In summer's mellow midnight,
A cloudless moon shone through
Our open parlour window,
And rose-trees wet with dew.
I sat in silent musing;
The soft wind waved my hair;
It told me heaven was glorious,
And sleeping earth was fair.
I needed not its breathing
To bring such thoughts to me;
But still it whispered lowly,
'How dark the woods would be!
'The thick leaves in my murmur
Are rustling like a dream,
And all their myriad voices
Instinct with spirit seem.'
I said, 'Go, gentle singer,
Thy wooing voice is kind:
But do not think its music
Has power to reach my mind.
'Play with the scented flower,
The young tree's supply bough,
And leave my human feelings
In their own course to flow.'
The wanderer would not heed me:
Its kiss grew warmer still:
'Oh Come!' it sighed so sweetly;
'I'll win thee 'gainst thy will.
'Were we not friends from childhood?
Have I not loved thee long?
As long as thou, the solemn night,
Whose silence wakes my song.
'And when thy heart is resting
Beneath the church-aisle stone,
I shall have time for mourning,
And thou for being alone.'
she revived the rats. do you understand? you have to, just... her party got strong off of stepping on the little guy. and lucy went back and said no, and brought them back. rats! no one cares about rats. her party members have a joke about how many rats they've killed. lucy went back and healed them.
Translated from last week's NHK documentary on the production of The Boy and The Heron (more under cut). I saw people posting a screencap of this and I just couldn't contain myself. THIS HAS BEEN GOING ON WAY LONGER THAN I IMAGINED LMFAO
This is from the NHK programme "Professional - Their Working Philosophy" (プロフェッショナル 仕事の流儀) a few days ago (16/12/2023). The episode investigates the production process of The Boy and the Huron, and how the late Takahata Isao influenced the movie.
(It was confirmed within the documentary that Mahito = Miyazaki, Great Uncle = Takahata Isao, The Heron = Suzuki Toshio, Kiriko = Yasuda Michiyo)
The documentary is currently available on the NHK Streaming Service (Location Limited). If you have your own ways of watching and you know Japanese, I would definitely recommend the episode as it gives a lot of much-needed context to The Boy and The Heron. Personally, I haven't found a way to watch it yet, so all I know about the documentary are hearsay I saw on Japanese twitter.
Original screencap:
Also, at the very end of the episode, Miyazaki was shown working on a Naucicaa piece without any explanation, which led to many people speculating whether he could be working on a sequel for Naucicaa of the Valley of the Wind.
What do yall think? Do you think he's going to finally retire or release yet another animated film in a few years? I would love to see Naucicaa 2 but I also feel like he really needs to... yknow, chillax a bit and stuff. He deserves a long ass vacation.