#the most supernatural things on supernatural

[thenightling]

Dead boy Detectives review

I've watched all eight episodes of Dead Boy Detectives and it was a decent show. It's not something I may obsess over like The Sandman, or The Witcher, but it was decent.

Dead Boy Detectives is the story of Edwin Payne and Charles Rowland. Edwin was killed during a Satanic ritual in 1916. Charles died from hypothermia and internal bleeding after some bullies drove him into an ice-cold lake while throwing rocks at him.

(Note: That was not how Charles actually died in the source material. In the comics, Lucifer had quit and shut down Hell (the basis for the TV show Lucifer) so many evil souls returned to Earth, including the boys that sacrificed poor Edwin. They badly burnt Charles' back on a hot stove and Charles died from his injuries.)

The two ghosts decided to dedicate their afterlife solving mysteries to help other ghosts find peace. They are aided by psychic, Crystal Palace, who is haunted by her abusive ex-boyfriend who happens to be a demon.

Both Edwin Payne and Charles Rowland originated in Neil Gaiman's The Sandman: Season of Mists, The Sandman: Volume 4. Issue 25 of The Sandman comics, and within Act 2 of The Sandman audio drama.

The Dead Boy Detectives made their TV first appearance in Doom Patrol for HBO Max (now Max). During a shakeup at Max the show was moved over to Netflix as to better connect it with The Sandman since that is where they originated.

The show features different actors from the ones that played Charles and Edwin on Doom Patrol.

The Dead Boy Detectives is a decent show but ...it feels a bit like a CW teen drama. I had been told that some of the show's writers were originally writers for the CW... and it shows.

There are some deliberately surreal elements of the show that I think are a callback to their appearance in Doom Patrol.

I love the variety of supernatural entities in the show, including the appearance of two of Morpheus's siblings. Death and Despair. The things I don't like about the show can be considered CW tropes or cliches. The angsty romances and unrequited love. The ham-fisted abusive ex metaphor between Crystal and David The Demon.

And of course the most tedious of CW tropes, the end of the episode pining and angst while a sad pop song plays in the background.

If you look past the CW-ness of it, the show is enjoyable.

The only other things I can complain about is the "connecting thread" subplot of The Afterlife: Lost and Found feels like unnecessary filler. And I wish they would openly establish that Edwin, being an innocent, would NOT return to Hell if collected by Death now. I don't think that should be left hanging over his head. Especially since we're supposed to see Death as a kind entity. Also I think Charles says "Aces" a little too much. It's very distracting and makes me feel like the writers didn't know much late 80s English slang. It would be like if he was an American and they had him say "Radical" all the time. I get that it's kind of his catchphrase but it also got a bit annoying.

The parts I don't like are CW tropes and what I'd consider to be late 90s Vertigo edginess.

The thing I liked were plentiful though. The protagonists were and are likable. The ending is satisfying enough so that if there is only one season this was still good. I liked that it appears that one can ascend out of Hell after some self-reflection as is indicated by the boy Edwin confronted in Hell. The blue light was established to mean ascension, a good afterlife.

I also LOVE the opening credits theme music and animated sequence. It reminds me of the intro to Showtime's Creature Feature movies. (See the trailer for 2001's She Creature, not the 50s version. Watch the trailer at thirteen seconds in, on Youtube, and you'll see what I mean).

That's two Gothic themed shows from Netflix in the last two years with great opening credits sequences. The first being Wednesday. That one won Danny Elfman an Emmy.

It's funny, Wednesday and Dead Boy Detectives (which is a spin-off of The Sandman) have great opening credit intro sequences but The Sandman does not. Apparently Neil Gaiman was told people don't watch the opening credits anymore so The Sandman doesn't have them.

I feel we were cheated out of what could have been a great opening sequence for The Sandman.

Episodes 7 and 8 of Dead Boy Detectives were probably the best of the series. I liked it well enough that if Dead Boy Detectives gets renewed I'll happily watch season 2.

[a-book-of-creatures]

Posting this because I reblogged something about Usborne Books and apparently most people seem to associate Usborne with lift-the-flap books for preschoolers.

Which is weird because to me as a child Usborne books were some of the spookiest books I could get my hands on. They filled the same place as Dorling Kindersley - colorful, creative, informative books that were educational as well as fun to read. And their approach to myths and legends was, not going to lie, very formative for me. If it wasnt' for Usborne, there might not have been ABC.

And much like Dorling Kindersley, Usborne went through a phase of extreme creative experimentation before stagnating into safer forms of publishing. But for a while, Usborne books were mindblowing.

So what has Usborne done then that aren't lift-the-flap books for preschoolers? Well, a lot. Puzzle Adventures. Extreme map and code puzzles. How to Draw Books. Cut-out and build houses, Trojan horses, and dinosaurs (by Luis Rey no less). How to Be A Detective. Nature spotter's guides. Nature Search books. Facts and Lists books that instilled cosmic horror in me years before I knew what cosmic horror was. I could go on forever.

There was a series of excellent myths and legends books which I posted about before.

These were illustrated by Rodney Matthews and were every bit as metal as you'd expect from something by Rodney frickin' Matthews.

Then there were the Quest books which were Where's Waldo-esque books that followed a storyline in a fantasy world.

In this case, they showcased lush art by Nick Harris in which you find various items or characters to make the story progress, as well as other random things (find 10 rats, find 8 clownfishes, etc).

The Tabloid Histories books, oh my gosh.

Egyptian, Greek, Roman, Medieval, etc. history told through tabloid articles and ads.

More about monsters though! There were books about folktales and legends illustrated by Stephen Cartwright.

For me it was my first time hearing of a lot of them, such as the Lambton Worm!

The Haunted World, now that was spooky! With lots of colorful, dripping art by Graham Humphreys.

Introduced me to a lot of ghosts, vampires, and monsters from around the world. Such as the story of Arnold Paole!

And there were maps and diagrams...

... and lindorns [sic] and mokele-mbembes!

The Supernatural Guides had denser text but sadly have not been reprinted anytime recently.

The World of the Unknown series, though... ohohoho those were good.

Of course (no offense to fans of ghosts and UFOs), I had eyes only for the Monsters book. With such gems as the Velue...

... the Lambton Worm...

... and cryptozoological rubbish such as the Monongahela sea serpent (below), the Loch Ness Monster, the Abominable Snowman, and their ilk.

You know, the sort of thing that would keep a 7-year-old fascinated (and perhaps scared under the blankets) for weeks.

Anyway, yeah I just really love Usborne books. Or at least what they used to be.

[itswalky]

So did your parents ever explain why you shouldn't get involved in anyhting potentially occult or supernatural? Or why the focus was on stuff like Dungeons and Dragons or Harry Potter and not characters who predated them like Dr. Strange or Dr. Fate?

Most of this question can be answered by noting that most of these examples were irrelevant to my childhood either by How Old I Am or I Didn't Know They Existed.

Harry Potter didn't exist until I was in college! I remember the day, while I was employed at the Warner Bros Studio Store during art school, that the managers had a meeting and told us that The Next Big Thing, By Corporate Decree, would be something called Harry Potter and the Philospher's Stone. And we would sell it. And we would have exclusive rights to sell it. And by god it was going to be the big thing or fucking else.

So that didn't come up much with my parents, no.

Also, I'm not sure I knew who Dr. Strange or Dr. Fate were until I was in my twenties. They wouldn't be an example I'd know to bring up.

And so the focus was on contemporary things I knew about, like He-Man or Disney's Gummi Bears or the Black Cauldron PC game I got for my birthday and got to play like five minutes of before it was discovered that there was magic in this.

(five minutes was enough to get frustrated and stuck in it, anyway, so not the hugest loss)

I got to watch Star Wars, which ""promoted eastern religion," because "it was good."

so

[mothdruid]

Within the past 72 hours the TGM fandom got a fire put under it's ass, for lack of a better term/phrase. Even though I'm not as active in the fandom anymore, it did make me want to talk about a few things. This isn't the first time that I've had to make a post similar to this, usually speaking about reblogs and keeping your fanfic writers feeling wanted within the fandom spaces, but today I'm going to talk more about fandom etiquette and my experiences in fandom spaces. So, if you want to hear my opinion on fandom etiquette, how I learned fandom etiquette, and my thoughts about the doxing situation that has happened, keep on reading.

My Fandom Experience.

The first fandom that I was ever a part of was The Hunger Games fandom in the 8th grade (if you don't include my anime fandoms). I was 12-13 at the time. This was when I was first introduced to Tumblr and being involved within a fandom online. At the time I was super young, barely even knew who I was as a person, let alone in a fandom space. All I did was reblog little gifsets and fawn over Josh Hutcherson. I remember getting my first hate anon, even though I didn't do anything that would generate that to even happen. Even when I was 12-13, I couldn't understand why anyone would send a hate anon. That was when I found out a friend of mine found my Tumblr and actually secretly hated me, so she sent me hate anons. Still, before I knew it was her I didn't understand.

Fandoms were a formative part of my childhood. I think that main one that helped form me though was the Supernatural (yeah, I know, eye roll), Naruto, and The Hobbit fandoms. I had made friends on Tumblr and Instagram through these fandoms. During these times was when I had first started consuming fanfiction. Specifically, destiel and thilbo fanfiction. This is how I started to find the things in fanfiction that I loved, and the things that I hated. Instead of sending hate to the writers for their thoughts and stories that I didn't agree with, I would back out of the story or just scroll past. Not only that, I also started to use the filters on AO3 constantly, ensuring that I was only reading the fics that I knew I'd enjoy. Also, I was careful to read warnings and tags prior to reading the fic. Never once did I blame the writer for something that I knew I didn't like and accidentally read or read for see what it was about.

After high school was when I started getting into fanfiction writing. I've written for a lot of fandoms during this time. The IT movies, Total Drama, Haikyuu, Attack on Titan, Marvel, Bridgerton, Top Gun: Maverick, and currently ASOIAF. As a writer I've never gotten hate, thankfully, but I have had a lot of friends that have. It's sad to see so many people who take the time to write, whether it's enjoyable or not, receive hate. As writers we are simply expressing our creativity for the things that we love. Since posting fanfiction on tumblr, I have experienced a lot of people pestering for new updates and when the next fic is, and so have a lot of other writers on here. Even though people only know us as a little icon and username, fanfiction writers are people. We have lives outside of writing fanfiction. Everyone also isn't the same type writer. One person may easily write multiple fics every week, some of us take longer, and some of us are even just passion writers (me lol).

The TGM fandom has been one of the most negative fandom experiences I've ever seen/had. It is full of some of the meanest people/anons I've ever seen. From writers being attacked for fic ideas, people being sent hate for something that the anon has full control over, and people constantly expecting new stories to read on the daily. Yes, I do know that other fandoms have these issues, but it seems to be almost a weekly, hell, even daily thing within this fandom. A lot of the issues that I see happen in this fandom are from people who don't understand fandom etiquette.

Fandom Etiquette.

If you had noticed there was a few things I put in bold above. These are key things that I learned during my time that attribute to fandom etiquette. So without further a do, I'll list out some fandom etiquette rules that I follow all the time.

Don't send hate anons to people

Block/unfollow people you don't like

If you don't like an idea or fic, don't read it

Read through all warnings and tags that the writer provided

Use AO3 filters

Don't blame the writer/creator for reading things they created that you actively know you don't like

Writers/Creators aren't "content farms"

There are people behind these blogs/usernames, treat them like someone you'd see on the street

Writers/Creators are expressing love/passion for something, don't hate them for doing that

If you see something fandom related that you don't like, scroll past it or ignore it

YOU CURATE YOUR OWN EXPERIENCE (ESPECIALLY ON TUMBLR)

The Doxing Situation.

For those who are unaware but decided to read this anyways, recently there was a writer (Mama Mayhem) on here who got doxed from another writer in the fandom. Mayhem has since lost her job due to the doxing. This was apparently from her breaking HIPAA by posting a picture into a private groupchat/discord. This picture was posted almost a half year ago. Meaning that the person who reported/doxed Mayhem had known about this picture for months and only recently decided to do something about it.

I'll start by saying that I also work in healthcare, and know many other people here who do. I understand that a HIPAA violation is 100% an offense that gets you fired. I'm not excusing the HIPAA violation if one did occur.

Some people have brought up the idea that maybe the person that reported the picture, and doxed Mayhem, was doing it out of the goodness of their heart. Due to the timeline of it all, that doesn't seem likely. I had a previous coworker get fired for HIPAA violations and it took a total of a week from the initial report for her to be gone.

The biggest thing I want to convey is that TWO WRONGS CAN HAPPEN AT THE SAME TIME. Yes, if Mayhem violated HIPAA, it is wrong. But at the same time, the person held onto this information for months only to use it out of spite, pettiness, and cruelty, is wrong.

My Thoughts.

Due to Mayhem being doxed, a lot of people have decided to leave this platform, take indefinite hiatuses, stop writing, or move to AO3 exclusively., and I don't blame them. I'll be honest, I'm thinking about moving to AO3 exclusively now. AO3 feels a lot more rewarding in my experience. I already only post my fics for ships to AO3, so why not just post everything on AO3 (which I usually do).

I think a lot of people have forgot what it feels like to feel shame in something they say or do. When I say this, it's directed towards people who send hate or do other malicious things in fandom spaces. Fandoms were never this clique-ish and mean. I think it has to do with the pandemic, meaning that a lot of people who would have never joined a fandom did because they weren't allowed to do anything outside of their house. So, those mean girls that made fun of fandom girlies (g/n) previously, joined the fandoms and decided started bullying the people within them.

This situation is super shitty and people are now scared. It makes complete sense, especially after seeing someone, that many of you were close to, be doxed. A lot of people are scared of it happening to them now. I don't think this fandom will be the same after this situation, but who knows, maybe everyone will just forget and move on. Either way, I think I'll be taking a step back from the TGM fandom. I'll still be here, but until further notice, I won't be posting any TGM fanfiction. Maybe a gifset/picture here and there, but I don't think this is a fandom I feel comfortable writing for anymore.

If you've read all of this, thank you.

[panlight]

The discussions around Bella's choice to become a vampire are always so interesting to me, as it's usually centered around how she should have the agency to live and choose the life she wants for herself and like, of course.

But . . . the life she is choosing is vampirism. It's not about whether she's going to college or not, getting married or not, having children or not. She's actively choosing to become a supernatural creature whose intended prey is human beings. Sure, she ends up being instantly amazing at NOT killing people, but she had no way to know that. Statistically, the odds were not in her favor. This choice she is making was potentially putting humans at risk for eternity. That, to my mind, removes it from being a morally neutral decision about living the best life for herself.

Even the narrative itself doesn't give a whole lot of weight to the morality/ethics of making this choice. It's much more about the things Bella will give up (most of which she doesn't even end up having to give up, although she didn't know that), and a little about how upset it would make Charlie for her to disappear. Bella approaches the idea that she might kill people with humor, ("I guess I could throw in a few extra homicides, if it makes Jasper happy. Why not?" and "does this screw my total?") which could very well be a coping mechanism. But you never really feel the WEIGHT of it; it's like since SM knew Bella was going to be a perfect vampire it wasn't really worth wringing one's hands about. Even Edward is more worried about Bella's soul and whether she will be unhappy as a vampire like Rosalie, and not like, "what if you become a ravenous killing machine?" And maybe it wouldn't matter that much if Bella were presented as something other than this uncommonly selfless and Good person, but since she is, you'd think "oh God what if I accidentally murder Charlie or Mike or Jessica?" would keep her up at night. But she just trusts that Edward/the Cullens will stop her from eating people and that's kind of the end of it.

And AGAIN, yes I know it's really a romance and it was telegraphed pretty strongly that Bella wasn't going to become a people-eating menace and this is no doubt just me coming at everything from the Vampire Story angle again but, IDK. Always feels weird to me when potential future murders aren't a factor when discussing Bella's choices, that it's just treated as choosing any other life path. Then again, her romance with Edward has a body count even before she becomes a vampire, so what's a few more?

[allwaswell16]

A fic rec of One Direction fics where one of the characters is very protective over another character as requested in these two asks. You can find my other fic recs here. Please leave kudos and comments for the writers! Happy reading!

- Louis/Harry -

⚔️ This Multiplicity of Powers by HelloAmHere / @helloamhere

(E, 149k, X-Men au) Maybe there’s a universe where he doesn’t have to keep all his secrets on the inside. But this isn’t that universe.

⚔️ forever is in your eyes by we_are_the_same / @so-why-let-your-voice-be-tamed

(M, 125k, supernatural elements) He wants love. He wants to be held and cherished and have a home. Not just a place to lay his head down at night. He wants to be loved the way that Louis had loved creating Harry. He wants his perfect man, but he wants him to be real. He wants Harry to be real-

⚔️ cut your teeth on my heart by @turnyourankle

(E, 94k, bodyguard Louis) Harry has spent years trying to distance himself from the pressure of the Twist name and legacy. But it's going to be hard to avoid when his mum hires him a bodyguard.

⚔️ And down the long and silent street by whimsicule

(M, 86k, historical) Wherein Louis and Harry are on the opposite ends of the social ladder, but their paths still cross on the filthy streets Louis calls his home. The odds are staked against them from the beginning, and even more when Louis' past finally catches up with him.

⚔️ What I Have With You (I don't want with anyone else) by @lululawrence

(NR, 73k, omegaverse) Louis is an asexual alpha, Harry is his aromantic alpha friend and possible roommate, and faking a relationship might be exactly what they need to get their families and friends off their backs.

⚔️ this charade (was never going to last) by @scrunchyharry

(E, 68k, spies) As if the whole ‘industrial spy’ business was not stressful enough, Harry found himself in a hatred-at-first-sight relationship with one of his new coworkers, Louis, a man intent on detesting Harry.

⚔️ your memory over me by @shimmeringevil

(E, 64k, exes) The worst heartbreak of Louis’ life walks right back into it when his parents invite their family friends on an all-expenses-paid trip for their twenty-fifth wedding anniversary. Facing a past that he tried to bury long ago, Louis learns that some people have a way of sticking with you even when they’re gone.

⚔️ and i would search the night sky to find you by devilinmybrain / @thedevilinmybrain

(E, 56k, omegaverse) Harry Styles is a high class, well-bred Omega attending Bosworth Academy - a prestigious boarding school looking over the small town on Kinsey. When he attends a school trip into town though, he meets Louis Tomlinson - a blacksmith and mouthy Alpha who doesn't particularly care for the standards of high society nor for the people in it. 

⚔️ Close to Nowhere by @angelichl

(E, 34k, hate to love) Louis and Harry are psychics who kind of hate each other. They go to Tennessee to investigate a haunting.

⚔️ Until the Pearls Get Lost by LadyLondonderry / @londonfoginacup

(M, 25k, omegaverse) Louis will spend the rest of his life in an institution unless Liam can find someone to take him in and care for him as he recovers. Most omegas with failed bonds are never the same again.

⚔️ Keep Me Closer by zanni_scaramouche / @zanniscaramouche

(T, 18k, omegaverse) Louis expects Harry to react poorly, maybe even file a formal complaint and that’s gonna suck ass but Louis won’t say shit cause he knows he deserves it, so he prepares an apology before Harry’s even turned around.

⚔️ Unraveled by @allwaswell16

(E, 18k, bodyguard) They had reason to believe that Prime Minister Louis Tomlinson might be in danger, and they’d like Harry to act as his personal protection.

⚔️ Meet Me On The Forest Floor by @taggiecb

(M, 15k, fallen angel) Louis is an angel, and one day he does something that causes him to fall from heaven, and into the arms of Harry Styles, forestry officer, who cares for him until Louis can get back on his feet again.

Your Touch Is The Only Thing I Feel by @2tiedships2

(M, 15k, omegaverse) the one where Louis refuses to settle for just any alpha despite intense touch deprivation. Fortunately Harry isn't just any alpha.

⚔️ Heart Eyes by Snowy38 / @snowy38

(E, 10k, blind Harry) Seventeen years old, friends since they were eight, and they’d never been pushed into the kissing cupboard together before.

⚔️ In Shining Armour of Trackie and Trainers by LadyAJ_13 / @ladyaj-13

(T, 9k, famous/not famous) Online dating isn't exactly working for Harry. In fact, it couldn't really be going much worse. But then the door of the bar opens, and the pack of friends walking in parts and - that’s Louis Tomlinson. Louis fucking Tomlinson.

⚔️ I’d Walk Through Fire For You (Just Let Me Adore You) by Neondiamond / @neondiamond

(E, 8k, omegaverse) Firefighter Louis is having an uneventful shift at the station when a call comes in about a devastating fire in a nearby apartment complex. All of his worst nightmares become reality when he realises it’s where Harry, his best friend who he’s had a relentless crush on for years, lives, and that said best friend is stuck inside among the flames.

⚔️ Just Hold On by SilverStuff50 / @silverstuff50

(M, 3k, famous/not famous) “It’s just not safe. You’re surrounded by people grabbing and pulling at you.” He looks Louis up and down appraisingly. “And you’re so-“ he stops himself when Joni shoots him a warning look.

⚔️ I Hope You Choke (on those words) by Imogenlee / @imogenleewriter

(E, 2k, bodyguard) Never in his career had he seen a musician as reckless when it came to personal safety as Louis Tomlinson.

- Rare Pairs -

⚔️ your crimes are quiet, my love by lightswoodmagic / @lightwoodsmagic

(E, 97k, Zayn/Liam) A darker Miss Congeniality AU that follows Zayn and Liam, MI5 agents, partners since training and best friends, as they race to stop a serial killer. 

⚔️ Can You Feel Where the Wind Is by FallingLikeThis / @fallinglikethis

(M, 3k, Zayn/Liam) Liam still remembers the argument, still remembers the feelings of stubborn exasperation and eventual grudging acceptance, when his father had insisted that Liam needed a security detail while out doing his father’s bidding.

[realbylershit]

Alright so it’s safe to say that someone is shouting for Steve to run away from something and the first instinct is to be worried for Steve because he would definitely pull the sacrifice play if he had to…but personally I’m a little bit more worried about Robin (or both of them)..let me explain why.

We know Will is there, a source claimed that in fact ‘everyone’ is. But we also know that Millie isn’t, as a picture of her not being on set right now came up. So it’s safe to say that we most likely have a big portion of the cast around during the shoot and not the entire cast.

In the first recording it was pointed out that someone could have been yelling out Mike’s name instead of the first “Steve!” and whereas that’s personal interpretation I can definitely hear it. And I can also hear Will’s voice out of that. Makes sense, right? Will shouting Mike’s name? That would just mean that Mike is present, too. We knew that he and Will would be attached to the hip in season 5 thanks to the foreshadowing in season 4. And we confirmed that there is someone else that will at some point team up with both of them.

Dum dum dum, Robin.

I personally believe it’s only Will shouting but regardless of you believe it to be and who it actuallyis (Dustin or Jonathan perhaps), they’re telling Steve to run, which means that Steve most likely refuses to leave the battle field.

To point another thing out about the video, I also believe that we can hear Steve himself at the very beginning of the recording and he sounds kind of desperate, in my opinion. If I’m not completely crazy I’m pretty sure I can hear a “Let her go!”

So what I’m trying to say is, what if Vecna has Robin and Steve refuses to leave her side and that’s when himself is targeted, which we can hear in the second recording.

I can’t add the video but Maya Hawke has recently talked about Robin’s arc in season 5 and stated that she’s more involved in the supernatural stuff than ever and finding friends and looking for love.

I find it really hard to believe that they are going to kill off Steve, Dustin’s second father/big brother figure after doing it to Eddie in season 4. I’m pretty sure they introduced him so they didn’t have to kill Steve. Besides, Steve means a lot to most people in the group whereas Robin is probably the least connected person as she’s the newest, meaning that her death would hit everyone, but it wouldn’t break them like Steve’s death would- except for Steve himself.

It’s clear to me and probably most people that Will is going to suffer plenty next season and him making friends with Robin and then losing her to Vecna right away would definitely hit home. And because he already lost Robin, he doesn’t want to lose Steve too.

Just another small theory I wanna throw into the mix:

Will shouting for everyone to run reminds of him telling Joyce to run through the lights in season 1. Despite being in the upside down, he found a way to help Joyce by telling her to run. I’m thinking that in this scenario Vecna might have him trapped somehow, in a way that results him being cut off from the others in some way that they can’t hear him? As in basically torturing him because he can’t help his friends out, who possibly don’t see Vecna coming, and has to watch them die. That at least would explain even more why he’s the one yelling…

[multifandom-nerds-blog]

I'm rewatching Trollhunters in the background right now, and the disfunctional mother son relationship between Jim and his mom is making me crazy.

Like, he's taking care of the household and his mother for years as a teenager and before probably. She is sometimes giving half hearted comments about him not having to do so much, but very obviously she's not gonna make him stop do all the cooking and cleaning. Y'know. Both because they've been living like this for years, and because it's obviously also very comfortable to have someone do all the house work.

Then Strickler comes into the picture, and if we ignore the whole Troll and changeling side of the story, Barabara gets very offended cause Jim doesn't want her to meet him privately. Again, ignoring the whole magic and trolls stuff, STRICKLER IS JIMS TEACHER. If Jim hadn't figured out that Strickler was a changeling he probably wouldn't have a problem with it, but the fact that he does, no matter the reason, should be enough for Barbara to put a stop to the relationship. Her child is clearly uncomfortable with her seeing/dating that guy, for whatever reason, and even clearly vocalized it. But she doesn't care about, or rather, she tells Jim that she "wouldn't expect something like that" from him. Obviously not, cause she may see him like her child/teenager he is, BUT DOESN'T TREAT HIM LIKE ONE.

And then Jim, unknowingly to Barbara, becomes the Trollhunter, and his behavior changes. He's suddenly doing reckless stuff, sneaking out, getting bruises, landing in detention and even at the police station, barely avoiding a police report. What does she do? Asking him what's going on? If everything's alright at school? If he has any other problems? Maybe trying to lower his workload around the house, which again, he's doing most of that as a teenager and longer probably.

Nah. She doesn't do anything until he lands in the hospital. Except for again, dismissing him rather negatively at the one topic he's openly expressing any negative opinions about (Strickler). And after he lands in the hospital she now starts not asking questions, but demanding answers. Demanding answers from a teenager in a difficult situation who is also now acting much more like a teenager than he ever did before, from her point of view at least. Except she obviously doesn't know how to deal with a teenager, cause she has never had to raise or live with a teenager. She instead lived with a child pretending to be an adult for years, that was partly much more of an adult than she was, who did way to much work even before Jim became the Trollhunter. So she throws punishments at him and grounds him, but does he listen?

No. Cause why should he? Not only is he dealing with things much more important than being grounded, yknow, saving the world, he's trying to protect her from the sheer knowledge of the supernatural and physically protecting her from getting harmed. And again, for the majority of the time since his dad left he pretended to be an adult. He was and is the main adult in the household, dealing with important things she doesn't even know about.

The only one's treating Jim like a teenager are teachers, other children and Blinky and Aaargh sort of when they're not in the middle of Troll business. Strickler, in the first episodes where Jim doesn't know about his true identity, is much more of a parental figure to Jim (also after his redemption later on tbh) than his mother.

In summary: Barbara is treating her son like an adult, almost like a partner, instead of a child/teenager. And when that isn't possible anymore she doesn't know how to properly treat him. She also doesn't really care that her son is uncomfortable with her being around Strickler, or Strickler in general. And it takes Blinky telling her (when Jim is 16) that Jim might be affected by his father leaving when he was five years old.

Jim meanwhile is treating his mother more like a child/teenager instead of the adult and MOTHER that she is. Seeing her as his responsibility. Cooking for her. Cleaning for her. Telling her to rest and take breaks.

They obviously love each other other. And their relationship might not be toxic, but it's very much disfunctional. In a way that is mostly negative for Jim.

[i--see--everything]

Eye avatar ideas that don't involve academia

Supernatural version of Chris McLean. He uses his tv show to record and stream the contestant's most humiliating moments.

Bartender in an always empty bar that gets their statements out of lonely drunk patrons.

Avatar with a TikTok account where they interview random people on the street (you know the type).

Professional paparazzi 

Creep that leaks women's nudes online 

Creep that takes pictures up women's skirts

Talent show judge that's always way too critical 

Person who sends incriminating evidence to people's workplace to get them fired.

Boss who stalks their employees in social media

Avatar dedicated to leaking unreleased media to the internet 

Catholic priest that gets his statements out of confessions 

Avatar who outs people to their family, school, workplace, etc.

Private eye that looks into people having affairs.

Maid who goes through people's things at the hotel she works at.

Psychic that makes uncannily accurate predictions

[anim-ttrpgs]

An absolutely incredible review of the beta version of Eureka: Investigative Urban Fantasy by review Willy Muffin on youtube, complete with visuals and actual analysis!

I'm going to also add to this post a comment that I left on the video, offering further insight into the design intentions of the game, though the comment might not make as much sense if you haven't watched the video yet.

Hey, lead writer of Eureka here, first of all I wanna say how good and professional this review is, it’s almost indescribable how it feels to see our project taken so seriously and given real analysis, complete with visuals and everything! We would be super impressed and happy with it even if you didn’t like the game—but luckily it sounds like you loved it hahaha

I’d also like to address a few things throughout the video, not as arguments or rebuttals, just further developer insight for everyone

Re: “Urban Fantasy.” “Urban Fantasy” is basically just another term for “modern fantasy”, just a fantasy story that takes place in the 20th or 21st century and deals with the intersection of contemporary life with the supernatural, and it might be an Americanism, or even a Southern-ism, since it has a lot of connections and origins in the living folklore of New Orleans, so I shouldn’t be surprised it isn’t a term everyone is familiar with. Just think of it as the kind of genre where instead of the vampire living in a secluded scary castle, his name is Phil and he’s your roommate haha. What We Do in the Shadows, Shadowrun, and the World of Darkness games are all some other good examples of “urban fantasy.”

Re: Scooby-Doo. Oh we would LOVE for you to run a Scooby-Doo-like wacky mystery with Eureka. Even though the main tone is dark and gritty and noir, we did intentionally build it so that it could run more lighthearted stuff as well! There’s even a few Scooby-Doo references to be found throughout the text, and if we hit a certain stretch goal on the Kickstarter, we’re going to be adding a bunch of Scooby-gang-inspired traits, including the option to play a Talking Dog!

Re: Combat being the largest section, even larger than Investigation. First of all, that’s kind of an illusion that is the result of the game being unfinished. I have a tendency when I write rules to use really long sentences, overexplain things, repeat myself, etc, and that dramatically bloats the rules text and page count, but that’s why we have an editor! She goes through after the fact and trims most of the fat off my bloated writing style to make it flow smoother and read faster, and take up less space. The PDF that was read for this review has had the Investigation chapter copy-edited (and cut down in size by about 25%!), but the editor hasn’t gotten to the combat chapters yet, so they still have a hugely inflated page count. When she’s done with them, you can expect each combat chapter to also be cut down in size by about 25%, so they won’t be nearly so large a chunk of the book.

Secondly, I’ll explain our reasoning for why the combat chapters and advanced combat rules are such a big chunk of the rules text, it’s intentional design which I will now explain. If anyone still doesn’t agree with that design, that’s fair, and that’s why we made the Basic Combat Rules an option.

The reason that the advanced combat rules are the default, and the reason they exist at all, is because it incentivizes and rewards Investigation. If combat is super deadly, it makes Investigation, snooping, and spying more appealing than kicking down the door and getting your head blown off. But of combat is super deadly, it also needs to be very deep and tactical, because if it’s deadly but shallow, then there’s no player agency. “Combat starts, roll some dice, okay your guy is dead.” That’s no fun. So by adding rules and modifiers for cover/elevation, distance, the difference between a pistol and an assault rifle, etc. we make it so that not only is combat its own high-stakes puzzle, but make it so that when the PCs HAVE to engage in combat, all their investigation can really pay off and save their lives. Spying on a building to find out the number of goons stationed there and how they are armed helps you plan and assess risk, stealing the blueprints to the building helps you know how to get the drop on the goons, and know the best places to attack from so that they are stuck out in the open and you are not, etc. and having rules for those things means that all the PCs’ snooping and planning makes a real mechanical difference in whether they live or die.

That’s just my opinion though, and one of the biggest reasons WHY we decided to write the combat with as much depth as we did.

Anyway, thank you again for this review and analysis of our project, our Kickstarter jumped up by about ten more backers in the evening when this video went up after several days of no new backers, and we have to assume we have this video, and all of you watching and reading this, to thank. You’re really making our dreams come true. :)

Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th! Back it while you still can!

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[another-lost-mc]

is it bad that as much as i like your ocs (theyre amazing, i love them!), i really miss seeing you write for the canon characters

You know, that’s valid. The proportion of Canon and OC content here lately has been way off. It’s sort of the elephant in the room I ignore every time I think about Obey Me and my inspiration automatically focuses on the world building or OC potential instead.

There’s a few reasons why I’ve been less interested in writing canon lately.

1. Disappointment with Nightbringer. I’ll be honest, I’m not sure why this game exists (except to overhaul the franchise’s monetization structure). The premise and lore payoff hasn’t been that great for me personally - it feels more like an AU rather than a canon addition/continuation of the OG game. It feels like we still end up with more loose ends and questions that we don’t have (and may never get) answers for. I’m still waiting for Raphael and Mephisto to be dateable, by the way. As a result, my focus when writing OM content has been using the OG story/characterization using the odd piece from NB that makes sense, and that leads into…

2. My favourite parts of Obey Me are under-developed in canon. I enjoy most of the canon cast, I really do. But I want more Celestial Realm lore, I want more Michael (and not NB HM Lesson 20 Michael), I want more angels in general. They’ve mentioned Uriel a couple times now, give me that angel please and thank you! (No longer relevant, I wrote a version of him myself.)

The world feels so empty at times but there’s so much potential. Parts of the Devildom are more fleshed out with NB adding to it, but what about the other realms? What’s going on with the Sorcerer’s Society and the reapers? I never know if the interesting hints of lore we get are truly relevant or if it’s just something the game decided was convenient for a plot point and never gets mentioned again. NB has been great for Solomon fans since it’s practically a Solomon x MC fanfic written with a forced roommates trope, and that might be the best thing about it from a lore perspective.

My OCs were originally meant to explore gaps in the world and give the canon characters room to grow beyond the one or two defining traits the game keeps repeating over and over. I like writing Mammon when I can have him interact with Karasu, I like imagining the types of angels other exchange students might meet in the Celestial Realm, I like giving a name and personality to the mysterious owner of The Fall where so many events and Devilgram stories take place. Admittedly, it was refreshing to see that other people enjoyed reading about them or imagining them paired with their own MCs/OCs too. I call them the OC Fan Club with genuine affection.

3. It’s not something I talk about often but before I began writing fanfiction, I was mostly focused on concepts or outlines for original stories. Writing supernatural and horror themes always been my interest as a writer so anything with demons/angels/other monstrous races automatically catches my eye.

It’s a little mean to say, but half-baked worlds like the Devildom are a lot of fun to use as a foundation for expanding my own ideas. The OC story I’ve been working on is one way for me to write longer and more complex pieces which is the type I like most. Granted, it includes nearly the entire game cast and it explores the Devildom and Celestial Realm in ways that tie together some of my favourite personal headcanons and characterization. It focuses on angel characters and the history/culture of the Celestial Realm which are two of my main interests for this game. It’s a huge project - the outline is nearly 20k words on its own, it’s practically a novel divided into four sections with 30+ chapters and an epilogue. I can’t even express how excited I am when I get to work on this.

That being said, I do like writing canon content and I’ve been missing it more lately. I got burnt out when it felt like I was losing interest in NB and was pushing myself to keep writing anyway which isn’t great.

Today someone left a nice comment on something I wrote a while back, an angst piece for the demon brothers. I haven’t read it in a while and after going back and re-reading it, I was like, “Huh, I don’t remember liking this as much as I do.” And then I remembered something in my drafts that’s been rotting away, half-edited and ignored, and realized that I wanted to finish it. So, I’ve been slowly tinkering with things while I work on my angels’ story. Some of my plans are ambitious and real life distractions (mostly health related, like my recent bout of COVID) haven’t helped.

If I learned anything about my writing since starting this blog, it’s that:

writing what you’re passionate about is more fulfilling than writing what seems trendy or popular

giving and receiving feedback and fostering friendships/supporting each other keeps the community thriving

self care self care self care

Anyway. My goal has always been to write about the things I love about the game world and the things I create that are inspired by it. It’s a delicate balancing act that I’m still working on.

[lonesome-dreamsss]

his handprint may be burned into your skin but it's still the gentlest touch you've ever received.

[captainvulcant]

Amongst rumours of a Supernatural season 16 I'm just gonna say that would be the funniest most meta shit ever. Even the show itself can't just die, always gotta be resurrecting and coming back like the world's most dysfunctional boomerang.

[mischieviem]

Castiel would still love Dean if he was a worm.

[eleonkraken]

Other than it being bad, the ending of superantural has also fucked up my relationship to destiel fic because the only thing I wanna read now is widower era dean with cas coming back from the empty years after he died

There's just something so captivating about the idea of dean only figuring out cas was the love of his life and already functionally his partner after he dies and taking up a widower role in a new community with people who never knew any different.

and cas coming back only to realize that dean's whole perception of reality has shifted in the time he's been gone

I could chew on this premise forever

[peanutsoutofcontext]

Baby Snoopy of the Day 🥺💗