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#the plot is literally about edward and bella trying to be together
cto10121 · 1 year
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These people have never heard of romance in their whole life. Not a clue, no thoughts, head empty
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bvbygrl-writes · 7 days
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Season of The Witch (6)
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Pairing: Jacob Black x Witch!Reader x Edward Cullen
Word Count: 2.8k
Summary: (Y/n) (L/n) is 19 and still trying to figure out the world. She isn't sure of a lot of things but she is sure of one: she's gonna have her cake and eat it too.
A/N: The plot thickens!
Warnings: Napoleon Dynamite minor spoiler?? As usual 18+ so dni if you're a minor or blank account
As the month went by, you and Jacob were spending a lot
The next day seemed to drag on for ages. Every hour you found yourself checking the clock and although you were a bigger fan of the daytime, you couldn’t wait for midnight to come. You tidied up your room several times. Dusted the books and blinds, arranged your closet by color. Hell, you had even organized your candles by season.
And yet still, even with all of that, it was only 3PM. Finally accepting the fact that you could not control time at will, you went down into the living room, flopping down on the large couch with an overly dramatic sigh. Your dad peeks over his book, giving you a curious smile.
“All good over there?” he asks. You switch to lay on your stomach facing him, propping your face against your fist.
“I’m fine, Dad. There’s just literally nothing to do around here.” you explain. He turns the page of his book, humming in response. It grows quiet for a bit and you let out another exasperated sigh. He chuckles, closing his book. You felt bad for annoying him on one of his rare off days but you knew he didn’t mind too much. If he could put up with your eccentric mother, he could put up with you.
“How about you hang out with Bella?” he asks. You flop forward, your face sinking into the plush cushion.
“She’s at her girlfriend’s place.”
“Jacob?”
“Busy.” You hear the sound of your mom’s heavy rain boots come down the stairs. Craning your neck, you look up at her. Her gorgeous curls are tied up in two messy buns on the top of her hair. She’s got on a striped shirt and a pair of overalls she had stolen from your closet.
“You could come help me in the yard. There’s a lot of things I need to harvest and pack up to send over to the bakery.” you bite at your lip as you think on her offer.
“Okay.” she smiles, giving your dad a quick peck to the cheek before motioning for you to follow her. Throwing on a pair of old boots you don’t care about, you exit the back door following her. Grabbing the basket near the back, you trudge after her in the wet grass, the sound of your boots plapping along. She walks over to the blueberry bush, beginning to toss them into the basket in your hands. Her eyes don’t leave you as she does. She’s got that look on her face like she knows something you don’t. “What?” you question. She shrugs, turning around to face the bush.
“Oh nothing. Just looks like you have a lot on your mind.” she responds in a knowing tone. You glare at the back of her head irritated. Ever since you were a little girl, she was always good at reading you. No magic needed. You bite at the inside of your cheek, debating on whether to tell her.
“Well the thing is…I like this guy.” you start but she interrupts.
“Jacob?” she questions, peering over her shoulder with curious eyes. You nod, picking at the fraying woven pieces on the wicker basket.
“But the thing is I also like someone else too.” her eyes widened for a bit before returning to a more neutral expression. She motions for you to follow as she starts to pick some strawberries next, tossing them inside your basket alongside the blueberries.
“Well, which do you like more?” she asks you, the same question that was looping through your head last night as you tried to sleep. The same question that’s plagued you for the past month. The same fucking question that had your heart filled with guilt and frustration. You had known Jacob for longer, each moment together being beyond amazing. But with Edward, it was just as magical. They both stirred your heart in ways you didn’t know were possible. 
“I…I don’t know. It’s hard to explain.” you mutter softly. It grows quiet as your mom continues to pick strawberries. After the bush is empty she finally pauses, wiping her hand down the front of her overalls before turning to face you fully.
“I never taught you this ritual because you honestly never seemed interested in dating but, I suppose that’s changed.” she says. You listen intently as she begins to walk towards the flower section of the garden. You follow blindly, waiting to see what else she has to say. “Before bed tonight, I want you to pick seven different flowers. Put them under your pillow and when you dream, your answer will be revealed then.” your throat grows dry.
“Meaning?” you asked hesitantly.
“Whichever guy shows up in your dream is your true soulmate.” you froze. Were you ready to find that out? The past month had been amazing with both of them. It felt like you were unthawing after nineteen years of being frozen in ice. Jacob was sweet, kind, always making sure to put you first. Edward was romantic and intense, making you feel like you were in a nineteenth century romance novel. You didn’t want to choose. You’re drawn out of your thoughts at the feeling of your mom smoothing out your hair. 
“It’ll be okay. If they like you as much as you like them, everything will work out. Why don’t you come to Port Angeles with me? I need your opinion on some final touches in the bakery.” she asks. You nod in agreement, deciding stepping outside of Forks for a few hours was just what you needed. Maybe that would keep you distracted until it was time to see Edward later.
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Although time seemed to be against you in one way earlier, it was now doing the same thing in reverse. You and your mom had been in the bakery for many hours now. You had your phone connected to the speakers, playing music as you canned all the fresh ingredients as she organized the nonperishable ones on a shelf in the storage room. Your heart had finally calmed down at some point which you were very thankful for. Whether it was the loaves of rosemary garlic bread she had in the oven or the sound of her singing along to 90s classics, you were actually having a good time. 
The timer on the oven played a little tune, signaling that the bread was done. Not wanting your mom to have to stop what she was doing, you grab a set of oven mitts sitting it down on top of the stove. You closed your eyes as you took in the scent, your mouth watering at the delightful smell.
“I guess the ovens work well then!” Your mom says, rushing to look at the loaves. She waves her hand over one, causing it to levitate from the pan, landing in nice slices on a plate. She then rushes towards one of the large silver fridges, grabbing out a mason jar of homemade butter. You anxiously look around for a knife in the many drawers before finding one, meeting her back over at the oven. You both spread some on a slice, letting out a noise of content.
“Amazing as usual, Mom.” you compliment, mouth still full of the warm bread. She nods along, swallowing hers politely before beginning to speak.
“Why don’t you bring the other loaf to the Blacks tomorrow? I’m sure they’d enjoy it.” you eye her up curiously. “Okay, fine! You caught me. And you could see Jacob too.” she admits, wiggling her eyebrows some. You scoff, turning around to find the bread bags, carefully placing them both in their own respective ones. That woman sure is a handful. You commend your dad for putting up with her antics. Your eyes flicker up to the clock on the wall. 11:00 PM glared at you in red lettering.
“It’s getting late, we should get going.” you say, motioning towards the clock. She nods, grabbing her keys off the island in the center before skipping towards the door. You follow her eagerly, turning off the lights as you exit the store.
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When you got home, you instantly rushed up the stairs. It was about 11:50 and a sinking feeling in you told you Edward was very punctual, being from a different time and all. You threw a random sweatshirt on along with your favorite pajama pants. Looking in the mirror, you tousle your hair a bit, reaching for some much needed lip balm. You search your room once more, making sure nothing too embarrassing was laid out. Once you decided you were in the clear, you walked in front of your dresser, using it to prop yourself up as you reached to pull down the projector screen from the ceiling. Right as you did so, you heard the balcony door opening, looking just in time to see Edward shutting the door behind him. 
He walks over to you, holding you close. He drags his nose from your hair, to your neck, but pulls back a bit once he gets to your shirt. He grimaces a bit, pulling back some. Confused, you look down at your sweatshirt eyes widening. You instantly recognized the forest green sweatshirt to be Jacob’s. ‘He must’ve left it here when he slept over last week’ you thought to yourself.
“Whose is that?” he questions, his expression cold. You rock back and forth on your feet but your body suddenly stops as he wraps his arms around your waist tighter, holding you still.
“If you have to ask, you already know. In my defense, I didn’t look before I put it on.” you explain. He examines your face as if he’s searching for a lie but he doesn’t detect one. His expression softens as he places a soft kiss on your forehead. You reach up, holding his face between your hands, he calms down a bit more, smiling at you gently before gently returning to a more serious look.
“I really don’t like how much claim he seems to have over you,” he reaches down for the small wolf pendant around your neck, his grip tightening around it. You think he’s about to rip it off until he suddenly releases it, moving his other hand to his back pocket. You look at his hands to see a box. It’s a small black velvet one with a pink bow tied around it. “Which is why I got you these. I wanted you to have something to remind you of me too.” you stare up at him before staring back down at the box, pulling at the ends of the ribbon. Removing the lid, you gasp. There’s a medium sized pair of bat shaped earrings. The bats are encrusted in black obsidian and from them hangs garnets in the shape of teardrops, resembling blood.
“I can’t accept these. They’re way too nice!” you exclaim, trying to push the box back into his hands. But, he’s quicker, pushing them back into your hands. His hands tighten around yours making sure the box stays in your hold.
“No such thing for you.” The way he stares into your eyes is so intense, almost bone chilling. It’s quite the challenge to look away but you do, taking the earrings out of the box and carefully placing them in your jewelry box.
“Well, thank you.” you toss him a soft smile over your shoulder before sitting criss-crossed on your bed, flush against the headboard. He joins you, his leg brushing against yours as he stretches them out. You giggle to yourself about how they practically reach the bottom of your bed.
“Are we watching something?” he questions, motioning to the projector screen. You nod, using your streaming remote to search for the movie you’re looking for.
“I figured there’s a lot of movies you’ve probably never seen. I enjoy the idea of torturing you with 90s and 2000s cheesy movies.” he groans, throwing his head back causing you to laugh some more. “Have you ever seen Superbad?” you click on the title, quickly adding the subtitles as well.
“If the title is any indicator, I’m not sure I want to.” he snorts out sarcastically.
For hours, the two of you sit there watching all of your favorites. D.E.B.S, 21 Jump Street, Jawbreaker, even Napoleon Dynamite. He pretends to not be enjoying it but every once in a while, you catch him out of the corner of your eye grinning. You found yourself resting your head on his lap as he massaged your scalp gently, the coolness of his body pairing amazingly with the feeling of your fleece blanket.
 Your eyes light up as Napoleon steps onto the stage, the cheesy disco music beginning to play. You have this scene memorized at this point but you're desperate to see Edward’s reaction. As the scene progresses, the corners of his mouth twitch and spasm, trying his best to scowl. But as Napoleon’s moves pick up, Edward begins to cackle. The corner of his eyes crinkle up as he continues to laugh.
“And you said you wouldn’t like it!” you tease, he looks down at you, mimicking your words. You pinch him at his side having little to no effect on him.
“Alright, I’ll admit it. You’ve got good taste.” Edward says, holding up his hands in defense. You smile triumphantly, returning your attention to the screen, just in time to see Napoleon run from the stage.
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As the credits roll, you let out a tired yawn, stretching out. Edward sits up and you do too, looking at him with a curious face.
“It’s getting late and I really don’t want to ruin your sleep schedule too much.” He says standing up, beginning to walk towards the balcony. You pout, following him. “Don’t look at me like that. It’s already hard for me to resist you as it is.”
“I know you’re right but still! There’s so many we haven't watched yet.” you argue. He runs a hand down your face, holding it there. His thumb gently stroking your cheek in circles.
“We have time, ages really.” your expression drops more at that. Did you? In a matter of moments, it’d be time to perform the Seven Flowers ritual. If he wasn’t in your dream, you’d never have another night like this. Another night of smiles and laughter, of soft and gentle touches with him. You don’t speak but instead just nod in agreement, a sad smile on your face. His face shifts in concern but he doesn’t push. He places a soft kiss on your forehead before he’s gone into the night without a trace.
The cold fall air strangles your body as you step fully out onto the balcony. Sitting on the edge, you allow your body to float to the ground, the wet grass tickling the soles of your feet. Padding over to the garden, you let out a shaky breath as you begin picking flowers, one of each color until you have seven in total.
With the bouquet in your hand, you float back up to your balcony and enter your room, sticking them under your pillow. Climbing into bed, you run a finger over the soft pillow case letting out a sigh. “Here goes nothing.” Your body stills as you drift off into sleep, the blackness of your mind fading to imagery.
The sky is a gorgeous cerulean, white and puffy clouds float above you. Stretching out your arms, the grass is both prickly and soft, petals of delicate flowers touching the tips of your fingers. It’s peaceful, beautiful. You don’t know how you got here but that thought doesn’t worry you because you have this deep knowing that you are safe.
A tan arm extends out in front of you and you take the large hand. Your body is swiftly lifted up. Your eyes widen, lips parted as Jacob stands before you. He’s dressed in all white, and as you look down so are you. A pretty white nightgown and you’re not sure what happened to your shoes but you don’t think about that for long. He smiles at you, spinning you around in the air. The two of you laugh, your bodies practically melting into each other. Finally he sets you on the ground. Time slows down as he leans down, his pink lips pressed against your own. You grip his short locks as the kiss deepens, allowing your body to fall into him.
As he pulls away, another hand, a colder hand tilts your face away from Jacob. It’s…Edward? He’s also dressed in white. He kisses you with just as much conviction as Jacob, pulling you into his arms. As he pulls away, he rests his forehead against yours. Jacob comes up behind you, wrapping his arms around your waist but not moving you away from the man in front of you. His chin rests on your shoulder, his eyes closing in content. There’s no anger in sight, just pure love surrounding you from the two of them.
You jolt straight up, gasping for air. Lifting a shaky hand, you rest it over your chest. “What in the actual fuck?!”
7
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batfacednuissance · 2 years
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Edward Cullen is so fucking STUPID angjwhs like I know most of it can be excused away as writing inconsistency/plot reasons/Mormon nonsense/whatever but GOD this man is so dumb
-his plan for leaving Bella human and avoiding the volturi is so nonsensical and full of holes. When Bella points out that the Volturi can find him he’s like “haha I can take care of myself 😄” bitch Jane flattened your ass on the ground with a single look yesterday who do you think you’re kidding
-“the volturi don’t measure time like we do. They probably won’t check to see if you’re human till you’re 30” and then they come like 6 months later (even before the whole Rigatoni visit Alice saw of vision of them coming to check)
-can’t put two and two together that the woman that’s been coming after Bella for the past year or so and the sloppily made vampire army are the same threat
-during the “we can’t have sex cause I might accidentally kill you” talk he won’t consider letting Bella be on top and letting her do the work so they could safely have sex or else just eating her out. And no, being a 100 year old virgin is NOT an excuse he has watched through the minds of Rosalie and Emmett fucking enough times to know how things work and you just KNOW Emmett has spent entire days going down on Rosalie with no break
on a side note does anyone have a fanfic of emmet and jasper giving him the offscreen sex talk I NEED it
-half of his inner dialogue in midnight sun when he’s interacting with Bella is “Surely Bella MUST know this *thing about his feelings he has never verbalized to her* but just in case I will *do the worst thing possible to try and make it clear to her*
-is INCENSED and insulted Billy black DARES to be scared of him and is worried he might kill Bella when him killing Bella is quite literally all he thinks about and worries about and almost kills Bella an hour later when he kisses her
-does not tell Bella they are going on a hike for their first date so she would wear proper footwear
I could go on but I digress. This man has so many thoughts running through his vampire brain and not one of them is smart, nobody let him make plans
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panlight · 2 years
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a solid point to youre 'Jake was made Like That to intensify his plot' theory is that mike and jake are super similar in certain ways in new moon and Mike objectively was the 'casual parallel to Edward' in Twilight.
Right! Mike was “the other option” in Twilight because Jacob was originally just a one-off character to clue Bella into the vampire stuff. That’s literally all he was supposed to be. 
But then in New Moon Jacob becomes the other option, and is a more serious one than poor human teenage boy Mike could ever hope to be, but it still just doesn’t live up to the sweeping YOU ARE MY LIFE NOW intensity of Edward Cullen. 
So SM gets invested in Jacob/Bella but she KNOWS E/B is endgame and even weirder she know Jacob/Renesmee is endgame. But she wants to make Jacob seem like a serious rival, so he has to ditch the sunshine boy persona (and bequeaths it to Seth, evidently) and becomes Angry Aggressive Jacob. And I think this was done not to character assassinate him, but to make him seem like he maybe had a shot, and it just accidentally revealed some of SM’s possible biases about brown and/or Indigenous men. But I really, truly, don’t think she was trying to make him Look Bad or to make Edward seem like The Better Option because in SM’s mind Edward was always the obvious choice; she was trying to make Jacob more intense like Edward so he seemed like more of a serious rival. 
SM LIKES Jacob. She LOVES Jacob. She thinks everyone would love Jacob if they could see/hear the Jacob in her head. SM “was worried” about Jacob until he saw Renesmee and “his life came together for him.” (Blargh!) Like, definitely worth criticizing how she wrote him, but I don’t personally think she did it to villanize him. 
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therealvinelle · 3 years
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What do you think the Cullens would do if some person they were talking to, out of nowhere just quite literally exploded in front of, and on them? Kinda like in that movie Spontaneous. Would they lose control and slurp up the mess on the ground, (and themselves) or would their bloodlust be curtailed by shock of wtf just happened?
I'd say something witty about how this is a strange anon to receive, but holy jesus you've sent me down a rabbithole.
Here's a trailer to the movie Spontaneous. It looks amazing. Kevin Feige wishes this had been his plot for Infinity War.
Here's a trailer for the movie Spontaneous Combustion, which I found by accident while searching for your fic. This looks amazing too. Can't believe Marvel didn't buy the rights to this guy.
I'm serious, people, you definitely want to watch these trailers. I just about died laughing.
So, on to your ask.
In the spirit of your ask, which implies a level of randomness, I thought the people blowing up should be random too. So, being in the mood to procrastinate through spending way too much time on tumblr things, I wrote a program that'll generate for me random Twilight characters.
Unsure whether the explosion should kill vampires or not, I generated an answer. The answer is yes, any generated vampire dies.
Without further ado:
Alice watches Vladimir blow up.
Alright, alright.
The first question to be answered here is why Alice is in Vladimir's presence in the first time. In canon they only meet once, at the end of Breaking Dawn.
For the sake of simplicity, we'll have Vladimir blow up then.
The Cullens and the witnesses are all celebrating being alive, when Vladimir suddenly explodes.
For the sake of the ask, Alice is sitting closest to him when this happens and making conversation.
Her first thought is utter shock. Not just that he blew up, but that she didn't see it coming (she wouldn't, because I randomly generated him. No decision was made). Her second thought is horror.
The Cullens just confronted the Volturi, now mere hours afterwards their allies are blowing up.
Holy fuck, Aro has a gifted ace up his sleeve, and he's using it to kill them remotely.
Panic ensues, not just for Alice, but among all the witnesses. Some of them refuse to leave, Bella has to shield those 24/7, though given the belief that her gift is psychic that doesn't make them feel very safe.
The others decide to go after the Volturi and beg for mercy, assuring them they never meant to challenge them.
Aro, of course, is very confused, but agrees. Why, yes, he does have a vampire who blows people up. Yes, yes he does.
Bella watches Aro blow up.
Oh I'm dying laughing at this one. And wishing I'd put this down for Carlisle, that would be even funnier, but alright.
Bella is walking about post-Breaking Dawn, minding her own business, when suddenly Aro appears in front of her. He looks around himself, utterly surprised by his sudden deplacement, and then blows up.
Bella has been living in terror of this man for years.
In Volterra he had his servant torture her and Edward and then made ominious threats, then a few months later the Eclipse disaster unfolded, finally we have Breaking Dawn where he showed up to murder her and everyone she loved.
Her shield may be powerful, but for as long as Aro was alive her family was never truly safe.
His untimely implosion changes all of that.
I imagine after a long moment of incredulity, Bella burns the rubble, just to be sure, then tells her family the joyous news.
Carlisle gives the guy a funeral. It's weird.
Carlisle watches Vassilii blow up.
Close call, due to my not switching out the names we almost had Angela. In which case Carlisle have stood there, covered in blood and in shock for several long seconds, before bringing out the bleach and gasoline for a crime scene clean.
As it is, Carlisle is minding his own business when suddenly an immortal child dressed like a medieval Eastern European appears before him. It says something in a foreign language that might mean "hi", he doesn't know but he says "hi" to it back, then the child blows up.
Carlisle stares at the rubble for a very long time, wondering if he is perhaps losing his mind. If, perhaps, Aro was right about animal blood being a slow suicide, and Carlisle has finally hit the limit for how long a vampire can go on without human blood.
He burns the rubble and prays for the child's soul, as an immortal child is doomed anyway, and keeps his silence about what happened. In part because there's a solid chance this was all in his imagination.
If Aro ever touches his hand again, and sees the immortal child that he burned a thousand years earlier resurrect, travel through time, all in order to blow up in front of Carlisle, he... well there comes a point where you say "nothing to see here" and refuse eye contact with the universe glitching.
Edward watches Randall blow up.
Randall, for the ignorants, is one of Carlisle's friends that came to witness for the Cullens in Breaking Dawn.
Suddenly he appears in front of Edward, says hi and how do you do, and then he blows up.
Edward tells Carlisle, who is saddened by this, and they try to piece the guy together. They fail.
Edward sends a somber thought to this noble man who agreed with Edward that the Cullens are awesome enough to be worth dying for.
Emmett watches Mary blow up.
Emmett will never admit it, but it's the coolest, raddest thing he's ever seen.
Esme watches Eleazar blow up.
Oh boy.
The Cullens are visiting the Denali. Irina has not been dead for long, but given the crystal clear memory of vampires, and the loss they already suffered (Sasha's death traumatized them) it doesn't really matter how long it's been, the Denali are devastated anyway.
The whole coven is as fragile as it can possibly get.
Then, Eleazar goes to join Esme in the kitchen, and explodes all over her and the kitchen.
The remaining Denali and the Cullens are called to the kitchen by the sound of Esme's screaming, and find her in hysterics, surrounded by gray rubble.
The Denali are near catatonic with grief at this point, while cooking has been ruined for Esme. One moment you're making food, the next people are exploding all over your kitchen.
Yeah.
Esme is not okay.
Jasper watches Nahuel blow up.
It's a shameful moment in his life.
But, hybrids are edible.
And that blood was splattered all over him.
Jasper has the worst control fail of his life, worse even than when he failed with Bella because this fail means he can't be around Renesmée anymore.
It's miserable all around.
The one highlight here is that it didn't happen when they were headed to the Volturi trial together.
Rosalie watches Emmett blow up.
Jesus christ, random Twilight character generator, just when I thought you were just going to give me boring results.
Not only does Rosalie lose the love of her life, the guy who kept her together, the one good thing she had going for her who made her life worth living, but he did so right in front of her, blowing up out of nowhere.
There's no explanation to be had, no culprit to be found, no reason for it. She had no goodbye, just as she can have no revenge.
She will never have closure.
Renesmée watches Renée blow up.
We go out on a high note, my god. Well done, generator, I'm laughing.
Renesmée is curious enough about her grandmother to go to Florida. She was going to watch from afar, but finds herself talking to the woman who raised her mother.
It's all going well until Renée suddenly explodes all over Renesmée.
Renesmée's first thought is nothing, she's in shock.
Then...
Well, she was controlled as an infant, so I don't think an adult Renesmée would lose it unless under extreme circumstances, like if she encountered a singer.
More, though, Renesmée might have any reasons of her own not to drink human blood, but she has been raised with this being a big no-no.
So she shouldn't.
However...
Is she ever going to get a better chance?
Ethically, she could easily argue this is the right choice. No one will be negatively affected by this, at least not directly.
The human is right there, already dead, and there's no body so while Renesmée does have to clean up the gore. Hell, if she laps up the blood on her clothes and the ground she will be cleaning up. Why waste perfectly good blood?
If Renesmée Cullen is ever going to have human blood, this is it.
It will come down to how much she respects her grandfather, and how important she believes Renée was to Bella.
-
Bonus, because I'm having way too much fun with this:
Bree watches Atheonodora blow up.
Bree is minding her own business when suddenly a vampire unlike any she has ever seen before, one with hazy eyes and odd skin, appears before her. They stare at each other. Then the woman blows up.
Bree takes this to mean that exploding is apparently something vampires just do sometimes, runs off in a panic and, sobbing, tells Riley.
Riley, having no idea what to make of any of this, tells her it was those evil yellow-eyes with their witchcraft and sorcery.
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fixeddawn · 4 years
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𝘍𝘐𝘟𝘌𝘋𝘋𝘈𝘞𝘕 𝘈𝘜- 𝘏𝘌𝘈𝘋𝘊𝘈𝘕𝘖𝘕𝘚!
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1.) Edward absolutely gives Bella all the mind-tea at functions they attend, he's trying to get her to snort laugh, but it also entertains him. They also play matchmaker in the high schools they attend.
2.) Bella and Emmett are the CHAOS TWINS. They are banned from using fireworks without spousal supervision because one time Carlisle caught them shooting bottle rockets out of Emmetts ass crack.
3.) Bella sends Edward surrealist and bizarre memes without context all the time as well as memes like "then perish" and never explains any of them, forcing him to google them. Edward is so fucking confused sometimes.
4.) Emmett, Jasper and Bella have smash tournaments on their switches. They get loud. Emmett ONLY mains Little Mac, Jasper mains Samus, Bella mains Kirby and Sonic.
5.) Alice coordinates Esme, Rose and Bella for every function to ensure they are the baddest bitches in attendance. Sometimes Bella texts Leah so she walks in to be the BADDEST BITCH.
6.) Leah and Bella became friends by bonding over the whole "fucked over by a supernatural Ex thing.
7.) Leah is an underground kickboxer and taught Bella how to fight when she was human. Bella invited her on girl days with Angela, Jessica and Becca, Angela's (Trans) girlfriend.
8.) Rosalie calls Edward a colonizer as often as she can. He hates it, but accepts it.
9.) Edward is super secure in his masculinity and embraces his metro when he marries Bella. Tbh they can be kinda catty, but they're hilarious about it.
10.) Edwards roasts are God Tier.
11.) Emmett is actually really smart, he focuses on psychology and psychiatry. He is also a Himbo, and is full of love. He helps Rosalie process her trauma, and catalogues her triggers to ensure she avoids them.
12.) Emmett will go to frat parties literally just to watch girls drinks (and play beer pong).
13.) Emmett, Alice, Jasper and Edward were all at Stonewall, quietly using their bodies to protect protestors from projectiles. Emmett threw a brick at a cop. Jasper discovered he was Trans and received support there.
14.) The Cullens go to pride every year. Carlisle and Esme set up under a rainbow tent beside a space heater, and give out mom and dad hugs. Carlisle practices Gender affirmation surgery and provides resources and pamphlets on sexual health, gender dysphoria, and help to LGBTQ youth. He also holds panels for parents of LGBTQ children in order to help them better understand their children.
15.) Emmett is either in full drag or a zentai suit and a tutu causing chaos and having THE BEST TIME.
16.) Edward is gifted a small Demi-sexual pride flag from Bella, who is Panromantic Demi-sexual. He shyly, but happily carries it while he holds her hand. Bella's t-shirt says: "Still not Hetero."
17.) Alice outdoes her look every year. She is always getting her pic taken, Jasper helps get her angles right. She LOVES pride.
18.) Eventually the Pack comes too, Bella, Jacob, and Emmett get into all of the trouble.
19.) Quil imprinted on a man, when he thought he was straight. It was a massive shock, and he was terrified to tell the pack, but they're his bro's and love him to death. They happily welcome his new partner into the family, he and Quil are very happy.
20.) Angela marries her Girlfriend Becca, Bella is a maid of honor and bawls during her speech, she loves her friends very much. Angela goes on to be a Vet and Becca becomes a family practitioner. They live happily ever after.
21.) Rose and Bella are the sisters who will tear each-others throats out but if you come for one of them they will tear you apart. They can go from catfight to gossiping together in 5 seconds.
22.) Emmett, Jasper and Edward are genuinely terrified when they see their wives plotting quietly.
23.) Every Cullen man has at least one setting, and it is "Loves Wife."
24.) The couples roast other couples who treat marriage like a "ball and chain." There are a lot of "Are the straights...okay?"
25.) Esme is actually the master strategist of the family, and is brilliant when it comes to computing in her head. During the newborn war, she worked alongside Sam to plan the attack, Jasper helped with information.
26.) Esme can nail someone perfectly with La Chancla from 200 feet away. Bella is terrified of Esme when La Chancla comes out.
27.) The whole family learned Hindi, Spanish, French, Creole french, and Afrikaans to participate in each others cultures authentically and respectfully. They all love bollywood and watch with Rose whenever she puts something on. Bella and Rose get really invested in Telenovelas and Desi Dramas.
28.) Bella calls Edward Pandejo sometimes.
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goofyassauthor · 3 years
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Conjunction ❂
As Bella and Edward settle into the second decade of their new life together, this time as college undergrads, Eve crashes into it with an almost equally powerful, brand new supernatural species and romance for them to navigate. Eve just wants to forget about home and graduate. Unfortunately for her, she is Edward and Bella's third and final mate. The two vampires think they've got this down pat and aren't expecting more from Eve than a fragile human and are delighted to find she is much, much more interesting than any of them could have known. Eve can't help but but be fascinated by the strange, attractive couple- and the longer she spends trying to decipher Edward and Bella, the less she can avoid the reality of her own unique biology.
Hello! I’ve been neck deep in the twilight renaissance for years now and the idea of Conjunction has totally consumed me for months so I’ve made a lil side blog to share it and any following chapters, mood boards, fics and headcannons I write.  I'm hoping to publish the first chapter on Ao3 in the next couple of days- you can read a teaser for it now under the cut! I would like to shout out @siswritespotterverseyanderes who has written the most AMAZING fic Rule One: Don't Be Afraid which was the final push for me to put this plot floating around in my brain into words! Rule One also features a polyamorous relationship with a complex, well-matched, sensible OC for two of the Cullens. Conjunction won’t feature an explicitly yandere dynamic like Rule One and instead features a Bella/Edward/OC relationship but Stephanie Meyer’s vampires truly do lend themselves to the trope quite nicely so if you notice me wander into yandere territory like @siswritespotterverseyanderes - thats why! I would also like to mention @seedandflame who I found just last night! (Writing this on the 26th of September 21') I LOVE the concept of releasing fan projects with teasers and their own dedicated blog. Conjunction won't get such special treatment from me but I've been quietly curating a Conjunction Pinterest board for a few weeks and it's so cool to see that there's other people on a similar wavelength. I can't wait to see what they've been cooking up on October 1st!
If you want some further details on Conjunction (think of it as a teaser for mostly chapter 1) see below!
Conjunction is less of a fix-it and more of a punt at redemption for Twilight. It deviates from the cannon at two points: prior to the events of the first book (the Cullens don’t spend time in Alaska before moving to Forks) and at the honeymoon. Bella never conceives, literally just has a great honeymoon, comes home, gets turned (Jacob fucks off into oblivion) and goes to college. Shortly after Charlie is also turned due to what would be an otherwise fatal *genuine for the first time in Forks history* animal attack. At the end of 2009 the coven, now including Charlie, leave Forks to spend another decade in a similarly dreary place but in 2020 everyone is already homesick. It's still too early to return to forks so in 2021 they move to Fairfield, Alaska which is where our story starts! This time they are all university students except for Esme and Carlisle (who have fallen into their traditional roles of doctor and wife and are now posing as the aunt and uncle of their (all adoptive of course) orphaned nieces and nephews and Charlie who now poses as their grandfather and simply vibes in immortal retirement. Before the semester starts they are introduced to the idea of polyamorous vampiric relationships via the Denali sisters. Bella is unabashedly fascinated with this phenomenon which Edward ✨notes✨
At the start of semester 1, we are introduced to the Twilight Saga’s bread and butter: our every-girl: Eve. Her role in this fic is to sort of fill in the gaps that Edward and Bella’s personalities present.
Like Edward and Bella, she is still a fundamentally good person but much more naturally drawn to mischief and chaos than either of them or even most other people. However, she is also self-aware and tries hard (with very little luck) to reign it in. Edward obviously has a telepathic front row seat to this conflict, relays it to Bella and the two of them find it very endearing at first and then attractive as they identify her as a mate fall for her in synchronicity.
Eve’s goodness is sort of informed by a more contemporary lens and uh less Mormonism. Thats not a dig at Stephanie- I just can't personally relate. I’m going to try to keep Edward and Bella in character as much as possible while leaving room to focus on their darker inclinations and develop their personalities as Eve continues to influence them. For instance, Eve is more cynical and realistic than either of them but matches their intense obsession with herself and each other once her interest in them kicks into gear. She is less oblivious than Bella and more emotionally intelligent than them both as her frontal cortex has had the chance develop past 17 lmao.
Due to their mutual obsession with her, Edward and Bella learn more about each other- Bella the full extent of Edwards unhinged ‘protective’ thought process (she recognises it for what it is but can’t bring herself to care because at the end of the day, its still attractive to her PLUS she is now identifying similar urges in herself in response to Eve.) Edward consequently begins to see Bella’s full personality/nature for what it is now thats she's become more confident and embodied since being turned. So much so in fact that it comes to match his own assertiveness. Basically at this point they are literally both just tops 😩
Crucially, at the start of our story Eve is already grappling with her own secret life-long supernatural inclinations. Once Bella and Edward recognise this as more than just having a cheeky personality, they assume she falls into the category of ‘gifted human' à la Alice and Bella before being changed. However, they come to realise that this is inaccurate, and Eve belongs to a new species unknown to vampires in the Twilight universe, kind of like how Forks Wolves are ‘shape-shifters’ and not werewolves. It's fairies. The new species are fairies. For the purposes of this story, fairies present as regulardegular humans with the exception of some key traits which manifest on a spectrum and as such, will often move through the world unconscious of their own true biology with only a few accurately identifying their own true species. It’s likely that some of those gifted humans were in fact a fairy prior to changing but not all, as fairies on the strong end of the spectrum in this story are defined by a distinct taxonomy. I'm keeping some of them under wraps for the sake of the plot but some fun ones to know include that these fairies:
- Are impervious to vampire venom
- Smell and taste really fukn good to vampires without serving any nutritional benefit (as evidenced in the lack of change in eye colour after a ‘feed’ wink wonk)*
*Bonus lore: while fairies can experience a similar phenomenon to ‘mating’ or ‘imprinting’ with pretty much any supernatural species, part of their passive but extreme to-the-point-of-self-destructive-see-Eve's-inner-turmoil secrecy is due to their unhappy experience with the worlds earliest vampires whom fairies have since functionally 'obliviated' or ✨disposed of✨which explains why the no one, not even the Volturi know they exist!
- Have a general disposition towards impulsivity; present mindedness (often at the expense of forethought); creativity; abstract thinking; an endearing ‘weirdness’ according to whatever culture they happen to belong to and resourcefulness.
- Are otherwise physically fragile as humans with the exception of scent which they are pretty equal on
Eve is one such example BUT like many of her species in the 21st century, modern social convention has prevented her from leaning into her traits in a meaningful way. However, the longer she spends focusing on Edward and Bella, the more she allows herself to explore her own biology🧚
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justfandomwritings · 4 years
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A list of possible ways to make Twilight better that don’t involve changing the whole plot, writing about an entirely different character in the universe, or getting rid of any of the main characters:
- Bella is actually kind and respectful to Charlie not just behind his back when she’s protecting him from threats he’s unaware of like vampires but also to his face when he’s clearly trying to do his best to be a good dad.
- We get to hear a phone call between Charlie and Renee about how ill adjusted Bella is after years of being her own parent.
- Bella names her truck “Monster Mash” after the collision with Tyler and Edward being a vampire.
- Jessica totally sees Edward jump over the back of Bella’s truck, as he does so at human speed and is blatantly obvious about it. She thinks it’s weird. She’s constantly aware of Edwards presence and she knows for a fact he wasn’t there. Jessica starts picking up on some of the little inconsistencies in the Cullens behaviors and the lies Bella’s telling. She sees Bella post transformation while she’s still around town during the “prepping to encounter the Volturi” days. Now she knoooows something’s up. Bella wasn’t this graceful or pale or perfect before. She looks like a damn Cullen. Jessica begins to put the pieces together exactly like Bella did. Jessica tries to talk to someone about it but everyone brushes her off. She slowly descends into what she thinks is madness believing vampires are real but having no confirmation and no one to believe her.
- Jane very visibly pouts when Bella doesn’t collapse screaming. Alice starts laughing because of a vision of Jane having a temper tantrum later.
- Leah imprints on Angela. Bella now has a normal human friend with a normal human friendship and she’s a bit more grounded and a bit less supernatural obsessed. Also, with this, imprints are clearly no longer about procreating and are more than just baby making machines.
- Rosalie goes and after those guys from Port Angeles. She doesn’t eat them; she has impeccable control, after all. She dumps them in a bear’s cave or something and lets an animal take care of them.  
- The Cullens play baseball incessantly instead of other sports because back in the day Carlisle helped invent it.
- An incredibly awkward conversation between Charlie and Billy where Charlie is hesitant because he’s not 100% sure Billy knows his son turns into a wolf, but once he is sure Billy knows, he’s very confused how the hell, genetically, Jacob turns into a wolf and has to question what Billy’s been up to that his son is half animal and Billy has to give him the legends now too. 
- James was actually the ex-Volturi tracker that was replaced by Demetri’s superior skills. 
- Alice’s sister also had gifts as a human though hers were geared towards the past, and the reason Alice can’t remember anything is because her sister made her forget her past. 
- In general, I think we need more members of the Volturi as a whole (there’s really not that many of them when you think they’re basically ruling the world) and more superpowers, because as it stands there’s actually only two of the Volturi with offensive gifts related to fighting, Alec and Jane, and that really confuses the intimidating reputation the guard have. There should absolutely be more of them with more powers if they’re meant to be as intimidating as they are and in charge of every vampire everywhere.
- Edward’s little power trip in New Moon actually has lasting repercussions on his relationships with his family. He doesn’t just come back and magically all is forgiven. His actions actually have consequences.
- Other vampires get called in to help in the fight in Eclipse This way, we get to expand the universe more, earlier in the books; we get to learn about another set of vampires in more detail and not just as part of one massive cluster; and Breaking Dawn isn’t just a barrage of new faces. We actually know some of them. For instance, Jasper could call in Peter and Charlotte at the least; they’ve both already fought newborn armies before and calling them actually makes more sense than the Denali coven.
- Esme is actually an extremely famous architect who works under an alias so that as time passes people won’t get suspicious when she has the same name as that famous, old architect from back in the day. 
- The Volturi wife that dies isn’t Didyme; it’s Athenadora, and she’s killed by the werewolves that attacked Caius, which is why Caius has eradicated them and why he’s so willing to fight the Cullens over the presence of wolves.
- The guard of the Volturi aren’t all just being held together by Chelsea. Some of them actually believe in their professed purpose of ensuring the secrecy of vampires to protect their kind. 
- Benjamin and Tia don’t go back with Amun and Kebi after Amun peace’s out like a coward.
- Literally anyone acknowledges that the Volturi aren’t really the bad guys in New Moon since Edward is the one breaking the law, and that Bella being human in Eclipse is the Cullens still subverting the law, and that as a result the Volturi have pretty good cause to believe the Cullens are breaking the law again in Breaking Dawn.
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figonas · 3 years
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Twilight Re-watch Notes Pt. 1 - A Contest for the Worst Movie Quote in History
I'd like to think I'm funny so please enjoy my scene-by-scene notes from a recent Twilight Saga re-watch.
Hey Catherine Hardwicke, opening with the death of an animal was probably not the best choice but go off I guess??
There is a lot of general Bella awkwardness that I'm skipping over here but the scene in gym class is so horrifically, painfully uncomfortable that I almost passed out from the second-hand embarrassment.
Jessica trying her best to be fake nice to the human embodiment of a crumpled soda can: "Aren't people from Arizona like....really tan"
Bella with all the cadence of a child who just found out Santa isn't real: "yeah..I guess that's why they kicked me out"
Mike clearly just trying to get his dick wet: "HAHAH you are funny"
no mike she is not.
I'm not gonna go into the biology class scene because god knows tumblr has beaten that particular horse to death. BUT the scene in the administration office immediately after that is a TRIP. Edward has one of his most dramatic lines here when they won't let him switch classes: “I’ll just have to endure it” ?!?!?!?!?!?! This is INSANITY, he sounds like he's going to burst into tears like Edward please chill you aren't even being a little subtle.
I will never get over Bella trying to put Ketchup on her burger and then just???? giving up???? when it doesn't come out after she limply shakes it approximately once.
“HOW YOU LIKIN DA RAIN GIRL” Is our first contender for the worst and most unnatural line in movie history, and trust me there are plenty more.
Bella accusatorily saying “you were gone” to Edward as if this dude who she met for approximately 30 minutes 2 weeks ago owes her even a PALTRTY SCRAP of an explanation about anything???????
Actually, this whole scene is a horrific nightmare of awkward intrusive conversation:
“You’re asking me about the weather” HOE WHAT ELSE ARE YOU GONNA TALK ABOUT YOU DON’T KNOW EACH OTHER
“hey did you get contacts” WHO JUST ASKS THAT?!?
and of course; “it’s the fluorescents” [RUNS AWAY]
Charlie and Bella have the only organic-sounding dialogue in the entire movie. Any awkwardness they have is BELIEVABLE father-daughter awkwardness and not like "I'm being forced to film this against my will" awkwardness like every other exchange in this film series.
Bella asks Edward ALL OF ONCE about him saving her from the truck and Edward gets so haughty and smug thinking that Bella won't figure it out
“you’re not gonna let this go are you?” “no” “then I hope you enjoy disappointment” [storms off] MY DUDE LITERALLY 2 SCENES LATER SHE FIGURES IT OUT IN 3 GOOGLE CLICKS
“I had an adrenaline rush, it’s very common you can google it” contender number two for the terrible dialogue award.
Edward saying “if you were smart you would stay away from me” AFTER HE APPROACHED HER LIKE FUCK OFF [skeleton throwing its own skull gif]
Kstew got a lot of flack for her performance in this movie but when she has a good partner to exchange lines with she SHINES. The scene with Angela and her at the beach where she tells her to ask Eric to prom is GOOD. EVERY scene with Charlie in THIS ENTIRE FRANCHISE is GOOD. It is nothing but pure misogyny that Rpatz didn’t catch any flack for his truly, horrifically awkward performance
I cannot believe Stephanie thought it would be a good idea to have Edward save Bella from potentially getting gang r*ped like I get it girl is about the drama but still this is just a TOOOUCH too far
“your hand is so cold,” WHO SAYS THIS TO SOMEONE THEY BARELY KNOW COMPLETELY UNPROMPTED???
SHE TRIES TO REFUSE CARRYING BEAR MACE WHEN SHE WAS ALMOST R*PED NOT 4 HOURS PREVIOUSLY LIKE SIS CARRY A KNIFE?!?!?!?!?
The “you’re impossibly fast & strong” monologue is so bad I want to barf
“I’ve killed people before” “doesn’t matter” BITCH YES IT DOES WHAT IS WRONG WITH YOU
“MY OWN PERSONAL BRAND OF HEROIN” IS SO BAD. Like we all recognize how bad this is right? Especially when one considered the target demographic for these films, i.e. teenage girls, have NO FUCKING FRAME OF REFERENCE FOR THIS WHAT.SO.EVER.
“And so the lion fell in love with the lamb” YOU’VE KNOWN EACH OTHER FOR ALL OF 3 SECONDS I CAN’T WITH Y'ALL. AT LEAST THE BOOK HAD SOME BUILD-UP JESUS GEEZUS
Who thought this meadow scene was a good idea, they need to be sent straight to hell. WHY ARE THEY LAYING DOWN LIKE, SIT MAYBE?????? IT’S SO WEIRD AND UNNATURAL THEY LOOK LIKE DOLLS I HATE IT
The scene where they get out of the car and Edward puts his arm around Bella while Spotlight by Mutemath plays in the background is TOP TIER teen drama bs and I love it. Far and away the best shot in the movie apart from The Baseball Scene(TM).
I will never get over the fact that Edward's bitch ass rats Bella out for already eating when she comes over to meet his family. BE FUCKING COOL EDWARD FOR ONCE IN YOUR LIFE, GOD!!!
Esme is too pure for this world I can’t deal with her, & Emmet waving the knife is my favorite thing in all 5 of these movies
Why tf are Alice and Jasper fucking off doing god knows what in a tree and not helping with dinner like everyone else? Y'all ain't special even Rosalie is helping
Esme talking to Rosalie “Clean this up..now” I LOVE YOU BE MY MOM
Earlier they talk about the fact that vampires don’t sleep BUT the first thing Bella says when she walks into Edward's room is “no bed” girl we know what you after you ain't slick.....
WHAT IS THIS DANCING SCENE IN HIS BEDROOM IT’S HORRIBLE TO WATCH and I want to find whoever thought “well I could always make you” was a good line for Edward to say and slap them directly in the mouth.
“hold on tight spider monkey” excuse me while I VOMIT
Mike offering his opinion on Bella dating Edward HOWEVER justified is automatically invalidated by A. his own romantic interest in Bella and B. the fact that he has also know Bella for all of 10 minutes & has no bearing on her personal life whatsoever
THE PAST COUPLE OF MONTHS THIS MAN HAS BEEN COMING INTO HER ROOM AND WATCHING HER SLEEP THIS IS RED FLAG CITY LIKE BELLA WATCH A TRUE CRIME DOCUMENTARY OR READ THE NEWS FOR FUCKS SAKE
THIS FRANCHISE HAS THE MOST HORRIBLE KISSING SCENES IN MOVIE HISTORY!!!!!!!!!!!!!!!!!!!!! YOU CAN HEAR LITERALLY EVERY BREATH, EVERY AWKWARD PRESS OF LIPS. You're telling me THIS was the best take of this???? CAN YOU IMAGINE HOW AWKWARD THIS WAS TO FILM
The whole scene when Bella is telling her dad about her date with Edward is absolutely god tier. Charlie snapping the barrel of the shotgun closed, him motioning that he has a halo on, asking her if she still has her pepper spray. BILLY BURKE LIFTED THIS MOVIE UP AND TRIED SO HARD TO CARRY IT ON HIS BROAD, MUSTACHIOED DAD SHOULDERS, WE STAN
WHERE TO START WITH THE BASEBALL SCENE:
Supermassive Black Hole in the background, Alice going AWF with her pitching, Rosalie getting all pissed when Bella says she's out and Emmett yells "c'mon babe it's just a game" like the puppy dog of a person (vampire?) he is, CARLISLE WEARING A SCARF WHILE PLAYING BASEBALL, I WILL NEVER EMOTIONALLY RECOVER FROM JASPERS BAT TRICKS, EMMET AND EDWARDS LAUGH AFTER CRASHING INTO ONE ANOTHER.
A TRULY IMMACULATE MOVIE SCENE. This scene isn’t long enough
“My monkey man” might be the worst line in this movie, I’m so torn between which one is the worst. Also, I'm just now realizing that this is the second time someone has compared a loved one to some type of monkey and I really don't like it.
Bella's defeated “I can’t hurt him” breaks my heart every time. AND FUCKING BILLY BURKE pulling out his acting chops with Charlie’s poor little broken sounding “I know I’m not that much fun to be around we can do more stuff together” & “I just gotcha back” LIKE LITERALLY EVERYTHING ABOUT THIS SCENE HURTS ME ON A PHYSICAL LEVEL AND I AM ENTITLED TO FINANCIAL COMPENSATION
I know I've skipped over a lot but it's just a lot of like star wipe level montage of nonsense, so we are mOVING ON to what is possibly the biggest plot hole I've never recognized before now: How in the hell was James planning on luring Bella out if he didn’t find that videotape of Bella's mom looking for her????? Or was he just going to bust up in the holiday inn, metaphorical guns blazing & toss Bella out a window???
This fight scene between James & Edward is VERY poorly choreographed and you can practically see the stunt wires pulling on their clothes but no one is surprised..this is Twilight after all.
Who the fuck starts the fire in the ballet studio if Carlisle & Edward are with Bella, Jasper and Emmet are holding James's arms and Alice is ripping his head off???? Esme and Rosalie aren't there so the only explanation is that Emmett's power Stephanie never told us about is his ability to start small, controlled, indoor bonfires with his mind.
If Bella was losing blood from her femoral artery it is HIGHLY UNLIKELY that she would have been cognizant enough to tell them her hand was burning + THERE’S A BIG ASS BITE HOW DID THEY MISS IT???
Let Me Sign is such a good fucking song. Actually, while we're on music every song on every Twilight Saga soundtrack SLAPS. At least 1 department at Summit Entertainment was staffed with competent people. (side note, why the fuck do I know the studio by name that made this movie. I need to go lie down)
Bella acting a damn fool in the hospital bed like clingy much
CHARLIE IS SUCH A GOOD DAD FUCK!
The Edward/Jacob beef is so dramatic at prom can you both chill for 5 minutes we haven't even gotten to y'alls bullshit yet that's not until New Moon.
Bella really thought this mfer was gonna turn her at prom in the middle of the dancefloor??????????
Flightless Bird American Mouth. That's it, that's the bullet point
Victoria coming to prom, like we stan a dramatic bitch.
I will almost CERTAINLY post my New Moon (Extended Edition) notes in a few days. & yes I do have notes on the entire franchise.
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midnightsvns · 4 years
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Now I see daylight — a Twilight fanfic
summary: Edward spent his life so long in a ninety-year midnight. Now, all he sees is daylight. A short story about Nessie’s first prom. “How could I ever tell her how grateful I was? Grateful that she could always see past the worst of me and my mistakes. Grateful that she had unlimited selflessness, giving us the family I’d envisioned for her, but thought impossible for me. Grateful that she was all too happy to be the first and only love of my existence. Grateful that cruel fate, after our various ordeals, had turned merciful to bring us to this heaven.” words: 8,280.
AN: so. i was absolutely wrecked after reading the very sad note on which midnight sun ended. to lick my wounds, i wrote this fic, set 12 years after breaking dawn, on the day of nessie’s prom. 404 plot not found just fluff of edward & bella being happy with their now adult daughter. title/summary inspired by the t.s. song daylight. full text under the cut!
Bella and I walked with hands intertwined in the woods behind our house, on our way to the cottage a few miles away that served as our daughter Renesmee’s “room.” When she turned seven, we decided she deserved a space of her own, a space that was removed from her supernatural family who could hear every move she made even if she had a whole floor of the house to herself. It was not unlike the first cottage the three of us had lived in together, back in Forks, in the first year of Bella and I’s marriage. To me, those days seemed as close as yesterday—in reality, twelve years had passed like the blink of an eye. Our daughter was all grown-up now, about to graduate high school for the first time, and today was her very first prom.
We walked at human pace, enjoying the lights and the sounds of early morning in the forest. Before Bella, I would have hated moving at such a glacial pace, always wanting to reach my destination as fast as possible, never lingering under the sunlight long enough to contemplate the diamond-like sparkling of my marble skin. A constant reminder of my inhumanity. But now I relished having the chance to see my wife in the light of day. I knew that all the poets and philosophers who, for two thousand of years, had tried to define beauty, to describe it, had irrevocably failed—because none of them had been fortunate enough to witness Bella smiling and shining under the golden rays of sunlight. I squeezed her hand and chuckled to myself.
Bella, of course, noticed my jocularity. “What are you thinking about?” she wondered.
“I thought that was my line,” I replied, grinning at her. Bella easily controlled her gift now, raising and lowering her mental shields at will. Except in special moments of communication, her shields were always up. She could maintain shields around other people, too, granting peace for me and privacy for my family. The quiet that resulted inside my head was a balm; I could be thankful for it for a hundred years and it would not be enough.
She sighed, and her eyes were suddenly downcast. “Well, I’m glad one of us is cheerful enough to laugh today.” She stopped walking, let go of my hand, and sought shelter under the shadow of a large evergreen tree. I regretted seeing her move away from the sunshine.
Her mournful tone surprised me. “What’s wrong, love? You’ve been looking forward to Renesmee’s prom for weeks now.” It was all I heard the ladies at the house discussing as of late. Alice, our very own literal visionary, was making all their dresses, works of art that were sure to rival even the most revered of Paris’ haute couture scene. Rosalie was browsing our family’s sizable collection of jewelry—composed of heirlooms from our human lives and the very many anniversary gifts from over the decades—for the perfect sets of accessories that would go with Alice’s creations. Esme was renovating and redecorating the front room, the staircase, and the porch, in preparation for today’s sure-to-be endless photo opportunities.
Bella looked up at me, her golden eyes looking regretful. “I just… can’t help but be a little sad that she’s grown up so fast. She’s only twelve, Edward. I spent more time as a clumsy, awkward human child than I’ve spent as her mother,” Bella said, sighing again. “And now she’s graduating and going off to college for the first time? She’s not an adult! How are we even sure she’s fit to be by herself in the human world already? How is she gonna eat? How will she hunt? What if she needs us, or she gets hurt and Carlisle can’t get to her in time? She can’t just go to a human doctor!” Her voice got more and more agitated with every worry she voiced. “And what if she starts dating? And she doesn’t tell us because we’re not there?! She says she’s not interested in anyone romantically now, boys or otherwise, but it’s her first four years in college! She’s bound to catch the sights of some… some no-good jerk who—”
“Stop, Bella,” I said gently, interrupting her before she could spiral any further. I had to resist the urge to laugh at her tirade. It reminded me of the time I went on a very similar, equally anxious rant. Emmett had thought I was a crazy person, worrying about the myriad things that could wipe the human girl I loved out of existence. This time, though, these worries were much easier for me to assuage than when I was fretting over Bella’s mortality and her uncanny ability to attract danger.
I joined her under the cover of the tree and held her marble face in my hands. “Love, I understand wholly all of your anxieties. They’re mine, too. But we need to put a significant amount of trust and faith in our daughter if we want to stay sane during the next four years,” I said earnestly, cracking a little smile, and then started addressing Bella’s concerns one at a time.
“I’m also sad that it has been just twelve short years, and already, we have to let her go. And as much as we may not like it, she is an adult now. She has been for five years. I know she grew up too fast, but if that is the small sacrifice that makes the miracle of her existence possible, then so be it. And she’s had no problems being around humans since she started high school with us when she was eight. As for her eating habits, well, I am worried about the amount of junk food she’ll consume once she is left unsupervised. And she doesn’t need to hunt as frequently as we do…. Once, maybe twice, a month, she can come back here and any one of us would love to go hunting with her. She is also not so fragile that she would ever need the care of any other doctors than Carlisle, Rosalie, or me. As for her first romantic relationship, well... she’s smart, strong-willed. We have to trust that we have raised her well enough that she’ll be responsible, that she’ll know how to protect her heart, and that she’ll be comfortable enough to turn to us for any questions she might have. You are a good mother, Bella. You raised an amazing young woman.” She looked as though she was about to argue, but she said nothing. She must have lowered her shield because I heard her thoughts instead: We raised an amazing young woman. You, Carlisle, Esme, Rose, Alice, Emmett, and Jasper… Even Charlie, Sue, Jacob, and Seth. It really does take a village. Her smile was wry.
I shook my head and smiled back at her. She was still bad at taking compliments. “We just have to trust Ness, love. As much as I would never want to see her hurt, we have to let her make her own mistakes. To let her take risks. And we have to give her freedom while she still thinks it’s ours to grant. If she thinks she’s not ready for this yet, or becomes overwhelmed in any way, she knows she can come back home at any time. All we can do is be there for her, and as long as she knows she’s not alone in this, that she never has to carry the world on her shoulders because we’re supposed to carry part of it for her… She will be fine.”
I looked straight into my wife’s eyes, still holding her face, hoping I had eased her anxieties a little. She visibly relaxed, then placed her hands over mine.
“You know, I really hate it when you make sense,” Bella stated matter-of-factly, glaring at me and pouting a little. I laughed and gave her a soft kiss on the cheek. Then I pulled her close to my side and led us back on the way to Renesmee’s cottage. If, thirteen years ago, anyone—even Alice—had told me that someday I would be trying to soothe Bella after a bout of anxiety instead of the other way around, I would have laughed in their face.
We made it to the cottage in companionable silence, and Bella’s mood seemed cheerier than before, back to being excited for the day’s events. She knocked on the door, calling for Nessie to wake up, but our daughter opened the door in a flash, greeting us with a chipper hello and a wave to indicate that we should let ourselves in.
“Good morning, Ness. You’re up early,” I commented. Not that our daughter was a late sleeper, but she was also not what one would call a morning person.
“I’m very well-rested, thank you,” she said, walking to the couch in the middle of the cottage’s main living area and plopping down onto it.
“How many hours did you sleep last night?” I asked, suspicious. Half-human, half-vampire hybrid though she was, Carlisle’s recommendation was still at least seven hours of sleep a night, and she often ignored it.
“Seven,” she replied too fast. I raised an eyebrow.
“Okay, six. Maybe five total…” she grimaced, sheepish now. “I was reading books! And I finished a movie.” I was unhappy to hear it. We really didn’t have an exact number of how many hours of sleep she needed each night, but I was sure five wasn’t enough for anyone, human or otherwise. I shook my head and sat next to her on the couch.
The cottage was a cozy place, with a kitchenette in the main room, one bedroom and a small bathroom down a narrow hallway. The main area was where Nessie spent most of her time, a rectangular room with big windows that let in a generous amount of natural light. The wide wall in front of the couch served as the canvas for a mural of the turquoise sea and white-sand beach at Isle Esme, painted from memory by Bella and Renesmee. The three of us had spent two weeks there a couple of years ago to celebrate Nessie’s birthday and my tenth wedding anniversary with Bella. It was my favorite painting in the world.
On the eastern wall was a bay window, Renesmee’s favorite reading nook, flanked by two tall bookshelves. And in front of the couch was a low coffee table, cluttered with books, stacks of paper, journals, pens, paints and paintbrushes, canvasses, coffee mugs, and a laptop. I sighed. The organized chaos, as Ness often referred to it, reminded me much of her mother’s old room at the Swan residence. Bella started tidying up the table immediately, replacing books onto the shelves and rearranging the mess on the table. I turned my attention to the kitchenette’s dirty dishes and the haphazardly discarded clothes on the couch, shaking my head at the untidiness. She spent her days with us either at school or at the main house, and sometimes even slept there when she felt like it. How could one girl create so much disarray after one night?
“Mom, Dad, stop it, I’ll do that later…” Nessie admonished us halfheartedly, but we were done cleaning up before she finished speaking the sentence.
“Did you already have breakfast, honey?” Bella asked.
Ness nodded and grinned. “I had cereal and two Pop-Tarts.”
Wonderful. Clearly she knew how to make healthy choices. I almost wished for the time before she had outgrown her distaste for human food. At least on a diet of animal blood, we knew she was getting some nutrients.
Bella rolled her eyes, although I knew she wasn’t really annoyed. “Esme will make you eat some fruit at the house. Are you ready to go now? Alice wants to do a final fitting of your dress, just in case she needs to make any changes.”
“It’s too bad Aunt Alice can’t see me in her visions. She could just decide to make any changes and then know which ones are right,” Nessie mused, then shook her head and bounded up from the couch, walking quickly down the hallway and into her bedroom. She came out a second later, hands deftly fastening a necklace on the nape of her neck. It was the necklace Rosalie had given her as a present for her birthday last year, a thin platinum chain and an oval pendant with the family crest on it. We filed out of the cottage, and Bella locked the door behind her.
The three of us walked together, Nessie in the middle. I asked her what books she was reading last night that she had gotten so little sleep. Instead of communicating verbally, she held my hand and showed me.
I started seeing her memories from only a few hours ago, implanted into my mind as seamlessly as though they were my own. I saw her reading all seven books of C.S. Lewis’ Chronicles of Narnia series and watching the first film adaptation. I saw how much she’d enjoyed them. Then, I saw her thoughts on the character Aslan, the wise talking lion and savior of Narnia. She admired him, his kindness and wisdom and compassion…. Suddenly, I saw my own face mixed in with images of the lion. She was trying to tell me the lion reminded her of me.
It shocked me. I’d enjoyed the world of Narnia at the time they were published and became widely popular in the 1950s, and even Bella had told me it was one of her favorite book series. As a lonely immortal, I’d always taken comfort in the fact that I had an Aslan-like figure in my life to look up to. My father, Carlisle. It never occurred to me to think that I could ever fill that role for someone else.
I must be doing something right, I marveled to myself. If Renesmee could liken me to someone who reminded me so much of Carlisle, then perhaps fatherhood wasn’t as lost on me as I had so often felt it was. It was like I was walking on a cloud, an invisible weight lifted off my shoulders. I wrapped my arm around Nessie as we walked, trying to let her know how much I appreciated the privilege of her sharing her thoughts with me. And then she surprised us by speaking in a serious tone.
She moved away from under my arm and moved a few paces ahead, turning around so she could face us. She walked backwards as she talked, her footing steady and sure. “Momma, Daddy, I don’t think I’ve thanked either of you yet… for allowing me to go and study on my own. I know you’ve always tried to let me have a normal childhood, to make sure I never missed out on anything. I love living with you guys. I love talking to Grandpa Carlisle about history and art. I love helping Grandma work on houses. I love shopping and appreciating fashion with Aunt Alice and Aunt Rose. I love playing chess with Uncle Jasper and Uncle Emmett. I love our piano lessons, Daddy, and our two-person exclusive book club, Momma. I love going back to Forks on holidays to visit Grandpa Charlie. I love our baseball games. But now I’m ready to experience the world for myself. I know it must be hard to let me go and that you’re scared for me. I’m scared, too….”
If my heart were still alive, it might have grown in size from the joy I felt. Renesmee rarely addressed us this way anymore. It was always Mom and Dad or Edward and Bella, if we were in public. It carried me back to the days when she was still just a little child. A rapidly growing, highly intelligent child, but still our little child. She was always so perceptive; it was as though she’d sensed the essence of the conversation Bella and I had had before we reached the cottage, and this sober declaration was her way of telling us she understood.
“You have nothing to thank us for, sweetheart,” I said quickly, at the same time that Bella hurried to ask Nessie what she was afraid of, concern in her voice.
Our daughter blew out a long breath. “I’m scared of living alone, of being completely responsible for myself. But I’m really excited about it, too, and most of the time the excitement overpowers any doubts I have. I’m certain I wanna do this, and don’t they always say that something isn’t worth doing if you’re not at least a little bit afraid?” she asked, her smile reaching her deep brown eyes.
Bella paused and left my side to grasp our daughter by the shoulders. “All we want, Nessie, all we will ever want, is your happiness. And we want you to find out what that means for you on your own terms. If you decide tomorrow that you’d be happy never going to college at all, none of us will argue with your decision. But I can see how sure you are about going. I can’t promise you that I won’t be worried sick and that I won’t be calling you multiple times a day until you’re very, very annoyed with me… But I know you can take care of yourself now, and I can’t wait to see what you do next, baby.” Bella’s lovely voice sounded assured, no trace of the anxiety she’d confided in me just moments earlier. This was what I meant whenever I told Bella she was a good mother, and seeing her in action never failed to earn my awe.
“Thank you, Momma,” Renesmee said sincerely, circling her arms around Bella, and Bella hugged her back. “And I promise I will never be annoyed by your calls, even if you call a hundred times a day,” she said, grinning. “I won’t ignore yours, either, Daddy.”
This made me and Bella laugh. Of course Nessie would make time to take her crazy parents’ calls. No one was sweeter than our daughter.
Their hug ended, and we kept walking. Suddenly there was a glint of mischief in Renesmee’s eyes, and then she touched my arm and Bella’s to tell us we were being challenged to a race. Before the thought was even fully communicated she had already taken off running to the house. I shook my head and chuckled as we hurried after her. She couldn’t quite run as fast as vampires, but the head start might be enough to guarantee her win.
When we reached the house, my brothers were waiting outside for us to arrive. They both had cameras in hand—Jasper a professional digital SLR and Emmett a Polaroid instant camera. With Bella around, I couldn’t hear their minds, so I raised an eyebrow at the both of them in question. What were they up to now?
“Nessie’s already in the house, you rusty old slowpokes,” Emmett said in greeting, mocking me and Bella. But mostly me. “And to think you used to be the fastest, Edward. What a fall from grace. Let me take a picture of this really embarrassing moment for you real quick.” He positioned the instant camera near my face and pressed a button, and it started whirring as it printed out the picture. He grinned and deposited it into a large red handbag, presumably Rosalie’s, that he had slung over his shoulder.
I rolled my eyes at my brother and asked what they were doing with the cameras instead of responding to Emmett’s attempts at vexing me. It was Jasper who answered. “We’re having a photography competition. Whoever contributes the most shots for Esme’s photo albums will win. She’s planning to keep one for us and one to send to Forks for Charlie, so we’ll need a lot of pictures.”
“Yeah, and the winner—who will definitely be me—gets to skip the bake sale that Esme is going to for some hospital fundraiser,” Emmett explained with an arrogant smile. I rolled my eyes again. Of course my brothers had found a way to turn this day into some kind of contest.
“Doesn’t the Polaroid give you a pretty significant disadvantage, Em?” I pointed out, wondering how much film he was lugging around in Rose’s handbag.
“Just because it’ll be more challenging doesn’t mean I can’t still win,” he replied, shrugging. “The pictures I take will be better. Plus, the easy way is overrated, don’t you think?”
Jasper shook his head at Emmett’s smugness, then told me and Bella to pose for a picture. I turned to Bella and she turned to me, and I held both of her hands. I smiled adoringly down at her as she stared back up at me with her deep, amber eyes. We weren’t looking at the cameras, but I heard the workings of the two small devices as my brothers captured the moment.
“Aww, you two are disgusting,” Emmett chuckled as Jasper showed the photograph to all of us on the camera’s tiny screen. “Esme’s going to love that one.” The Polaroid Emmett had taken was still developing, and he shoved it inside the red bag with all the others. Then they went inside to find better subjects for their contest.
Bella and I made our way inside as well. The house was alive with the whole family looking forward to tonight’s events. I heard Alice, Rosalie, and Nessie in Alice’s room, chattering and working away on their gowns. I heard Esme in the kitchen, making breakfast for Renesmee or perhaps practicing some recipes for the upcoming bake sale. I heard Jasper and Emmett running around everyone like a couple of paparazzi, taking pictures left and right. Only Carlisle was absent, hard at work at the hospital, but he’d be back in time to see us all off to prom tonight. Bella kissed my cheek in farewell before joining Nessie with her aunts upstairs.
I gravitated towards the piano, as I often did. I scanned the perfect mental repository of all the music I knew, trying out a few bars from different pieces—some my own compositions and some written by better musicians than I—but none of them spoke to me…. Until one did. I sat down and began playing the first notes of “Jupiter, the Bringer of Jollity” from Holst’s orchestral suite, The Planets. It was a piece that sounded abundantly better when played by a full orchestra, but I enjoyed it regardless. My hands glided quickly across the piano keys to produce the quick, jaunty chords of the exposition. Then the development came in ritardando, varying from the cheery main theme to take a strangely calm, nostalgic turn. Although it evoked feelings of nostalgia, it wasn’t sad. Only pensive about a time already past. The piece concluded a tempo, returning to the happy and powerful main theme. I didn’t realize how much the song reflected my mood until I was already finished playing it.
Knowing her thoughts were protected by Bella’s shield, Esme offered me her kind compliments out loud from the kitchen. “That was wonderful, Edward,” she gushed. “I have always been so fond of that piece. Please play some more, darling.” I murmured a thanks, then obliged my mother and started playing her favorite, the very song I had played for Bella the first time I brought her home to meet my family. Even though the memory was tainted by the agony and danger of the events that followed, I still looked back on it with some joy. That was the night Bella became a part of our family.
The day went on that way, calm and peaceful, everyone busy with their respective tasks. Nessie came down to join me once in the afternoon and let me hear a new composition she was working on. It was her best yet, and I told her as much. Bella came downstairs as well, listening to me play and rereading Persuasion by Jane Austen while she sat beside me on the piano bench.
Before long, it was time for us to get dressed and ready for the prom. I quickly changed into my dark brown suit. The color had been my only stipulation, the rest decided by Alice’s keen sense of fashion. Since that overcast Thursday morning—the day that had been my turn to ask questions—my favorite color had never wavered from brown. The chocolate-brown color of Bella’s human eyes was not just preserved fondly in my memories, but alive forever in Nessie, and it was beyond the bounds of possibility for me to separate such a color from the meaning of all my happiness.
After I was dressed, I tried to peek into Alice’s room to see if they were ready to go, but Alice, annoying as ever, blocked my entrance and told me to wait with Esme and Carlisle downstairs. I rolled my eyes but followed her instructions. Arguing with Alice was almost never worth it.
Carlisle was just arriving home from work right as I was coming down the stairs, and when he saw me, his eyes lit up. “Why, you look great, Edward,” he praised, setting his medical bag down on a table in the foyer. I thanked him humbly. He reached up and loosened his tie, likely more out of habit than out of a need to be more comfortable. It struck me as a very fatherly thing to do. Esme came out of the front room, greeting Carlisle with a bright smile and a quick kiss. “You’re home just in time, dear. I think the girls are almost done helping Nessie get ready.”
I snorted. At this rate, we were never going to leave the house in time. “Alice, we’ll be late!” I shouted in the direction of the stairs, knowing she could hear me perfectly.
“No, we won’t!” Alice chimed back confidently. I sighed.
Jasper and Emmett were already in their tuxedos and bounded quickly down the stairs, cameras still in hand. Rosalie was the one who joined us next, looking devastating in a burgundy mermaid dress. Emmett looked like he was about to combust. Jasper smirked at our brother’s dumbstruck expression, snapping a few pictures.
Then it was my turn to be dumbstruck as Bella started down the stairs, moving at full speed to be at my side in an instant. “Alice wouldn’t let me see Ness wearing her dress yet,” she complained, but all my attention was on her at that moment. She looked positively incredible wearing a knee-length, square-necked light azure dress, held up by thin straps with flutter sleeves and inset with a thousand little rhinestones that looked like stars. My wife could have been Selene herself, come down from the moon. I ran my fingers gently through Bella’s long, straight brown locks and pressed my palm to her cheek. And for the nth time in so many years, I was glad for the deal I’d made with Bella on our first wedding anniversary. “You look beautiful, love. Absolutely arresting,” I said honestly.
“I know,” Bella said, beaming up at me, and I laughed happily. This was our deal: whenever I told her the indisputable truth about how beautiful she looked, all she had to say in response was that she knew. In exchange, I was forbidden from spending money on gifts for her for exactly five years, and five years was such a short time for creatures such as we that the zero-gifts rule felt like it was lifted immediately. I circumvented the moratorium, anyway, by getting gifts that were for both Bella and Nessie, or both Bella and Esme…. It may not have been the fairest of contracts, but my intentions were of the purest kind. I leaned down and pulled my beautiful goddess of a wife into a deep kiss, and I felt her wide smile as her arms wrapped around my neck. We only broke away from each other when we heard Alice skipping down the stairs, dressed in a white two-piece cocktail dress that made her look like a mischievous fairy.
“Get ready, everyone!” Alice squealed, clapping her hands in anticipation. “I can’t wait to see your reactions, I know you’ll all just die.”
My sister was right. Renesmee—our only daughter, the greatest joy of our lives—stood at the top of the stairs in a gorgeous, peach pink off-shoulder gown decorated with the same little rhinestones that were on her mother’s dress and delicate leaf-patterned lace appliques, and she was a sight to die for. As she walked slowly down the stairs, one hand on the banister, Emmett and Jasper took pictures fervently, documenting the entire moment. I saw Bella press her hand to her chest, eyes soft and adoring.
“Well, how do I look?” Nessie asked when she reached the bottom of the stairs, a half-smile on her face. Her soft bronze hair fell in long, spiral waves down her shoulders, and on her neck, she still wore the necklace she’d put on this morning. She spun around in a circle, indulging the attention we lavished on her, understanding that today would not have been such a significant event for us if not for her. Esme made me, Bella, and Nessie pose for pictures by the staircase, then on the couch in the front room, and then outside on the porch. After Esme was satisfied with the pictures of the three of us, Jasper and Emmett set up a tripod and took a photo with all nine of us in the front room, our latest family portrait. When the photoshoot was done, we all filed into our vehicles to make our way to school. Bella and Nessie rode with me in the Volvo, and my siblings rode in Rosalie’s M3.
We made it to the high school just in time, and even from the car, I could already hear the booming electronic dance music and the excited prattle of hundreds of human children crowded around in the school gym. I prepared myself for the barrage of human thoughts I would have to hear tonight; the only people Bella would shield here were our family. Although Bella could shield a roomful of people from me easily, I still needed to be on the lookout for any suspicious minds when we were in public like this. The three of us met the rest of my siblings at the doors to the gym and joined the throng of high schoolers, looking like they were having the time of their lives. Little did they know how many lethal supernatural creatures had just descended upon this party. If they knew, maybe they wouldn’t be so happy.
“Are you ready for your first—but definitely not last—prom, Carlie?” Emmett asked my daughter, grinning. Nessie went by her middle name at school to be less conspicuous. At first, Bella was greatly displeased by the necessity of this precaution, but she couldn’t deny the rationale. We stood out more than enough being newcomers in a small town like this one, with our sheer number, our wealth, our beauty, and our semi-frequent ‘family trips’ to avoid the sun.
“Time to dance the night away!” Nessie said, grinning back at her uncle. She bounded away from us to meet a couple of her classmates, two girls who reminded me of Bella’s human friends, not physically, but in their manner and thoughts. Ness didn’t have many friends, and we had started to worry that her only interaction with other living beings was isolated to her family, but she rarely found her human classmates interesting, and when she did, it was because she genuinely had something in common with them.
The girl who was like Jessica, a brown-haired girl named Lindsay, shouted over the loud music at Nessie in greeting. “Oh my God, look how gorgeous you are!” Jesus, she looks like she belongs in some runway show right now. I wonder what designer this dress is by? Probably cost a million bucks…. I kind of hate her. Lindsay’s thoughts were petty and vitriolic, and I resisted the urge to march over there and shield my daughter from the bitter girl. That would have done more harm than good, so I settled for rolling my eyes and whispering in my wife’s ear about the girl’s thoughts. It was gossipy and ungentlemanly, but I had to share the burden of being powerless to protect Nessie from a fake friend.
“Oh, that girl is in my English class,” Bella said, looking unsurprised. “I knew she was mean, but I liked her Shakespeare essays. Nessie thinks she’s smart.” I scoffed and tuned in to the other girl’s thoughts—Annie, a girl with short, pink-dyed hair who made me think of Angela. She greeted Nessie with a hug, and thought, Wow, she looks like a princess. I should ask her to take a selfie with me! My mom will be super bummed if I don’t take a lot of pics tonight…. Annie pulled out a smartphone, and the three girls smiled as the little device flashed and snapped their ‘selfies.’ And then they ran to the dance floor together, jumping and laughing to the music.
I stayed with Bella in a darkened corner, and we watched Renesmee enjoying herself. Occasionally, one of my siblings would pull us away and make us dance to the upbeat music, but neither of us were particularly fond of the DJ’s infernal choices. The DJ, a baby-faced young boy called Drew who had Spanish class with me, exclusively played EDM and bastardized remix versions of classic love songs. By the ninth EDM song in a row, I finally put my proverbial foot down and crashed the DJ booth on stage to bribe him with a fifty dollar bill so he would play a song of my choosing. The boy was astonished and could barely say anything back to me, but as I walked through the crowd to reach Bella again, Johnny Ace’s “Pledging My Love” started blaring through the loudspeakers. I took Bella’s hand as we walked to the middle of the dance floor, and once we were there, I pulled her close to me and led us in a slow, intimate dance.
“This is the most romantic song I know,” Bella whispered, her head resting on my chest as we swayed slowly in a circle.
I chuckled. “Once upon a time, in a very old and decrepit truck, this song came on the radio and provided an apt soundtrack for the most romantic day of my life. Do you still remember that?”
Bella lifted her head from my chest and looked up at me, her eyebrows knitted together playfully. “My God, thirteen years and you’re still hating on the truck? I think you’ve got some issues to sort out there, honey,” she said, her beautiful lips turned up in a smirk. Then her face became more earnest. “But of course I remember. That was one of the best days of my life, too.”
Her amber eyes looked so full of love, so full of sincerity, that I felt like falling to my knees. As a mature vampire, more than a decade after her transformation, she should have no more than a few blurry recollections of her human life. But Bella felt so strongly about me, about the memories we’d made, that she vehemently held on to our past, even as each day, each minute, and each second brought us further away from it. I kissed her, always trying to let her know how precious she was to me. The song was nearly over, and I sighed. I could have stayed there dancing with her forever and never need anything more.
“Smile, please!” I heard Renesmee say, Emmett’s Polaroid camera in her hand. She snapped a photo of us. Then she turned the camera around, sandwiched herself between her mother and I, stuck her tongue out goofily, and pressed the button on the camera to take a picture again. Bella laughed.
“Where did your friends go?” Bella asked. “I was starting to think you guys would never get tired of dancing together.”
“Oh, they went back to their dates,” Nessie said nonchalantly. “So I decided to annoy Uncle Em by taking his camera.” A folky, lullaby-like acoustic song was now playing through the speakers.
“Oh—I love this song so much!” Nessie gasped. “Please dance with me, Dad?” She whispered the last word to keep any humans from hearing.
How could I refuse her? “Of course, sweetheart.”
Bella smiled and took the camera and the Polaroids from Nessie, saying something about finding Emmett and his big red bag. I led my daughter in a slow dance around the crowd, her hands resting on my shoulders.
“You and Mom looked amazing dancing together like that,” Nessie said casually, but by the look on her face, I could feel how serious the conversation was going to be. “I know the story, Dad. I know everything you went through before you could get here. And I am so happy that it worked out for you. Seeing how much you love Momma, how much she loves you… it makes me never wanna settle for anything less than that.”
My brows furrowed. “Is that why you said no to the boys who asked you to be their date tonight? Because you don’t love any of them?”
We kept swaying to the music, and Nessie chuckled. “Kind of. It’s true I said no because I don’t feel a connection to any of them, but also because I didn’t want tonight to be about some stranger hanging out around our family. I wanted it to just be us, so we could be ourselves.”
My heart swelled. Nessie always thought of our family first. That wasn’t her responsibility, and we would’ve been all too happy to pretend to be human and normal for any prom date of her choice, but she thought of us first. She was so like her mother in some ways.
“What did you mean, then? About never settling for anything less?” I asked. Something about the way she’d said it worried me, made me feel as though there were insecurities underneath her positive tone that needed to be addressed.
She took a deep breath. “I just… I realized that real love like I’ve seen with you and Mom, Grandma and Grandpa, Uncle Em and Aunt Rose, Uncle Jasper and Aunt Alice… it’s rare and it’s wonderful. And I think I would prefer waiting for a love where I could feel everything there is to feel rather than try to force something with anyone I’m not sure about. And I realize I could be waiting forever if I keep waiting for something perfect, but that’s the point, isn’t it? And I can’t imagine how I would ever find something like that. And that’s all right, I think.”
Renesmee’s words were full of conviction, and I started thinking about how, someday, the day would come when we would be dancing just like this—I would be in a tuxedo and she would be in a big white dress—at her wedding, for the father-daughter dance. Like her, I could not imagine yet the person she would marry, but I saw our family there. I saw Charlie desperately trying to ignore how our faces still remained unchanged. I saw Jacob, whom Renesmee considered her best friend, taking a break from managing his own auto repair shop to be there as her best man. It would be the happiest day of her life, just as how my wedding had been one of the happiest days of mine, and it saddened me that she couldn’t see herself finding that happiness one day. But I understood Nessie’s conclusions—or maybe more accurately, her fears—about not finding love. When I was still alone, I’d come to similar conclusions that the kind of happiness I saw in my family was simply not meant for me. Even when I’d found Bella, I always chose the saddest path, never daring to hope that I could have happiness with her forever.
“I admire your position about refusing to settle, Ness, because you deserve only the best. And I was just like you once. Before I found your mother, I never saw the point in pursuing relationships that I knew weren’t going to be meaningful. But you shouldn’t let yourself believe that you won’t find what you’re looking for.” I brushed a stray lock of curly bronze hair behind Nessie’s ear, hoping she could hear the honesty in what I was saying. “You know that for our kind, waiting through decades of being alone before finding who you’re meant for is more common than finding that right away….So please, don’t be so resigned. You are entirely too young to resign yourself to an eternity of being alone. It will work out, somehow,” I finished, echoing Esme’s confident words to Bella long ago when our relationship was at its very beginning.
Renesmee nodded, and I hoped my reassurances had lifted a little of the weight off her shoulders. I didn’t need to have Jasper’s gift for empathy to know that existing in both our world and the human world, not quite belonging in either, was a difficult thing to process. I didn’t know what the future held for my daughter—none of us did—but I looked forward to it with the same optimism my own parents had always had for me.
The acoustic ballad we were dancing to ended softly, and I escorted her away from the dance floor so we could rejoin our family.
“My feet kind of hurt,” Nessie complained as we found Bella sitting beside Rosalie on some folding chairs, but a smile was still bright on her face. She was having such fun tonight.
“Do you want to go home, baby?” Bella asked as Nessie dragged over another chair to sit down between Bella and Rose. Nessie rested her head on Rose’s shoulder, and Rose circled her arm around Nessie in a one-armed hug. “You’ve been dancing all night, I’m sure you’re tired.”
“Yeah, I think I wanna go home,” Ness said, sounding a little sleepy.
Suddenly, Lindsay and Annie appeared out of the crowd as an upbeat pop song started playing. “Carlie, come dance with us!” one of the human girls said.
Nessie perked up. “Wait, I love this song! Just one last!” she said enthusiastically, heading back to the dance floor with her friends. I shook my head, amazed at her energy. I sat down on the seat that Nessie had just vacated.
“We’re still a go for tomorrow, right, Rose?” I asked Rose discreetly. If the weather was safe enough for us to be out, we were going into the city tomorrow so Rose could help me pick out Nessie’s very first car. She learned how to drive when she was seven but always used the cars that belonged to the rest of the family. Now that she was going to college, she needed a vehicle to be able to get around on her own. Bella was coming with us, too, to be the voice of reason. Apparently, Rose was just as likely as I was to pick a car that Bella would deem—and this was her word—‘overkill.’ Rose only nodded in response, but I saw the corners of her mouth turn up a little.
We all watched as Nessie danced to one last song with her friends, and I could pick her lovely voice out of the babble of other noise as she sang along. “There’s a mountaintop that I’m dreamin’ of…. If you need me, you know where I’ll be!”
“She’ll call us constantly once she’s in college, right?” Bella asked me in an emotional whisper, looking at our daughter jumping up and down and singing with her friends. Since she became a vampire, I rarely thought of my wife as vulnerable anymore, but she looked vulnerable now. If our bodies were still capable of shedding tears, I wondered if she would be crying. Honestly, I realized I wanted to cry as well. Renesmee was ready to create her own life, and she needed us less and less every day. Years ago, I’d thought loving Bella was the greatest accomplishment of my life, the only good thing I would ever do. I’d thought that, after a hundred years of emptiness, loving Bella as thoroughly and as completely as I did was the strongest feeling I would ever experience. But Nessie—she proved those assumptions wrong, time and again. It was an honor to have raised her, and I knew Bella felt the same.
I held Bella’s hand and kissed her temple. “I’m sure she will, love. I’m sure she will.”
After a few moments, the song was over, and Nessie was saying her goodbyes to her friends. When she had made her way back to us, she cried, “My feet are killing me! Please never let me dance all night in heels ever again.”
Bella let out a short laugh. “It’s fine, baby. You can take off your shoes and your dad will carry you to the car.”
“Oh, bless!” she exclaimed. Bella laughed again. Nessie pulled off her heels, which Bella promptly carried for her, and our daughter let me lift her up in my arms. As we walked, Bella wrapped her arm around my waist. I glanced up at the night sky and saw the pale moon untrammeled by the usual gray clouds, bathing the high school parking lot in its ghostly light. It conjured up memories of a similar evening. Another prom night—Bella’s very first. I’d carried her in my arms just like this, and I remembered how desperate I’d been, how important it was for me that she did not miss her prom, in case her future children ever asked about it. I wanted to make sure she wouldn’t have an empty story for them because of me. And here we were, thirteen years later, with the miracle of our own child in my arms, Bella’s arm around me. Not even the sweetest of my dreams could compare to the reality we lived in now. I stared at Bella’s face, wondering if her thoughts had taken the same turn mine had. She pressed a hand to her throat, remembering how I’d kissed her there that night. We shared a secret smile.
When we reached the car, Bella opened the door to the backseat, and I sat Ness gently down in the middle, making sure her limbs were in comfortable positions. “Thanks, Dad,” she whispered, looking seconds away from succumbing to sleep. Bella got in beside her, and I sat in the driver’s seat to take us back home.
At moments like this, I still struggled to believe how I could have been given so much happiness, so much unadulterated joy that went beyond the ambit of anything I had ever dared to dream of for myself.
It felt like a reward I didn’t deserve. Maybe it was futile, looking for reasons when I knew I would get no answers. But in all my musings, the only conclusion I came to that made any kind of sense was that… it was because of Bella.
Because of Bella and her goodness, that rare kindness I saw only in her—she was why I was allowed all this happiness. And I was just the fool lucky enough to be in the range of her shining sun. Lucky enough to love her and be loved by her.
How could I ever tell her how grateful I was? Grateful that she could always see past the worst of me and my mistakes. Grateful that she had unlimited selflessness, giving us the family I’d envisioned for her, but thought impossible for me. Grateful that she was all too happy to be the first and only love of my existence. Grateful that cruel fate, after our various ordeals, had turned merciful to bring us to this heaven.
I looked back at them again, Nessie now sleeping soundly on Bella’s lap, and Bella absentmindedly twining her fingers through the mess of bronze curls fanned out on the soft fabric of her dress. “She’s dreaming,” Bella whispered. I could see Nessie’s hand on Bella’s arm, inadvertently letting Bella see the pictures she was swimming through in the land of her dreams.
I was sure that no words in any of the languages I knew could ever sufficiently reveal the feelings of peace and contentment that I felt, staring at them, the two halves of my heart, at ease in the backseat.
Bella caught me looking then, her golden eyes piercing through mine in the rearview mirror. She smiled, lowered her shields, and allowed me to hear one thought: I love you.
“I love you, too, Bella,” I whispered. I willed the past and the future that stretched out infinitely before us to give those words weight, seeming too simple and inadequate to convey the depth of what I felt.
No, I didn’t have the words that could tell Bella how grateful I was for her. For Renesmee. For our family. Perhaps I never would…. But that was fine. I had the rest of forever to try and find the words. Forever and forever and forever. I smiled and felt lighter than if my heart were not made of stone, and sped up the car to take us faster towards home.
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gisellelx · 4 years
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What are some of your favorite Carlward fics?
So there are three that you are likely to find me just idly re-reading. Where I’m working on something and I’m just like, “Nope, need to revisit that one.” I’ll go on a bit about them since there are only a handful.  Bittersweet Hurt by Minerva One
This was my first go-round at CarlWard and I love it to pieces. Even though I tread some of the same water in Patroclus Rising, it’s never not fresh. What I love about this is that she starts from the question I always feel is central: why Edward? It’s a question I’m never not trying to answer in my own work. Sometimes I’m in Carlisle’s POV, sometimes in Edward’s, currently in Bella’s, but it’s always about that to me. The saga is about that to me.  The emotion in this one is just pitch-fucking-perfect. The build is slow and hot, the inevitability that the two are going to come together and that Carlisle’s going to be the reason everything goes to pieces--it’s just amazing. It gets at the ways in which Carlisle is utterly inadequate, completely not ready for what he started, and it just strips both of them bare, figuratively and delightfully literally. It also is tight. I think a lot of fanfic benefits from being novella-length--long enough to let the writer stretch out a bit, but short enough it doesn’t leave a novice writer scrambling trying to find the next plot point. This is beautifully plotted and leaves me a little breathless each time. I actually haven’t re-read it in awhile and need to.  Intervention by AllTheOtherNamesAreUsed
Let’s take a left turn. Okay, so now here’s where people are either going to have to come along with me or throw me out, ha ha ha. I er, happen to headcanon that Carlisle, being a kind of uptight, workaholic, who feels like he has to be in control of everything all the time--six vampire children, the process of hiding his family, the lives of his patients--would seek catharsis, somewhere. He needs some way of being safe, of allowing his mind to blank with those he loves. So the fact that this fic, written for a kinkfest meme, also happens to begin with my other favorite Carlisle sex headcanon, which is that he enjoys Esme putting him into subspace, is icing on a really nice CarlWard cake. The middle of the fic (spoiler all the Cullens are poly) I can kind of take or leave--it’s an enjoyable read but I don’t love it the way I love the first and last two chapters. The final two chapters of this kinkfic are romantic, feral Edward/Carlisle. One of the things I love most about it is that she doesn’t back away from the paternal stuff. This is post-BD, and they are carefully re-aligning what it means for Edward to still very much be Carlisle’s son and yet for them to evolve that relationship a bit. There’s a line in there about Carlisle’s love giving Edward roots and Bella’s giving him wings that is just so right. 
Trouble Follows by LyricalKris
I am too much of a lover of the vamp world to enjoy AH much. To me, Twilight is indeed as a semi-viral tumblr post put it, the story of a loving adorable couple and their chaos vampire children. I literally lose track of the characters in AH fic; it’s not enjoyable for me to read. I’ve been friends with Kris for--gosh I guess over  a decade now and I forget when she told me I needed to look at Trouble but I finally did and whipped through the 2.333 books in the series in a couple days. As I wrote above, I hc Carlisle as a sub, so I wasn’t sure I could handle an AH with him as a dom. But it works. I link the second one because while erotic scenes are always fun, I find a good plot and character conflict sexier than anything else you can put down on the page. The first book is mostly sexytimes with a little growth sprinkled in, but in this, the second installment, there’s just such a lovely build of conflict around the two and between the two, and she sold me on a perfectly in-canon, non-vampire Carlisle and that’s a tall fucking order. 
These are all mutli-chaps. Three shorts I revisit with some regularity are 
Everything in its Right Place by Avioleta. Again, this is a really nice one dealing with Carlisle wrestling with his feelings for both Edward and Esme; it has some deliciously angsty parts and is brilliantly researched. 
Red Geraniums by Pastiche Pen. Also one of the few AHs I re-read. It’s actually William I like in this story. In fact, I don’t know if she ever named Carlisle’s father in it. His name is William, fight me. :) The coupling in this one is great but like Trouble, it’s the plot here that gets me. A man coming to grips with his sexuality after he’s already done some things he regrets. 
Not a Monster, My Love by dyly. I don’t even remember how I stumbled on this one. It’s less well-written than my brain will usually put up with (I try really hard not to be a writing snob, I promise but some things just pull me out of a story) but the H/C just really works in this short in a way that’s hot and beautiful at once.  So there are six. @edwardsmate4ever I suspect you’ve probably hit all of them before, but perhaps others haven’t. I am never not here for a good CarlWard rec, especially if it’s vamp, so feel free to hit my inbox with them. 
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steves-on-a-plane · 4 years
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Waiting For You
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Words: 1597 Pairing: Bucky Barnes x Reader Timeline: Not Specific Request: “Omg u are taking requests? Can you write something about Bucky being readers boyfriend and she is just waiting for him to propose they have been together for yearssss and yearsss.” - Anon Summary: Bucky and Reader have been dating for seven years, but after dropping hints about wanting to get married for nearly a decade, Reader has finally accepted that it may not be in the cards for her and Buck. 
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You’d  tried dropping hints over the seven plus years that you’d been dating Bucky. They were subtle at first. One time you left a stack of bridal magazines on the coffee table for a week to see if he said anything. Another time You started a conversation asking about which two colors he thought went best together. But over time the hints got less subtle. You talked about how nice your sister’s wedding was and how you couldn’t wait for your own special day. You’d read your friend’s Facebook posts aloud and talk about how they all seemed to be having kids. Every attempt seemed to go unnoticed.
“What are we watching tonight?” Bucky yawned as he snuggled up close to you on the couch. It was time for your weekly movie night and it was your turn to pick the movie.
“Twlight; New Moon.” You said pressing play on the remote. You draped a blanket across you and Bucky as movie started.
“The vampire movie?” Bucky sighed. “Didn’t we watch already?”
“Not this one.” You laughed. “There’s five of them.”
“Five!” Bucky complained. Alright well what happens in this one?”
“You’d know if you stopped talking.” You scolded him. You yawned and leaned against Bucky, your head resting on his chest. After only ten minutes Bucky had more questions.
“So Bella’s upset because she’s getting older and Edward is not? The dude’s 109!” Bucky exclaims pointing at the TV. He starts playing with a lock of your hair, twirling the strand around one of his fingers.
“But he looks seventeen.” You pointed out.
“That dude does not look seventeen!” Bucky argues. “Where’s my phone? I’m gonna Google how old this guy was.” Bucky strained to reach for his phone that was resting far away on the coffee table. He couldn’t quite reach with you laying on him. You handed him your phone without taking your eyes off the screen. “Ah-ha! I knew it!” He remarked a half-second later. “My dude was twenty-three when this movie was made.”
“Okay, but that’s not the point.” You sighed. “From Bella’s perspective, Edward doesn’t want to change her into a vampire at all. She’s thinks he is just going to stay with her until he she is too old for him and then he’d leave and move on. For Bella, it’s only ever going to be Edward, but she’s afraid that she will only ever be an insignificant blip in his life.”
“Why would she think that?” Bucky asked.
“Well, you’re missing the entire set up to the plot.” You whispered to him. “So please be quiet.”
As the movie played on Bucky eventually settled down and watched the movie. You were tired from the long day you’d had. You felt your eyelids grow heavy around the half-hour mark. You struggled to stay awake at first, New Moon was your favorite of the Twilight movies. But the security and warmth from being held in Bucky’s arms had you drifting off to sleep.
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Two months past and you’d all but forgotten about that night. Your movie marathon had moved on from the Twilight saga and onto Harry Potter.  You’d given up on dropping even completely obvious hints about getting married too. You’d been together for seven years, at this point either Bucky was going to propose to you or her wasn’t. You were through with trying to force it to happen. It was the morning of your birthday and Bucky surprised you with breakfast in bed.
“Eat up!” He instructed. “I’ve got a full day of activities planned for us!”
“What kind of activities?” You asked, offering him a waffle.
“I already ate.” He waved the food off. He sat on the bed next to and leaned back on his pillow. He kicked his feet up and started listing off activities. “Let’s see, Breakfast in bed was first on the list, so check. Then I was thinking you might enjoy kicking my butt at a few rounds of Luigi kart…”
“It’s Mario Kart.” You snorted, trying not to choke on your food.
“Yeah, but I like Luigi better and there aren’t enough games named after him.” Bucky told you.  “So, we’re a Luigi Cart family in this house.”
“Okay.” You humored him. “And what are our plans after Luigi Cart?” ‘”I thought maybe we could go to the mall, do some shopping and eat at that restaurant you’re always trying to get me to go to but it’s closed on Sundays.”
“I can’t help it that the Chick-Fil-A curse means I only crave it on Sundays!” You exclaimed.
“Then after that I thought we could just come home and relax and snuggle. It’s been awhile since we’re spent the day just the two of us together.” He said.
“That sounds great, Bucky.” You agreed.
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The day went mostly as Bucky described. You played Mario Kart for about two hours before heading to the mall. At the mall, Bucky was great about letting you drag him through all of your favorite stores. With your boyfriend’s arms weighed down with shopping bags, you took a break for lunch at Chik-Fil-a. A fast food restaurant that Bucky usually told you charged way too much for a food as cheap as chicken. Once you were all shopped out, Bucky drove you home.
“Just leave the bags in the car.” Bucky told you as he stepped out of the car. “I’ll cary them in later. I wouldn’t want my gal to lift a finger on her special day.” Bucky swoops in and kisses you before putting an arm around your shoulder.
“So movie night next?” You asked.
“Sure.” Bucky nodded. “But first, close your eyes.”
“Close my eyes? Why would I…”
“Humor me, please?” He asked.
“Alright.” You squeezed your eyes shut and let Bucky guide you into the house.
“SURPRISE!” You opened your eyes to see that Bucky had secretly put together a surprise party for your birthday. The house was decorated with streamers and balloons in lilac, your favorite color. There was a large six tire cake on display in the dining room, it too had lilac colored frosting and all of your friends were there, ready to celebrate the day with you.
“Wow! Thank you everyone!” You reached out and held Bucky’s hand. Parties or large gatherings weren’t really his thing so it meant a lot to you that he was willing to endure such a stressful envirement just for your birthday. “Thank you for putting this together.” You said, kissing him on the cheek.
“This is just the beginning, Babe.” Buck promised. “You guys hungry?” Bucky asks the crowd of Avengers around you. They reply with encouraging “Whoop-Whoop!”s and “Yeah!”s.
“We just ate lunch.” You frowned. “I don’t know how much more I can eat.”
“We’ll start with dessert then.” He said leading you into the dinning room. Bucky instructs everyone to gather around the table and with Steve’s help he removed the top layer of the cake. It is the smallest and probably only about four servings of cake.
“Do you remember a few months ago when we watched all of the Twilight movies?” He asked you. You nodded in response. “Well, those movies really got me thinking about something. Most of my adult life I’ve only ever seen myself as a monster. I thought I was destinted to be damned and I sure as hell didn’t think I’d ever catch the eye of a dame half as great as you.” Bucky reach out so that he was holding both of your hands in his. You were facing each other and looking directly into each others eyes.
“In a hundred life times, I’ll never understand how anyone so amazing could love me.” He continued. “And I don’t ever want my anxiety to get in the way of loving you. I don’t want to risk losing you because I was too afraid to let you know how I really feel. Happy Birthday [Y/N].” He sealed the birthday wish with a kiss.
“Thank you, Buck. No candles?” You teased him as you sized up the beautifully decorated but candle-less cake. Bucky didn’t comment as he handed you an ornamental cake knife. “Did you buy a cake knife just for this?” You asked him.
“It’s ours!” Clint shouted from where he stood in the back of the dining room with one arm holding his wife Laura close to him. “Think of it as something borrowed.” He told you cryptically. Holding the cake knife carefully you cut into the cake. You cut a small quarter out of the cake and slid the wedge out.
“I need a plate.” You laughed, completely missing the small silver object glistening inside the cake. “And a fork.” You added as Steve held up an empty plate to you.
“We’ll get you a fork later.” Bucky said. He takes the plate out of your hands and set the piece aside. “This wasn’t how I thought this was going to go but…” Bucky stuck his fingers inside the cake and seemed to dig something out of it. You couldn’t help but gasp when he produced a silver ring with a sapphire set atop it. “Something new, and blue.” He commened before lowing himself to the ground. “[Y/N] [Y/L/N], I’m sorry I made you wait so long, but will you make me the happiest mna on the planet and marry me?”
“I literally thought you would never ask.” You told him. You dropped down onto the ground so that you were kneeling next to him and threw your arms around his neck.
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panlight · 3 years
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I saw a tiktok of another twilight fan saying she doesn’t think in a possible sequel the Renesme x Jacob thing will go like we are all assuming because Meyer would never have Jacob be a cullen and marry into the cullens because she doesn’t like him as much as them and he doesn’t fit the *fantasy* (referring in part to Meyer’s racism and classism amongst other things). Meyer never saw Jacob as a true romantic lead, he was more like a plot device the entire time. The imprint thing was because she didn’t know how to get out of the situation with a happy ending. So their ship is a plot convenience and not that she actually likes them together. I also think they may not be endgame because there needs to be a conflict or reason why the lovers can’t be initially together to fit a traditional romance narrative. If their love story is that they have known each other her entire life and he’s perfect for her and her family likes him then there’s no angst or drama. Do you think is possible a new romantic interest will be introduced?
Okay here's my hottest of hot takes: What if SM didn't make Jacob Like That in Eclipse to make everyone think Edward was the better option? I think she was already assuming everyone preferred Edward because to her it was obvious he was the Ideal Man. So what if she made Jacob Like That in Eclipse to seem like a more serious option/rival? Did she reveal some of her own biases and perpetuate harmful stereotypes about aggressive Native men while doing so? Oh, god, yeah. But I think in her head this wasn't "I've ruined Jacob and now everyone will like Edward more!" but "now Jacob will be taken seriously." Sweet, gentle, sunshiney Jacob couldn't--in SM's mind--compete with the intensity and single-minded devotion of Edward. So she had to make Jacob more intense and promoted Seth to resident Sunshine Boy.
I base this on comments she's made. One where she's comparing Edward Cullen to all the greatest romantic leads of all time and saying he's better than all of them, but when it comes to Gilbert Blythe from Anne of Green Gables, "he's more of a Jacob than an Edward." She also has lots of positive Jacob comments, especially around the Eclipse era, where she talked about how it made her so sad that people hated him and if they could see what she sees in her head, everyone would love him. And then there's that brain-breaking quote in the Guide in that first interview where she talks about how "worried" she was about Jacob in Eclipse "even knowing the eventually happy ending" and how happy and relieved she was when he laid eyes on Renesmee and "his life came together for him."
So I propose SM DOES like Jacob, and she butchered him trying to make him more Edward-y so he would come off as a more serious romantic rival, and in doing so stepped into a whole-ass minefield of consent issues, racist tropes about Indigenous men, and basically erased everything about the character that people had loved. Patient, gentle, happy Jacob was no threat to Edward's "I can't live in a world where you don't exist" brooding intensity and drama, so she felt Jacob had to become more intense and dramatic.
So, IMHO, Renemsee/Jacob is absolutely happening as much as I don't want it to be true. It happened in Forever Dawn, which was written before New Moon and Eclipse, and so Jacob's imprint on Bella's daughter was always part of the story. It wasn't 'how do I solve this love triangle?' It's even more baffling than THAT, because she KNEW Jacob/Renesmee imprint was endgame and still wrote Jacob/Bella the way she did in New Moon/Eclipse and I'm just like . . . why. Why would you do that? Why would you make this thing that is already weird (imprinting on a BABY) even weirder by developing this character into one who resented imprinting and having his choices taken away AND developing the J/B relationship to be "soulmates in another world" like . . . why. Why. WHY?!
All that said, I would bet cash money that future Renesmee books will feature a love triangle between Jacob, Nessie and Nahuel. It will be all "Jacob is my soulmate, my past, my present, my endless future. He would do anything for me. But Nahuel . . . he understands me in a way Jacob never could, he knows what it's like to be a hybrid, never fitting in . . ." I can just see it all so clearly and it's going to be cringy for this rich white girl with literal superpowers and a family who adores her going on and on about how she doesn't fit in but I think that's where this is going.
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aion-rsa · 4 years
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The Best Creepy Horror Movies
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Creepy isn’t the same as scary.
Of course horror movies can be scary simply by using loud noises and sudden movements to make their audiences jump, but creepy is harder to pull off. To be effectively creepy, a film needs to establish a certain atmosphere; it needs to draw you in and make you care. It needs to give you something to think about when you’re trying to drop off to sleep at night; to make you wonder whether that creaking noise down the hallway was just the house settling or something lurking in the shadows. Creepy stays with you. It gives you goosebumps.
Here are 85 of the best horror movies (in no particular order) to chill your bones. Enjoy the nightmares.
Us (2019)
Jordan Peele’s follow up to his award winner Get Out is another social horror. While it might not be quite as accomplished or coherent as Get Out (the end is a bit of a mess) Us is arguably scarier than Get Out as a family staying in a holiday home find themselves tormented by evil replicas of themselves. It’s a film that keeps you constantly on edge with the performances of the main cast – Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex – absolutely pitch perfect and never less than convincing as good and evil versions of themselves.
It Comes At Night (2017)
Though the marketing material was somewhat misleading, featuring the above scary-looking dude (who really isn’t a big part of the film at all), It Comes at Night, from director Trey Edward Shults is a claustrophobic slow-burner that insidiously ramps up the creep factor. Joel Edgerton plays the patriarch of a family holed up in a cabin in the woods to escape an unnamed wide spread virus. But when a man, his wife and their young child arrive seeking shelter his family life is disrupted. A coming-of-age horror with one of the bleakest endings around.
Mr. Jones (2013)
Nobody knows who Mr. Jones is. The artist is a recluse, but his bizarre sculptures have made him world famous. When a documentary maker and his girlfriend stumble across what looks like his workshop, they become obsessed with finding out the truth about Mr. Jones, but the truth isn’t particularly easy to stomach.
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Games
20 Scariest Horror Games Ever Made
By Matthew Byrd
Movies
Best Modern Horror Movies
By Don Kaye
One of the most stylishly shot found footage movies you’ll ever see, the makers know the rules of the genre well enough that when they break them, it adds to the story rather than detracting from it. Also, those scarecrows are petrifying.
Under the Shadow (2016)
Set in war-torn Tehran in the late 1980s, Under the Shadow sees a would-be doctor battling the forces of evil for her daughter (and her sanity) even as everyone around her flees to safer ground. The juxtaposition of earthly and unearthly threats makes this a uniquely terrifying film, and Shideh (Narges Rashidi) is a wonderfully complex and sympathetic heroine. Not many films could make a sheet of printed fabric terrifying, but Under the Shadow manages it.
Gaslight (1940)
Bella (Diana Wynyard) thinks she’s losing her mind. She keeps losing things, and the lights in her house seem to flicker, even though her husband Paul (Anton Walbrook) tells her he can’t see anything wrong. Plus there are those footsteps upstairs… Just from that description, you might think that Gaslight will turn out to be a haunted house story, but the real explanation for all the weirdness is far more sinister than that. Walbrook does sinister like no-one else.
The Babadook (2014)
A character from a terrifying kids book comes to life to haunt a single mother (Essie Davis) grieving for the loss of her husband in this beautiful, sorrowful meditation on depression and despair. Top-hatted Mr. Babadook with his horrible, terrible grin is of course creepy as all, but Noah Wiseman as her needy and uncontrollable child gives him a run for his money in creepiness.
The Clairvoyant (1934)
Maximus, King Of The Mind Readers (Claude Rains) performs amazing feats of clairvoyance on stage every night in front of adoring audiences. The problem is, it’s fake – the mind-reading is all done through a secret code Maximus has invented to communicate with his assistant wife, Rene (Fay Wray). But one night, he meets Christine (Jane Baxter), and his abilities become real. He really can predict the future. If you’ve already guessed that’ll turn out to be more of a burden than a gift, you’re right. Gorgeously shot, wonderfully acted, this is a creepy delight.
Sleep Tight (2011)
The second Jaume Balaguero film on this list is just as bleak and horrifying as the first: Sleep Tight sees a concierge secretly breaking into the homes of the people he’s supposed to serve to try to make them as miserable as he is. When Cesar (Luis Tosar) finds one tenant is harder to upset than the others, his behaviour escalates until he’s committing unimaginably grotesque crimes against the poor girl. The ending will have you shuddering in your seat.
Lake Mungo (2008)
This strange found footage film from Australia takes the format of a mockumentary focusing on the family of a dead girl who think there are supernatural goings on surround their house. It owes a debt to Twin Peaks in its odd neighborhood vibe, and the twisty plot holds many surprises, as the movie wrong foots the audience time and again. It’s creepy throughout but by the time you finally discover what’s really going on it’s not only terrifying but emotionally devastating too.
Dead of Night (1945)
Probably the best horror anthology ever made, this Ealing Studios production includes five individual stories and one wrap-around narrative. The wrap-around sees a consultant arrive at a country home only to find that he recognizes all of the guests at the house – he’s seen them all in a dream.
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Movies
A Short History of Creepy Dolls in Movies
By Sarah Dobbs
Movies
Annabelle: Real-Life Haunted Dolls to Disturb Your Dreams
By Aaron Sagers
Spooked, the guests start recounting their own stories of the uncanny, each more unnerving than the last. Well, except for the one about the golfers, but that one’s just there for light relief before the film hits you with the scariest ventriloquist’s dummy ever committed to film. Just excellent, all round.
Hereditary (2018)
One of the most truly harrowing movies of recent years is Hereditary, the feature debut from Ari Aster. Toni Collette stars as a mother trying to hold together her family in the aftermath of a tragedy while around her supernatural goings on begin to escalate.
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Movies
Hereditary: The Real Story of King Paimon
By Tony Sokol
Movies
Hereditary Ending Explained
By David Crow
Hereditary has been called The Exorcist for a new generation, though it’s so much more than that. In fact at times, Hereditary is almost too scary, so oppressive is it’s escalating anguish and dread. This one is pure nightmare fodder.
Nina Forever (2015)
Rob (Cian Barry) can’t get over his ex-girlfriend. Nina (Fiona O’Shaughnessy) died in a car crash, which is bad enough, but when he tentatively begins a relationship with his co-worker, Holly (Abigail Hardingham), he finds himself haunted by Nina. Literally. She materializes in his bed every time he and Holly have sex – she might be dead, but she’s not letting go.
“Creepy” doesn’t feel like a strong enough word to describe this film – “devastating” might do it. It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore. Brilliant, but not one for the faint-hearted.
Robin Redbreast (1970)
When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be. As she gets to know the locals, she finds herself being pushed towards a relationship with karate-loving Rob (Andrew Bradford), and while she’s initially game, she soon discovers that her choices are being made for her. It’s a little bit Wicker Man, a little bit Rosemary’s Baby, and a lot of creepiness.
It Follows (2014)
Inspired by a reccuring nightmare director David Robert Mitchell had in his youth,It Follows is a clever, freaky take on the slasher movie, featuring, well, a sexually transmitted ghost. Maika Monroe plays a young woman haunted by a shape shifting spectre after a sexual encounter who slowly but relentless trails her everywhere – the film plays with the audience expertly, making us guess whether background characters could really be the monster. Ultra modern and highly effective, this one will leave you jumping at shadows long after the credits roll.
The Masque of the Red Death (1964)
A tyrannical landowner is plagued by, well, a literal plague in Roger Corman’s adaptation of an Edgar Allan Poe story. Vincent Price plays the Satanic Prince Prospero, who rules over his village with an iron fist, condemning people to death for the mildest offence and abducting any woman who takes his fancy, but all of his evils come back to haunt him when he throws a masked ball and Death shows up. Fittingly, it’s got the hallucinogenic quality of a fever dream, and the various incarnations of Death are wonderfully creepy.
As Above, So Below (2014)
A group of explorers heads deep into the Paris catacombs, only to find they’ve gone a little too deep and stumbled into an alternate dimension that might actually be Hell. It’s a brilliantly over the top concept, and the way it plays out is incredibly eerie. Yes, it’s found footage, and yes, it’s a little bit on the silly side – it chucks in quotes from Dante and a few too many sad-faced ghosts – but some of the scares along the way are properly frightening. Suspend your disbelief and let it freak you out.
Oculus (2013)
Eleven years ago, Alan (Rory Cochrane) bought an antique mirror… and then died, along with his wife. According to the police, they were murdered by their 10-year-old son. According to their daughter, the mirror is haunted, and something supernatural caused their deaths. Now Tim (Brenton Thwaites) is out of prison, Kaylie (Karen Gillan) wants to prove he was innocent by conducting an experiment on the mirror… But inadvertently puts both of them in danger all over again.
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Books
“God God – Whose Hand Was I Holding?”: the Scariest Sentences Ever Written, Selected by Top Horror Authors
By Rosie Fletcher
Movies
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By David Crow and 3 others
It’s chilling. The way director Mike Flanagan plays with reality, building unbearable uncertainty through camera angles and false memories, makes this film both incredibly scary and impossibly sad.
The Witch (2015)
After being cast out of a New England plantation for not interpreting scripture in the same way as the colony’s elders, a family strikes out alone, and soon discovers how inhospitable their unfamiliar new home country can really be. The Witch is a period piece, and the language is suitably archaic, but don’t let that put you off: it’s a brilliantly chilling portrayal of Puritan life, where belief can mean the difference between life and death, and horror is only ever one failed crop away.
The Amityville Horror (1979)
The Amityville Horror is the haunted house story. If you were only ever going to watch one haunted house movie, it should be this one, because this is the archetypal story: a family moves into a house where horrible murders happened, and then bad things happen to them. It manages a lot of things later imitators didn’t, though, which is that it makes the Lutzes’ decision to buy the house make sense, and also builds the horror slowly, so that they almost don’t notice when the things going wrong in the house switch from annoying issues to outright horror. If you’ve moved house in recent memory, this one’ll hit you where it hurts.
The Conjuring (2013)
If you were only ever going to watch two haunted house movies, the second one should definitely be The Conjuring. James Wan’s ode to ’70s horror has plenty in common with The Amityville Horror, but it also has plenty of ideas of its own – and at least half a dozen moments that’ll make your heart leap into your mouth.
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Movies
Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre
By Rosie Fletcher
The camerawork, the music, the cute kids stuck in the middle of epic spiritual warfare… it all adds up to a completely terrifying experience. You’ll probably need to sleep with a nightlight for a week afterwards.
The Changeling (1980)
George C. Scott stars as Dr. John Russell in this classic ghost story, which is a favorite of The Others director Alejandro Amenabár. Following the tragic demise of his wife and son, Dr. Russell moves into a rambling Victorian mansion to compose music and pick up the pieces of his life. He’s soon being woken by relentless booming sounds coming from the heating system, precisely at 6am every day… Then there’s the old “apparition in the self-filling bath” trick (actually, this may be the first time this happened onscreen, but it sure won’t be the last).
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Movies
Dog Soldiers: The Wild History of the Most Action Packed Werewolf Movie Ever Made
By Mike Cecchini
Movies
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By Alec Bojalad and 1 other
This is one of those movies which hits up all the clichés: people go into the dark, gloomy attic to search for clues, and to the library to look up old news archives on the microfiche; they visit the graveyard, and finally, hold a séance (which is overwhelmingly creepy). The eerie soundtrack and skilful storytelling result in a film which peels back its mysterious layers slowly for a satisfying finish.
The Hallow (2015)
If you go down to the woods today, make sure you don’t steal anything or break anything, or the Hallow will get you. Tree surgeon Adam and his family move into an ancient farmhouse to start sizing up the land for developers and quickly fall afoul of the supernatural creatures lurking in the trees, which turns out to be a really bad idea. This film’s got it all: foreboding mythology, grotesque body horror, and the most amazing line of foreshadowing dialogue you’ll ever hear.
The Uninvited (1944)
A couple of Londoners holidaying in Cornwall stumble across a gorgeous abandoned house on the seafront and immediately decide they want to buy it. The owner, a grumpy old colonel, is happy to sell it to them on the spot, but his granddaughter is reluctant. Turns out the house has got secrets, and, yeah, a ghost. The dialogue in this film is incredible in a very 1940s kind of way, and the tone can occasionally be accused of jolliness, but it’s also got its moments of proper creepiness. Best enjoyed with a glass of sherry.
Saint Maud (2019)
One of the best movies of the year, Rose Glass’s feature debut is a study of a young palliative care nurse who starts to believe she’s on a mission from God to save the soul of her dying patient.
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Movies
Saint Maud and the True Horror of Broken Minds and Bodies
By Rosie Fletcher
Movies
Saint Maud Review: Elevated Horror That’s a Revelation
By Rosie Fletcher
It’s a film about conflicts between mind, body and soul, but it leans her into genre territory as Maud (Morfydd Clark) hear God talking to her directly and punishes her own body in an attempt to feel closer to her spiritual side, while the cancer riddled Amanda (Jennifer Elhe) celebrates her body as it lets her down. Shot in Scarborough everything about Saint Maud is unsettling right up to the indelible finale. An absolute must watch.
Crimson Peak (2015)
Director Guillermo del Toro insists that Crimson Peak isn’t a horror film but is, instead, a gothic romance. That doesn’t mean that it isn’t creepy as all get-out, though. When aspiring author Edith Cushing (Mia Wasikowska) meets charming baronet Thomas Sharpe (Tom Hiddleston), she falls madly in love and agrees to move back to his ancestral home, Allerdale Hall – aka Crimson Peak. But the house is crumbling and full of ghosts, and Sir Thomas’s sister doesn’t seem terribly friendly, either…
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Movies
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By Don Kaye
Movies
Lake Mungo: the Lingering Mystery Behind One of Australia’s Scariest Horror Films
By Rosie Fletcher
Del Toro’s visual flair is in full effect here, and every frame of this film (even the scary ones) are stunningly beautiful to look at. It’s a treat.
Baskin (2015)
A group of cops answers a call from the middle of nowhere and unwittingly stumble into something that can only be described as ‘a nightmare’ in this skin-crawlingly nasty Turkish horror. Abrasive, aggressive and deliberately difficult, this is the kind of film that burrows deep into your brain, only to resurface later at the worst possible time. Then again, by the time you’re stranded in the middle of nowhere with only dead colleagues and Silent Hill-style monsters for company, you probably don’t need memories of a horror movie to freak you out.
His House (2020)
A Netflix movie which could make a mark come award’s season the directorial debut of Remi Weekes sees a Sudanese refugee couple seek housing in London only to find themselves haunted by ghosts of the past and present. This is proper horror and it’s creepy as hell but it also leans into the horror of the refugee situation with the two marginalized, restricted, and treated as outsiders from the start – it’s a powerful but uncomfortable watch.
Host (2020)
The defining horror of 2020 – written, shot, edited and released on Shudder in just 12 week – Host is so much more than a lockdown gimmick. Following a group of friends who decide to do a seance via a Zoom chat, this ingenious movie trades on the real life friendships of the cast and crew and the absolute ubiquity of the video software during isolation. It’s seriously creepy too, utilising visions in the shadow but later some seriously impressive stunt work. Director Rob Savage and writer Jed Shepherd have signed up for a three picture deal from Blumhouse on the strength of this movie which absolutely needs to be seen.
The Haunting (1963)
Not to be confused with the remake of 1999, this retro gem not only features some classic sequences of spooky happenings, but a philosophical take on the paranormal. As John Markway says, “The preternatural is something we don’t have any natural explanation for right now but probably will have someday – the preternatural of one generation becomes the natural of the next. Scientists once laughed at the idea of magnetic attraction; they couldn’t explain it, so they refused to admit it exists.
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Movies
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TV
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By Chris Longo
Dr. Markway (Richard Johnson) is investigating the mysterious Hill House, whose inhabitants often die in odd circumstances. With him he has Luke (Russ Tamblyn), the cynical heir to the home, the psychic Theo (Claire Bloom, way too cool for school) and Julie Harris as Eleanor, who has some ghosts of her own but figures a free stay in a mansion is as close to a holiday as she’s going to get. Markway is pleased the ladies haven’t done any research into the bad reputation of the house “So much the better. You should be innocent and receptive.” (The old dog.) This is a great, character-driven story with a dry sense of humor, and a mysterious heroine who feels oddly at home with the supernatural.
Unfriended (2014)
A cautionary tale about the dangers of cyberbullying, Unfriended achieves the seemingly impossible and manages to make the standard sound effects of everyday computer programs terrifying. The whole story is told through one character’s desktop, so you get to watch as she Skypes with her friends, posts to Facebook, or picks something to listen to on Spotify. The details are fascinating, and it’s kind of brilliant how the filmmakers manage to express so much about a character through her browser bookmarks and the messages she types, but doesn’t send. Once the horror kicks in, though, you’ll be too scared to notice much more of the cleverness.
Shutter (2004)
Jane (Natthaweeranuch Thongmee) is driving back from a wedding with her boyfriend Tun (Ananda Everingham) when she hits a girl – in a panic, they leave the body lying in the road and try to get on with their lives. They start feeling rattled when Tun’s photography is blighted by misty shadows and they both suffer from the odd hallucination which seems to show that their hit and run victim (Achita Sikamana) isn’t resting in peace.
Where would horror films be without photographic dark rooms? Even in the digital age, the dim red light and slowly emerging pictures remain classic tools of terror. Not to mention the room with rows of jars containing pickled animals, and the surprise homage to Psycho. This story has it all. There are also touches of dark humor throughout (the praying mantis is a recurring motif) and one of the most bone-chilling scenes has a hilarious payoff.
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TV
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By Matthew Byrd
Movies
The Weird History of A Chinese Ghost Story Franchise: Horror Comedy at its Wildest
By Gene Ching
Directors Banjong Pisanthanakun and Parkpoom Wongpoom skilfully create real characters and have the ability to communicate some of the most powerful and eloquent moments without dialogue.  The mystery deepens as more sinister evidence comes to light and the climax is truly chilling. This is one which will stay with you long after Halloween.
Spider Baby (1967)
The Merrye children live out in the middle of nowhere, with only one another and their family chauffeur, Bruno (Lon Chaney Jr) for company. Which is for the best, because they’re all afflicted with the family curse – a bizarre quirk of genetics that causes members of the Merrye family to begin to de-evolve once they reach a certain age. When some distant relatives come to visit, intending to challenge the kids’ right to stay in the house, things go sour fast. It’s a horror comedy, this one, but if you’re not a little bit creeped out by Virginia (Jill Banner), the Spider Baby of the title, and her spider game, well, good luck to you.
What Lies Beneath (2000)
Robert Zemeckis directs Michelle Pfieffer and Harrison Ford in this glossy supernatural thriller, with predictably high quality results. Clare and Norman Spencer live the perfect life – especially now their daughter has left for college and they’re enjoying empty nest syndrome. But the neighbors are causing some concern – especially when the wife disappears and Claire believes she is trying to communicate with her from “the other side.”
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Movies
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By David Crow and 1 other
Movies
Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre
By Rosie Fletcher
Zemeckis has admitted that this is his homage to Hitchcock, and true to form, the suspense builds deliciously slowly. When Claire starts seeing faces in the bathtub (where else?) she goes to talk it over with a psychiatrist. A session with a Ouija board proves that somebody is trying to contact Claire, and it’s not long before she’s stealing keepsakes from grieving parents and reading books with chapters helpfully entitled “Conjuring the Dead.”
The result is a strong movie whether you’re enjoying the ghost story or the “Yuppies in peril in a beautiful house” aspect of it (and it doesn’t hurt that Michelle looks luminously beautiful).
Cat People (1942)
Serbian immigrant Irena doesn’t have a friend in the world when she meets Oliver. He’s kind and attentive and they soon fall in love, despite Irena’s lack of physical affection. She’s convinced she’s living under a curse that will mean she’ll transform into a panther and kill any man she kisses, and despite seeing a (deeply inappropriate) psychiatrist, she can’t shake her beliefs. Oliver is initially patient but eventually finds himself falling for his much more reasonable colleague, Alice. There’s no way this love triangle can end happily and, well, it doesn’t. Cat People is sad as well as eerie, with an increasingly paranoid atmosphere enhanced by skillful shadow play.
The Nameless (1999)
Five years after her daughter Angela went missing, presumed dead, Claudia starts getting weird phone calls. A female voice claims to be Angela, and begs her mother to save her. A series of weird clues leads Claudia to investigate a weird cult… but when things slot into place too easily, it seems like someone might be luring her into a trap. Thematically, The Nameless is similar to Jaume Balaguero’s later film Darkness; there’s a similar feeling of hopelessness and despair, a creeping horror that doesn’t let up, topped off with a horribly downbeat ending. Brrrr.
Dead End (2003)
The Harrington family are driving home for Christmas when they decide to take a shortcut. Obviously, that turns out to be a bad idea. Picking up a mysterious hitchhiker is an even worse idea. Dead End isn’t a particularly original movie, and it does have a truly awful ending, but there’s something about its characters, its atmosphere, and the way it tells the well-worn story that’s really effective. And creepy, of course.
The Others (2001)
Every ghost story introduces an element of uncertainty: are these things really happening, or are they in your head? Like The Innocents, The Others is partly inspired by Henry James’ novella The Turn Of The Screw. Grace (Nicole Kidman) has turned being neurotic into a fulltime job; her children apparently suffer from a sensitivity to light, which means the gothic mansion they inhabit must be swathed in thick curtains at all times. This makes things difficult for the new servants, who have turned up in a most mysterious manner… 
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TV
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By Alec Bojalad and 1 other
TV
Best Horror Anime To Watch on Crunchyroll
By Daniel Kurland
Grace’s daughter has an imaginary playmate called Victor; her insistence that there are “other people” in the house vexes Grace until she begins to hear them, too. A piano playing by itself, shaking chandeliers and some truly traumatic hallucinations add to the panic as Grace questions exactly who she is sharing her home with. The tension builds to almost unbearable heights before a truly haunting ending. An intelligent script with a superb twist, quality acting and an atmospheric set (complete with graveyards, mist and autumn leaves) – what more could you want in a creepy movie?
Night of the Living Dead (1968)
“It is happening, and no one is safe.” Night of the Living Dead features some of the most brilliantly ominous radio broadcasts in all horror. When a group of strangers end up trapped in an isolated farmhouse together after the dead begin to rise, no one is in the mood for making friends, and it’s their own prejudices and stubbornness that leads to their downfall. (Well, that, and the fact that no one realized getting bitten by a ghoul would lead to death and reincarnation. Oops.)
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TV
The Walking Dead vs. Real-Life Survivalists: How to Prep for The Zombie Apocalypse
By Ron Hogan
Movies
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By Alex Carter
The zombie imagery is some of the most haunting ever committed to film, as vacant-eyed ghouls wander in and out of the shadows, chewing on dismembered body parts as they lurch around, constantly in search of fresh meat…
Candyman (1992)
Say his name five times into a mirror and the Candyman appears. Despite his sweet-sounding name, that’s not something you really want to do: Daniel Robitaille was a murdered artist, stung to death by bees in a racist attack, and so he tends not to be in a good mood when he shows up. Set in an urban tower block, this film demonstrates that horror can strike anywhere, not just in spooky old mansions in the middle of the countryside. It’s gory, grimy, and really quite disturbing.
M (1931)
A child murderer is stalking the streets of Berlin and, as the police seem unable to catch him, tensions run high. In an attempt to stop the nightly police raids, the town’s criminals decide to catch the killer themselves, and a frantic chase begins. Though there’s no actual onscreen violence, Peter Lorre is amazingly creepy as the whistling killer, and there’s a sense of corruption pervading the whole film. (Since both Lorre and Fritz Lang, the director, fled the country in fear of the Nazis soon after the film was made, it’s tempting to speculate on what M might be saying about Germany at the time, which only makes it all the creepier.)
The Blair Witch Project (1999)
An early example of the found footage genre, The Blair Witch Project has been aped and parodied by everyone and their grandma, but there’s something unsettling about it that hasn’t quite gone away. Most of the film is improvised; the actors are really filming the scenes themselves, working from a loose outline of the plot, but without prior knowledge of what half the scares were going to be. That ambiguous ending lets you make up whatever explanation you like for the events of the film, which means whatever the scariest thing you can think of is, that’s what the film is about.
The Orphanage (2007)
Laura (Belén Rueda) is returning to her childhood orphanage with her husband and son in order to open it as a care home for children with disabilities. She’s busy, but still has time to notice that seven year old Simón (Roger Príncep) has found an imaginary friend, Tomas. He might have a sack over his head, but what’s a little creepy mask between pals?
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Movies
The Scariest Films Ever Made and How They Frighten Us
By Matt Glasby
Movies
Katharine Isabelle on How Ginger Snaps Explored the Horror of Womanhood
By Rosie Fletcher
Simón is adopted, so it’s only a little odd when a social worker shows up without an appointment. It’s slightly more odd that she’s snooping around in the shed at night. During a daytime party, Laura has an encounter of her own with a masked child, and then experiences every parent’s nightmare: Simón is missing. What follows is the story of a mother who takes the search for her son to the limits of her sanity. Geraldine Chaplin makes an appearance as the medium who conducts possibly the most spine-tingling of all onscreen séances, and there are some truly terrifying shocks during Laura’s search for the truth.
Director JA Bayona makes every shot count; the movie is visually beautiful as well as fantastically sinister. It’s a bona fide horror film but the ending might make you cry.
Ring (1998)
Ring isn’t a perfect film. It’s a bit too long and ponderous and there’s a bit too much irrelevant mysticism in there. But in terms of pure creepiness, it’s pretty damned effective. The idea of a cursed videotape was brilliant – who didn’t have zillions of unmarked VHS tapes lying around the house at the time? – and that climactic scene where the image on the screen crossed over into reality is bloodcurdling. Sneaky, too, since it managed to suggest that no one was safe. Especially not you, gentle viewer, because didn’t you just watch that cursed tape, too? An awful lot of people must have breathed a sigh of relief once their own personal seven-day window was over.
The Innocents (1961)
Based on Henry James’ The Turn of the Screw, this film sees a young governess heading out to an isolated old house to take care of two young children who appear to be keeping secrets from her. Their previous governess died, along with another of the house’s servants, but their influence still seems to be lingering about. Or is it? Just like in the original story, it’s possible to read the ghosts either as genuine spectres or as the fevered imaginings of an over-stressed and under-sexed young woman. Either way, though, the film is terrifying.
The Skeleton Key (2005)
In a decaying house on an old plantation, an old man is dying. Caroline is hired as his carer, but although her job should be simple enough, she begins to suspect that something weird is going on – especially when she finds a secret room in the house’s attic filled with spell books and other arcane bits and bobs.
Is the old man actually under a spell? Why does he seem so terrified of his wife? And might Caroline herself be in danger? The Skeleton Key is one of those films that’s far better than it has any right to be; it slowly ratchets up the tension to a crazy finale and ends on an incredibly creepy note.
Insidious (2010)
Insidious uses just about every trick in the book to creep out its audience, and for some people, that might seem like overkill. There are lurking monsters around every corner; there’s a child in peril; there are wrong-faced nasties; and there are screeching violins every five minutes. On repeat viewings, the plot doesn’t quite hold up (halfway through, the film switches protagonists, which is baffling) and the comedy relief seems grating rather than funny. But the carnival atmosphere, the nods to silent German Expressionist films, the demon’s bizarre appearance, that dancing ghost… there’s something brilliant about it, nonetheless.
Dark Water (2002)
Part of the initial wave of soggy dead girl movies, Dark Water is occasionally very daft, but still effectively creepy. Yoshimi Matsubara is a divorcee, forced by circumstances to move into a crumbling apartment block with her young daughter, Ikuko. Their new home isn’t in the nicest of areas, but it might be alright if it weren’t for the leaky ceiling – and, um, that creepy little girl lurking in the shadows, the one who’s never there when you take a second look. Directed by Hideo Nakata and based on a book by Koji Suzuki, Dark Water might not be as terrifying as Ring, but it’s still pretty eerie.
A Nightmare On Elm Street (1984)
The effects are dated, and the sequels utterly killed Freddy Krueger’s menace, but the first A Nightmare on Elm Street film is still creepy, in its way. The premise is amazingly disturbing – a dead child molester is attacking children in their dreams – and, combined with some of the deeply weird nightmare imagery in this film, it’s more than enough to give anyone a few sleepless nights. All together now: one, two, Freddy’s coming for you…
Uzumaki (2000)
Slowly, inexplicably, a small town is taken over by spirals. Some people become obsessed; others are killed, their bodies twisted into impossible positions. Uzumaki is a live action adaptation of the manga of the same name, and it’s incredibly weird. Unspeakably weird. Visually, it’s incredible, although the green filters look less interesting than they used to due to overuse by every horror and sci-fi movie since. Still, most films don’t go to the extremes that Uzumaki does.
The Devil’s Backbone (2001)
Yup, it’s another soggy dead kid movie, but this time the kid is a boy and the action is set in civil war-era Spain. A young boy is sent to a creepy orphanage, where the other boys scare one another by telling stories about the resident ghost, Santi, who was killed when the orphanage was bombed. Written and directed by Guillermo del Toro, this isn’t your average ghost story – it’s a companion piece to Pan’s Labyrinth, but it’s much more of a horror movie than its better known counterpart.
The Vanishing/Spoorloos (1988)
Saskia and Rex are on holiday when Saskia suddenly, inexplicably, disappears. Rex dedicates his time to trying to find her, but to no avail. He can’t move on, can’t live with the uncertainty, so when Saskia’s kidnapper reveals himself and offers to show Rex what happened to her, his curiosity wins out. It’s a simple yet eerie story with an utterly devastating ending.
Audition (1999)
Takashi Miike’s Audition is more often described as extremely disturbing rather than creepy, but if you can get over that ending (which, let’s be honest, most of us watched through our fingers or from behind a cushion while shouting “NO NO NO NO NO” at the screen), the rest of the film may well creep you out. It starts off slow: a middle-aged man is thinking about dating again, but rather than trying to meet women via traditional methods, he holds a series of fake auditions for a non-existent movie. He meets Asami, a shy dancer, and starts wooing her – but Asami isn’t as sweet and innocent as she seems. Pretty much every character in this movie is an awful person, and the way they treat one another is disturbing on many, many levels.
One Missed Call (2004)
Also directed by Takashi Miike, One Missed Call is a parody of the endless string of soggy dead girl movies made in Japan at the time. But somehow it’s still really creepy. The premise is that, as the title suggests, teenagers are receiving missed calls on their mobile phones. The mystery caller leaves a horrifying voicemail: the sound of the phone’s owner screaming in agony. And since the call came from the person’s own phone, and appears to come from a few days in the future, it’s clearly a sign of impending doom. Sure enough, the kids all die just as the missed call predicted. There’s a nasty little backstory about evil little girls, and a bonkers televised exorcism, and generally, it’s a great film whether you love or loathe stories about scary dead kids.
The Last Man on Earth (1964)
You might’ve thought about how you’d survive the apocalypse, but have you ever stopped to consider whether it’s actually worth doing? In The Last Man On Earth, Vincent Price is the only survivor of a mysterious plague that’s turned the rest of humanity into walking corpses, hungry for his blood. Every day, he tools up and goes out to kill the bloodsuckers; every night, they surround his house and try to kill him. It’s a dismal way to live, and a depressingly eerie film. It’s based on Richard Matheson’s novel I Am Legend – so skip the Will Smith adaptation and watch this instead.
A Tale Of Two Sisters (2003)
Part melodramatic family drama, part psychological horror, A Tale Of Two Sisters is all scary all the time. When a pair of sisters return from a mental hospital, having been traumatised by their mother’s death, they find their new stepmother difficult to adjust to. The nightly visitations from a blood-dripping ghost don’t help, either. But as always in these kinds of films, nothing is what it seems – you might need a second viewing to get your head round the ending.
Night of the Hunter (1955)
Robert Mitchum might have claimed not to be interested in movies or acting, but he’s great in this. As Harry Powell, a bizarrely religious conman, he’s terrifying, whether he’s preaching about the evils of fornication or chasing the children of his latest victim across the country in an attempt to steal a stash of money he knows they’re hiding. The use of light and shadow in this movie is just stunning; the first time Powell arrives at the Harper house is a particular highlight. Robert Mitchum’s singing voice isn’t half bad, either.
Peeping Tom (1960)
Peeping Tom was so controversial when it was released that it effectively ended director Michael Powell’s career. It’s violent, voyeuristic, and since it tells a story from the villain’s point of view; it’s entirely unsavoury. And it’s wonderful. It looks great, it has an amazingly twisted (and tragic) plot, and Carl Boehm is brilliant as Mark, the awkward, mild-mannered psychopath who feels compelled to murder as a result of his father’s deranged experiments. (That’s not a spoiler, by the way – but if I told you how he killed his victims, that might be.)
Psycho (1960)
Happily, 1960’s other movie about a disturbed serial killer was less of a career-killer. Alfred Hitchcock’s Psycho is wonderful, sodden with guilt and tension right from the opening scene. It’s a shame that so many of its twists are so well-known now, because watching this without knowing what was going to happen must have been brilliant. It’s still great – beautiful to watch, genuinely tense and frequently unnerving – but it has lost some of its shock value over the years. (Also, the bit at the end where the psychiatrist explains everything in great detail is utterly superfluous.) Anthony Perkins’ final twitchy, smirky scene is seriously creepy though.
City Of The Dead / Horror Hotel (1960)
Getting the timing of a holiday wrong can have disastrous consequences, as City Of The Dead illustrates. Nan Barlow is a history student who, under the tutelage of Christopher Lee’s Professor Driscoll, becomes fascinated with the history of witchcraft, and decides to visit the site of a famous witch trial… but she arrives in town on Candlemas Eve, probably the most important date in the witches’ calendar. Um, oops.
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City Of The Dead is often compared to Psycho, and there are enough similarities between the films that you could assume it was a cheap rip-off – but though the campy US retitling supports that assumption, this was actually made before Hitchcock’s motel-based chiller. It’s definitely creepy enough to be worth watching on its own merits.
Village Of The Damned (1960)
For no apparent reason, one day every living being in the English village of Midwich falls unconscious. For hours, no one can get near Midwich without passing out. When they wake up, every woman in the village finds herself mysteriously pregnant. Obviously, their children aren’t normal, and something has to be done about them… Based on John Wyndham’s novel The Midwich Cuckoos, Village Of The Damned is more of a sci-fi movie than a horror movie – but it’s super creepy nonetheless.
Dolls (1987)
Re-Animator director Stuart Gordon toned things down a bit for this creepy fairy tale, but not much. When a group of awful human beings are forced to spend the night in the home of a couple of ancient toymakers, they soon get their comeuppance at the hands of – well, the title gives that away, doesn’t it? You’ll never look at Toys R Us in the same way again.
The Woman In Black (1989)
When a reclusive old lady dies in an isolated house out in the marshes, a young lawyer is sent to sort out her estate. But there’s something weird about her house, and the townspeople aren’t keen on helping sort things out, either. The TV version of this movie is far, far creepier than the Daniel Radcliffe version; there’s one moment in particular that will etch itself on your brain and continue to creep you out for years after you see it…
The Perfume of the Lady in Black (1974)
Beautifully shot with a great score, The Perfume of the Lady in Black is a dreamy, unsettling film where nothing is ever as it seems. The wonderfully named Mimsy Farmer plays Sylvia, a scientist haunted by melancholy and hallucinations. She’s never quite recovered from her mother’s suicide, and when she goes to a party where talk turns to witchcraft and human sacrifice, her sanity starts to unravel. But are her problems really all in her head, or is there something else going on? The film doesn’t reveal its secrets until the very end, when all that creepiness pays off spectacularly.
May (2002)
May was always a weird child, and unfortunately she’s grown into a weird adult, too. Unable to form any meaningful relationships with the people around her – not even a class of blind children she thinks might be kinder to her than the people who can see how strange and awkward she is – May decides she’ll need to take this “making a friend” business into her own hands. Dark and twisted and incredibly gory, May is as sad and sweet as it is creepy. A lot of that is attributable to Angela Bettis, whose performance is adorably unnerving.
Nosferatu (1922)
In this unauthorised take on Dracula, the evil Count is depicted not as a tragic or romantic anti-hero, but as a horrifying embodiment of the plague – complete with an entourage of rats. Max Schreck makes a brilliantly weird-looking vampire, all teeth, ears and fingernails; his shadow is especially unnerving. Although the ending as presented seems a little abrupt, it’s conceptually horrifying – as is the fact that, due to a copyright claim filed by Bram Stoker’s estate, all but one copy of this movie was destroyed back in the 1920s.
Vampyr (1932)
In a spooky old inn, Allan Grey is visited in the night by an old man who leaves him a gift-wrapped book, with instructions to open it only on the occasion of the man’s death. Which turns out to be soon. The book explains that the town is plagued by vampires – and, helpfully, gives instructions on how to kill them. Vampyr is an early sound film, so while there is some sound and a little dialogue, most of the silent film conventions are still in place. It has a fairly straightforward, Dracula-esque story, but the plot’s not the point. It’s a deliberately strange film, full of disembodied dancing shadows and weird dream sequences; there’s something almost otherworldly about it.
Dracula (1931)
Bela Lugosi is the definitive Dracula. With his eerie eyes and wonderful accent, he’s brilliantly threatening as the charming Count, but despite his iconic performance here, he’s not the creepiest thing about this film. Nope, that honor goes to Dwight Frye’s portrayal of Renfield, the lunatic spider-eater under Dracula’s control. He’s amazing, all awkward body language and hysterical laughter. Lugosi’s oddly cadenced speech has been emulated and parodied a zillion times, which takes away some of its power; Frye’s performance, on the other hand, is just downright disturbing.
White Zombie (1932)
A year after Dracula, Bela Lugosi starred as Murder Legendre, an evil voodoo master, in one of the first ever zombie movies. The zombies here aren’t flesh-eating ghouls but obedient slaves, working tirelessly in Legendre’s mill. Even when one of them tumbles into a grinder, work doesn’t stop. When the plantation owner goes to Legendre for help winning the heart of the girl he loves, he’s handed a dose of the zombie potion – and now the only way to break Legendre’s spell over the innocent girl is to kill him. Lugosi is suitably menacing, and the drone-like zombies are properly eerie.
The Cursed Medallion/The Night Child (1975)
For a few years, in 1970s Italy, Nicoletta Elmi was the go-to creepy kid. She pops up in Mario Bava’s Bay of Blood and Baron Blood, and in Dario Argento’s Deep Red, among others, but she’s never more creepy than she is in The Cursed Medallion. Here, she plays Emily, the daughter of an art historian who’s making a documentary on demons in paintings. She’s given a medallion but, as the title suggests, it’s cursed, and she ends up possessed by the spirit of a murderess. It’s atmospheric, lovingly photographed and, of course, Elmi is awesome in the lead role.
The Descent (2005)
A group of friends go off on a spelunking holiday, but get more than they bargained for when it turns out that the caves they’re exploring are dangerous in more ways than one. There’s enough time spent on character development that you really feel it when the group starts to get thinned out; there’s some incredibly painful-looking gore; and there are some amazingly freaky monsters. Watch it in a darkened room to make the most of its wonderfully claustrophobic atmosphere.
Paranormal Activity (2007)
The shine might’ve come off this movie because the Paranormal Activity franchise has become Lionsgate’s new one-every-Halloween cash cow, but there’s something deliciously creepy about this movie. Rewatching it now, even knowing when all the scares are coming, it’s still chilling. In a neat twist on the traditional haunted house story, Paranormal Activity’s entity haunts a person, not a house – so its victim can’t just pack up and move. The found footage conceit is used to great effect, making you stare intently at grainy nighttime footage of an empty room, straining your ears for distant footsteps, before making you jump out of your skin with a loud bang. (Pro tip: the movie has three different endings, so if you think you’re bored of it, try one of the others.)
Ju-on: The Grudge (2002)
So much of the effectiveness of a horror movie comes down to its sound design. A well-placed creak, groan, echo, or jangle can make the difference between something completely normal and something terrifying. New scary noises don’t come along very often, but Ju-on: The Grudge managed to come up with something unlike any other scary noise you’ve heard before. Its ghost makes a weird rattling, burping groan as she approaches; it’s kind of like a death rattle, kind of like a throttled scream, and it’s creepier than anything you’ve ever heard before. The film is relentless, light on plot and heavy on jump scares, but it’s that noise that’ll stay with you.
Julia’s Eyes (2010)
Julia and her twin sister, Sara, both suffer from the same degenerative disease – one that causes them to go blind. When Sara undergoes experimental surgery and subsequently kills herself, Julia suspects foul play – and, indeed, something weird seems to be going on, with whisperings about an invisible man lurking in the shadows. But as Julia gets closer to the truth, her own eyesight suffers more and more…The film restricts our vision almost as much as Julia’s; it’s almost unbearably claustrophobic, and ultimately heartbreaking.
The Eye (2002)
Another film about eyes and the horrors of going blind, The Eye follows Mun, a classical violinist from Hong Kong, as she undergoes an eye transplant. Although the transplant seems to be successful – Mun can see again – something isn’t right, because now she can see dead people. And most of them are terrifying. The ending is vaguely preposterous, but the rest of the film is creepy enough that it’s forgivable.
Zombie Flesh Eaters (1979)
Lucio Fulci’s unofficial sequel to Dawn Of The Dead features perhaps the creepiest zombies ever committed to film. When a boat turns up in New York harbour with only a zombie on board, investigative reporter Peter West sets out to find out where the boat came from and what’s going on. He ends up on the island of Matool, where the dead are returning to life to eat the flesh of the living… and they’re really, really gross. Zombie Flesh Eaters was initially classified as a video nasty in the UK, and it’s not difficult to see why. Its atmosphere elevates it above your average exploitation movie, though; there’s something really melancholy about it.
[REC] (2007)
When a local news crew decided to tag along with the fire brigade for an evening, they probably didn’t realise they’d end up fighting from their lives in a zombie-infested tower block. Co-written and co-directed by Paco Plaza and Jaume Balaguero (yup, him again), [REC] is a decent enough zombie movie, until the final reel, when it reveals an even more terrifying ace up its sleeve.
Let Me In (2010)
Although remakes are usually terrible, Matt Reeves’ take on this unusual vampire story was both respectful of and different from the original and, for my money, it’s creepier. Lonely tween Owen doesn’t have any friends until the equally strange Abby moves in next door. They embark on an odd friendship/proto-romance, but Abby has a secret: she’s a vampire. The use of a candy jingle is, against all odds, really eerie, and by paring the story down to its most essential elements (and getting rid of that daft cat scene) Let Me In makes for a scarier watch than Let The Right One In.
Carnival Of Souls (1962)
After a traumatic accident, weird things start happening to Mary. A strange man seems to be stalking her, though no one else can see him, and she feels irresistibly drawn to an abandoned pavilion out in the middle of nowhere. Once upon a time, the pavilion housed a carnival, but now it’s just an empty building… or is it? There’s nothing surprising about the plot of this movie to a modern audience – you’ll have the whole film worked out within about five minutes – but it is gloriously creepy. The climactic scenes at the carnival are pure nightmare fuel.
The Shining (1980)
Probably the most effective of all the Stephen King adaptations, The Shining plonks Jack Nicholson down in the middle of a creepy hotel and lets him do his thing. Nicholson plays Jack Torrance, a struggling writer who gets a winter job as caretaker of The Overlook Hotel, where the isolation and/or ghosts send him out of his mind. There are so many creepy images in this film: the twin girls who just want to play, the woman in room 237, the lift full of blood, and, oh, lots more.
The Cabinet Of Doctor Caligari (1920)
Appropriately, watching The Cabinet Of Doctor Caligari feels like slipping into a nightmare. Caligari’s cabinet holds Cesare, the sleepwalker – a catatonic oracle able to answer questions of life and death with eerie accuracy. Is Caligari a hypnotist, a murderer, or both? It’s a strange story, made stranger with a twist ending, and rendered impossibly creepy by the Expressionist production design. The weird, distorted hand-painted sets give the film a crude, unreal beauty and, if anything, the passage of time has increased the film’s creepiness, because it’s so utterly unlike modern films.
The Exorcist (1973)
An obvious choice, but The Exorcist is genuinely scary. It’s deceptively simple: the filming style is realistic, the locations are ordinary-looking and, by comparison to more modern horror movies, there aren’t many elaborate effects or stunts. But the film makes every scary moment count. It’s atmosphere is oppressive, claustrophobic – there’s an ever-present sense of dread throughout. It ought to feel more dated than it does, but even now, the demonic makeup and scratchy voice of the possessed Regan gives me goosebumps.
The Omen (1976)
Damien is probably the ultimate creepy child. Adopted by the Thorns when their own newborn dies, it doesn’t take long for his dark side to emerge: Damien is the Antichrist.
There are so many iconic moments in this film, so many things that have shaped both the horror genre and our culture’s idea of evil; something about this film really struck a chord, and even now it’s pretty effective. Every death scene in this movie is memorable, but the suicide of Damien’s nanny at his birthday party particularly stands out.
Ghostwatch (1992)
Originally shown on UK TV at Halloween, Ghostwatch scared a whole generation shitless. It’s presented as a live broadcast, starring familiar BBC faces: Michael Parkinson plays host, while Sarah Green and Craig Charles report from the scene as a normal family recount their experiences with the terrifying ghost they’ve dubbed “Pipes”. The shadowy figure of a man is glimpsed several times throughout the show, some appearances more obvious than others, and as viewers call in to share their own stories, things get weirder and weirder…Okay, this isn’t technically a film, but it is so amazingly creepy and brilliant that it couldn’t be left off the list.
The Wicker Man (1973)
The Wicker Man is a wonderful mishmash of genres: it’s got humour, horror, singing and sex. It frequently teeters on the edge of absurdity. But at heart, it’s deeply creepy. When devout Christian Sgt Howie visits the isolated community of Summerisle, he thinks he’s investigating the abduction of a little girl – and the villagers certainly do seem to be acting suspiciously. But as his investigation continues, it becomes clear that something entirely different is going on. Howie runs headlong to his doom, and its final scene is downright spine-chilling.
Suspiria (1977)
Suspiria is Dario Argento’s finest hour. It’s eyeball-meltingly beautiful to look at, all unnatural neon lighting and ridiculously lavish set design; the music is cacophonous, a never-ending wall of sound that doesn’t let up; and the plot is, well, it’s functional enough.
Suzy, an American ballet dancer, flies to an exclusive dance school in Germany only to find herself in the midst of a murder investigation – and something weird is definitely going on with the teachers. If you haven’t seen Suspiria in a while, treat yourself to the Blu-ray. There’s nothing restrained about this movie, nothing ordinary; it sneaks up on you and worms its way into your brain. It’s brilliant.
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angelguk · 5 years
Text
» in your arms tonight - jeongguk scenario
Jeon Jeongguk - BTS
words - 5.2k
genre - college!au, smut, established relationship, domestic!au, drabble
warnings - oral sex (fem and male receiving) / fingering / riding / nipple play / edging + orgasm denial / unprotected sex / switch!jeongguk / dom!reader / gukkie finds out he has a new kink ( or fetish man idk) / this is mostly soft so don’t expect some hardcore bdsm / this was meant to be a drabble but clearly i have no idea what that word means (5k words im really,,,,,,)
soundtracks - beabadoobee, soren & dance with me (please listen to them, these songs sound like what falling in love feels like)
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He heard the rush of water from the tap in the bathroom come to a halt, followed by the patter of your bare feet against the tiles as you searched for a towel to wipe your mouth with. Your movements were in time with the gentle patter of rain rushing from the skies above. The sound did something to his heart, a wave of contentment floating through his body as he wiggled in the bed sheets. He almost wanted to get up and join you but the ache in his legs from yesterday’s workout kept him cemented to the soft comforter beneath him. And the pillows smelt like you too – at least like your shampoo. It was peach or something and he couldn’t help but bury his nose into the fabric, eyes fluttering close.
The towel hit his head with a resounding thud.
“Yah! Are you not going to get up and brush your teeth?” You didn’t sound annoyed so Jeongguk didn’t retaliate, still enamoured by the way his bed smelled like you. But he did toss the towel into some corner of his room - he’d find it tomorrow morning.
“Later,” He whined instead, cracking open his eyes to find you standing at the door of his bathroom, one of his white t-shirts bellowing around your minute frame and a miffed frown on your face. It hid the shorts you had underneath but from where he was situated it looked like you were wearing nothing but his shirt. He didn’t expect the jump in his heart when that small realization hit him. “Come here.”
“Do I look like a dog to you?” You retorted, shutting the bathroom door as you moved forward, a small smile on your face. “Ordering me around with your stinky breath. Heathen.”
“Shut up, you know you like it.” He rolled back, pulling down the sheets he’d cocooned around himself so you climb in beside him. You rolled your eyes in response, tossing aside the pizza boxes Jeongguk had dumped on your side of the bed and clambering onto the mattress. The small act had his shirt raising up your bare thighs and oh – oh.
“You removed the shorts?” He asked, acutely aware of how his voice sounded constricted in his throat.
You hummed in response, collapsing beside his figure, the fabric of his shirt bunching around your waist as you did so, fulling exposing the little black underwear you had on. In a second, the sight that had Jeongguk’s heart thrumming against his chest and his blood flowing to places he was too tired to deal with, was gone – covered by the sheets he suddenly abhorred.
“Fuck.”
You tutted, shifting upright so you could grab the laptop perched precariously on his bedside table. “Nope, don’t you dare. You said you’re too exhausted for sex tonight.”
“I am!” He replied, writhing a little bit so the semi he was sporting could disappear. “You’re just doing that a purpose!”
“I did absolutely nothing.” But he didn’t miss the glimmer in your eyes when your said that, or the way the corners of your lips titled upwards in the smallest smirk.
“I hate you.”
“Sure you do,” You easily replied, fingers swiftly taping away at the keyboard. “Want to watch a movie?”
“Why not.” Hopefully that would distract him from the burning desire to fuck you into the mattress. As much as he wanted to, his thighs couldn’t take it – Hoseok had gone too rough on him at the gym yesterday and coupled with his training for baseball Jeongguk’s legs felt like absolute mush.
“We’re not watching a good one because I’m sick and tired of your commentary.”
“It’s not my fault you don’t have an artistic eye for cinematography,” He sharply retorted, delivering a poke to your waist. “Whiny baby.”
You snorted. “Me? The whiny baby in this relationship? Please go take a look in the mirror.” Jeongguk kicked you shin. “Aw! Fuck off! And it’s not just the cinematography you take a dig at everything – the character development, the plot line, the dialogue – do I need to go on?”
“You don’t get to say anything – you enjoyed Twilight.”
“Yeah when I was fourteen!”
“I saw you watching it last weekend when you were supposed to be studying.”
“Edward is a hot vampire. Like anyone can agree that Robert Pattinson looked good despite that terrible makeup.”
He huffed, raising a hand to ruffle through the soft chestnut strands sticking to his forehead. You reached out your own, fingers slipping through his own as your nails dragged across his scalp. He sighed into it, back arching slightly as you drew patterns on his skull, the feeling of your nails scraping against his skin send shock waves of pleasure through his system. “I don’t care if he was hot, the special effects for that movie were disgusting.” He let out a soft gasp that had your rubbing your thighs together, his eyes closed in pure bliss. “I thought you were Team Jacob.” His voice was husky, telling sign that you’d set him off once more.
“I’m Team I Would Like To Be Fucked Tonight.” You stated, blatantly ignoring the stink eye he shot your way. “But clearly that’s not on our agenda. Have you ever seen Vampires Suck?”
“Obviously not – it sounds horrendous.”
The laugh you let out made something twist in Jeongguk’s gut, a rush of disappointment radiating through him when you retracted your hand. It was bizarre to him, how much he craved your touch. Even the smallest of encounters left him breathless. For fuck’s sake you were just giving him a half-assed head massage and he was riled up again.
“Oh you’re going to hate it,” You replied, oblivious to the wanting look Jeongguk had on your face. The blue screen illuminated your features, eyes bright and sparkling with mischief as you searched up the terrible film. He couldn’t help but smile, a crushing urge to kiss your nose rising in his chest. Sometimes you were so cute and it made him feel like his heart was bursting.
“It’s so stupid but kind of funny at the same time? It’s like a badly made version of Twilight,” You continued, pulling it up on the screen.
“A badly made version of Twilight? Babe, Twilight was terrible, how much worse can it get?”
You beamed. “So much worse.”
“God the things I do for you,” He groaned, shoving his face into the pillows. To be honest Jeongguk didn’t care about what you were watching tonight. His body already felt heavy with sleep and he was most likely going to knock out as soon as the opening credits rolled in.
“Scoot stinky boy,” You commanded, sliding back down into the comforters with the movie loading on the screen. You grabbed a pillow, propping it underneath the device as you scuttled into Jeongguk’s space, your legs landing right above his.
He sniffled, pushing up the pillows with his head so he could get a better view of the screen, “I’m not stinky, you smell,” He countered, wiggling his legs until yours were intertwined with his and your bare thigh was pressed against his own.
Sometimes Jeongguk regretted wearing nothing but boxers to bed. Yeah it was more comfortable but fuck if it wasn’t annoying to have you so close and not have the energy to fuck you the way he wanted to.
“Phew what was that? Smells terrible in here, close your mouth.” Jeongguk wanted to kiss the smile off your face.
“Shut up the movie is starting,” He instead chose to say, trying to distract his mind from how warm you felt against him, how his skin literally tingled with every gentle graze of your skin against his own, and how his dick was starting to become hard again for the third time that night.
It took five minutes of the opening scene for Jeongguk to realise that this was going to be the worst thing he’d ever see with his own two eyes and for his persistent boner to deflate like a popped balloon.
“What the ever living fuck was that?”
You giggled, leaning over to place a finger on top of his pink lips, the action causing Jeongguk to subconsciously pout.
“Shh, Bella is saving Edward.”
“They covered his dick with a disco ball! Why is he stripping in Italy? Why are there fan girls smashing each other with garden tools? What’s with the girls in bikini’s dancing in a jello fountain? Y/N what is this?”
“A masterpiece,” You murmured, pressing a kiss on his check – one that had Jeongguk leaning in for another, preferably on his mouth but you pulled away, flicking him gently against his forehead. “Now shut it and watch the movie.”
“Fine,” He retorted but his mouth was open a second later, eyes already observing a fault in the way the movie was shot.
And that’s the way the rest of your Saturday night ensued, Jeongguk throwing comments that whole movie was a pile of shit while you defended it (and occasionally critiqued because god this movie was horrible). Somewhere along Jeongguk had found a way to envelop you in his arms, pulling you right against his bare chest. He’d slug one of his legs over yours, fully dwarfing you in his hold as he pressed his warm mouth against your neck. His fingertips followed next, idly drawing lazy patterns against your skin while his eyes stayed sharp on the scene. But the movie got boring for him quick, the jokes were sub-par and the style it was shot it physically hurt his soul.
It didn’t take long for his mind to digress, nerves picking up the warmth you were emanating in his arms. Or the way his shirt had ridden up your thigh once again and the only barrier between you and him was the fabric of your panties which was pressed right against his own thigh. And his boxers but that wasn’t on the forefront of his mind. He could slide his thigh in between your legs if he wanted too, he couldn’t help but think about that, dragging a finger against your neck.
The shiver that jerked through your body jostled your backwards, further into his arms until the familiar curve of your ass was pressed right against his crotch.
He forgot the movie was playing in an instant.
You felt his hands suddenly drop to your waist, grabbing at the fabric that had bunched up there, his grip firm as he ground into the curve of your ass. It didn’t take long for you to start dripping, the need for his touch already buzzing beneath your skin just from being near him. But you weren’t going to give in that easily, despite how good his felt against your ass or the little sighs he made as he grew harder by the second.
“Nope, no,” You yanked yourself free, immediately yearning for the feeling of him against you.
“Babe~” There was a nip at your neck, one that nearly had you melting right back into him.
“No – no. You said you were exhausted. Sleep.”
“I retract that statement. Please, fuck, I need you.”
“I can’t hear you over this funny joke,” You taunted, making a point to laugh loudly.
“That was terrible joke and you know it,” He replied, yanking your back into his chest. You whined, raising your fists against his broad chest. Your hands hit taunt muscle as Jeongguk crawled on top of you, pulling underneath his hulking figure.
“No – Jeongguk,” You wheezed out, a laugh stuck in your throat. “The laptop, you’re going to drop it-”
He grabbed it before it could descend to the floor and shatter. In an instance it was slammed shut, abruptly cutting off Bella’s scream, and Jeongguk tossed it back onto the stool it was previously perched on. When he returned his attention to you, you couldn’t help but squirm, a rush of wetness slipping from your pussy at the sight of his dark blown out eyes.
“I was watching the movie,” You said indignantly.
“We can finish it later,” He breezily replied, “Want you now.” The peck on your nose took your off guard but when he pulled away, eyes glimmering with something you couldn’t use words to describe, you couldn’t help but grin.
“I don’t think you know what you do to me,” Jeongguk continued, a hand on your hip tugging you closer underneath him. You swung your legs over his waist, giving him the room to lean down and nudge his cock right against your wet clothed pussy. The sigh he gave at the contact made your stomach flutter with need. “Fuck, babe, you have no idea what you do to me. You’re always so fucking cute even when you’re talking shit.” A press of his lips against your forehead as his hips rolled into yours. You groaned at the movement, revelling in the weight of your boyfriend over you. “You talk back all the damn time and it just makes me so hard. Even when you know you’re wrong – and you’re always wrong.” Another roll of his hips, this time rougher, one that had your cunt dripping. You nearly smacked the side of his head for the backhanded compliment but the next thing that slipped from Jeongguk’s mouth had you halting. “I love that – I love you.”
“Fuck,” You whispered, hands finding themselves entangled in his hair. “Fuck, I love you too.”
He stuttered to a pause, cock still pressed against you, staring at you with wide eyes. “You – you don’t have to say it back, if you don’t mean it.”
“No, I want to. Wanted to for a while now and I mean it. Jeongguk I love you.”
The bewildering laugh he let out echoed in your chest, the smile on his face so wide you couldn’t help but cup his cheeks and grin back. “I love you too Y/N.”
Then his lips were on yours and you could only melt into it. His tongue slipped beside yours, coaxing soft broken moans from your lips that had him bucking harder against you. Jeongguk tasted like the pepperoni pizza you’d gotten for dinner and coupled with the mint flavoured toothpaste you used the combination was not the best but it didn’t even matter because the boy above you loved you. You’d know for a while that this relationship was something else because Jeongguk made you feel things you didn’t even know you were capable of sometimes. Things were always so comfortable with him, even if they weren’t always easy. Being with Jeongguk felt right.
And he felt the same, even if he could only communicate it with nips to your lower lip and the tight hold on your hips as he rocked you into the mattress. Jeongguk felt like he was ablaze, from the tips of his toes to the heart slamming against his chest. He never expected you to say it back, at least right away. He didn’t even expect it to come out, it just happened. And the fact that you feel the same has him on the fucking moon and incredibly hard. He could only kiss you harder, map out your mouth with his own because he wanted to imprint the feeling of you whining into him in his memory for the rest of his life.
“Jeongguk,” You pulled away, exposing your neck when Jeongguk immediately latched on to. He was never going to stop kissing you. Never.
“Yeah,” He groaned into your skin.
“Need you to do something else with your mouth.”
“Whatever you want baby.”
He took the hint, sliding down until his breath was hot against your blazing cunt, His arms had pulled up the shirt and you reached down to yank it over your head when Jeongguk stopped you.
“K–keep it on please.”
“Why? You don’t want to see my tits?”
“Fuck,” He sighed, fingers digging into your naked thighs. “No I do, I love your tits… It’s just – I can’t explain, could you keep it on though?”
You raised an eyebrow but dropped your arms, complying with his request. You didn’t miss the little exhale he let out. And then his eyes were trained on your pussy once more.
The first lick made you jolt, even though it was through your underwear you could feel the familiar knot of tightening in your gut. It didn’t help that Jeongguk looked so pretty between your legs, how his wide eyes would flicker to yours for reaffirmation that he was pulling you apart.
“Take them off,” You whispered, after Jeongguk had delivered a kiss to your cunt. He did so with protest, eyes darkening when they landed on the slick covering your inner thighs.
“Look at you princess, you made such a fucking mess. Should I clean it up for you?” He hummed, brushing his nose against your inner right thigh.
“Yes, please fuck-”
He didn’t bother to open you up like he usually would. Jeongguk would take his time eating your own, sliding his tongue down your cunt, tongue dipping below to play with your entrance until he dragged it back up and teased his way to your clit. Tonight Jeongguk immediately latched onto your clit, swirling and flicking in sharp swift motions at had your toes curling in pure bliss and your hands fisting the sheets.
He abruptly pulled away, leaving you heaving as you glanced down. He grinned at your confused expression, lips coated in your slick and a rose flush on his face, and then reached out to direct one of your hands onto his head.
“Pull at my hair,” He murmured.
Oh – oh that you could do, and were about to state it when he resumed his assault on your clit, effectively making your brain melt from the pressure of his tongue on your cunt.
“Holy fucking – Jeongguk!” Your hips moved on their own accord, bucking into his mouth in search of something that would help you topple over and come because you really needed too. It didn’t help that Jeongguk had a low vibration going on his throat, the humming resounding into your cunt with every wet lick and press of his tongue on you. You couldn’t help but claw at his scalp, yanking helplessly at the strands there.
“Please, fuck! Let me come, please let me come.” He didn’t reply, choosing to instead slip two of his fingers between your thighs, circling your entrance with them as he gazed intently at you. The stretch you felt as he pushed them into you had you throwing your head back, legs spreading further apart so he could get deeper. It took a moment or two for him to establish a rhythm that kept in time with the ministrations of his tongue but it didn’t take long for you to come undone underneath them.
The need to orgasm was becoming unbearable. The small tremors in your thighs that you moaning into the heated atmosphere made Jeongguk grin, the flicks against your cunt speeding up. And then he crocked his fingers upwards, the pads of his fingertips slamming right into something that had you screaming his name.
It happened faster than you expected, one second Jeongguk had you unravelling with the sharp jabs into your sopping cunt and the next one you were clenching down on his fingers, thighs shaking with every tidal wave of pleasure that coursed through you. The only thing you knew was him name and he couldn’t help but bask in it. You looked gorgeous like this – mouth thrown open and your eyes on the brink of shutting. It made him so unbelievable hard that it was starting to hurt.
“Fuck,” You exhaled, blinking at the ceiling as Jeongguk pulled his fingers away, immediately cleaning them with his own mouth. The movement garnered your attention and you were left mesmerized as he licked you slick away before giving you a bright smile.
He rose upward, taking his place above you, heart leaping at the sight of your small figure still lost in his shirt but this time with a glow on your face.
“If you want we can do that agai-”
The taste of you on his mouth didn’t deter you. In fact you pulled him closer, your fingers grazing his abdomen, taut muscles involuntarily fluttering at the contact. Jeongguk was built magnificently – you could not deny his hours in the gym really paid off. And it made you want to climb him like a tree.
When Jeongguk detached himself from your lips, he huffed a small laugh landing another peck on your nose. “Your nose is so cute. Have I ever told you that? I love your nose.”
“My nose is ginormous you idiot. Stop trying to change the conversation.” You hand had wandered further down, dipping into the black fabric that strained against the curve of his cock. You didn’t know whether to start with him in your mouth or to sit on his dick immediately.
“Baby,” His mouth was in your neck,  “I wasn’t joking when I said I couldn’t fuck you tonight. I don’t think I can handle being on top.”
“Then you don’t have to,” You retorted simply, causing Jeongguk to pull back so he could look you in the eyes. “Do you want me to sit on you first or would you prefer it I sucked you off instead.”
He was visibly stunned, a bewildering look glazing over his eyes. “I-”
You palmed at his cock, relishing in the way he arched into your touch, his eyes falling shut as a choked “Shit” slipped from his lips.
“Pick one baby.”
“Wanna fuck your mouth.”
You grinned, gently pushing him off so you could roll on top.  He was now beneath you back against the mattress as his eyes eagerly followed your moments. You kissed the crock of his neck, hands dragging down to roll his nipples in your fingertips. He reacted the way you expected him too, with a soft groan and a curse that went straight to your core.
“Look at my baby, such a good boy,” You whispered against his ear with another flick to his nipples. “You’ve treated me so well tonight and I promise to do the same but I need you to do something for me. Only come when I say you can. Is that okay?”
He nodded so hard his head jolted the pillows apart. That was more than okay for him. You rarely ever took the dominant role in the bedroom but when you did he found it incredibly hot. He wouldn’t come until you let him, even he was aching to right at this very moment.
The only reason why you wanted to withhold his release was because you wanted Jeongguk to feel so good could he couldn’t help but come, you needed to see him like that tonight.
You pressed a satisfied kiss against his mouth, no tongue this time, and then found your way down to his boxers, kneeling forward before the hardness there. This stupid thing should have disappeared ages ago.
Jeongguk tossed them off at your command, leaving his cock exposed to the warm air, curving against his stomach, the tip red and dripping with precum. Your lips wrapped around it with a soft kiss, the welcoming wetness of your mouth leaving Jeongguk groaning as you sunk down on his cock. Where your mouth couldn’t reach your hands occupied.
Your wrists snapped up and down, twisting around his length in quick motions that you knew he liked. You tried to keep up with the pace you’d created with your hands but Jeongguk was thick enough that it was difficult to swallow his cock easily. Especially from this angle. But you pushed through the ache that was burning your jaw and kept the tight hold of your mouth around his dick, tongue swirling around the tip as your hollowed your cheeks.
“Fuck baby, fuck! Like that, yes, fuck I’m gonna – shit I’m gonna come-” He remembered what you’d requested but your mouth was so warm and so wet he couldn’t help but want to come down your throat, not when he could hear the way you were gagging around him. So when you pulled off with a disapproving look he didn’t feel sorry at all.
“Jeongguk,” You slapped his thigh. “You’re terrible at being a sub.”
“Sorry,” He replied, mouth twisted in a languid grin. “I haven’t jacked off in a couple of days and you’re mouth was – yeah your mouth was really nice.”
You sighed, bunching up his shirt at your waist. That revealed the new coat of slick coating your cunt that had the smile tumbling right off Jeongguk’s face. “Do you really need to come right now?”
“Yeah, fuck yeah I do.”
“Where do you want to come? In my mouth or in my pussy?”
Jeongguk’s brain went haywire.
“We’re – we’re not using a condom?” He choked out, painfully aware of how his dick twitched at the prospect of being buried inside you with no barrier.
You shock your head. “No, I want you like that.”
“You sure?” His tone was incredulous.
Another nod.
“Baby, I love you but, like, I’m not ready to be a dad.”
You hit his arm with a laugh bubbling from your mouth. “Idiot my period starts really soon.”
“Really?”
“Yes – please just pick a place to come.”
“Your pussy obviously, shit, come here,” He was reaching out for your hips, dragging your over his crotch. You hovered above him, cunt aching to have something inside it.
“Want me to keep the shirt on?”
“Yeah,” He replied dreamily, eyes enamoured with the way your pussy looked covered in wetness that he was responsible for.
“Jeongguk,” You continued innocently, a sharp look in your eyes.
“Yes baby,” His fingers were digging into your hips, gently pulling you closer to his cock.
“Do you have a kink for me wearing your clothes?” This halted everything.
He didn’t look you in eye as he mumbled out a hasty rambling sentence, “Maybe I do.”
“So that’s a yes?”
“Yeah, is that a bad thing?” He looked so innocent like this, gazing at you with the widest eyes that were brimming with apprehension. He looked like fucking deer caught in headlights who didn’t know whether to run forward or wait for the incoming disaster. You chose not to reply, instead wrapping your hand around his length and lining it up with your entrance. His own fingers were still digging into your hips, tensed as he awaited your answer.
“Jeongguk,” You said, using his cock to toy at your entrance. He groaned despite his uneasiness, the veins in his neck twitching. “Anything you find hot, I find hot. Just know that you’ve just given me free range to steal all your shirts now.”
The snarky reply on his tongue transformed into a groan of pleasure as you sunk down on him, your wet pussy sucking in every inch of his cock. You welcomed the stretch, pushing yourself down as your walls fluttered around his dick. Eventually he was burrowed inside you, your entrance flat against his crotch and the fabric of his shirt brushing against his abdomen.
Every time you had sex Jeongguk always found himself losing it at the feeling of your walls contracting and stretching around him.  It felt like absolute heaven because you were always so wet and warm and welcoming for his dick. He’d never felt so connected to a person during sex, but with you even when it was a rough quickie before class, Jeongguk felt alive. Like this was where was meant to be – between your legs giving you everything he ever had.
You sighed, eyes wavering shut, and hips shifting slightly as you adjusted to the familiar stretch of his dick inside you. Jeongguk swore, his hips painfully still as he waited for you to start. His hands were grazing your thighs as he did so, hands trailing to your back so he could give you ass a tight squeeze.
For some reason, one Jeongguk couldn’t wrap his mind around, you in his clothes looking like this made his gut seize up with desire he’d never felt before. You just looked so beautiful like this, mouth open and pussy wet because of him and only him. And the fact that you were wearing his clothes – it was like a signal in his mind that this is for him. That you were for him.
“Baby, remember you can’t come until I say so.” Your smile was lazy as your forced open your eyes, hand on his stomach. You leaned forward and then you started moving. The grip on your hip tightened as you bounced on his dick, your pace quickening with every slap of his skin against yours. It took Jeongguk a second to process the pleasure exuding from his core, he couldn’t even speak, only watch in awe at the way your breast bounced gently beneath the fabric of his white shirt. Or the way your slick leaking all over his dick, making a mess that he wanted to touch.
You jolted up with the pad of his finger hit your clit, immediately moaning when he established a rhythm that had you jerking up and tightening around his dick.
“Jeongguk!” He’d raised his knees so you could lean back, the grip on your waist know purposeful as he fucked up into you with harsh precise thrusts.
“Say my name,” He groaned as you squeezed his cock, using one hand to guide your bounces with the other made quick work of your clit. “Say it baby.”
“Fuck, fuck! Jeongguk – fuck! Love you so much, ugh, love y-you” You threw you head back, screaming his name as your second high came crashing down upon you, pussy clamping down tightly around your boyfriend as you creamed around him. You couldn’t anything else but his name as your rode out your orgasm, toes curling in delight as the tremors cause your shudder above him, mouth wide open.
Jeongguk briefly projected from his body. You were so snug and tight around him he couldn’t help but grab at your hips, pulling your down roughly as his own hips bucked upwards, in a mad chase for his own high. He found it quickly enough, but forced himself to wait until you were coherent.
“Can I come?” He ground out, as you rested your palms against his stomach. You felt the muscle quiver beneath your touch, his stomach caving in with every thrust inside you pussy. You could tell we need to come so badly and yet he had waited for your permission. How was Jeongguk even real?
“Yes, yes, come baby.”
“Fuck,” His eyes were screwed shut as he fucked you through his orgasm, hips stuttering against your own as waves of ecstasy shot through his veins in bursts of pleasure.
It was strange, feeling his come inside you but it was feeling you welcomed. That was until you rolled off and it started slipping out of you. Your knees hit the mattress with a thud as you flopped down beside him.
“You owe me a thigh message,” You muttered into the air coloured by the scent of sex and your joint heavy breaths.
“Your thighs hurt?”
“Mhmm.”
“Good, now you know what I was feeling,”
“Fuck you Jeon Jeongguk,” You replied, the stupidest smile on your face as you whacked at his sweat coated arm.
His grin matched your air, brown hair tousled from your hands and eyes twinkling as he gazed at you. “You just did baby. Give me thirty minutes and we can go again.”
“Ugh, for that you have to get up and turn off the lights.”
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So, now that my finals are officially over, I am going to proceed to have a drink or two or three and rewatch Eclipse. Here’s (soberly) what I remembered from the film prior to starting this account (since starting this account, posts re:Eclipse have reminded me of things I’m not going to include in this introduction): 
1. Bella is basically playing tic-tac-toe with Edward and Jacob and her feelings for them. She can’t make up her mind. When I watched it the first time, my dad was in the living room half paying attention to it and said she was very selfish. 
2. Edward tries to control Bella, but it’s “out of genuine concern for her”.
3. Jacob tries to control Bella, but it’s “out of genuine concern for her”.
4. Both fight for her affection and even though she’s engaged to Edward, she won’t let go of Jacob.
5. When the newborn army shows up, Bella cuts her arm with a rock.
6. There’s awkward tension in the tent.
That’s literally all I remember of the movie while sober (aside from what I have relearned from posts about Eclipse on this blog). My drunken thoughts will be below the break:
Okay, so this dude I think his name is Riley is lowkey kinda dumb, no offense. Like he just stood there and screamed “WHAT DO YOU WANT?!?” This is how all horror movies end badly. You don’t talk back. You run or hide or esape.
THE MEADOW IS SO FUCKING PRETTY. IT’S THE PUREST THING WE HAVE IN THIS FANDOM OMG HE’S PLAYING WITH EHR HAIR AND I JUST WANT SOMEOEN TO PLAY WITH MY HAIR. DAMN BELLA, MY FINALS ARE OVER. SUCKS TO SUCK, DOESN’T IT?
I never noticed the CUllen cuff before, but now thanks to this blog it’s all I’m looking @ lmao. 
I FCKING LOVE CHARLIE TOO MUCH AND HE DESERVED BETTER THIS WHOLE TIME. HE IS SUCH A GOOD FATHER AND HE DESERVES THE BEST.
THERE’S A GLOWING RED LIGHT OUTSIDE MY WINDOW WTF I THINK IT’S THE REFLECTION OF A CAR LIGHT BUT I FUCKING SWEAR
NVM ITS GONE
WHAT THE FUCK EDWARD?? YOU MESSED WITH BELLA’S TRUCK SO SHE COULDN’T SEE HER FRIEND? FUCK. I WOULD’VE DUMPED YOU AND LEFT YOU IN THE WOODS BRO.
Edward sitting with Bella’s friends. We can’t help but stan. He’s still a bitch for the truck thing though. 
I love how Alice looks @ Edward and tells him the party will be fun because she knows nothing bad will happen. But then he reads her mind and looks conerned wtf is ognna happen?
Side note: I really like the lighting in this movie. Everyone has a healthly glow. They lokk happy.
The fucking Volturi always gotta ruin everything. Bitch ass hoes. Ol’ crusty asses acting like some outdated monarchy. Why don’t the vamprires start a democratic government?
Charlie really deserved better. Like I know they couldn’t tell him teh truth but they could’ve been slightly less untruthful prbabl.
I WANNA FIND SOMEONE WHERE MY MOM SAYS WE’RE LIKE MAGNETS WITH EACH OTHER. I WANT SOMEONE TO LOOK @ ME LIKE I’M THE CENTER OF THE UNIVERSE. DAMNIT EDWARD. DAMNIT STEPHENDW. 
Y’ALL ARE TELLING ME THE ENTIRE CULELN CLAM COMBINED COULDN’T TKAE OUT VICTORIA? THIS SHIT IS GETTING UNREALISTIC LMAO.
THE MUSIC THAT STARTS PLAYING WHEN JAKE TURNS AROUND IN THE PARKING LOT SENT ME LMAOOOOO. 
Leah is such a badass and I wnat to be best friends with ehr plase. 
ALSO FCK THIE IMPRINTING STORYLINE. 
SAM AND LEAH WERE HAPPY TOGETHER.
NO BELLA YOU DON’T FUCKING WANNA KNOW WHAT IMPRINTING IS. NONE OF US WANTD WTO KNWO. IT NEVER SHOULDVE BEEN WRITTEN.
Taylor and Kristen are such babies in this movie. They’re so young and precious. WHIH REMINDS ME WHY TF DID SPTHEJNFNWFNA MAKE THIS SEIRESO ABOUT CHIDLREN??!?! I STILL SAY IF THE CHARACTERS HAS BEWNNF MORE MATUEE AND IN LIKE THEIR MID OR LATE TWNETIEMS OR THIRTIS IT WOULD HAVE BEEN BETTER. FIUCKUNG FIGHT ME.
INITING BELLA TO HEAR THE TRIBE’S HISTORIES? THE CULTURAL APPROPRIATION FUCK STEPHEN0AWFJQ. BITCHJ.
SETH IS SO PRECIOUS. AGAIN. THEY’RE ALL SUCH BABIES. THESE POOR CHILDREN.
this hwoel shite is sof ukcing offensie. bitch. listen. why tf did stpehwb fafb have to appropriate cultues like this? BITCH>> you do realize if the legnds are actually like this they’rel ike that because it’s aout defeating yo white as sright? like your’e aware stpehebe ? 
omg bree is so scare d poor baby. literally why did stephenjdbawfbi do this? she just wnated to be ok not hurt anywaon.
exuce me vut CARLISLE IS HOT AS FUCK BITCH
edward is saying some real romantic shit and i sill hate him for the turck thing but like he loves her so much btu he’s stil an asshoel in this smovie
I’M ABOUT TO HATE JACOB I CAN FEEL IT IN MY BONES I’VE SEEN THE GIFS HOE WE GONNA GIGHT. BITCH SHE JUST TOLD YOU SHE DOESN’T LIKE YOU DON’T PUSH HER LIKE THIS. DUMBAS S HOE BITCH. YOU’RE GONNA FIGHT FOR HER? I’M GONNA FUCKIN FIGHT YOU BTCH. I WISH SHE WAS ALREAYD A VAMPIRE SO RTHAT PUNCH WOULDA HURT BITCH YOU DESERVED IT.
THESE FUCKWITS ARE FIGHTING OVER HER AND NOT LISTNEING TO HER THEY ARE BOTCH CANCELLED. BELLA NEEDS TO LEAVE BOTH THESE HOES AND GET A NEW MAN WHO ACTUALLY KNOWS HOW TO LISTNE. BITCHES.
I love Emmett so much. BELLA SHOULD FINA A MAN LIKE HIM. IT’S WHAT SHE DESERVES.
ROSALIE IS ABOUT TO POP TF OFF. SHE IS A QUEEN AND I LVOE AND SUPPORT HER. the saddest thing about this is that she thought her life was perfect and then some fucking asshoes ruiend it. she was so happy. wtf im gonna cry. fuck. i hate sptehej n so much. these gross ass hoes i’m gonna cik all theyre assses. this is so gross i’m so angry literaluy setthing beithc. BUT THEN SHE GETS HER REVENGE AND IT’S BEAUTIFUL. FUCK THOSE BASTARS. but she;s so sad it breaks my heart. she wants to be human so bad. this scene is so sad and it’s theonly good scene in twilight and nikki reed deserves an ocsa like if you agree.
jane and alec more childrne who should’ve been able to be children fck the volturie
why the hel is jessica the fucking valedinact ion? it should’ve been bella they made her seem so damn smart but now she’s not theo ne? i don’ beliee it. but anna kendrick is a gift and now i wanna watch ptiche perfect. CHARLIE is so pure he deserved better and i’m gona kep saying it.
i love those fucking rose colored lamps hanging at the cullens house int he window at hte party scene can anyone link them to me i need? 
why the hell is the wolfpack athe cullesn hosue? this doesnt make sense and it doesn’t seem real am i too drunk and imabginf this?
jno wait it’s real. jake’s appolgoizng.
how fucking conventinet the woflpakc is there hwen alice realizes there abotu to be attacked. this aint realistc. bitc.
why are these kids being forces to act like audls? “I wans;t asking for permission” hoe you’re like 16 go home and go tib ed and odnt go to war.
these woflies gonan kick yo ass edward get tf out
i’m laughign nrow but nothigng funy is happening lmaoooo
fck carlisle is really hot as fuck his jawline kills me
i hate jasper’s hair here i’m sorry i know we all lovehim bt heis hair is a dam nmess
belal is so fuckign negative all the time no one is gonan get killed exceptsvictoris
THE COWBOOIIIII WHY DOES HE LOOKS LIKE OWNE WILSON IN THIS DAMN LIGHTIN? ALICE AND JASPER LOVE EACH TOHER SO MUCH MY APLOGIZKE MAAM FCK IT UP.
why thfe fuck is hake comparing his situaton with leah and sam and emily? We are nto the same hoe wae are not the same. bella is choosing edward sit yo ass down. but i still thin kyall are both problemastic as fuck in thos movie and hse deserves better.
CHARLIES DESEVRS  BTETER THEY KEEP LYIGN EVEN WHEN THEY DUCKGN DONT NEED TO
reblog if you thought edward and bella wre gona fuc, when she went over to his house in eclipse when yo ufirst read the book or saw the movue
he really oes love her a lot though fkcn i’m so alone 
 he looks si sad wgen he mentind ices tea on the porch poor edward
EVERY DANM MOMENR OF FOREVER BITCG I WANT  LOVE LIK THST 
LITERALLY THIS IS THE SUTPEIDEST PLOT EVER. A WHOLE FUCKIN ARMY TOO ATTACK ONE IGRL? BITCH. THIS AINT EVEM A THING. 
im gettign ral tired yall dik if i waill mke it to the end of this movie but i will tru
i hate the enrgey from jae and efard in this tent. ya’ll are both dumb hoes and she could do better than either ofy ou. 
WRHAT THE FUCK FASTER IF YOUR TOOK YORU CLOTHS OFF BITCH WHAT THE FUCK NOW I AM GONNA FUCKIN PUNCH YOU IB HOEP BELLA OUBCHES YOU WHEN SHES A VMAPRIE STUPID HOE 16 YEAR OLD SHOULD BE AT HOME IN BED INSTEAD OF IN A TENT TRYING TO FIGH A FCUKCN WAR
edward is such an emo boi in the tent and he thinsk she doesn;t lve him any more. yo ua stipiud hoe edearf but she still loves you anwyab ithc.
wheb edward said i’m not gonna force her into naythign ever agin i realized he was hte better man good for you eddie you fickun manned up you win
MY REASON FOR ESXITNST HOE I JST WNAT TO BE LOVED
now edwards bene a fuckboi again trying to hurt jake b ymaking sure he knew they were getting maried edward what the fuck iw was just starting to be on your side agian and you let me down like this
jacob is beign an emo boi now jake go be a child @ home and stop this nonsense you’re not a man go be a chid and take a nap and eat some grilled cheese youkk feel better
now she told him she wants to kiss him wtf bella don’t kead this bitch on he’s already in pain let hom gp home and eat a grilled cheese
mow bella’ supsetti spaghetti because edwards know she kissed jake
this shit is so unenecasialr dramtic wht the fuck yall  like a whole army ofver one girl and then its like all everyboyd trying kill everybody this is bulshittheyre all children who should eb at home eating grileld chesses not at war
victoria is a real bitch lying to this boy telling hin she lvoes him hoe bitch
og shit efward ifs pissed now he’s tauntign ab ithc
i acutaly kinda fel bad for riley he wnet through so mcuh and was manipulated i wish the cullens could have adopted him and bree
oshit is the volutire 
SAM DONT FUCKUGN TALK TO LEAH LIKE THAT EVER AGIAN YOU HOE
CARLISE AND I REPEAT AGAIB IS HOT AS FUCK FUCK CARLISRL
I LITERALLY AHTE THE VOLTURIE FOR KILLIGN VREE THEY WILL NEVER BE FORGIVEN
JASPER KNOWS WHATS GOOD HE DOESN’T TURST THESE HOES
I’M SO PISEED THAT THE CULLENS NEVER FUCKING IFHT THE VOLTURIE LIKE CARLISLES IS SMART AS FUCK AND EHS TILL WONT START A DEMOCRAY LIKE YALL KNOW ROSLAIE WOULDVE FOGUHT FOR THAT SHIT TOO
 I LVOE YOUDADY CARLISLE
THIS 16 YEAR OLD LYING UP HERE BECAUSE OF TE DUMBASS WAR I TOLD YALL TO GO GOEN AND EA A GRILELD CHEDWE
poor jakie he knows hed better good for her but she reallys loves eward jake deserved better than what he got reblog is youf agree he jst said he’s even love her after she’s a vamprie bruh go eat a grilled chease and love yourself
WERE BACK IN THE FUCKING MEADOW ITS LIT AND ITS LOVELY I WANNA FALL IN LOVE IN A MEADOW WITH A HANDAOME MYSTERIOUS MAN WHO LOVES ME UNCODNITONATLY
KIRSTNE STEQARD IS THE WBEST AND SHE DESERVED AN OSCAR FOR THIS MOVIE HER AND NIKKI REED AND NODBOYD ELSE
fianlly this bitch is gonna beh onest with chalrie took you long enough
that was an anticlamtnc ending but i love love
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