Helluva Boss and its consistent dedication to portraying those who are financially disadvantaged or female as one dimensional bad guys
There is something so genuinely insidious to me in how HB treats financially or otherwise socially disadvantaged characters and makes them the bigots and villains of the show.
Striker is "just a bigot". The one who consistently recognizes and verbally calls out the sham that is the classism of their society, hes selected to be the bigoted character. The one who recognizes that imps are at the bottom despite farming everybody's food and who recognizes the higher classes fetishize them like toys, he's the problem. He's the villain that needs to be defeated.
Striker DOES exert toxic masculinity, no doubt. But toxic masculinity can often be the result of poverty. In my eyes, while they're not excused, it is easier to understand why working class men would believe in toxic masculinity (I say this as a feminist). Their living conditions mean either be masculine or you can't provide and you let down others relying on you. You don't survive, while the most masculine survive the best. Striker has likely learned that being better off relies on frequently exerting toxic masculinity and violence. Does the show humanize him and show this? No, it does not. Instead he is reduced to being a bigot that gets tormented with sex jokes against his will, "like he deserves".
You know maybe there could have even been a plot or something in which he gets hurt and needs to be cared for and he's treated kindly and that makes him realize the value of not always being hyper masculine. Or maybe we could even get to see how him being softer lead to someone he used to care about dying GASP. Oh wait, but they would never extend that kind of humanity or development towards him. Why? Because he antagonized Stolitz, he pointed out the fucked up things about it - an unforgivable crime. Send in the hounds sex jokes.
Striker being treated as just a joke ultimately weakens the writing as it would have been far more satisfying for him to be an antagonist with a point, that really challenges our leads and makes them think. But to do that he would have had to be taken seriously, and there's no way someone in the way of an mlm ship can be taken seriously in this show.
The only way a character can get away with antagonizing Stolitz without becoming one dimensional plot fodder with no humanization is if they're something like Fizz and Ozzie - aka a gay pairing in their own right (that also later make up with Stolitz anyway). It is so telling that out of all the antagonists we've had, Fizz and Ozzie were the first to be redeemed.
Now lets talk about Ozzie. Ozzie, who is a lord with boatloads of money and a sex toy production and club empire, is humanized and seen as a good guy. He is even contrasted by Mammon as "one of the good ones". I will admit I love Ozzie, he is fun. The show at least doesn't guilt you into seeing him as a poor victim like it does with Stolas. But what is it with HB consistently presenting wealthy rich men like they're not part of a larger system of oppression? Why does the show twist itself into knots to ignore their contributions to classism and the harm they do? Ozzie can threaten his worker imps and that's fine/understandable. Meanwhile the only way imps are worth having their own lives and stories explored seems to be if they're paired with one of these rich ruling class "good ones" men.
And aren't they cute, these imps and their ruling class lovers? Just don't think too hard about how, while Ozzie's love may be able to lift Fizz, one single imp, out of being lower class, the system as a whole is designed to keep imps down. If Fizz didn't have Ozzie then he'd still be exploited for profit by another member of the ruling class, he had to rely on a member of the oppressive class falling in love with him to save him - no no, don't think about that, focus on the cute gay!
Verosika is another notable example though I will only talk about her briefly as we don't know too much about her yet and she doesn't tie into the shows thing with those who are financially disadvantaged like Striker (and someone else I'm going to talk about after Verosika). Though Verosika hasn't been totally made into a one dimensional villain with the Ozzie's episode showing her sympathetically (for which I am very thankful), she also has barely been explored. Fizz has had so much time dedicated to showing us his own life. Practically more than Millie has gotten. I do understand he had a huge impact on Blitz's entire life and Blitz is the main character. However, Verosika is still a big chapter, and was wronged by Blitz due to his issues. She was hurt by that, which haunts him. And then she got screwed over again by him in Spring Broken with the bet. So now where is she? Why does Fizz get all extra stuff about the life hes now built for himself while Verosika only exists to be drama in Blitz's past? Oh, right. Verosika's a woman, not a man with a sexy bf. So while she can show up, shes never going to be explored outside of Blitz.
A lot of this strange standard of one dimensionalism being applied to characters depending on whether they either appeal to the shows weird mlm fetishization or gets in the way of it can also be seen with Stella. Stella's treatment is honestly appalling to me.
Just like Stolas, she was also trapped in an arranged marriage from childhood. She had to have sex she didn't want and had to get pregnant and produce a child with a man she didn't love. Except, its not just that. Everything that could be said about Stolas applies to her, and on top of that EVEN MORE does - due to her financial status.
Andrealphus states that now shes produced an heir, she "would get nothing" if Stolas died. So this basically confirms Stella has no real assets. Despite them both being forced into the arranged marriage, its Stolas that owns everything. Her home is Stolas', and without the marriage, she has no home. Now I'm sure there's a good chance she could go and live with Andrealphus or some other relative and would be allowed to do so. But is it really so crazy to still see that her situation is demeaning and awful? From what we can see in the show, the way the Goetia seem to operate is like how it used to be in olden times for women - men own everything. If you don't have a husband who gives to you, then you own nothing. So Stella is even more disadvantaged by the arranged marriage than Stolas is. The only reason she has her wealth and privilege is because she was married off to him and used as a tool. All of her assets belong to the men in her life and she never had any choice in it being that way because she was set up to be put in an arranged marriage with a man that would own everything from childhood.
And yet the show thinks instead of exploring how Stella feels about all that, given the very real world parallels to what women throughout history have faced, apparently it was more appropriate to make her one dimensional so that she could exist for the male characters. She sticks around to torture Stolas with no motivation beyond being hateful for seemingly no reason - because that's all her character got to be. Something for the show's obsession with Stolas torture porn, something to make us feel bad for him, so that Stolitz looks better. If she's a one dimensional abuser then that means we don't have to think about her lack of property ownership and how she was a victim of the arranged marriage even more so than Stolas was. Now we don't have to feel guilty when Stella is left with nothing to her name in the divorce, and she deserves being cheated on too! Yay! Phew! That saved us from thinking about a female character for more than five seconds and from being critical of our rich male fave, thank God!
This show refuses to humanize any characters that oppose Stolitz in any way, especially not if they're female. And its noticeable and obnoxious. The consistent way in which it makes its one dimensional bad guys impoverished or women while also churning out "one of the good ones" woobified rich men that benefit from hell's class system is. Well, its really fucking annoying and skeevy, in my eyes. It reveals that this show at its core is about its mlm pairings and nothing else - the class struggle stuff is there just to add flavour and drama to the mlm pairings. Women are powerful and accomplished but only so they can build and be used for the male characters stories. If you have all this time and all these resources to over and over again show another side to the guy who lauded Blitz's business over his head and said "Continually have fuck sessions with me or I'll end your business" then you can also bother to humanize impoverished imps fed up with the class system and women with no property rights trapped in arranged marriages.
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Jack au where he's a psychic who can commune with ghosts. Almost every major character from Supernatural is a ghost. Including Sam Dean and Cas. This would serve these major tennants of his relationships:
Isolated. The people Jack spends the majority of his time with are NOT part of the normal world. Sam, Dean, Cas and Mary live in a bunker and don't know how to be people. The AU hunters are literally from another world. His mom is dead. Kaia is split between realms. The only Real people he knows well are his young adult nerd friends and arguably Harper. You don't want 1/4 of your tie to reality to be a witch who wants to be Cheryl Blossom from Riverdale as her life's aspiration. That's no way to live!
Intangible. Because of Jack's immense power, he is, in a sense, untouchable. He is stopped when people hug him or push him or shoot him because he chooses to stop. There is a veil between him and them. There is also a scarcity of common ground. There is nothing else out there like him. Dean might stomp and bark and howl but, ultimately, what can he do to Jack physically? Nothing. The only power the ghosts have is emotional and social. Imagine being outcasted by the ghosts who can only see you and each other. Ouch!
Fleeting. Everyone he cares for is doomed to die. This happens even before he's born with Cas and Kelly and Mary, but also throughout his life. He both has long strings of tragedy in short periods AND he's immortal and worries about it. Loss and loniness are inevitable for him on a massive scale. Cas might claim that he'll be there with him but he dies like twice a year at least. Picture ghost!Cas midway through a reassuring speech that he's always going to be there with him fading out into the veil mid-sentence.
Guilt-ridden. Life is wasted on the living, isn't it? Youth is wasted on the young. He's got dozens of ghosts needing him to live in the way they want him to so they can feel alive again, and he's not capable of being that (literal) lifeline. He needs to learn how to say no and stick to it. He needs to learn how to live with the fact that he has to disappoint people to live well sometimes. He has to engage with the living, because the dead are going to kill him if he hangs on to them too long.
So if someone could write this devestating yet beautiful 25k+ fic for me that'd be really swell.
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Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force.
Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out.
[SEASON ONE HERE]
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;
@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners
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