#the design for one character is so not consistent in the same series for what reason

[bloominglegumes]

something something two atoms in a molecule

[jonnywaistcoat]

Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?

So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.

First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.

Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.

It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"

But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?

Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.

Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.

[redstarwriting]

the clash | i. hey, ho! let’s go!

hobie brown x goth!reader

word count: 1.1k

genre: enemies to lovers

warnings: language, insults, hobie hating you, you hating hobie

a/n: it’s here 😎 no but fr, i proudly present a new series focusing on hobie brown, loml. i‘m trying to make it gn, so if you spot anything that needs fixing lemme know. i also did include a bit of a description of what you look like, but it’s mainly just to affirm the gothic spider-person look. and if you don’t like it, you can just pretend it isn’t there, my character designer brain just took a hold while explaining lol. enjoy y’all, there’s more where this came from 👀

now reading: i. hey, ho! let’s go!

next chapter: ii. time bomb

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In theory, the two of you should have been great friends. Best friends, even. He’s called Spider-Punk, and you’re called Spider-Goth, this alone made Miguel assume the two of you would get along better than all of the Peters. Unfortunately for Miguel, he was dead wrong. It was fine at first, a good introduction. “Spider-Punk, meet Spider-Goth,” Miguel says, motioning to the two of you. You simultaneously turn your heads towards him, “Don’t call me that.” You look at each other, seemingly sizing each other up after speaking the same words at the same time. In reality, the two of you were checking each other out, but no one needs to know that. “Fine. Hobie, meet (Y/n). (Y/n), meet Hobie,” Miguel says as Peter B. Parker hops next to him, excited to see the two of you interact. Your gaze first fell on his many piercings, which suited him very well. Almost as well as the spikes coming out of the shoulders of his tattered denim vest. “See somethin’ you like?” you hear his thick cockney accent, and you shrug. “The constant changing makes it difficult,” you say, causing him to shrug. “I hate consistency,” he says, staring you up and down. “I like the guitar,” you say, and he nods. “Everyone does.” You raise an eyebrow, and he takes in the way your heavy black eyeliner makes the expression look more exaggerated than it is. His eyes go down, taking in your outfit, which seems to be varying in different gothic styles, but overall is all black with silver studs, spikes, and charms sticking out everywhere. He notices the two of you share a liking for combat boots, and perhaps his favorite thing about you are the intricate and all black spider-web tattoos on your hands crawling their way up your arms. Hobie clicks his tongue. “Goth, eh?”

“Yeah. Is that a problem with you or something?”

“Feisty for a goth.”

“Instigative as all punks are.”

“What… is going on,’ Peter whispers to Miguel who shakes his head. “I thought they would be best friends?” Peter suggests as he places a binky in Mayday’s mouth. “I did too…” Miguel says, “Maybe this is just a way these types of alternative people talk?”

“Tal vez tengas razón… Hobie does love to be abrasive for no reason,” Miguel concludes, and Peter shrugs and they zone in on the two of you again. “...I don’t suppose there’s no reason we shouldn’t get along,” Hobie suggests, raising an eyebrow at you. “I agree. We probably think similar things… for the most part.”

“For the most part, huh?”

“Just that we have similar ideas, but most likely not the same,” you respond, and he crosses his arms, his guitar moving loosely behind his back. “Opinions on anarchy. Go.”

“It’s the ideal society—”

“Good start—”

“But completely unrealistic.”

“Excuse me?” Hobie looks at you with a glowering expression. “Humans are inherently assholes. Selfish, shitty, assholes. As amazing as it would be to have anarchy running rampant,” you shrug, “It’s unlikely it will ever happen.”

“You can’t actually believe that,” Hobie says, exasperated, “I mean you actually think that we can’t achieve it? You get enough people angry, and they rebel, they push for anarchy. I’ve seen it happen; I’ve led a rebellion.” You roll your eyes. “And do you live in a perfect anarchical society now?”

“Not yet, but we’re gettin’ there,” he clenches his teeth, and you sigh. “I admire your blatant idiocy disguised as an ambitious dream,” you say, and he huffs. “Would you just talk like a normal fuckin’ person and stop usin’ these dumbass words and shitty poetic language?”

“Excuse me?”

“You heard me, or are you as deaf as your ideologies?” This time you scoff. “I don’t have the time to be berated by someone who lives in their own delusions to try and feel the slightest bit less angry at the world for giving him the shitty cards he was dealt.”

“And I don’t have time to listen to the rubbish ramblings of a miserable twat who digs desperately into their black hole of a heart to try and feel somethin’ when the truth is they don’t even know what they stand for,” he fires back. You glare at him. He glares at you. As if on cue you both flip each other off before you web away. Peter’s voice cuts through the silence.

“Well, that went horribly!”

Miguel punches him on the shoulder, resulting in a soft ‘ow’ and a tiny angry noise from Mayday. “What the hell was that Hobart?” Miguel nearly yells and Hobie snaps his head towards him. “Don’t call me that, neither! They don’t get it. It’s not enough to want to make a difference in the world. You need to take action. Goths love to sit on the sidelines and lament instead of playing the offensive,” Hobie explains, a deep frown on his face, “Watch out for them. They might not be able to do what it takes when it counts.” Miguel sighs and pinches the bridge of his nose. “Hobie, you’re supposed to show them around—”

“No, fuck that. I’m not goin’ anywhere near that gothic monstrosity,” Hobie says shaking his head in defiance. “We made a deal. You would show all the younger spider—”

“Yeah, well you can shove that deal up your fuckin’ ass, mate, I’m not doin’ shit for them!”

“Okay, okay, calm down there, man. Why don’t you just ask Gwen to help you? Maybe Miles and Pavitr too? That way you fulfill your promise, 'cause I know promises are important to you, and you won’t have to talk to them!” Peter reasons and Hobie looks over at him. He furrows his eyebrows. That would help the situation. And maybe he’d be able to help you see just how garbage your take was with Gwen on his side. “Fine. But I’m not doin’ it cause I need help, and I’m not doin’ it because you told me to. I’m doin’ it cause it’s the last thing that they’d want,” Hobie says, pointing at Peter while saying it, flipping Miguel off, and then webbing away. Peter looks at Miguel who is clenching his fists… and his jaw. “You seem stressed, but don’t worry about it. Not all of us need to like each other, I mean there’s so many there’s no possible way we all could and look at you, you hate Miles even though he’s awesome and—”

“Shut. Up. Peter,” Miguel growls, stalking away while mumbling various things in Spanish. Peter looks down at Mayday. “Tough crowd,” he says as she giggles up at him.

───────────────────────────────

『 tag list 』

@casmosmoon* @khaleesihavilliard @sparklyphantom​ @weyrrii* 

*if you are italicized - i am unable to tag you for whatever reason, feel free to reach out and see if we can fix the issue

[dunmeshistash]

in regards to skin tone variation in DM, i do think a lot of it is colorism/racism too. theres a few characters of color, but not many (just like how theres some fatter characters, but none of them are main characters (even senshi & other dwarves arent really depicted as fat)).

ryoko kui has surface representation for these people, but it lacks much substance, and the brown characters she does draw arent given brown facial features, and are almost always colored with very ashy skin. a lot of them just look like a recolored white person (especially cithis, kaka, & kiki). her random portraits of characters who dont actually appear in the series otherwise tend to be much better about this, but the actual characters that show up and play a part all seem to suffer from this issue.

im not saying kui is like, super-duper racist and we all need to stop reading DM etc etc, but i think its important to recognize and point out everyday/usually-overlooked colorism & racism when we see it, and i know im not the first or only person to point this out about her character designs. if she can draw fat people and actual brown people as part of the portraits, why cant she or wont she do the same for any of the featured characters in the series?

(i know the orcs are fat, but its not a good thing the only consistently fat people are the ones who are a fantasy race based off of violent racial stereotypes, who are also pig people, while none of the main cast of "real" humans are fat except *maybe* the dwarves, who still have small waists and flat stomachs, and the lord of the island, who is depicted as corrupt & decadent)

Well yeah.

I'm just a lore blog so I don't like to get too into real life issues or make assumptions about how the author feels about these subjects. What I talked about on the skin tone post was assumptions as to why she thought it would be important to show skin tone variations on certain races as a character design choice. (In the sense that her character design is very purposeful)

I realize some people over praise Kui's designs when most of it is pretty safe for what it is, but even if it's just a step closer to better representation it's something that's rare to see in anime. So I understand why some people get so excited about it.

It is important to realize this isn't the ideal either (Dark skinned characters with the same features as the others, mostly well build characters on the thinner side) but I personally don't like to criticize these type of stories on what it "could/should have been".

As someone who is fat and not white, I'm happy we get some diversity in dungeon meshi. I hope this opens up the possibility of better character design in the future even if what we got now wasn't perfect.

It shouldn't be the case that this piece of art filled me with so much joy I teared up cause I had never seen someone with a similar body to mine drawn with so much respect and objectivity. But unfortunately that's the world we live in and I don't think it's wrong to be happy for what we get for now while acknowledging it's not perfect and that it should be better.

I'm also super happy the anime chose to make the dark characters even darker.

[bee-nutauthor]

Dimitrescu Sisters If they were Content Creators Headcanon (for fun)

Bela Dimitrescu

-The most wholesome, mom-esque content ever

-Will give you good life advice, whether it be shopping tips on how to get more groceries for less, or tips on how to manage your finances

-Makes cooking videos, sewing videos, make up videos, candle making videos, nail painting vidoes- basically anything to do with crafts and she's probably done it

-Speaks in a calm tone, has mellow music in the background

-Uses very calm colors in her videos, meaning her shirts are in cool tones of blues, grays, whites, and blacks.

-Her backdrop is a clean and organized space- a light wood bookshelf, plain walls, some minimalist flower vases, and a diffuser

-Is very organized with her schedule. Her videos are always up at the same time and day, and she follows a rotating schedule of what topics she will make videos for

-Controversies? None, unless you count the time she roasted a company who wanted her to do a paid promo for actually being toxic and causing them to shut down

-She is affectionately called 'Internet Mom'

-She does not understand the 'sorry, mommy' jokes and does not wish to

-Does not collab with other content creators, which lead to a conspiracy theory whether she actually existed in real life or was a robot

-Is sponsored mostly by clothing brands

Cassandra Dimitrescu

-She is a storytime channel, telling the most outlandish stories ever

-And they're all true. Her life is just like that

-She travels a lot for work so often she'll film travel vlogs or behind the scene vlogs

-Collabs all the time with other content creators

-Always has famous people on her channel

-Does Q and A's

-Her video uploading schedule is not super consistent due to her traveling a lot, and sometimes she'll post several videos in a row and then there will be nothing for a long time

-She has cycled through 5 public relationships within the first three months of her channel

-Has released music videos on her channel and is planning on releasing a full album. She always puts a lot of effort into her sets and costume design. Her singing is amazing as she's classically trained and can do opera too

-Has starred in other content creator's mini series on youtube and always draws the most views in

-Outfits are always changing depending on if she's traveling or making music videos

-Has made a few comedy skits here and there

-Controversies? There is a lot of drama circling around her and who she's hooking up with or who she'll go for next. A few people tried to call out her melodramatic behavior and instead of making an apology video Cassandra winked at the camera, sent the viewers a kiss and said "you know you love me like this," and ended the video like that.

-She was right. Her views only skyrocketed after this

-Gets many sponsorships, but donates the money from them to art or dance studios

Daniela Dimitrescu

-A streamer, she streams several hours a day in a row

-She does games mostly, with the occasional video filming her attempt to cook some horrific dish she found on the internet such as the toducken

-Has posted a few videos of herself doing tricks on her skateboard

-Has posted a few videos of her work out routines. Those have millions of views for reasons relating to her crop top and abs

-Has a set up with RGB lights in the back, and a mini fridge full of energy drinks

-Has the latest technology to play games on, but wears the same outfit almost always to her streams: a black tank top, a black hoodie with neon green writing on it, and a pair of headphones with cat ears on top

-Has dyed her hair many times but commonly sticks with her red hair, shaved on one side

-Has tattoos of her favorite video game characters on her arms and legs

-Will stream with other players and has done a handful of collabs but prefers playing single player games

-Rarely sleeps and has done several 24 hour streams for charity

-Controversies? She was accused of cheating when doing a speedrun but it was only the haters claiming she couldn't play

-Sponsored by raid shadow legends and other game companies

[ancientbygone]

simulacra 3 [take me back to eden]

[sundowning]

Sleep's mimic forms of the vessels during the time period of TMBTE, because i can't be normal and start a series from the beginning and not the end.

more info + design breakdowns under the cut:

[obligatory "when talking about the vessels, i'm talking about characters" disclaimer]

background info on the whole idea:

Sleep as a being is shapeless in my mind; more of a concept than a creature. it can manifest as sort of an absence of light in any shape to others, usually to appeal to feeling/emotion. the only "rule" for that is that whatever Sleep tries to appear as cannot look more or less innocent/powerful than Sleep actually is, which usually manifests in two things: the size being different from the thing/person it's imitating, scaled according to power, and/or added features, usually in some way threatening or regal.

one of Sleep's more consistent forms it takes throughout interacting with Vessel is mimicking him, partially to create an illusion of the two being more similar than they actually are and partially because Sleep used to exist as Vessel's shadow when they'd just met. the visual itself has changed through time (you can see what it was like during Sundowning in my Higher artwork), and during TMBTE that visual is pretty much the titular song's character with the most minor tweaks (which is why i didn't draw it separately).

all that made me think about the idea of Sleep mimicking the other vessels just to fuck with Vessel further (to be clear, i am a strong believer that Sleep only interacts with Vessel in any way). so now here are the designs of those mimics during the events of TMBTE, utilizing the album's song characters much like the Vessel mimic. because again, i have to start a series from the end, i guess.

"ii"/ii mimic (song character used: AYROK)

the main idea driving the design of "ii" is the real ii's goal to keep Vessel more or less safe by being by his side in worshipping Sleep, which is the reason he'd decided to become the second vessel in the first place. the choice of AYROK as the character to use in this design is obvious. one of the ideas that stem from that is ii's duty/desire to keep his face hidden for Vessel's sake; only his hands are visible & detailed because that's the only part of him Vessel remembers before either of them became vessels of Sleep and the only part ii has really shown after that. another is ii's timidity in telling Vessel to go against Sleep's will because he fears that no matter how bad it may be, it'll be much worse if Vessel doesn't follow it. that part comes through in the pose - shyly holding his hands together as if they're tied.

"iii"/iii mimic (song character used: Aqua Regia)

the song character inspo being Aqua Regia is mostly because of the calmer nature of the song and the dynamic duo it makes with Vore, less so the themes of the lyrics. also its visual design. iii mimic's design themes are iii's adoration/borderline obsession with Vessel (wearing Vessel's jewelry and having elements of his robe in his shirt + his own face/mask slowly melting off) and his enagement with worship as an act/aesthetic rather than something more serious (the overabundance of jewelry and accessories; the extra arms; the body language; the cuffs around his arms and legs being decorative and not actually restricting). also the rings on his fingers make a checkered pattern.

"iv"/iv mimic (song character used: Vore)

the use of Vore for "iv" is obvious too. song wouldn't be the same without his real life self. the design really just aims to combine iv with the Vore character, but there are two big things here. the simplest one is anger issues, which is why he's So Goddamn Spiky and why his jacket looks like scarred skin rather than painted & customized. the anger mostly shows up in the body language: most of the time "iv" just stares unblinkingly with pure palpable ire in the two glowing dots for eyes, and when he does move it's very stiff and snappy and barely controlled. the other thing is that, simply speaking, the real iv got into this whole mess without knowing the full extent of it and now he's in too deep and kinda losing himself. in the design it's expressed through the human features gradually turning into bug-like, such as the hoodie fading into a segmented millipede-like body and the fucked up mantis hands, and the gold of the original iv's mask melting over the face with the horns being part of it. the spikes protrude from him in a way that makes it difficult to distinguish between jacket decorations and actual parts of his body, but the spines are definitely from his body & allow me to live the dream of iv with a mohawk LMAO

anyway have fun with these go nuts i'll make similar sheets & posts for Sundowning and TPWBYT eventually

[art]

Creator Spotlight: Pablo Lobato

Pablo Lobato was born in Trelew, Patagonia, Argentina, in April 1970. He studied graphic design at Universidad Nacional de La Plata, as well as Painting and Engraving. He moved to Buenos Aires to work as a graphic designer in the editorial field. After five years, he got bored and decided to give one more chance to his true love: portraits. Represented by Anna Goodson, he started working as a collaborator in magazines and newspapers: Rolling Stone, The New Yorker, Wired, New York Times, Entertainment Weekly, TV Guide, and The Village Voice, among others. His work has been featured in Illustration Now Vol.3 and Portraits! by Taschen editorial. Lobato has taken part in numerous collective exhibits in Argentina, the United States, Italy, Chile, and Portugal.

Check out our interview with Pablo below!

Can you take us through a day in the life of working on a project like Wendell & Wild?

I worked on this project during the lockdown because of the COVID pandemic, so I was home all of the time. My days consisted of zooms with director Henry Selick, work, play with the kids, work, make dinner, watch a series on Netflix, work, and more work. While everyone was trying to figure out what to do with their free time, I was working like never before.

What was the inspiration behind the character designs in Wendell & Wild, and which character was the most challenging or interesting to develop?

Each character was inspired by different people or things. Wendell and Wild are caricatures of Keegan Michael Key, and Jordan Peele. The inspiration for Kat was a blend between the Afropunk movement and ancient African masks. Manberg could be an Israeli Marlon Brando.

What do you wish you had known when you first started out creating art that you know now?

How to be a character designer!!! This was my first time, so I had to learn in the process.

What is one habit you find yourself doing a lot as an artist? 

I find myself looking for new things all the time, finding new directions to go in, and making mistakes.

How many unfinished/WIP pieces do you have? Care to share a sneak peek..?

Hundreds!!!!!

How has your style developed over the years?

At the beginning, my work was very sketchy—very rough. Then, I started using the computer, and everything was cleaner and more geometric. Now, I think I’m going back to more organic shapes.

What does your work set up look like?

It’s a mess. Please don’t ask me for pictures. I will never show it.

How has technology changed the way you approach your work?

It was a big change when I first started using the computer. But technology keeps growing, and I’m using the same old software as 20 years ago.

Who or what on Tumblr inspires you and why?

I appreciate the diversity that Tumblr has. Thousands and thousands of different art projects popping in front of your eyes. It’s like a brainstorm on your screen.

Thank you so much for stopping by, Pablo! Check out his work with Netflix’s Wendell & Wild over at @netflix!

[bibibbon]

MHA chapter 424 (rant)

This chapter was horrible. Look, if hori thought that this chapter could provide the fans with some relief he was wrong.

This is supposed to be the epilogue or the beginning of it and half of it is just useless BKDK. Honestly this was so stupid I feel like this chapter which was labeled the epilogue could of been used to wrap up a lot of character arcs and update us on events instead of us getting some little bkdk crying ending. In all honesty I still hate bakugo and think that their arc is Hella underdeveloped considering that Izuku never gets any intropsection going on and bks development is heavily flawed.

Still hate what the series did with Izuku. Izuku as a main character and a character in general is heavily underdeveloped so I understand why he is getting the hate that he is getting. However, izuku was also a victim in this and didn't get proper development at all, like him and shigs whole storyline was sidelined and they barely formed a relationship before or even during that fight at all. Izukus lack of intropsection is also one of the reasons why he is getting hate like it's low-key hori's fault for not giving us any development when it was right there. I also think I need to remind some people that izuku is only 16 and had all of this on top of his shoulders but I see the point that shig a victim should of been saved. However, it's not like izuku didn't try his best, like he tired all he could it's at the end of the day shig that didn't accept it until it was too late. Also, can we talk about how horrible hori did izukus design dam I miss his fluffy hair at the same time I get it. Also I hate that he still has some OFA embers and all like it makes no sense I thought they were gone with that one punch that was apparently so strong it CHANGED THE WEATHER?!?! Honestly, I hate that inko is nowhere in sight and that she allowed him to go back to ua like?!?!?!?

Shigaraki deserves better. Oh dam I just wish that someone would adopt shig and izu and give them a better ending cos this isn't it. Shigarakis storyline ending sucked in all honesty especially that retcon that stated that shig apparently knew that AFO was manipulating him?!?!?! Also am I the only one whose confused as to why shigs last words were directed towards spinner. As angry as Iam I was also expecting some horrible stuff like this to pop up considering that hori has consistently been trying to separate Tenko and shigaraki so this is what we get but just even worse.

So nothing on toga and ochako? No offense but I hated that this chapter was just centered around BKDK like where was toga? Or ochako? Why is it that we only get one small panel of ochako looking pensive and sad when last time we saw her she was on the verge of death and in CRITICAL condition. Also what about toga? Like we haven't seen her in a long time. Is she alive? Is she dead? In all honesty if she is alive and gets no concequences then I would call that bad writing.

What about the todoroki family ? Poor Todoroki last time we saw him his family fully surrounded touya forgetting about him. In all honesty he deserves so much more and my arguement stands. We should of gotten an update about the todoroki family as well. Iam not a fan of enji neither am I huge fan of the direction touya/Dabis character has taken but I would of enjoyed an update.

What about the others? Kurogiri, spinner and the rest!??!!?!?! Iam bais but dam it seems like this chapter has forgotten all about the other characters it put in critical or difficult situations and just chose to focus on some stuff that's so irrelevant. Like the small panels should of been reserved for spinner and kurogiri on characters that we should of seen updates on. While we should of gotten full pages on todoroki and ochako

Also it seems like the pacing is quite fast, too fast really. How is it that they're just going back to school like I thought people resided in UA and that some of it was heavily damaged during the war? What about the chaos and destruction that's all over Japan has that been rebuilt? Also how did parents allow their kids to go back to a school that made them glorified child soldiers?

It's a shame we don't get any focus on izuku nor do we see his mother's reaction. I mean we see and get more focus on bakugo than we do when it comes to izuku and it sucks horribly.

In conclusion, I heavily disliked this chapter and giving it the title of epilogue is horrible. I bet that this is like one of the last chapters we are getting.

[wasyago]

unsure if you’ve been asked this before but what is your character designing process?

i have already answered in this post (you can go read it if you want), though it's more jrwi based, so i feel like i can answer again! i doubt I'll end up saying something new but hwhatever who cares dhhdhd

obviously this isn't math, so there's no specific scheme i follow every time, and each design is different and it all varies heavily.

in general, when i start working on a design i already have *some* sort of idea in mind. normally not for the entirety of it, but some bits and pieces here and there that help me characterize the design in my head! i try to get those on the canvas first. they're like key points, and i most likely wont change them.

(and if i don't have an idea, i don't start drawing. and instead scroll through my gallery or pinterest in search of inspiration)

let's take my Gem's recent design as an example! i knew i wanted her to be a squirrel, and i already had squirrel scar and cub designs to base it off. so the key points were big pointy ears, curvy tail, claws. i also knew i wanted her clothing to look regal and floral, and reflect her main base. this is an idea that i haven't fully visualized, but i kept it in mind and knew in which direction i had to move.

after that comes the point where i start making stuff up 👍👍 i enjoy thinking my designs through and making them make sense in my head and be practical. so the process consists of me asking myself questions and then answering them in a design. with occasional "oh wouldn't that be cool" thrown into it.

continuing with gem. she needed to have her clothes be suited for a tail, so her underskirt splits in three parts to make it easier. i still wanted the design to be recognizable as gem and have it resemble her skin; so i kept the white sleeves, the green skirt, the corset. i wanted to make her and scar's designs match, so i changed the corset to green with this long piece of cloth but decided to change the patterns on it. because the brown from the corset was gone, i removed it from her shoes as well and made them black instead, so brown wasn't part of the color pallett anymore. i will introduce pink into the design later, so getting rid of one of the colors wasn't that big of a deal. plus, brown makes her look more down to earth, whereas i want her to look elegant and rich, so its a win/win. i wanted to keep her antlers, but obviously she's not a deer anymore, so i turned them into a crown and made it black to match the shoes. etc etc. i can ramble for three more hours about this hdgshsh.

well, that's how the well thought designs work.

sometimes it's just "im gonna draw all the things i think are fun and cute until i can't think of any" and there's no rhyme or reason to it. that's why things like "doc as a unicorn", one-off series designs, random concepts, aus exist!

sometimes its a "i have no idea what to do with it, so im gonna merge all the layers together and just keep fiddling with it until i figure it out", and that's exactly what happens. if i feel stuck with a design, merging it together and working with both line and color helps a ton, because it helps me to see the design as a whole and i dont have to divide my process and think of which parts im gonna do in color and which in line! recent example is hypno's design. here it is when i didn't know how to make it interesting and the final version:

(funnily enough i still like the first concept, the fact that all the clothes is the same color is quite tasty. but i know that if i needed to draw this design in the future, i would struggle with keeping the clothing layers separated and shading and all that stuff.)

visually i don't think there's much difference between how i design things (?), but the process varies and in my head they're all on like, different tiers.

hopefully this was somewhat helpful! if not it at least let me ramble about my design process which is great hdhsjsh

[lxmelle]

“Best Friend” / 親友

I’ve been mulling over this for a few days, wondering if I’m overthinking things, or if there is actually something to it.

Gojo and Geto are like a pair of parents. And I think it’s deliberate. Hear me out.

See, from a non-native pov, I can pick apart this coined phrase for best friends, shinyuu “親友” or “family friend” into its individual kanji: 親 and 友

The first kanji on its own, oya “親” can be read as “parents”. The second kanji on its own is tomo “友” can be read as “friend”. How a kanji character is read changes according to context within a sentence, topic, or what it is paired with. It can be difficult to explain if you’re not used to the language, so I’ll leave it at that for the purposes of not complicating this post.

They both considered each other their 親友 - best friend. There is only one pair of people who considered each other this “best friend” terminology in the series. Gege could have used Nakama 仲間, or Brother, or even just Tomodachi 友達. TaisetsunaHito 大切な人 is definitely a step too far. No other best friend. Yuji is several people’s “brother” but not best friend. Gojo and Geto are a pair. A duo. The canon-confirmed “たった一人の親友” my one and only best friend status is mutual.

As friends, we know they split up. There is no mention of 親友 / best friend-ism at this point. But they unequivocally considered each other as such, and they never ever had another 親友 until their dying day.

The fact that there is the kanji for “parent” in the phrase for “best friend” is poetic. “Oya/親” is obviously the same word used by Gojo in the kfc breakup scene, because that’s the kanji for it, and that’s what Geto did - kill his parents.

I’ll use this to illustrate:

親 = parents (consisting of mum + dad).

親友🤍 + 親友🖤

To add to the latter, this potential theme, they both go onto adopting kids. Their different parenting styles speak for themselves ofc, but that’s by the by.

Gojo and Geto’s separation played a part in setting off this huge domino effect too. Geto also described how his parents are not his only family now. We also know he considers close non-blood-related persons to be as “family” - like how he offered Kuroi the acceptance of her feelings towards Amanai as “family”. He saw Gojo and the school as family - that is, until he saw how the system was willing to sacrifice their own kind. It isn’t a stretch to see the parallels between what Geto is sharing about severing that bond with his parents (and also with Gojo) and finding another “family” by choice.

Obviously Gege isn’t drawing the parallel by bringing parents into it just due to their best friend status. I headcanon that it was to start anew, not be a hypocrite, to spare them from the monster he’d become, and to eliminate the likelihood they’d be used against him in any way. The last 2 reasons would be to drive in the emphasis that there is a similarity with Rika (who was rumoured to have been the reason for her parents’ deaths although they occurred separately) and... that this would mean that Geto was also separating from his “family” in HI - the duo that was Gojo and Geto. Gojo ascended without him in his quest to become the strongest, and Geto descended to pursue his twisted form of meaning to make his ideal a reality.

It might just be reaching and a coincidence, but I remember that Gege loves these little itty bitty details in character and lore design - like birthdates, dates, flower language, religion, specific kanji used for names, etc - just to name a few. It helps him illustrate significance and I guess adds a touch of sophistication and layering in his storytelling. I absolutely love it. We know by design SatoSugu / Gojo and Geto are meant to be counterparts, so black & white, yin and yang, light and dark, elite and common, even their names are quite fitting, GojO SatoRU and GetO SuguRU .

The kanji / characters selected are also deliberate - Satoru 悟 being “enlightenment” and Suguru 傑 being “outstanding”. The Gojokesa 五条袈裟 was also deliberate, Geto 夏油 has the word “summer” as part of his name and his birthday is setsubun (1st day of spring) where ghosts/evil spirits are chased away. Gojo’s is the heaviest snowfall.

My examples are limited to just satosugu, but you know other characters have similar situations with how the kanji for their names were chosen - e.g. simplest that come to mind is 七海建人 Nanami : 七 = 7 and his ratio technique 7:3 and his hair style too 70%30% parting, 海 = sea, 建人 = human builder (…lol, Gojo entrusted Yuji to him after all…); utahime 歌 = song/music, etc.

My point is that there are a lot of little details like these, so I concluded that I’ll just share this thought I had. The pair of 親友 breaking up is a bit like “partners in crime” no longer being partners anymore, and went about their separate ways but fostered “families” of their own.

TLDR: scene in front of the KFC was really a breakup (◞‸◟)

[felinefractious]

Final (hopefully) Notes on Moonpaw

So first off I’d like to specify this is not a Warriors blog.

The Warriors series was hugely important to me during my childhood so there’s a definite nostalgia factor there. I no longer read the books but I still interact with the material and community.

There is a hefty overlap between the cat genetics + phenotype community and Warriors fans. A non-insignificant portion of my followers are involved with the series to some extent.

As such the subject will occasionally come up. Going forward these instances will be tagged as #wc bullshit, even if the circumstances or nature of the discussion aren’t negative. It’s just better to have one consistent tan people can block.

But ultimately this is not and will never be a Warriors blog.

Now onto the matter at hand.

Let’s summarize.

Moonpaw is the protagonist of the upcoming series of Warriors. The official website recently released her design as well as her parents, which has caused a buzz within the community for multiple reasons.

She is labeled as a chimera in her description, which the authors represent with a split-face pattern. A notable aspect of her story is going to center around this and how unique and special this makes her…

Which only demonstrates the authors poor understanding of the subject, as the split-face pattern is a normal presentation of tortoiseshell coloration and something which would certainly have occured numerous time within the clans population prior to now.

One of the authors thought mackerel referred to a green-hued cat, though. So.

It is possible for Moonpaw to be a chimera in the same way it is possible for any character to be or have been a chimera, there is no singular way for chineric cats to look and phenotypically normal cats can be chimeric and it’s just not detected because no-one knows to look for it.

But the split-face in itself isn’t suggestive of being a chimera, this is a widely perpetuated myth.

The belief that split face = chimera may be a relatively benign misunderstanding but it’s somewhat concerning how devoted to this misbelief some people seem to be. It’s okay to be wrong, it’s okay to not have known something. If you’re given new information accept it, don’t come snapping back with “Why does it matter?”

It’s a slippery slope to try and decide what degree of misinformation is acceptable to spread and the way some people react to almost as if it’s a personal slight to be told is teetering dangerously close to anti-intellectualism, especially during a time where misinformation in general is on the rise a la AI.

Don’t get me wrong, deliberate information can be fun to play with because it involves some degree of understanding that it isn’t true. Goncharov is an excellent example of “Yes, and” and sometimes I’ll assigned completely fabricated breeds to followers cats as part of a game.

This is different than sincere ignornance.

And we’re already seeing the inevitable conclusion of this behavior, I’ve seen swaths of misinformation about chimerism stemming from this which are not as benign as the initial split-face misbelief.

Chimerism occurs when two zygotes fuse into one organism… and that’s all chimerism is.

Chimerism is not a and is not related to any disability. It is actually so benign that we don’t know how common it actually is because most remain undiagnosed because there’s no inclination to test for it.

In instances where it is tested for this usually isn’t due to any medical complication for the individual, rather reproductive anomalies seem to be the most common instigator for testing, such as someone failing a parental DNA test.

So of course Moonpaw could be disabled but in the same way literally any character could be disabled. There’s been nothing in her design or the rest of the source material we’ve seen thus far that indicates she’s canonically disabled. Her chimerism is irrelevant to this subject.

Chimerism is also not inherently an intersex condition, although it absolutely can be. Intersex conditions occur when there are chromosomal, hormonal or anatomical variations that deviate from the narrowly defined social norm of one sex or another.

Ezra is a well-known chimera who with 96% XX and 4% XY chromosomes in blood but 100/% XY chromosomes in skin which means Ezra is intersex… but if the zygotes that fused were both XX or XY the individual would not be intersex due to their chimerism, though.

Discrimination of intersex people is a real problem.

But it has nothing to do with Moonpaw as a chimera.

Of course Moonpaw could be intersex, the same as any character could be intersex. Moonpaw can even be intersex as a direct result of her chimerism, as is the case with Ezra! But being a chimera in and of itself isn’t an indication that she’s intersex, it is entirely possible for her to be a chimera and still be endosex.

So once again there is nothing present in the canon we’ve been presented with thus far to indicate she’s canonically intersex, and if she is intersex then her chimerism may or may not be relevant.

And finally… the inbreeding issue.

I’d like to emphasize that Moonpaw being inbred was not a deliberate choice made by the authors and is not intended to represent individuals born from a consanguineous union. The cast of these books are tremendous and they fail to keep track of the family tree, frequently resulting in related characters being paired essentially due to sloppy record keeping.

So with this in mind nothing has been included in the canon thus far to indicate Moonpaw canonically experiences any adverse effects due to her lineage.

Anyways, it seems that people learned about the Habsburg family in 9th grade and that they had health kssues attributed to inbreeding and that… is where their knowledge on the subject ends, I guess?

The problem with inbreeding from a strictly biological perspective is that recessive traitd are retained and perpetuated. This article from BBC Earth does a pretty good job of breaking down the jist of the issue in a language that’s pretty accessible to the layperson.

Speaking of the Habsburg I’ve seen Moonpaw’s situation related to them a few times so I plugged Moonpaw’s family and the Habsburg family into a calculator to see how similar their COI (coefficient of inbreeding) is.

Moonpaw has a COI of 11.62% which is about the same degree of relatedness as first cousins while Charles II of the Habsburg family had a COI of 25.20% which is the same degree of relatedness as half-siblings.

So if Moonpaw were to display characteristics of inbreeding they would most likely be hypertyping (essentially extreme preservation of family traits), recessive traits (which may be benign) or inherited disorders such as PK Deficiency.

Other characteristics of inbreeding in cats that we’ve seen come through the clinic include pectus excavatum, abnormal testicular and lymphatic tissue, bilateral or unilateral cryptorchidism, or non-severe structural abnormalities such as a syndactyl digit or additional, small tail vertebrae.

So there’s no reason to believe Moonpaw would resemble the mother from Barbarian (2022) and real people born of incest don’t actually look and act like that either. It’s a horror movie myth and acting like it’s an accurate representation does a disservice to those genuinely born into and disabled due to such circumstances.

Side Note: Jokes about incest aren’t funny and stereotypes about inbreeding in rural areas are deeply rooted in classism.

A final note that the inbreeding is entirely unrelated to the chimerism, there is no evidence that inbreeding increases the likelihood of chimerism occuring. So logically and canonically her chimerism and her inbreeding exist completely independent of each other.

So TL;DR

Moonpaw could be a chimera but the premise that her split-face is indicative of being a chimera is based in misinformation.

Moonpaw being a chimera is not and is not related to a disability.

Moonpaw being a chimera can cause her to be intersex but her being intersex is not a given based solely on her being a chimera.

Moonpaw is inbred due to author negligence but the way people visualize the effects of this are grossly sensationalized.

Moonpaw being inbred and Moonpaw being a chimera are unrelated.

Chimera, disability and intersex headcanons are awesome for any and all characters indepent of canon. Go wild!

[quasi-normalcy]

Why Deep Space Nine wasn't as popular as the other 90s Star Treks when it aired

So I keep seeing this one kind of conspiratorial text post circulating around which asserts that Deep Space Nine wasn't as popular as the other Star Trek series from the 90s because Rick Berman hated it and deliberately sabotaged it, and also (somehow) marginalized references to it in canon even decades after he stopped having absolutely anything to do with the franchise and just...no. Like, I have no idea how Rick Berman personally felt about Deep Space Nine, but what I do know is that he co-created it and executive produced it and basically ran the entire Star Trek franchise during the 90s, so if he *really* hated what it was doing, he could have just put his foot down and stopped it. Moreover, he didn't marginalize references to Deep Space Nine in canon; Voyager getting into contact with the Alpha Quadrant and learning that the Maquis had been exterminated by the Dominion (something that happened on Deep Space Nine) was one of the very few plot points on that series to have repercussions for more than an episode; First Contact featured the Defiant; both Insurrection and Nemesis have references to the Dominion War. The post is reacting against a problem that doesn't really exist.

But it does raise the question: why *wasn't* Deep Space Nine popular when it aired? And I think that the answer might be difficult for people who weren't alive and conscious during the 1990s to understand, so I'm going to try to lay out the reasons:

Serialization was only just becoming a thing on adult American television: I know that this might sound a bit difficult to believe now, but there was a time when networks really hated serialization and, with context, it's not too hard to understand why. In the 1990s, there was no streaming; there weren't even any DVD sets. Any given episode aired once at a designated time. If you missed that time, then your options were to wait until it was rerun a few weeks later, or again during the summer (and the networks would often air reruns out of order, so good fucking luck with that), or to hope that one of your friends had recorded it on a VHS tape. Otherwise, you just couldn't see it. Even worse than that, networks could arbitrarily pre-empt their own programming. Like, "Oh, you wanted to watch Star Trek? Well a baseball game just went into overtime and it brings in ten times as many viewers. Hopefully you won't find it too jarring if we just begin half an hour into the episode." So you can understand why this would have a knock-on effect on serialised storytelling; if you've missed one episode, and the subsequent stories depend on plot points from the episode, then you're just going to be confused. But even beyond that, if you're not used to serialization as an audience, then you're not going to be on the look-out for context clues. "Oh, that alien just told Quark about something called 'the Dominion'? Oh that sounds important--oh, wait, no, they got to the end of the episode and nothing happened with it. I guess it wasn't important after all."

The Star Trek name: This one seems a bit counterintuitive, because of course the name should be a draw to fans of the other series, but you have to remember that, at the time in question, the franchise consisted only of the original series and movies and the first six and a half seasons of TNG. Now, these differed in several ways, but what they had in common is that they were all about a bunch of moral paragons who flew around in space in shiny starships, having episodic adventures. That was what Star Trek was. And then you got a new series about a bunch of morally compromised characters who sat still in space on a gungy old space station having serialised adventures. It's not the same thing, and so a lot of people who wanted the first thing tuned out (which was, in fact, why Voyager had to be created), whereas a lot of people who wanted the second thing might not have tuned in because they figured it would be the first thing. And this of course brings us to the third reason:

Babylon 5: So stop me if you've heard this one before: it's a serialized drama from the 1990s all about a bunch of humans and aliens having to coexist on a space station as they navigate diplomatic crises and gradually become enmeshed in an elaborate space opera story arc. It features a race of aliens who can be called "highly spiritual", a race of aliens who have recently overthrown a decades-long brutal occupation of their homeworld by a crumbling and overstretched empire, a race of aliens who are often mistaken for gods (and who cultivate this misconception), and a mysterious new threat emerging onto the galactic scene, eventually culminating in a seasons-long war arc. I am of course describing J. Michael Straczynski's science fiction masterpiece Bablyon 5, which he, and a great many of his fans, regarded (and not without reason) as having been ripped off and pre-empted by Paramount in the form of Deep Space Nine. Now, looking at the evidence, I personally think that most of the similarities between these series are a sort of convergent evolution; but, whatever your opinion on the matter, the fact remains that these two fandoms hated each other during the 1990s. And the net effect of this was that a bunch of SF nerds who would probably have really liked DS9 if they had gotten to see it never watched it at all as a matter of principle because as far as they were concerned, its very existence was a corporate ploy to bully an upstart rival out of business.

Anyways, for all of these reasons, it's not remarkable to me that Deep Space Nine never became as popular as TNG and Voyager; and because it wasn't as popular, it makes sense that Paramount would be more circumspect about greenlighting Picard-style sequels or Lower Decks or Prodigy-style spinoffs to it (and indeed, I'm not convinced that all of the writers have even seen it). But I think that it is a testament to just how good DS9 was that it still managed to get the same seven seasons, even if it never drew in the same audience

[i-love-invincible]

Let's Talk About Atom Eve

Invincible Spoilers and Gore CW Abound! Please watch this incredible series... So who is ATOM EVE?

I would love to talk about this, but first we have to talk about character design in Invincible. The costumes, personalities, and heroes of Invincible are all self-referential. Take the Guardians of the Globe for instance, the first heroes we see on-screen.

We see these people, and IMMEDIATELY we get what they're about... even if these characters are new to us, we KNOW who they are. Flash, Wonder Woman, Aquaman, Martian Manhunter, Batman, Green Lantern, all obvious parodies and fun little characters.

I'm sure your eyes will start glazing over once I go "blah blah subverting tropes blah blah absolute genius." but one thing that Invincible does very well is destroying the audience's connections with established superhero tropes (See the one million white boy video essayists talking about why Evil Superman is awesome.) The reason why the slaughter of the Guardians of the Globe in that fucking THREE MINUTE LONG SCENE is so surprising is because THEY ARE THE FUCKING JUSTICE LEAGUE (while the fight scene also conveniently tosses some casual shade to DC Comics.) Not only is it stunning since we have some frame of reference for how powerful they are, but also stunning because we have ALREADY become attached to these characters.

What follows are a couple real quotes from people I've shown the first episode to: "Oh Batman + Silver Surfer that's awesome!" "OH DUDE! FISH AQUAMAN" "Wonder Woman but she's a lesbian.. as she should be..." .. and all these people, the ones with the most superhero experience, were the ones all most taken aback by the ending.

So let's look at Eve.

At first glance, we get the same impression as a lot of the heroes we meet in Invincible: knockoff. In the same way Omniman and the entirety of the Guardians of the Globe are made to resemble the Superman and the Justice League so to does Atom Eve's costume and powers SCREAM token. She is the first female hero we meet that is Mark's age and perhaps more importantly (and more evident to a first-time viewer) she has some very clear themes of femininity. Such as her costume, which Doc Seismic callously points out in Episode 3 (neglecting the fact she designed her own costume)...

... as well as her name. "Atom Eve" is a combination of her ability to influence atoms and her middle name, but it is also a reference to Adam and Eve (see the bible.) She even has a female symbol with two revolving electrons around it emblazoned right on her damn shirt. So just like the Guardians of the Globe, her design is meant to carry a lot of weight and immediacy to the viewer, you see them and you understand who they are and what they stand for (or at least you think you do.)

So we've seen the way that the Guardians subvert our expectations so how does Eve diverge from the audience's first-impressions? Well for the first couple episodes she doesn't. You might even suspect her of being some one-dimensional, neglected and under-characterized female character (and to be honest if you were reading the comics you wouldn't be too far off...) until you start to see her dissatisfied with being a superhero. Her boyfriend cheats on her, the Teen Team breaks up, her parents consistently disrespect and talk down to her, she's misunderstood by the naive and silly Mark Grayson, and she struggles to find connection with anyone outside of when she's "beating up bad guys." She even goes as far as to reject a position in the Guardians of the Globe just to avoid her ex-boyfriend, despite her killer tryout.

She's frustrated by the frame that's been left for her, and realizes her powers enable her to do much more than beat up random villains. Her powers BY THE WAY, which up until now anyone could have mistaken for "shooting pink stuff," is actually atomic manipulation. She can just fucking rearrange matter to make anything she wants. So instead of being a superhero she fucks off to do things that ACTUALLY help people. Like idk she could be irrigating rivers and feeding the starving or like manufacturing free medicine or something. Atom Eve is a hero who is chronically misunderstood by literally everyone around her, even in the final episode Mark is under the impression Eve just stopped being a superhero to get away from her ex, parents, and school. However with the earth-shattering familial trauma that Mark goes through in the Season 1 finale, maybe they will have more in-common than either of them think.

and NOW there's a surprise ATOM EVE SPECIAL EPISODE! it shows off her origin story which goes even more in-depth into her trauma, and her loss of the only people who even WOULD be capable of understanding her. It also has my FAVORITE FIGHT SCENE OF ALL TIME!!! It was absolutely incredible

ps: omg why tf did they make her far-shot model have an x over the female symbol instead of the detailed electrons (crying emoji) cool i didnt proofread this okay i might do more of these okay bye, i love this show okay

[ribbonstrawberrysurprise]

TMM Character Bios over All Versions

At long last, my collection of TMM bios, both transcribed and translated.

Sorted by source here. Sorted by person here. Collection of pictures of chara bio stickers, mostly from (expired) auction/sale listings online here.

List of sources:

Manga-related:

Manga character info page: that page that appears at the beginning of each volume of the manga. Very short. Does not change over time (with one exception), so sometimes it doesn't highlight the character's main personality trait…

Manga character info page (a La Mode): Same as above, but for a La Mode. Only appears in volume 2. (Note: Re-Turn does not have one of these)

A La Mode Intro Boxes: the little character bio charts that Berry and Tasuku get in A La Mode chapter 1

PS game manual: manual from the PS game. Contains the most direct ages for all characters and the only info on game-exclusive characters.

2002 Anime-related:

Profile stickers: square stickers with a picture of the girl on the front and a little chart of character info on the back. Comes in 2 distinct styles: One with a headshot of the character inside a heart on the front and the back printed in the character's theme color, and the other with a sparkly full-body shot + closeup of their head on the front and the back printed in red/hot pink.

2002 Anime Fanbook: artbook/fan guide for the original anime. Character pages have 2 taglines, a short bio, and a chart containing information similar to the stickers. Not well edited, so there's some inconsistent formatting/punctuation.

2002 Anime Insert from the TMM New Artbook: small section on the original anime within the New season 1 artbook. Character pages have a tagline, a short bio, and a chart containing information almost identical to the 2002 fanbook. The text for the bios are similar to the 2002 fanbook, but with more kanji and some editing for consistent style.

TMM New-related:

TMM New website character page: page on the official TMM site that has designs, birthdays, and short bios for all major characters. The one source that lists Seiji as a major character.

TMM New season 1 artbook: artbook with background information on season 1 of New. Only contains info on what appears in season 1, but the 2002 insert has spoilers for that whole series. Character pages have a tagline and a short bio which is very similar but not identical to the bio from the website.

If you want to see some of my thoughts on the info here + interesting changes/differences I noticed, that's below the cut!

It's obvious the original anime was aimed at kids and the new one is aimed at adults because sources related to the original manga and anime use lots of kana instead of kanji and have furigana on all kanji they do use. New-related sources use way more kanji and have no furigana.

Possibly related to this, older TMM stuff tends to use ミュウプロジェクト (Mew Project) vs New, which uses 「μ」プロジェクト (μ Project).

The original TMM fanbook has spotty editing which is especially visible in the charts. There's lots of small inconsistencies, like some words being spelled slightly differently (e.g., らっきょ instead of らっきょう for Pudding's least favorite food) and punctuation being inconsistent between the girls (e.g., items in lists being separated by interpuncts ・ except for Pudding's special skills, where it's inexplicably a comma 、). The biggest, most glaring issue is actually with a section I'll be posting slightly later, but I'll go ahead and list it here too: out of all official sources, the TMM Fanbook is the ONLY one who lists the Mew Mews' attacks as begining with リボン (ribon) instead of リボーン (riboon). This would be conclusive evidence in the Ribbon/Reborn debate if I didn't have the suspicion it's just a typo no one double-checked…

The stickers are in a slightly weird place continuity-wise since they have anime art on the front but refer to some manga-only information on the girls (e.g., Pudding having a pet monkey).

Speaking of the monkey, apparently at the time the stickers were coming out, Mia Ikumi had yet to finalize Annin's name, since here the monkey is called Mapo (i.e., mapo tofu)

The sticker bios have some otherwise-unseen info on character backstories: specifically, we find out that Mint's dad is a CEO and her mom runs a school, Zakuro's father is a producer and her mother is a model, and that Keiichirou is an orphan taken in by the Shiroganes at age 14. Also, apparently Ryou lives in the room above the cafe and Keiichirou lives in the secret basement.

Keiichirou seems to get way more impressive intros as time goes on. The manga bio comically undersells him, calling him "a waiter", and the PS game book only calls out his cooking skills, although Masha's bio drops the bomb that Keiichirou's the one who built him for Ryou. The 2002 fanbook mostly makes a point of how considerate he is, in contrast to the 2002 insert in the New artbook, where he's explicitly referred to as a researcher on cryptids/UMA. The New bios on the website and artbook go one step further and call him a "leading" researcher in the field!

Moe and Miwa's personalities seem to have changed or even reversed between the OG anime and New. Originally both Moe and Miwa are mostly defined by how they react to Ichigo. I.e., Ichigo says/does something weird (usually related to Mew Mew stuff or Aoyama), then Moe calls her out and Miwa either plays peacemaker or ends up joining in with Moe. So Moe snarky, Miwa gentler. New attempts to give them goals/personalities outside of this, so Moe becomes a "soothing" person with an interest in psychology and Miwa becomes a practical aspiring writer. I can only assume the writer thing is based on her writing Keiichirou a poem in the one episode where she and Moe get crushes on him and Shirogane, but I have no idea where Moe's career goal came from, much less how she became the "nice" one… I have to assume it's from her cutesy name??? Or maybe they thought that the one with blond curls looked "nicer/gentler" than the brunette with very short hair??? Weird.

The girls + Masaya (and Seiji, who is now in college so that he remains an older brother!) are aged up for New, but Ryou still seems to be the same age, which kind of makes the whole situation much funnier. Ichigo already had zero respect when he was slightly older, but now he's basically just one of her classmates. …of course, there's still room for him to be 16-17 instead of 15…

Sidenote: Ryou is consistently referred to as shonen/boy, which strikes me as funny despite making sense for his age. The narrator also doesn't respect him. Keiichirou gets seinen/young man, which trends a little older.

Ichigo gets referred to as ドジ (doji) in the '02 Fanbook which made me double-take since I'd usually associate it much more with Lettuce… I'd usually translate it to "clumsy", but in this case it's clearly going more for ditsy, flighty, disorganized, etc. so I went with "scatter-brained". The New bios do call Lettuceドジ, and I just used clumsy there.

Buling knowing kenpo/martial arts sure shows up more than I expected considering how little relevance it has to the actual show…

Zakuro, at least in the '02 anime, is supposed to be good with computers apparently! It shows up in her Fanbook bio as well as in one of the stickers (hobby: the internet). The internet being framed as a cool and mysterious thing for a smart character to know feels very 90s to early oughts, so maybe that's why it got dropped from her New characterization once everyone has smart phones… Saying someone's hobby is "the internet" reads more as neet or maybe influencer nowadays, as opposed to Cool Hacker or whatever. But I guess you could argue this is precedent for he inexplicable technological/manufacturing skills when she helps Minto make the prototype windmill thing?

In the stickers, there's a split between the Mew Mews favorite foods vs favorite sweet, but later on the sweets get lumped into favorite foods, which is how it's listed in the Fanbook and '02 Insert. But this does obscure the fact that Lettuce is the only one of them who just straight out has sweets as her favorite foods (shortcake, crepe cake), probably related to the fact that "cooking" and "making sweets" are listed as her special skills. 煮物/nimono (boiled or stewed food) is only added to her list of favorites in the Fanbook.

Weird that we never see Tasuku and Buling interact since he's explicitly compared to a monkey lmao.

[gilly-moon]

PERCY JACKSON TV SHOW REVIEW

(SPOILER ALERT! I Did Not Like It)

It has been 16 long years since I first picked up The Lightning Thief, and once again...I am faced with an adaption of one of my favorite books that is so painfully disappointing. And now that the tv show is completely out, it's time to purge the collection of thoughts I compiled on it:

Starting on one of the (few) positives, the cast was incredible. I know for a FACT that they are all wonderfully talented individuals, and I aim all of my gripes with their acting at the directors and writers.

So much telling. So little showing. Stop explaining the plot and the mythology to me. SHOW it to me. Explain later only when necessary.

And yet, some things weren't explained at all! I know, as someone who read the books, what blue food means to Sally and Percy. But the show never explains its significance. To the unknowing watcher, it's just a weird quirk, not a small rebellion between a woman and her kid against the life they're stuck in. It baffles me what the writers chose to over explain versus under explain. There's no clear reason for either behavior, and it permeates the writing in a bad way.

There's also a lot of the kids just being dragged from point A to point B by an outside force, rather than their own actions. They never really felt alone or even in danger on their quest, because gods kept showing up to help them along. I did not like that.

These kids aren't allowed to be kids. I stg you could make them teens or young adults and the dialogue/their actions would be the same. That's not good.

Why do they always have all of the information!!!?? They immediately know it's Medusa. Echidna introduces herself and they immediately know who she is and that it's a Chimera in her bag. They immediately know what the Lotus casino is. Why? It makes the stakes feel so low, rather than the mad dash scramble in the books that happens a lot when characters have to remember the myths and how to beat a monster mid-fight. And it makes all these scenarios so boring!!!

Also so many of the fight/chase scenes were boring or anticlimactic. The only good ones I can think of were in the first two episodes, and then one with Ares. Someone actually slipped in some good choreo in those few fights, but completely forgot to add it in to....the rest of the show....

There's very little about the show that feels magical. CG is used, obviously, but at times it feels like they should've gone further with it, or used it even more, and they just....didn't. The visuals end up feeling clunky and not very cohesive, with zero whimsy. Hate to make this comparison, but the Harry Potter movies were VERY good at showing the lines between the magical world and the muggle world, and the tension that occurs when the two interact. There is....none of that in the PJO series. Zip. Zero. And the mythological CG that is there is more often than not static or boring.

Break for a positive! I actually really liked that Percy was learning mythology from Mythomagic. The show wasn't really consistent on that point - saying it was his mom instead most of the time - but that was such a fun and clever way to work in the card game and make it plot-relevant. As someone with ADHD, I can confirm I would also learn mythology WAY better if it was for my favorite game.

Ok back to the negatives - Wtf is up with the portrayal of the gods? For one, they're boring to look at. Nothing about their designs makes them feel 'godly' and while that's ok with some gods (Hermes for one, tho I have issues with his weird beige sweat suit look) why is Ares just some regular ass biker dude? Where are the flaming eyes?? And radical skin-leather bike?? He couldn't even have a CUSTOM bike with red bloody paint and boar heads and chain link handles or something???

And the gods are way too fucking nice. Sorry. I don't have an issue with Hermes being nice but. Ares having a heart-to-heart with Grover? When his presence is supposed to stir everyone up into a rage? And Hephaestus sees Annabeth refuse to give up on her friend and just goes 'awww, ok, you and Percy can go, and take my rival's shield back to him too cause I'm just so nice.' Sorry, no. I'm fine with gods being helpful - Hephaestus helps (reluctantly) in the later books. But it was at a price! A favor for a favor! Not a 'get out of jail free' card just because he was moved by normal ass human compassion!!

Hades gets his own bullet point because who the fuck was that. As a child of Hades, I'm offended that this sweet fruity guy just wanders up and goes 'hey, how's it going, wanna snack?' like, that is NOT my dad. My dad had skeleton soldiers filling his halls and a garden of jewels and a voice so loud it rattled the whole Underworld. Whoever that was in the show was a pathetic imitation.

The point of the first series is to work up to Percy throwing it in the gods' faces how awful and neglectful they've been of demigods and specifically their own children. Demanding that they do better. But if they're already showing compassion and 'humanity' in the context of the first book/first season of the tv show....Percy starts running out of ammo against the gods. There's no coherent story progression where Percy spends years seeing the worst of the gods and the best of them at very distinct, important times of his life and his story. It no longer feels like a massive change they have to make in the system, something that deserves a godly favor for Percy to demand of them. Luke no longer feels like his fury at the gods is wholly justified. The whole series begins to crumble because the gods already have a good reason for being how they are, rather than being thoroughly selfish assholes who only dote on demigods when they do something really cool. And the exceptions are presented at intelligent moments that prove to Percy when he most needs it that the gods can be better, they just need a forceful push to get there.

That being said, where was Percy getting the info that the other gods were feeling scared and abused by Zeus? I love the balls on this kid, but like...when did he make these assumptions and why? That whole scene felt really unearned.

Also Olympus was BORING. And EMPTY. And DARK. It looked like we were just back in the Underworld. Which. The Underworld was fucking boring too. Some neat visuals, sure, but put that in some high fantasy show. Not this one.

One last positive before my final point - there were some pretty good jokes scattered around. Not nearly enough, but I did really enjoy the Dionysus introduction and a handful of lines from Percy. Also releasing the animals in Vegas - Grover being like 'oh, you were worried about the humans' got me good.

The final word that kept spinning through my head after finishing episode 8 was: Pathetic. Luke's betrayal was pathetic. No deadly scorpion. No commitment to that period of time in the books we were convinced he really was evil. And Gabe just stumbling on the package with Medusa's head in it? PATHETIC. Percy outright asked his mom if she was being abused in the book, and she took fate into her own hands to statue-ify that bastard. But no. The show was through-and-through just a pathetic, watered-down version of an incredibly fun, emotional, brutal, exciting series of books. I know there was a lot of heart behind this production, but I did not feel it at all. But what else should I have expected from modern Disney?

[tildexart]

TMA Design Head-canons

Ok so! I won't be making character line-ups for each season of TMA (because those take time that I don't have) so here are my thoughts on how the character's designs would change.

Jonathan Sims

His hair was always long, but it gets progressively longer and more unkempt as the series goes on. He stops tying it up late S2, S4 is when its at its worse, but is able to take care of it by MAG 160.

Dresses in the "academic" style less and less. Still wears sweaters/cardigans/sweater vests while at the archives, but sticks with a t-shirt and jeans for S5.

Slouches more as the seasons go on.

When staying with Georgie he borrows some of her clothes, which look huge on him. Same thing when borrowing Martin's clothes.

During S5 he and Martin wear rings. Just in case ;'].

Gray hairs become more visible as time goes on.

Eyes become reflective (like a cats) after his Eye powers become more prominent.

Martin Blackwood

In contrast to Jonathan dressing less like an academic, Martin dresses more professionally as seasons go on. This is mostly in S4, where he starts wearing a suit jacket when working for Peter Lukas.

During S5 his outfits are more relaxed, incorporating jeans and hoodies.

He starts growing a beard throughout the seasons.

Also wears a ring in S5, ofc.

Never gets gray hairs, just white ones.

Eyes permanently dull in color after getting stuck in The Lonely.

Timothy Stoker

By S3 he stops caring what he wears to the archives, opts for hoodies and button ups.

Was actually dying his hair blonde, but gives up on that by mid-season 2. His hair fades to a reddish-brown by the S3 finale.

His nail polish becomes more worn and chipped during S2

Not!Sasha

While Sasha mainly wears pink, Not!Sasha wears purple. Her outfits are less soft and comfortable compared to Sashas.

Her eye color is never consistent.

She still has red hair, just a different shade.

Non-specific Characters

After leaving the police force, Basira prefers to wear button ups while Daisy wears turtlenecks and tank tops.

Daisy wears her hair the same way (short, hair cut to around her ears with an undercut). Only changes around S4 when its longer, pushed to one side, other side an undercut (think Gwen Stacy in Spider-verse)

Helen Distortions suit is holographic silver, you can never look at it too long without getting lost in the shifting colors.