The "Missing Piece" of the Fire Walk With Me convenience store scene is my favorite "supernatural" sequence in all of Twin Peaks. I adore how it’s spliced and edited in the actual film, it’s so scary (robbed of logic, devoid of sense, spilling into the FBI office and interrupting David Bowie's ramblings, a sensory nightmare of TV static), but the full deleted scene is so rich, a real treasure trove of so much of The Return (specifically Part 8), where so many of those ideas were forming. And just like everything Lynch, it’s always just short of being straightforward or literal, especially compared to the full scripted scene.
The Black Lodge spirits reflect and discuss, so much as they can with each other, the state of their current existence, transformed from electric currents in the air to "animal life" garmonbozia carnivores.
In the script, it’s apparent they are more blatantly talking about (what would later be specified to be) the Trinity Test. "The light of new discoveries." “Why not be composed of materials and combinations of atoms?” "This was no accident."
(Notice also, the Man from Another Place is credited as Mike. This is before Cooper and Sheriff Truman met Phillip Gerard, before Mike “saw the face of God” and tried to reform his ways and act against BOB, before severing his arm and forming the Arm as we know it. This is Mike as pure evil, Mike is the Man from Another Place).
(“Mike IS the Man.”)
It’s also more clear in the script (”clear” is a term I use loosely, lmao) what exactly is meant by the Man From Another Place/Mike’s formica table bit, as the filmed version renders the Woodsmen (and their responses) silent.
The focus on formica is lesser. These creatures, both brand new (”descended” from the Trinity test) and ancient (“Any everything will proceed cyclically.”/“Is it future? Or is it past?”) embrace images of modernity, images of mass production, totems and icons of post-war American industry. But green is the major focus. “Green, the color green. Our world.”
Just like the later scenes of the convenience store in The Return, the place is merely a perceptual manifestation of the thick, dark, haunted, green forestry of nature. The “dark woods” of Romanticism and sinister folklore, now bordered and interwoven with cities, towns, and endless electrical wires.
“With chrome. Any everything will proceed cyclically.” What is future. What is past.
Mrs. Tremond’s line in response to the discussion about the Trinity test in the script being cut from the filmed version is interesting, because if anything her “Actually I Dunno, Maybe We Can Work With This? Being Animal Life” response seems... in tune with what we know about her and her grandson?
In Fire Walk With Me, the pair appear to be disgusted or distraught by the garmonbozia harvesting of BOB and Mike (and as we know, Mike comes to agree with them, even as he still hungers for it). They help Laura, are benevolent to her, try to give her a way out in the only (uncomfortably scary) ways that they can. And as we know from Twin Peaks itself, by the time of Donna’s encounter, Mrs. Tremond was actively fasting from “creamed corn.”
Mike once referred to BOB as his “familiar.” This moment, BOB declaring “I DO WHAT I WANT, I HAVE THE POWER!” is a moment of Mike faltering in his own trust in controlling BOB’s evil.
“Find the middle place.” The waiting room. The Red Room. The momentum roars and begins, in proper, its path to Laura.
“Fell a victim” in response to BOB’s prideful growl of his power. “He has murdered someone. He will murder again.”
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