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#the only problem i have is that a lot of my old art just doesn't hold up and it'll be weird to have 'em at the face of my blog for a bit
factual-fantasy · 18 hours
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10 asks! Thank you!! :}} 🌞
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AHEHEHE KICKING MY FEET AND GIGGLING LIKE A DORK AT THIS 😭😭💞🥺💖💖 THANK YOU SO MCUH!! I DO MY BEST TO MAKE THE EXPRESSIONS KF THE CHARACTERS READABLE AND DRIPPING WITJ EMOTION SO IM GLAD ITS WORKING!! :DD ✨💞✨💖✨
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@gummysusie
Oh there's lots I'd be willing to eat if I had to! XDD
My memory ain't the best but off the top of my head-- I'm sure eating miltank meat wouldn't disturb me so much! :0
I like fish so there's a lot of those I'd be willing to try! Magikarp, uhhh those two grumpy fish that are either green/red or green/blue! I forgot the name..
Of course all of the food themed ones would be relatively no problem. Fidough, Milcery.. There's some bird ones that wouldn't be too upsetting too! XDD
As long as my brain relates them to earthly animals, I'm not too disturbed by the thought of eating them XD Im sure they have to eat pokemon in the actual pokemon universe! Where else do their meat based dishes come from? How else do they feed their carnivorous pokemon??
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@girlsackthing
Not recently :(( but I'd like to pick it up again someday once I'm feeling better! :}}
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@illogically-austere
Hey thanks for checking in, that means a lot 🥹
I'm hanging in there as best I can. I haven't eaten much but am getting plenty of water and rest! I'm hoping this horrible health trial thingy I've been going through is over soon <:}}
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@sussyhahag
y a l i k e j a z z ?
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@littlelightfish
Hey pal, I hope You're doing alright! Hang in there.. <:}}
I haven't worked much on Tuna's backstory recently.. but I imagined that his blood family was gone.. he lived on a ship with a real rotten crew that was horrible to him.
As for how he joined Seafoam's crew, I imagined that the crew rescued him somehow. Maybe Tuna's old crew attacked Seafoam's crew but he kicked their butts. Perhaps in all the chaos Tuna was left behind by "mistake", only for Foam to welcome him aboard?
Maybe his old crew got too intense and he ran, somehow running into Seafoam and he offered shelter? Or maybe his old ship sank and he was found by Seafoam..? Something along those lines-- XD
Anywho- thank you! Things are starting to look up for me, I'm hoping this journey is almost over! <:}}
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@raven-bearden-the-interviewer42
"Seafoam's heart 🥰..... Metaphorically I mean-"
I would assume so! :0 Maybe a cookie like that already exists in the games!
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Well that's hard to say.. I usually draw comics all in one pass. I sketch out the entire comic, and then I go back and draw all the line art, and then I go back and color it all in..
So in that sense 1 drawing for a comic could take days to complete. But if I were to focus on just one panel/drawing? I would guesstimate about 10-15 minutes :0
Now my name! My memory is a little foggy.. but one of my favorite things to do in drawing is to apply logic, reason and explanations for things.
For example, Captain Barnacles! He's a polar bear wearing a full suit and lives out in the Pacific Ocean. Obviously there's a lot that doesn't make sense about that- but mainly the fact that Barnacles would be way too hot!
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So I remedy this by making my version of Barnacles have very short fur, a special diet that thins out his blubber, and a special suit that helps keep him cool! It's not perfect obviously but it helps make him living out in the Pacific seem more reasonable. Which is what I love to do, and how I thought of my name! Applying fact to fantasy, Factual Fantasy!
Hm, Bibi's worst fear.. that would have to be something bad happening to me or any of the fam I'd assume <XD
Nothing bad actually happened to Red, that nightmare just manifested because she loves/worries about him so much 🥺💞 Like a mother having dreams about their children getting hurt. Nothing exactly happened to cause it, but they just worry about their babies so much that those dreams happen sometimes..
And lastly, thank you! It's looking good that I might finally get out of this pit. So my spirits are high! :}}
@beryl-shade (sorry for the late response! <:D)
He typically will not allow it 😅 I originally had a drawing idea for this ask but I dont have the strength to get to my PC so I can just explain it!-
I imagined Octo and some of the crew all tied to chairs with some other pirates taunting them. Octo looks very bored and very unintimidated.
Well one of the pirates makes the mistake of grabbing one of Octos tentacles and twirling it around. Octo immediately reacts and uses the other tentacles on his head to restrain his hand and start choking the guy-
The rest of the crew is just laughing and calling that pirate an idiot while he continues to struggle to get away from the angry Octo 🤣
Now on the other hand, if he gets a joking pat on the head from Seafoam? Or if Red is up on his shoulders and he pulls on Octo's hair by mistake? Eh, whatever he doesn't mind much. : '
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gamebunny-advance · 1 year
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Question:
Are there any posts of mine that you consider to be "essential" or "signature" gbunny content?
I've been thinking about queueing up some gbunny "greatest hits," and I want to make sure I'm not missing any hard hitters. These aren't necessarily my "best" or most "popular" posts (though they are not mutually exclusive), but things that make me think, "Oh, you need to see this to understand the 'lore' of this blog."
I do want to preempt any answers with: "If it's a comic, assume that I'm already gonna add it to the queue." Probably not today, but sometime soon.
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badgertracksart · 9 months
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Portfolio advice, from a lead who hires Concept Artists
(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.
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2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -
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5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.
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7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.
9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs
11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?
13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:
You haven't shown you are considering the design from all angles.
In many games rear view is the main view.
Stop cropping feet.
15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.
16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.
16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.
17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.
18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O
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golden-barnes · 2 years
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Operation get Mr Bucky and Momma together
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Paring: Beefy and Teacher! Bucky x milf! reader
Summary: Bucky doesn't play favorites but Amaya is definitely his favorite, especially because her mom is hot.. Cue a 6-year-old trying to get Bucky to be her dad. {wc: 2.2k}
Warning: a bit of bucky being insecure but not that much, Karen parent being annoying, bucky is a fool but amaya is gonna fixed it.
a/n: I've been sitting on this for months but I had to step back from this account bc of everything. thankfully I finished this before my electricity went puff but not my best job. pls have mercy bc I'm rusty.
Part 2
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Bucky knew there weren’t many male first-grade teachers. But honestly, it was his dream job. He was teaching the country's future and helping them become better people.
Also, 6-year-olds love him, especially with his fantasy land classroom he forced Steve to help decorate. Bucky loved being a teacher, and he loved his kids. Relatively easy to get up every day at 6 am when you love your job. 
That being said, he knows he shouldn’t have a favorite student. So it’s basically written in the teacher’s rule book. 
But Amaya was undoubtedly his favorite of his unruly kids. She was very spirited. Amaya loved helping out her classmates and talking to them. She was just the best student he had ever had.
She is amusing. Every day she comes to him with a story about her mom. Unfortunately, Bucky hadn't met her yet because she was busy with work. Still, he interacted with Amaya’s second contact, Natasha. 
At this point, Bucky feels like he knows her. How she likes tulips. Her favorite color is pink, which is Amaya’s favorite, but that’s a funny coincidence. He knows that Amaya and her mom go to the museum every week on the day they have special events for kids. Amaya’s favorite exhibit is the one about mythical creatures. 
“Momma likes the one with the paintings. She likes the one with the man who gives the girl a flower.” Amaya tells Bucky. Amaya always goes to Bucky’s desk after finishing her classwork because if she doesn’t, she distracts her classmates. Or give her classmates the answers, so this is the only way to keep her entertained. She always takes this time to draw something for Bucky to hang on his wall of drawings.
“Oh, Mister Bucky! Momma is going to come to pick me up today.” Bucky cursed mentally, completely forgetting today was parent-teacher conference. 
Talking to 6-year-olds was a lot easier than talking to adults. Especially when you are telling parents that their kids are having problems. The worst part of the job, honestly. If Bucky could just teach his kids, send letters to the parents, and never interact with them, he would. 
“Going to meet the elusive Miss (Y/N)?” Steve, his best friend, asked. Because of budget cuts, Steve was currently the art teacher for the entire school. Did he like it? Probably not having the kindergarteners put glitter in his hair, but he enjoyed a challenge. 
“Apparently,” Bucky mumbled, opening his lunch. Just a ham and cheese sandwich because he was running late.
“She finally showing up to a conference?” Sam asked, heating up his lunch. Sam was the history teacher for the 4th and 5th graders. He was also a pain in Bucky’s ass, but he decided not to think about it and focused on his incoming stomach ache. 
Fuck, now Bucky had to clean his classroom and prepare everything. What if one of those Karen parents shows up and starts complaining about stupid things? About how his classroom is Lord of the Rings theme and how that's bad for kids? Maybe about how he’s a male teacher? He is already spiraling.
“Oh, you are talking about Amaya’s mom? I met her when I was Amaya’s kindergarten teacher. She’s really nice and - “ Wanda started talking but was interrupted by her twin brother Pietro, the gym teacher. 
“She is also smoking hot. Like ultimate Milf in this whole school. ” He comments, which makes Bucky feel even worse because how will he talk with a pretty girl? He hasn’t done that since college. 
Wanda rolled her eyes at her brother and sat down next to Steve to eat her lunch.
“You’ll be great though, Barnes. She’s really nice, and you are a great teacher, so you won’t have any problems with her.” Wanda reassures her coworker. Bucky takes a deep breath and takes another bite off his sandwich. 
“And I still  believe my son should be seated in the front.” Mrs. Robinson complained, which she had been doing for the past hour and a half. Going past the hour dialogue they are supposed to be having. But since Amaya’s mom is running late.
“Mrs. Robinson, I understand, but some kids in the classroom require specific accommodations. Because of that, the entire front row is taken. So I can’t sit Tommy in the front. “ Bucky explained for the 10th time. Mrs. Robinson just rolled her eyes and huffed. 
Before she could complain again, someone knocked on the door. A woman in formal and professional clothing stepped into the classroom. Amaya popped into the classroom with the brightest smile.
“Mister Bucky! I brought Momma!” She screamed excitedly. Amaya’s mom tried to quiet her, but from Bucky’s experience, Amaya is impossible to corral. 
“Well, Mrs. Robinson, my 4 o'clock is here.” Bucky said nervously, trying to politely kick out Mrs. Robinson and her big-ass attitude. 
“We could discuss this further in another parent-teacher conference.” It took everything for Bucky not to roll his eyes. Fucking self-observed parents think their children are the only ones that matter, Bucky thinks to himself.
“Sorry for my tardiness; I got held up at work.” Amaya’s mom apologizes. Woah, she really is pretty, Bucky thinks.
“Don’t worry, Mrs. (Y/L/N).” Bucky says, trying to catch his breath. 
“Please call me (Y/N).” She smiled sweetly at Bucky. Bucky gulped.
“Let me get to the point; Amaya is a fantastic student. One of the best. She is above her group’s reading level. She writes pretty clearly for her age. No complaints from me; whatever you are doing at home is workin’.” Bucky explained, (Y/N) smiling at her daughter, who was too entertained with Bucky’s snowball on his desk. 
“Thank you, but I can’t take that much credit. Maya absolutely adores you.” Bucky blushes at her praise. 
“She’s a good kid; it’s easy to teach kids like her.” Bucky praised Amaya, who was surprisingly quiet. Which would scare Bucky because if there’s one thing he learned from teaching first graders is that quiet means trouble. But he dismissed it because she wouldn’t do anything wild with her mom right next to her.
“Thank you, Mr. Barnes, for everything. With getting a new job and having to provide for my family, you’ve literally given me so much peace.” (Y/N) leaned in closer. 
“If I am being honest, I was worried about ‘Maya’s performance at school. “ She whispered, but Bucky gave her a reassuring smile. 
“Amaya, could you please give these papers to Mr. Rogers?” Amaya nodded and grabbed the papers Bucky had handed her. Then, Bucky sent a text to Steve telling him to keep Amaya out of his classroom to talk to her mom.
“I haven’t noticed a difference in her behavior if that makes you feel any better,” Bucky reassured her. She sighed.
“I am worried about her. Ever since she was born, her dad has been in and out of her life. Now he has disappeared for good. Amaya has been acting like it doesn’t bother her, but no first grader should hide their feelings.” She confesses. Bucky wants to do two things. 1) kick Amaya’s father for being a piece of shit and abandoning such a precious child and her mom. And 2) himself for getting excited by hearing that (Y/N) is single. He can already hear his mother chastising him.
“I’m so sorry to hear that (Y/N).” Bucky said earnestly. She just shook her head.
“It’s okay. Any advice for me?” She said in a joking tone, trying to alleviate the tension. Bucky lets out a nervous chuckle. 
“Just keep being there. In my experience, being present and making the child feel like they have a support system is the best way to help them during this difficult time.” Bucky smiled at her. 
“Thank you. See you on Monday?” (Y/N) said, getting up from her chair.
“Yes. Definitely.” Bucky felt his heart beating at a faster pace. 
This school year was definitely going to be interesting. So Bucky thinks, watching Y/N walking out of his classroom.
What Bucky doesn’t know is that Amaya plans to make life more enjoyable. She was supposed to be sleeping, but she heard Auntie Tasha’s voice and decided to say hi.
“Nat, you could’ve warned me, you know!” (Y/N) explained. Natasha laughed, handing her best friend a glass of wine. 
“He is hot, isn't he?” Natasha grins. Amaya looked at her mom, who had a goofy smile. She has never seen her mom with a smile like that. 
“Ridiculously hot. And his eyes? Nat, his eyes are just so gray. I almost spilled my entire life story right there and then.” (Y/N) groans. Natasha just laughs.
“It should be illegal to have a first-grade teacher look that hot.” (Y/N) added, grabbing a handful of popcorn.
“Just wait till you see him in casual Fridays. That man looks excellent in a Henley. “ Natasha joked, but that seemed to disturb (Y/N) even more. “Look out ‘Maya you might have a new daddy.” 
What auntie Tasha said made Amaya think. Mister Bucky was her favorite teacher, and she wished her momma would be happy. Them together would mean that she would have Mister Bucky around forever, and Momma would be happy and have a goofy smile like that forever. 
That’s when Operation get Mr. Bucky and Momma together was born. 
Every day after finishing her classwork, Amaya would go to Bucky’s desk and talk to him. Most of the things she said were little seeds to push him to get close to her mom.
Today was different; Amaya’s patience was thinning. A week passed, and every day when her mom would pick her up, she saw the googly eyes her mom and Mister Bucky were giving each other. It’s time for the big guns, Amaya thought.
“Mister Bucky, do you have a dad?” Buck was shocked at Amaya’s question. 
“Yes, I do.” Amaya sighed dramatically after hearing Bucky’s answer. 
“I don’t… I wish I knew what that was like.” Bucky’s heart broke hearing that. Amaya had her head down, but Bucky couldn’t see her smirk. 
“You will one day. I promise.” Bucky knew he shouldn’t say that but wanted to uplift her and give her hope.
“Hey, Mister Bucky, maybe you could be my dad!” Amaya said, doing a complete 180 in her demeanor. Bucky almost spits out his coffee, and he starts to cough. But unfortunately, he fell right into Amaya’s trap.
“I don’t know about that, Amaya,” Amaya smirks. 
“But Mister Bucky, momma already likes you. You would be a great dad.” Was it embarrassing for Bucky that his 6-year-old student was trying to hook him up with her mom? Maybe but hearing that said mom liked him did give him a bit of an ego. 
“Really?” Amaya nodded enthusiastically. 
“She said that she really likes your eyes.” Amaya admitted. Bucky knew he shouldn’t be asking these questions. If Sam knew, he wouldn’t hear the end of it. 
“Is there anything else she said?” Bucky asked, acting casually as if a 6-year-old was gonna read his body language. However, Amaya is too smart for her own good. 
“I heard her telling Auntie Jen that she liked it when you wear red shirts.” Bucky made a note to buy more red shirts after school. 
“Is your mom going to pick you up today?” Bucky asked; Amaya nodded. 
“She said we were going to the mall today,” Amaya explained. She could feel her plan working, but who knows? Grown-ups were weird.
Bucky’s heart needs to catch a break. That being said, seeing (Y/N) every afternoon, his poor heart won't be getting any. Especially when she came in with her lawyer suits. It was like a punch in the gut. 
But what really hit him like a punch in the gut was what Amaya said when her mom came to pick her up.
She grabbed Bucky’s hand and pulled him towards her mom, who was waiting outside the classroom. 
“Momma, Bucky said he would be my daddy.” Amaya said with the biggest grin. Bucky choked on his own saliva and started coughing. While (Y/N) just started laughing. 
“Did he now?” (Y/N) asked her daughter, that was excited that her plan “worked.” 
“I- uhm. I didn’t say that she took it out of context. But, I mean- I” Bucky’s ramble was interrupted by (Y/N).
“It’s okay, Mr. Barnes. I know how Amaya can be. Don’t worry.” Bucky sighed out of relief. 
“Mommaaaaa…” Amaya whined; her mom just rolled her eyes. 
“Yes, ‘Maya?” (Y/N) asked in a snarky tone. Amaya signaled to her to lean down. Amaya whispered something to her. (Y/N) giggled with her daughter. 
“Mr. Barnes, would you like to go out for coffee someday?” (Y/N) asked, Amaya still giggling behind her mom. 
“I would love to.” Bucky said, which caused Amaya to do a little victory dance in the back. As if nobody could see her. (Y/N) turned around and laughed at her daughter’s antics. She pulled something out of her jacket, a piece of paper.
“I have to go, Mr. Barnes. Sorry for my little troublemaker.”She said, handing him the piece of paper with her personal phone number. Bucky was confused.
“What is this for?” Bucky asked, utterly confused about what this meant. 
“For whenever you would like to get that cup of coffee.” She told him, grabbing Amaya’s hand and walking towards his card. 
Bucky felt his cheeks heat up. He might admit that Amaya was his favorite student, even if she played matchmaker. 
He looked down at the card. Oh, he is gonna call.  
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pasteilian · 8 months
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Do you have a recommendation when designing a black character? Or tips, or maybe pages you visit for references?
Suck at explaining stuff but I’ll try
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‼️ Ethnic Features ‼️
So, the art world is in a very weird place when it comes to ethnic features. The conversation was about how using POC ethnic features as an insult in media was damaging and needed to stop, and that somehow morphed into people being scared about drawing people with those features.
Black people have big ears, big noses, and big lips. That's not the problem. The problem was that media was using it to make us look like giant ape, monkey, monster creatures. It's okay to give them these defining features.
Also, remember that brown people have lighter pigment under their feet, hands, and bottom lips. 🌸 (didn’t really know where to put this but drawing mix people is basically a spin the wheel we come in all different shapes and sizes and features. There’s really no wrong way to draw a mixed POC.)
‼️ It's Just My Style ‼️
I'm so goddamn tired of hearing this goddamn excuse. A style does not mean you can't properly represent POC. I would even go on to say that if your style is stunting you so grossly that you can't draw a proper black person, you have a bad art style. Sorry—not really.
Media has shown us that style does not stop representation. The only thing stopping that is your ignorance and refusal to improve. Great examples of ranging styles still being able to represent different POC are "Adventure Time," "Disney's Soul," "Proud Family," "Afro Samurai," etc. I'm just saying this because I've seen this excuse be more prevalent in the art world, and it's just better to nip that in the bud.
‼️ Whitewashing + I Don't Know How to Use the Color Brown ‼️
I've seen people make the excuse that the skin color is lighter because they use a pastel style, but they never bring up the fact that the only color in the art that's lighter is the skin tone. 💀
Also, the whole thing about people saying they don't know how to shade and color brown palettes is just completely bullshit. I would even say that trying to shade pale colors is harder than shading darker colors. Additionally, there are multiple artists and tutorials showing you exactly how it's done. You have no excuses other than you just don't want to.
YouTuber Sinix has a great video on painting skin tones!
‼️ Black Hairstyles ‼️
I love dreads. Dreads are a very pretty hairstyle. However, we have more hairstyles other than dreads. If you're going to draw black characters, I would encourage you to branch out and explore beyond dread heads. There are so many unique black hairstyles out there. We need to move on from just focusing on dreads.
YouTuber Ari has two wonderful videos on black hairstyles in video games. I would recommend checking them out.
‼️ References ‼️
I love referencing old black media such as "The Fresh Prince of Bel-Air," "The Proud Family," and "Little Bill" (before all the Bill Cosby stuff came out). I also appreciate how "House of the Dragon" implemented black people into the lore. Other references include "BOTW/TOTK Rottmnt," etc.
Some artists I reference all the time are Mohammed Agbadi, who doesn't do many art tutorials anymore but often discusses black characters in media, and his art is still amazing. Ethan Becker has a very interesting video on the racist triangle that I recommend checking out.
On Instagram, I love the art of Jojo.Dreamie, Chibichanga12 (holy shit, love their art), Bruniosktch, and Caw.Chan. I also just reference my family a lot. 💀
This is a lot of rambling, but what I’m gonna say is don’t stunt yourself by tricking yourself into believing that your art can’t include POC 🌸🌸‼️💌💖💌💌🎀💕💘‼️🧁
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risingsuntarot · 15 days
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General Messages & Advice !!
⚠️TW Quick mention of s*icidal ideation⚠️
I honestly had no set plan for this reading negl so I kinda just pulled out some cards to describe the collective energies and give them some advice sorry if this is long !! This took me quite a while so any love would be greatly appreciated!! Thanks for reading 💜
Excuse any typos :+//
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Pile ONE
---Cards pulled---
Ace of cups/Queen of Coins/2 of Coins
---Clarification---
9 of Coins/7 of Coins/8 of Wands
I see you're able to either barely able hold onto your emotions and new beginnings or you manage them quite well no inbetween
Youre extremely intelligent, patient yet fast and direct, dedicated and multifaceted it may have taken a lot to get to this point although
Im sensing a lot of emotional sensitivity yet you are perceived as stone when you feel like glass
"Petite, Cute, Princess, Marilyn monroe, Dainty" maybe youre described as such?
Strong sense of justice and very dependable, able to maintain balance
Maybe you feel lost inside? S*icidal ideation ? Or loneliness is a big factor
Possible lack of belief in change and self confidence
Im getting Hopeless romantic or dissatisfaction in love life if im being honest
No inspiration for life :'+(
Unstable Family background or relationships
Youre extremely pessimistic arent you? Im so sorry but i feel genuine pain hurt and the urge to cry almost? But something wont allow me to
Suppressed emotions or memories :+((
---ORACLE/ADVICE---
Eagle "see from a higher perspective"
Air Gaurdian "Shift your perception"
Lord "Take charge with authority"
High Priest "Intend ans Create"
There is a need for the sun and nature for playing a huge part in your healing, maybe its seasonal depression or simply anxiety or the "no inspiration for life" thats here
Bed rot could be a thing
There is a need to release old habits desires and ego
Confide in a masculine figure in your life or a masculine figure sees your distress (Gender doesn't matter its all energy)
Protection is needed and maybe a nice cleanse, maybe a cedar bath?
Again seasonal depression is coming up lol
You could be either a pieces or one of the Air signs
Take pride in your appearance, in the card she has long flowing black hair and stunning eyes!! Piercings too? Specifically a left nose piercing
Over thinking/pondering lol
Possible past friends or connections have ended badly?
Opportunities will only open up when you open your eyes and see that what you choose to see in the world if what youll perceive and experience
Lord of the rings/DND/Elden Ring/LARPing?
Rams could be significant or Aries sign!!
Learn a new instrument!! Make more art but with your own style ? Maybe youre in a art achool that doesnt allow for much individuality? But being a proud ab your individuality here is important!!
Birds are an important sign here, look out for feathers, hawks or eagles!!
If youre indigenous/Native/Aboriginal you may be receiving an Eagle Feather from an elder or during ceremony?! What an honor oml
Willie Jack from reservation dogs Vibes !!
---Channeled Songs---
LVL up - David strickland, Drezus, Aspects, prognosis
This came on during writing the eagle feather bit a lyric that caught my attention was
"Been a problem, Still a problem
But problems are what you need to grow"
Runaway - Lil peep
"Everybody act like they care, Why the fuck do everybody act like they care"
When I'm Gone - Eminem
"Just know that I'm looking down on you smiling
And I didn't feel a thing,
So, baby, don't feel no pain
Just smile back"
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PILE TWO
---Cards pulled---
The hermit/Knight of wands/8 of wands
---Clarification---
9 of cups/The Empress/Strength
Im getting like lost rebellion? And being unhealed and hurt inside from past trauma's specifically abandonment, neglect or betrayal from authority figures or those you had trusted
Feeling empty and misguided despite only trusting yourself, and no one seems to want to listen to your advice/experiences leading you to feel isolated and forgotten in a way?
Maybe you're a party animal, possible drinker and/or just popular/known in social settings
There is heavy overindulgence in emotionally fufilling things, specifically overspending and maybe other possible addictions (sleep, food, drugs etc)
Mother/Feminine figure is very important in your life
You look to them for approval of many things but they may have been not caring about your emotional needs or satisfaction rather they cared more about your hidden strengths and "beast inside" ?? Or even how "weak" they perceived you, they may have been disappointed at your strengths and abilities, n maybe they put you in some kind of martial arts or boxing despite your disinterest in it?
Quick to move on from situations!! Yet indecision and regret is coming through Strongly
Impatient with skills and talents that dont turm out they way you wanted so perfectionist type vibes
You are a clear communicator but tend to be rather impulsive with decisions or say one thing and do a completely different thing
Extreme harshness towards oneself and heavy judgement too :+(
Feeling exposed? Like all eyes are on you yet you dont want them
I feel a facade of confidence but there is true confidence coming through by the tiniest bit? yet it's heavily based on the feminine figures perspective in your life one with authority also your own perspective on yourself
Lots of self hatred and anger
Family oriented, getting protective yet detached energy tho
Cancer by my chemical romance came on so that song may be relevant?
---ORACLE/ADVICE---
Wise One "Grow within your current situation"
Mountains "Stand your ground"
Stargazer "Set your sights higher"
Direction guardian "Choose your path"
Owls maybe significant to you and other avians such as ravens
The wise one card depicts a woman with feathers in her gray hair, description of someone possibly?
Also a crescent moon is atop the owls head so maybe Athena or Greek mythology is important to you
I sense there was a lot of hardship in your life, ups and downs, peaks and valleys yet you choose to persevere and stay strong
I see you have may have been passed down a gift having to do with dreams, keep a journal and look into meanings of those dreams!! Also maybe astrology is something you love to look into or have an interest in ?
Although something is blocking this gift from its fullest potential i believe there is healing or a cycle to be closed off before youre allowed to fully tap into it !! It'll take time and work on your part
As of now you have many choices to make in many areas of life, youre heavily protected by your guides and loved ones, the direction guardian is depicted with a Seraphim as described by the hebrew prophet Ezekiel!!
Specifically in Ezekiel 28:11-19 is where the seraphim is described
You have choices, this card is to remind you that YOU have the power of your own path and direction
---Channeled Songs---
Cancer - MCR
"Baby I'm just soggy from the chemo
But counting down the days to go
It just ain't living
And I just hope you know
That if you say (if you say)
Good-bye today (good-bye today)
I'd ask you to be true (I'd ask you to be true)
'Cause the hardest part of this
Is leaving you"
No place to hide - Korn
"Some will look at the time I looked back into my life
You wanna touch me to see what's in my eyes
Why do you make me remember my hate, all this shame?
Don't you hate me? Sometimes"
I-E-A-I-A-I-O - SOAD
"Mine delusions acquainted,
Bubbles erotica,
Plutonium wedding rings,
Icicles stretching,
Bicycles, shoestrings,
One flag, flaggy but one,
Painting the paintings of the alive."
Although this seems like nonsense many fans believe its abbreviations or like code!! Soo...
M D E = Media and so on
The sentence comes together as:
"Media back-end power is bullshit, opposing force for the power of propaganda"
Stole this^^^ from genuis btw lmao
Theres the "lost rebel" part lol
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PILE THREE
---Cards pulled---
2 of swords/The Chariot/10 of Wands
---Clarification---
Ace of Swords/Knave of Coins/6 of wands
I feel more a message for this pile? And i do apologize but it is quite shorter than the rest but I will try my best to deliver both tho
You seem to be a very balanced person with clear morals and judgement, you have an ability to see all shades of gray in a black and white world maybe you work in the justice system? Or are dealing with the justice system ?And this stresses you out greatly yet you maintain hope for all that you see and deal with even if you see repeating injustices to those around you
Maybe PTSD is a factor here too, overthinking your own trauma or others
Anyways despite your position here you choose this pile for a reason !! You offer people truth and often give closure to cycles that needed to end
With the 2 of coins tho i think there is some imbalance between what you can and cannot do ? If that makes sense, like you can heal others or give them justice but cannot do the same for yourself :+(
Anyways the message i sense from this pile is pretty straight forward, you are giving someone (or yourself!!) the chance or closure to heal once more and whatever you may be waiting for is coming in quite quick although I feel there may be someone who may come in to sabotage the whole thing so be careful about who you choose to reveal this information to
They may offer a trade of some sort?
A deal, hush money or simply intimidation
Up your protection and be aware of fake friends yet still remain hopeful about the outcome because i see it turning out in your favor
---ORACLE/ADVICE---
Snake "Shed old skin"
Protection Guardian "Drop your Shields"
Winter "Take care of your needs"
High Priestess "Harness mystic power"
Again straightforward, beware of fake Friends and deals with strings attached my advice here is to up your protection and stand your ground!!
Drop your gaurd with those who you KNOW you can trust, you may need ro let out some stresses and emotions? Because the card winter is all about needs and hibernation so sleep well, eat and take some time to relax !!
Also might be an indication that whatever this situation is it may have happened in the winter/colder months
While in this time of self care and healing strengthen your knowledge and strengths learn how to master them !!
Your dreams and own special psychic gifts are important and potent !! Use them for yourself at this moment in time use that healing energy for yourself
Have confidence in yourself and know and own your protection because again you are heavily protected at this time you will most likely know who to stay away from very soon
Follow you intuition and what it tells you !!
---Channeled Songs---
The bird and the worm - The Used
[Whispered Post-Chorus] "Don't tell on me, don't tell on me. No, don't you tell on me, please. It's okay, don't tell on me, please..."
I find it interesting that its not the actual audible lyrics but if you listen to the song this is what the whispers are saying so...take it as it resonates
Spiders - SOAD
"Approaching guiding light
Our shallow years in fright
Dreams are made, winding through my head"
Bad dreams might be significant to you? Please try to relax good things are coming !!
Mama - MCR
"You should have raised a baby girl
I should've been a better son
If you could coddle the infection
They can amputate at once
You should've been
I could have been a better son"
-+-+-+-+-+-+-+-+-+-+-+-
Pile Four
---Cards pulled---
5 of cups/4 of wands/Knave of coins
---Clarification---
8 of wands/6 of cups/Knave of wands
I believe there currently is dissatisfaction with your love life or offers within love at this moment or even just impatiently waiting for your current partner/interest to "make a move"
There isnt a lot of hope or faith in the connection on your part but i do see this person is interested they just operate differently and have some concerns
Mostly having to do with being used for their material gain, name position and/or authority
They do see this connection quite successful but they hate being put on a pedestal, due to this they wont have the guts to come forward if they do!! It will most likely be impulsive or very confusing and indirect which might leave both of yous flustered mainly them
This might be over drinks because my face is warming up lol
They see you as the four of wands and 6 of cups what a wonderful pair of cards together!!
But they see your disappointment and or pulling away from their energy which is turning them off easily but they still have their eyes on you
They have no time to be a chaser or to be chased this person is quite serious in their relationships so dont play childish games, play stupid games and win stupid prizes right?
They have come to a decision on their own but its also up to them when this information is revealed to you directly
Also there seems to be a sort of distrust with relationships on either sides which needs to be addressed before hand
Communication maybe be an issue
---ORACLE/ADVICE---
Medicine Guardian "Be open to healing information"
Elder "Healing through lineage"
Peacekeeper "Harmonious resolution is possible"
Lady "enjoy growth a reap rewards"
I feel like time is needes to open up tp yourself and heal some issues on your side first, become the best possible version you can before you can move on with this
I see that this connection may heal cycles in your family and generational trauma possibly?
Its your job to keep cool despite the circumstances now and remember to mediate and that peace is always an option. Not every battle is worth fighting
However this goes you will be happy with what you see in the mirroe nonetheless!! Enjoy your hardwork and healed state
---Channeled Songs---
Fed Up - Ghostmane
"I'm fed up with the fame
I'm sick of reading my name in any other way than I intended
Fed up with all of these motherfuckers misunderstandin' me
I'm fed up with the ones that try to say you a fan of me
But then they turn their back and mothafuckers abandon me
You think I'm sitting high with everything, but now can't you see?
I'm livin' in reality, a struggle, not fantasy
I'm in a million-dollar couch, back then I was in a van"
No you girls - Franz Ferdinand
"Sometimes I say stupid things
But I think, well, I mean I
Sometimes I think the stupidest things
Because I never wonder
Oh, how the girl feels
Oh, how the girl feels"
Driven Under - Seether
"Must be something on your mind
Something lost for me to find
Do you know I'm faking?"
I feel this is more the distrust with their previous relationship possibly?
Also this lyric
"We have to succumb to the feelings we can never face
I need you, I breathe you
I can't go through this all again
We have to succumb to the feelings we can never face
I need you, I breathe you
I can't go through this"
Also pile 3 may have some messages?? I accidentally typed pile three for this one? :+//
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183 notes · View notes
silent-stories · 5 months
Text
𝐓𝐇𝐄 𝐎𝐍𝐋𝐘 𝐆𝐎𝐎𝐃 𝐓𝐇𝐈𝐍𝐆 - 𝟐
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Pairing: Eddie x F!Reader
Summary: After moving to Hawkins for a fresh start, you meet a boy with kind, brown eyes who will quickly become a friend and maybe something more. The only problem is: you took something that belongs to him by accident and now you don't know what to do.
Part 1
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When your alarm went off the next morning, you nearly fell out of bed.
“Shit.” You muttered to yourself, raising a hand to cover your eyes hit by the sun's rays streaming through the window of your messy bedroom.
As you got out of bed, you suddenly remembered that the night before you had fallen asleep after reading the first sentence written in the notebook that you had found in your bag and that most likely belonged to Eddie.
You found it at the foot of the bed and picked it up, making sure the picture of the unknown woman was still inside it and put it inside the backpack you were going to take to school without really knowing what to do with it.
You grabbed the first pair of ripped jeans you found in the corner and put them on with a random shirt before leaving your room. To do that you stepped over an old art project and a mannequin foot left on the floor, and you mentally promised yourself that if you ever moved again in your life you wouldn't take all that stuff with you. You hoped that you would soon find the will to sort out your things.
“Aren't you having breakfast?” Your aunt asked when she saw you ready to leave the house.
“No, I'm already late. And I promised Eddie we'd meet in the parking lot in front of school.”
“Oh, alright.” She commented with her usual smirk when you talked about Eddie.
“I told you not to look at me with that face!” You yelled at her with a laugh as you left the house.
You crossed the garden and got into your car. “Hey, Casper.” You spoke to the skeleton sitting in the passenger seat as you started driving towards school.
“If you were in my place what would you do, hm?” You asked the inanimate object, “I know that keeping the notebook is not the right choice: it doesn't belong to me. But what can I tell him “hey, I found a notebook where you wrote a lot of personal facts about yourself but don't worry, I know it sounds incredible but I haven't even opened it. I just know it's most likely yours."
You sighed. "It's ridiculous. If I give it back he'll think I read it anyway, won't he? So I can read it anyway, right?"
The only response you got was the sound of bones rattling and hitting each other when you drove over one of the bumps in the road.
You knew they said that curiosity killed the cat but you couldn't help but think that you wanted to read everything written in that notebook.
You parked your car in the first free space you found in front of the school, some students looked at your car with a mixture of surprise and concern, and to your big surprise, you saw Eddie with his arms crossed and his back against what must have been his van talking to Dustin, the boy you had met the previous morning.
Did everyone in that town know each other or was it a coincidence?
Whatever they were chatting about didn't really matter because when you reached them they stopped talking, Eddie looked up and when his eyes met yours, he had a smile on his lips. "Hey stranger." He greeted you.
You wondered if he had that reaction with everyone or if it was something he reserved only for you but you doubted the first option was the right answer, and just thinking about that made you smile the same way.
"Hey."
“Wait, you guys already know each other?” Dustin asked, moving his gaze between you and Eddie.
“Well, I called her a stranger, of course not.” Eddie joked and you rolled your eyes. He was wearing an Iron Maiden t-shirt and the same denim vest as the previous day.
"Yeah, something like that." You said to the kid, "and he promised me a tour of the school. I hope he hasn't forgotten already."
“Oh, how could I?” He brought a hand to his chest pretending that your supposition hurt him, "I have an honor to respect. I made a promise to a fair lady and i need to respect it."
You chuckled. "Then lead the way."
You said a quick "bye" to Dustin before Eddie walked off towards school and you followed him until he suddenly stopped.
"But first I really have to ask you something."
For a moment you thought it was about the notebook, your mouth went dry in a few seconds.
“Where the hell did you find that thing?” He pointed to the skeleton sitting in your car a few feet away from you.
You burst out laughing both for the relief that his question didn't involve his lost item and for the funny way he asked you the question.
"Well, it was my last day of school and I was in my old biology class..."
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During the tour, you realized that the jogs must not have liked Eddie very much and the feeling was definitely mutual. The first time a boy in a green and white jacket, identical to the one worn by the guy who tried to steal Dustin's hat, had shouldered Eddie while you were walking down the halls you thought it was an accident. The second time must have been a coincidence. The third time you understood that they were doing it on purpose.
"Don't worry about them, they try to act tough but they're all assholes who like to annoy people like me." You stopped in front of English class, the first one of your day, a sign that the tour was over. From the way he spoke, it almost seemed like he was trying to reassure you even if you didn't need it.
"Like you?"
"Yeah, the freaks."
You tilted your head to the side, studying his expression and trying to figure out if he was serious or joking. "You are not a freak."
"Well, you might be surprised by the rumors going around Hawkings about me." His brown eyes were kind, as always.
"What rumors?"
The bell rang and the students began to enter their respective classrooms.
"Oh, I think you'll find out soon. See you, okay?"
“O-Okay…” You mumbled before Eddie walked away and disappeared into the sea of ​​students.
You sighed, then walked into the classroom and sat at an empty desk at the back.
If he didn't want to talk about his secrets then you would find out on your own.
You opened your backpack and grabbed the little brown notebook.
You started reading as the teacher started talking about an old poem you didn't really care about.
I realized that I almost don't remember her anymore and that's the thing that scares me the most. I don't want to forget her.
She's been gone for years now, and I thought I had a grip on the memories, but they're starting to slip away now and I'm so fucking scared one day I won't remember her at all.
I used to hear her voice in my head, clear as day. Now, it's like tuning into a distant radio station with too much static. I find myself straining to remember the way she'd say my name or the casual "How was your day?" It's fucking frustrating, and it scares me that one day, even those snippets will be probably gone.
I don't wanna forget her.
At night, I close my eyes, trying to summon the feeling of being wrapped up in her arms. It's elusive, and I can't shake the feeling that I'm losing something fundamental. I miss that safe place and it's fucking embarassing.
I'm an adult now and I still miss my mom. Embarassing.
I catch glimpses of her in old photographs, frozen moments that I clutch onto desperately. But even those are starting to feel like stories I've heard rather than moments I've lived.
And it scares me. It scares me because it feels like losing her all over again.
You looked away from the notebook. You closed your eyes for a moment and inhaled air through your nose, the teacher's voice only a backdrop to your thoughts much louder than her words.
What you had read were private things, things you shouldn't have read and yet you couldn't help but continue to do so.
They were things he had probably never talked about to anyone if he felt the need to write them there, it was a vulnerable part of himself that he had decided to hide in that notebook and you were invading it.
The single page you had read had made you want to give the biggest hug to that boy who you had only known for a little more than a day and who was probably way sweeter than he wanted to let others see.
"Shit." You muttered to yourself for the second time that day.
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Tags: @jacklesbrainworms @morning-sky7 @pipsqueakkitten @navs-bhat @michaelfuckinglangdon @flawiette @needylilgal022 @bubsonnobx @yujyujj @findmeincorneliastreet @kennedy-brooke @witchwolflea
The only good thing: @corrodedseraphine @definitionwanderlust @paleidiot
Okay I'm already losing interest in this series sorry lol if you won't seen an update in years you know why
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i understand that its cool to receive fanart, but ur really lenient about people who draw these characters thinner than they really are, and as a steven universe blog with art that is really respectful about bigger bodies its really disappointing to see u supporting these people skinnyfying fat characters
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Here's the thing about your message:
It assumes everyone drawing bigger characters skinnier is doing so with fully acknowledged malicious intent
It assumes that openly shaming people for it will fix the problem and make them draw fat characters 'properly'
I'm going to be completely honest with you for a moment.
I'm a teacher. I teach kids from ages 8 to about 15 (currently I'm teaching younger grades, but I've worked a lot with the older demographic as well.) So take what I say with the comfort that I at least know a little bit of what I'm talking about.
Why does this matter? Because a lot of the fanart that is gifted to me by this community comes not from adults, but from children. Sometimes, they're teens who have been drawing for a few years! Sometimes they're younger kids who have only recently begun to develop their skills.
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Here's the reality - drawing bodies is hard. ANY bodies - skinny ones, fat ones, unusually shaped ones. In order to get good at it, you have to draw them a lot! And in order to draw, you need to find ways to practice. Usually, this happens by the budding artist looking around at other artists and copying them. Or looking at tutorials.
Here's another reality - unfortunately, the majority of art online, the majority of tutorials online, don't touch on drawing larger characters. They simply pretend it's not a thing. Finding references to larger people can take work! Getting started drawing larger people if you only have skinny-people references... is hard!
You know what doesn't make it easier? Getting shamed and told off by another artist for drawing characters 'too skinny'.
I teach English to students who have never learned English before. From 8 year olds to 15 year olds, you know what the one thing that remains constant is? Learning happens best through kindness and positive reinforcement. Not through shame and grabbing the child's attention and smearing it in their mistake like you're punishing a puppy that peed on the floor.
In fact, yelling at people of ANY age about their mistake pretty rarely gets them to stop making that mistake. What ends up happening more often is that they end up hating that activity altogether.
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There's a reason I consciously and indiscriminately reblog all sorts of art - all of it has something that the artist excels at. Do all of them have great body proportions that are correct for the character? No. Some art is clearly made by people who are not used to drawing anything except super skinny characters!
But all of them ARE kind enough to read my comic, which I try to fill with body types that are diverse, true to the show itself. And that, in and of itself, is exposing them to art styles that don't have to over-rely on anime or CLAMP-esque noodly kids that look like they just popped out of Wonka's Laffy machine.
So yes, maybe they draw Steven or Rose too skinny. But they're also looking at Rose and Steven and clearly find them adorable, and maybe someday, they'll try something different for a change. It's not my job to rub their nose in the fact that they haven't gotten the chance to experiment yet. It's also not my job to ignore them if they don't have the 'correct' proportions, because like it or not, that's also punishment.
I do make it my job to try to reblog the fanart I see and promote it, because getting positive reinforcement and being encouraged to continue to experiment with art is what will make kids and teens AND adults confident enough to go beyond the socially-accepted weight-limit for MCs.
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I know it can feel demoralizing to see a lot of character with your body type erased and made skinny as if that's a 'prettier' version of them. But 90% of the people drawing Steven skinny aren't doing it because they hate you. It's because they haven't been told it's ok to draw characters chubby. Or fat. And the unlearning part of that sort of thing is a process that needs support, not shame.
I don't expect you to be kind if you're hurt by that. You can react any way you want, and anger is a healthy emotion in this case.
But if you want ME to react with malice on your behalf, then I'm afraid I won't. I have another job to do, and that job is teaching with kindness.
3K notes · View notes
nariism · 5 months
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a/n: fwb zhongli who catches feelings for you and mopes when it's time for you to part ways bc me and art said so. suggestive obv but nothing blatantly nsfw
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You've become sort of a sore topic for Zhongli.
No, not because you've rejected him in any way. Not even because he's trying to avoid catching feelings for you. Quite the opposite, actually.
He doesn't know what you are. He doesn't know if he means anything to you below the surface.
Sure, the flings were fun—distracting, even, when he was stressed from work. You were only meant to be a good time outside of work which Childe so earnestly encouraged him to find. And you were for the most part wonderful company even when he wasn't tangled in bedsheets with you.
The problem is that he was falling hard and fast, and he's almost positive the sentiment isn't shared.
"You're going out again?" Hu Tao asks as she peers into his office. He's packing up his belongings and shoving your favourite snacks into his bag.
"Yes, does that concern you, Director?"
"Yeesh," she hisses. "Cold. Haven't you two made it official yet?"
"No."
"And that's because...?" She trails off, awaiting some sort of explanation. It's been months after all. Months. Frankly, she's tired of watching Zhongli do this back and forth without making any actual advances outside of... well.
She coughs when he doesn't provide any answer. "Are you going to?"
The man only sighs, frustrated with himself or with the Director, he can't tell anymore. And again, he tells her:
"No."
She shakes her head. He's utterly hopeless.
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"My, you sure do know a lot about Glaze Lilies."
Zhongli's fingers twitch and he recoils from you. The flower he placed behind your ear shimmers in the glow of lanterns, sparkling like diamond itself is sprouting from your hair. You look so breathtaking, he thinks. Could he tell you that? Probably not.
Ah, he must have been rambling without realizing. A bad habit that he has yet to kick. It must bore you to death.
"An old friend of mine used to love them," he tells you. "My apologies for going off on a tangent."
"No, no," you wave him off, a smile spreading across your face—warm and welcoming. For a moment he believes that you're looking at him with something more. "It's alright. I like listening to you talk."
"You... do?" He questions.
"Why wouldn't I?"
He opens his mouth like he has an answer but it quickly snaps shut. Yes, why wouldn't you? He's surprised that you haven't lost interest in him yet simply because he's a talktative walking history book, yet simultaneously relieved that you haven't left his side.
There's zero dishonesty evident in your expression, nor is there any sign that you genuinely want him to stop blathering. But the time has come to leave you anyway. If only the night could be as lasting as his growing feelings for you.
The winding streets of Liyue have lead you back to your front porch. It must be well into the night—hardly anyone is around. The shops have all packed up and closed down for the day and even the croaking of frogs has quieted down.
You turn slightly, glancing at the welcoming entrace of your home. "So... this is it."
"Home."
"Home," you echo.
"When will I see you next?"
You laugh, seemingly amused by his formality. "Whenever you'd like, Zhongli."
A long silence settles over you as you watch each other. Your eyes bore into his intensely, as if searching for something in them. With the distance between you, he can't make out exactly what it is that you're thinking.
You turn to leave and it's a familiar, gut-wrenching feeling. The sight of you leaving him: sometimes draped in nothing but his bedsheets and others like this. And for some reason, this version bothers him infinitely more.
It's pathetic that he mopes about it, feels like a kicked puppy now that your date (if you could even call it that) has ended. The uncertainty of having you means that it could be the last time he holds your gaze, or it could be just be the beginning of your story.
He wants you. He knows he does. Would it be selfish to ask you to be his? Does he have that right?
Just as he's about to leave you at your door, once he knows you've gotten safely there, your voice calls out to him.
"Actually, do you want to walk around a bit longer?" You freeze, looking surprised at your own suggestion before continuing. "I-I know it's quite late but..."
He holds his breath. But?
"But... I just want to hear your voice a little longer."
It's a silly reason, he knows. It's even worse how giddy he feels inside, acting like a child having a crush on someone. He's certain you can see the melting of his expression, eyes impossibly soft.
The realization strikes him down like lightning. Oh. How could he have not realized? Had he been so busy worrying about how to move on from you while you were still in his bed that he missed the way you purposefully lingered around a little longer? That you were always the one asking him when he was free?
He chuckles—to you or at himself, he isn't sure. "Of course."
When you close the distance between your bodies, he offers you his hand with a blooming smile. He can't help admiring you under the warm lights of the harbour. You take it without question and don't let go. He doesn't either.
"Where was I?"
"You were telling me about why they only blossom under moonlight," you ponder. You're not very subtle with the way you scoot your body closer into his side and how you try to nimbly interlock your fingers, but he doesn't mind.
He had been blind this long. He would be remiss if he were to let the opportunity slip.
"Ah, yes." Zhongli squeezes your hand as you walk. "I should tell you of this old legend."
There's an uncontrollable joy in his heart when he realizes that, indeed, it is only the beginning of a long tale.
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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genericpuff · 3 months
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Why is the art so unappealing in lore Olympus now Persephone looks like a highlighter and maybe it’s just me but the proportions like the fingers in arms are soul over the place I don’t think they used to be this bad. Am I just looking at it with nostalgia or am I crazy ?
Honestly, nostalgia does play a huge part in it, even to this day there are times I look back on old S1 panels and go-
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Actually here's a great example that literally just happened yesterday in the ULO Discord that nearly had me on the floor LOL This is from Episode 70:
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Like I didn't even believe that that was real until I was told what episode it was from and I was just. Astounded and flabbergasted. The over-shading of the blanket that just makes it look like a really bad edit. Insane.
And yeah, there are a lot of old panels that hit different now that the rose-colored glasses have been removed, crushed, and thrown into the trash compactor.
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I think that's why it makes it all the more amusing when people come into my inbox and ask me "wait, why did you like LO to begin with?? It's always been ugly as shit, I think you're just romanticizing it" because like... there's something to be said about art and subjectivity, even if something is ugly to one person doesn't mean it isn't beautiful to someone else. It's why I try not to be too mean towards the fans of this comic for still enjoying it, because while I definitely have strong opinions about how "LO has gotten worse" and what kind of following Rachel has cultivated (cough cough), there are also just as equally valid arguments that LO has never begin good to begin with that I can't necessarily disagree with now that I'm looking back on it with a more critical eye.
That said, there's tons of media that I enjoy that is objectively awful. Like y'all, you don't need to take my opinions about a dumb pink x blue fantasy romance comic seriously, I like Starfox Adventures-
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Like yeah it's a badly made rushed piece of shit that was developed right on the ass end of Rare's glory days and was really an original IP (Dinosaur Planet) that got Frankenstein'd into a Starfox game so it could "sell better" for Nintendo, but I don't give a fuck, I love Starfox Adventures and some day I wanna be in the top 10 speedrunner leaderboards for it, which I know doesn't mean much because no one is speedrunning Starfox, but I do and no one can take that away from me dammit-
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Anyways. Lore Olympus has, in many regards, always had "bad art". But "bad art" can and should still be enjoyed by those who find joy in it.
And in LO's case, the world it existed in when it launched was a lot smaller than it is now - more specifically, the world of Webtoons. We can look back and see how 'bad' LO looks and reads now because there are genuinely way better comics surrounding it. It was unique and refreshing and experimental back then... now it's just "that stupid blue and pink comic for horny teenagers".
In most cases I would consider that "cringing in hindsight" feeling a good thing because normally it means something has grown and that it seeming "bad" in hindsight would mean that it's outgrown itself and moved onto bigger things. But LO has the more unique problem of "its current stuff is shit and it's making us want the old stuff more, even if the old stuff wasn't good either". In that regard, LO is closer to being like Harry Potter. Remember when The Cursed Child came out at the height of Rowling being exposed for being a TERF and even people who liked Harry Potter didn't like The Cursed Child because it was just objectively worse overall (with or without Rowling's bullshit attached)? It made a lot of people go back and re-read / rewatch Harry Potter with a more objective lens and go "wait a minute guys, I think we only adored these books so much because we were 12 when we read them". Often times it's the good memories we have surrounding certain things that make us have the opinion about them that we do.
Of course, LO is definitely not as politically weaponized as Harry Potter is, so that's where that comparison ends. But my point is that LO is definitely in a situation where it's been riding off the same privileges it had back in 2018 - having an 'experimental' art style while also utilizing tropes and characters that were VERY popular at the time (remember that 2017-18 was when Tumblr was at its height of H x P "Hades was a chill accountant guy who wore socks and sandals and didn't cheat on his wife like Zeus did" fantasizing) - and thinks that those same tricks and tropes will still work today.
Because of this, the art in LO really, really hasn't aged well, even the stuff that we look back on fondly. But I think it's the panels that we specifically think of when remembering "old LO" - the ones that stuck in our memories the most - that are the ones that make us miss or just not care about the panels that don't look good (the panels that make people question why we ever liked it to begin with).
We liked it because of how it made us feel to look at panels like these-
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Those genuinely wonderful panels that we think back on the most don't exist separately from the bad panels, they exist in spite of them. Even if we can look back on panels like these and pick out problems in the lineart or the proportions or the color travelling outside of the lines, that can't and shouldn't change how those panels made us feel at some point or another. And that's why when people ask me "why were you even into LO in the first place" I don't have any one answer, because I can't fully explain how something made me feel to justify why it's good to someone who can see from the outside - without rose-colored glasses - that it evidently isn't. It's very much a "you had to be there" type of thing.
Unfortunately, nowadays even the 'best' LO panels in S3 still don't come close to what the S1 panels accomplished - because for many of us, the rose-colored glasses are gone, we can't appreciate the good among the bad because we know now how bad it truly is and so the good just feels like wasted attempts at trying to recreate something it can no longer be. It "came back wrong" so to speak.
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LO came back just regular. But our journey to resurrecting it changed us to such a degree that even its closest intimacies are now foreign to us. Sorry dude.
This is still probably one of my favorite panels out of the entirety of S3 for being as close to "old LO" as I've seen since S2, and even it feels like a mistake, an accident, how could a panel like this exist in S3 when so much of it is a dumpster fire? It's like a flower growing in the ruins of an apocalyptic wasteland.
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But wasn't that always the case? Isn't that 'always' what LO has been, since the very beginning? A poorly cobbled together mess of writing and panels that, every now and then, manages to leave an impression that makes you feel something? Did we ever truly know LO? Or have we just been relying entirely on an idea of it that we've built up in our heads that when it does do exactly what it's evidently always done (even if not made apparent until looking back on it in hindsight) we think it "came back wrong"?
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"Wish Granted" AU: Asha
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All right, you voted for Asha and her family first, so here we go! (Above concept Art by Bill Schwab. I was really drawn to this one, so I'm gonna use thus as her design.
So for this Wish AU, Asha was raised partially in Rosas as a kid, but then after father passed, and some of the citizens learned of Magnifico's true intentions, her family and other citizens quietly moved to the Hamlet known as "The Enchanted Forest". (Basically reached age 12 in Rosas, and then 13-18 in the Hamlet.)
As a kid, she was full of curiosity about the world around her, especially wildlife. She learned about how the stars guided people from her father Tomás, which inspired to want to see more of the world outside the Kingdom. When her father grew ill for seemingly unknown reasons, Asha's mother Sakina pleaded with the King to heal him. The man promised her this, but time went on and eventually Tomás passed. Maginifico had never intended to help.
Because of this, Asha grew to be more pessimistic as she got older. She no longer believed in the impossible or anything good to happen relying on magic, or anyone else to solve her problems for that matter. Even so, part of her desire for excitement still lingered, and nobody knew this better than her grandfather Sabino, whom she grew closer with over the years and became a second father to her.
With her wonder all but gone, she would end up getting help to save her family from the most unexpected source. For she wished on a Star, and the Star answered.
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Now since Asha got along with other kids when she was little, part of that still stays with her, as she does read to the other kids there from time to time. (Think of this as a reference to Belle, who also loved to read) Even though she lost part of her childhood, didn't mean they had to lose theirs. So she enjoyed reading stories to them.
As for my choice of a Voice Actress, surprisingly my mother suggested Diamond White. Right now she's mainly known for being Lunella in "Moon Girl and Devil Dinosaur" She's already a talented singer and play a range of emotions while still acting in character for her.
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For Sakina, I'm still planning her story out, but I can say that she does have a wish herself. It is in fact is similar to Asha's, but I'll reveal more in the story.
Sabino.....he was so underutilized in the movie, its criminal. Victor Garber deserved better. While he's not 100 years old, he is in his late 80's. Normally, he's a spry old man and actually still carries a lot of youth in his personality. However, with his wish never being granted, its started to affect his health. He does his best to stay active and gives advice to Asha during that "Wishing Tree" Scene. When his health starts to deteriorate faster and renders him nearly bedridden, this starts Asha drive to return to Rosas and save everyone's wishes
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And lastly: Valentino!
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No, Valentino doesn't speak in this version. 😅 That'll be saved for the end, and he'll be voiced by an actual kid. (Disney, we didn't need a Donkey knock off, you do realize he was a parody right?) He might be only be three weeks old, but he's very attached to Asha from the start. He was a gift to her by Sabino as an early 18th birthday present in case his declining kept him from celebrating it with her.
The little goat is the runt of the litter, but has the heart the size of the forest itself. Always sticking by Asha's side and cheering her up when she really needs it.
Valentino is also very trusting of new people, but when Star comes down he does freak the heck out and doesn't him for a while. I mean he's not even human!
Oh and just as an extra character addition, I'm also having Flazino in this AU, since many people pointed out he was originally part of the film and had a bigger role. He's closest to a human friend Asha has in the Hamlet, as he gives them supplies and updates about the kingdom as Magnifico's apprentice.
That wraps up my first character list! Next up will be Star and then the King and Queen. Hope you enjoyed reading this preview to the story, or have any suggestions in the comments! 🌟
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godbirdart · 8 months
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I don't know if this is a dumb question or not, but I always wanted to study my favorite artists and their art. However, I don't really know how to do it or where to start? Can you give any tips for that? Thanks for responding heh!
not a dumb question at all!! all artists do studies - it's one of the fundamentals you're taught in school! [most of the time, anyway]
a couple things i want to preface this with: we live in an era where art theft is a super-rampant problem. some artists are gonna be flattered you want to study them, and others are gonna have a kneejerk reaction that someone might be trying to plagiarize their work. it's an unfortunate reality, but it is what it is. if you're doing 1:1 art studies based on an online artist's work, unless you ask permission from that artist, or make it super aggressively painfully clear that it is indeed an art study, keep those studies private.
if an artist is prominent enough online and their fans recognize the work that you're studying, those fans may also accuse you of art theft on the artist's behalf; even if the artist doesn't mind / even if theft is not your intention. again - unfortunate reality, but this is the world we live in.
i don't want to scare you off from doing art studies! i think it's fair to say a large number artists don't mind if people want to do art studies based on their work - it's just a lot of artists are so conditioned from having to deal with people stealing their work and claiming it as their own that they may bite your head off out of habit.
BUT THAT ASIDE, there are a variety of ways to do art studies, such as:
1:1 reference, looking at the Thing and drawing it
Interpretation and application, applying the technique as you draw
Tracing [yeah i SAID IT. we'll talk about this below]
1:1 reference is straightforward. You look at the piece that you want to study, and you eyeball it as you try to replicate it on your own canvas.
this was drawn SUPER fast for this example image so greymon's gonna look wonky as i'm only half paying attention, but you get it.
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next up, interpretation / application. if you've got a grasp on the technique, or are following a tutorial, here is where you apply it! depending on What you're trying to emulate, it can take dozens or hundreds of test runs to get the application down. try, try again. keep looking at your reference or following the tutorial. you'll get there!
again hurried sketches for this post, but here is Luger as a style study - specifically taking notes on how the character is Drawn [ie; the nose shape, the way the cheek fluff swoops up to the ear, etc] and applying that to the drawing.
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Finally, Tracing. The age-old Forbidden Technique. Now, tracing comes with specific guidelines, and they include but are not limited to the following:
Tracing is a form of practice, but it is for the benefit of your muscle memory learning and should be treated as such.
Pretty obvious, but you should not claim traced work as your own original creation. Don't post traced work anywhere, offline or online, not even if it's labelled as an art study. Once you're done with it, throw it out. Delete it. Do not keep traced work. Deleting traces should be a mental checkpoint of: "okay, you've absorbed that information. now go grab a blank canvas and apply what you've learned".
If practising by tracing, it should be done sparingly. If you rely on tracing for every art study you're not gonna learn to draw it yourself; kind of like using training wheels for a bike. You may gain the muscle memory for how to peddle, but you're not going to learn how to balance unless you try it on your own.
an important note about studying an artist's style:
If you like an artist's work, it can be be beneficial to pinpoint the specific elements you like instead of the whole style. I say this largely because many growing artists try to emulate just one artist's work at a time. There's not really anything wrong with this, we all gotta learn somehow, but it CAN be the difference between developing your own style quicker, or unintentionally looking like you're ripping off your favourite artist. I'm not gonna get into "Style Theft", i really don't care to get into it, but if you're studying just one artist's style it can potentially be a detriment to your identity as an artist online.
While you're studying, pick out what you like about the artist's work. Do you like the way their lineart looks? How they shade? Is it a particular feature or way they draw something? Focus on those key elements if that's what's got you latched onto their work. It also helps if you can find tutorials or brushes that the artist may have used or that look similar to what you're aiming for in your own work.
All artists styles are an amalgamation of what's inspired them over the years; little bits and pieces of what they've learned from watching / studying others. at some point their style may flourish into something completely unrecognizable from their roots, but over the years you can see how they arrived there. Your style should be a celebration of your path of an artist! even if you aren't happy with your art now, it can only grow from here.
btw here are a handful of my study inspos - some of which I'm still studying even today! i take most of my inspo from animation.
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i wish you much success in your art studies!!! ;w;
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tinfairies · 1 year
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The Fairy Garden
My Ko-Fi
Commission Directory
My Art Tag: tin art
My ask box and DMs are always open for people to come chat or be horny little freaks!
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Don't like it? Block me!
Don't be a cunt.
Dark content including rape, self harm, suicide, murder, domestic violence, drug and alcohol abuse, necrophilia, cannibalism, incest and bodily fluids will be present here.
My only major boundary is scat. It just doesn't interest me.
Bestiality and pedophilia are entirely off the table. Yuck.
I do not consent to my writing or art being translated and/or posted to any other website or being fed to AI.
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I go by Tin or Lu, I'm 23 years old.
Filthy American 🦅*eagle noises*
I am bi, enby and more fem presenting. I use any pronouns but use she/her by default since it's just easiest. (what I'm used to)
I represent myself with bears, tigers and orange cats.
About Lu
Lu's tumblr
Lu is similar to an alter ego or imaginary friend if you will. I blame shit on him and project my problems onto him. I use him so I don't have to feel negative emotions. He is my punching bag.
Lu is me and I am Lu and I am in full control of my actions and words.
Lu is represented by black dogs/wolves
I "talk" to him and he "talks" to me
Fun Facts
I have 2 kitties named Mercury and Jasmine and 2 leopard geckos named Mister Man and Dracarys
I do lots of art, I used to write a lot but I haven't had the muse for it lately
Mentally ill but who isn't these days (we live in a society fr)
Kink Stuff
Bisexual, switch. Lots of nasty, icky kinks.
BDSM, pet play, age play, knife play, cnc, dumbification, and piss are some of my top kinks.
A mommy dom, or a ma'am but I like being called daddy and sir too. I love puppy and kitty subs and littles.
I am a kitty sub and a little sometimes.
I like being a brat.
I can be a mean dom or soft dom depending on what my sub wants
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Fandom List
(this list updates frequently and you're always welcome to pop into my ask box or DMs to talk about these fandoms!)
Anime/Cartoons: Hunter x Hunter, Death Note, Fruits Basket, One Piece, Black Butler, Hazbin Hotel, Jojo's Bizarre Adventure, Ouran High School Host Club, Princess Jellyfish
TV Shows: Supernatural, The Boys, Gen V, Alice in Borderland, Game of Thrones, House of the Dragon, Criminal Minds, Percy Jackson
Movies: Lord of the Rings, The Hobbit, The Hunger Games, The Ballad of Songbirds and Snakes, MCU, DCU, X-Men, Slasher/Horror Fandom, Star Wars, The Last Unicorn, Repo! The Genetic Opera, Twilight Saga, Phantom of the Opera, Sweeney Todd
Video Games: Left 4 Dead, Fallout, Mass Effect, Dragon Age, Borderlands, Resident Evil, Dead By Daylight, Stardew Valley, Red Dead Redemption, Animal Crossing, Sally Face, Fran Bow, Night in the Woods
Misc: Creepypasta, Marble Hornets, Homestuck, Boyfriend to Death, The Price of Flesh, The Vampire Chronicles, Lychee Light Club
Other Interests
Art, writing, history, archeology, anthropology, architecture, vintage era, edwardian era, medieval era, dinosaurs, cryptozoology, speculative evolution, science, mass tragedies, chernobyl meltdown, cults, fashion, historical fashion, horror, true crime, music, musicals
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My Hunger Games/TBOSAS Masterlist
My One Piece Masterlist
My Hunter x Hunter Masterlist
My Old Masterlist
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jq37 · 5 months
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Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?
OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified. 
MAJOR SPOILERS BELOW (lol, this got past 7k words)
And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.
tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney. 
When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes. 
*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie. 
Characters
How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.
There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky. 
I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it. 
The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it. 
Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?
So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie. 
You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…
Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo. 
Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character. 
I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie. 
And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here. 
I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.
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She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie. 
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And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude. 
So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard. 
Concept
OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was. 
There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!
But the actual implementation of this idea? Ughhhhhh. 
So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math. 
Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?
And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy. 
Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon. 
The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that. 
Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy. 
Pacing
This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger. 
Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves! 
Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster? 
I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago. 
And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise). 
So to recap: I have no idea why this movie is paced like this but it's not doing it any favors. 
Humor
Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie. 
The jokes fall into about three main categories:
(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny. 
(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely  POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)
(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it. 
I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along. 
So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.
Music
This is the one thing I already knew before I watched this movie: The music in this movie is bad. 
Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.
I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.
But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:
1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable. 
Worst Line: Honestly, this song is too boring to have a worst line. 
2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax. 
Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward. 
Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on. 
3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.
And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.  
Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!
4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that. 
First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however. 
This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never. 
Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further. 
Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"
They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE. 
I firmly believe someone should go to jail for that. 
5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it). 
Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre. 
It also comes weirdly late in the movie, which isn't a complaint, just an observation. 
Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?
6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact. 
(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl). 
Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt. 
There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves. 
MISC
This is just a section for things that annoyed me that didn't fit anywhere else. 
There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling. 
Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience. 
The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious. 
They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out. 
A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!
This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense. 
It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom)  in this movie is just to be able to talk.
Easy Fixes
And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks. 
And the worst part? The absolute worst part?
IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX. 
Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat. 
For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now! 
For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.
And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding! 
Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?
And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!
This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:
(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif! 
(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities. 
(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good! 
(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)
Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it. 
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actual-changeling · 7 months
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Crowley, Aziraphale, and the art of boundaries.
Look. They love and care about each other, but they are also the only two celestial beings on earth and thus each other's only option when it comes to friendship and relationships. Humans die very quickly by their standards, and if they do not want to be alone for six millennia, well, they only have one person to ask for company.
From the get-go, this dynamic is everything but ideal. It automatically creates a certain emotional dependence since you go to one person with all your emotional and social needs, and no matter how much you love someone, you cannot fulfil all their needs - and you shouldn't have to try!
They are individuals and have their own life separate from the other for the first couple centuries, but after Job at the latest, their lives become incredibly intertwined. When they agree on the arrangement, they only deepen that dependence, and now they have the additional pressure of needing to keep the other safe from both sides.
Crowley quite literally orbits Aziraphale, all the while trying to help him realize that heaven is using him and not what he thinks it is, yet he knows if he pushes too much, he will not just be alone but lonely.
Aziraphale is a stable centre of gravity for Crowley and himself, but he takes Crowley's presence and their push-pull dynamic for granted. He does not want to be lonely either, but he is so good at creating an internal system of cognitive dissonance and compartmentalization that he can hold two contradictory beliefs at the same time. This leads to him refusing to listen to Crowley on any matters related to their respective sides or morality, while also believing that Crowley is fundamentally good and should not have been cast out.
Crowley pushes, Aziraphale steps back, Crowley pushes some more until Aziraphale either finds some twisted internal logic that allows him to do the thing or he lets out his frustration of not being able to do the thing on Crowley, blaming it all on him "tempting" Aziraphale into it in the first place.
This game works when the subject does not matter too much, when it's about food or drinking together or small favours as part of the arrangement. It's not super healthy, but largely without consequence when it is mostly playful.
However, and here is the "but", it stops working when the subject IS important.
When it is about their safety, about humanity's or a few specific human's safety, when it's such an important topic that the outcome will affect both their lives forever - like the apocalypse or Jimbriel.
Crowley wants to keep Aziraphale out of harm's way first and foremost, and for that he needs to be helping him with whatever is threatening him. The problem is that whenever he disagrees with Aziraphale, the angel turns into a five-year-old and starts either manipulating Crowley into agreeing with him or goes off to sulk.
Crowley cannot risk that, not when it's important. So what does he do? The only thing he CAN do, which is ignore his boundaries, ignore his ideals and wants and needs, and do what Aziraphale wants.
Over and over and over and over again.
Aziraphale does not care about that. He does not care about what Crowley wants or doesn't want when he thinks that HIS wants are the correct and more important ones.
The most obvious proof for that is Aziraphale calling Crowley kind/nice.
"Don't call me that," is what Crowley has been telling him LITERALLY since fucking Eden. A demon can get into a lot of trouble for doing the right thing. Aziraphale knows hell punishes him for good deeds, but does that stop him? NO.
"Don't call me that," he says, every. single. time.
And every single time, Aziraphale decides that no, he wants to tell him that so he will, fuck what Crowley wants, my desire is more important.
Fuck that he hates to hear about forgiveness, I want to tell him that sentence so I will.
Fuck that he told me over and over that he hates being compared to the angel he was, I will keep doing it because I want to; I will keep bringing up the fact that he is an evil, bad demon and I am a pure, good, kindhearted angel.
Fuck that Crowley has never lied to me once, I want to lie to him, to his face, so I will.
Fuck our friendship, I will say disgusting, vile, and hurtful things to his face and then never apologize; instead I will wait for him to crawl back to me and say sorry because he always does.
Fuck the fact that I am the one who screwed up, I will pressure Crowley into doing the apology dance because I cannot admit that I'm wrong, fuck what he thinks.
Fuck that he told me he doesn't want to let me drive the Bentley, I will pressure and manipulate him until he gives me the keys and then change the car without permission and then throw a pity party when he asks me to change it back.
Fuck that Crowley is terrified of Gabriel, memory loss or not, I will make fun of his concern and then force him to babysit him.
Fuck Crowley's idea for getting Nina and Maggie together, I will ignore him and instead force a bunch of humans into a non-consensual roleplay because I say so.
Fuck whatever Crowley suggests, I want to do it my way and I expect him to follow me without question.
Fuck that Crowley wants to tell me something important and asked me to listen, I will ignore every single verbal and non verbal sign of discomfort and make decisions for him without asking what HE wants.
Fuck Crowley - unless he does what I want.
I do not believe that Aziraphale does it out of malice, a lot of it is a trauma response, but he still CHOOSES to do it. He still CHOOSES to behave that way, to treat Crowley like that, and unless he starts holding himself accountable, they will not get anywhere, love or no love.
Crowley's choices are either going along with Aziraphale and ignoring his boundaries, or being alone on earth for the rest of his infinite existence. Those are his choices, and the second one isn't really a choice, is it? It's fucked up and horrible, so yeah, going along with him is the only thing he can realistically do.
So, no. I do not want Crowley to take him back. For the first time in their existence, Crowley has set a boundary, put himself first, and refuses to cross it for anyone, including Aziraphale. He had the RIGHT to do that. It was this or being destroyed by heaven. Those were his options, and he chose what he wants, what he needs - not what Aziraphale wants, who is still not fucking listening to him.
What I want is for Aziraphale to realize how horribly he has been treating Crowley for centuries, apologize, and then shut up. What I want is for Crowley to learn that his wants and needs are important, that he is allowed to put himself first, and that allowing Aziraphale to walk all over him has damaged their relationship, not improved it. That he CAN expect Aziraphale to respect him, and if he doesn't, then it is his right to not want to be around him.
I want Aziraphale to get out of heaven's claws and start recovering, and I want Crowley to keep recovering.
I want both of them to get to a point where they can have a healthy relationship with boundaries and mutual respect; it is not a fairy tale ending, and I don't want it to be one.
Love is not enough. Love is never enough.
I want them to be happy, healthy, and together, and to get there, they both need to grow separately for a while. They're both complex, deeply flawed characters, neither of them is good or evil, and that's the point.
That has always been the point.
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abybweisse · 1 month
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Ch210, Spoiler page and thoughts
The title page has been leaked already; I've seen it elsewhere here as well as on Discord. It's almost everything I was hoping for this chapter, represented in one image.
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There are some things to point out, and I was hoping to post some thoughts before I'd even seen this spoiler, because my thoughts were already pondering a possible situation like this: that the chapter focuses on Finny going berserk... perhaps in ways we've never witnessed before.
I was also hoping we'd get the new reaper confronting Doll, but I really don't know if he will.
But back to Finny. In the cover art, you will see that there's a lot of blood on him and his clothes, but I don't think it's his own blood. His eyes suggest he's in berserker mode. I suspect we might finally get a better glimpse of what it was like the day he escaped from the drug facility. Previously, I'd wondered whether Sebastian had killed the staff and just skipped over the one remaining test subject -- either he lives or he doesn't. But since we now have a situation where Finny has to force his way out of another locked down facility -- and this time he's also trying to save friends and other children, something he couldn't do last time -- we might get scenes that look like a reenactment of that drug facility escape.
In ch209, we see Finny running off, away from Snake but also towards the approaching staff. We know he will have to fight them, and it might be mostly empty-handed. This is no problem for him, especially when he's in a frenzy. He might grab and throw whatever he can, but this time it might be more about crushing people with his hands, as he might have done at the drug facility. This fighting style could look more like Sebastian crushing the heads/bodies of bizarre dolls on the ship... but with less-graceful movements.
Scenario: He gets through the staff that have entered the underground lair, then anyone in the way upstairs, in the barn. Then he's back outside. Is he going to head to the main building to attempt to save the other kids, or will he only be able to focus on himself and the four top students? Either way, at some point he's going past a brick wall when lights shine on him, and that's what we see in the cover art. It might be a flashlight/torch, but it could also be a spotlight from a sniper tower. The top students did warn him before that the fences were reinforced, and that guards were stationed at lookout posts to shoot down attempting escapees.
When he was at the drug facility, he was being kept in a cellar of some kind, and it looks like it was designed so the kids couldn't easily climb out, but he somehow did, perhaps by jumping and grabbing hold of the rim of the hatch. Or maybe he somehow climbed up whatever grips he could reach. It seems he killed the man sent to shoot him and dumped his body down into the cellar. Here, Finny might actually climb up one of those lookout towers, kill the guards, and toss them down to the ground. Or he kills them -- maybe one -- merely by tossing them down.
This sort of action could allow Yana-san to give us glimpses of the previous escape in parallel to the escape scene now. Panels next to each other or even split panels, showing then and now, as it all unfolds. A bit like when he envisioned old scenes of the drug facility exam rooms and surgical equipment as he and the others looked around and found Ginny's body and the dissection table. But this time it might be like an onslaught of comparison images, representing the jumble of memories and current moments in Finny's head, as this all happens.
And we might even see him literally tear down the fencing. 🤔
Thoughts?
Oh, and FYI. Today is the Ides of March... and Snake's birthday (though in-universe it's Dec 9th)....
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