#the original characters are well-written (for the most part) and theres a lot of elements that i can see work

[beananium]

can i be a hater for a second

[idkwhatimdoingbutslay]

I'm very much in denial about "Dear, Hello..." ending, but I wanted to ask what your favorite part was? Also, was there any part that turned out better than you expected? Also, what's your headcanon for Corina's and Sarah's future? Also, sorry, it's likely I won't watch the original movie, given that I'm sure I've read the best iteration of this story, but how many creative liberties did you have to take to adapt the story both to the characters and to a written format? (I absolutely love the story, so I'm fiending for more conversation on it! lol!)

AHHH OMG DONT GET ME STARTED (PROCEEDS TO GET STARTED) !!!!!! THANKS SO MUCH FOR THIS ASK

LONG YAP INCOMING

Favourite part: UGHH IDK!!! I really love the kiss scene in the hot tub because it’s just so intimate and it was something I looked forward to a lot because it’s also one of my favourite scenes in the movie! I had all these plans and was super duper excited to finally let Cait and Vi just love (or “not hate” 🤭) each other finally. It was just so sweet and so lovely with the elements of them finally crossing the lines they’ve been so desperate to cross like with Cait’s super sensitive neck that was mentioned during the contract writing and with Vi’s obsession with having someone’s hand in her hair and JUST ALL THE KISSING!!! I headcanon that Vi and Cait are super into kissing, I can’t even lie, and that it’s just a connection they’re so desperate for. Though, I’m not super confident in how the chapter turned out as a whole 🤔. The final reading of Cait’s second letter to Vi is also just so !!!!! Another thing I was SUPER excited for. I also love chapter 17 where they just hang out and banter and pine at the ice cream place and the outdoor movie and stuff. I really love the lacrosse chapters (15-16) too because of how much develops during them and how CUTE CAIT AND VI ARE in Caitlyn’s bedroom, especially with Cait falling asleep. OH AND AND AND THE GALA AND HALLOWEEN!!!! THOSE FACE KISSES????? THE JAYCE AND VI INTERACTION??? THE CONTRACT AND THE JERICHO’S RESTAURANT SCENE??? OMG THERES JUST SO MUCH, especially with Caitlyn and Vi’s dynamic throughout the whole fic! I love every bit and piece, especially all the additions of Vi’s relationships with lacrosse, her family and her friends and same for Caitlyn’s relationships with Kai’Sa (LOVE HER!!!), her parents and Jayce and Corina and even Sarah. I just love the whole fic I can’t lie, I can’t believe I actually pulled it off 😭. The overall development of the reluctant partners fake dating to all the resurfaced pining from years ago just kinda gets me! Their love for each other just never went away!

Better than expected: … the whole fic I think???? I really did not expect this fic to hit so hard for myself or others! What I REALLY didn’t expect was how much I was gonna love Kai’Sa’s character because, during planning, I just needed someone to fill the friend spot for Cait and Kai’Sa Void (COOLEST NAME EVER) just started to really stick!!! She’s so fun and balances Caitlyn so well. Plus, having an aro character will always be peak to me. PLUS PLUS, silly Vi thinking Kai’Sa has feelings for Cait and that Caitlyn might reciprocate them??? Please 😭. Also, Vi’s friend group! I also really needed those spaces filled and they also made as fun additions. I’m always super worried about making OCs for fics cuz I don’t want them to pull people out from the fic or something, so I prefer to find league characters to add but I also know NOTHING about league and sometimes (most times) it just doesn’t work out. It did this time tho! The little bits of politics that I got to write were fun too, especially with how it made Caitlyn view her mother.

Headcanons for Corina: she doesn’t change very much, inherits her family’s factories and continues to be a problem. She’ll eventually get bored of being the “friendliest” bully of all time, though, and move on to just being a generally awful person with a good mask. Might even start working with Silco and the chembarons 😧. Her parents def have a tie with them already. Headcanons for Sarah: SHE GROWS!!!! She works through her insecurities and learns about what she truly wants for herself. She faces her neglectful parents, takes a gap year and decides to study to be a teacher or something. She stops comparing herself and wishing and wishing and wishing to be someone else and instead learns to be someone better. She probably moves away too to start anew.

Creative liberties: I honestly took A TON. Especially since the role Vi’s filling (Peter: the love interest) didn’t have much focus in the movie or even the books, and if there was some, it was kinda lacklustre. We never got his POV and he regressed a lot imo. I aged them up from junior year to senior year after debating if I wanted it all to take place in Uni cuz writing young CaitVi is foreign to me lol. I swapped the family dynamics in the movie. The character Caitlyn’s in place for (Lara Jean: main character) was the one with the bigger, complicated family and a lost parent and Peter was the one with an absent parent and a smaller family. I almost made Vi be Lara Jean and write the letters lol! My notes for this fic are crazy, I might post them one day. The character Corina’s in place for (Josh: Lara Jean’s ex (?) childhood best friend and Lara Jean’s older sister’s (who Jayce plays) ex boyfriend) was NOT as mean as Corina and eventually reconciled with Lara Jean. He was the one that convinced Lara Jean to find Peter and tell him how she really felt. Caitlyn needed different character development tho lmao. Parental reconciliation is iffy in the original series for Peter; again with the lack of focus (and overall characterization in the second and third books/movies) on him. I strongly dislike the third book and am very indifferent to the movie so I kinda block it out. Obvi, in the original series, Lara Jean is straight, so I mixed it up for Caitlyn. Instead of a guy that Lara Jean used to like telling her that he’s gay and Peter kinda laughing at Lara Jean when he finds out, a girl Cait used to like tells her she’s aro and Vi instead laughs at Caitlyn for writing a letter to Jayce considering her… situation, lmao. There’s some more little things like Sarah’s characterization that kinda followed but kinda didn’t the character she was in place for. It’s only a 90 minute movie and I really didn’t want Sarah to just be some bad guy. Even Corina was simply brought up with a desperation for control. It was kind of a vague template of love letters and pining and character development and family/friend dynamics that I morphed them into to make it all work and I think I did it pretty well 🤗. The written format wasn’t hard to adjust to since the movies are based off of books and I even own the books to kinda use as a guide (although I didn’t use them much at all lmao). The chapters of the books are pretty short and, again, don’t have Peter’s POV, so there was def a lot of change.

[alexilulu]

A Game I Played in 2024: AI The Somnium Files: nirvanA Initiative (Directed by Kotaro Uchikoshi, Spike Chunsoft, 2022)

A standalone sequel to 2019's AI The Somnium Files, Mizuki Date pursues the Half Body Killer 6 years following their emergence with the help of fellow ABIS agent Kuroto Ryuki, a mentally ill man changed by bizarre the events 6 years ago.

I am avoiding spoilers as hard as I can here, but below a cut anyway.

The 2019 Somnium Files may be one of my favorite murder mysteries I've read in many years. Tight, tense, absolutely fucking bugfuck, but internally consistent and with a heart all its own. It's got a much smaller cast than nearly any other game Uchikoshi has written and directed, and the central story spread out over the multiple branching routes was phenomenal. Seriously one of the most inventive visual novel stories I've read, and with characters i (almost; sorry, Ota, but you're like 10 years from being likeable to me) universally adored.

AINI is ambitious in its scope, and a return to an earlier form for him, with a much broader and varied and at-times bloated cast and a grand conspiracy behind it all. It's also ambitious in its structure, with dual protagonists and a far more avant-garde story. Somnium Files featured a great deal of finding information in certain routes that would be added to later in others, and NI is no different, but the protagonists being split means that there's far more recap and summarization than before, to its detriment.

I think it's a lesser game, but not for any true failings on its part (though the Somniums are a lot more...frustrating, in places. Tokiko...), but just a series of small things that dig in for me. Elements of the plot are less than elegant, or serve more as tone guidelines than actual elements of the mystery (I LOVE the QR video, but it doesn't serve an actual purpose save to make me wish they were more important to the story or that you personally got to solve their mystery). The comedy is a little more forced in places, and a decent part of the plot centers on the worst, most annoying failed comedian I've ever seen; he's not so much cringe-worthy as genuinely just bad.

Some parts are brilliant. During Ryuki's segments, there is a feeling that you are genuinely twisting in the wind, seeing impossible things one after another, and the feeling that things are breaking around you is nearly omnipresent by his end. I started the game fully unsure if I could latch onto him and Tama as much as I did with Date and Aiba, but he's great, and his dynamic with Tama is fun on top of being a driving force for the plot, but the dual protagonists is again a detriment because the vibe is absolutely crushed by the changeover after his segment ends.

I think the part that is weakest is its extended cast, particularly the return of some characters from Somnium Files, and the way that it is built to accomodate players who didn't play AITSF, mostly in that the way that the plot is structured means that the events that played out in their lives (relatively recently, even, during the 6 years ago segments) are extremely forced. I genuinely don't know why Iris, Hitomi and Ota are there. Like, even with completing the questionnaire in the start to unlock the AITSF story references, theres almost no info that matters to that game in this one, so it just feels...strange.

It ended well, or as well as something with such a sprawling story could have ended, but it did make me long for the Somnium Files again, a little. I don't know that I'll need to replay it again anytime soon, but I'm definitely still thinking about the original more than I likely will end up thinking about the successor.

Tama was written and designed in my head and Uchikoshi stole her from me, tho. Crazy.

[probably-haven]

after binge reading i have come to a new revelation: I’m not a fan of most Xiaoven fanfics

Don’t get me wrong, I love the ship and its one of my favorite to think about.... but most of the fanfiction for the ship just- doesn’t sit right with me for a number of reasons. 

Disclaimer: these are personal opinions from my own taste and are in no way an attack against any authors out there, because frankly fanfic authors are great and not like i could do better lol. As these are personal opinions, I acknowledge here and now that a number of people disagree and that they are under no obligation to change their opinions in any way as it is not and never will be my intention to tell others what they should be thinking That said- read at your own risk if you want- meh, anyway-

time to share some opinions that have been on my mind lately

The biggest reason.... is how they handle Xiao. And I don’t even mean mischaracterization because Xiao is such a complex and yet simultaneously simple character that as long as you’re somewhere in the range of “Xiao vibes” it’s really hard to write him out of character because of his complexities. What I mean is something that i actually completely agree with as being accurate to his character. In nearly every single fanfic I’ve seen, there is some element of idolization that Xiao has for Venti, or for the sake of reference, Barbatos. He tends to think himself beneath Barbatos and/or indebted to him, whether that be because he’s an archon, because he saved him, or simply because of Xiao’s tendency to dehumanize(yes i see the irony in that word usage) himself.  This by itself isn’t an issue but its often how this trait of his is treated.

Imma just list a few ways I’ve seen this be handled within Xiaoven fics. - It isn’t handled, it’s just there and accepted as a part of who he is in the story - It isn’t handled but his trait is treated as source of humor within the story - Venti(and others) roll with it (finding humor in it, just cant change it, encouraging it, making jokes about it, etc.) - Venti takes advantage of it(whether accidentally or purposely) - it’s actually addressed(by Venti or someone else or the narration- can go a number of ways, but just- even a brief reference to the fact that its not a good mindset fits in here) - savior!Venti(Where venti disagrees with it but the way it’s written gives off “god among mortals” vibes- like he’s just being humble and truly is above him in reality) - its the focus of the story  - not directly addressed but shown to be destructive.  - they chose not to not include this in the story’s characterization of Xiao(just saying that this is valid ahead of time) Theres others but i have a lot already.  Note that I tend to read more ‘serious-toned’(idk if that makes sense) fics so that may skew my perception

Now there’s a few that i have issues with on their own- both instances of it not being handled, Venti(and others) rolling with it, Venti takes advantage of it(purposely(and without good intent)), and savior!Venti. Xiao not only has this trait, but he is unfamiliar with what is normal in relationships or emotions as a result of isolation and inexperience. He is also either not aware of or not concerned with what is considered strictly “healthy.” Combining these makes for a rather dangerous combination and just accepting it as “oh he’s just like that, it’s who he is” or making it out to be something funny- It’s not wrong or bad by any means necessarily, and I could still possibly enjoy it to an extent depending on a series of different factors, but its- not as often.  Even in the case where I do enjoy reading it however, I would still feel uncomfortable sharing it with or recommending it to others because in the first instance it feels like normalizing a destructive and dangerous mindset, and in the second case it does the same while simultaneously making a joke of it. It’s the same deal with Venti or other characters rolling with it, but that’s probably gonna be mentioned later too. Not to say that this is a “wrong” way to handle it, that it makes the fic bad, or that authors even are normalizing anything by doing so, just that in my specific instance- not a fan. 

I’ll get to the others when i talk more about Venti, but for now: It’s the focus of the story. I think I saw like... 2? where the story was like- focused on this and why its a problem which- power to them, address those real world problems like a boss- but also i wouldn’t actively seek it out or anything- like, good job, but doing so just leaves it open neutrally for other factors to decide how good a story i think it is. 

not directly addressed but shown to be destructive. You’d think i wouldn’t like this- but frankly in fanfiction not everyone wants to address every character flaw verbally because it can through off story, narration, dialogue, and general flow to do so. This can be with an event, an action, a dialogue, a mere comment, making it actually fit into the it’s actually addressed category except that its- subtle enough to make its own category. plus i live for show not tell- in everything- its a thing. im- very much a fan of when the fics do this but the subtlety is easy to miss and its not common so- 

It’s actually adressed- doesnt have to be a lot- just mention anywhere or imply anywhere that maybe idolizing someone as a god and savior and being in a relationship with them while having little knowledge of standards, emotions, relationships, or healthy behaviors in general- maybe isnt the smartest idea in the word. (”Call me Venti, not Barbatos” by itself is not enough to fit in this category tho as a note)

-

Now lets talk about Venti...

uh.... those who have followed me for awhile will probably already know this but... I have a lot of opinions on Venti and a pretty- “niche(?)” perception of his characterization that isn’t shared by a lot of others- so I don’t actually read as much Venti fanfic in general as you might expect because I often end up disagreeing with how writers portray him, which again, in no way is their characterization wrong, but- “their perceived truth” conflicts with “my perceived truth” and by extent so does the characterization, though neither is any more correct than the other from an objective point of view, if that makes sense... but anyways now that that’s said, moving on before this becomes a philosophy lecture, as fun as that would be for me.  I’ll try to keep my “perceived truth” out of this for the first bit. 

Venti’s response to this: 

He rolls with it: this depends on the mood of the fanfiction. If they dont put a lot of stress on that trait of Xiao’s it totally fine but if the trait seems to be a major part of Xiao’s character, it seems like normalization once more. (more on this later)

he takes advantage of it purposely: if its an AU or something and Venti’s like a villain(i saw a few) then- villain venti isnt my cup of tea but i have no qualms. If they don’t portray Venti in a negative light while having him take advantage however that’s a bit uncomfortable to read for me because it feels like normalizing taking advantage of that mindset as well as the mindset itself. However, i did see a number of instances of Venti using it as leverage for like- self care- which i definitely have no qualms. Xiao: [insert probably destructive idolizing statement about being indebt] Venti: How bout you pay me back by actually sleeping for once smh or other variations are okay and depending on the vibe are actually a really fun dynamic as long as it doesnt turn into romanticizing or normalizing it, y’know?

Venti accidentally taking advantage of it.... I love angst- and in most of these theres a sense of guilt when he realizes- and i just think thats a lovely way of addressing the dangers of such a mindset for both sides. As long as it doesn’t keep repeating to the point of romanticization its totally cool to read in my eyes(not irl ofc). If Venti never realizes he accidentally took or is taking advantage it feels a bit like normalization, and if he does but just- doesn’t care thats- a rip.

savior!Venti...... i- i hate. the story giving off vibes that Xiao’s mindset is technically correct while Venti oh so humbly tells him to treat him as an equal like the wonderful and charitable person he is.... i just- no. of course thats over dramatizing it- I think the main thing that gives it this vibe is when Venti doesn’t seem either concerned, surprised, uncomfortable, or otherwise have a negative feeling towards Xiao’s mindset. Just- it makes the whole thing weird in my eyes when Venti doesnt really seem to have his own reason to oppose the mindset idk- 

-

fact time!

Venti is the god of freedom. His backstory is freeing Mondstadt from a god’s tyrannical reign. His origin is a windsprite, just another breeze bringing changes for the better. His form is a nameless boy who played an instrument and then died, thus failing at his only dream and only ever accomplishing anything because of the help of others. He slept for a thousand years after the archon war to avoid putting Mond under the rule of yet another tyrannical god. He only even became a god because Andrius chose to let him. He wouldn’t have even had that chance if the nameless bard had survived, he’d remain just another wind while his friend ascended to godhood. Venti sacrifices his own power for his people’s freedom. 

now that I’ve laid out a number of canon facts, time for opinions:

Venti has little to no desire to be seen as a god. He thrives in, comes from, and emphasizes a lack of superiority in quite nearly everything. The first Ragnvindir, who canonically turned his back on Venti after Decarabian’s fall, likely did so because one- he anticipated power would corrupt and Venti would soon become just another tyrannical god, two- he suspected Venti used the nameless bard in an attempt to rise to godhood, or three- idk insert other possibilities to acknowledge again that i could totally be wrong.

Look me in the eyes and tell me Venti wouldnt trade godhood for his friend in an instant. His godhood was only granted to him because his friend died and could easily serve to constantly remind him of what could have been and what he lost. Venti takes no enjoyment from being seen as superior and in my opinion, I feel that it could actually make him largely uncomfortable when his divinity and abilities as an archon get involved-

also self promotion for my favorite posts- check out #archon war era venti if thats interesting to you

so anyway Venti rolling with it or making jokes about it just doesn’t sit right with me.- 

-

Okay! enough talking about that mindset!

idk- i have... a few/lot of other gripes and stuff or just things that kinda throw off the vibe for me but that’s the main one plus my general personal pickiness when it come to Venti fanfics- but this has gotten long enough already- 

idk i just felt like rambling about it and i haven’t done a long post in a while so-

again, I love the ship and its actually one of my favorites- just the fanfic isnt my thing..... that doesn’t mean i don’t still love it and come up with a whole ton of brainrot and ideas on it tho lmao

[idreamtofmanderleyagain]

princess-nazario:

It's ok, thanks for clearing things up. See, everytime theres a post that might just be different the tumblr-fad! Version you speak or questions how tumblr might be romanticizing them theres always annoying people in the replies saying that theres a version where she wanders down the underworld herself, or that the version where shes kidnapped is...weak or a damsel in distress since it doesnt fit into tumblrs made idea of empowerment?? Its so annoying honestly. I saw this kind of stuff in a lot of posts while exploring the greek myth tag and its just... infuriating. I definitely should ignore them but it seriously makes me kind of sad and angry at the same time? The hades and persephone posts are everything(mostly tumblr-fad!) Version I reread your original post and yes I do agree, tumblr-fad! Persephone does take away a lot of the complexities and archetypes I read you examine. I think Hadestown might portray Hades and Persephone's power struggle well, it doesnt completely ignore the implications its giving off for the sake of some romance. This is what tumblr is doing and it's really annoying. By doing this and reducing the characters here to simple boxes it's taking away your interest in the myth, I think that's what you meant? I think your study of Hades/the underworld being Persephones self, cthonic meaning "spirit of nature within, inner self" while I dont fully understand that's really cool. I especially dislike how woobified and depowered he usually is in the tumblr-fad! Theres a lot you can work with him as the antagonist in a retelling I think. In fact maybe itd be great to have a retelling that explores the power struggle between Hades and Persephone and shows how Persephone gets through adversity and becomes of equal power through oppressive authority? Thatd be really cool. Tumblr-fad! Version is the twilight of myths but kind of the opposite. In twilight, the author itself romanticizes the creepiness and power struggle that might be there between Edward itself(although Bella does have a lot of agency so I think that's why it resonated so much with female readers?) while the Persephone has a various amount of versions, most versions being she was kidnapped/abduction with many meanings and metaphors and allegories to things, and tumblr-fad! Version ignores nuance in favor of their ships. Thanks for being so open and honest about this, I honestly was stressed because I thought my response maybe being immature or uninformed might be irritating or annoying. I haven't been sneaking through your blog or anything like that, I just saw your original post in the goddess demeter tag so I searched up "Persephone" on your stuff since I was curious with what else you might have to say about it. I wish Tumblr could maybe bother to learn something called not everything is entirely not THIS thing or the OTHER and maybe do something different from what Hades and Persephone coming to be known as the peak of all love stories on the website.

@princess-nazario I hope you don’t mind, I copy pasted your last reblog into a new post thread because the last one was getting massive.

I think I’m starting to understand what you’re getting at regarding the perception of victims as “weak,” and it makes a lot of sense. Thank you for clarifying regarding the “damsel in distress” trope because that’s when it clicked for me what you were talking about. I actually agree on that point, I think there is a tendency for pop feminism to kind of portray more vulnerable, sensitive or fragile women as less feminist, so I can see how you’re applying that to your views on how people on tumblr perceive the story of Hades and Persephone.

That said, I think you have a lot of different angles you’re looking at this whole thing from, and that’s great! However I think there’s so many subjects you are trying to tackle here that it seems like you are kind of are only half informed about, maybe from exploring discussions online. I think this is resulting in conclusions that are kind of confused and lacking in more solid foundations, if that makes sense. I think maybe you might benefit from exploring each element further on their own merits.

For example, did you know that there are a lot of different feminist viewpoints on Twilight itself? And not all feminists completely condemn it? In my opinion, there are a lot of things about Twilight to criticize, however there was a distinct element of hatred for the interests and desires of teenage girls involved with how people responded en masse to the Twilight phenomenon. I don’t think you were old enough to be directly familiar with all this at the time. I think a decent primer would be this video from Lindsay Ellis (tho please keep in mind that some of her most recent content is not for younger audiences). It doesn’t cover all angles of the topic, but it does give an alternative perspective in retrospect about the raging Twilight hate that swept through pop culture for a long time:

Also, there is a whole conversation to be had about the concept of “woobification,” and why that word exists, as well as how it is used in conversations about girls and women’s fantasies. The original post I made shows that I have my own frustrations when male villains and darker archetypes are whittled down to something seemingly non-threatening and “socially acceptable” myself (like...turning the beast into the prince in Disney’s Beauty and the Beast), but in my experience, people have often used the word “woobie” to describe any explorations of the vulnerability of these types of male characters when women do so because they find those men intriguing or attractive, and that can get kind of tricky because in many ways, those conversations can harbor a subtle resentment and shaming towards female fantasties, period.

I’m getting the impression that maybe there’s something about Hades and Persephone, or at least the archetypes they embody, that really intrigues you, but you’re not sure what you are supposed to think and feel about it from a feminist perspective. That’s ok, ultimately you’ll figure it out on your own. I can’t tell you what to think about the myths themselves on their own, separate from contemporary feminist media because that’s ultimately it’s own thing, and you can springboard your own perspectives and reimagining off of the original in any way that feels right to you.

 What I can do though, is leave you with some age-apropriate content that I was consuming at your age, as well as a link to a site that explores stories with similar archetypes that Persephone embodies. 

The site is called Girls Underground, and it explores and catalogues stories about girls who go on heroine’s journeys in the “Cthonic” context like I was talking about, as in exploring their own inner psyches through the experience of traversing a strange, scary, magical place. Sometimes these stories involve the trope of a spooky attractive male character who takes on an adversarial role that is sometimes also romantically charged, but not all of them do. I think the resources page may be of particular interest to you because it links to essays on subjects within this genre of storytelling. The Examples page has a ton of other stories not listed here that you can take a look at, however not all of them (but many of them!) are kid friendly.

Movies that I would recommend: 

Labyrinth (1986), which was my favorite film since early childhood, and is the reason I love these types of stories to begin with.

Legend(1985), which doesn’t depict a healthy dynamic, but is a great film and does have a big place in the general conversation about this type of storytelling.

Howl’s Moving Castle, either the book or the film. 

Pan’s Labyrinth is rated R for some gore and violence, and it has scary moments, but I think it’s fine for most teens. The character of Pan is not part of that whole “demon lover” trope because the heroine is a small child, but he takes on a similar role in terms of being a figure that embodies the underworld and thus a major part of the heroine’s psyche.

Honestly, I would consider Disney’s Beauty and the Beast (the original, not the live action remake) a good rendition. It was written by a woman.

Jean Cocteau’s black and white La Belle et La Bete.

Jane Eyre by Charlotte Bronte, or a film adaptation of the same.

Rebecca by Daphne DuMarier, which is what my username is from. I’m fond of the Hitchcock film adaptation.

Honestly, the 2004 adaptation of Phantom of the Opera is...flawed, but it was my introduction to Phantom, and it’s a lot of melodramatic fun. 

It’s worth noting that in a lot of these stories, there are not perfect, healthy relationships depicted between men and women. There is cruelty, there is harm. But in many cases, that does not mean these stories have nothing to say about relationships between men and women, nor does it say that they are solely tales about abuse and we cannot find romanticism within them. Each story has it’s own flaws, it’s own strengths, hold deeper meanings beyond the surface. They contribute something distinct to a rich history of artistic explorations of the dynamics of power in romance and the female experience with our own desires within a patriarchal society.

[bi-dazai]

2000 words on soukoku romance-coding in episode 26

i’ve talked a lot on here about how there’s a lot of romance-coding in the canon content featuring dazai and chuuya. here’s a rundown of my base theories here

i didnt add this in my original above post, but ill say now that diegetically chuuya and dazai are usually quite levelheaded and manipulative - both are the two youngest port mafia executives in history. even when dazai is annoyed with other characters (such as kunikida or atsushi) it is clear that he is play-acting. chuuya, meanwhile, is extremely level-headed and doesnt get upset at all - even when yosano and kenji appeared heavily armed. dazai is only slightly upset by shibusawa and dostoyevsky. the only person to genuinely get a rise out of both chuuya and dazai are each other. even so, their arguing has, from the beginning, been petty on the surface, yet upon reading into dialogue and animated/written/illustrated facial expressions show deep hurt at each others actions, particularly on their 4 year separation and dazai covering up his loyalty to chuuya by betraying his trust in episode 21.

i have two more points to add on concerning their non-diegetic relationship. firstly, that official merchandise and posters almost always depict chuuya and dazai either ogling each other (theres a trend of dazai ogling chuuya’s ass in particular) or doing something romantic together (for example there’s a poster where they are depicted hanging around together with no other characters near a christmas tree - christmas is considered a romantic holiday in japan. the same coding is given to many canon fictional couples in japan, and to another studio bones production pairing in bnha kiribaku, which has a similar level of gaycoding).

the second non-diegetic point you should understand about soukoku: it’s one of the most popular ships in japan, and japan’s anime industry tends to be a lot more open about showing same-sex relationships/gay-coding than the west is.

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and for a note on my authorship - i admit that i do ship soukoku, and that this gives me a bias. i am also bisexual and am much more sensitive to noticing homoeroticism than many straight audiences. however, to counter this point id like to clarify that it takes a lot to make me believe a same-sex ship has even the slightest chance of being canon. also, id like to say that i am an author in my second year of a creative writing degree and my first year of a film studies minor. these degrees both involve analysing text within production and authorial context (a lot...). in my free time i read a lot of papers and articles on the production context and general views of lgbt representation in different countries’ media, in particular the usa, australia, and japan. i consume every piece of media i view with an intensely critical eye and i specialise in connected diegetic elements with non-diegetic elements in terms of production, authorial, and social context

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*NOTE* im going to be doing things out of order here for no other reason than that i realised them in that order as i thought about the episode analytically

today i want to talk about something extremely specific that came up in episode 26, and it has to do with the use of symbolism and shot composition. it’s just a short, short sequence but to me it speaks volumes, both for their canon relationship and their coded romantic relationship.

specifically this sequence. this is just one shot and to me it portrays soukoku’s dynamic as explicitly romantic in a mise-en-scene sense.

before we like to go in, id like to clarify that the dialogue doesnt matter - it’s mainly expository stuff.

the first sc is the first shot we see of dazai and chuuya ‘alone’ in this scene. it’s unclear where mori is exactly. even though mori is clearly orchestrating the two of them and this entire scene’s dialogue, he isn’t in this shot until the very end. this defines the soukoku relationship, as well as their first meeting being entirely incidental, as being something that was supposedly orchestrated by mori but on a deeper level something they created and grow themselves. it is their relationship from the beginning, not mori’s. even though we know that mori is orchestrating this, we are told that this story will be about chuuya and dazai, not mori’s plans. along with that, it’s also the first shot of open sky we get in this scene, and it’s with just chuuya and dazai looking at each other, silent. it’s open and refreshing and new, but there’s something there already - which i will discuss now.

so. let’s talk about the vapour trail. the vapour trail has no real relationship to the scene or story at all. it would be perfectly logical to just place clouds here, or even place the vapour trail somewhere else. but this vapour trail is very specifically placed to form an arrow to comes from dazai’s heart and reaches towards chuuya, passing over mori’s head narrowly. mori watches the trail, dazai and chuuya watch each other. mori knows the middle part - that they will be tied together to be a device of violence of his own making. but at the other ends dazai and chuuya are tied together in a way that goes above and below mori’s knowledge. this symbolises their future together, and indicates a subtextual level to their dynamic.

the choice i want to focus on here, however, is the choice to have this arrow reach from dazai’s heart. as a writer, if i was trying to symbolise the general strategic soukoku dynamic i would have this arrow go from dazai’s head (the brains) to chuuya (the recipient and conductor of dazai’s plans). in fact, i have a dynamic im writing right now that is similar to this, in which one is defense and one is agility. however, these two also end up in a same-sex romantic relationship together later on. in order to code and foreshadow this, as well as add romantic subtext, often when using symbology i adjust my symbols to fit a romantic context subtly. as an author myself, this shot is a clear hint of adjusted symbolism in order to code dazai’s feelings for chuuya.

and if i’m to read further, i would even say that the fact that the arrow flies over chuuya’s head suggests that dazai currently has romantic feelings for chuuya that chuuya does not yet return (but comes to, something that i have discussed in my linked post above).

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secondly, tumblr user @cream-and-punishment made a fun joke post about dazai and chuuya “exchanging wedding vows” at their first meeting. firstly, it’s funny as fuck and when i first saw the post my reaction was just “haha it does sound like that!”. however, i keep looking at that post, keep returning to the script and that scene, and my reaction is now “wow. it does sound like that. like. exactly what soukoku wedding vows sound like. huh.”

for the lazy here’s the script (translated by the funimation subtitle team):

Dazai: You’re a cocky, overconfident child. You’re the kind of person I hate the most.

Chuuya: And I hate condescending pricks like you more than anything in this world.

and because im thorough, i ignored my english subs and listened the original japanese script as well (with my limited japanese to basically check for anything that could be translated differently or means something in japanese that is culturally untranslatable). what i found was that the english subs are right, and capture the original lines quite well.

dialogue can function as a tool for multiple results. in this two-line exchange, neither of the lines are meant as views into the character’s true interiors. instead, the purpose of this interchange is meant to be foreshadowing, specifically into the fact that this is how chuuya and dazai spend the rest of their relationship (up until the current point in the canon manga plot) expressing their opinion towards each other. it mirrors the kind of dialogue we see in episode 10 in which dazai and chuuya’s dialogue works as exposition for their past and their base dynamic, and here it is used to foreshadow what is considered backstory in the main plot (if that makes any sense?).

however, chuuya’s response to dazai is where im interested. im gonna pull my writer’s card here and say that if i was, again, just foreshadowing hatred and frustration as well as cooperation, i would cut chuuya’s line to something like this:

Chuuya: And I hate condescending pricks like you the most/just as much/etc.

“more than anything in this world”, of course, could just be incidental. but considering how a lot of soukoku’s dialogue is clearly double-entendre (read my original post linked above), it makes me consider a second option: that we are already putting that romantic double-entendre into their dynamic. if we refer to the future soukoku dynamic, in particular in episode 21, we are shown multiple times that chuuya genuinely cares for dazai’s well-being (secondary to rimbaud’s hat of course hahaha). chuuya would be genuinely upset if dazai died, and its implied (though still up to interpretation as opposed to the explicitness of chuuya’s shown feelings, however i would argue that dead apple is fairly explicit in dazai’s trust and feelings) the vice versa is also true.

going off that, often how both of them express concern for each other is by making ‘hateful’ comments towards each other. in episode 9, it’s clear there is uncomfortable tension in the room. there is 4 years of unspoken confusion lingering and chuuya is clearly, clearly upset. so dazai, in referencing an unchanging nature of what makes them them, calls back to one of his first mocking entries - how short chuuya is. it’s funny and it’s mocking, but the blows they trade are familiar and even when theyre brawling, despite being on opposite sides they take genuine pleasure in each others company. considering both of their personalities and histories as well as their trauma, both of them tend to struggle with interpersonal relationships and opening up. but chuuya and dazai canonically feel comfortable with each other, and know how to read each other well enough to both bounce off each other while also understanding what lies beneath.

so when chuuya says something like “i hate you more than anything in this world” we are pulled back to the present (in the plot), where chuuya says these things but moments later is concerned or worried for dazai’s wellbeing. chuuya in this line prioritises dazai as the foremost person in his life within minutes of meeting each other. diegetically (to the characters) we know this is them exchanging tense negotiation. non-diegetically (to what we know of the script and their future, as well as this entire exchange being mostly foreshadowing), we are clearly meant to interpret this to mean that chuuya will, eventually, hold dazai to be incredibly important to him, and vice versa. 

of course, we also have the fact that the phrase “more than anything in this world” is yet another soukoku romantic double-entendre. as i mentioned with things such as “the silent treatment” and mentioning drinking heavily when someone abruptly leaves you, it’s clear that these are used almost entirely as romantic tropes. i’ve discussed this before so i wont get too much into it, but just say that this scene adds yet another line to that long list of soukoku double-entendres.

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considering at least the first 3 episodes will be related to exploring the soukoku backstory, ill be trying to post an analytic of soukoku for each episode of the 15 adaptation. furthermore, these posts won’t be explicitly about the potential of canon romantic chuuya/dazai, but will analyse soukoku scenes in a focus that i see fit for each episode. whether this is examining it like this post again, or examining it for foreshadowing or cinematographic details etc, will be decided once i watch each episode.

anyway lol! yet another rambling analytical of something nobody cares about haha

[eggoreviews]

12 ‘Unpopular’ Viddy Game Opinions

I’ve seen this topic floating around a lot, but didn’t think I had enough ‘unpopular but maybe not’ opinions about games to make a post. Turns out I do! So if you see this and I say something blasphemous, remember it’s just my opinion and my personal experiences with the games I list. Hope you enjoy or hey, maybe even agree with some of this!

Note: Can’t stress enough. This is just me. Also, spoilers under the cut!

12. The opening of Kingdom Hearts II isn’t as terrible as everyone says

Okay, so it’s not brilliant, but at the same time, I don’t think it’s the worst. For those not in the know, KH2′s opening is a basically a massive slog where you play as a character you don’t know or care about with seemingly no real link to the events of the previous game. The general consensus is that there’s some interesting stuff in here, but it’s buried among endless dialogue that really doesn’t mean much. And they’re right, but I really think there’s some great stuff here that people tend to gloss over. The music and the motif of Twilight Town is atmospheric, there’s some genuinely intriguing plot elements that are woven into Roxas’ story and believe it or not, the stuff that happens here is intrinsic to the rest of the game. So yeah, it drags on a little, but I don’t think KH2 would be miles better without this opening.

11. I loved Breath of the Wild’s final boss

One of the problems I see talked about with Breath of the Wild is that the boss fights are fairly mediocre, especially the very last one, Dark Beast Ganon. And I couldn’t disagree more. I think every boss in the game is wonderfully crafted, intense, challenging and great for testing you on what you’ve learned throughout the game by encouraging you to make creative use of your slate powers and the flurry rush technique. And while Mr. Pig Man at the end here is sort of easy and short, it serves as a brilliantly epic finale to damn near perfect game. While the difficulty is mostly gone after the mammoth fight with Calamity Ganon, it’s still just as intense as you frantically fire off arrows into the massive beast in front of you. Plus, the design of this thing is one of the best looking monsters in the game, so I really don’t understand the dislike for this ending.

10. I really like Crash of the Titans

Okay, so maybe childhood nostalgia has something to do with this pick, but every Crash fan I’m aware of seems to hate this game. But I don’t really know where the hate comes from! I played the PS2 version of this and I thought it was a genuinely fun 3D platformer with a variety of locations, good visuals, well-designed boss battles and even a vague story you can sort of follow! The game’s main gameplay feature is also brilliantly integrated, as using Aku Aku to possess various monsters throughout the game keeps everything interesting. One thing I will say though, that tiger dude you have to fight about halfway through is the most annoying thing I’ve ever had to endure in a game.

9. Life Is Strange: Before the Storm is BAD

I loved Life Is Strange when it first dropped, so I was beyond excited when they announced a prequel from Chloe’s perspective. But I really think they dropped the ball and they dropped it hard. But everyone else seems to adore this game! For me, this wasn’t a touch on the original. For a start, they dropped out one of the main mechanics of the first game, the time travel, which they then replaced with a much less interesting ‘Backtalk’ feature, which was then only used about twice throughout the game. Instead of interesting, developed characters reacting to genuinely dangerous or heartfelt situations, it felt to me like a bunch of one-dimensional teenagers who are edgy for the sake of being edgy. Chloe spends the majority of the game being a dick to her mother and bunking off class to spend time with Rachel, who she has literally known for like a day and their sudden relationship drops out of nowhere. Not that I didn’t enjoy the emotional moments of their relationship, it just didn’t feel like it stemmed from anywhere, unlike Max and Chloe from the first game. And the game’s attempts at villains were also rubbish compared to the first, with Damien (random scary knife guy who doesn’t really tie into the plot that much) and Eliot (who doesn’t appear for the whole game and suddenly goes full incel on Chloe when she breaks into Rachel’s house). Yeah I think you can tell I had some problems with this one.

8. Dishonored: Death of the Outsider was also a hot mess

I LOVE the Dishonored series. The first game and its DLCs are amazing, the second game was arguably even better. And then this happened. In this one, you play as Billie Lurk, a character I love, and Daud comes back, a character I also love. But both of them are incredibly badly written and it doesn’t feel like there’s any development to them or even much reason for them to do what they’re doing. This entry took the mystery surrounding the Outsider and basically did a big poo on it, giving us the revelation that he was apparently HUMAN this whole time. I think that was the nail in the coffin that made me sort of think this was a bit rubbish. While the combat and side missions were as brilliant as ever, the level designs felt less creative than other entries in the series and lacked variety or colour, all the side characters were entirely forgettable and to wrap it all up, they killed Daud offscreen. Out of nowhere, they just killed him, mentioned it offhand in a cutscene and that was that. If you like this game, fair enough, but it kind of baffles me that more people don’t see this in the game.

7. Mario Galaxy 2 is good. It’s just sort of good

Some people cite this as being one of the best 3D platformers of all time, and that’s fair enough, but I just kind of see this one as ‘good’. Sure, it has a good, satisfying control scheme for the most part, the level design is creative and the bosses and puzzles are pretty standard for a Mario title, but still enjoyable. However, sometimes, the floaty physics and weird knockback effect from jumping into walls led to quite a lot of unfair deaths, especially if I’d been punished for messing up already by losing a life, only to then immediately be punished again by falling into the void. Plus, I found Yoshi near impossible to control at some points with the motion controls. So yeah, this one is genuinely enjoyable, but I don’t think I’d personally put it with the best of all time.

6. I LOVE Dragon Quest IX TO DEATH

This is a game in a legendary franchise that consistently almost always see ranked at the very bottom of the pile in the series. But I really don’t understand how or why. Okay so your protagonist and party are basically silent and don’t have a lot of character, but I don’t see this as a reason to totally write off the game! The side characters, villains and story are all amazing and well-developed, the world is huge, colourful and interesting, the monsters are brilliantly creative and Dragon Quest’s signature lame sense of humour is gratefully carried through the whole game. The music is always brilliant and atmospheric and the bosses are just as memorable as each character you meet. What was everyone’s problem?? This is genuinely one of the best RPGs I’ve ever played and if you haven’t had a chance to pick it up, it is so, so worth it.

5. Sonic Adventure is a broken mess

So before I kick this one off, I’m not someone who hates Sonic and I’m not here to slate the whole franchise, but considering this game is often considered to be one of the best in the series, I thought it was definitely worth addressing. When I first played this, I literally couldn’t believe this was made in 1998, AFTER Mario 64 and yet it’s so broken! The physics and control scheme are totally wonky and hard to control, the unending amount of glitches make a fair amount of the stages almost unplayable, the voice acting and facial animation is cringey and oddly broken and yet, this was all on the Dreamcast. The most powerful console of the time. And I don’t think I even need to mention how boring some of the later stages get, with Big the Cat’s fishing section being the main offender. I can’t vouch for Adventure 2 as I haven’t had a chance to play yet, but I really hope it isn’t like this.

4. Dragon Age Origins is the best Dragon Age

Dragon Age has always been a popular RPG series, but I think it properly shot to fame once Inquisition dropped in 2014. And don’t get me wrong, I liked Inquisition! The world was colourful and expansive and the characters were fairly memorable, but I still think the best experience you can get is in the series’ first entry, Origins. While it’s pretty easy to see that it’s slightly dated considering it’s ten years old now, the best characters and story in the series I think is here. Each companion you recruit is varied and developed and the story wraps up brilliantly in the end with each companion and army you meet playing a different role in the final battle. Plus, I kind of can’t forgive Inquisition for making Leliana lose her sense of humour and making her kinda boring.

3. Oblivion is better than Skyrim

Okay so I’m not sure exactly how unpopular this is, but I just thought Oblivion was miles better than Skyrim ended up being. Just to clear it up, I still love Skyrim and I thought it built on the series’ combat system and variety of enemies really well and still provided an enjoyable experience. But Oblivion feels like more of an adventure you feel at home in. The story is dense and full of twists and turns. The soundtrack has some of the most atmospheric music I’ve ever heard, the world is full of bright colours, each city is vastly different and has its own lore and I found some of this to be absent from Skyrim. I’d go into more detail, but I think the simple fact is that Oblivion had so much more I liked than Skyrim.

2. I don’t think The Witcher III is all that amazing (in some regards)

This by no means says that I don’t like the game, because I do, but I think it has more flaws than people let on. Now, don’t get me wrong, a lot of the stuff people praise about this game is true, the quests are in-depth and masterfully crafted, the characters, especially Geralt, are extremely memorable. In fact, Geralt is one of my favourite game protagonists. But most of the problems I had were in terms of the gameplay. The combat, while fast-paced and satisfying, can sometimes feel a little finicky, so a lot of precision is needed. However, I felt that the world itself didn’t particularly interest me and the music is often ambient but outside of combat, isn’t anything special. Mostly though, the leveling system I found to be a bit wonky. I did absolutely everything I could in the first area of the game; all the side quests, treasure hunts, killed a whole bunch of monsters etc. And then I arrive in the second area and find I’m too underleveled to do literally anything. The majority of the quests have too high a level cap, a lot of the monsters kill me very quickly. And because the bulk of EXP farming is in the quests, I’m sort of stuck in an endless loop of constantly not being strong enough to do anything. On top of that, all my equipment keeps breaking and I’m finding that repair kits are extremely few and far between and that makes me even WEAKER. It’s something I’m gonna need to persevere with I think, but hey, this is just my experience with it.

1. Ocarina of Time, as amazing as it is, may have overstayed its welcome as best game of all time

I reckon this might be the most controversial, so it’s number 1. Let me preface this by saying I really like Ocarina and I agree that it was innovative for the RPG genre at the time. There’s a hell of a lot in this game that we have to thank for the games we have today. But considering how far the gaming industry has come since then and the sheer amount of high quality games we’ve been getting year after year, is still fair to call this the best game ever? When more recent games have taken what Ocarina started and built upon it? Games like Breath of the Wild, Horizon Zero Dawn, Red Dead Redemption II, God of War all gave us expansive, beautiful worlds and a story you can really get stuck into. And all the time, more and more games of this caliber are coming out. So yes, of course Ocarina of Time deserves a place in the hall of fame, it was revolutionary and still holds up really well today! I just can’t help but think there have been plenty of games since then, as flawed as some of them may be, that have improved upon the formula tenfold since Ocarina’s release.

Thanks for reading if you got this far! Just to reiterate, these are all just my opinions and my experiences with the games I mentioned, so pls don’t attack me. Got any viddy game opinions you think are sort of not popular? Drop them down below if you feel like it!

[ask-shakespearehigh]

Q&A post with the Mods!!!!

This is going to be a long one oh boy

How strict is the delineation of creative control vis-a-vis characters/plays between the mods? (@pedanticlecturer)

We generally have the plays split up along lines of “what we know”— we have a list at the very beginning of the blog. Sometimes we’ll draw the others’ characters (mostly me drawing some of Star’s…) but even then the final say on characterization is up to the “main” mod for that play — mod aster

what aster said -- mod star

What is your favorite play? What is your favorite character in terms of how they were written in the source material? (@pedanticlecturer)

I think my favorite play overall is Macbeth, just because I like the vibes (and the fact that I too could kill Macbeth), the fact that you don’t say it’s name in theatres, and the fact that it’s a play I did a full read through and analysis of in class. Favorite character? Puck from Midsummer. — mod aster

uhhhh,, hmm. ive always had a soft spot for midsummer since i saw it with aster esp bc of how fun the costumes were. of the comedies it has the largest potential to be the most visually pleasing bc of the concept of fairies,,,and im gay and dramatic so i love that. id die if i got to costume design for midsummer,,,or be in it,,,yeah. fav character. hmm. probably mercutio?? i recently saw a version of romeo and juliet where mercutio was played by a woman and oh my god it was amazing!!! not to mention mercutio’s portrayal in baz luhrmann's INCREDIBLE version of r n j!!! (I based my mercutio design on him) he just spends the entire time making dick jokes. love that. -- mod star

How do you answer asks so fast? I mean it's great but I'm impressed 😂 (Anon)

Personally, it’s a mix of: notifications on, quick drawing speed, and using the blog to avoid my class work — mod aster

aster is fast and (as you can see from all of my answers) im lazey -- mod star

Are there any elements/characters of the plays you're covering that you would have liked to work into this blog's plot, but couldn't due to the constraints of the setting or the synthetic nature of the blog? (@pedanticlecturer)

I wanted to make everyone gay but unfortunately due to plot constraints we have to have some hets but that wont stop me from making it lgbt as possible. -- mod star

I did want to make The Tempest more of a central play, but it just didn’t translate well. Similarly, other supernatural elements like the witches in Macbeth. This isn’t so much a constraint mentioned, but my own time/energy means that I want to show the Macbeth backstory, in a specific format, but I can’t right now— mod aster

Is there a hierarchy of import when it comes to each play's individualized impact on shakespeare high's general arc? If so, what plays are crucial to the foundation of the story? Which ones did you do mostly for shits and giggles? (@pedanticlecturer)

This is phrased like an ACT question and i might not answer it right so sorry in advance but: mod aster and i only selected a few plays for each of us to do given we dont know all of shakespeare’s works, but we tend to put more emphasis on the the more well known. But it also comes down to 1. How much we have plotted out for each play and 2. What the followers ask about most. Our two most popular are hamlet and macbeth bc people are familiar w those but around march caesar always becomes relevant again. I didnt even have designs for some of the characters until someone asked about them. -- mod star

I would say the same as star— it generally comes down to what people ask about. I will say that the overall plot is sort of separated into “has happened” and “is happening”. Like, the human potion of Midsummer, Julius Caesar, and Macbeth are all in the “aftermath” portion, while Twelfth Night, Hamlet, and Romeo and Juliet, among others, are happening. We’re trying to incorporate as much as we can, and I don’t think any of them were really put in without some thought.— mod aster

What personal significance does shakespeare hold in ur guys' lives? (@pedanticlecturer)

I go to a theater school rn and so ive dealt w shakespeare (although not all of them) it also helps that i was in loves labours lost last year as moth and that i read hamlet and r n j. Theres also a theater in my state that always does One Big Shakespeare per season and they always do them super well!!! My love for shakespeare probably started w seeing midsummer at that theater w mod aster!!! So. Theater kid rights!! -- mod star

To be honest, I got back into Shakespeare Because of the blog. I’ve been friends with some people that got really Pretentious about Shakespeare, and it kinda put me off of it. I did have a book of abridged plays (the plays’ plots written out in prose, basically) that I read as a kid, which is what got me into not only the plots of a lot of the plays, but also the idea of having them illustrated. And, same as star, the theater in state does the One Big Shakespeare— and they tend to do some really cool things with the costumes, setting them in diff time periods. I haven’t been able to see any lately since I’ve moved, but they still slap. — mod aster

🥰😘💙🥰🥰💜💟🥰I 😍💗💚😍😍LOVE🖤🖤 YALL ♥️♥️🧡💛💚💝❣️💕💘💖💗💓💞💝❤️💛💜 okay now i have a question i swear— how long have the two of you been doing art??? and what were your first shakespeare plays??? (@hellaghosts)

Uhh i started drawing when i was like idk 12 and i have the giant boxes of sketchbooks to prove it!!! I moved to digital art at abt 14-15 but mostly stayed traditional until this yr when i got a Neat New Tablet so some of my sketchbooks are sitting abandoned rip. My first shakespeare was either romeo and juliet or midsummer nights dream and i love both of them v much!!! I have a very old piece of art that i did for r n j for my freshman class assignment on it and it hasnt aged well alsdjfjafd circa 2016 i think??? -- mod star

Oh man. I started drawing when I was about 10, but it was Bad. I don’t think I got much into drawing again until I was about 14? Sometime around the end of middle school/beginning of high school. I would say I started getting into drawing as more than doodling/coloring edits sometime around 2015-16? I would draw on my iPad with my finger, then I got a tablet for my computer, and now I pretty much stick to my iPad with an Apple Pencil. My first Shakespeare play was….. uh…… probably Midsummer???? I have No idea. We would go to plays when I was little, so I honestly don’t remember if I saw others before. It may have been Romeo and Juliet— I had that book where it was the original and the “modernized” with the little dog that explained things— which, if you know it makes sense, but if you don’t is probably a bonkers answer. — mod aster

Do you think this blog has like? An overarching thesis (be it b/c intentionally or simply b/c ur own take on the world has bled thru to the point where u believe it’s central to the piece at this point)? (@pedanticlecturer)

Not gonna lie, I had to read that like three times AND dm you to figure out what you were asking from us and all I have is “be gay, respect women, write your own happy endings”. — mod aster

This blog started with an ides of march shitpost and you think we have enough brain energy to write a whole thesis? I projected feelings of found family onto my half of the blog but idk if that counts. Be gay do crime 420 69 -- mod star

What’s the nature/rough dynamic of ur relationship? How do y’all know each other? (@pedanticlecturer)

Met mod aster when i was like 4 and even tho we didnt live close we became like, best friends although the Best part didnt start until we were like 13-ish and eventually we talked like non stop (about anime and homestuck. Yknow. 13 year old kid things) and we didnt see each other a lot bc of Distance and now its even worse bc aster is in colleg.,e but we consider each other siblings regardless of family bc we’re adopted into our own respective families so that bled over into our friendship and it would feel weird calling him anything other than my brother now. We’ve seen each other at our best and worst and if you really want a good insight on what we’re like as siblings watch griffin and justin mcelroy’s overview video of catlateral damage wherein i am griffin and he is the long suffering justin. -- mod star

Star is basically my long distance sibling and functionally the only cousin I recognize bc like their parents are basically an aunt and uncle and like our dads look enough alike that we’ve both accidentally gotten the wrong dad for a hug or similar so like. Anyways yeah Star is the Griffin to my Justin, complete with our absent middle brother who we love dearly— mod aster

Dubiously relevant q but what kind of music do y’all listen to when u do art (if that is indeed a habit either of u partake in) (@pedanticlecturer)

It can depend on the piece? I was working on some (unrelated) oc prints that were song-focused, and for those I just listened to said song on loop. Sometimes I have playlists. Sometimes I’ll just be in a Mood and throw a song on loop. But a lot of time for the blog, I’ll listen to The Adventure Zone for the billionth time, because I have Too Much Attention. I’ve also, on request from Star, linked the most recent “loop song”.— mod aster

I tend to obsess over the same like 3 songs every few weeks so those get listened to on repeat but it also depends on the tone of what im drawing or who im drawing i might genre switch bc of that. If im drawing ophelia i stick to lana del rey and if im drawing hamlet its the neighborhood, horatio is sufjan stevens etc. i have categorized,. Most of the characters i draw into different songs/genres/energies of music but not like i ever follow that. Sometimes i just pull up a really long nonsense video and forget to draw. Essentially: ¯\_(ツ)_/¯ -- mod star

How’d y’all come up with ur pseudonyms? (@pedanticlecturer)

I love space so much and my main blog is starryeydsailor space gay rights!! Im also tiny and full of energy and bright so basically i;m star -- mod star

Uhhhh i was like “hey i want to do uhhhhhh flower?” And then I google searched flower names until I found one I liked —- mod aster

How did you end up deciding the rough timeline of events in canon? (@pedanticlecturer)

It’s mostly determined by like. How we choose per story? If that makes sense. Like, we just take story by story, and decide “is it happening, has it happened, and when?” And then we fit them together in relation to each other just by dint of. All existing at once. Like, I knew I wanted Macbeth to be in aftermath, because like, even though there’s no murder, the way I’ve translated it to the AU is still kinda heavy, and it’s something that I don’t know that I could do properly if it were happening right now. Also, it’s more interesting IMO to have them at different times. Tl;dr we wing it per story and slot them together— mod aster (mod star agrees I just can word better, in theory)

If you could tell the story of shakespeare high in a different format than an ask blog, would you? Obviously y'all are making very good use of the format, but would you want to write this as a animated series or like? a comic book? or is the form inseparable from the story? (@pedanticlecturer)

I kinda wanted to do a webcomic or maybe to plot develop through like, animatics but the element of surprise comes from the asks we get and really makes us think so the blog is a good start. We didnt think we’d get this far -- mod star

Pretty much what Star said— there are certain elements where it’d be neat to do as a comic or as an animatic. Like, the fantasy dream is like, an anthology webcomic of each story, where you can like, see other characters in the background and stuff. But to be honest, we develop a lot by what we’re asked— there was a post about developing worldbuilding by being asked questions and then pretending you’ve thought about the answer, and it’s not far off. Personally, it’s hard to just lay out a story, because I have a whole WORLD and what’s relevant? What are people interested in? It’s by getting questions that I can then focus in on an area to develop. And yeah, we Super didn’t think we’d get this far lmao — mod aster

Any headcanons about your characters that you don't think will ever come up on the blog through asks or plot posts? (@pedanticlecturer)

I could make a whole separate post for this!!!!! Mostly its voice headcanons (and by mostly i mean like 1 or 2) or relationship hcs!!!! -- mod star

Honestly same. I don’t think I have voice headcanons for mine, though I bet I could find some. I’ve got a bunch of miscellaneous headcanons that just kinda float around, but like they’re scattered, too numerous for this post, and also not always things I’m sure are canon yet.— mod aster

[stahhr-blog]

Obtaining Help On Rational Solutions Of Mortgage Broker Melbourne

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[alienvirals]

The X-Files episode two recap with an autopsy and aliens, all’s well

Kicking off with a mysterious death and some admirably tasteless shocks, the new season is picking up although William, Scullys son, remains annoying

I havent known pleasure for quite some time

The second, much improved episode of the X-Files reboot after last nights mildly appalling agglomeration of false starts begins on a perfectly series-appropriate note, which is to say a gruesome death by invisible means. The first thing after the last-on recap we see in the latest hour, Founders Mutation, is Dr Sanjay, a harried-looking scientist guy with some broken blood vessels in his eye. He departs this plane of existence five minutes in by dint of a none-too-comfortable-looking letter opener in the ear, apparently self-inflicted. Its good to be back.

The episode then follows a lot of the conventions of an old-fashioned detective movie: postmortem investigation of the subjects secret life, and then the larger conspiracy obscuring its most important elements. Sanjay tells his work buddy on the way in that he hasnt known pleasure for quite some time but that appears to be only partly true: hes in the closet, and his hook-up buddy is codenamed Gupta, which we are told is marathi for secret. (Sanjay and his boyfriend Gupta, though? Could the scientists surname not have been Patel or something?)

Thus begins the investigation, a touch abruptly, since theres a lot of connective tissue missing between the first two episodes. At the end of My Struggle, were told that the X-Files have been reopened in the final shot, but by the next day (although who knows how long in TV time) Mulder and Scully have been reinstated completely and are waving badges around and arguing with officious Department of Defense guys trying to abridge their investigation in the name of security clearance.

But frankly, this is what I signed up for: Scully does an autopsy, Mulder steals a cell phone (and then argues with Scully about whether hes invading Sanjays privacy or not) and the two walk around a dark apartment with their Maglites out instead of turning on the lights. Much is right with the world.

Find her

The death which isnt exactly a murder is the fault of a teenage kid with superpowers whos trying to find his twin sister; because this is The X-Files shes of course held in a sterile windowless laboratory by an evil scientist working for the DoD with dozens of other children, a lot of them with deformities.

This feels like the right place to point out that the episode is written and directed by James Wong, not merely a TV vet going back to 21 Jump Street and one of the better writers on the original X-Files (he co-wrote the classic episode Tooms with Glen Morgan, among many others), but also the director of the popular Final Destination horror movie franchise. The X-Files isnt exactly a horror series, but it isnt exactly not a horror series, either.

The central gimmick of the episode that theres a character who remains largely unseen until the last few minutes who causes crazy, in Sanjays case terminal headaches as he uses his ESP is visualized in a very clever and simple way: as the victim (first Sanjay, then Mulder) writhes in pain, the other people in the room appear to be saying what the off-screen mutant is trying to communicate to him, in Mulders case, the words Find her. Its something a horror director would come up with, and its very effective.

The most important thing to remember is that I love you

And it would all have been fine if we didnt start getting flashbacks of Mulder and Scullys kid, William, far and away the least interesting thing that ever happened in the final few seasons of the shows original run. I guess the kid has alien DNA, too, since it was revealed in episode one that Scully has.

In practice it seems to mean that the kid turns into a monster during his teenage years, which I call par for the course. The flashbacks, though, are ridiculous, forced, and adulterate what was for about 25-minutes a pretty compelling monster-of-the-week story. (I infinitely preferred the monster-of-the-week episodes of The X-Files to the grander conspiracy episodes.) If you are a person capable of taking the latter seriously and had some kind of emotional investment in William, I apologize for this and all future recaps of the X-Files, because I hate him so, so much.

Anderson has an unbearably syrupy scene with William (whether flashback or dream, it looks like it was inserted very late in post-production indeed) in which she tells him as he heads off to school that the most important thing to remember is that I love you, because thats a thing Scully apparently says easily and with none of her trademark iciness when William is in the frame; Gillian Anderson is a wonderful actor but its hard to play completely against your character. Theres a better flashback with Mulder that includes some freaking out over Williams terrifying physical changes, but both reek distinctly of having been shoehorned by Carter into an otherwise interesting episode.

We choose to go to the moon

Because this is The X-Files, things dont get less complicated, but they do get back on track, sort of. With everybody talking about The Founder Mulder and Scully finally finagle a meeting with him hes Dr Goldman (Doug Savant, a blast from the 90s all by himself many nostalgia-seekers will remember him as Melrose Places Matt Fielding), a creepy dude with creepy obsessions involved in a creepy baby-stealing plot.

Said plot may or may not (prediction: it will) involve Scullys own weird immaculate conception of William, but Wong uses it to create some genuinely disturbing moments including a DIY abortion scene that leaps boldly across the bounds of good taste; he also directs a scene of superpowered twins reuniting at the end of the episode thats straight out of an X-Men movie and well worth putting up with the missteps.

And look, if you really like William, theres a genuinely sweet scene between him and Mulder at the end of the episode in which the two launch a model rocket and Mulder quotes JFKs we choose to go to the moon speech to him … and a shocking revelation about what happened to him, if you think that a show repeatedly revealing that everyone on it was abducted by aliens (or, I guess, using alien technology, if were buying Carters retcon from last episode) is shocking.

Part of the trouble with this reboot is that The X-Files predates serialization and Netflix bingeing, so its possible to see all the shows flaws in stark relief. As I say, the show kind of perfected a sort of horror mini-movie style of TV, and its a little disappointing to see it mired in nonsense while its trying to reinvigorate that form. There are very, very few dramas Black Mirror, maybe, and a couple of others trying to do anything but serialisation at the moment. I have high hopes for next weeks episode, which colleagues tell me is the best of the bunch so far.

Read more: http://www.theguardian.com/us

The post The X-Files episode two recap with an autopsy and aliens, all’s well appeared first on AlienVirals.com - Latest Alien & UFO News.

from AlienVirals.com – Latest Alien & UFO News http://www.alienvirals.com/the-x-files-episode-two-recap-with-an-autopsy-and-aliens-alls-well-3/

[alienvirals]

The X-Files episode two recap with an autopsy and aliens, all’s well

Kicking off with a mysterious death and some admirably tasteless shocks, the new season is picking up although William, Scullys son, remains annoying

I havent known pleasure for quite some time

The second, much improved episode of the X-Files reboot after last nights mildly appalling agglomeration of false starts begins on a perfectly series-appropriate note, which is to say a gruesome death by invisible means. The first thing after the last-on recap we see in the latest hour, Founders Mutation, is Dr Sanjay, a harried-looking scientist guy with some broken blood vessels in his eye. He departs this plane of existence five minutes in by dint of a none-too-comfortable-looking letter opener in the ear, apparently self-inflicted. Its good to be back.

The episode then follows a lot of the conventions of an old-fashioned detective movie: postmortem investigation of the subjects secret life, and then the larger conspiracy obscuring its most important elements. Sanjay tells his work buddy on the way in that he hasnt known pleasure for quite some time but that appears to be only partly true: hes in the closet, and his hook-up buddy is codenamed Gupta, which we are told is marathi for secret. (Sanjay and his boyfriend Gupta, though? Could the scientists surname not have been Patel or something?)

Thus begins the investigation, a touch abruptly, since theres a lot of connective tissue missing between the first two episodes. At the end of My Struggle, were told that the X-Files have been reopened in the final shot, but by the next day (although who knows how long in TV time) Mulder and Scully have been reinstated completely and are waving badges around and arguing with officious Department of Defense guys trying to abridge their investigation in the name of security clearance.

But frankly, this is what I signed up for: Scully does an autopsy, Mulder steals a cell phone (and then argues with Scully about whether hes invading Sanjays privacy or not) and the two walk around a dark apartment with their Maglites out instead of turning on the lights. Much is right with the world.

Find her

The death which isnt exactly a murder is the fault of a teenage kid with superpowers whos trying to find his twin sister; because this is The X-Files shes of course held in a sterile windowless laboratory by an evil scientist working for the DoD with dozens of other children, a lot of them with deformities.

This feels like the right place to point out that the episode is written and directed by James Wong, not merely a TV vet going back to 21 Jump Street and one of the better writers on the original X-Files (he co-wrote the classic episode Tooms with Glen Morgan, among many others), but also the director of the popular Final Destination horror movie franchise. The X-Files isnt exactly a horror series, but it isnt exactly not a horror series, either.

The central gimmick of the episode that theres a character who remains largely unseen until the last few minutes who causes crazy, in Sanjays case terminal headaches as he uses his ESP is visualized in a very clever and simple way: as the victim (first Sanjay, then Mulder) writhes in pain, the other people in the room appear to be saying what the off-screen mutant is trying to communicate to him, in Mulders case, the words Find her. Its something a horror director would come up with, and its very effective.

The most important thing to remember is that I love you

And it would all have been fine if we didnt start getting flashbacks of Mulder and Scullys kid, William, far and away the least interesting thing that ever happened in the final few seasons of the shows original run. I guess the kid has alien DNA, too, since it was revealed in episode one that Scully has.

In practice it seems to mean that the kid turns into a monster during his teenage years, which I call par for the course. The flashbacks, though, are ridiculous, forced, and adulterate what was for about 25-minutes a pretty compelling monster-of-the-week story. (I infinitely preferred the monster-of-the-week episodes of The X-Files to the grander conspiracy episodes.) If you are a person capable of taking the latter seriously and had some kind of emotional investment in William, I apologize for this and all future recaps of the X-Files, because I hate him so, so much.

Anderson has an unbearably syrupy scene with William (whether flashback or dream, it looks like it was inserted very late in post-production indeed) in which she tells him as he heads off to school that the most important thing to remember is that I love you, because thats a thing Scully apparently says easily and with none of her trademark iciness when William is in the frame; Gillian Anderson is a wonderful actor but its hard to play completely against your character. Theres a better flashback with Mulder that includes some freaking out over Williams terrifying physical changes, but both reek distinctly of having been shoehorned by Carter into an otherwise interesting episode.

We choose to go to the moon

Because this is The X-Files, things dont get less complicated, but they do get back on track, sort of. With everybody talking about The Founder Mulder and Scully finally finagle a meeting with him hes Dr Goldman (Doug Savant, a blast from the 90s all by himself many nostalgia-seekers will remember him as Melrose Places Matt Fielding), a creepy dude with creepy obsessions involved in a creepy baby-stealing plot.

Said plot may or may not (prediction: it will) involve Scullys own weird immaculate conception of William, but Wong uses it to create some genuinely disturbing moments including a DIY abortion scene that leaps boldly across the bounds of good taste; he also directs a scene of superpowered twins reuniting at the end of the episode thats straight out of an X-Men movie and well worth putting up with the missteps.

And look, if you really like William, theres a genuinely sweet scene between him and Mulder at the end of the episode in which the two launch a model rocket and Mulder quotes JFKs we choose to go to the moon speech to him … and a shocking revelation about what happened to him, if you think that a show repeatedly revealing that everyone on it was abducted by aliens (or, I guess, using alien technology, if were buying Carters retcon from last episode) is shocking.

Part of the trouble with this reboot is that The X-Files predates serialization and Netflix bingeing, so its possible to see all the shows flaws in stark relief. As I say, the show kind of perfected a sort of horror mini-movie style of TV, and its a little disappointing to see it mired in nonsense while its trying to reinvigorate that form. There are very, very few dramas Black Mirror, maybe, and a couple of others trying to do anything but serialisation at the moment. I have high hopes for next weeks episode, which colleagues tell me is the best of the bunch so far.

Read more: http://www.theguardian.com/us

The post The X-Files episode two recap with an autopsy and aliens, all’s well appeared first on AlienVirals.com - Latest Alien & UFO News.

from AlienVirals.com – Latest Alien & UFO News http://www.alienvirals.com/the-x-files-episode-two-recap-with-an-autopsy-and-aliens-alls-well-2/