#the haters don’t get it. is there not beauty in identifying a problem and creating an elegant solution
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fourteenfifteen · 1 year ago
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people like to talk abt stem as being clinical and emotionless and spoiling the wonder of the world but working as an engineer has filled me with more wonder than ever i walk around all day going oh my god humans made this!!!
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divinaes-bookofsecrets · 4 years ago
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Hello! May I please request a spirit guide reading, if you are accepting those at this time? My initials are NS, Sagittarius. Thank you in advance, and I hope you have a lovely day/evening.
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HELLO , DEAR SAGITTARIUS ♐ 😘You travel with a great many Spiritual Guardians ; The one that's most important 😊 and most prominent is an enchanting witch goddess.
Her name is Wendolina‐Lynn aka Linà-Lynn but ýou may just call her WENDOLINA
Her sex: female
Her age: 44
Her lucky numbers: 4, 7, 19, 22, 300
Element: FIRE ELEMENT
Zodiac☆Symbol: ♈ Aries, ♌ Leo
(Her horoscope sign mixes with yours impeccably!!! She is your exact perfect match for friendship, even for a relationship in love 😍 but I do not, as a Shamanic Healer, suggest that you pursue any thing romantic with this highly mystical being )
PLANET THAT RULES HER: MARS , and THE SUN
Her Greatest Strength: Dynamic Energy, Motivation, Drive and Willpower, Passionate, Achiever, Enthusiasm
Her Weakness: Desire, Sex Drive,Temperamental
Magick Powers; Cleansing and Purification, Hexes and Banshment and Protection and Prosperity
Moon Phase: Full Moon, 🌙 🌔 🌖 🌛 Eclipse 🌑 Moon
SEASON; YULE
Her Energy is Tied To ACTION !
Time of Day: Noon
Direction: South
Tarot: Wands
Although Goddess Wendolina is eternally a Fire Sign 🔥 😍 She flows like 💧 Water She was born from her ancestors 🌟 in the 🌟 stars !! & She is currently 44 as of this year; She ages one year each and every decade! Lady Wendolina the ♈ Aries woman has been, by the Creator and Universe, molded for you. Ĺady Lina-Lynn iis not ýour typical witch, she's more of a witchesss! And her beauty knows no end. Your Witchess is dark looking if you choose to see her that way, but if you choose to see her fertile enlightening light ���� ✨ you'll soon see how you are connected 😏 to this mystic enchanting goddess .
Here is she. 🍒🍀🌼🍇🐛🌷🦋🕸🕷🕸🌺🍂🍃
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Lady Wendolina-Lynn , is an Aries Goddess of mystical ethereal feminist ♥ ✨ power. She believes in equality--- She thinks that men and women should be sharing more and have equal rights ✅ but of course this sounds a lot like Lilith story does it not🙄 well, there's a reason for that too. Lady Wendolina is actually one of Lilith daughters ! This explains how her down fall is her sex drive. Well, she's deffinitely an amazing Aries specimen isn't she?
Lilith gave her daughter Wendolina the Witchess all the glory, beauty, and powers to behold. She is, like Lilith, demonized 😈 by the men of Earth 🌎 ♥ and the Church.
Wendolina uses her witchy ways to look dark but subtle enough to still practice white magick with her powers. She is the most powerful ✨😈 demon spawn and we should all be proud she uses her powers for only good not evil ever 👏 she's such a sweet darling demonness spawn !!
She has two major looks that are her main makeup choices she (like above) dresses and does Lilith inspired makeup ---Then Wendolina-Lynn does space effect warpaint; representing the stars and the moon where she came from 🌟 🌙
Next ill explain the story of her Mother, Lilith, story as it ties into also the independent woman that your Spirit Guide is plus the independence she represents!
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Lilith is an extremely controversial figure within Jewish folklore. Lilith's name is not included in the creation story of the Torah but she appears in several midrashic texts. Her symbolism, history and literature are debated among Jewish scholars, feminists and other intellectuals. There are multiple origin stories for Lilith but the most popular history told views Lilith as the first wife of Adam. According to the "first Eve" story Lilith was created by God from dust and placed to live in the garden with Adam until problems arose between Adam and Lilith when Adam tried to exercise dominance over Lilith. One story tells that Lilith refused to lay beneath Adam during sex. She believed they were created equal, both from the dust of the earth, thus she should not have to lay beneath him. After Adam disagreed, Lilith fled the Garden of Eden to gain her independence. Adam told God that Lilith had left and God sent three angels, Senoi, Sansenoi, and Sammangelof, to retrieve her. The three angels found Lilith in a cave bearing children but Lilith refused to come back to the garden. The angels told her they would kill 100 of her children every day for her disobedience. In revenge, she is said to rob children of life and is responsible for the deaths of still-born infants and crib deaths (SIDS). Male children are at risk of Lilith's wrath for 8 days after birth (until circumcision) and girls are at risk for 20 days. Although Lilith stole children's lives in the night, she agreed not to kill the children who had amulets of either of the three angels.
After the angels' departure, Lilith tried to return to the garden but upon her arrival she discovered that Adam already had another mate, Eve. Out of revenge, Lilith had sex with Adam while he was sleeping and "stole his seed." With his seed she bears 'lilium,' earth-bound demons to replace her children killed by the angels. Lilith is also said to be responsible for males' erotic dreams and night emissions. Another theory says that Lilith is impregnated, thus creating more demons by masturbation and erotic dreams.
🐉🌸ĹILITH AND WENDOLINA HAVE AN APPETITE FOR EARTH MEN🌸🐲
The open-ended nature of the Lilith symbol has allowed different groups to use her as a destructive female symbol or a symbol of female power. Many feminists see Lilith as not only the first woman but the first independent woman created. In the creation story she refuses to allow Adam to dominate her and flees the garden despite the consequences. In order to retain her freedom she must give up her children and in retaliation she steals the seed of Adam. In one account of this story, Lilith is said to "mount Adam" (click here for this version). This version of the story implies that Lilith sexually violated Adam; however, other stories portray Lilith as a demoness who kills children and takes advantage of men while they are sleeping. Jewish halakhic law forbids the spilling of a man's seed and Lilith takes advantage of this, during masturbation and erotic dreams, and uses it to replenish her own offspring.
Although Lilith is controversial some feminists have used her as a symbol of empowerment. For example, one Jewish feminist magazine is called Lilith labels itself as an "Independent Jewish Woman's Magazine." The publishers use Lilith as a title because they believe she is a symbol of independence. However, those who still think of her as a demoness could turn it around and once again label feminists as male bashers or men-haters. They see Lilith as wicked and vengeful towards men and children. With any symbol or icon used by feminists, especially within a religious context, there will be controversy and opposition. Whether or not the story of Lilith is accurate is not the main issue. The "first Eve" version of the story gives Lilith a role that many women can identify within Judaism and other religious traditions. She is an independent woman who challenges the oppressive system in which she is placed. Stealing the lives of children represents a certain madness that accompanies her solitude and exclusion. Despite Lilith's downfalls, she still remains a symbol of power simply by her survival and mysteriousness. She is open for interpretation and therefore allows women to reinterpret her symbolism and power within the tradition.
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Picture Lilith's daughter the demoness 😈 spawn sort of like Mortisha Adams from the Adam's Family tv. Show. She's sweet, sultry, she could seduce you, and she's pale but deffinitely dark in a cheerful fun way !
Wendolina's mystical senses have brought her to you at this time to bring you a very important message ;
Here's your messages
Sagittarius predictions for May 17 - May 23
You may be lamenting that there don't seem to be any exciting new opportunities coming your way. You may feel bored and stuck in a rut, wishing that some unique proposition would be yours for the taking. Maybe there is something out there for you, but if you are stuck in a mindset where you are expecting something very specific, Sagittarius, you might not recognize a good thing that is different, even if you metaphorically trip over it. Be open to any chance that comes to you this week, even if it doesn't meet with your preordained idea of what can bring you the success you want. A positive change of circumstances is in the stars for you now, and this week, you may get a good glimpse of it. This could have to do with your home, your work, or your money - and may range from a change of residence to an increase in income or even an unexpected windfall. But this may not reach fruition this week - however, the tempting idea of it may come to you with the promise of fulfillment soon. This is a good time to seal deals, negotiate contracts, or ask for investors if you are in such a position. You should be brimming with energy and initiative right now.
-- Wendolina-Lynn aka Lina-Lynn
So watch out for your financial situation is about to change dramatically or you'll be moving residents please take this as a good thing that you've been waiting for this might just be the changes you need.
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IF YOUR LOOKING FOR A GOOD SHAMAN , LOOK NO FURTHER: I AM HERE!!
All Spells..... $18 depending on what you wishing for or desiring as result
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Lauren’s Attunement/// The Catharsis of the Dark Diary (Long ass post)
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Ah ... I really don't know how much I could say about this Attunement that I decided to separate into two parts and notice that I am going to deviate a bit from my original intention to make some clear points because there is a lot to get out of what Lauren has said. With that in mind I hope it is not too confusing to read.
First part: Cancellation Culture
I think our moonchild has been perfectly clear on this point. "We are living in a very sick world" "In a world in great need of healing and that will not do so through the culture of cancellation." Cancellation culture sucks, folks. A twisted idea of ​​exposing things from the past of people who have not been good and that people have become accustomed to criticizing as if all those who criticize were a mirror of virtue and perfection when nobody is perfect and Lauren also mentions that in your Attunement. Lauren also mentions that we cannot hold people accountable for their mistakes because it is the most important part of the process. And it is a truth like a cathedral. People who make mistakes need to take responsibility for their actions so that they don't make them again. It is necessary to learn from it and improve as people and heal. In the part where Lauren mentions that she would never publicly embarrass the people she loves, she reminded me of Camila. I did not want to mention Camila in this because we know that Lauren has also been humiliated but if we talk about the cancellation culture that part goes to Camila. Camila has been a victim of the culture of cancellation long before leaving the band and they have made Twitter threads, blaming her with a racist past for which she has apologized many times but still drag her to hell, no matter what. Camila has haters who love to fuck her and Lauren knows it too. She has known it forever and a clear example is (I'm not going to put a screenshot because it would distract me) the tweet where someone calls Camila ugly and Lauren responds to that hater saying: "Hello, can you show me a picture of you? " It is these details that make us understand that everything she sees on the internet in relation to her and her loved ones affects her a lot and what she says when she talks about the online world where we are all the time, is bullshit. She says that it's not that you can't do what makes you beautiful, that she's fine with it, but also the people who are watching don't know that shit is fake and that people aren't happy with who they are. "That when they look in the mirror they don't love themselves." And I think she hit the spot there too, folks. She has perfectly outlined a hater's profile. The lack of love of those people who have found an escape route to their frustrations, to what is wrong with their lives, that makes them what they are. Because as she says, we live in a screwed up world, it's true but the point is, how the hell have we got to this point? How do we get to this point where the human being has lost humanity and has become shadows of hatred and rejection that lives by making Twitter threads and canceling people to feel better about themselves? And then Lauren talks about Trump. She mentions Trump as a symptom of lack of love. And again she is not wrong. Donald Trump's life was never very happy. With an authoritarian father who always preferred his eldest son to follow the legacy of his family and perpetuate the name of it, when this son did not want that pressure, the father banished the eldest son and all the shit fell on Trump. The only other male in the family. Trump is that man's mirror. From that egomaniac, controlling, arrogant, undoubtedly macho and racist father because he has really shown it. Trump lives on appearances. To demonstrate something that is not and to hide its shortcomings in a marked narcissism.
Another thing that strikes me about what she has said and another truth is also that we no longer love each other because we do not know where we are standing. And that is also true, we do not know who we are because others dictate who we are. They dictate what to say, what to eat, what music to listen to, what television series to watch until we become cattle. We have lost our ability as individual beings to fit the mold of livestock just to give us the feeling of feeling connected, as if we were part of something. Part of a whole that is still controlled. From this part Lauren begins to talk about what she has written in her diary so I will continue with the second part, but to close this one, I can only say that many of the things she mentions are a reflection of what we are doing living, of what we are suffering and our own fragility as a human species.
Second part: Black Diary and Amy's Shadow
I think we have a concept of great artists as broken human beings, wrapped in dramas and additions that actually "help" perfectly in their art. Where, the more chaos there is in their lives, the more geniuses they become. And I think Amy can be an example of that. And talking about her, because I'm going to start by talking about her and then I'm going to express my thoughts about Lauren. I remember responding to an ask yesterday saying that I was terrified when Lauren said she felt identified with her because their lives were a kind of parallel. And then I thought better of it and realized that yes, both lives have that parallel but with a difference, Lauren has what Amy never had. An emotional support network. Good friends. Amy's life was marked by rejection, mockery, the circus that was her life where her art was in the background and her voice was shattered to make way for the addicted, alcoholic Amy, where her greatest achievement was to climb to a drugged and drunk stage, with glasses of wine that she drank live and her show was to demonstrate her weakness so that others made fun of her. Her parents perpetuated that shit because it gave them money, and as long as she made money, at the cost of her own physical and mental health, nothing else mattered. Being an artist is not only knowing how to sing, dance, write, paint and be good at all kinds of artistic expression, but it is much more than that. Being an artist is breaking yourself into pieces and giving them to your fans to do with those pieces what they want. It is giving more than what nobody will give you in return. And Amy got broken. They broke her into thousands of pieces and they all jumped like vultures wanting a piece of her until she ceased to exist because they never gave her a chance to rebuild herself. They never gave her a chance to learn to love herself to be able to heal because they didn't want a healthy Amy because that didn't sell. They were only served by her pain because she filled their bank accounts, those of her friends, those of her managers, those of the entertainment tabloids. Those of her boyfriends. The ones from her own fucking parents. And so far we can draw parallels with Lauren. It is possible that our moonchild has had or is having her problems with her mother, or with her record label, or with whatever she is having problems and is dealing with right now, but at least she does not have a family that just supports her and is there for the money she may or may not earn. And yes, she mentioned many fears at first before reading the newspaper, but at least she has had a chance to regroup when she needs to. Lauren has the ability to heal herself, her own will thanks to her own strength. Because even if you are afraid of breaking or feeling pain, you have to feel it. You have to hit rock bottom to learn how to get out of there. You have to go to the extreme of falling enough to know that your own will, your own inner strength is so great that it helps you to rise not only once, but a thousand times if necessary. And she has that ability. I believe and have always said it, you already know it. That the real problem, or part of it, is not Lauren's fragility because that is bullshit. Lauren is a strong girl but at the same time she has this angel, this kind of kindness that really does not go well in an environment as rotten and toxic as the industry. Lauren Jauregui does not fit molds. She cannot follow rules if she considers that they are not fair and that people in the industry do not like because they lose their ability to manipulate it. There is a reason that her song Toy has disappeared, folks. Lauren is still an artist and of course she too falls into the concept of what it means to be an artist, breaking herself into pieces and giving those pieces to us who are her fans. And since we have a piece of it, perhaps we create ourselves with the right to demand more from her because we are not satisfied with what she gives us and we criticize her for it. The worst fans are capable of fucking her and haters are able to write Twitter threads exposing what they hate about her.
That would scare anyone, folks. Even if you are not an artist. There is a Lauren Gif that I posted on the blog as part of a set of images related to Camren. In that gif Lauren looks at the audience with such a raw expression on her face saying something like: "You who are there screaming like crazy, with your perfect lives while I am being pressured to the point of breaking and you just want more" (I put the only screenshot because I don't have the GiF image at hand)
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This GiF is something that always caught my attention and since I have known Lauren she knew that there was something else with her. I met her as the bad girl, the bitch one. That image that appeared to conform to Tyren. And then her smile disappeared. I remember when I joined the fandom where one of my first posts about PR circuses was to ask myself: Why do girls look so fucked up? Why is Lauren so sad or why has her smile disappeared? And then there were those weird videos where she seemed like "haunted", like outside of herself and that agreed with the time that she had to stunt for Tyren and always seemed to be the same dynamic with her. And then it was not only me who realized that Lauren was not well, but also other mutuals and we kept repeating the same thing to the bastards on her team: "Lauren is not well, please take care of her " That was something that we repeated a thousand times with Lauren and then also with Camila because it always caught my attention that the two of them were equally fucked at the same time. Before I knew that Lauren had her problems with her family, I also noticed that separation. I think I received a bit of shit after expressing my thoughts but in the end, I was never wrong because Lauren herself has expressed it and I think if I had been in the fandom long before 2018 I would have noticed it too. This has been a very emotional Attunement on Lauren's part and I told her in a tweet, as her fan has been a privilege to have witnessed that. It is a privilege to be a fan of a girl with a huge heart who has flaws that make her more human than other people and who has grown enough to know that she can continue to do so. With this post I have tried to be respectful and say that, although I do not know her, we connect in a special way because we have almost the same way of thinking in many aspects (although I do not agree in many others) and I think that still does most important to me. About the newspaper. It reminded me of the lost diary topic, but apparently she has more than one. Who knows. I remember my period of having diaries in my teens and I appreciate that because it made me realize that writing would be an important part of my life. If there is one way I am good at expressing myself it is writing, and no, not in English so I apologize for the mistakes. There is one last detail of Lauren's Attunement that goes a bit more on the personal side. When she says: "To be a real one, is to be an emotional one". I have always had a conflict with being emotional. Starting with my zodiac sign (yes, I know it's a bit silly to believe in that but it amuses me). As a Pisces, I am an emotional being. As a physically disabled person I have my limitations and although these limitations do not define me, I have always had a fierce fight with my vulnerable side. I hate depending on others, physically and emotionally. I also hate getting sick and others having to take care of me when I'm unable to do it on my own, that's why I don't get along with my emotional side. Excessively emotional and I prefer to be more cerebral in many aspects (I think you have noticed that my favorite word this year has been brainless people, right) and dependency is something that I can't stand on myself. That they depend on me does not matter, I am always for those who need me but being dependent is something I tend to avoid like pests. Relying on others to do things for you, depending on the affection of other people ... my family (except my mother) was never very affectionate to say, it was not impulsively hugging you or public displays of affection and I learned to be the same . But I also learned to give what others did not give me. And it cost me. That of leaving the mold of a family that is there and that sometimes worries but that others can leave you and not know what you are doing on any given day. A family that demands expectations. At least some of my uncles. I think that in that part I feel identified with Lauren and it is curious because I am adopted but she is not. And still I feel identified with Lauren and at the same time with Camila and the relationship that she has with her mother, which is almost an exact copy of the relationship that I had with my mother throughout my childhood and adolescence. I guess that's why I follow them both, apart from because I love the music of both. The last detail and I already stop talking about me because this post is about Lauren. What she talks about the industry, the molds, how female artists within the industry are treated. That was also an important aspect because here we are, always complaining about the fact that female artists are undervalued and punished twice as much as a male artist because the music industry is misogynous and macho. That's true.
Society tends to forgive the mistakes of male artists who sometimes do more reprehensible things than female artists and all the mistakes of those female artists (Leigh-Ann of LM throwing shade at Camila) come to light more times and they are more hated. That is a part of the industry that I have always hated and that makes me sad at the same time because it always affects our girls. And I don't know what else I have left to say that I haven't already said, I hope I wasn't too confused with my ideas but it was something I had to write about and I've taken my time to do that. I don't know if Lauren is ever going to read this, but I wanted to thank her. Thanks moonchild. Thank you for giving us that piece of you that makes you vulnerable so that we know it. Thank you for being yourself, for teaching us that we can heal and continue to grow. Thank you for that beautiful mind of yours that has so much to express and deliver to this screwed up world. Don't stop being real, mija. Don't let that light you have go out. I love you so much moonchild ...
sorry for the long reading, folks but it was something I needed to said.
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untemperedwolf · 6 years ago
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All that is lost
Written for @doctorroseprompts 31 days of ficmas for the prompts hope, lights and love.
I've been working all December on this and had wanted to post by Christmas day, but boxing day is close enough. I'm incredibly proud of this fic and it's long; just over 8,000 words long.
Rating: T, just in case || Words: 8,300 || Pairing: Ten x Rose || Summary: When the doctor lands in the wrong season on an alien planet, Donna says there's nothing but trouble in store for them. But is there also a Christmas miracle? Reunion fic.
Also on AO3
Enjoy!!
Christmas had always been a human holidays that the Doctor has loved from the moment he heard about it. Humans are forever creating reasons to celebrate something, but there was always something special, to him, about Christmas.
It got a lot more special when it became this body’s birthday. And now, after his loss of Rose, the festive season has gotten a lot sadder.
Even now, when it’s Christmas on this human colony they’ve landed on and not his personal timeline, it fills him with sadness.
Christmas, for him, equals Rose. He supposes it was doomed from the beginning, when her first trip to the past ended up on Christmas Eve. Christmas brought back memories of Rose’s smile, of her laughter, of her joy, leaving him only with a deep pang of bereavement.
Rose loved Christmas. He found that out earlier on in their travels. She loved the holiday spirit, the giving and receiving of presents, the snow, the Christmas carols and decorations. Said it was the one time of year her and her mum truly forgot any problems in their lives and just… celebrated.
There’s a magic in Christmas, Rose had said to him. Looking into her golden eyes, that beautiful smile of hers dancing on her lips, the Doctor had to agree with her. Or maybe that was just Rose.
Rose’s missing presence is reminded to him almost constantly, from little things. There’s never a moment that goes by he’s not missing her; a constant dull ache in his hearts.
The ache feels heavy today, on this planet. Xyaria, the planet’s name. It’s a bit of useless information rattling around the Doctor’s mind, as he tells Donna it, trying with all his might to sound just as enthusiastic as he normally does.
Too much of Donna’s time with him has been spent focused on Rose, even if she tells him it’s good to talk about her (it doesn’t feel good). Donna’s strangely in tune with him, in a way similar but very dissimilar to how Rose was, and he supposes, deep down that’s a good thing. But it’s painful to talk about Rose, and Donna’s very good at getting him to talk– not past his limits; she would never, but rather in a way the Doctor reluctantly admits is helpful.
Still, the Doctor doesn’t like alerting Donna to his more dark moments. She handles the balance between being a good friend, and her own enjoyment well– she is rather brilliant after all (it’s with another deep pang he thinks that Rose would get along swimmingly with her) – but if there’s one thing the Doctor is good at, it’s guilt.
Xyaria is a human colony. It’s not a human only colony, sharing the planet with one main other race; the Grefrians (a humanoid race with light violet skin, who’s native to a neighbouring planet). There’s other races here, too, immigration is open and Xyaria is a hotspot, but humans and grefrians dominant.
Being human dominating means that Xyaria, as a planet, celebrates a lot of human celebrations. Annually, there’s a mix of human cultures celebrations, the humans who colonised this planet being a mix of cultures themselves. There’s also, annually, the Grefrians’ own celebrations they brought over and now is celebrated by the whole planet.
Really, Xyaria is one of the most peaceful and festive planets– and Christmas is one of their biggest events.
And they don’t do things by halves. The town they’ve landed are covered in lights, an array of colours lighting up the town. A huge, heavily decorated tree stands in the centre of the town, and the town’s people are dressed in festive colours.
The beauty, the true Christmas spirit, of the town cannot be captured or described to justice. The Doctor thinks it looks rather magical and that’s what cuts him to his core.
Rose would love this. Rose would absolutely adore this.
The Doctor could picture her, all wrapped up and flushed pink. A huge grin on her face, amazement in her eyes, the lights reflecting in them as she spins around, taking everything in. It’s beautiful! She would say, her voice filled with wonder. A squeal of glee would escape those lips as she presses her foot on the snow and– and then he’d pull her to him to steal a kiss from her lips.
His mind, his big mind with its detailed imagination, can be his greatest enemy; the pain his imagery left him with a reminder of that.
“Wow,” Donna’s voice breaks his thoughts, pulling him back to reality. The Doctor’s hearts twist as the beautiful imagery fades away, leaving only the pain. “Just…wow,”
The Doctor takes a moment in all his misery to revel in that he’s gotten Donna, self-proclaimed hater of Christmas, to be amazed at something Christmassy.
Donna looks at him. “So, then, space man. Where’s the trouble, why are we here?” Just like that, Donna snaps out of her amazed state, ready to advance on their next adventure. The Doctor sighs.
“There’s not trouble everywhere I go,” he tells her, for the hundredth time. Donna shoots him a look, disbelieving.
“You are trouble,” she replies. “So why are we here? I didn’t ask for Christmas, I asked for a beach. Therefore. Trouble,”
“I was aiming for a beach!” The Doctor glances back at the TARDIS. “She’s just a bit…off, that’s all. I was aiming for Xyaria in the summer. And on the other side of the planet,” he defends himself, rather weakly depending his companion. For once, he thinks, it’ll be nice for his ship to work so he doesn’t have to stand somewhere yet again defending himself. Although, he really should start double checking the coordinates.
This time, Donna sighs. “Alright, well then we better get exploring. Do you reckon they have Christmas sales?” She begins to walk off before he could answer and once again, he thinks it’s not only Rose, but Jackie, who would get along nicely with Donna.
It’s not long before trouble finds them.
It’s to be expected. Trouble seems to find him, with or without him seeking it out. They’ve just finished shopping—or rather, Donna’s finished, because who would he shop for now?—and Donna’s debating which café to go in to have something to eat when they hear the screams. There’s festive music playing, the screams just barely audible over it. The rest of the townspeople doesn’t react, either because they don’t hear it, not tuned in to looking for signs of trouble like they are, or they’re choosing to ignore it.
Donna looks over at him, the same time he looks over at her. She gives him an I told you so look as they begin to sprint in the direction of the screams.
The screams have stopped by the time they arrive where the screams came from– in a cute little alleyway not far from the town’s centre. The Doctor worries that whoever was making the screams would’ve gone completely, but those worries are put away when they find a woman.
She’s in her mid-forties, and leaning against the wall, sobbing. The sobs aren’t just heaves, the Doctor’s ears picking up on sound—a name?—coming from the woman, joining the sobs. That’s not, however, what the Doctor notices first; it’s her dark clothing. Not necessarily unusual, but when the whole town has been dressed brightly and festively, it’s striking.
Donna, for all his legs and her complaining, gets to the woman first, comforting her. The woman accepts the comfort, at first, seemingly unthinking, before pulling away when Donna asks what’s wrong. Alerted that there’s people she doesn’t know here.
Wide eyes stare at them. Fear dancing in the irises. “If you don’t know… think yourself lucky,” the woman’s words leaves him with a chill. How she says them, how sobering her expression is, how collected she became once realising she was with strangers.
The woman edges away from Donna, and that’s when he notices it. She’s holding her hand in what looks to be an uncomfortable position, a scarf draped over it, obstructing him from getting more than a glance. She pulls it closer to her body when noticing his look.
Cautiously, he speaks. “I’m a doctor… would you mind,” the Doctor extends his hand slightly, indicating at the held arm. It could be just a normal injury, unrelated to her screams, but the Doctor’s instincts, his gut, that incredible mind of his, argues otherwise.
The woman stares at him, almost as a challenge. It only lasts a few seconds, and then she’s pushing past Donna and him. The Doctor notes she’s got a limp.
She looks at them both, haunted eyes. “Enjoy Christmas. I know I won’t,” with that, she turns her back onto them and strides off.
It’s silent between Donna and him until she can no longer be seen.
“Well, if that wasn’t creepy,” Donna’s the first to break the silence. “And a little bit rude. All we did was ask if she was alright. After she screamed the place down and everything!” The Doctor hums in response, his eyes scanning the area for any hints or clues as to what made the woman scream. The ground is normally where clues lie, and being that its snow coated, that would be a huge advantage– almost anything shows up on white. He drops down, lowering himself closer to the ground.
Nothing.
Wait.
There was a faint smell, a faint tang of something metallic. Faint, but there. The Doctor sniffs, again, trying to identify what would create such a smell.
“Donna,” he says, looking up. His next sentence is cut off as the woman stands there once again. She’s looking at him, curiously. Still shielded, but curious.
“You said you were a doctor?”
***
The woman leads them away from the town centre, away from the sounds of festive cheer. Still, the streets still give away the importance of this celebration to Xyaria, as the buildings and houses they pass are covered with Christmas lights.
The woman in front of them is jarring to the Doctor; a contradictory image to the one around him. She feels out of place, being so dark, in a place so bright. He supposes he could say the same thing about himself.
They walk in silence, Donna and him respecting her clear wish to not speak. There’s many questions bouncing at the end of his tongue, but his adventures have taught him that speaking when the other does not just leads to getting nowhere.
She stops in front of a house. It’s a terrace house, standing with three windowed floors, but thin. It’s as lit up as all the other house, light-up Santas and reindeers adorning the bricks, but the Doctor sees it for what it is. A disguise. This woman clearly does not want to attract attention, and having a house undecorated in a town like this would do so.
“In,” the woman commands, pushing open the door.
The house inside reflects the woman, than the town. The hallway greeting them is dark, dimly lit merely by a dull lightbulb. There’s a tense atmosphere the moment he steps in, one which only raises his concerns that there is something not right.
The woman shuts the door behind them. It may be worse lighting than before, but the Doctor can see her clearly for the first time. Her expression is guarded, but tired. There’s bags underneath her eyes, tiredness, uncertainty and a little glimmer of something—of hope. And that’s why he loves humans, because underneath everything else, there’s always that little spark, that not all is lost.
“You said you’re a doctor, well I have a patient for you,” The woman says. Her tone is still portrays that harsh edge, a distrust, but willing. The woman indicates to a door on his left, but stops him before he goes in. Uncertainty, and a fire, swims in her eyes.
“It’s nothing we’ve ever seen before; and it’s not. There’s some people who wouldn’t want to see it. But she—my patient—she’s delicate.” The words are warning, a protective edge to the words. The Doctor nods, his expression somber, and the woman—satisfied, opens the door. The Doctor makes a mental note to himself to keep himself in check.
Oh, there’s another pang in his hearts. Rose was good at keeping him in check.
The door opens up on to a living room. This room is more clearly lit than the hallway, but there’s nothing festive about it, impossible to tell its Christmas time. The colour theme, of dark colours, continues to match the woman’s attire. There’s other people in the room, three individuals cuddled up on the sofa, lying underneath a dark blanket. They’re younger than the woman, around late twenties to early thirties. On the floor, at the base of the sofa, sits a child, playing with a toy. Then, to the right of the sofa, just entered from another doorway, stands a young woman, holding a tray of cups. Out of everyone, she’s the only one dressed in lighter clothing.
They all stop what they’re doing, freezing in time, as Donna and him enter the room. They stare at them, eyes wide. Questions bubble in their eyes, the Doctor can see, but in different forms. For the three on the sofa, their eyes are distrustful, guarded—like the woman’s—but the child’s is curious, unguarded. The young woman’s is also curious, and welcoming. The Doctor notes this down. It might be useful for later.
“This man is a doctor,” the woman speaks, her tone authoritative. The words breaks the frozen positions they all stopped in. The Doctor also notes that down, for later. The woman is the one who they follow and trust.
The Doctor smiles, trying to seem unthreatening. Trustworthy. “Hello, I’m the Doctor, and this is Donna,” He introduces them. No one speaks back.
It’s only when the woman shuts the door they came through that the Doctor sees the other sofa, someone lying across it, with around four blankets on top of them. By the raggedy breathing coming from them, the Doctor guesses that’s who his patient is.
The woman walks to the sofa, and the Doctor follows, Donna close on his heels. The person laying underneath is a grefrian, and a very unwell grefrian if the dark violet skin is anything to go by. Her eyes are shut, asleep. Close to death.
“What… what happened?” The Doctor asks, gently, softly, as he kneels down beside the sofa. The woman strokes the grefrian’s forehead, a jarringly gentle gesture from how this woman has been holding herself. The Doctor has only ever seen a few unwell grefrian’s in his time; but never this bad. They’re notorious for their almost impenetrable immune system.
The woman glances back at the others, uncertain. Of what, the Doctor can’t place. Questioning her earlier judgement of if he should be allowed to know, perhaps. Questioning if he’ll—and Donna—believe them.
“I can’t treat her unless I know,” The Doctor says, still keeping his gentle tone.
The woman sighs, tiredly, dejectedly. “We don’t know,” She says. There’s a pause in her voice, and the Doctor waits, waiting for her to continue, like the pause suggested she would.
“Angel went out one day, to get the food, and she. Well, she was taking too long, and since she’s prone to talk to everyone she sees, I decided to go out to look for her. And that’s when I found her. Like this. She’s just continued to get worse and we don’t even know what happened. No doctors can tell us what to do,” the woman finally continues. The Doctor looks back at the grefrian—Angel, he assumes.
“What… before we came in, you told me it’s like nothing you’ve seen before; but this is how grefrians look when ill,” The Doctor tries to be delicate with his words. There’s more, the woman isn’t explaining everything.
The woman kneels beside him, beside his patient. “Angel,” She says, her tone gentle, laying a hand on her shoulder. Angel’s eyes flutter, slightly, but remains closed. She takes a deep breath in, sharper, but other than that, there’s no response. The woman looks back at the Doctor.
“She doesn’t have the strength nowadays to open her eyes. Most days she’s just sleeping—in and out of consciousness,” The woman’s eyes are sad, watery. She blinks the tears away, and the Doctor gets a pang in his hearts. There’s something familiar about the woman’s expression; something he has seen in his own. She turns more to look at Angel again.
“I’ve got a doctor,” the woman tells her, even though she’s probably still out of consciousness. With a gentleness which makes the Doctor wonder if Angel is the woman’s Rose, she pulls back the blankets, and the edge of Angel’s top.
Donna’s slight gasp can be heard as they do so, an appropriate reaction. Across Angel’s chest there’s a darkness. A vine-like pattern, made from intricate swirls, which would be beautiful had it not been a black shade, which emits an unease from it. The Doctor wants to both look away, never to look again, or look at it forever.
The Doctor can see why the woman warned him that not everyone wants to see it.
“Can you help her?” the woman breaks his thoughts. The Doctor looks around at everyone, who’s all watching, still with distrust, but now also hope.
“How long ago did this start?” The Doctor asks. The woman looks at one of the other people on the sofa, a man, quickly, but noticeable to the Doctor, before answering. The Doctor notes that as well in his head.
“A few weeks ago,” The woman answers. “Now, tell me. Can you help her?” The woman’s voice is demanding, an impatience leaking into it.
“I don’t know for certain,” The Doctor, if Angel is indeed this woman’s Rose, doesn’t want to give her false promises, especially when she isn’t telling him everything he needs to know to be sure. “But I can try and help.” The Doctor tells her.
“What do you need?” The woman asks.
 “So, you know what Angel has?” Donna recaps, when they’re alone in the kitchen of this house an hour later. They stand leaning against the counter beside each other, Donna drinking some grefrian apple juice.
“I might,” The Doctor says. “There’s still…something they’re not telling me. They don’t trust us, that’s understandable, but I need to know,” The Doctor tells Donna, tilting his head down and lowering his voice so that they can’t overhear him.
“How are you going to find out?” Donna asks, mirroring his lowered voice. He nods his head in indication to the young woman. The potential weak spot; the most trusting. With that, he pushes himself of the counter, and towards the young woman.
“Here, let me,” The Doctor offers, taking a tray of her. She smiles up at him, thankfully, and the Doctor gets another pang in his hearts. If Rose was here, she would’ve already befriended her, and not just to get information.
“What’s your name, then?” The Doctor asks, trying to push back thoughts of Rose, and concentrate on the objective at hand.
“Jemima,” She tells him, then looks curiously at him. “Can you help her—Angel? Can you really help her?” She asks. The Doctor places the tray down, letting out a deep breathe.
“I can try.” He looks at her, letting his own curiosity come out. “How do you all know each other, all of you?” He inquires, something he’s been curious about since stepping into this house.
“Well Lorna—she’s the one who brought you here—she’s my aunt. Before all this started, we lived here. Me, Lorna and Angel. Also, Harriet, and David, with little Samuel. Samuel’s the little boy. David was mostly at work, so he had a flat closer to his work, so it was more that they lived here part time. Samuel was here almost all the time.” Jemima tells him.
“Harriet and David—those are two of the others on the sofa,” The Doctor asks. Jemima freezes, her eyes wide and not unalike a deer caught in headlights.
“Uh…no,” Jemima answers. “That’s Roger, Ruby, and Pia,” Curious.
“Where’s David and Harriet, then?” Jemima’s body tenses, slightly, and he can see reluctance and uncertainty in her eyes. A conflict, but underneath it all, he can also see a want to tell him.
“Jemima, I can’t help if I don’t know everything,” The Doctor gently encourages.
“They’ve gone,” Jemima says, her voice now a whisper, frightened. “Harriet—she was one of the first to go. And David, he went a week back now. Poor Sammy, he doesn’t understand, he doesn’t know where his parents have gone. We don’t understand, but at least we’re adults. He thinks it’s his fault. He won’t talk to us anymore, scared that we’ll go if we do,” Jemima’s voice is filled with sadness, prominent amongst the fright.
“What do you mean, they’ve gone?”
“I don’t know. They go out, and then they go. I don’t understand what’s happening. Lorna won’t tell me. All I know is ever since it happened more and more people are coming here, and then they go. And now Angel’s ill, and I don’t know if she’ll survive. I don’t know what Lorna will do without her, if she doesn’t. My aunt’s never been the same since my mother died; my mam was the last of her family left, part from me,” Jemima’s shoulders sag.
“I just want it to be happy again. Christmas is always a happy time for us. Even Lorna loves it, especially since she met Angel,” Jemima looks up at him, sadness in her eyes.
“Jemima,” his voice is serious. “When you said ever since it happened I need to know; ever since what happened?” He asks. Jemima opens her mouth, but sound comes from behind him.
“I’ll tell you,” The Doctor turns around, to see Lorna standing there. From next to him, he hears Jemima mutter an apology. Lorna shakes her head.
“No, dear, I should’ve told him from the start. It’s just, you don’t know who to trust. Already people in town think we’re mad; they only believe us when it happens to them. Then they come here.” Lorna says, before indicating that they move out of the kitchen and back into the other room.
When all seated, Lorna begins to talk.
“A few months back, we—Roger and I—we came across something strange. A darkness, in the field, at the edge of the town. We didn’t do anything, we just left it. I thought it was the crops dying. But that’s when it started.” Lorna pauses.
“People started disappearing. First it was Roger’s wife, Breena, he said she went out one day, and didn’t come back. We filled a police report, at first. Of course. But then Harriet, she disappeared. Only, this time, Roger and I, we saw it. When Roger’s neighbour disappeared, that’s when we decided to warn people, especially when we noticed the darkness on the field had gotten closer. Not bigger, just moved.” Lorna takes a breath, shaky.
“People didn’t believe us. No one else could see the darkness, only us. But it’s there, and it’s taking people. It took Cole today, that’s what you heard—that’s why I screamed. It took another in front of me. It’s how I hurt my arm, trying to grab him back, but it, it burnt me. It left no mark, but it hurt. And it’s taking more people, no one else can see it, but it doesn’t spare them. Not even being inside helps,”
The Doctor leans forwards. “How does it take people—you said it took them in front of you, how?” he asks.
“It’s a darkness. It’s in the shadows, but it’s darker. It’s black, and then, in a wisp of smoke, it takes you. You can’t stop it. It looks like…” Lorna trails off, looking at where Angel lies. “It looks like Angel’s chest, but a physical form,” She looks back at the Doctor.
“I don’t understand it, Doctor. Why Angel has been infected by it like this, why it isn’t taking her like the others,” Lorna gets up from where she sits, and perches on the arm of the sofa Angel lies across, grabbing Angel’s hand in hers.
The Doctor’s hearts constrict, a burning pain in them, at the gesture. At the softness in Lorna’s action, at the tears in her eyes and the sadness in her voice. There’s no denying it, from this and what Jemima said; Angel is Lorna’s Rose.
And that makes him more determined than ever to fix this.
Especially now, he knows for certain that he knows what’s happening to Angel. He doesn’t get it, but he knows. And he will heal Angel. And maybe—just maybe, if luck was on his side, he’ll be able to save all those who have been lost. He could do with a miracle.
He doesn’t want to tell people bad news, not on Christmas, not when Rose isn’t by his side. She always made difficult moments better; a comfort, a hand to hold.
The Doctor gets into action quickly. Time is of the essence, as Angel has been sick for a few weeks now, which means he doesn’t have long.
“Take me to the field,” He says to Lorna, determination in his voice. Lorna stands up.
“Why?” She asks “You won’t be able to see it, no one else has,”
“I’m not just like anyone. And I need to see if I’m right, and if I am, I can save all the people who are lost.” He tells her. Lorna glances down at Angel. “Angel, too,” He adds on, which is what spurs her into action. The Doctor thinks that makes sense.
He explains his theory on the way, to Lorna, and Donna—and Jemima and Roger who have come along with them.
The Doctor has an extensive knowledge of a lot of aliens, and illnesses, across time. He had recognised it, from books as he has never seen it in person, on Angel. Grefrian Shade. Long time ago, from where they are now in Xyaria’s – or rather Grefri, it’s twin planet—history, the grefrian’s developed an illness, airborne, that would infect them, and kill them within a month.
It had been plaguing them for months, killing off many, many of their kind, before a doctor from Xyaria found the cure—simply, a plant native to Xyaria. This plant was from the same strain of a plant of Grefri, but where’s Grefri’s grew in plentiful, a weed, Xyaria’s was rare. Luckily, only a leaf mixture was needed to cure one person, so soon everyone was cured.
The disease, as a result, died out, and alongside it, the weed.
“But how is it infecting Angel then?” Jemima asks, as soon as he takes a break from his explanation. “And how does it explain the missing people?” She adds on, the others murmuring in agreement.
“I believe the dark patch on the field is a rip in time—from ancient grefri to present day Xyaria. From a time where this disease still existed. That’s how it infected Angel.” He says.
“But Angel hasn’t been by the field, I wouldn’t let her. And if it was airborne—shouldn’t all the other grefrians in town be suffering, because they’re not. Angel has been the only one—not even any other grefrians have been taken.” Lorna protests. He sighs.
“Angel hasn’t been by the field—but you have. You left the dark spot alone, yes, but you breathed in the air around it. Then you went home, and had close contact with Angel, which infected her. It hasn’t done much damage as fast because she hasn’t had direct contact with it.” He explains further.
“But what about the people—my wife?” Roger asks.
“This disease, it’s never met humans. It doesn’t know what to do, it forces it to, for a few seconds, become coloured. It’s why it was so deadly, because it was airborne, except there was always dark patches on the crops. Its form is dark, and that’s what you’ve seen when it’s taking people, it becomes visible because humans confuse it. It can’t infect you the way it does the grefrian’s, so it sits in your throats, and one day, it attacks. Only it still can’t infect you, and that’s when I think the rip drags the disease back—see, the universe can’t prevent time rips, but it’s given it a defense, an ability to try and pull whatever comes through it, back. And it detects the escaped disease as soon as it attacks the human, but it’s sloppy. It pulls the human back, too,” They’ve reached the field now, and three pairs of eyes stare back at him.
“But doesn’t that mean they’re in the past? And how come I and Lorna haven’t been taken yet?” Roger questions.
“They’re in a bubble, hopefully. Between this time and the past. The time rip would understand that they’re not from the past, but the shade in them would stop it from leaving them here, so therefore, it creates a bubble. And you two haven’t been taken yet for the same reason you can see the dark patch—I suppose you both were born exposed to time in some way, which let you see the dark patch, but also protects you,” The Doctor answers, before approaching the said dark patch on the field.
The Doctor turns to look at them, manic grin on his face.
“Now, watch me do something clever,”
He turns back around, and prays for a miracle. He could do with a miracle.
One of the things the Doctor has always liked about Christmas is the magic of it—how people wish for miracles, and when good things happen, for a moment, even sceptics believe it’s a miracle. The Doctor is blessed with three miracles.
He manages to save the people, close the time rip and find the rare Xyaria plant to cure Angel.
All in a day’s work. Still, as joyous he feels at getting to make sure this is another successful day, at being able to make sure another person doesn’t lose their Rose, he can’t help but feel lacking. If he was going to have a miracle today, why couldn’t it be Rose?
 ***
“That ship of yours, it really does take you to places where you’re needed,” Donna says, after finishing her meal. It is a few hours afterwards; he would’ve already gone from this town, but Donna wanted to stick around to finish her shopping and eat something first.
They’re sitting on a bench, outside a nice little café, opposite each other. Donna’s empty plate sits in front of her, and his drink, barely touched, sits in front of him. Donna’s bags sit around them both– “for protection”, she had said as if anyone in this nice town would rob visitors.
“If you think about, we always end up getting into trouble– but trouble you fix.” She shifts her body so she’s looking more at him. “Maybe you’re not a bad driver,” her tone soft.
The Doctor can’t help but smile at that. This day truly is full of miracles. “You reckon?” He says.
“Now, don’t be getting all smug, spaceman. I still want to go to the beach, and you and that ship of yours better get it right this time.” She continues, giving him a look he can only describe as her or else look. “Still. That must be why the TARDIS decided to land here instead.”
The Doctor looks around, thoughtfully. Donna is correct, his ship is stubborn but she does take him where he needs to go. But, somehow, the Doctor feels she’s not quite correct in saying the Grefrian Shade was why they landed here today.
There’s something else.
Or maybe that’s just him. Never rested, always alert.
“This town is nice, though.” Donna’s eyes join in him in looking around.
“It’s beautiful,” the Doctor says, his tone low, a breath of sound. He speaks mostly to himself, his thoughts from earlier coming to the front of his mind again, dragging the accompanying pain with it.
It really is beautiful.
The café is located in a peaceful place, not far from the town centre. It’s not too crowded, however, a peaceful atmosphere encasing around them. Away from the hubble of the town centre, with only the carol music still being able to be heard, faintly, drifting down from the town’s centre, it almost feels like it’s in its own bubble.
It overlooks a lake, frozen, glimmering, and the buildings are alight with the same adorning lights as before.
Its late evening, now, and the suns of Xyaria are setting, creating a warm glow which reflects of the lake.
Beautiful doesn’t even begin to cover it.
It’s too beautiful. It feels wrong being in such a place, a place he knows Rose would love– a place he had plans to take Rose for their next Christmas.
Being here, it feels like a mistake, a wrongness crawling up his body, creeping over him like the shade on Angel.
Yes, he was aiming for Christmas on Xyaria, but that’s neither here or there now he’s here.
But not with Rose. Never will he look at any beautiful sights again with Rose, and that knowledge, hits him deep, punching him in his hearts.
She’s lost.
“Look at you, saviour of the day again, beautiful scenery before you, and still, you’ve got that face,” Donna’s voice, loud, startles him. He looks at her, saying nothing, but he’s still lost in his own mind, in his thoughts of Rose at the forefront of his mind. His startlement gave him no opportunity to hide his pain, and he thinks it shows, in his eyes, in his face.
Donna’s face softens immediately. “Doctor,” her voice is gentle, almost pitying, but this is Donna; Donna doesn’t do pity. It’s what he likes about her.
“I was–” the Doctor’s voice breaks, and he curses himself. Donna tells him it’s good for him to talk about things, and before her, Rose did– and Martha was evidence of what happens when you don’t– but even still, the Doctor hates being so vulnerable.
“I was going to take Rose here. For her next Christmas, with me.” The Doctor continues, this time with a stronger voice. “She loved Christmas,” he adds on, but quieter, his voice low, sad.
“I’m sorry,” Donna says, and from anyone else, the Doctor would hate the word– he says it a lot, but the word sorry should be erased– but when Donna says it, it says more than enough. She reaches across the table, to rest her hand gently on top of his– a gesture, in the less morose of times, she’s emphasized strongly is not a sign of romantic affection, with a shiver accompanying the words– but he moves his hand away, into his lap.
He appreciates the gesture but it’s the wrong hand. It adds to the wrongness he already feels, being here, adds to pain in his hearts and the emptiness in his hand. Rose’s hand should be tucked into his, in her cute pink mittens she loved. But it’s not. Because she’s not here.
She should be telling him that they need to go closer to the lake, that they need to see all of nature’s wonders up close. She should be convincing him oh-so-easily to skate with her. She should… The Doctor could think of a million things she should be doing, but she’s not because she’s not here.
The Doctor sighs, running a hand through his hair, as he takes one last, longing look at the lake and the image of Rose skating on it, huge smile on her face. He imagines grabbing her hand, spinning her around, feeling, underneath her glove the ring that he had hoped to give her.
Pain clutches at his hearts again, a deep sorrow, and the Doctor decides it’s time to go home. Donna has done all that she needs to do, and even though the Doctor feels a reluctance to go back to the TARDIS—be it because he feels, for whatever reason, that they’re not quite done here, or because there’s no place he feels the heaviness of Rose’s missing presence than on the TARDIS—if he stays on this planet any longer, he feels as if his hearts may just stop from pain.
Donna, as if sensing what he was about to say, grabs her bags. The Doctor looks at her, a tight smile on his face, and he’s about to offer his assistance, when he pauses.
His ears, if he does say so himself, are rather magnificent, even if they aren’t as big as they were this time around. And through the faint caroling sound, through the faint hustle of people, the Doctor hears a laugh.
Not any laugh, no, he’s been hearing loads of laughter today. Not anyone’s laughs, her laugh.
The Doctor’s ears are magnificent, but they’re also cruel. They play tricks on him, as do his eyes, so he has no reason to believe the sound they’re hearing. It’s not like he hasn’t imagined her laugh before.
But, maybe it’s because it’s Xyaria, maybe it’s because they’ve had a day of miracles, and a day of reminders, but the Doctor’s body is frozen at the sound. Frozen, until it starts moving, moving towards the sound.
He moves silently, wordlessly, his expression frozen, his thoughts all but paused. He faintly acknowledges that Donna is following him, calling his name, but her words are muffled. His ears only focused on the laugh, his mind only focused on the hope that’s building as he gets closer and it gets louder.
Hope is a dangerous thing, he thinks, as he approaches the corner of the building, about to turn in the direction the laugh is coming from. He tells himself last chance, last chance to turn back, to not do something which would inevitably break his hearts.
He turns the corner.
There’s kids playing, in the snow, looking like they’re having fun as their parents watch. But that’s not what he sees, not really. His eyes are immediately drawn to one person and one person only; a blonde playing in the snow with the children. Smiling wide. Beautiful.
The Doctor’s hearts stop, and his breath catches in his throat.
Rose.
Her laugh hits his ears again, and he nearly falls over. Shock overrides his body, and he can’t breathe and his hearts aren’t working, and a numbness of disbelief washes over him. His only thought is Rose. Rose, Rose, Rose, Rose.
His mind is chanting, and he opens his mouth, to say what he’s thinking, but nothing comes out. Words, oxygen, blood, all these functions are pointless to him, but he panics, because he can’t call to her.
Then, she looks up.
She looks up from the children, her smile fading, slightly and he can see her pain in her eyes, and oh, he wants to call to her. But it doesn’t matter, because she’s looked up, and she’s looking at him.
She’s looking at him.
Her expression shifts, showing the shock that he’s feeling. Her mouth drops open, slightly, and he wonders if her heart stops like his did, or if it’s beating as fast as it is doing now.
He wonders if her breathe catches in her throat at the sight of him.
She takes a step back, shocked. Her eyes, wide, disbelieving. He watches as her head, moves, slightly, shaking, unbelieving.
A hand to her chest.
He wants to go to her, he wants to call to her, he wants to do anything but stare, but he’s frozen in his spot.
Children are playing around them, Donna is beside him, calling his name but all he can see, all he can think, all he wants to look at is her, his light, his queen, his Rose.
Rose, Rose, Rose.
His mind chants again, and then his legs are moving, oh they’re moving, needing to get closer, and so is hers. They’re only a short distance away from each other, but they’re running, moving as quickly as they can until finally– finally– they’re in each other’s arms.
Her body hits his, the momentum almost hitting him over, but he steadies himself, leaning back on one foot as he lifts her up, his arms wrapped securely around her. Keeping her in place. Holding her against him.
He rolls back on the foot, placing them both flat on the ground, straight, but not letting her go. Never letting her go.
Her body is warm against his, and he can feel her heart beating, fast, fast, fast. Before Canary Wharf, before he lost her, he’d be filled with concern at the rate, but now, now all he feels is happiness.
There’s no denying that he can feel her heart racing, no denying that she isn’t really here. She’s alive, she’s found, and she’s here.
She still smells the same, and he breathes it in as he holds her tight to him, and she squeezes him back, and they both say nothing but say everything.
Her shampoo smell is different, no fancy alien shampoo where she’s been, yes, but underneath it all, there’s the same smell he’s been addicted to since day one, the smell of Rose.
He rests his face on her head, millions of questions of how, how, how, running through his mind, but he pays it no attention. Wanting to let this just be a Christmas miracle. He can worry about the questions later.
Because she’s here, she’s in his arms, she’s home.
“Rose,” The Doctor finally speaks, his voice hoarse and he’s surprised at how quickly tears appear in his eyes, although he really shouldn’t be.
“Doctor,” she says, too, her voice soft, filled with emotion. She nuzzles at his shoulder, at the crook of his neck, before looking up at him, their eyes connecting. “Doctor,” his name comes out her lips as a half sob, and his arms instinctively squeeze her more tightly.
“Rose,” he says, again, his own voice sounding like hers. “Rose, Rose, I love you,” he tells her, his voice choked, one hand touching her face, her soft face.
“I love you, and I’m sorry, I’m so sorry, I should’ve said it,” now he’s broken his silence, he never wants to stop talking, but his vocabulary is limited to only Rose, and I love you and I’m sorry. It’s all he finds necessary; long, winding words mean nothing to him, not now.
“I should’ve, Rose, oh my Rose, I should’ve never–” he cuts off, his voice breaking, the true extent of his heartbreak, the pain, the remorse, everything he’s felt since she’s been gone coming out, flourishing in his voice, in his expression.
Rose’s eyes look into his, filled with her own pain and heartbreak. They’re watery, but oh-so filled with such emotion.
“Doctor,” Rose’s voice is quiet, a whisper. His name, spoken with pain, and love, always love. One of her hands moves from its place on his back, snaking around his neck and touching, gently, the edge of his chin.
“That, none of that, matters now– I,” Rose breaks off, as well, blinking as a two tears run down her cheeks. She takes a shaky breath in. “I found you,” she says, her voice still shaky, but strong.
She smiles, letting out a breathy laugh filled with disbelief, but joy. “I found you,” she repeats, with wonder in her words.
She lets a grin over her face, wide, happy, joyful, and the Doctor allows himself to do the same. Allows himself to laugh, happily in disbelief, alongside her.
Allowing themselves for the first time in years to be happy. To enjoy no longer having that arching weight on his hearts. To revel, in this moment, of this Christmas miracle.
They’ve reunited, at last.
They grin at each other, stupidly. And then, he doesn’t know who, but then they’ve leaned towards each other, and their lips are meeting, and they’re kissing, they’re kissing again, he’s finally feeling her lips against his, and, and it’s all too much and not enough and–
She’s here. Rose, she’s really here.
The Doctor never wants this moment to end. He wants to live in this weightless bubble, of happiness and joy, of miracles. This bubble of just Rose, Rose, Rose.
Rose pulls back, only slightly, her hands playing with his hair, a smile dancing on her lips he so badly wants to kiss again. She tastes exactly the same; the most wonderful and addictive taste in the universe.
“My Doctor,” Rose says, breathlessly. “I found you,” she lets out a giddy laugh and he, yet again, returns it.
“Hello,” he says, laughing at the absurdity of saying so after five minutes of her being in his arms. Then, he leans down, and steals another kiss from her. There is, after all, mistletoe hanging from the tree nearby.
Rose, and him, reunited again, at Christmas, on Xyaria.
All miracles are is science, really, everything can be explained; that’s what he thinks. But, in this moment, in this glorious, glorious moment, all he can think is that miracles do exist. That the universe, for once, is on his side.
Or maybe, Rose is just that brilliant. That she was right when she said the universe will never split them apart. They’re like magnets, drawn together, belonging together.
The dull ache in his hearts is gone, instead thumping with such love, love for the human in his arms.
“I missed you,” the Doctor murmurs, quietly, from where he rests his head upon hers, having broken the kiss. He holds her to him, a contentment he hasn’t felt in a long time gently washing over him. He could stay like this forever.
Rose, from where her head lies against him, fitted snug, murmurs her reply; “missed you too,” with a content sigh.
He feels her shoulders relax, as if a weight has been lifted from them, and the Doctor’s shoulders do them same. Indeed, a weight has been lifted and he feels weightless, a relief.
Her body fits against his almost as if she has never gone, nothing feels any different, but yet, she was gone. They can feel that, as they hug, as they lean against each other. Their weightless, but it’s a heavy hug, a hug filled of all that was lost which is now found.
For the Doctor, it’s been a day of finding lost people. A day of reuniting other people’s Roses. And now, his Rose has been reunited with him, and he thinks that’s, perhaps, which also adds to the heavy relief of this hug.
The feeling that he could’ve gone back to the TARDIS, without her, but having her in his mind, after a day of seeing other people get their Rose back.
There’s a lot to dissect, still the questions of how exactly is Rose here bouncing around the back of his mind, but they live in this weightless, heavy hug. Content.
“Not to interrupt what I’m sure is a lovely hug, but have you noticed it’s started to snow. Heavy.” Donna’s voice breaks into the bubble he’s found himself in.
He turns his head, slightly, but his chin is disrupted, as Rose moves, pulling her head up to look at Donna. The Doctor’s arms instinctively hold her body tighter, not wanting her to move away from him completely. Unwilling to have her away from him. Not this soon.
“And I can’t help but notice that you both are as underdressed as each other– although my concern is mainly for you, not him, he’s insane,” Donna carries on, ending the sentence by looking more at Rose. The Doctor would feel insulted, if it wasn’t Donna.
The Doctor looks around, only now processing Donna’s words. It is, indeed snowing, his and Rose’s shoulders coated with a layer of snow. He notices how snowflakes sit in rose’s hair, a light film of snow sugaring her. A snowflake sits on her nose.
The Doctor’s hearts twist, at the sight. Rose’s face, aware of the cold even if they weren’t, is a light pink shade, and the Doctor thinks she looks beautiful.
The most beautiful sight he’s ever seen.
“Hey, lover boy,” Donna captures his attention again, and he drags his eyes away from Rose, although he doesn’t want to, to look at Donna again.
“What did you call me?” His brain catches up with him. From the corner of his eye, the Doctor sees Rose smirk, amused.
“Lover boy.” Donna repeats. “Now, if you can stop giving Rose those eyes, its cold, we need to go back to the TARDIS.” Donna commands.
“Wait, how do you know my name? I haven’t introduced myself,” Rose asks, looking between them.
“Well, I was rather hoping you was Rose. I mean, surely, there can only be one person who’s actually into this skinny piece of nothing,” Donna answers, in the most Donna-like fashion. Yet again, a running theme with Donna, he doesn’t know if he should be insulted or amused.
“And there was only going to be one person who could turn him into a deaf zombie and make him look so, so lovesick, and that’s you,” Donna adds on.
Rose looks up at him, an emotion the Doctor can’t quite place swimming in her eyes. “You mentioned me?” She says, her voice oddly quiet. The Doctor’s hearts constrict, wondering how she could think he could not mention her when he loves and missed her so much, but knowing why she does.
“Yes, he did. And if he ever made you think he wouldn’t, well he’s an idiot. But you can talk about that after we get into warmth,” Donna speaks again, and they both look at her. “TARDIS,” she commands, authoritivly beginning to walk off.
With a shared smile, the Doctor and Rose follow her, the Doctor grabbing Rose’s hand, tight in his own.
Back where she belongs.
Christmas had always been a human holidays that the Doctor has loved from the moment he heard about it. Humans are forever creating reasons to celebrate something, but there was always something special, to him, about Christmas.
It got a lot more special when it became this body’s birthday. And now, after his loss of Rose, the festive season has gotten a lot sadder.
Even now, when it’s Christmas on this human colony they’ve landed on and not his personal timeline, it fills him with sadness.
Christmas, for him, equals Rose. He supposes it was doomed from the beginning, when her first trip to the past ended up on Christmas Eve. Christmas brought back memories of Rose’s smile, of her laughter, of her joy, leaving him only with a deep pang of bereavement.
Rose loved Christmas. He found that out earlier on in their travels. She loved the holiday spirit, the giving and receiving of presents, the snow, the Christmas carols and decorations. Said it was the one time of year her and her mum truly forgot any problems in their lives and just… celebrated.
There’s a magic in Christmas, Rose had said to him. Looking into her golden eyes, that beautiful smile of hers dancing on her lips, the Doctor had to agree with her. Or maybe that was just Rose.
Rose’s missing presence is reminded to him almost constantly, from little things. There’s never a moment that goes by he’s not missing her; a constant dull ache in his hearts.
The ache feels heavy today, on this planet. Xyaria, the planet’s name. It’s a bit of useless information rattling around the Doctor’s mind, as he tells Donna it, trying with all his might to sound just as enthusiastic as he normally does.
Too much of Donna’s time with him has been spent focused on Rose, even if she tells him it’s good to talk about her (it doesn’t feel good). Donna’s strangely in tune with him, in a way similar but very dissimilar to how Rose was, and he supposes, deep down that’s a good thing. But it’s painful to talk about Rose, and Donna’s very good at getting him to talk– not past his limits; she would never, but rather in a way the Doctor reluctantly admits is helpful.
Still, the Doctor doesn’t like alerting Donna to his more dark moments. She handles the balance between being a good friend, and her own enjoyment well– she is rather brilliant after all (it’s with another deep pang he thinks that Rose would get along swimmingly with her) – but if there’s one thing the Doctor is good at, it’s guilt.
Xyaria is a human colony. It’s not a human only colony, sharing the planet with one main other race; the Grefrians (a humanoid race with light violet skin, who’s native to a neighbouring planet). There’s other races here, too, immigration is open and Xyaria is a hotspot, but humans and grefrians dominant.
Being human dominating means that Xyaria, as a planet, celebrates a lot of human celebrations. Annually, there’s a mix of human cultures celebrations, the humans who colonised this planet being a mix of cultures themselves. There’s also, annually, the Grefrians’ own celebrations they brought over and now is celebrated by the whole planet.
Really, Xyaria is one of the most peaceful and festive planets– and Christmas is one of their biggest events.
And they don’t do things by halves. The town they’ve landed are covered in lights, an array of colours lighting up the town. A huge, heavily decorated tree stands in the centre of the town, and the town’s people are dressed in festive colours.
The beauty, the true Christmas spirit, of the town cannot be captured or described to justice. The Doctor thinks it looks rather magical and that’s what cuts him to his core.
Rose would love this. Rose would absolutely adore this.
The Doctor could picture her, all wrapped up and flushed pink. A huge grin on her face, amazement in her eyes, the lights reflecting in them as she spins around, taking everything in. It’s beautiful! She would say, her voice filled with wonder. A squeal of glee would escape those lips as she presses her foot on the snow and– and then he’d pull her to him to steal a kiss from her lips.
His mind, his big mind with its detailed imagination, can be his greatest enemy; the pain his imagery left him with a reminder of that.
“Wow,” Donna’s voice breaks his thoughts, pulling him back to reality. The Doctor’s hearts twist as the beautiful imagery fades away, leaving only the pain. “Just…wow,”
The Doctor takes a moment in all his misery to revel in that he’s gotten Donna, self-proclaimed hater of Christmas, to be amazed at something Christmassy.
Donna looks at him. “So, then, space man. Where’s the trouble, why are we here?” Just like that, Donna snaps out of her amazed state, ready to advance on their next adventure. The Doctor sighs.
“There’s not trouble everywhere I go,” he tells her, for the hundredth time. Donna shoots him a look, disbelieving.
“You are trouble,” she replies. “So why are we here? I didn’t ask for Christmas, I asked for a beach. Therefore. Trouble,”
“I was aiming for a beach!” The Doctor glances back at the TARDIS. “She’s just a bit…off, that’s all. I was aiming for Xyaria in the summer. And on the other side of the planet,” he defends himself, rather weakly depending his companion. For once, he thinks, it’ll be nice for his ship to work so he doesn’t have to stand somewhere yet again defending himself. Although, he really should start double checking the coordinates.
This time, Donna sighs. “Alright, well then we better get exploring. Do you reckon they have Christmas sales?” She begins to walk off before he could answer and once again, he thinks it’s not only Rose, but Jackie, who would get along nicely with Donna.
It’s not long before trouble finds them.
It’s to be expected. Trouble seems to find him, with or without him seeking it out. They’ve just finished shopping—or rather, Donna’s finished, because who would he shop for now?—and Donna’s debating which café to go in to have something to eat when they hear the screams. There’s festive music playing, the screams just barely audible over it. The rest of the townspeople doesn’t react, either because they don’t hear it, not tuned in to looking for signs of trouble like they are, or they’re choosing to ignore it.
Donna looks over at him, the same time he looks over at her. She gives him an I told you so look as they begin to sprint in the direction of the screams.
The screams have stopped by the time they arrive where the screams came from– in a cute little alleyway not far from the town’s centre. The Doctor worries that whoever was making the screams would’ve gone completely, but those worries are put away when they find a woman.
She’s in her mid-forties, and leaning against the wall, sobbing. The sobs aren’t just heaves, the Doctor’s ears picking up on sound—a name?—coming from the woman, joining the sobs. That’s not, however, what the Doctor notices first; it’s her dark clothing. Not necessarily unusual, but when the whole town has been dressed brightly and festively, it’s striking.
Donna, for all his legs and her complaining, gets to the woman first, comforting her. The woman accepts the comfort, at first, seemingly unthinking, before pulling away when Donna asks what’s wrong. Alerted that there’s people she doesn’t know here.
Wide eyes stare at them. Fear dancing in the irises. “If you don’t know… think yourself lucky,” the woman’s words leaves him with a chill. How she says them, how sobering her expression is, how collected she became once realising she was with strangers.
The woman edges away from Donna, and that’s when he notices it. She’s holding her hand in what looks to be an uncomfortable position, a scarf draped over it, obstructing him from getting more than a glance. She pulls it closer to her body when noticing his look.
Cautiously, he speaks. “I’m a doctor… would you mind,” the Doctor extends his hand slightly, indicating at the held arm. It could be just a normal injury, unrelated to her screams, but the Doctor’s instincts, his gut, that incredible mind of his, argues otherwise.
The woman stares at him, almost as a challenge. It only lasts a few seconds, and then she’s pushing past Donna and him. The Doctor notes she’s got a limp.
She looks at them both, haunted eyes. “Enjoy Christmas. I know I won’t,” with that, she turns her back onto them and strides off.
It’s silent between Donna and him until she can no longer be seen.
“Well, if that wasn’t creepy,” Donna’s the first to break the silence. “And a little bit rude. All we did was ask if she was alright. After she screamed the place down and everything!” The Doctor hums in response, his eyes scanning the area for any hints or clues as to what made the woman scream. The ground is normally where clues lie, and being that its snow coated, that would be a huge advantage– almost anything shows up on white. He drops down, lowering himself closer to the ground.
Nothing.
Wait.
There was a faint smell, a faint tang of something metallic. Faint, but there. The Doctor sniffs, again, trying to identify what would create such a smell.
“Donna,” he says, looking up. His next sentence is cut off as the woman stands there once again. She’s looking at him, curiously. Still shielded, but curious.
“You said you were a doctor?”
***
The woman leads them away from the town centre, away from the sounds of festive cheer. Still, the streets still give away the importance of this celebration to Xyaria, as the buildings and houses they pass are covered with Christmas lights.
The woman in front of them is jarring to the Doctor; a contradictory image to the one around him. She feels out of place, being so dark, in a place so bright. He supposes he could say the same thing about himself.
They walk in silence, Donna and him respecting her clear wish to not speak. There’s many questions bouncing at the end of his tongue, but his adventures have taught him that speaking when the other does not just leads to getting nowhere.
She stops in front of a house. It’s a terrace house, standing with three windowed floors, but thin. It’s as lit up as all the other house, light-up Santas and reindeers adorning the bricks, but the Doctor sees it for what it is. A disguise. This woman clearly does not want to attract attention, and having a house undecorated in a town like this would do so.
“In,” the woman commands, pushing open the door.
The house inside reflects the woman, than the town. The hallway greeting them is dark, dimly lit merely by a dull lightbulb. There’s a tense atmosphere the moment he steps in, one which only raises his concerns that there is something not right.
The woman shuts the door behind them. It may be worse lighting than before, but the Doctor can see her clearly for the first time. Her expression is guarded, but tired. There’s bags underneath her eyes, tiredness, uncertainty and a little glimmer of something—of hope. And that’s why he loves humans, because underneath everything else, there’s always that little spark, that not all is lost.
“You said you’re a doctor, well I have a patient for you,” The woman says. Her tone is still portrays that harsh edge, a distrust, but willing. The woman indicates to a door on his left, but stops him before he goes in. Uncertainty, and a fire, swims in her eyes.
“It’s nothing we’ve ever seen before; and it’s not. There’s some people who wouldn’t want to see it. But she—my patient—she’s delicate.” The words are warning, a protective edge to the words. The Doctor nods, his expression somber, and the woman—satisfied, opens the door. The Doctor makes a mental note to himself to keep himself in check.
Oh, there’s another pang in his hearts. Rose was good at keeping him in check.
The door opens up on to a living room. This room is more clearly lit than the hallway, but there’s nothing festive about it, impossible to tell its Christmas time. The colour theme, of dark colours, continues to match the woman’s attire. There’s other people in the room, three individuals cuddled up on the sofa, lying underneath a dark blanket. They’re younger than the woman, around late twenties to early thirties. On the floor, at the base of the sofa, sits a child, playing with a toy. Then, to the right of the sofa, just entered from another doorway, stands a young woman, holding a tray of cups. Out of everyone, she’s the only one dressed in lighter clothing.
They all stop what they’re doing, freezing in time, as Donna and him enter the room. They stare at them, eyes wide. Questions bubble in their eyes, the Doctor can see, but in different forms. For the three on the sofa, their eyes are distrustful, guarded—like the woman’s—but the child’s is curious, unguarded. The young woman’s is also curious, and welcoming. The Doctor notes this down. It might be useful for later.
“This man is a doctor,” the woman speaks, her tone authoritative. The words breaks the frozen positions they all stopped in. The Doctor also notes that down, for later. The woman is the one who they follow and trust.
The Doctor smiles, trying to seem unthreatening. Trustworthy. “Hello, I’m the Doctor, and this is Donna,” He introduces them. No one speaks back.
It’s only when the woman shuts the door they came through that the Doctor sees the other sofa, someone lying across it, with around four blankets on top of them. By the raggedy breathing coming from them, the Doctor guesses that’s who his patient is.
The woman walks to the sofa, and the Doctor follows, Donna close on his heels. The person laying underneath is a grefrian, and a very unwell grefrian if the dark violet skin is anything to go by. Her eyes are shut, asleep. Close to death.
“What… what happened?” The Doctor asks, gently, softly, as he kneels down beside the sofa. The woman strokes the grefrian’s forehead, a jarringly gentle gesture from how this woman has been holding herself. The Doctor has only ever seen a few unwell grefrian’s in his time; but never this bad. They’re notorious for their almost impenetrable immune system.
The woman glances back at the others, uncertain. Of what, the Doctor can’t place. Questioning her earlier judgement of if he should be allowed to know, perhaps. Questioning if he’ll—and Donna—believe them.
“I can’t treat her unless I know,” The Doctor says, still keeping his gentle tone.
The woman sighs, tiredly, dejectedly. “We don’t know,” She says. There’s a pause in her voice, and the Doctor waits, waiting for her to continue, like the pause suggested she would.
“Angel went out one day, to get the food, and she. Well, she was taking too long, and since she’s prone to talk to everyone she sees, I decided to go out to look for her. And that’s when I found her. Like this. She’s just continued to get worse and we don’t even know what happened. No doctors can tell us what to do,” the woman finally continues. The Doctor looks back at the grefrian—Angel, he assumes.
“What… before we came in, you told me it’s like nothing you’ve seen before; but this is how grefrians look when ill,” The Doctor tries to be delicate with his words. There’s more, the woman isn’t explaining everything.
The woman kneels beside him, beside his patient. “Angel,” She says, her tone gentle, laying a hand on her shoulder. Angel’s eyes flutter, slightly, but remains closed. She takes a deep breath in, sharper, but other than that, there’s no response. The woman looks back at the Doctor.
“She doesn’t have the strength nowadays to open her eyes. Most days she’s just sleeping—in and out of consciousness,” The woman’s eyes are sad, watery. She blinks the tears away, and the Doctor gets a pang in his hearts. There’s something familiar about the woman’s expression; something he has seen in his own. She turns more to look at Angel again.
“I’ve got a doctor,” the woman tells her, even though she’s probably still out of consciousness. With a gentleness which makes the Doctor wonder if Angel is the woman’s Rose, she pulls back the blankets, and the edge of Angel’s top.
Donna’s slight gasp can be heard as they do so, an appropriate reaction. Across Angel’s chest there’s a darkness. A vine-like pattern, made from intricate swirls, which would be beautiful had it not been a black shade, which emits an unease from it. The Doctor wants to both look away, never to look again, or look at it forever.
The Doctor can see why the woman warned him that not everyone wants to see it.
“Can you help her?” the woman breaks his thoughts. The Doctor looks around at everyone, who’s all watching, still with distrust, but now also hope.
“How long ago did this start?” The Doctor asks. The woman looks at one of the other people on the sofa, a man, quickly, but noticeable to the Doctor, before answering. The Doctor notes that as well in his head.
“A few weeks ago,” The woman answers. “Now, tell me. Can you help her?” The woman’s voice is demanding, an impatience leaking into it.
“I don’t know for certain,” The Doctor, if Angel is indeed this woman’s Rose, doesn’t want to give her false promises, especially when she isn’t telling him everything he needs to know to be sure. “But I can try and help.” The Doctor tells her.
“What do you need?” The woman asks.
 “So, you know what Angel has?” Donna recaps, when they’re alone in the kitchen of this house an hour later. They stand leaning against the counter beside each other, Donna drinking some grefrian apple juice.
“I might,” The Doctor says. “There’s still…something they’re not telling me. They don’t trust us, that’s understandable, but I need to know,” The Doctor tells Donna, tilting his head down and lowering his voice so that they can’t overhear him.
“How are you going to find out?” Donna asks, mirroring his lowered voice. He nods his head in indication to the young woman. The potential weak spot; the most trusting. With that, he pushes himself of the counter, and towards the young woman.
“Here, let me,” The Doctor offers, taking a tray of her. She smiles up at him, thankfully, and the Doctor gets another pang in his hearts. If Rose was here, she would’ve already befriended her, and not just to get information.
“What’s your name, then?” The Doctor asks, trying to push back thoughts of Rose, and concentrate on the objective at hand.
“Jemima,” She tells him, then looks curiously at him. “Can you help her—Angel? Can you really help her?” She asks. The Doctor places the tray down, letting out a deep breathe.
“I can try.” He looks at her, letting his own curiosity come out. “How do you all know each other, all of you?” He inquires, something he’s been curious about since stepping into this house.
“Well Lorna—she’s the one who brought you here—she’s my aunt. Before all this started, we lived here. Me, Lorna and Angel. Also, Harriet, and David, with little Samuel. Samuel’s the little boy. David was mostly at work, so he had a flat closer to his work, so it was more that they lived here part time. Samuel was here almost all the time.” Jemima tells him.
“Harriet and David—those are two of the others on the sofa,” The Doctor asks. Jemima freezes, her eyes wide and not unalike a deer caught in headlights.
“Uh…no,” Jemima answers. “That’s Roger, Ruby, and Pia,” Curious.
“Where’s David and Harriet, then?” Jemima’s body tenses, slightly, and he can see reluctance and uncertainty in her eyes. A conflict, but underneath it all, he can also see a want to tell him.
“Jemima, I can’t help if I don’t know everything,” The Doctor gently encourages.
“They’ve gone,” Jemima says, her voice now a whisper, frightened. “Harriet—she was one of the first to go. And David, he went a week back now. Poor Sammy, he doesn’t understand, he doesn’t know where his parents have gone. We don’t understand, but at least we’re adults. He thinks it’s his fault. He won’t talk to us anymore, scared that we’ll go if we do,” Jemima’s voice is filled with sadness, prominent amongst the fright.
“What do you mean, they’ve gone?”
“I don’t know. They go out, and then they go. I don’t understand what’s happening. Lorna won’t tell me. All I know is ever since it happened more and more people are coming here, and then they go. And now Angel’s ill, and I don’t know if she’ll survive. I don’t know what Lorna will do without her, if she doesn’t. My aunt’s never been the same since my mother died; my mam was the last of her family left, part from me,” Jemima’s shoulders sag.
“I just want it to be happy again. Christmas is always a happy time for us. Even Lorna loves it, especially since she met Angel,” Jemima looks up at him, sadness in her eyes.
“Jemima,” his voice is serious. “When you said ever since it happened I need to know; ever since what happened?” He asks. Jemima opens her mouth, but sound comes from behind him.
“I’ll tell you,” The Doctor turns around, to see Lorna standing there. From next to him, he hears Jemima mutter an apology. Lorna shakes her head.
“No, dear, I should’ve told him from the start. It’s just, you don’t know who to trust. Already people in town think we’re mad; they only believe us when it happens to them. Then they come here.” Lorna says, before indicating that they move out of the kitchen and back into the other room.
When all seated, Lorna begins to talk.
“A few months back, we—Roger and I—we came across something strange. A darkness, in the field, at the edge of the town. We didn’t do anything, we just left it. I thought it was the crops dying. But that’s when it started.” Lorna pauses.
“People started disappearing. First it was Roger’s wife, Breena, he said she went out one day, and didn’t come back. We filled a police report, at first. Of course. But then Harriet, she disappeared. Only, this time, Roger and I, we saw it. When Roger’s neighbour disappeared, that’s when we decided to warn people, especially when we noticed the darkness on the field had gotten closer. Not bigger, just moved.” Lorna takes a breath, shaky.
“People didn’t believe us. No one else could see the darkness, only us. But it’s there, and it’s taking people. It took Cole today, that’s what you heard—that’s why I screamed. It took another in front of me. It’s how I hurt my arm, trying to grab him back, but it, it burnt me. It left no mark, but it hurt. And it’s taking more people, no one else can see it, but it doesn’t spare them. Not even being inside helps,”
The Doctor leans forwards. “How does it take people—you said it took them in front of you, how?” he asks.
“It’s a darkness. It’s in the shadows, but it’s darker. It’s black, and then, in a wisp of smoke, it takes you. You can’t stop it. It looks like…” Lorna trails off, looking at where Angel lies. “It looks like Angel’s chest, but a physical form,” She looks back at the Doctor.
“I don’t understand it, Doctor. Why Angel has been infected by it like this, why it isn’t taking her like the others,” Lorna gets up from where she sits, and perches on the arm of the sofa Angel lies across, grabbing Angel’s hand in hers.
The Doctor’s hearts constrict, a burning pain in them, at the gesture. At the softness in Lorna’s action, at the tears in her eyes and the sadness in her voice. There’s no denying it, from this and what Jemima said; Angel is Lorna’s Rose.
And that makes him more determined than ever to fix this.
Especially now, he knows for certain that he knows what’s happening to Angel. He doesn’t get it, but he knows. And he will heal Angel. And maybe—just maybe, if luck was on his side, he’ll be able to save all those who have been lost. He could do with a miracle.
He doesn’t want to tell people bad news, not on Christmas, not when Rose isn’t by his side. She always made difficult moments better; a comfort, a hand to hold.
The Doctor gets into action quickly. Time is of the essence, as Angel has been sick for a few weeks now, which means he doesn’t have long.
“Take me to the field,” He says to Lorna, determination in his voice. Lorna stands up.
“Why?” She asks “You won’t be able to see it, no one else has,”
“I’m not just like anyone. And I need to see if I’m right, and if I am, I can save all the people who are lost.” He tells her. Lorna glances down at Angel. “Angel, too,” He adds on, which is what spurs her into action. The Doctor thinks that makes sense.
He explains his theory on the way, to Lorna, and Donna—and Jemima and Roger who have come along with them.
The Doctor has an extensive knowledge of a lot of aliens, and illnesses, across time. He had recognised it, from books as he has never seen it in person, on Angel. Grefrian Shade. Long time ago, from where they are now in Xyaria’s – or rather Grefri, it’s twin planet—history, the grefrian’s developed an illness, airborne, that would infect them, and kill them within a month.
It had been plaguing them for months, killing off many, many of their kind, before a doctor from Xyaria found the cure—simply, a plant native to Xyaria. This plant was from the same strain of a plant of Grefri, but where’s Grefri’s grew in plentiful, a weed, Xyaria’s was rare. Luckily, only a leaf mixture was needed to cure one person, so soon everyone was cured.
The disease, as a result, died out, and alongside it, the weed.
“But how is it infecting Angel then?” Jemima asks, as soon as he takes a break from his explanation. “And how does it explain the missing people?” She adds on, the others murmuring in agreement.
“I believe the dark patch on the field is a rip in time—from ancient grefri to present day Xyaria. From a time where this disease still existed. That’s how it infected Angel.” He says.
“But Angel hasn’t been by the field, I wouldn’t let her. And if it was airborne—shouldn’t all the other grefrians in town be suffering, because they’re not. Angel has been the only one—not even any other grefrians have been taken.” Lorna protests. He sighs.
“Angel hasn’t been by the field—but you have. You left the dark spot alone, yes, but you breathed in the air around it. Then you went home, and had close contact with Angel, which infected her. It hasn’t done much damage as fast because she hasn’t had direct contact with it.” He explains further.
“But what about the people—my wife?” Roger asks.
“This disease, it’s never met humans. It doesn’t know what to do, it forces it to, for a few seconds, become coloured. It’s why it was so deadly, because it was airborne, except there was always dark patches on the crops. Its form is dark, and that’s what you’ve seen when it’s taking people, it becomes visible because humans confuse it. It can’t infect you the way it does the grefrian’s, so it sits in your throats, and one day, it attacks. Only it still can’t infect you, and that’s when I think the rip drags the disease back—see, the universe can’t prevent time rips, but it’s given it a defense, an ability to try and pull whatever comes through it, back. And it detects the escaped disease as soon as it attacks the human, but it’s sloppy. It pulls the human back, too,” They’ve reached the field now, and three pairs of eyes stare back at him.
“But doesn’t that mean they’re in the past? And how come I and Lorna haven’t been taken yet?” Roger questions.
“They’re in a bubble, hopefully. Between this time and the past. The time rip would understand that they’re not from the past, but the shade in them would stop it from leaving them here, so therefore, it creates a bubble. And you two haven’t been taken yet for the same reason you can see the dark patch—I suppose you both were born exposed to time in some way, which let you see the dark patch, but also protects you,” The Doctor answers, before approaching the said dark patch on the field.
The Doctor turns to look at them, manic grin on his face.
“Now, watch me do something clever,”
He turns back around, and prays for a miracle. He could do with a miracle.
One of the things the Doctor has always liked about Christmas is the magic of it—how people wish for miracles, and when good things happen, for a moment, even sceptics believe it’s a miracle. The Doctor is blessed with three miracles.
He manages to save the people, close the time rip and find the rare Xyaria plant to cure Angel.
All in a day’s work. Still, as joyous he feels at getting to make sure this is another successful day, at being able to make sure another person doesn’t lose their Rose, he can’t help but feel lacking. If he was going to have a miracle today, why couldn’t it be Rose?
 ***
“That ship of yours, it really does take you to places where you’re needed,” Donna says, after finishing her meal. It is a few hours afterwards; he would’ve already gone from this town, but Donna wanted to stick around to finish her shopping and eat something first.
They’re sitting on a bench, outside a nice little café, opposite each other. Donna’s empty plate sits in front of her, and his drink, barely touched, sits in front of him. Donna’s bags sit around them both– “for protection”, she had said as if anyone in this nice town would rob visitors.
“If you think about, we always end up getting into trouble– but trouble you fix.” She shifts her body so she’s looking more at him. “Maybe you’re not a bad driver,” her tone soft.
The Doctor can’t help but smile at that. This day truly is full of miracles. “You reckon?” He says.
“Now, don’t be getting all smug, spaceman. I still want to go to the beach, and you and that ship of yours better get it right this time.” She continues, giving him a look he can only describe as her or else look. “Still. That must be why the TARDIS decided to land here instead.”
The Doctor looks around, thoughtfully. Donna is correct, his ship is stubborn but she does take him where he needs to go. But, somehow, the Doctor feels she’s not quite correct in saying the Grefrian Shade was why they landed here today.
There’s something else.
Or maybe that’s just him. Never rested, always alert.
“This town is nice, though.” Donna’s eyes join in him in looking around.
“It’s beautiful,” the Doctor says, his tone low, a breath of sound. He speaks mostly to himself, his thoughts from earlier coming to the front of his mind again, dragging the accompanying pain with it.
It really is beautiful.
The café is located in a peaceful place, not far from the town centre. It’s not too crowded, however, a peaceful atmosphere encasing around them. Away from the hubble of the town centre, with only the carol music still being able to be heard, faintly, drifting down from the town’s centre, it almost feels like it’s in its own bubble.
It overlooks a lake, frozen, glimmering, and the buildings are alight with the same adorning lights as before.
Its late evening, now, and the suns of Xyaria are setting, creating a warm glow which reflects of the lake.
Beautiful doesn’t even begin to cover it.
It’s too beautiful. It feels wrong being in such a place, a place he knows Rose would love– a place he had plans to take Rose for their next Christmas.
Being here, it feels like a mistake, a wrongness crawling up his body, creeping over him like the shade on Angel.
Yes, he was aiming for Christmas on Xyaria, but that’s neither here or there now he’s here.
But not with Rose. Never will he look at any beautiful sights again with Rose, and that knowledge, hits him deep, punching him in his hearts.
She’s lost.
“Look at you, saviour of the day again, beautiful scenery before you, and still, you’ve got that face,” Donna’s voice, loud, startles him. He looks at her, saying nothing, but he’s still lost in his own mind, in his thoughts of Rose at the forefront of his mind. His startlement gave him no opportunity to hide his pain, and he thinks it shows, in his eyes, in his face.
Donna’s face softens immediately. “Doctor,” her voice is gentle, almost pitying, but this is Donna; Donna doesn’t do pity. It’s what he likes about her.
“I was–” the Doctor’s voice breaks, and he curses himself. Donna tells him it’s good for him to talk about things, and before her, Rose did– and Martha was evidence of what happens when you don’t– but even still, the Doctor hates being so vulnerable.
“I was going to take Rose here. For her next Christmas, with me.” The Doctor continues, this time with a stronger voice. “She loved Christmas,” he adds on, but quieter, his voice low, sad.
“I’m sorry,” Donna says, and from anyone else, the Doctor would hate the word– he says it a lot, but the word sorry should be erased– but when Donna says it, it says more than enough. She reaches across the table, to rest her hand gently on top of his– a gesture, in the less morose of times, she’s emphasized strongly is not a sign of romantic affection, with a shiver accompanying the words– but he moves his hand away, into his lap.
He appreciates the gesture but it’s the wrong hand. It adds to the wrongness he already feels, being here, adds to pain in his hearts and the emptiness in his hand. Rose’s hand should be tucked into his, in her cute pink mittens she loved. But it’s not. Because she’s not here.
She should be telling him that they need to go closer to the lake, that they need to see all of nature’s wonders up close. She should be convincing him oh-so-easily to skate with her. She should… The Doctor could think of a million things she should be doing, but she’s not because she’s not here.
The Doctor sighs, running a hand through his hair, as he takes one last, longing look at the lake and the image of Rose skating on it, huge smile on her face. He imagines grabbing her hand, spinning her around, feeling, underneath her glove the ring that he had hoped to give her.
Pain clutches at his hearts again, a deep sorrow, and the Doctor decides it’s time to go home. Donna has done all that she needs to do, and even though the Doctor feels a reluctance to go back to the TARDIS—be it because he feels, for whatever reason, that they’re not quite done here, or because there’s no place he feels the heaviness of Rose’s missing presence than on the TARDIS—if he stays on this planet any longer, he feels as if his hearts may just stop from pain.
Donna, as if sensing what he was about to say, grabs her bags. The Doctor looks at her, a tight smile on his face, and he’s about to offer his assistance, when he pauses.
His ears, if he does say so himself, are rather magnificent, even if they aren’t as big as they were this time around. And through the faint caroling sound, through the faint hustle of people, the Doctor hears a laugh.
Not any laugh, no, he’s been hearing loads of laughter today. Not anyone’s laughs, her laugh.
The Doctor’s ears are magnificent, but they’re also cruel. They play tricks on him, as do his eyes, so he has no reason to believe the sound they’re hearing. It’s not like he hasn’t imagined her laugh before.
But, maybe it’s because it’s Xyaria, maybe it’s because they’ve had a day of miracles, and a day of reminders, but the Doctor’s body is frozen at the sound. Frozen, until it starts moving, moving towards the sound.
He moves silently, wordlessly, his expression frozen, his thoughts all but paused. He faintly acknowledges that Donna is following him, calling his name, but her words are muffled. His ears only focused on the laugh, his mind only focused on the hope that’s building as he gets closer and it gets louder.
Hope is a dangerous thing, he thinks, as he approaches the corner of the building, about to turn in the direction the laugh is coming from. He tells himself last chance, last chance to turn back, to not do something which would inevitably break his hearts.
He turns the corner.
There’s kids playing, in the snow, looking like they’re having fun as their parents watch. But that’s not what he sees, not really. His eyes are immediately drawn to one person and one person only; a blonde playing in the snow with the children. Smiling wide. Beautiful.
The Doctor’s hearts stop, and his breath catches in his throat.
Rose.
Her laugh hits his ears again, and he nearly falls over. Shock overrides his body, and he can’t breathe and his hearts aren’t working, and a numbness of disbelief washes over him. His only thought is Rose. Rose, Rose, Rose, Rose.
His mind is chanting, and he opens his mouth, to say what he’s thinking, but nothing comes out. Words, oxygen, blood, all these functions are pointless to him, but he panics, because he can’t call to her.
Then, she looks up.
She looks up from the children, her smile fading, slightly and he can see her pain in her eyes, and oh, he wants to call to her. But it doesn’t matter, because she’s looked up, and she’s looking at him.
She’s looking at him.
Her expression shifts, showing the shock that he’s feeling. Her mouth drops open, slightly, and he wonders if her heart stops like his did, or if it’s beating as fast as it is doing now.
He wonders if her breathe catches in her throat at the sight of him.
She takes a step back, shocked. Her eyes, wide, disbelieving. He watches as her head, moves, slightly, shaking, unbelieving.
A hand to her chest.
He wants to go to her, he wants to call to her, he wants to do anything but stare, but he’s frozen in his spot.
Children are playing around them, Donna is beside him, calling his name but all he can see, all he can think, all he wants to look at is her, his light, his queen, his Rose.
Rose, Rose, Rose.
His mind chants again, and then his legs are moving, oh they’re moving, needing to get closer, and so is hers. They’re only a short distance away from each other, but they’re running, moving as quickly as they can until finally– finally– they’re in each other’s arms.
Her body hits his, the momentum almost hitting him over, but he steadies himself, leaning back on one foot as he lifts her up, his arms wrapped securely around her. Keeping her in place. Holding her against him.
He rolls back on the foot, placing them both flat on the ground, straight, but not letting her go. Never letting her go.
Her body is warm against his, and he can feel her heart beating, fast, fast, fast. Before Canary Wharf, before he lost her, he’d be filled with concern at the rate, but now, now all he feels is happiness.
There’s no denying that he can feel her heart racing, no denying that she isn’t really here. She’s alive, she’s found, and she’s here.
She still smells the same, and he breathes it in as he holds her tight to him, and she squeezes him back, and they both say nothing but say everything.
Her shampoo smell is different, no fancy alien shampoo where she’s been, yes, but underneath it all, there’s the same smell he’s been addicted to since day one, the smell of Rose.
He rests his face on her head, millions of questions of how, how, how, running through his mind, but he pays it no attention. Wanting to let this just be a Christmas miracle. He can worry about the questions later.
Because she’s here, she’s in his arms, she’s home.
“Rose,” The Doctor finally speaks, his voice hoarse and he’s surprised at how quickly tears appear in his eyes, although he really shouldn’t be.
“Doctor,” she says, too, her voice soft, filled with emotion. She nuzzles at his shoulder, at the crook of his neck, before looking up at him, their eyes connecting. “Doctor,” his name comes out her lips as a half sob, and his arms instinctively squeeze her more tightly.
“Rose,” he says, again, his own voice sounding like hers. “Rose, Rose, I love you,” he tells her, his voice choked, one hand touching her face, her soft face.
“I love you, and I’m sorry, I’m so sorry, I should’ve said it,” now he’s broken his silence, he never wants to stop talking, but his vocabulary is limited to only Rose, and I love you and I’m sorry. It’s all he finds necessary; long, winding words mean nothing to him, not now.
“I should’ve, Rose, oh my Rose, I should’ve never–” he cuts off, his voice breaking, the true extent of his heartbreak, the pain, the remorse, everything he’s felt since she’s been gone coming out, flourishing in his voice, in his expression.
Rose’s eyes look into his, filled with her own pain and heartbreak. They’re watery, but oh-so filled with such emotion.
“Doctor,” Rose’s voice is quiet, a whisper. His name, spoken with pain, and love, always love. One of her hands moves from its place on his back, snaking around his neck and touching, gently, the edge of his chin.
“That, none of that, matters now– I,” Rose breaks off, as well, blinking as a two tears run down her cheeks. She takes a shaky breath in. “I found you,” she says, her voice still shaky, but strong.
She smiles, letting out a breathy laugh filled with disbelief, but joy. “I found you,” she repeats, with wonder in her words.
She lets a grin over her face, wide, happy, joyful, and the Doctor allows himself to do the same. Allows himself to laugh, happily in disbelief, alongside her.
Allowing themselves for the first time in years to be happy. To enjoy no longer having that arching weight on his hearts. To revel, in this moment, of this Christmas miracle.
They’ve reunited, at last.
They grin at each other, stupidly. And then, he doesn’t know who, but then they’ve leaned towards each other, and their lips are meeting, and they’re kissing, they’re kissing again, he’s finally feeling her lips against his, and, and it’s all too much and not enough and–
She’s here. Rose, she’s really here.
The Doctor never wants this moment to end. He wants to live in this weightless bubble, of happiness and joy, of miracles. This bubble of just Rose, Rose, Rose.
Rose pulls back, only slightly, her hands playing with his hair, a smile dancing on her lips he so badly wants to kiss again. She tastes exactly the same; the most wonderful and addictive taste in the universe.
“My Doctor,” Rose says, breathlessly. “I found you,” she lets out a giddy laugh and he, yet again, returns it.
“Hello,” he says, laughing at the absurdity of saying so after five minutes of her being in his arms. Then, he leans down, and steals another kiss from her. There is, after all, mistletoe hanging from the tree nearby.
Rose, and him, reunited again, at Christmas, on Xyaria.
All miracles are is science, really, everything can be explained; that’s what he thinks. But, in this moment, in this glorious, glorious moment, all he can think is that miracles do exist. That the universe, for once, is on his side.
Or maybe, Rose is just that brilliant. That she was right when she said the universe will never split them apart. They’re like magnets, drawn together, belonging together.
The dull ache in his hearts is gone, instead thumping with such love, love for the human in his arms.
“I missed you,” the Doctor murmurs, quietly, from where he rests his head upon hers, having broken the kiss. He holds her to him, a contentment he hasn’t felt in a long time gently washing over him. He could stay like this forever.
Rose, from where her head lies against him, fitted snug, murmurs her reply; “missed you too,” with a content sigh.
He feels her shoulders relax, as if a weight has been lifted from them, and the Doctor’s shoulders do them same. Indeed, a weight has been lifted and he feels weightless, a relief.
Her body fits against his almost as if she has never gone, nothing feels any different, but yet, she was gone. They can feel that, as they hug, as they lean against each other. Their weightless, but it’s a heavy hug, a hug filled of all that was lost which is now found.
For the Doctor, it’s been a day of finding lost people. A day of reuniting other people’s Roses. And now, his Rose has been reunited with him, and he thinks that’s, perhaps, which also adds to the heavy relief of this hug.
The feeling that he could’ve gone back to the TARDIS, without her, but having her in his mind, after a day of seeing other people get their Rose back.
There’s a lot to dissect, still the questions of how exactly is Rose here bouncing around the back of his mind, but they live in this weightless, heavy hug. Content.
“Not to interrupt what I’m sure is a lovely hug, but have you noticed it’s started to snow. Heavy.” Donna’s voice breaks into the bubble he’s found himself in.
He turns his head, slightly, but his chin is disrupted, as Rose moves, pulling her head up to look at Donna. The Doctor’s arms instinctively hold her body tighter, not wanting her to move away from him completely. Unwilling to have her away from him. Not this soon.
“And I can’t help but notice that you both are as underdressed as each other– although my concern is mainly for you, not him, he’s insane,” Donna carries on, ending the sentence by looking more at Rose. The Doctor would feel insulted, if it wasn’t Donna.
The Doctor looks around, only now processing Donna’s words. It is, indeed snowing, his and Rose’s shoulders coated with a layer of snow. He notices how snowflakes sit in rose’s hair, a light film of snow sugaring her. A snowflake sits on her nose.
The Doctor’s hearts twist, at the sight. Rose’s face, aware of the cold even if they weren’t, is a light pink shade, and the Doctor thinks she looks beautiful.
The most beautiful sight he’s ever seen.
“Hey, lover boy,” Donna captures his attention again, and he drags his eyes away from Rose, although he doesn’t want to, to look at Donna again.
“What did you call me?” His brain catches up with him. From the corner of his eye, the Doctor sees Rose smirk, amused.
“Lover boy.” Donna repeats. “Now, if you can stop giving Rose those eyes, its cold, we need to go back to the TARDIS.” Donna commands.
“Wait, how do you know my name? I haven’t introduced myself,” Rose asks, looking between them.
“Well, I was rather hoping you was Rose. I mean, surely, there can only be one person who’s actually into this skinny piece of nothing,” Donna answers, in the most Donna-like fashion. Yet again, a running theme with Donna, he doesn’t know if he should be insulted or amused.
“And there was only going to be one person who could turn him into a deaf zombie and make him look so, so lovesick, and that’s you,” Donna adds on.
Rose looks up at him, an emotion the Doctor can’t quite place swimming in her eyes. “You mentioned me?” She says, her voice oddly quiet. The Doctor’s hearts constrict, wondering how she could think he could not mention her when he loves and missed her so much, but knowing why she does.
“Yes, he did. And if he ever made you think he wouldn’t, well he’s an idiot. But you can talk about that after we get into warmth,” Donna speaks again, and they both look at her. “TARDIS,” she commands, authoritivly beginning to walk off.
With a shared smile, the Doctor and Rose follow her, the Doctor grabbing Rose’s hand, tight in his own.
Back where she belongs.
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shannaro-kamo · 8 years ago
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SasuSaku Meta Masterpost
This post has comprehensive lists of large swaths of the SasuSaku meta on Tumblr. I’m including both my own posts and those made by others. Some of the links under “Others’ posts” link to my reblog rather than the original post so that if someone deactivates their blog and thus the original post, it’ll still be possible to view the post on my blog (without me having to go back and find my reblog). This is for my own sanity, and hopefully this will come in handy for the SS fandom in general. :)
My posts
Sakura’s actions, feelings, etc.
Sakura tries to understand Sasuke during the war
Sakura’s knowledge of Sasuke and his past is extensive
Karin was not more selfless than Sakura by any means
It’s impossible for Sakura to be selfish and a doormat at the same time—especially because she is neither of those things
Sakura understands Sasuke better than most antis ever will
Sakura vs. Hinata
Sakura doesn’t guilt trip Naruto
Ino and Sakura
Sakura tries to learn all she can about Sasuke to help him
Ino and Sakura, again
Sakura’s guilt etc.
Sasuke’s actions, feelings, etc.
Sasuke needed to sever his bond with Sakura to become “strong,” just as he had to sever his bond with Naruto
Debunking the notion that Sasuke shows signs of being homosexual
Sasuke and PTSD
Thoughts of Team 7 cause Sasuke to unleash his first Amaterasu
The adorable Team 7 dynamic
Sasuke and Fugaku parallel
Amaterasu
SasuSaku in general
BoruSara and “heteronormativity”
Sasuke and Sakura don’t need to use their fists to communicate, thankfully
Heteronormativity
Naruto and Harry Potter
Sasuke cannot be compared to a middle school bully, so don’t even try
Fandom problems
“Respecting” rejections — NaruSaku fandom hypocrisy
“Tag stalking” is not a thing
The Naruto Fandom in a nutshell
Sasuke’s and the SNS fandom’s hypocrisies
Stop breaking down people for shipping problematic hetero ships while you ship an equally problematic gay ship
When the SNS / Anti-SS fandoms actually think “boys will be boys”
Sakura and Naruto have nearly identical motivations for wanting to get Sasuke back, so stop creating a double standard
Saying Hinata and Sakura “ruined” the lives of Naruto and Sasuke IS misogynistic
Heteronormativity in the SNS fandom
“Nice guys finish last” is touted by NaruSaku fans, and it’s misogynistic
Naruto is far more demanding of Sasuke than Sakura is
More anti hypocrisy about NaruSaku, SuiKarin, SasuSaku, NaruHina, etc.
If you didn’t care about Sakura throughout the story and didn’t pay attention to her, then you probably don’t know shit compared to someone who does love her and did pay attention to her.
People will listen when Karin says something, but not when Sakura does because hypocrisy
The SNS fandom plays the victim
More SNS fandom hypocrisy
Some Sasuke fans are bigger fangirls than Sakura
Sakura hater bingo
Haters and headcanons
Ship wars, Kishimoto, and bullshit hate towards the women of Naruto
Miscellaneous discourse
The SS fandom is not composed of sheep
“True fans”
When antis don’t get it
Kishimoto, Interviews, Studio Pierrot, etc.
On Kishimoto respecting the wants and needs of female characters
Sasuke Shinden stuff
Karin’s “reason” for loving Sasuke is a contrived retcon
Kishimoto projecting himself onto Sasuke and Naruto
SP makes it clear that Ino was two-faced
Kubo is not better than Kishimoto
Others’ posts
Blogs featured especially prominently: madara-fate, its-naruto-universe
Sakura’s actions, feelings, etc.
Sakura is not selfish
Sakura does not guilt trip Sasuke
Sakura’s selflessness
Sakura never burdened Naruto with anything
Sakura is neither abusive nor a fangirl in Gaiden (or anytime for that matter)
Why Sakura is a feminist character
Sakura’s feelings for Naruto
Sakura saving Naruto’s life—and his dream
Sakura’s growth
Why fangirling is mostly positive
People Sakura has impressed in canon
Ino and Sakura
Sakura’s backstory is underrated
Sakura hugging Naruto is important
Some beautiful Sakura moments
Sakura defending Sasuke
Sakura is a queen
Stop hating part 1 Sakura
More people being impressed by Sakura
Karin responding to Sakura’s sadness
Sakura encouraging the Konoha soldiers
Sakura can triumph over Tsunade because Sakura doesn’t maintain her youthful looks with her seal
Sakura during the Pain arc etc.
Sakura and Tsunade
Defending Sakura
Sakura IS the strongest kunoichi
Sakura didn’t abandon Ino for Sasuke
Negative claims about Sakura nullified
Sakura holds her own when surrounded by OP bastards
Symbolism
Sakura greatly affected the story
Sakura develops the most naturally
“Even the roughest woman is tender to the guy she loves”
Sakura is smarter than u
Sakura’s development in two panels
Sakura and Chiyo saved the Sand Village
Identifying a fangirl
Sakura’s personality around Sasuke
Sakura hate is pathetic
Sakura hate is ridiculous
Crying on the battlefield
Tenderness again
Sasuke’s actions, feelings, etc.
“Don’t get in our way, Naruto”
“One and only friend”
Sasuke never wanted to hurt Sakura
Sasuke wasn’t going to allow Sakura and Kakashi to fall into lava
Sasuke’s actions speak louder than his words
Sasuke is connected to Konoha through both Naruto and Sakura
Sasuke is whipped (with canon receipts)
Sakura the cheerleader
Sasuke & Affection: The Meme
Sasuke being surrounded by cherry blossoms in the anime
Defending angry characters
The extremely problematic ship that is SNS
Uchiha Love
Why SNS is unhealthy for Sasuke
Sasuke is attentive to Sakura and acknowledges her abilities
Why Sasuke stays away from the village after the war
Sasuke being some type of annoyed at Naruto for leaning on Sakura
Sasuke asking Sakura who hurt her in the FOD
Some people need to stop defending Sasuke so hard
Sasuke shows that he cares about Sakura throughout the series
Sasuke and cats
Konoha caring about Sasuke
Everyone in Naruto is sad
Sasuke does not awaken Amaterasu for Karin
Sasuke’s perspective
Sasuke wasn’t bluffing at Orochimaru’s hideout
Sasuke making sure Sakura is okay
The selflessness of Sasuke’s mission
Sasuke worries about Sakura being alone
Negative claims about Sasuke nullified
“Smiling”
Sasuke acknowledging Sakura
Hints of jealousy
Sasuke being “OOC”
Sasuke and Fugaku in terms of showing affection
Sasuke quote to Sakura about the curse mark
Sasuke quote telling Naruto to save Sakura
Sasuke winking at Sakura
Sasuke and asexuality
Sasuke’s remorse
SasuSaku in general
It was obvious that SasuSaku was in the running for being endgame
Sarada’s resemblance to Sakura
Debunking various bullshit arguments
Home is family
“Sex doesn’t mean love” misses the point entirely
Sakura being the “missing puzzle piece” of Team 7
Things SS has that SNS doesn’t
Sasuke giving Sakura...a salad
Long distance relationships
Just a cute fanart interpretation of the SS timeline
SS beats NH and NS at having the most manga panels
Sakura fills Sasuke’s lonely existence
A summary of every chapter containing SS
What Sakura has done for Sasuke
Romantic SS > Romantic SK and Romantic SNS
Sasuke and Sakura weren’t in a relationship during the war, so pre-700 SS cannot be called abusive
Analysis of the forehead poke
Sarada bringing Naruto lunch reminds him of team 7
Comparing Sakura and Itachi
Sasuke and Sakura acknowledging each other first at reunions
FOD SS
The not so little things
Sasuke being proud of his girls
Sasuke and Sakura being (relatively) balanced in power & mutual respect
Just another analysis
SS content masterpost (chapters, interviews, etc.)
Debunking the notion that Naruto is driven by romantic feelings to want to save Sasuke etc.
An analysis of Gaiden
Whether you see it or not, Sasuke loves Sakura
The appeal of SS
A hefty analysis of chapters 482-484
Top 3 Sakura moments and Top 3 Sasuke moments
SS is not anti-feminist
Comparing SS to real life
The many sweet moments of Gaiden
The fake confession and “reasons”
Gaiden didn’t hurt SS
Kakashi in 693
Sakura ended Sasuke’s inability to love with her love
Loneliness
The desert scene
Comparing the development of SS to the development of other Naruto ships
The only thing Gaiden “ruined”
SS in part 1
Anti goggles vs. unbiased reading goggles
Stop criticizing SS for not being fluffy
Fandom problems
Tumblr “homophobia”
The SNS fandom’s view of “homophobia”
Girls aren’t crazy for being possessive
Denying canon still happens unfortunately
Stop bashing Sakura while blindly praising Hinata
When the SNS fandom says that the term “brotp” is a homophobic slur
Overlooking or excusing abuse in gay ships is not helping the LGBTQ community, never has, and never will
Again, stop sugarcoating abuse in queer relationships, especially while ranting about abuse in heterosexual relationships
Stop whining about crosstagging when it’s not thereStop whining about crosstagging when it’s not there part 2
Stop invalidating girls’ feelings
The SNS fandom objectifies Karin as a babymaker for SNS (and still denies Sakura’s motherhood)
The SNS fandom bullies the SS fandom
Sakura isn’t the only fangirl in Naruto by far, but it’s rare you hear about it
People are jealous of / threatened by Sakura
The ignorant reasoning behind Sakura hate
Anti “logic”
STFU about “fake fans”
SNS fandom hypocrisy, again
When Misty lovers are Sakura haters
Why people really hate the ending
@ people who only sympathize with “cope shippers”
Antis have the reading comprehension of Sarada, a child
When antis think they know the story better than the author himself
“Fangirl” and housewife Sakura can still beat your ass
Don’t be an ingrate who thinks Kishi is actually a bad writer
More slapstick hypocrisy
NH fandom hypocrisy
Naruto was never focused on romance in the first place
Most of the Naruto girls have done nothing wrong, yet they get the most shit out of all of the characters because of shipping
STFU about fiction affecting reality, it’s not that serious
Making fun of “self-insertion” makes you an asshole
When antis are threatened, they go low
Tumblr gets confused about who to defend and who to attack
Gross things antis do
Empathy
This fandom has a fucked up way of judging characters
A summary of the anti fandom
“I’m not a shipper but...” doesn’t help your case
Shipping isn’t everything
Hetero!SNS would still be platonic
Protect the female characters of Naruto
SNS fandom hypocrisy, again
“Usuratonkachi” and “you’re annoying”
The vicious cycle of the anti fandom
Sawyer calling out hate
Antis attack the wrong things
Hetero!SNS analysis
Antis still attack the wrong things
People attacking the wrong things in general
Kishimoto, Interviews, Studio Pierrot, etc.
Gaiden was a middle finger to those who harassed Kishimoto
Studio Pierrot and the tsundere trope
Stop guilt tripping Kishimoto
Sasuke Shinden fact-checking
Studio Pierrot didn’t need to make Sakura punch Naruto during Sasuke Shinden
How SP handled Sasuke’s travels
Sasuke’s seiyuu on SS
Sarada’s VA wants the SSS family to go on a picnic
SP not seeming to mind NH compared to SS
The smirk
Kishi talking about not wanting to write romance
Kishi’s assistant preaching respect
Sasuke’s seiyuu talking about Sasuke “fearing” Sakura
Other
Brazilian SasuSaku song
Being nice
Shikamaru and Naruto have a beautiful friendship
Naruto SD Lee and Sasuke moment
SS moment voted most impressive in Japan
SD comic ft. dandyism jutsu
Portugese SS
SS posters
Order the characters were created in
Animator’s sketch of a SasuSaku kiss
Sasuke’s seiyuu doing sexy dialogue?
Naruto letting Sakura go
Kindness is not weakness
Chibi Sasuke blushing
Sarada calling her parents “mama and papa”
On eyeglasses and genetics
32 notes · View notes
bizzyweb · 7 years ago
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New from BizzyWeb
New Post has been published on https://staging.bizzyweb.com/news/how-to-clap-back-at-trolls-without-losing-customers/?utm_source=TR&utm_medium=news%20article&utm_campaign= How+to+Clap+Back+at+Trolls+%28Without+Losing+Customers%29%20from%20BizzyWeb
How to Clap Back at Trolls (Without Losing Customers)
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  We’ve all seen it and heard about it – an Internet Troll comments online about a business and tried to take it down in a truly unfair way. There are many businesses that have been “taken down” by Trolls, partially because of the way the business responds online – and then it goes viral. We believe that education about what to do when the Trolls come calling is the best way to combat these extreme cases – and hopefully you won’t have to experience them in real life.
The Internet has created a new psychology called the Online Disinhibition Effect, which is the loosening of social restrictions and inhibitions that people would normally experience in face-to-face interactions. Trolls feel like they are just “talking” to their computer, and they will voice opinions in an angry, frustrated way. They primarily do this for amusement, from boredom, revenge or frustration. They often have a lack of guilt and empathy. To understand them better, “Don’t Feed the Haters: The Confessions of a Former Troll” gives you a sneak peek into the mind of a former Troll.
  There are two types of Internet Trolls:
Intentional Trolls: thrive on the anonymity the Internet provides and deliberately aim to ruin online conversations to achieve their desired fallout.
Unintentional Trolls: don’t consider themselves trolls; however, by questioning others’ intelligence or by masking negative remarks they unintentionally disrupt threads, turning thoughtful discussions into insult battles.
  How can you identify a Troll?
Identification can be tricky – because an angry customer with a legitimate issue isn’t a Troll. Here’s what you should look for:
Trolls typically:
Post irrelevant content or things that didn’t happen
Have a lower writing quality
Are trying to get a reaction out of someone, generally attacking a person, as opposed to a situation
They don’t quit – the discourse gets worse over time
  How do you deal with a Troll?
There are many methodologies on dealing with Internet Trolls. Some people say to confront them, some suggest using humor, and others try to erase posts.
BizzyWeb recommends that you take the high road – read the comments, take a step back and take a breath to take the emotion out of the situation, and then:
Monitor what people are saying about your company online
Assess what they’re saying
Engage with the contact, tell them you’re listening
Resolve the situation offline
Deflect – you don’t have to apologize, but understand that they had a bad experience
Dilute – take it out of a space of frustration and find out the crux of the problem you’re trying to solve
Make sure that you respond with honesty, integrity and authenticity. Keep the conversation a business conversation, with less emotion, and try to take the conversation offline to resolve it as quickly as possible.
If Trolls come knocking, people want to see how you deal with them, and what you try to do to make it better. If the person still is frustrated with the outcome, people online can see that you tried to make it better. Fighting back just makes people angry, and it can turn viral quickly. Remember – you can attract more flies with honey, than with vinegar.
  To learn more about dealing with Internet Trolls, watch the webinar we did on the subject:
youtube
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