees, a rainbow always lights up the sky. 
This year, there were two. 
As a child of Iris you’re technically supposed to be in the Hermes cabin. But your love for art, for music, for fun, has made you a particular favourite of the Apollo cabin. Most of your friends are there. They tolerate you singing in your soft, often unsure voice. They love when you catch sunlight and filter it into prisms of colour on their cabin walls. 
You’d probably move in there permanently if it weren’t for Hermes. Or rather, his son.
Over the last few months, in the sticky summer heat, your mother knew you would fall in love. 
It's not any surprise you love Luke. Everyone loves Luke. A fact that's becoming more obvious every passing day. 
It used to bother you less. You’ve always been his meagre, hopeless friend, never any real competition to these girls. You’d basically taken yourself out of the running and instead decided to pine after him in the very back of your mind. A safe, deluded fantasy that would never happen. 
Until recently, where it seems less like a fantasy and more like a terrifying possibility. 
Over the past few weeks Luke has gone out of his way to be sweet to you. Or at least you think so. He’s spent extra time talking to you at lunch, laughing at your half-formed jokes almost in earnest. At bonfires he saves you a seat, grabs you a marshmallow on occasion. You even made him a friendship bracelet of sorts—admittedly a little ugly—but he’s never taken it off. Not since the day you gave it to him. 
Not to mention helping you last week before the archery competition. His hands lingering over yours as he steadied your bow, the curls of his breath on the back of your neck when he stood behind you. 
“Don’t be nervous,” he says, a tinge of mirth in his voice. “You just steady your aim and first is as good as yours.”
(You came in fifteenth.)
You don’t want to say that it’s him weakening your aim, making your pulse beat out of your neck. His nose brushes against the back of your jaw as he leans forward and you smell the pine on his skin. Is this friendly? Is he this close on purpose? Are you delusional?
It’s all you’ve been thinking about these past few days. So when Luke Castellan’s endless admirers come to the forefront of your mind, you feel like all those moments of potential buildup have been ripped away. 
“You alright there, sunshine?” 
He takes you out of your spiral with a teasing lilt you love. When you look at him, his face is a shimmering warmth, complete with boyish smile. 
“Yep,” you reply, trying to ignore the nickname making your insides flutter even though you know he’s saying it ironically.
You’ve always had a gift for identifying colour. It’s the thing you pay attention to most. Something inherited from your mother, you suppose. So you’ve memorized the way Luke’s eyes melt in the sunlight. How his scar blends with his pinking cheeks when it’s hot outside. You never told him, and you probably never will, but you’ve painted him from memory quite a few times in the Apollo cabin—always with the excuse that you were practicing. It's so blatantly obvious you're in love with him there's no point in your friends bringing it up.  
The two of you are meandering around camp before dinner, a tradition Luke started early on in the summer. You talk about high points of your day (mostly you) or share nuggets of gossip you’ve heard around camp (mostly him). It's the thing you looked forward to every morning. A time when his words are just for you. 
Idle chatter flows as you keep walking. Sometimes your arm brushes his and you have the embarrassing urge to tug yours away. You do your best not to stare at him too long or laugh too loud at his jokes. 
“Hey, Castellan!” Someone calls. 
Luke’s head turns. Your heart plummets. A beautiful girl, Aphrodite cabin, you think, is heading towards you. She’s all honey-spun hair and dazzling pink lips, and it’s obvious she knows it. You don’t know her name. But Luke does. 
They fall into conversation the second she arrives. It’s just greetings, pleasantries, but there’s a coy smile on the girl’s face that betrays any sense of disinterest. “Heard you’re not too keen on pairing up with us for the Chariot Race next week. What gives?” Her tone is pouty and playful as she taps Luke’s shoulder. She side-eyes you, lips curling imperceptibly. “I’m sure you’ll have a better chance with us.”
He lets out a strained chuckle. “Dunno, just thought it was fine to switch it up.”
Just like that, you’re out of the loop again. More of her friends flock after her, and soon Luke is tangled in a whole other world. They’re all glowing with a kind of righteousness you only get when you’re popular. You know Luke has friends, tons of them. He's the leader of the cabin with the most campers. Not to mention assertive and gorgeous. His presence is so inviting it’s a challenge not to fall in love with him. 
So you can’t blame this girl, the one that keeps touching his arm and giggling. It’s not like you’ve staked your claim on Luke—no one even knows you exist. As much as you want him to be yours, you know you’ll never stop someone from taking him first. It’s your fatal flaw, you think. Cowardice. 
You end up sidelined completely. Watching him swathed in people more charismatic than you plants an ache deep inside you. All your wishful thinking feels sour now, a pipe dream, a bedtime story to help you sleep better. Somehow it hurts more knowing that it’s nobody’s fault but yours. These people can’t be doing this on purpose. It’s just who they are. It’s who you are—always a step behind, always daydreaming. You are your mother’s daughter, after all. Just a prism reflecting everyone around you. 
Eventually, one of the boys in the group takes notice of you. He’s not nearly as captivating as Luke is—you don’t find the colours of his eyes hold as much depth. There’s also a haughtiness when he looks at you. He sneers, “What the hell do you have on your face?”
It draws the attention of others in the group. You feel like a naked sculpture in an art gallery. “Uh, what?” You stammer. 
Some of them purse their lips. The girl with Luke lets a laugh slip. You’re pretty sure you look like an idiot, waiting there with your brows wrinkled in a daze. Their gazes keep flicking over to your cheek, so your hand flies up there before you can delay any more. When you press your fingers to the side of your face, they come away tacky and pink. Mortification constricts you.
Paint. It’s leftover, half-dried paint. The colour of Luke’s cheeks in the sun. 
“Oh,” you say dumbly. It’s drowned by snickers. All you can do is find Luke, the only face you know, and ask, “Why didn’t you tell me?” without sounding too hurt. 
You know you failed when your voice comes out wrong and his ebony brows push together. “I thought it looked—”
He never gets to finish because the golden girl laughs a little louder, the pink tones in her face a little darker. “Oh my Gods, you’re that Iris kid that’s always singing, right?” She giggles sharply, cornflower eyes darting between her friends. There’s something in there you can’t quite pick up on, until it flushes the pupils of all her friends, and they all grin with a secret knowledge they want you to see. “You’re, like, really good!” The girl simpers, but her bottom lip pulls between her teeth to soften another laugh. 
“Oh, so good!” Another friend piles on. 
Their passive-aggressive chuckles start to sound like hail on a window. You shift further away from them. Dirt slides beneath your shoe, and you long to kick up more of it, displace yourself, disappear. 
You don’t look at Luke. The giggly, flaxen girl has already turned back to him, and you’re sure he’s enthralled once more. You try to stir up the image of Luke’s closeness during archery practice, the lilac bruise on his knuckles when he angled your bow, but it doesn’t take. Now, it feels like you’ve dreamed it. 
Out of the corner of your eye, you see Luke leaning down to catch a whisper from the Aphrodite girl’s ear. The boy that first commented on your cheek leans closer to you again. He’s suffocatingly smug when he grins, “Why are you still here? Shouldn’t you go … wash that off? You don’t want to look like that at dinner.” He snorts. “For an Iris kid, you really aren’t good at taking a message.” 
If you were a more confident person, maybe you’d point out how that didn’t really make sense, or how stupid it sounded coming out of his mouth. But the sentiment of it wounds you, and you’re weak enough as is. 
"Guess you're right," you mumble. You wipe your face of paint as you leave. The memory of Luke’s skin stains you until you wash your hands off in the sink. 
You haven’t talked to him since. 
It’s been a few days of you avoiding him, and it’s hard to explain to anyone why you’ve been doing it. How do you tell the truth? Luke Castellan is a work of art and you are … a weird doodle, or something. Despite your adoration, you know there’s no reason he should feel the same for you. Everyone loves him for a reason. Everyone must ignore you for one, too. 
“Why haven’t you been talking to Luke?”
The question breaks your concentrated silence in the Apollo cabin. You’ve been sitting here for a while now, humming to yourself over a mostly blank canvas. The cabin is dusted with a lilac haze, thanks to your manipulation of the light streaming through the windows. Helps you feel less like you’re at camp and more like you’re in a fairytale. 
“Helloooo, lady, I asked you a question.”
You begrudgingly look up. Lee Fletcher, head of the Apollo cabin, is at the mouth of the cabin, gazing at all your supplies strewn about the floor like they’re a bunch of unsavoury substances. “It looks like a hurricane came in here. Now why aren’t you talking to Luke?”
“How do you know I’m not talking to him?” You mutter as Lee sits beside you. 
“Uh, because you’ve been sleeping here multiple nights in a row and you never do that. And you don’t sit with him at dinner. And whenever we see him you drag me in the other direction—”
“Lee!”
“I’m just saying, you should probably talk about it. My beautiful voice can heal wounds, yes, but not of the heart.” He splays a hand across his chest in mock theatrics.
You don’t say anything. The familiar weight of the brush against your fingertips is far more comforting than trying to talk, so you busy yourself with your canvas again. “He waits for you, you know,” Lee continues, quieter. “In the morning. And before dinner. He always asks if you’re here.”
“Oh,” you say, and your wavering voice betrays your expression. But you think of everyone else at camp, their gleaming smiles and their celebrated parents, their own cabins and friends and dreams, how you don’t seem to have any of those. You think of the girl whispering in Luke’s ear. All her shades of beauty. You know it’s wrong to compare yourself, to be jealous. You’re just … sad.
The cabin darkens from a lilac to an imperceptibly gloomier shade. A blue sort of longing gets caught in your throat, blurring the colours on your canvas. But you keep your brush steady, focused on the scratch of its bristles so you don’t have to hear what you say next. 
“I think I love him, Lee.” And then, “But I don’t think he loves me.”
There’s no sound except the scraping of your brush when it’s run out of paint, and a sniffle when a tear rolls down your cheek. 
“Oh,” Lee fills the silence the way you did just moments before. Then he says your name, laced with pity, and hugs you on the floor of his lavender cabin. 
“You want to help me lead the bonfire song tonight?” He asks after a minute. “Or at least … come to the bonfire song?” 
“No to the first, yes to the second.”
You wish you said no to both. 
The spot you choose after dinner is right next to the fire so you can distract yourself with the golden flecks of flame. Fire is so fluid, so complex, from a colour perspective. But no matter how close you get, the searing warmth can’t hide Luke’s gaze peering over the embers. 
He will not. Stop. Looking at you. 
The singing from the Apollo kids usually soothes you but tonight it’s just making you anxious. All this attention so close to you. Will Solace has been sitting next to you this whole time, your unofficial assigned companion for the night thanks to Lee. One of his siblings beckons him over, and he shoots you an apologetic look, hesitating. "Just go," you wave off kindly. "It's all good." He's not entirely convinced, and you aren't either, but he squeezes your shoulder with thanks and leaves you anyway.
Now you’re acutely aware the space next to you is wide open. And so is Luke, it seems. There’s an awkward moment where your gazes slide over each other and he weaves out of his current crowd towards you. So you do the most mature, sound thing you could possibly do in this situation:
You say you have to go to the bathroom to no one in particular and get out of there. 
It’s dark, but you’ve got sharper eyes than most. Soon the noise of the campfire is behind you. You traipse through the camp towards the bathroom,but you don’t get far before you hear something that makes your stomach drop in the worst and best way. 
Luke, calling your name. 
At first you think you can get away with not hearing him. Then he calls a second, a third, a fourth time, punctuated with, “Come on, I know you can hear me, can you just turn around?”
He’s got longer legs than you so the next time he speaks it’s practically in your ear. “Hey, just look at me. Please. I want to talk to you.”
There’s something so tender in his voice that it makes you cave immediately. But you already feel so fragile, you can feel the tears behind your eyes. You know you won’t have the strength to talk to him. 
His hand curls gently around your wrist and it sends warmth all the way up your arm. He says your name again, softer, and you love the way it sounds. You can’t meet his eyes, but you already know what he looks like. Even in the dark you picture him crystal clear. 
“Look at me,” he repeats. “I just—I need to know what I did wrong.”
His dark eyes are full and apprehensive when you heed him. You notice how much you’ve missed studying his face—the slight bunch of his brows, the tensing in his jaw. And you almost delude yourself that he’s missed you just as much, the way he squeezes your wrist and rakes over your expression.
“Why are you ignoring me?” He asks. 
“I’m not—”
“You are. I know you. Just tell me why.” 
He looks so sweet, so earnest, and it kills you. You think of the way he looked when all his friends made fun of you. It all comes up before you can help it. 
“Do you always let me walk around looking like an idiot?” You ask bitingly, staring at the floor. “The thing, with the paint on my cheek—why didn’t you tell me? I looked so stupid and all your friends just laughed at me!” 
His face falls. “I tried to tell you, I thought—”
“It’s okay to say you don’t like me, or that you’re embarrassed, or whatever, but I …” You swallow, tears thick on your lower lashes. “Everyone makes fun of me. I don’t know why you don’t.”
“Because I do like you,” he states, hand moving up to your forearm. 
“Don’t say that,” you whisper. “You’re so much … better, you know you are, and I don’t want your pity, or your spare time. I just—I made something up in my head that wasn’t there and I only noticed it the other day after you talked to that girl and that guy made fun of me and I’m really, really sorry—”
“It looked cute. I was trying to say I didn’t tell you about the paint because I thought it was cute.”
There’s a lull.
“What?” You blink stupidly. 
“I know I should’ve told you about it, but I swear I was going to before dinner, I didn’t think we’d run into anyone before then.” His cheeks tinge red. “I had this whole dumb thing planned out where I’d wipe it off your cheek and tell you how cute it was once you got embarassed. I was waiting to tell you. I was thinking about it the whole time.”
His hand on your arm is a frighteningly grounding thing. You're dumbstruck by that alone. Your lips part, but all that comes out is, “Why?”
A gentle laugh tumbles out of his throat. “Why do you think?”
His other hand comes up to brush your cheekbone, where the paint had been, and you can imagine him doing it to you on that day. How you'd probably react just the way he said you would, the way you are now. A warm orange glow blooming in your chest. “But the girl—”
“She tried whispering to me how much she liked my bracelet,” he smiles fondly. “Told her you made it for me. It shut her up. I don’t know what that guy said to you but I chewed ‘em all out the second you left. They knew I wasn’t happy. I tried looking for you but you were gone. I don't like them, you know."
You don’t know what to say. It’s too difficult, too uncertain for you to jump the gun on this. So you just stare at all the shifting colours on his face as he moves closer to you. All this time going over his every detail, and there's still more to be enthralled by.
“I found the paintings,” he says, voice so close you can feel it brushing your skin. “The ones of me. I was looking for you in the Apollo cabin a week ago and you left one out. I knew it was yours because ... I mean, there’s no one in the world that can make me look that … beautiful.” 
The last word is apprehensive but it’s spoken with an unimaginable tenderness. He looks a little teary himself. You think you’re dreaming. “I knew I had to tell you after that. I’ve been trying to tell you. But you started pulling away from me so I thought I was making it all up.”
“Tell me what?” It’s a ghost of a question between you, an impossible thing, but the hand on your arm slips around to your back and he presses it there with such certainty. 
“You’re really gonna make me say it?” He cocks his head, but you nod. “I’m in love with you, I think.”
The words cascade over you in ribbons of warmth. Your brain feels fuzzy, seperate from the rest of your body. Your mouth opens multiple times but you can’t seem to control what comes out. “Luke, are you joking?”
“Not even a little.”
“But you’ve got so many other—”
“I want you.”
“I am literally the most incompetent person alive; I can’t sing, I can’t talk to people, I have a weird knee—”
"Your knee is fine!"
"I'm just saying, this makes no sense from an outsider perspective, it's—"
“Okay, clearly the telling thing isn’t working so I guess I’m just gonna have to kiss you.”
It happens so quickly you don’t have any time to think (probably for the better). You let out a surprised “oh” before his mouth silences you, stopping every other thought. He’s gentle, thumb still rubbing your cheekbone, other hand still firm at your waist. You want to panic—where should you put your hands? How do you know you’re doing this right? But he steadies you, the way he always does, and you give in. 
He starts to smile against your lips. You’re almost positive the intensity of your heartbeat could summon a storm. When he pulls away, he kisses the corners of your mouth and you think you’re going to evaporate. “I don’t think I’m very good at this,” you whisper.
“You’re perfect.” He grins a little when your hands tentatively tug at a curl on the nape of his neck. “And none of that stuff you say is true. I mean, you’re definitely a better singer than me.”
Leaning close to your ear, he warbles out a song you know but gets the words horribly wrong anyways. You can’t help but laugh. “Okay, maybe you have a point.”
He hums and chuckles with you. You swear the moon gets brighter when he wraps his arms around your waist to kiss the side of your face. “Next time you paint me, I want to be there when you do it.”
You blush harder than you ever have in your life. “Only if you try painting me,” you say quietly.
“Of course. You’re very pretty, so I’m sure my horrible artistic skills won’t even make you look bad.”
Luke lets you press your face into the crook of his neck. You soak it up for all it’s worth. 
In the morning, you wake up in the same position. Your nose tucked against his collarbone, the shade of pink you love freckled across his cheeks. You can't wait to paint him again.
When you look out the window, you say a silent, grateful prayer to your mother.
She's given you two more rainbows.
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sgrplumditz · 4 months
Text
You had his baby and he didn't know.
She sat with the 3-month-old baby girl. Every time she looked at her she saw His eyes, the eyes of the father of her child that had no idea she existed. A perfect blend of the two, but like her father the most recognizable feature was her eyes. Carrying her mother's soft and feminine features, while having her father's gaze.
She was standing in the kitchen of her two-bedroom apartment preparing to pump her full, plump breasts as her daughter slept soundly in a playpen nearby. Thinking of her daughter had become second nature to her, which meant that her thoughts only revolved around her daughter from the moment she found out she was pregnant. Although she was struggling as a single mother, she did not hold any resentment toward Simon. After all, he had no idea their daughter existed.
Simon was forced to leave for his work responsibilities. He knew he would be gone for a long time, it was a no-brainer that they would go their own separate paths. When her thoughts were not consumed by her daughter they were consumed by Him, she craved the closure, or support, or comfort that she knew he could bring her.
Interrupted. Her thoughts were interrupted by a light knock on the door. Her protective nature took over as she walked to the front door while holding a bottle in her right hand. Her heart sank the moment she looked through the peephole. "What is He doing here?" she thought before slowly swinging the door open.
His gaze immediately dropped to the pink bottle in her hand, "Why didn't you tell me?" he spoke, his voice was soft, yet it still held a slight tone of hostility. His accent was prominent, something she noticed would happen whenever he was emotional. His eyes looked drained, tired, and confused, but physically he looked as good as ever. His tall stature and wide frame cast a shadow over her significantly smaller build.
"Tell you what?" she said as her face flushed red and her heart pounded in her ears. Her ears also burning.
Simon walked into her apartment closing the door behind him, "You have never been a good liar". There it was, the exact gaze she saw in her daughter staring back at her in His body. That same gaze turned to his sleeping daughter in the pink playpen that was littered with stuffed animals and pink accents.
She couldn't tell what he was thinking or feeling. Anger, frustration, joy, sadness -- it was evident that he was on a roller coaster.
"Why didn't you tell me?", he sighed running his hand through his thick blonde hair. She was stunned, but she didn't know if it was because he actually showed up, or if she was stunned because this was their first time standing in a room together as a family. "Who told you?" her voice came out soft, timid almost.
"Price, but that is beside the matter" he paused to take in the sight of his daughter. "Why didn't you contact me? I gave you my cell for emergencies... th-this is an appropriate reason to contact me." he now sounded frustrated with her. She was gripping the bottle in her hand still, unable to relax and let it go. Was he mad?
He wasn't. He approached her and gently took the bottle out of her hand -- he knew her better than anyone meaning that he knew that she reacted poorly to confrontation. "You're okay, Love" he spoke gently as he held her small hands in his, "Talk to me, please." he pleaded as he guided them to the nearby couch, making her take a seat. There was new sense of gentleness when he spoke. The shift came naturally to him as now he was fixated on protecting the mother of his child in all aspects. His thumbs massaged her wrists gently while he waited for her to find her words. Simon has always been patient, a quality she loved about him.
They sat in silence for a few minutes, the only audible noise coming from the cooing sounds of their daughter. "Whenever you're ready, Love. I'm here to stay," he said with his warm hands still on her.
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