Please, for the love of god, please don’t be this person. No matter how long it’s been since an update, no matter how many unfinished stories are sitting on their account, no matter what - do not be this person.
Not only is it insanely rude, but you also do more damage than you think be being such a self-entitled ass about something someone created for free and for fun. “This author” can see what you say.
RIP decency indeed.
45K notes
·
View notes
hey! for todays protest, i made this little zine about palestine (holding just simple and basic information).
you can download the zine here, fold it yourself, and distribute it around.
no credit is needed. feel free to leave it around bars, protests, or wherever. simply print it (borderless) and fold it. here is a tutorial on how to do it.
dont stay silent. there is a genocide of horrendous, atrocious proportions going on. also if you are a zionist here to argue with me, i dont plan to entertain you at all, not on my art blog. fuck off, you'll be swiftly blocked. i see enough of you clowns on my main and i have no energy for you. you can skip the death threats too bc i dont give a shit.
(i'm off to get ready for a surgery now, i just wanted to post it before this. if you need anything, i might take a bit to reply)
17K notes
·
View notes
[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]
I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.
The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.
The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.
What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.
And it is fatal, we see as much in the movie.
Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.
And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.
To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.
Leo learned that gambling with his life as the betting chip is always the best move to make in the end.
And to make matters worse…this thinking is what works.
These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!
Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)
But still, he’s grown to accept the gamble of his life as a viable answer to their problems.
Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.
549 notes
·
View notes
Does it ever hit you that Martha sat down in New New York and told the Doctor that she needed his honesty more than she needed to go home and that religious music played in the background at that scene and it was almost framed as a confession, in the most religious sense, and go a little bit feral? That as early as her third episode, she was framed as his equal, equally divine, equally a doctor, able to confront him, able to make him honest, able to sympathize with him, able to abide with him? That so few companions have ever spent so much time in one time period with the Doctor (1969/1913, for example), being with him/her, not running, just staying? That for every fucking thing Ten did wrong as John Smith/after coming back to himself in Human Nature/Family of Blood, he trusted her enough to leave himself vulnerable and human in her care, because he trusted her as a Doctor, because she was just as much a Doctor as he was? That Martha was, more than any other companion of the Tenth Doctor's, his equal, that her final speech about not being second was not just talking about her not being second best to Rose but about being second best to him? That she finally understood what had been true from the moment that they met and she closed Stoker's eyes and the Doctor realized that she had not just bravery and cleverness but a kindness that he had forgotten, that Martha Jones, more than anything else, has been and always will be The Doctor?
397 notes
·
View notes
the fact that you start the Tabris origin by literally stepping into your mother's shoes. the fact that what you get is a wedding outfit and your mother's worn boots, kept carefully intact for years, tucked away for this exact moment. the fact that you then immediately take the path she never could, leaving behind the alienage and the wedding and following Duncan (who would have recruited Adaia first, if not for baby!Tabris) to what ought to have been death.
And Then!! instead of fighting and falling as she did, cheating death and becoming the fighter she always intended you to be instead??? Reliving and simultaneously subverting the story of her life??
1K notes
·
View notes
Elminster's Letter / God of Ambition epilogue
Do you recall the day we first met, m'boy?
You could have been no more than eight summers' old, clutching your mother's apron, eyebrows singed off by the fireball you'd unleashed into your neighbour's rose bush. You were crying because the flowers were so beautiful, and you did mean to destroy them.
How kind, how eager, how brilliant you were. And yet so naive. You could not yet see that power so careless begets destruction, but so too might your good nature be the guiding light by which your bailities might shape our world for the better.
Where is that child now, I wonder? Did he remain at Blackstaff, nose buried in his books? Does he live within his mother's ageing heart, weeping for those roses? Or is he within you still, lost amongst the trappings of godhood you so casually adorn yourself with?
Whereever he is, I hope he can forgive me. To him I promise - I will not make the same mistakes again.
Elminster
302 notes
·
View notes