One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
Fandom: The Last of Us (TLOU), will mostly follow the timeline and events of the HBO show, but will pull lore and tidbits from the games as well!
Pairing: Post-Outbreak! Joel Miller x Smuggler! Reader
Summary: With a past as rich as anyone in the times after the Outbreak, you find your medical and survival skills to be a valuable asset. You were dropping off some medical supplies that FEDRA was willing to pay big for when you got tangled up in a mission that involves a teenager with a mouth almost as smart as yours and gruff older man whose graying curls were his only redeeming quality. But the longer you traveled with them and the more that happened out in the open land of what once was, the more you find yourself connecting with them and wanting to protect them both at any cost.
Word Count: 131.5k - ongoing
Warnings: canon typical language, canon typical violence, canon typical gore, description of injuries, description of anxiety, symptoms of anxiety, tense situations, sexual content, sexual propositions, smut, p in v, unprotected p in v (pls don’t do this w/o previous communication w/ your partner), joel’s emotionally constipated
serial escalation in supernatural is so funny. In Season 4 it took an entire garrison of angels fighting for months/years just to get one guy out of hell. In Season 8 they just bribe a reaper, kill off a major recurring character, and get in and out within the episode. By Season 15 a trip to hell takes less than ten minutes, can be pulled off with ingredients they already had lying around, and doesn't even waste screentime showing them getting out again because it's that much of a nonissue. Everything about the show is like this.
Series description: Many things were surely fucked up in the year 2038, but no one ever told anyone how all of it went down. What happened before a group left for Seattle to handle personal matters? Why did one girl refuse to leave all of it? And why there were so many dead in the end?
General warnings: age-gapped relationship (give or take 20~27 years, depending how the reader is to you tbh, but she was always in mid-20s when i wrote her) | after out-break joel | usage of curse words | alcohol consumption | description of sexual acts | gore | violence | blood | death | major character death | ellie being ellie | detailed description of reader's relationship with other jackon residents (ellie, jesse, dina, maria, tommy & other circus friends ) | anxiety & depression | hunt depictions | overall not as brutal and violent as Seattle days |
Useful links:
| Synopsis & Declaration (Master list) |
| Joel's Playlist |
| Jackson Days (YouTube playlist for those, who don't have Spotify) |
A/N: Because the story has 31 parts, I've decided to divide it into two mini-master lists - mainly because normal master lists allow me to use 30 URL links and therefore, it was unstable and sometimes hadn't saved certain parts being linked.
It's also more convenient for reading and orientation since the story has always been divided into two parts - Jackson and Seattle.
Smut is tagged with 🔥 - those chapters shouldn't have much overarching story relevance, and it should be okay for you to skip them | Revisited chapters are tagged with 🌿 |
Series word count: + 100 000K
Chapter 1: What will you do when the man comes around? 🌿
Chapter 2: The Survivors 🌿
Chapter 3: There is a difference between strings and strings 🌿
Chapter 4: Goodnight 🌿
Chapter 5: Doom & Gloom
Chapter 6: I’ll Be Good
Chapter 7: Can’t Go on Without You 🔥
Chapter 8: 99 Problems 🔥
Chapter 9: Tequila and Autumn Sunsets
Chapter 10: Hell, You and Christmas 🔥
Chapter 11: The Time of Everyone’s Life
Chapter 12: The Bad Touch 🔥
Chapter 13: Future Days
Chapter 14: Ecstasy
Moving as a child from the Illyrian side of the city to the non-Illyrian side, hope for increased safety as consolation for leaving a part of her identity behind.
He had been lost before.
Refusals overridden, his would-be captors gaining control of his computer to falsify assent for a descent into fantasy, life in unreality as corrosive as the battery acid that powered his radiation-damaged heart.
Starbase records made clear Spock’s betrayal and, once Una reached Talos IV, it didn’t take long to locate Chris— his illusion screaming in pain from fire-borne punishment, his true form immobilized in his support chair.
The rage she needed to defeat Talosian mind control came easy.
In the shuttle she’d… procured… Chris declined her algorithm to match his speaking voice, choosing instead to use a computer default, no intonation of anguish or joy, no movement in his scarred face or change to his mechanized, steady respiration as he answered her questions.
“My best guess is Spock exploited that you’d be away from Starbase Eleven for a few weeks. He knew he was disobeying my orders and committing mutiny. He did it anyway.”
“If the Illyrian doctor is willing to try, I understand the risks.”
“Leave Vina behind. She made her alliances clear.”
So it’s at an Illyrian colony far from Federation arrogance or authority that his DNA unfurls and re-forms. Genetic engineering is usually performed before birth, but this is his rebirth, no longer the Christopher Pike who upheld Starfleet ideals but a Christopher Pike who is wary of a Starfleet that would tolerate a sham court martial rather than search for a greater truth.
Is Una reborn, too? Her belief in something greater than herself, in a Starfleet that could, in fact, become what she had hoped it to be in her idealistic younger years, that belief is withered, gone, replaced by allegiance to people, not an organization.
His skin is pockmarked, his voice reedy, gait unsteady. Genetic engineering isn’t a miracle cure.
Her sense of purpose has telescoped from appreciation for differences to appreciation for those who share her values.
Are they still lost?
Isn’t everyone?
But to be lost together… a shuttle course laid in toward a curious-looking cluster of stars, his hand a comfort on her shoulder, her soft hum the music of his naturally-beating heart… to be lost together… is something like being found.
remembering on my circa 2017 booklr I used to tell people to read Gemma Doyle by describing it as trc but with an all girls boarding school / all girl group in a historical setting… I was trying to do the lord’s work she deserved tumblr fame
can we just talk about how easily mikey is able to take on his brothers that are possessed and not holding back at all? he had some serious untapped potential in this show that was so wasted
I've somehow expanded my writing enough to warrant a whole separate masterlist for the one and only Joel Miller! He's so diverse and there are so many facets to his character, so it's been fun to explore writing for him ♡
Keep in mind my blog and online spaces are strictly 18+
Each fic has its own masterlist post with links to chapters, warnings, and supplemental content!
Happy reading! ♡
back to -> navigation || main masterlist
*Series / Multichapter Fics:
Title: return the favor
Pairing: Post Outbreak! Joel Miller x Smuggler! Reader
Status: work in progress
Summary: With a past as rich as anyone in the times after the Outbreak, you find your medical and survival skills to be a valuable asset.You were dropping off some medical supplies that FEDRA was willing to pay big for when you got tangled up in a mission that involves a teenager with a mouth almost as smart as yours and gruff older man whose graying curls were his only redeeming quality. But the longer you traveled with them and the more that happened out in the open land of what once was, the more you find yourself connecting with them and wanting to protect them both at any cost.
ao3 link || series masterlist
Title: garnish
Pairing: Chef! Joel Miller x Bartender! Reader (a restaurant au)
Staus: complete
Summary: Summer is a time of fun and carefree days for those who are fortunate enough to not work within the food industry. You however have found yourself back in that world and so long were the days you could spend doing nothing. Along with the shift back to a world you once left behind is the figure of Joel Miller, who is as magnetizing as he is irritating that is now a part of your daily life.
ao3 link || series masterlist
Title: zest
Pairing: Chef! Joel Miller x Professor! Reader (formally known as Bartender! Reader)
Status: work in progress
Summary: With the passage of time, Joel Miller had shifted from ‘chef’ to something more. Your once hidden relationship a secret now out in the open. After a break in which you finished your degree and managed to land your dream job of teaching at the collegiate level, Joel had thrown himself into his work at the restaurant where you met. Back together and in far better mental places in your life, you both are caught off guard by the sudden news of being prospective parents.
But things are always gonna get hectic because, of course, how else would things go with the two of you involved? It’d been that way for nearly two years after all.
ao3 link || series masterlist
Title: by the grit of sandpaper
Pairing: Jackson! Joel Miller x F! Reader (Artisan! Joel Miller x F! Reader
Status: complete
Summary: Joel Miller is a gruff as they come, the world having changed him for the worst. But settling in Jackson with his brother changed him for the better. He's known around town as someone to help, whether it be with home repairs, construction, and hand carved trinkets. An offhand comment from you inspires him to branch out and create helpful kitchen wares. And it seems everyone has been gifted one from him, except for you. It makes you rethink the casual friendship you had developed with the man that had just begun to expand beyond patrols.
ao3 link || series masterlist
Title: gone to the dogs
Pairing: Boston QZ! Joel Miller x F! Reader
Status: work in progress
Summary: What happens when the world ends in such a violent way that it robs you of your very humanity? Do you submit or raise your hackles and fight back? The answer is obvious to Joel Miller, known for being someone to not to cross even in the most dangerous corners of the Boston QZ. The answer is obvious to you, too, who transformed in his likeness.
ao3 link || series masterlist
*One Shots / Drabbles:
Title: for the record
Pairing: Jackson! Joel Miller x Patrol Partner! Reader
Summary: The longer, more dangerous patrol routes around Jackson are designated to you and one Joel Miller. You both have an understanding with each other, talking wasn’t the biggest concern for either of you, but being confident in each other was. He wasn’t a bad friend in your scavenged life, but then again you were beginning to think you didn’t want to be just his friend…and that’s got you more than a little sexually frustrated.
ao3 link || direct link
Title: unexpected bloom
Pairing: Pre-Outbreak! Joel Miller x Reader
Summary: A single flower and a chance encounter brings color to your life.
ao3 link || direct link
Title: there's a place and time
Pairing: Younger! Joel Miller x Neighbor! Reader
Summary: Moving back to your parents house wasn't part of the plan, neither was being a thorn in your neighbor's side. but you roll with the punches, and hey, he's kinda cute when he gets huffy.
ao3 link || direct link
{wristwatch}
{early morning filth}
{joel's morning wood}
*Construction Corner:
Title: black hole sun
Pairing: Pre-Outbreak! Joel Miller x Waitress! Reader ; Jackson! Joel Miller x Survivor! Reader
Status: under construction : to be posted soon!
Summary: You carry memories of Joel Miller in your heart in the wake of the end of the world, someone who had once been a bright spot in the dull monotony of life.
When you unexpectedly cross paths with him again, he’s no longer the young man you used to share moments with but an unforgiving dark spot that had been corrupted by the new world order.
He’s gone in the blink of an eye once again, showing up months later to settle in Jackson as he’s turned into some convoluted mixture of each. Maybe time and circumstance will allow for you finally tell each other how you feel?
The dichotomy of wanting to get into more MCYT content because you fucking love that medium of storytelling versus the sheer emotional burnout of series and fanfics with too much hurt and too little comfort inflicted upon you which you still haunts you tok this day
(and also you dont have anytime you ain't reading all that but that isn't important)
So, I finally bothered to look up who the writer/creator of Revenger is (spoilers: it's the criminal mastermind [affectionate] behind Fate/Zero), just as I finished watching the finale of the series, and honestly, if I had done this prior to episode one, I would have been exceptionally better prepared emotionally, mentally, psychologically, etc. for THE DAMAGE what I was signing up for by watching it XD
I already knew it was going to be heavy going in -- original series + historical samurai genre + only 12 episodes; those things, when well-done, are typically brutal -- but damn if I'm not currently experiencing that chest-carved-open-innards-pulled-out-of-you feeling that his writing leaves you with.
A brief glance online has shown me that it's been rated mediocre to bad by most people, which absolutely baffles me. I highly recommend it. Extremely poignant and raw, GORGEOUS animation -- like. I want to put it in a glass and drink it -- and incredible music. And the voice acting, of course, is superb (name dropping Suwabe here, though he only appears in the last couple of eps). The concept, the message, and the execution are all breathtaking.
I feel like anyone who falls into the following categories would enjoy it: doesn't require a "happy" ending; is pleased with an ending that is thematically appropriate; understands that ending a story with a whimper instead of a bang sometimes is the point, hollowness/a sense of futility and pointlessness are the fucking point; is okay with blood/guts/gore/profanity/etc. akin to Fate/Zero or Beserk or Hellsing; is okay with real-life religion handwaving/syncretism for the sake of the narrative; and is okay with the story having no big AHA PLOT TWIST moment and instead being "predictable," i.e. being exactly what it presented itself to be. It sets itself up as an Edo-period samurai drama, dealing with the concepts of justice and revenge revolving around the opium trade, with a small sprinkle of supernatural elements... and that's exactly what it is. I wish that we as a society would move on from the idea that something needs to subvert expectations in order to be good, already. More often than not, it is much better for a story to stick to its premise and see it through, than to attempt poorly conceptualized/executed SuBVErsIoN.