#the scope and the personal stuff is hard to keep balanced i get it . good lord do i get it

[july-19th-club]

still not sure how i feel about dickinson's narration and pacing - it can be so distant at times, except when characters are having conversations, when the conversations themselves can get lost in almost agonizingly minute descriptive language ... but the stuff that is Happen ing . good lord the stuff that's happening here

[sch-com]

Specific manifestations of schizoid PD in my life

see similar post for anakastic PD / OCPD

When I first heard of my personality disorders, it was hard for me to notice their role in my life. Part of it was that I was younger, and with less experiences, but part of it was that by nature PDs are so ingrained it's hard to see the full scope of their influence. Particularly I struggled to see the "dysfunction" part - I was thinking that sure, I do experience that, but is it really that bad? And you can't have a PD without the dysfunction, so do I even count? I think that now, after some time and more reflections, I can say I do see the dysfunction, so I thought to share my observations.

Using the DSM V criteria for schizoid PD:

1/ Neither wants nor likes close relationships, counting being part of a family / Has no close friends other than immediate relatives

When I was first moving out for university, I didn't really have any close enough friends I would feel truly comfortable moving with. It limited my choices, and influenced the one I ultimately made (a mistake).

Also, when I was moved out and experienced my first full-blown mental health crisis, I didn't have anyone around me to rely on.

Studying in uni is much harder when I am not talking with people in my class. Normally students support each other, share notes etc I imagine. I have to do everything alone.

Talking to people = opportunities. And support. Real, material support of being physically near. Going to places together, someone having a job opprotunity, hell even having anyone around in case of an emergency.

I suspect at least part of my emotional problems can be attributed to my self-imposed isolation. Occassionaly when I do talk to someone, it's like... an altered mental state, in a good way. When I laugh, I feel physically good. And it's easier to laugh with other people around. It's the little things I think, that are crucial and I am largely missing out on.

2/ Almost constantly picks introverted activities

Sharing what you do can help you progress faster. Sharing your art and getting critique, joining language classes. Sure I can do all of this on my own as well, but it may be sub-optimal. I think it's a matter of balance - and if I consistently choose to opt out of group activities, it could be seen as dysfunctional.

Also again, doing stuff with other people = meeting other people = getting the social connection, vital for even physical health, and gaining access to opportunities and support.

Other people can also motivate you, or keep you accountable for doing something. When I do (almost) everything on my own, I have to well, rely on my motivation / determination, which is often hard (more on that in 4/).

3/ Has little if any, thought in engaging in any sexual experiences

Frankly I am asexual, so I wouldn't say it's causing me any distress. I suppose that lack of sexual life can be viewed as lack of a major life activity, if you want to interpret it that way.

However, somewhat connected to 4/, it's hard for me to say 100% that sex life is something I truly don't want, or if it's just another thing I am opting out of out of the lack of reward. More on that below.

4/ Seldom derives pleasure from any activities

The emotional implications are written into the criterium itself. Lack of pleasure is I think dysfunctional already.

But, adding on the above - lack of pleasure/satisfaction definitely made me lose a lot of motivation for doing anything. I have disengaged from hobbies because of it. I have disengaged from studies, from social activities, from even simple things watching movies, reading, or cooking a good meal because of this. I have to force myself to do pretty much anything. There is not a single thing that I do simply because I truly enjoy it - I need another reason on top, like an obligation.

What I mean by the above, is that... I think I have opted out of things because they don't bring me much emotional reward, not the other way around (so it's NOT that I don't get a lot of joy because I don't do things). I remember when I was younger and more active in life, doing something like travelling, or acomplishing something, and emotionally not getting anything out of it. So I wished I was just in bed and not doing the thing, because at least it's less effort, for the same emotional reward (= lack thereof). And as I became an adult with more control over my day-to-day, I stopped many major life activities because I can. And it's all the same.

5/ Appears apathetic to the admiration or disapproval of others

For me it's largely related to 4/, because I don't get much internal reward from external stimuli, it also manifests in how this criterium describes it.

I've had people believe in me in the past. Try to encourage me, praise me, tell me they see a potential. But I... couldn't believe them. I don't feel this, it's all the same if I am awarded something or not. External rewards don't cause internal reaction, so like why bother? Why bother going after this hard thing, winning a competition, if after I acomplished it it's all the same void? I put the effort into something, only for this to not matter. So I stopped putting so much effort.

I think it may also discourage others from trying to help me, because historically I haven't shown much reaction, or improvement, or gratefulness for their honest efforts. To give up on me, because I seem like this empty shell of a person. But I don't really know, I think it would have to be someone else to confirm this.

6/ Shows emotional coldness, detachment, or flattened affectivity

People told me that I appear flat and so it's hard for them to read me. It's hard to know what I think, and some became afraid that I was judging them, when I... I don't? Overall, this one makes it really hard to connect to others and to be understood. So it makes me feel even more like an alien.

I have also hurt people because of this. Because I detach, I isolate, I forget about people. I am the friend you have to message to get a conversation, or schedule a meetup, because I don't initiate. I know it's a hard position to be in, and I don't want to hurt anyone, so I only disengaged more to not even have any friends that would care about me enough to be hurt by my isolation.

Because I seem all the same (flat and withdrawn) all the time, it's harder to notice when I am struggling. I can be in the throws of depression and actively suicidal, but outward appear pretty much the same. So people don't believe me, not even professionals, and I have been neglected because of this.

[fayeandknight]

I am frustratedly gnawing on the bars because I have to make a decision I thought I'd have way longer to make.

I am being vague because there is a legal component to this and I'm not supposed to be talking about it. This is really for me to try and suss things out and talking about things helps me process them.

A few weeks ago I was given the opportunity to manage a project. I was told, repeatedly, that it would be longer term, like 6 months to a year at minimum. I went in with the mindset that, when the time came, I would give up the project to someone else. That this was a learning opportunity for me because in a few years I'd like to manage a similar but different project.

Today I was told that I need to decide by Friday if I want to fully take over the project or look for my replacement. To be clear, this is ultimately a good thing. I just wasn't expecting for it to happen so soon.

On the one hand, there's a lot of things I like about this project. It matches the scope of what I want in the future really well. There are a few minor things I'd have set up differently if I'd been in charge of the project from the start. But overall it fits me really well.

However, this is not a great time for me personally to be taking on such a project so long term. And since my stance was that I wouldn't be taking it on permanently, part of me feels like I should stick with that. There will absolutely be an opportunity to be fully in charge of a similar project in the future, one that will allow me to set the starting parameters more in line with what I envisioned. So it's not like giving up this project means giving up on this avenue completely.

But on the other hand, I have become attached to this project. And I've been really enjoying getting to pursue it in all that it entails. So part of me doesn't want to let go and have to wait a few years to be involved in something like this again.

Unfortunately there are few people and I can talk to in depth about this due to the legal stuff. And, more unfortunately, very few of those people have any real understanding of what a project like this is. So it's hard for them to fully grasp both my desire to keep being in charge of the project and my wanting to wait until I'm in a position to be able to set the starting parameters.

Logical me says I should let go of the project. I will likely still have a few weeks to assist in finding a good person to take over. So the project's well being is not hanging in the balance of my decision. But emotional me says I was lucky to be handed this project since it's been a way better fit than I first imagined. And that it would be short-sighted to let go just because it's not exactly as I planned and that the timing in my personal life is wonky but not undoable.

Right now I'm leaning towards letting go of the project. But I know I'll be wrestling with the choice all week.

[thiefocs]

Mask, future, and desire for Coda, and desire and alone for Andrea >:)

OHHH these are good.

mask: Does your OC wear a mask, literally or figuratively? What goes on beneath it? Is there anyone in their life who gets to see who they are under the mask?

Well, Coda is always in a form that's not really his true body so in a sense, yeah! They're a weird fucked up beast under it. I think the only one who's seen him like that has been Escher by accident but otherwise they haven't willingly revealed it to anyone. In terms of figuratively woah boy they are putting on like 10 fronts. They're doing a constant balancing act to appear palatable and personable while still being realistically vulnerable. They're kind of unpleasant under all that- judgmental, misanthropic, and self-serving, and haven't really opened up about that to anyone, at least not all the way. Zollisk's gotten bits of it, but not the full scope.

future: What's the worst possible future for your OC? Are they taking steps to avoid that outcome? Are they even aware it's a possibility?

Well, right now it's ending up trapped back in Elysium as the Lady's consort. And they are closer than they have been in a while to that!!! A lot of it is out of their control, but they're doing their god-damn best to protect themself. Their reveal of what they did to escape Elysium the first time was more tactical than anything, actually, since they're a) preventing Lady from using information against them b) building a degree of sympathy w the group by going "ohhh i feel so bad about doing all that i was basically forced to" so if they encounter any of their other past misdeeds, they'll hopefully keep that narrative about 'em in mind.

I think an extra bad fate would be ending up as the Dark Lord of Elysium. They'd be in their own special eternal hell without any sort of support system. yipee!!

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

MMM. I think for them it's between freedom and redemption. They want to live free from guilt and control, somewhere they feel safe and secure. They're open with it, on some level, since I think that's a pretty normal desire, but not exactly the depth of it? Ideally anyone who's ever hurt them would be dead and gone, and they'd be magically healed of all the trauma that ever happened to them but that's. not likely. As is being redeemed by the celestial plane because :^) that ain't happening. They would do anything to get that tho!! Literally anything!! They've done so many horrible things, what's another one.

(Andrea's answers may not be quite as detailed since I want some stuff to be revealed in game+ not all players use tumblr so I don't want like a weird distribution of information asdfasdf)

alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?

Andrea handles loneliness pretty well, actually. She has a hard time really connecting with people beyond a base level, since she's pretty aloof, so she's gotten used to her own company. The past few years have definitely been the loneliest of her life, since she can't afford to make a lot of connections due to. You Know. But also she is now no longer completely alone!!! Having a devil live in your heart/head full time sort of prevents that. She's definitely most vulnerable on her own, since she can't afford weakness on the job. She has. so much stuff repressed.

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

Andrea doesn't really let herself want things. She's in a bit of an odd situation w her conditional immortality, so she's kinda. prevented from doing most normal human Things like going to college/having relationships/etc, since they're very likely to get caught in the crossfire of her existence. There are some things she wants, that she thinks she doesn't, but that's a surprise tool to help us later.

Thank you for asking!

[serenheist]

What Taehyung is like in a relationship/ Taehyung as a boyfriend Tarot reading

How long does it take him to get into a relationship? & Does he prefer long or short term relationships 8 of cups, queen of swords, 10 of pentacles 9 of pentacles reversed, 4 of cups

Ffs the queen of swords always pops up. Anyway yeah I don’t see him getting into anything quickly. He could’ve in the past but I think past relationships left him drained af and feeling alienated. I think he has a shit ton of walls up and is a lot more no nonsense now. It’s probably intimidating and more blunt to others because he wants to get to the heart of why someone is trying to get with him since so many people try to pull the same shit and fuck around with him like he’s dumb. He does not settle for anything other than what he wants. If he can’t find “the one” then he legit just rather be alone. It looks like he’s now more focused on building a Legacy though and something serious and long term so he has no desire to just jump into something with anyone. He basically would wait it out and get to know them long before deciding he trusts them enough and feels comfortable enough to show his emotions and not be so aloof.

I feel like he’d be the type to not show much interest at first because he really needs to scope the person out. So the person probably wouldn’t even know he actually likes them. Actually he could be a little too jaded and bored to the point of turning away everyone even though he does want a relationship. But in his mind there’s too many people being carbon copies and trying to swindle him for his money bruh for real all of bts are having this problem like damn it keeps reoccurring. Idk why it seems like there’s people also trying to use money to get with him like they’re rich and they think he’ll just want someone loaded. Like dude he’s already rich so that doesn’t work and to him them having a ton of money means Jack shit when they have the personality of a damn rock.

Past & present love life 10 of swords, 2 of pentacles present: the hermit, 5 of wands

Past love life: welp. Do I really need to explain the 10 of swords. I think actually that he had all this past trauma and shit from relationships and even other shit he still hasn’t dealt with but there was no time to even process that because he had to get back to work and act like he was fine. I think he’s the type of person that buries himself in his career when he experiences traumatic stuff that he doesn’t want to deal with. And of course it’s easier when you’re busy 24/7 anyway. This relationship betrayed him in every way tbh but maybe it was a catalyst for better things to come though he still might not see this right now. Present: I don’t see him in a relationship now currently cause the hermit but also being a major arcana it’s like he’s really in a life stage right now where he just wants to be alone because there’s so much conflict going on and he’s feeling anxious and having all these negative pessimistic thoughts that he just needs time to himself. I don’t think he very optimistic about his love life right now he’s lost a lot of hope. Things are too chaotic elsewhere to focus on romance.

What is he like in a relationship? the chariot, ace of cup, Unicorn, fae 61, solus 13, vanth, the sun reversed, anger and chains 29, justice, 2 of swords reversed, 3 of cups reversed, avenoir 1, princess of pentacles,ta’om the poet 29, ace of swords, Thanatos

What is he like in a relationship? When he’s in a relationship he really puts all his focus on that person and will go above and beyond for them. There’s a kind of masculine and feminine balance in him in the sense that he’s ready to be the go getter and take charge but there’s also a vulnerable energy and overflowing emotions. He works hard to take care of his person and make the relationship work . The only downside is he could possibly be too smothering to his partner or come on too strongly because of past shit and maybe too clingy for some people since in a relationship he really shows his softer side and he’s not as aloof as he is to others. He loves to have little house parties with his partner and have friends and family over with a ton of food and music.

For date ideas he’s down for anything but especially something “magical” maybe literally some place like Disneyland or pagan festival like beltane? That’s specific af but there’s a medieval type of energy and nature spirits and shit, he wants to do stuff he hasn’t done before and that might even be outside his comfort zone since G. Hobyah card is all about imaginary fears and getting past them. The best qualities he has in a relationship is the ability to help his partner stand on their own 2 feet but also recognizes that you can’t do everything on your own so he’s the type of person who would go above and beyond and connect you to the right people or situations. He’s always there when his partner really needs them and will make sure to put time aside.

His worst quality is that I don’t think he knows how to express his anger in a healthy way. I think with the sun reversed next to anger and chains it’s more like he doesn’t know how to fully show it it’s kinda repressed but his emotions under the exterior are a hot mess and there’s a big need for stability. It’s like being too stubborn to admit when you mess up and petty shit cause it hurts his ego. But I don’t think it’s super bad considering the justice card I used to represent his communication style. I feel that even if he gets mad af he gets over things really quickly and one minute he’s be angry and 10 minutes later he’ll be asking you what you want for dinner like wtf.

When he likes someone he’s not going to jump in and immediately go approach them. I see him instead watching them intently from afar lol he’s very cautious and like gathering everything he can on that person. Dude’s a 1st class stalker. Jk But the thing is the person wont even know he is interested in them because he keeps a serious face as a kind of mask but on the inside he’s like a giddy kid. Ta’om is known for looking serious and thoughtful but is actually very playful and slightly mischievous. I think Taehyung is definitely one to start off as friends and slowly get to know someone rather than just start dating because he really wants to know that person well to see how real they are and if they’re just putting up a front.

He’s not attracted to new shiny things that are perfect he’s able to see the beauty in all things even in difficulty. After he’s been friends with them for awhile and knows if that person like him back, that’s when he’d actually make a move. He finds a lot of satisfaction in doing services for others until they’re completed so it makes me think his love language (giving) is acts of service but with the ace of swords is pretty obvious his Receiving love language is words of affirmation but moreso he appreciates when someone is blunt and honest and not just saying stuff to make him feel better cause then it’s just insincere.

What is his ideal type? the ageless, the star, the singer of healing 10, el shaddai, protection 26, ram, the maestro, fae 41, the sage 19, king of cups reversed, himself 17, danu, death reversed, obsession

His type: this person seems to have had some messed up stuff happen to them in their past. Even when others were horrible to them they still kept their dignity and chose to still give to others instead of give in to bitterness and despair. It’s like the Phoenix where no matter how many times they metaphorically die, they can still rise up even better than before. I think they’re able to help heal others because they’ve been through the trauma themselves but they know how to be honest and blunt without being overly mean about it. They have a kid of tough exterior though I think from years of negativity from people that’s made them strong but also a little distant from people and they need a lot of time to themselves to recharge and get away from peoples bs. Honestly this seems a lot like Taehyung too lol I think he wants someone who’s been through similar traumas.

The ram keeps calling out to me that I think this persons way of showing love is a little aggressive but that’s what Taehyung likes in someone tbh. It’s not like actually showing love it’s hard to explain. It’s more so you know when someone tries to act like sarcastic and shit to hide the fact that they like someone? Idk why it reminds me of toph from avatar the last airbender where she just punches people to show affection it’s kinda like that. Cause they’re not good at being really vulnerable. They put on this brave face and are pretty good at it to the point where you won’t notice that they’re jealous seeing you hang out with someone else. But this person is really independent like I’m not joking lmao and a go getter they don’t rely on anyone really. And don’t give a fuck who you are.

There’s 2 healing cards and honestly why is this person so similar to Taehyung lol this person is great at helping or healing others but again has to realize it’s okay to also get help for yourself. They think maybe that they’re fine on their own and they don’t like relying on others for help because people disappoint you and it’s easier to just do it yourself. But they’re really good at giving advice and are lot nicer than their exterior let’s on. Bruh the star card makes my mind keep playing that I’m gonna be a star song by twice lmao stop. I think this person actually is a star or is working up to it cause they have huge plans. This isn’t someone just wanting a mundane job I think they’re gonna go big.

Especially paired with the ram talking about they go for big dreams and huge successes. This person won’t stop until they accomplish their dreams they really don’t care what others say and will go to the extremes to get there. I see they have a lot of talents anyway but some people were like saying negative shit that their dreams are impossible but they’re learning to set boundaries with other people and it’s more of a just move in silence energy. Also usually I don’t say zodiac signs but since it’s a major arcana it might play some significance but Aquarius might be prominent in their chart (nvm I just remembered Taehyung has venus in Aquarius so duh you dumbass it wouldn’t be that out there to think he’d be drawn to Aquarius qualities).

I wonder if this person is into astrology though given all the glyphs. I think this is someone Taehyung has been trying to manifest and call in too like wishing on a star for a looooong time and maybe thought it wouldn’t come but boy does the universe have a surprise for you. They really are future oriented thinkers and know a lot about spirituality I think that a big part of who they are I really don’t think they’d be completely atheist or not care about spiritual topics. They give a lot without much thought in return and can talk about anything with openness and honesty. With Taehyung they’d teach him everything under the sun. He likes when he can share all this knowledge especially about weirder topics with someone who isn’t going to dismiss him. I see them really encouraging him to try new things and show him things he never knew were possible. They treat him like he finally belongs somewhere in the world.

This shit is kinda spooky because both the maestro guy and illbe the retriever are holding orbs/a little white ball close to them and they speak of the same thing. This person really protects Taehyungs hopes and dreams. Also they themselves obviously represent a dream that Taehyung thought was long gone and impossible. I think it can be taken literally too lol to mean that when Taehyung is being forgetful af. This person is that type of person who has your keys already when you think you lost them. They’re really the more responsible one in the relationship lmao helping him to be more organized and get his life together. The next set of cards I used to represent what his biggest turn ons are. This isn’t in a sexual way though lmao I meant the qualities he likes the most in his ideal type. Already I noticed how all the cards are facing straight ahead and looking right at you so it makes me think this person has some intense ass eye contact and looks intimidating and they got a rbf.

With the king of cups reversed I don’t think they’re actually these heartless cold bitches and that Taehyung is turned on by that because the sage card is upright and talks about the same shit but this is a person definitely who looks colder but is actually kind on the inside. He kinda likes people who look cold like that but are actually sweethearts. This person is not one of those super lovey-dovey people or uses pet names and babytalk like “my sweet baby Taehyung” whatever I think they find it very cringe. They have some trauma from when they were kids where they felt as if they aren’t allowed to act very emotional because people will think they’re weak and take advantage of them (this is just their beliefs about themselves) they instead act very macho or tough again lol like Toph from ATLA idk why I keep thinking of her but there’s like a kinda tomboy energy but they’re really not heartless they just need the right person to feel comfortable around and need to work on opening up emotionally.

There’s so much masculine and yang energy but then at the end you see this motherhood figure so it again really makes me think it’s a front and this person is so nurturing and that’s what really draw Taehyung to them. He loves the most that this person knows so much about the most random things and esoteric topics. They value tradition and stability but they also understand the need for growth and change they’re the perfect balance. Communication is really a big thing for Taehyung it’s a reoccurring theme in this. Someone who is very good at communicating and are action oriented. They say what they mean and mean what they say. It’s very important that they are their own unique individual self and have their own goals and skills and hobbies.

This person is probably a powerful manifester too and sets their intentions and goes after them. They have so much power and confidence also with the himself card they could be a dancer or love dance since he’s a dancer faerie they’re very much into creative shit. They seem very natural and not the type who got work done or wears too much makeup idk there’s like a wild energy lol like this bitch is from the damn forest. If someone attacked Taehyung this person would literally drop kick someone even if the person was bigger than them. Danu card is always protective and nurturing but ferocious if you mess with their person. Like “idc what you do to me but if you touch my guy I’ll end you”.

Now onto what Taehyung’s biggest turn offs in general are: death reversed and obsessed card lol oh god bro I am fucking done. His biggest turn off is when someone makes him the center of their universe. I mean this in the extreme way like “omg you’re my one and only we’re meant to be I think about you 5000 times a day and have an entire closet with all your pictures and I document your entire life” 👀 and he’s like uhh can you get a damn hobby? (That doesn’t involve me) Cause imagine someone’s entire life revolves around you. It’s sweet at first I guess? Lmaoo then it’s just creepy and like they have no life or personality without you. Death reversed is like something is plaguing you and following you around, pestering and annoying you. He must’ve experienced this shit irl lmao if it’s this strong with a major arcana to come up as a turn off. Cause major arcana are big ass life lessons. Like they thought he wouldn’t know they were secretly obsessed with his ass and used other people like his friends to get closer to him but I’m telling you Taehyungs intuition is something else and he always knows when people are some obsessed crazies. This is exactly why he’s so cautious now because of bs like that he can’t trust anyone. Like please stop acting like Jodi Arias and have some self respect.

[dailyadventureprompts]

First off, I love your blog! It's been the highlight of my day to see what you've posted. I was wondering if you have any ideas for setting design? Your settings/locations are so evocative, and I want my players to feel the same way about my settings. But I have a hard time balancing familiarity with originality. I want my setting to be relatable, yet its own thing. Any tips?

Friend you’re already on the right track, because you asked me about creating something specific, rather than something that’s simply “good”.  More specifically: evocative, familiar, original, relatable.   These are all VERY good goals to write for when developing a setting, so thanks for taking care of the first part of my job for me. 

So... how do we go about creating such settings? 

First: don’t worry about getting everything perfect and detailed on the first blush. All the best settings you can probably call to mind were given their depth and scope by many stages of drafting and redrafting, so when you’re writing your own, focus on establishing a solid foundation and then layer on from there. 

Second: to establish that foundation, we’re going to look at three elements I consider absolutely CRITICAL to good fantasy setting design, 

Genre Emulation: if you’re writing a d&d adventure, it’s a good chance that you know what type of stories you’re looking to evoke. These stories come with their own stock characters, allusions, and assumptions, and you should abuse the HELL out of these when doing your own writing. Playing on archetypes and shaping them to your liking can help you know where else you need to go, and gives your audience an immediate buy in.  “ oh yes, I’ve heard this story before, I know what’s going on, I know what’s expected of me” is something you want to aim for, while putting your own character into it. 

Verisimilitude: While amateur gamemasters are often notorious for overdetailing their world and getting completely lost in the weeds of world building, you DO need to do some work in justifying how exactly your setting works, how society functions, and the basics of trade. The good news? Most of that is an illusion you can totally fake, by only detailing the stuff that’s DIRECTLY RELEVANT to the ongoing plot and using that as a jumping off point to make up anything else you might need. To tell you a dirty secret of most major media franchises, most worldbuilding is done this way, a hasty level of detail thrown on top of random justifications. 

Purpose: When we’re designing, we always have to keep our goals in mind. What sort of game are you running, what are your plans for your big setpeices? Its important to build your setting in such a way as to facilitate and highlight, rather than restrict those goals. If you know you’re running a mystery, you need to build knots of personal relation, hidden agendas, and secrets. If you’re planning to run a battle, you need to work on developing natural defenses, economic resources, and tenuous alliances.  

Below the cut I’ll go into deeper examples of properties that do each of these topics well, as well as give more tips on how you can get the most out of your setting design. 

Genre Emulation : This is key to getting your players invested early on. They’ve absorbed a lot of media before they sit down at your table, at least second hand, and you want to be able to tap into that familiarity  so that you can start building their bonds with each other and with the world stakes. We humans LIKE knowing what’s expected of us, and knowing what stories you’re emulating is going to give your players a good understanding right away of the tone. I’d honestly encourage being very up front with your campaign’s influences, and if you yourself aren’t sure, maybe do a media binge until you find something that you can point to as a reference.  

The Witcher is a master in genre emulation. The audience can immediately buy into the fusion of a) gritty fantasy ala game of thrones b) classic heroic narratives in the form of the questing monster slaying knight ( Geralt), the self discovery magical apprenticeship (Yennifer), and the orphaned chosen one’s odyssey ( Ciri). The thematic twist that the Witcher pulls off is getting jaded modern audiences to accept these classic, uplifting, archetypical stories, by having their characters start off as disillusioned as the audience  and slowly gain hope and understanding and love overtime. 

If you can figure out what your story is ABOUT, and then couch that in a familiar storytelling niche, I can guarantee you your setting will be rich and memorable. 

Verisimilitude: The art of making your setting feel like one that actual people live in is an ongoing affair, but thankfully it requires little actual prep-work on your part, maybe a bit of vague brainstorming about how life in the relevant settlement/region. What’s the common monster problem? What was the last big war? when’s the next feast or festival? what ruler fucked up so bad in the recent past that people are STILL making fun of them? These little things add texture to your setting way more than a giant infodump ever could. 

I might anger some people for saying this but you know what setting has excellent verisimilitude? Harry Potter. Rowling didn’t build her world top down and peruse implications of her magic system down to the smallest detail. She randomly adds details and justifies it later.  Chocolate frog cards have no explanation, or greater meaning in the world, but they’re 1000% you’d expect wizard kids in the early 90s to be snacking on.  We see this applied to things like shopping districts and banking and government within the setting: here’s a thing wizards would need, lets make it a bit fantastical and then plug it in. it doesn’t need to be any harder than that. 

Work out the basic logistics of your current adventure, add a few flourishes, don’t sweat the big stuff. Keep doing this long enough and you’ll make a setting that seems like it was puled out of the aether by a master storyteller, whole cloth. 

Purpose: If there’s a cardinal sin of dungeonmasters: it’s prepping blind, just adding things to their world because they feel like they SHOULD have it and bloating the campaign. Reading Tolkien and becoming convinced they need to build your own language system, reading Martin and thinking they need to plot out every minor noble house and their relationships to one another, completely missing the point with how LOTR is about how history + language are fading in the time of modernity, or how ASOIAF is about dynastic politics. 

What is your story, fundamentally, ABOUT? Theming is important here of course, but also what’s the primary gameplay hook? Exploring dungeons? Traveling to exotic new lands? Swashbuckling and sailing? Epic warfare? You can’t just grab-bag everything together, you need to figure out what your campaign is about before you go building a setting around it. Most people who set out to dungeonmaster are critically unaware of this step and so they create yet another generic fantasy land and wonder why their setting lacks real character. 

Say what you will about modern Starwars, but they’re the CHAMPS of purpose these days. Nearly new planet from the sequel trilogy onwards has been perfectly designed to facilitate a key scene, and I encourage you to go out and watch the secondary media ( Rogue one, Solo, The Mandalorian)  and see how they build a setting AROUND an action set piece, rather than building the setting first and then trying to cram the fun into it. 

Rather than just filling up pages and pages with detail, your first priority should be building and refining the fundamentals of your story.  Figure out the cool stuff you want to focus your adventure/campaign around, and then build back from there. 

[stillness-in-green]

The MLA(/PLF) Headcanon Post (1/2)

In response to this nice ask about whether I have any headcanon or thoughts about the current members of the MLA/PLF, I spent two weeks blithering 16.5K words of exactly that into a Word file, because when it comes to underappreciated characters I love, I do not understand restraint.  This post and its follow-up will cover all ranked ex-MLA members of the PLF, as well as Original Flavor Destro and Curious, since I wasn't going to leave them out of a project like this even if they aren't "current."

The ask only mentioned having previously read The Lore Post, the last exercise in ridiculousness that I wrote at the tail end of MLA Week, so I wrote this to summarize everything that doesn't appear there—which is to say that a lot of the material in these two posts will look familiar to anyone who's read my fanfic about the MLA cast.  There’s still plenty of new material to go around too, though!

So, I don't have much in the vein of askblog-style headcanons where I can randomly tell you stray trivia about a character’s favorite foods or their love languages or what have you; that stuff either comes up when I'm writing fanfic or it doesn't.  That said, below, please find a mix of thoughts I keep in mind when writing characters, facts that have only turned up in my fanfic/notes so far and not the Lore Post meta, and a selection of lightning round headcanon provided by cross-referencing a random number generator with some old questionnaires I keep around for OCs and tabletop characters.

In this post: Destro, Re-Destro and his advisors, and Geten.

Destro— 

General Thoughts The whole "revolutionary leader" thing came very naturally to him. He was committed, charismatic, very willing to risk his life and safety for the cause, and he cared about his people. All that said, he absolutely had a pompous, prideful streak, especially where it came to his justification for terrorism.  You only have to read his own words to see that.  Still, he was in large part reacting to the world he lived in, one of greater violence and danger than the current day. 

I like to think that—because he was genuine in wanting freedom for all—he would not approve of what became of his Army.  He'd be able to see how they got there, and he would probably have made much the same choices if he'd been there with them, but while he would have agreed that his role should be remembered—that's just Due Credit—he would never have wanted to become the nigh-on religious figure his followers turned him into. Continuing to fight the good fight for his ideals is one thing, but secret salutes and isolated villages and being raised from infancy to know your life has only as much worth as it can contribute to Liberation…  Well, it's just not what he would have wanted for his people, much less his descendants. 

Family Situation Chikara was only around 7 when his mother was killed, the event that would shape the rest of his life.  He wasn't hiding in the closet from the mob, either; he was kicking and punching and biting, his motivation to save her overflowing—but he was still only 7, and eventually overwhelmed.  His own life might well have ended there with hers, but for a group of neighborhood vigilante types (at least one of whom probably went on to a career as a hero, after legalization).

He went most of his adolescence without getting involved with anything more sinister than student newspapers, founding a secret meta-rights "club," and attending the odd larger protest, but when the government started talking about passing laws restricting the use of meta-abilities, he started getting very radical very quickly, and when some absolute snake started to use his martyred mother's words to bang the drum for banning quirk use outside the home outright, he went off the deep end.

Lightning Round (Randomly Selected Headcanons)

Favorite book genre?  Memoirs and biographies—he wouldn't have written his own if he didn't appreciate their value.  The intimacy of the personal juxtaposed against the broad scope of history appeals to both his regard for individuality and his revolutionary mindset.

Most prized possession?  Thoughts on material possessions in general?   He doesn’t generally prize material possessions—in fact, he’s something of a skinflint.  His most prized possession is an old pair of gloves that belonged to his mother, which he'd been wearing at the time of her murder.  He didn't come from money to begin with, but his mother’s story made enough of a splash that his financial situation was improved by well-meaning sorts sending along donations and contributions and the like, as well as government officials knowing they needed to be sure that he wound up somewhere at least semi-reasonable lest they court further outrage by mishandling the son of a martyred woman.  The money all went towards school and living expenses, though, leaving him quite experienced at balancing a budget, which would come in handy for that whole ‘leading a violent uprising against the state’ thing later on.

Academic Background: Got all the way through college!  Was involved in student groups as far back as middle school, and only got moreso the further in school he got.  Majored in Human Development; he was intending to go into the public health and policy sphere before the appropriation of his mother's language pissed him off so much he got into terrorism instead.

THE MODERN MLA

Re-Destro—

General Thoughts A huge amount of the way I write him is influenced by one single thing—his characterization as described in the second data book.  His personality is summed up there as "sokoshirenai yami"—bottomless darkness, or, as a friend translated it for me, "unfathomable gloominess."  That really, really stuck with me, because on the one hand, it's so opposed to virtually all of what we see of him on the page, where he's being cheerful or scornful or sycophantic; the closest he ever gets are his brief tears for Miyashita, Curious, and his other followers.

On the other hand, it makes so much sense that the man we see—the man who talks about the heavy burdens of his legacy, who was handed that legacy when he couldn't possibly have been any older than 6 or so, who willingly straps on a self-designed torture device to wring out more power, who all but worships the ground Shigaraki walks on even though Shigaraki is the reason Re-Destro no longer has legs to walk that same ground with—should be "unfathomably gloomy."  Of course he's gloomy!  He was never allowed to be his own person!  He has never in his life known true freedom, only existed as a vessel to bring that freedom to others!  And he can't really even talk to his closest friends about it, because his closest friends are still his followers, and he wouldn't want to weigh them down!

With that context, it makes all the sense in the world that he'd be so devoted to the man who relieved him of that burden.

Family Situation He loved his mother Yukie a great deal, despite knowing from early on that he was carrying the weight of the title because she believed she couldn’t.  (Perhaps growing up hearing about the martyrdom of Destro’s mother left him wanting to ensure the happiness of his own, for her happiness was very rare.)  He was 10 when she was killed in a Villain attack; she’d been on a daytrip over to a neighboring city to visit some of her erstwhile school friends.  The requisite mourning period was 49 days, and as the only surviving family member, quite a lot fell to him even before considerations of his role as Re-Destro.  it was perceived as better—for both the Army’s morale and for his own stability—for him to be involved with as much of the work of transition as possible, but obviously he couldn’t do it completely alone, nor should he.  Thus, for two months after Yukie’s death, the previous generation's Sanctum[i] stayed with him in his family home. Afterward, he moved in with Anchor (one of his grandfather's advisors), where he would spend the rest of his young adulthood until moving away for college.

Claustrophobia The name of that literal-iron-maiden deathtrap he brings to bear against Shigaraki is no coincidence: Rikiya developed claustrophobia over the course of a stint of abusive training when he was thirteen. He generally has a pretty good handle on disguising it, thanks to a combination of people being unwilling to ask him questions they don’t actually want the answers to and the fact that he had to learn how to operate through it in order to complete the training at all. He has never told anyone, largely because he’s never been able to recognize that it was abuse, and so his abuser remains a figure of some influence.

Education He was largely taught by private tutors, in his home and in theirs, rather than attending school, but I think he probably wasn't completely home-schooled.  Particularly once he'd decided that he did want to attend university—and not just some little local technical program, but a major school in a proper city—he probably attended classes a few times a week at his local high school just to get a feel for being around other people his own age. He'd been friends with Koku for several years by that point, otherwise he probably would have been pretty hopeless, but he was still a pretty odd duck by the time he got to university.

This, incidentally, is why he never pushed Geten too hard about school—his own experience of it was so weird and piecemeal that he mostly thinks of school as relevant only for the education it provides, and less so the crash course in social dynamics.  Since Geten doesn't care about getting an education (nor, indeed, about learning how not to be a rude little troll), and has a strong enough quirk that he'll never lack for a position in the Army even without a formal education, Rikiya is perfectly happy to let Geten have his way and just be minimally learnèd.

Stress His powers operate by infusing his body with the characteristic black matter of his manifested stress; he can increase his size with this (his so-called Liberated Form isn't just armored up; he becomes physically taller and bulkier), as well as throw handfuls of the materialized power.  A side effect of this is that his stress can also infuse itself into his bodily fluids. The stress matter is a highly dense particulate, so if Rikiya is not in proper control of himself, his proverbial blood, sweat and tears can be literally heavy with the weight of his power.

The Value of Life He cares very much about the lives of his followers, but those genuine feelings are filtered through both the mental compartmentalization required by an emotion-based quirk, and an upbringing that taught him to care about his underlings in the same way one would rare goods.  Valuable goods, certainly, goods worth being proud of, goods to be maintained with care, but still, ultimately, things that can be sold or traded or bartered off as necessary to further one's goals.  Even his own life, while "objectively" the most valuable of them all, isn't an exception to that policy—the Great Cause is more important than any individual life, up to and including his own.

On a Personal Note He’s something of an obvious weirdo to outsiders—his enthusiasm comes off as strident, his smiles overly polished—but despite that, he's bizarrely hard to dislike once they start spending real time with him.  He's not anywhere near as prideful about himself as he is the legacy of the MLA, for a start; he's actually pretty self-deprecating when he's not performing the whole Heir of Destro's Great Bloodline routine at people.  He's also happy to go along with other people sharing their hobbies (because he doesn't have any of his own).  The more you get to know him, the more obvious it becomes that he's a total basket case, but “total basket case” is still an improvement over “self-absorbed 1%-er CEO” that people like Spinner come in expecting.

What Are Boundaries? He has very little understanding of how to enforce boundaries around his private life, or, indeed, of why such boundaries might ever be necessary.  Oh, he can do the double life thing, keep the CEO of Detnerat separate from the Grand Commander of the Metahuman Liberation Army, but when it comes to the MLA itself, he's so groomed to devote himself to the cause that he doesn't really distinguish between the responsibilities of Re-Destro and the needs of Yotsubashi Rikiya.  Rather than being the egomaniac you might expect of a man with the absolute power over others he has, he instead struggles to assert himself as his own person at all.

Issues with boundaries are not uncommon with the MLA—they're all raised to see themselves as warriors to advance the cause before they are, like, “human beings”—but Rikiya’s are particularly exacerbated because he was raised by adults who were getting pretty paranoid about his bloodline's tendency to die young, and thus were always checking in on how he was doing, dictating his schedule, weighing in on his plans, and so on.  He just wasn’t raised with reasonable expectations for privacy.  Even as an adult, he'll give his apartment door code to pretty much anyone in the MLA who has even a semi-plausible reason to want it—certainly quite a few of the elders know it!  And it isn’t only the elders, either; Rikiya's phone and several of his accessories carry tracking chips courtesy of Skeptic, which Rikiya knows about and doesn't think is at all untoward.

While his experience dating Koku definitely taught him some hard lessons about how much he could allow himself to ask of people who would obey him without question (they broke up over Rikiya’s realization that Koku would never deny him anything, thanks to a cracked rib Koku didn’t see fit to tell Rikiya about until Rikiya hugged him a little too hard), he never learned how to value his own autonomy in turn.  Oh, he's the Grand Commander, and everyone around him has been raised to venerate his bloodline, so most of them would never even think about trying to take advantage of him as such, but it's absolutely the case that people who are bold or familiar enough to try can basically run right over him with minimal efforts made at obscuring the fact.  His life is full of people who do and have done exactly that, some to a net positive effect, and some—well.  See again the entry about his claustrophobia.

The abjectly terrible state of his sense of self-worth is also the reason the Claustro exists.  While he was relatively capable of trying to work around his phobia when he was younger, the older he got, the more it started to feel like leaving doors cracked behind him or only working in offices with big spacious floor plans and oversized windows was, in some way, Letting Down The Cause by allowing his fear to control him, rather than embracing it so he could properly stockpile it for later use.  A dinnertime chat with Curious about turning one’s trauma into a weapon for the good of others catalyzed this, leading to the development of the “burden-enhancing steel pressure mechanism,” Claustro. 

(It also means the clone of him made by Twice to handle Detnerat after Deika is bizarrely okay with its circumstances, which I will almost certainly write more about one of these days, but I’m still kind of reeling from that reveal, so more on that another time.)

Lightning Round

Religion?   He doesn't identify as being of a religious faith, but he was brought up in the same peaceful marriage of Shinto and Buddhism that the majority of Japanese people are, and like many, he adheres to a number of traditional practices more out of habit than devout faith.  There are two celebrations that demand significant emotional investment from him.  First comes the New Year's celebrations, important because the MLA prides itself on looking to a brighter, freer future, and it's a period when he can let himself think that maybe he'll be just that little bit closer to Liberation by the end of the year than he was at the start.  Second is Obon, a summer festival for honoring one's departed ancestors. Since his authority and his life's work derive entirely from his bloodline, he's obligated to care about this one, though in practice, he tends to shy away from thinking much about Destro (who he has very twisted-up feelings about indeed) in favor of less emotionally fraught waters.

What did he dream of being or doing as a child? Did that dream come true?   He never really had a significant period where he thought about being e.g. an astronaut or a doctor or a hero; in fact, it came as something of a surprise to him the first time Koku asked him what he was planning to do when he grew up.  He always just had the nebulous expectation of, "Be the Grand Commander," and the elders were happy to leave it at that until he brought it up on his own.[ii]  

How does he behave around children? He likes kids!  He’s wistful about the freedom enjoyed by happy children while also being sympathetic to ones that seem overly burdened.  He’s not the most natural person in the world with them, but most of them can tell that the awkwardness comes from a well-intentioned place, and will treat him as a funny-looking man who’ll let them bother him at length without getting mean.  It turns out he’s actually pretty good with them, then, if only by virtue of being easily bullied.  (This, notably, goes for non-MLA-affiliated children.  Everything’s much more formal within the cult, though it didn’t Geten long to suss out the “easily-bullied” part, either.)

Trumpet—

General Thoughts The largest factor in how I write Koku is, of course, the headcanon that he and Rikiya are ex-lovers, and neither of them is 100% over it even all these years later.  Beyond that, though, Koku is the most temperate of the group, the one with the most easy charisma (MLA members are more swayed by Re-Destro, but Koku does better with outsiders who aren't predisposed to hanging on Rikiya's every word).  He strives to come off as The Sensible One, and given the extremes the rest of the inner circle are capable of, it's not hard for him to maintain that title.  He's as messed up as any of them, though, second only to Rikiya in levels of childhood grooming.  He thinks of himself as a practical man, but he is deeply indoctrinated, the boundaries of his expectations very much defined by his upbringing, so he never really sees it coming when he gets clobbered by something from out of left field.

Family Situation: Koku has the largest family of the identified members.  Aside from his grandfather (called Old Man Hanabata, the founder of the Hearts & Minds Party, and passed away by the canon era), Koku has cousins, nieces, nephews and more, courtesy of his uncle, his older sister and her husband, and other extended family.

He’s also the member most accustomed to wealth, power and influence.  He's from a rural area, certainly, but being in a family of hereditary politicians (and with that family not suffering a string of untimely deaths and disappearances like Rikiya's did), he was raised from the start with ready access to money and nice things.  Still, for all his family's sway in a major branch of the MLA's operations, they're not First Families, and thus don't have any elders in their ranks, making them still somewhat subordinate to said elders when it comes to orders about the Great Cause.  (He’s working on it.)

Meeting Re-Destro Koku and Rikiya met at 12 and 10 respectively, when Koku tagged along with Old Man Hanabata for a meeting RD was likewise accompanying Anchor for.  It had been the better part of a year since Rikiya's mother passed away, but he was still strikingly melancholy for a boy that age, which—along with all the weight given to the importance of the meeting—left quite an impression on Koku.  Koku thus became Rikiya's first real friend in his own age group, a friendship heartily encouraged by everyone around them.  Koku was well-behaved, intelligent, a little older but not too much so, and set to become influential without a danger of becoming too influential; he was seen as a good choice for a friend.[iii]

The Break-Up Painful as it was at the time, there was a silver lining to his and RD's post-college break-up: it got Koku out of the elders' pocket.  He’s been groomed for one thing or another all his life, but after he became friends with Rikiya, he was always getting leaned on to report back to the First Families about how Re-Destro was doing, and to try to influence him towards actions the First Families approved of.  In a very real sense, Koku was part of the apparatus keeping Rikiya from any real freedom.  Their break-up and subsequent estrangement meant that the elders had far less to breathe down Koku's neck about, and by the time they reconciled, Trumpet had gotten his feet under him, as had Re-Destro, and they were both better able to fend off such background meddling.

This doesn't mean Trumpet's not still carrying a torch, however.  He thought he was handling his long-banked feelings pretty well—being Professional, being the advisor Re-Destro needed and as much a friend as Rikiya would allow—right up until Rikiya scared the life out of him by nearly dying in Deika.  He's all but glued himself to Rikiya since, as much as he can get away with given their respective responsibilities.

As an Advisor Other than leading the HMP, he does some work with internal politics and reputation. It's not, strictly speaking, his actual job as advisor—Re-Destro or the elders would probably be sought for more formal or critical mediations—but he and the people who report directly to him do enough travelling around to see constituents that they're often in a position to field those tensions before they get big enough to require attention from higher up.  Koku's happy to do so, in fact—not because he just loves handling petty arguments about resources, but because the HMP is a faction of the MLA in and of itself, and mediating is a boost to that faction's standing and autonomy.  (Also, it's that much less on Rikiya's ever-overburdened plate.)

Lightning Round

What would he do if he needed to make dinner but the kitchen was busy?Ahahahahaha, “make dinner but the kitchen was busy,” please.  Any time there could feasibly be someone else occupying a kitchen he has any business being in himself, it would be a housekeeper, and s/he would be making food for him/his family.  It’s not as though Trumpet has never cooked—he did live alone for some years after school—but outside of a scant few years in university, there’s never really been a time that kitchen use overlap would have been a problem for him. 

Favorite indulgence and feelings surrounding indulging. Probably gourmet cuisine, especially imported stuff. He’s had tailored clothes all his life; they’re just part of the job.  Expensive alcohol also doesn’t wow him; it wouldn’t be strange to find some sake maker whose family has been doing it for sixteen generations in the village he grew up in.  It’s a lot harder to cultivate a true gourmand’s palate out in the sticks, though, no matter how rich your family is.  Living in actual civilization affords a great deal more variety—and anyway, nice dinners are one of the few things he can reliably tempt Rikiya into accepting.  As to his feelings about indulging in general, he’s broadly For It.  He works very hard, he seldom gets real time off, and it doesn’t help the Great Cause for him to deny himself nice things, unlike some people.  (He’s maybe a bit bitter.)

Does he like to be the center of attention all of the time? Not especially.  Oh, he’s very good at it, certainly, and he doesn’t dislike it, but being the center of attention is practically always going to be tied up in The Great Work, so he desperately needs to get out of the spotlight from time to time, if only to be able to turn off the persona.

Curious—

General Thoughts There are two main factors in how I write Chitose: her practicality and her rapaciousness.  I write her as having an appreciation for good moral character in other people, especially when it makes a good story, but not considering herself particularly bound by conventional morality: her moral compass is Liberation, and she follows it unswervingly.  I also write her as predatory, lusty about a lot of things, often to the point of overstepping.  It doesn't hurt anyone that she likes hearty foods and strong alcohol, but she also doesn't have much regard for peoples' boundaries, and even less so when she thinks they have something to offer the Great Cause.

While that trait isn't without its benefits, it can get pretty ugly, too, as we see in how she treats, and talks to, Toga.  Even with Rikiya, the only person she thinks of as 'above' her in any meaningful sense, she's not at all above manipulation.  She's respectful of him, but knows him too well to always take him at his word.  He plainly can't always see what's best for him, but what's best for him is best for Liberation, and therefore, as a Liberation warrior, it's her responsibility to sometimes make decisions for him.  He'll appreciate it in the long run—he always does.  (Skeptic and Geten have similar views—Rikiya makes it easy.)

Family Situation She probably has the best actual relationship with her family of the group—her mothers are removed enough from the heart of MLA politics that her relationship with Rikiya doesn't color her family life the way Koku's does his, and she's much more sociable than Skeptic or Geten.  She doesn't get home much—just the major holidays, work permitting—but she's in frequent enough communication for a grown woman, and chats with her younger sister more often than that.

Meeting Re-Destro She met Rikiya properly when they were 21 and 27 respectively.  They were living in the same city at the time (him running Detnerat, her in university), so of course she'd seen him at the odd MLA event he turned up at, but when she landed an internship in her junior year, she cheekily turned up one day in her reporter capacity to interview him as “a local rising star of industry.”  It was the first chance they'd had to talk one-on-one, and would not be the last, as she frankly elbowed her way into his life and gradually sussed out that here was a man with Problems.  He and Koku were still in a distant patch at the time; she is largely responsible for getting them back on friendly terms as a way of showing her Pure Intentions.

The fact that her Pure Intentions both land her a square position as one of RD's advisors herself and get Rikiya to a better place emotionally is calculated, but not, therefore, untrue.  Ironically, while she was concerned about looking like a gold-digger, the MLA elders were probably thrilled and relieved to hear rumors that Rikiya was getting romantically involved again.  And with a lovely young MLA woman!  They wouldn't even need to worry about surrogacy arrangements!  (Not having grown up around the Yotsubashis, Chitose is unaware of exactly how pointed an interest the elders take in the matter of securing that bloodline.)

Feelings Today She loves Rikiya dearly, and prizes his regard more highly than anything in her life, but has not devoted much thought to the idea of being in love with him. She's married to her work, as they say, but she's also keenly aware that Rikiya would, for a great many reasons, be a lot of work to be in love with.  She's decided it's generally better for his mental well-being, and therefore also better for the Great Cause (she’s much more capable of reading that relationship reciprocally than Rikiya is), to make sure he's eating at least one good meal a week and getting some proper socialization in outside of MLA meet-and-greets.

As an Advisor She handles external politics and reputation--it's her job to prime Japan culturally for the Liberation agenda in ways more wide-reaching than Trumpet (he's head of a political party, and that's not nothing, but that party is still a small minority on the floor of the Diet).  She pulls attention to stories that benefit the MLA, and diverts attention from stories that don't.  This is far broader than just publishing Destro's memoir; it also means poking holes in the broader Hero Society narrative.  She does this by providing as broad a platform possible for stories about the tragedies of excessive regulation, the evils of quirk-related bias, the abuses of power heroes are capable of, and so on.

Lightning Round

Does she remember names or faces easier? She’s quite good with both, actually, but I’d give names the advantage because she works primarily with written rather than visual mediums.  (Also, BNHA names being the ridiculous puns that they are, you can probably tell more about a person in HeroAca Land by analyzing their name than their face anyway.) 

Is she more concerned with defending her honor, or protecting her status? Her status, absolutely.  Impugning her honor hurts no one but her; she can laugh that off because honor is a silly social construct anyway.  Threatening her status is a much more dangerous prospect—her status is long-cultivated to enable the advancement of Liberation ideology; it lets her keep an eye on Re-Destro, who needs as many people looking out for him as he can get; it’s what she’s worked for all her life. Curious will fuck you up if you threaten her status.

In what situation was she the most afraid she’d ever been? The time she got in trouble for nearly exploding some dude’s face off for stealing her purse.  She was 17, had spent very little time in non-Liberated territory before, and was not raised to wait on heroes to solve her problems.  She wasn’t afraid of the thief or the hero, really, but she was completely terrified that she might have just blown over half a century of secrecy by not performing Helpless Civilian well enough. The terror was pretty convincing to the police interviewing her about it, anyway.  On the whole, it was a very valuable learning experience!  

Skeptic—

General Thoughts Tomoyasu is a character I haven't written extensively yet, but what I think is most interesting about him so far is the contrast of his hyper-modern methods with the bone-deep zealotry for the cause.  See, Rikiya, Koku and Chitose all grew up in the sticks; Rikiya and Koku had money from a young age, but it was old money, tied up in trusts.  (Geten didn't have any of those, but Geten's a different story for other reasons.)  Tomoyasu grew up in a major city from the start; he was a technological prodigy from practically as soon as he could hold a tablet.  He has very little respect for the old ways of doing things when he knows there are newer, better ways of advancing the Cause. However, none of that makes him more likely to break from the MLA's ranks—if anything, his idiosyncratic approach just causes him to approach Liberation in really weird ways, ways no one else would ever come up with.

Pressganging Bubaigawara Jin based on a plan to clone Re-Destro?  Who else would that ever even occur to, much less such that it became the basis for an elaborate psychological assault?  But that's Skeptic in a nutshell—respect the old for what it did at the time, but don't think that means you have to use the same methods they did forever as you pick up the torch to carry it forward.

Family Situation He has an amicable but not intimate relationship with his family.  His parents are very proud of what he's done for the cause and how he won the confidence of Re-Destro, but they don't make much claim to understand how his mind works.  In turn, he recognizes the value of their support over the years—he certainly made a lot of waves with his unabashed venom for the MLA leadership's hidebound traditionalism, and his parents' staunch backing meant a lot for him being able to take the stands he did—but is not very emotionally close with them.  Might find himself with an older brother, if I ever occasion to write about his family situation in more depth.

Education He graduated a four-year university program for getting his computer science degree in two very intense years, during which he did virtually nothing for the Great Cause, his intention being to better position himself for maximum ability to advance Liberation afterward.  See above re: battles his parents fought for him while he was busy modernizing.

Meeting Re-Destro He met Re-Destro via Curious.  He was 22, just a year out of university and already climbing the chain of command at a young telecommunications company.  Rikiya was 33, working on the Claustro, and needed proprietary comms built to a higher standard of security than Detnerat was focused on.  Curious, who was always better positioned to be keeping up with the local personalities, introduced them.

Tomoyasu attempted to keep a civil tongue in his head the first few times he and RD met, but he'd been running on bile and energy drinks for years by that point and was hard-pressed to stop just because he was meeting his Grand Commander.  If anything, finding out that Rikiya was okay with his direction and his mouth eventually helped him chill the fuck out, marginally.

On that note, Skeptic is absolutely the advisor most willing to backtalk Rikiya right to his face.  (Rikiya loves him for it.)  Oh, he'll still accede to Rikiya's wishes, and Re-Destro's orders are his highest priority, but that doesn't mean he feels obligated to be diffident about it.  Like Curious, he has a highly developed sense of, "It's fine if it's for the greater good," which will and has led to him taking things into his own hands when he thinks he knows best (which is always).  He's not going to explicitly disobey orders, but he will creatively interpret them if he feels strongly about them, and he will try to "anticipate" orders before anyone has time to give him specific ones, the better to tailor his efforts towards proving his methods and goals correct rather than being stuck with orders he hates.

On Names I’ve definitely evolved some in my approach on this since I started writing the MLA cast, but at current, Skeptic and Geten are the only ones I consistently write as using and thinking mainly in terms of code names rather than given names.  Trumpet is too familiar with the public/private divide, and has too much intimate history with Rikya-the-person, to default to Re-Destro; Curious is too trained to look for The Human Heart of the Story.  Re-Destro himself, ever since breaking up with Koku, has always tried to use code names for people (himself excluded, because he has enormous self-confidence issues about measuring himself up to the original Destro), but can slip into given names when he’s vulnerable.  To Skeptic and Geten, though, the code name is the real name, for all intents and purposes.  The cover identity is a fake; the whole point of the code name is that you’re proving yourself worthy of taking up your proper place in the Army.  Of course the name you win for yourself is the name that counts.

Lightning Round

Given a blank piece of paper, a pencil, and nothing to do, what would happen? You’d pretty much have to lock him in a room with nothing but paper and pencil in it for that to be his first resort rather than whatever item of personal electronics he’d otherwise have on his person.  But assuming some actual plausible scenario—couldn’t bring his electronics into a government building, let’s say—he would find trying to do something productive on paper and pencil rather beneath him, and he’s an inveterate fidgeter.  I mostly see him folding that ludicrously tall frame of his into a chair and setting to using the pencil to poke about three hundred holes in the sheet of paper, meticulous and orderly, while muttering complaints to himself the whole time until something annoys him a bit too much and he jabs the whole pencil through the page. 

Who does he see as his best friend?  His worst enemy? I headcanon him having a very reasonable, functional, productive relationship with his No. 1 advisor, Red, and being reasonable, functional, and productive probably goes a lot farther on making you Skeptic’s “friend” than any amount of emotional intimacy.  But “best friend” is not really the kind of language Skeptic uses for his relationships; if you were to ask him who his best friend is, he’d probably tell you, “Iced coffee.”  As to his worst enemy, that’s just whoever is annoying him most on any given day, from difficult clients, to people annoying Re-Destro, stodgy elders, that hero grinning like a tool, that couple walking too slow in front of him on the sidewalk, etc. And Skeptic is pretty proactive about dealing with enemies, as much as he can be.

Has he ever been bitten by an animal? How was he affected (or unaffected)? lol he is a city boy and always has been.  He probably tried to pet a stray cat once out of curiosity, and because it seemed like the sort of thing people did, and then has never forgiven Animals In General when it bit him and then ran off. 

Geten—

General Thoughts Another one I haven’t written a great deal about yet, particularly in the present day, though I’m looking for that to change soonish.  One thing I’d like to explore is Geten when he’s not seething with rage and shame because he failed to bring Re-Destro a victory in Deika. The fandom tends to write Geten as an always-angry attack dog barely contained beneath a chilly veneer, and that’s fair—ever since we got the face reveal, ever since the MLA’s defeat at Shigaraki’s hands, Geten has been an always-angry attack dog barely contained beneath a chilly veneer.

But if you look at Geten from before we knew what was under the hood, you find a different story.  “Chilly and angry all the time” is not at all how he acted when he was fighting Dabi!  At that point, he was talkative, even chatty.  He engaged in a lot of snide smack-talk; he was obviously confident in himself and he spoke very proudly of the MLA as a collective.

He was still quiet at the dinner he attended with Rikiya and his advisors, yes, so I don’t think Geten’s done some kind of full 180 on characterization.  I do, however, think that Geten has a sense of humor in there, has a sense of camaraderie with the MLA rooted in more than just his relationship with Re-Destro, even if Re-Destro is obviously his most important person.  I don’t know if we’ll ever see that in the manga proper, given everything that’s happened, but it’s worth remembering in terms of what Geten is like when he’s solely among allies.

Family Situation Orphaned at a young age, and a problem child from then on.  He passed through a series of foster parents and state facilities before eventually crossing paths with the leader of the local MLA branch in Kesseru, Beacon (more on him next time).  This encounter would lead to him being sent to a group home with a reputation for being good with such difficult cases, giving them Structure and Companionship and Meaningful Work.  (Spoilers: It’s Liberation.)

Despite evening out considerably after a significant meeting with Re-Destro when he was 7[iv], Geten never got particularly close to his adopted family/the other kids at the group home.  He's very favored by the Grand Commander, for one thing, and he has the strongest quirk in the home for another—and since he learned the quirk supremacist stuff from them, that’s a pretty significant part of the dynamic!  Both of these factors mean there's some distance between him and the rest. Still, he's not on bad terms with them—indeed, his foster parents are quite proud of him—and he would probably tear out someone's throat with his teeth for threatening them, if only as a matter of pride.  

There are 4-6 other kids there at any given time; for the bulk of his young adulthood, there were two older than him, the others younger.  He doesn't have much time for Big Brother Pastimes, but is not completely immune to them, either, particularly where the youngest kids are concerned.  His tolerance for Little Brother Antics, however, is nonexistent—if the older kids think they can ruffle his hair and treat him like a kid, they can square the fuck up; he is Number One around here and don’t forget it.

Education Geten never went to school, but he's not completely uneducated.  He had some tutoring in the group home, some more from Re-Destro personally, and has a pile of books he keeps at his bedside, mostly strategic in nature.  He finds them vexing at times, but is slowly reading through them anyway because Re-Destro asked him to.  He’s been a bit more diligent about it since he was made a regiment leader, because lord knows Dabi isn't contributing much.

On Re-Destro Re-Destro became fond of Geten for the same reason he became fond of Skeptic and Curious—Geten was willing to push back.  He really did make some attempts early on to keep Geten at a proper distance, mindful of anything that would look too much like favoritism.  And Geten knew, in the hard-headed way of a child, that Re-Destro was being a grown-up about things, trying to be mature, trying to be impartial.  Geten just didn’t care about any of those things.  Every time, he would listen very seriously to the things Rikiya told him, nod attentively, repeat back what he’d been told, and then go on about doing his own thing anyway.  And his own thing was, typically, to keep coming back.

Of course, if there’s anything we can tell about Re-Destro from the way he treats Shigaraki, it’s that Re-Destro loves people who take the choice away from him.

Eventually, of course, Geten grew up (mostly; I peg him at 19 now), joined the MLA officially, and had to settle into the structure of the Army.  It began to lead to trouble for Re-Destro, when Geten blatantly disobeyed him; it stopped being cute.  Still, the sense that he Knows What’s Best lingers, so Geten works himself very, very hard to be everything Re-Destro needs him to be and more, so that maybe Re-Destro’s burden will be just that little bit lighter.

On Quirk Supremacy (and Re-Destro, still) Here’s the thing about Geten and the whole, “A life without a strong meta-ability has no value,” line, and this continues to drive me mad because of how people getting it wrong influences the bad takes on the MLA in this fandom: Geten is not a reliable witness.  He is not one of the leaders of the MLA, nor does he speak for its rank and file. Even if you assume the absolute worst about his implications there, far worse than is justified by the text, Geten’s very name, Apocrypha, means that he cannot be presumed to be aligned with MLA orthodoxy.

The only one of the people close to Re-Destro who wasn't born and raised MLA, he still manages to come off, in some ways, as the most zealous of the lot of them.  But really, it’s very noticeable that Geten—unlike Re-Destro himself, and unlike even Re-Destro’s close cohort—never talks about the original Destro, never even mentions him.  When he thinks about his leader, he only ever thinks about Rikiya.  Geten doesn’t follow Re-Destro because of his bloodline, because of the tenets; he follows Re-Destro because of personal loyalty.[v]

So how best to do that?  Well, think about it: Geten is not terribly intelligent, nor wealthy, nor well-connected. He and Trumpet are the ones most influenced by the quirk supremacist line of thought, Trumpet because his relatively weak quirk comes off as exponentially stronger the more he can surround himself in people it works on, and Geten because his strong quirk lets him mentally justify Re-Destro's investment in him despite his other insufficiencies.

Compare this with Re-Destro, who only ever talks about quirks in terms of freedom. Even more prominently, look at Skeptic and Curious, who are not at all defined by their quirks and how strong or weak said quirks may be.  Indeed, those two devote scarcely a thought to the matter because they contribute to the cause in much more important ways and seem to be perfectly comfortable with where that leaves them.

Geten may not be very smart or influential, but he’s very capable of looking at what strengths he does have and focusing hard on those.  That, I think, is what really lead to his embracing quirk supremacy, even in the face of evidence that he doesn’t have the whole picture: the search for a way to measure himself up to the movers and shakers Rikiya is otherwise surrounded with, and not come up drastically wanting.  

“Apocrypha” Geten has been Geten for a long time, since long before the MLA types usually take up their code names. He’s also an outlier in the MLA for having a name in Japanese instead of in English—the only one who does!  My headcanon, unless and until we get some other members with Japanese code names, is that he got the name directly from Re-Destro—possibly even in the conversation that lead to him imprinting so hard on the man when he was 7—and insisted on keeping it before any other code name that was suggested to him in later years.

But yes, he does have a normal Japanese name on file at the group home, which he’s obligated to answer to on the rare occasions that someone from Child Services is checking in or he and Re-Destro are out in public.  I don’t plan to bother coming up with it unless I need to, as I expect we’ll get it in a character profile one of these days.

His Quirk While a lot of people like the vibe of Geten and Dabi being somewhat equivalently vulnerable to their own quirks, and I agree it makes for good fanart, in truth, Geten is only as vulnerable to his ice as Endeavor is his flames.  Which is to say, he isn't immune, but he's certainly more resistant to it than the average person would be!  There’s already plenty of good material to contrast Dabi and Geten without pretending their quirks are more mirrored than is actually the case.

Lightning Round

How does he treat people in service jobs? He doesn’t, because he’s never in a position to interact with people in service jobs.  There have been times he’s gone out with Re-Destro, but in those cases he’s mostly let Re-Destro handle the human interaction.

What does he dislike in other people? Laziness; the lack of a higher purpose of some kind.  (It’s possible he’d thaw out on his disdain for Dabi considerably if he knew more about Dabi’s plans to undermine the whole of the Hero System than Dabi is inclined to tell him.)

Is he always there for a friend in need? Sure, as long as by “friend” you mean “fellow Liberation warrior” and by “need” you mean “in need of an icicle punched through one of someone else’s desperately fleshy body parts.”

Footnotes

[i]  Sanctum II's tastes being what they are, this probably means Rikiya is the MLA member most likely to be able to perform traditional Japanese tea ceremony.

[ii]  And there were elders who would have been happy to leave it at that permanently, I'm sure.  There are always going to be those regents who have trouble relinquishing power back to the boy prince when he grows up and becomes king, you know?

[iii]  And, when it eventually got out that they were dating, a relatively solid match, give or take the surrogacy arrangements that would eventually need to be made.

[iv]  I’m hoping canon gives us some details on this eventually, so I’m not planning to iron out more headcanon on the matter unless I absolutely have to.

[v]  This, incidentally, is a large part of why Rikiya does keep him around—it’s soothing to have someone around who never brings up his ancestor.  Anyway, after Geten evolved his quirk, people stopped complaining so much, even though RD never did get around to, like, giving Geten any formal responsibilities.  Geten, who knows very well that Re-Destro’s real advisors have real jobs, mostly took this as reason to be all the stronger, in hopes that he’d eventually be given one.

[whetstonefires]

Since you like the Hellboy...*perks up* Can I ask what you like about it? Does this need to be part of the ask game, if so, smash it in there. But opinions! I would love!

Ooh! Hm. This is actually surprisingly hard to articulate.

I’ve been ‘into’ Hellboy for like. Half my damn life now, and while I could have gone on at length about all the things about it I found fun as a teenager it was at its core very much a ‘this makes me Feel Happy’ thing. And now that glow is less intense but it’s bolstered by that habitual sort of attachment you feel to like. Family members.

Let’s see how far I can break this down lol.

I have never been able to much like most of the BPRD tie-in type materials and I was not at all pleased with the films, so to an extent I think I can say confidently part of what I like is the way Hellboy is situated in a superhero-comic-adjacent space while being very much coordinated by one overarching creative sensibility--like, other people were brought in to work on Hellboy a lot over the course of the run, but Mignola always had a unifying voice and even when I don’t actually agree with his taste or values that level of artistic...intentionality? Judgment? Presence? Something like that. Gives the work a sense of...integrity? Maybe just unity.

Anyway makes it feel less plastic than comics often do. This is a corporate product of course but it’s also just Mike Mignola hanging out doing whatever he thinks would be cool. Drawing rocks and monsters because that’s what he wants to draw. I like that.

Some of the higher-quality webcomics you get nowadays, when they don’t take themselves too terribly seriously but aren’t outright comedic, can land similarly in terms of voice, but even just fifteen years ago webcomics weren’t really at that point yet as a medium, and even now most are still amateurish as well as amateur. Which is fine, but different.

To get slightly less meta, I love the collection of genres that are smeared together for Hellboy--we’ve got a lot of detective noir stuff cut together with cosmic horror and like...the genre where people research folklore and then mostly punch it. Does that have a name? And then there are a bunch of other influences stirred in, sometimes for only a single issue, sometimes more.

Mignola managed to be significantly less offensive than average about the way he adapted world folklore into his weird groddy kitchen-sink fantasy system, which is pretty funny because he doesn’t come across as being careful about it at all. Not that I think there was no effort made, but also he just used research as a basis for narrative much more often than he started with a story premise and stretched the creature to fit, which by default gave him less scope for dickery.

Also I think the only god he ever fights is Hecate and she’s handled from a 19th-century-occultist angle rather than a Classical angle.

Also Hellboy fights Nazis and cyborg gorillas as well as like. Baba Yaga and vampires. The balance of schlock and gonzo nonsense to pathos and sensitive emotional bits is usually about where I like it.

The episodic format is really well used. It lets the storytelling style lean heavily on the late-19th-through-mid-20th-century short story genres that it borrows a lot from, and which honestly has always worked better for comics than end-to-end long-arc serialization. I like how the anachronic order of many sections of the series allowed for a lot of ‘building outward from the middle.’

Also it means the story can stay true to its roots and kill off a lot of characters in gothic excess without constantly sloughing main cast or having to do fakeouts.

...I can’t believe that since Hellboy isn’t really emotionally involved with the issue of his birth parents except inasmuch as it explains the world-ending stone hand, the single angstiest part of his backstory is technically when he went on a drinking binge road trip around Mexico in his teens and made friends with vampire-fighting luchador triplets but then the youngest one whom he was closest to was kidnapped by the vampires and Hellboy had to kill his best friend, and this is all established in a random side story that pushes the intentional genre absurdism to its breaking point and is equal parts comedic and grotesque.

(The second angstiest is probably the bit in volume 1 when he finds his dad murdered by frogs.)

I also just love characters who wear trench coats and are actually really clever and knowledgeable and kind but tend to resort, in extremity, to just hitting problems really hard. Okay? I like that. That’s a fave.

Hellboy’s whole character design is very strong, a bunch of dramatic broad-strokes decisions that contrast interestingly against one another, and then a lot of subtler elements layered in crosswise.

The way his relationship to the narrative ‘occult-fighting antichrist figure’ could be really straightforward, but keeps stepping a little sideways off the usual shape of the tropes in a way that creates depth.

He’s a giant red demon guy who stopped aging in the 50s; he’s never going to be able to be ‘normal’ or pretend he isn’t what he is--but also he’s a dude with a government job and probably a Social Security Number who goes and interviews people about the situation and says ‘I’m Agent Hellboy’ and gets called ‘Mr. Boy’ and is just this guy who knows his shit and can take a beating.

(This was one of the major things I hated in the first movie, that they decided to make him this weird secret cryptid whose dad keeps him locked in a vault when he’s not fighting.)

The way the identity thing is never reduced to comfortable binaries with him except by enemies trying to psych him out is just really satisfying. He fights monsters not because he hates them or himself but because he was recruited into this career young and he’s really good at it, and he feels good about helping people who are being victimized.

When something occult isn’t hurting anybody he’s down to chill, and if it turns out they secretly are after all he’s always so tired and disappointed, and if they really aren’t then he has a new friend. Whom he may never see again or may hit up for a game of cards next time he’s in town.

(I also like how he combines ‘being pretty private’ ‘being very casually friendly’ and ‘being an asshole who makes a lot of enemies’; it’s not that unusual a combo for his type of main character but it’s one I enjoy.)

When he breaks off his own horns as part of his rejection of being Anung Un Rama it’s not ‘choosing humanity’ or w/e it’s choosing not to be used for this. His name is Hellboy, which is an objectively awful name but it was given to him by people he loved and who chose him, not the people who made him or brought him to this world to be used, and he chooses it.

And that has weight. That has force enough behind it to carry a world.

Just in general in spite of all the identity stuff he gets swamped with he’s really good at self-knowledge and letting other people’s ideas of who and what he’s supposed to be just wash over him. As the story goes on and shit gets weirder his sense of identity gets shaken, but he never quite loses that anchor in the knowledge that he is the ultimate arbiter of his own identity.

His exasperation on being told via stabbing that he doesn’t get to be King of England even if he is the first male descendant of King Arthur since Mordred is so funny. Why is this a thing, says Hellboy. Why am I finding out like this. Why do I always find out this shit like this. Why would anyone think I wanted to be King of England. I already punched so many skeletons about not wanting to be King of Witches.

He’s got so much righteous anger that comes out when people are treated as disposable, or as less for being not human or less human or superpowered, and of course it’s founded in his own experiences and his own fight for respect but it’s not about him. It’s about the person who’s suffering now.

One time his combat one-liner before shooting something started with ‘The Torch of Liberty said I was the worst shot he ever tried to train’ that’s so funny! I love that!

He’s my boy okay.

[vaguely-concerned]

The Mandalorian Chapter 11 reactions; the ‘the sea is a harsh mistress’ edition

- on first watch this wasn’t really one of my favorite episodes. I think it’s something to do with... one of the many things I love about the mandalorian is how it made the star wars universe feel HUGE. big and surprising and unknowable, there could be fucking anything out there man we don’t know. so having first bo katan show up and then ahsoka being set up right after (quite aside from who’s rumoured to play her, which is an entirely different can of wormy beans) in additon to opening the season on tatooine... eh. I’m not that into it, it feels like shrinking the world. we haven’t even gotten to see any other type of force user yet. it is only early/mid season tho so they’re probably going to pull some unexpected twists on us 

my opinion might change with rewatches too, that happens quite a bit with this show!

- 

🎶I’VE COME TO TALK WITH YOU AGAIN🎶

honestly I had kind of a hard day yesterday and watched this the next morning and kept pointing tiredly to the crest like ‘it me tho’ 

- I was unreasonably happy about seeing the calamari flan again hahaha he’s been keeping that shit in his pockets for a season and a half now (didn’t he pay with some at one other point too?)! also the sound effects for them are SO EXCELLENT, I keep thinking about how well this show does texture which is wild considering how it’s filmed 

- the warm pat din gave frog lady’s arm when he thanked her and said goodbye 😭😭😭😭😭😭😭 I love the small ways he’s thawing 

-

my heart ached so much for him at this point, he just looks so small and tense and lost, like a kid who’s lost his parents in a supermarket

(he keeps his hand on the blaster the whole time too so he knows this is a bad scene but now they’re right out in the middle of the ocean already soooo) 

- din’s very very very dry sense of humour is so blessed. ‘a bowl of chowder for my friend’ faklhfsadkjlfhsadkjhfsd

the baby’s look when he poked the squid thing with his knife too -- yodito’s like ‘dad is a wizard??’ haha. some good baby & dad stuff in this one 

- oh din... side quest boy, side quest booooooyyy

- the shot when bo katan helped him out of the water is perfectly mirroring the scene of bb!din being pulled up to safety by the mandalorian in the flashback, which seems Very Intentional

I Extremely Do Not Trust Her in the larger scale tho. I think it’s important that din knows now that he was raised in a very specific offshoot of the mandalorians ant that there’s some Stuff he hasn’t been told, but I also think it’s crucial to remember that her pov is not unbiased either and she, in fact, already has an established tendency to selectively share information with him to manipulate him into fulfilling her goals. (which he realizes because he keeps saying ‘that is not my mission, my mission is the child’ and I could not love him more). hell, I’m not sure exactly how ‘the children of the watch’ were positioned within death watch, but she was fucking death watch too for the longest time! and she hardly left for particularly noble reasons, she just didn’t like maul! she already lost mandalore like twice, do we just have to trust that third time’s the charm or what! 

she lied to him about the scope of the mission to force him into a position to do what she wanted (fully knowing he’s responsible for a child!!) and she called that ‘the way’ just as easily as the thing about not letting his bravery be forgotten! big red warning lights, NO! I think the thing is that din is having to find his own ‘way’ of being mandalorian (/how does one be a person exactly help?? relatable content, and he’ll get there in the end I’m sure he’s so good), but her way is no less fucked up to me than the children of the watch from what we’ve seen so far. she’s good at killing imperials though which is of course a mark in her favour

(considering that the episode gives her the epithet ‘the heiress’... yeah that’s probably a hint that she’s loyal first and foremost to her entitlement, getting the position she considers hers by right of inheritance. guess we’ll see if the text agrees with her)  

- ‘mandalorians are stronger together’ yeah that’s probably why the cosmic balance makes sure they’re mostly engaged in being at each other’s throats lol 

- so I might be feeling kind of sketch about these guys but on the other hand... when that one lady saved the baby and then promptly took off her helmet to reveal she looks like t h i s ?

you better BELIEVE I was ready to fall down on one knee and propose right then and there holy shit

- ...wow if he didn’t have the jet pack din probably would have just sunk like a rock and drowned there huh 😨 that armour’s pretty heavy, turns out

- in happier news: din has become so good at reading what the child is expressing and responding/labeling the feeling for him! that’s so important to his development! ‘I know you’re hungry’ and both telling and showing him there’s a solution! still a bit of an issue that he thinks he can inform the baby of things like it’s a reasoned adult and have it understand, but we’re getting there we’re getting there lol

- that poor lady guiding them in for landing and sounding more and more worried fhkasjdlhfkjsdlahf (and he fucking TURNS OFF THE RADIO or whatever he’s using to talk to her through sdkfhaksdfhjs he takes a precious split second just to cut her off asfdjhaslkdfsdfhsda I love my salty dad) 

- when the fisherman asshole tells mando he knows where to find more of his people there’s the tinkling bell sound in the background music, I think it’s meant to convey almost childlike longing for belonging and connection, for finding someone who’ll know what to do? 

- when they took off their helmets and baby looked up at din like ‘???dad what the fuck? can you do that???’. (or like he just sensed his father taking a shitload of psychic damage all in one go)

- the way din didn’t start breathing again until they got the baby up from the water and he had him in his arms... the way he held him... sladfhasdklfhsjakdhfjsakldhfsakjldhfsjkadhfjaskdhfskajdhfjsdakhfslakhfskladhfsakljdhfjskadlhfkjsld

that whole scene was like a nightmare, so desperately unpleasant, in a way it mirrors the way the mandalorians have been hunted down and pummeled these last few generations, this must sort of be what it feels like to him subconsciously 

- din isn’t particularly inflexible as a person, after the initial kneejerk rejection he did listen to what they said and is carefully considering it (he did say ‘this is the way’ back at the end!)   

- the baby’s babbling when he wakes up and looks around in the beginning sounds half like ‘baba?’ and I almost had a heart attack

- loved how greasy and awful and dumb all the empire dudes were (and the comedy on board the ship too it was good for me) 

- the boob plates huh. shit they’ve shown with the armorer that they don’t have to do that in any way shape or form and they still brought the boob plates back :/ I guess it’s so they match up with the rebels/clone wars look, evoking that ~*era*~ and everything, but I don’t have to like it lol  

- I feel so validated in my theory that the razor crest is symbolic of din’s sense of self  (now with beautifully added commentary!) after this haha (and also so so scared now they might be ditching it for a new ship eventually). it’s in pieces, his world view is going to pieces and can’t be patched together the way it was before, from what he knows he’s about to deliver the baby to someone else who’ll understand/love/deserve him better (I do think that feeling is still in him) and he doesn’t even have the certainty of the code anymore to fill the void. oh buddy. 

the discomfort I felt when we got back into the cockpit -- into where it’s supposed to be familiar and safe! -- and saw all the ocean junk lying around, making it feel weird and changed and dirty (it probably smells like rotten seaweed in there now :( no likey)... I mean it was also very funny to see the pilot’s chair held together with a literal fishing net, but please favreau leave my dad’s car/ego alooooone 

- baby laughing his little bum off at din catching the small sea monster before it got him and then munching it......... the ‘there’s nothing in this world my dad can’t fix’ safe energy.......... I’m so scared we’re coming up on something din can’t fix 

- knitwear in star wars: I didn’t know I wanted it, but I am ELATED with having been given it

- moff gideon’s amazing evil voice... back in our ears, in our hearts, I gleefully hate him 

- at least din’s armour is clean again after that (awful) swim? one must appreciate some silver linings along the way I suppose

- din goes straight for the main pilot’s seat once they get the imperial out of it, so he must feel really secure that he’s probably the best man for the job; he is genuinely a good pilot! (and after this I am wondering even MORE who taught him. who raised you within the mandos din??)

- even while everything is new and scary and falling apart we can live safe in the knowledge that at least frog lady and frog husband had a good day and will have a good and happy frog life together with their frog children

couple goals tbh 

(I don’t necessarily know how it works for frog people but I uh. guess they got busy quickly huh hahaha good thing mando didn’t turn up again until later)

[escxpedes]

loopholes (cont.)

I literally can’t even begin to tell you how much everyone’s support meant to me on the last chapter. All your comments and tags were so sweet, it was seriously the highlight of my day. I’m sorry for the delay, I meant to get this out a couple of days ago, but I’ve come down with a bad cold. This part, while fun, was so hard to get right. Angus Macgyver is a genius, his mind goes a mile a minute, and I wanted to do my best to replicate that. This part is a little slow in getting to the Macriley stuff, but I wanted to show how much he really thinks about things. He’s such a complex character, that if I didn’t do him justice, I wouldn’t be able to forgive myself. Also, there’s dialogue in this one! Sadly, Jack isn’t mentioned in this chapter, but he’s there in spirit. Clearly, we all love and miss him. I hope you guys enjoy, the last part will be out soon! x

~

loop·hole

noun | A loophole is an ambiguity or inadequacy in a system, such as a law or security, which can be used to circumvent or otherwise avoid the purpose, implied or explicitly stated, of the system

~

Riley finally moves into her new apartment, but struggles to adjust after the events of Codex and the realization of her feelings for Mac. When Mac finds her passed out over her keyboard after a late night of coding at Phoenix, he decides a talk is long overdue. Just some slightly angsty soft!macriley to help you cope with this season 5 hiatus.

~

of lips that i am yet to kiss (and eyes not met my own.)

It's highly unlikely that you'll find Mac walking down the halls of the Phoenix Foundation so late at night. Without the bustling energy of his coworkers fetching important documents or discussing the best way to break down one of the many mysteries the foundation deals with, the darkened hallways and quiet atmosphere can be unnerving.

Sure, he spends nearly every waking hour employed there, but he'd rather be outside the office in different countries, doing hands-on work and saving lives. When you work in his profession, It can be difficult to separate business and pleasure, but that only makes it more important—if only to conserve what mental health he has left. 

However, in the haste of putting together last-minute preparations for yet another meeting with the Department of Justice and trying to make it back to his house in time for something Desi whipped up, he managed to forget his cellphone.

It's funny, mainly because of how little the small device truly matters to Mac.

It only goes to show how insignificant material objects, or even human beings in general, are. The idea that something so meaningless can affect someone's life so much when, if they just looked past that obsession and considered its part in the profound scope of the universe, another perspective would take shape.

It's fascinating stuff, really.

There's a concept essential to understanding Japanese aesthetics, otherwise known as an ancient set of ideals important to Japanese society, called Yūgen. When applied in the right context, Yūgen underlines this deep awareness of the universe and the experiences we have within it. It's often the feeling interpreted when you gaze at the stars late at night or watch the sunset dip behind a hill.

Mac wouldn't think twice before breaking his phone, or rather, breaking the phone of his nearest friend, open for an obscure part that might make one of his many homemade devices come together. However, when he's the only person able to communicate the scientific specifications of an unheard-of-until-recently base plan for saving the planet, he's practically on call 24/7.

He remembers having it in the labs earlier that day when he stopped by before his meeting to remind Bozer to come by his house on Friday for the team's new weekly attempt in group-bonding.

After the betrayals that surfaced during the climax of taking down Codex, the team collectively decided to spend more time as a group in hopes of eliminating any lingering doubts. 

They used to hang out all the time before the government dismantled the Phoenix Foundation.

Mac still can't believe that, after everything they had been through, he allowed his friendships to dissipate over the year they had been separate.

Bozer is his childhood best friend, and Riley had become a solid foundation in his life. He didn't have anyone outside his team at Phoenix, and while he deeply cared for Desi, their first relationship was proof that too much time—and too little communication—with each other can do severe damage to one's sanity.

If Russ hadn't brought them back together, would they have tried to reconnect at some point?

Mac wants to say they would have but wouldn't blame them if they didn't; they all lost something they cared about, and each served as a constant reminder of it.

It would've been hard, but part of him feels like living without them is a lot harder.

When he manages to access the lab, flipping his shiny new I.D. card over his fingers and into its place in his wallet, his eyes scan the room. It's empty, which isn't unusual at this time, but years of military training have rewired his brain to notify him of threats, even if there aren't any.

Just like he thought it would be, the device sits untouched a few tables behind Bozer's workspace where Mac had been sitting.

Quickly, because he left the house in a hurry and forgot to leave a note, he scoops up his phone and makes his way towards the exit. There's a couple of missed calls, but it doesn't seem like he missed anything too important.

Not that they would let him. 

At any rate, they would probably show up on his doorstep if they couldn't get a hold of him. With days off so few and far between, that's the kind of interaction he's hoping to avoid. Hence, why he came to pick up his phone when he realized it was missing instead of waiting until the next day.

He's nearly made it to the end of the hall when a light flashes in his peripheral vision, coming from the I.T. department.

His body is tense with apprehension; his mind races with several different kinds of possibilities and outcomes. He slows his pace, his movements fluid, silent, and controlled from years of stealth practice.

The light is soft, he notices, as if only one or two monitors are in use.

When he gets to the doorway and nudges open the door, hands at the ready, his entire body sags in relief to see the dark wavy hair he's come to associate with one of his closest friends.

"Riles?"

The nickname falls from his mouth before he can stop it, and even though the light from the monitor creates a halo above her head, shadowing her features, it's unmistakably her.

She doesn't move. 

It becomes abundantly clear why as Mac moves towards her and notices the monitor's screen filling up with a sequence of letters that look nothing like coding despite his lack of knowledge in programming languages.

Her elbow balances precariously on the edge of the table, her arms creating a makeshift pillow for her head. The weight of her forearm bears down on the keyboard, causing the side of her hand to press down multiple keys at once.

He shakes his head a little, amused by the situation unfolding. 

Her cheek rests comfortably on her hand, a serene expression masking the signs of exhaustion that showed on her face.

Mac's lips curved into a soft smile, seeing Riley in any state that wasn't cloaked in layers of worry or anxious determination always washed away any doubts he might have about working in such a stressful field.

The scars that covered his body, the secrets he has to keep, and the pain he has to endure are so unbelievably worth it as long as she out of harm's way and able to sleep peacefully.

Of course, he couldn't imagine anyone else by his side on a mission, knowing they share the same love and passion for kicking ass and saving lives.

However, he also knows that more lies underneath the surface.

He wouldn't wish the hardships of this job on anyone. Seeing it affect someone he cares about, watching it break them down slowly pulls at his heartstrings and fills him with a knowing sadness. 

When a piece of hair falls into her face, his fingers don't hesitate to gently brush it behind her ear, lightly tracing her cheekbone and caressing her cheek.

Kneeling, his hand drops to her shoulder in an attempt to gently wake her.

After a couple of shakes, the expressive brown eyes he's come to look forward to seeing begin to flutter open and nearly render him speechless.

She blinks a couple of times, inhaling slowly, "Macgyver."

Her voice is full of sleep and breaks from misuse, but the way she says his name—like there's nobody else she'd expect to see when she wakes up —has him grinning from ear to ear.

"Good morning, sleepyhead."

Rising from her position on the table, she scans the room before meeting his eyes and scoffing, "It's hardly the morning."

He laughs softly, holding back the urge to mention that technically it is morning considering its past twelve. Instead, he focuses on the matter at hand, or more likely, the question at hand.

"What are you doing here so late?"

She's more alert now, sitting back in her chair and lifting her arms to stretch out the muscles that stiffened while she slept, glancing at her work on the monitor.

Her face drops into a grimace when she notices her mistake, "Matty and I were talking about updating the foundation's firewall and spyware," she yawns, "I must have been more tired than I realized."

Mac's eyebrows scrunch in thought, remembering something Bozer said earlier about Riley spending quite a few nights this week working late.

Between going over his mother's scientific data, trying to patch up whatever relationship he had left with Desi, and making sure he didn't go off the rails with grief, his effort to check in on everyone decreased significantly.

"Yeah, you've been doing that a lot lately," his hand returned to her shoulder to emphasize his point, "Everything okay?"

She waves him off, "There's too much work that needs to be done around here before we can get things running the way they used to."

Riley doesn't lie to him—if you overlook the whole situation with her ex, Aubrey, that is, but the movements she's making indicate otherwise.

Her eyes refuse to meet his, flickering down and to the right. When she talks, her head shakes lightly, and she purses her lips in an attempt to give off a careless impression. Maybe someone who doesn't know her or didn't train to pick up on it would believe her, but he knew better.

She was definitely hiding something from him.

Part of him understands that if she wanted to talk about it, she would. However, his instincts urge him to press harder, locate the problem, and bring back her contagious smile that always seems to fill him with warmth.

As much as he doesn't want to admit it, you can't patch some things together by sheer will and sellotape, so instead, he stands up and drops his hand from her shoulder.

"Let's get you home."

[loquaciousquark]

I’m not very good at keeping up with life updates. I don’t know why! I never have been!

Carol moved out August 9th, about a week extra over the original two months we’d agreed on. She got an apartment about five minutes away, which is about 40 minutes from her job. I recommended getting an apartment closer to her job to ease the commute, but she said she strongly preferred being near to her friends and the city center. (She also had the option of a $650/mo lease for a year or $1100/mo for a six month lease at this complex, and opted for the shorter lease even though she couldn’t afford the $1100. She also insisted on a two bed 1.5 bath apartment instead of a much cheaper one bed one bath, and I don’t know why. Her financial choices continue to bewilder me.)

I helped her move, because she has a number of physical disabilities and a fairly total inability to accurately predict the scope of a job like this. She insisted to me multiple times that all she was picking up from her estranged mother’s home was a few books, a desk, a chair, and a small round end table. She came back with a fifteen foot Uhaul packed top to bottom with dozens of pieces of (often very heavy) furniture, tubs upon tubs upon tubs of books (not small boxes, like 40 gallon tubs immobile with books) and a lot of...I don’t know how to describe it.

Honestly, it reminded me of a hoarder’s home from those TLC shows. She had so much stuff, and almost all of it was...garbage. Like, stained, discolored, moldy, dirty, dusty furniture and blankets and clothes that were covered in mouse droppings and bird crap. An ancient armchair that she called “antique” but was made of very cheap very damaged veneered pressed wood and whose upholstery was of an indeterminate color because of how stained it was. A “display piece” of an old suitcase she picked up in some thrift store that was locked shut with what felt like twenty pounds of bricks inside, but the outside wasn’t even attractive - just an ugly brown box with no care or craftwork that was scratched and torn and stained with mouse poop. It honestly made me uneasy to touch it, and she was putting it in her apartment to use.

I don’t know how she thought she was going to be able to get all of this stuff down the half-flight of stairs to her apartment by herself. I helped her unload for four hours before I had another obligation, then came back after that finished for another hour or two of unloading to get it in her apartment securely. It was...very tiring, but also very exhilarating to be physically closing that chapter as well as mentally. I don’t intend to do it again.

--

My job (professor) started back in person on a regular basis the following week in August. We’ve now been in class for almost two months and no students that I directly interact with (my 46ish 2nd year students) have had any exposures or at risk scenarios. A small handful of 3rd and 4th years have had exposures, and I think one student actually tested positive, but none of the exposures or positive results were from our clinic or labs; they were all from community transmission (wife/husband/child/roommate caught it from somewhere else, student had to quarantine).

I have been almost draconian with my 2nd years about the thin line we’re walking in being allowed to have even our minimal, limited in-person labs, and have warned them that if we have an exposure breach in our clinic, there is zero chance they graduate on time in a few years. They seem to be taking it extremely seriously, which I like a lot. All students, staff, and faculty are given new surgical masks daily, and everyone who interacts with patients gets a new n95 mask every 10 days. We have decontamination stations throughout the building, temperature guns, digital “passports” that they have to update daily to be allowed on campus, and plenty of spray bottles with high level disinfectant for surfaces and hands. It’s honestly as safe as we can make it, and I feel we’ve hit a good balance between staying safe and getting them actually trained on real human beings.

That said, we are having more students than I’ve ever had fail exams and practicals across the board, and I honestly think it’s an artifact of the remote lectures (all lectures are remote unless specified for particular reasons, and then they only take place in distanceable classrooms, which are at max like 70% of the class). God knows I wouldn’t have learned as well at home - I’d have been on my phone or playing games and kind of half listening in the background, and if nothing else this has made me more of a proponent of mandatory attendance once it’s safe again to do so, because the drop I’m seeing is almost precipitous. Either this class is unusually full of students incapable of completing the program, or COVID’s striking again. I’m pretty sure it’s the latter.

On the other hand, we’re FINALLY making up the Injections course material that got stopped dead in spring, and the first run of it went very well last Saturday. I unequivocally resent that I have to give up an entire Saturday to do so (and will have to do so thrice more to get all the students done this semester), but it’s at least one chunk of incompletes that are now passes (and in fact, mostly As).

We just got the notification that hybrid courses will continue through spring. It’s so exhausting. We can do it safely, and we are, but it’s so hard.

--

Went to get a drink last night before bed and noticed the tea was a little warm. Went to grab some ice cubes from the freezer and discovered the ice cube tray was full of water, and the chocolate ice cream in the door had melted and spread across the entire unit.

Managed to get a repair guy out this afternoon, who charged $228 to replace the ...relay overload array capacitor, or something. He showed me what it was--a little black and white box that he said was bottom of the barrel cheap from China, which I fully believe, and installed a new one then and there while I had a remote test review with a student over Zoom. I put on headphones for her privacy, but she cried several times. It’s usually a pretty rough awakening when students who never had to study in college realize how difficult this program is and the study time required to pass, let alone succeed.

Anyway, the freezer’s chucking out cold air like it was made for it, and the fridge seems to be slowly working its way back down. Had to throw out everything from the freezer (chicken, steak, ground beef, bacon, veggies, frozen meals--and some pizza rolls) and I’m not looking forward to the grocery bill it’ll take to restock the fridge either, but at least it seems to be functioning again.

I just checked; the freezer’s made six ice cubes in the last three hours. I’ve put them all in my tea to celebrate.

--

Edit: just checked again and the fridge is slowly cooling off, thank goodness! Of course, I somehow managed to fall down the four stairs of the hall between here and there and bruise the royal bejeezus out of both hips and somehow the inside of my left foot, so I’m ordering in for dinner, because nuts to that.

[bestworstcase]

"[Rapunzel] stops accepting blame for things that aren’t her fault". I've seen this mentioned before on other blogs talking about Rapunzel's character growth over the series, but I don't understand what it's referring to. Sorry if this is too vague/broad an ask, but what are you thinking of in seasons 1 and 2 when you say that Rapunzel has learned to stop taking the blame for things that aren't her fault by season 3? Apart from Rapunzel's Enemy and maybe QFAD, I can't think of anything.

i think this is one of the more understated things about rapunzel’s characterization in that there is never like, a specific moment where rapunzel Verbalizes acceptance of blame for things she clearly isn’t responsible for, but it still imo informs a lot of her behavior?

and it goes all the way back to the film. right out of the gate we see that guilt tripping and blame passing are two of gothel’s chief weapons: when rapunzel’s feelings get hurt by one of gothel’s “jokes,” gothel chides rapunzel to “stop taking everything so seriously,” which is abuser-speak for “nothing i say is wrong, it’s your fault if you’re hurt.” 

then there’s digs like “oh, rapunzel, you know i hate leaving you after a fight—especially when i’ve done absolutely nothing wrong...” 

and the big one, after gothel loses her temper and yells at rapunzel, and then immediately collapses disconsolately into a chair and says “ugh, great—now i’m the bad guy.” overtly blaming rapunzel for “making” gothel snap at her. (this of course gets called back to at the end of the film, though it’s less a guilt trip there than it is a threat.)

aaaand right before “mother knows best (reprise)” when rapunzel asks how gothel found her, gothel says, “oh, it was easy, i just listened for the sound of complete and utter betrayal and followed that.” this one imo is the clearest illustration of how all this impacts rapunzel emotionally, because she goes from scared/alarmed/startled to just. sagging, in obvious guilt. 

but then of course there’s also the scene right after rapunzel leaves the tower, where we see her oscillating wildly from jubilance to despair and guilt as she frets over what her leaving will “do” to gothel, how mad / upset / betrayed gothel will feel, etc. so even when gothel isn’t there, actively reinforcing this behavior, we can see that rapunzel very much feels that gothel’s feelings are her responsibility—and if gothel is upset, that’s rapunzel’s fault. 

anyway!! all this adds up to rapunzel leaving the tower with this subconscious mindset that all problems are her problems, and we see this expressed very early on in s1. i would even argue as early as before ever after... with both frederic and eugene. 

BEA goes really hard right out of the gate with driving home how restless and uncomfortable rapunzel feels in corona; how stifled she is, and how badly she wants to go out and explore the wider world. but it also shows how hard she tries to stuff it down, because her success as a princess is “important to [her] dad.” she tries to bring up her discontent with eugene, but in a roundabout way so as to avoid actually saying she’s unhappy—and then when he says that he’s perfectly happy and content, rapunzel takes a deep breath and agrees with him. it isn’t overt text, but she’s still in “managing other people’s feelings” mode, and there’s a reason the only person she is honest about her own feelings with is cassandra—because cassandra signals very clearly that she is not going to feel hurt, offended, or disappointed if rapunzel is less than happy in corona. quite the opposite, cass is the one who suggests sneaking out in the first place!

now obviously, neither fred’s nor eugene’s feelings are rapunzel’s responsibility and i think both would be horrified to know that rapunzel feels like it’s her job to make them happy... but that doesn’t really matter, because rapunzel has been trained all her life to do this and that’s not a pattern that just goes away overnight. 

and then also in BEA, we see how quick rapunzel is to castigate herself for doing something that upsets someone else... when eugene proposes and she panics and runs away, her reaction is “i feel horrible about eugene” and to feel guilty/upset about not wanting to marry him Right Now.

aaaand of course caine blaming rapunzel for stuff frederic did goes entirely unremarked upon, partly because things like the hair reveal took priority over that but partly also, in my opinion, because rapunzel just kind of Accepted That because she’s so used to being blamed for everything.

this is sort of a recurring theme throughout a lot of s1. you mentioned RE, but for the sake of completeness—i think the most telling thing in that ep is that, when rapunzel finds out what booing really signifies, her first question is what could i have done to this person?, because the concept that this might be a HIM problem doesn’t even cross her mind. she assumes that it’s her fault he doesn’t like her. 

and then there’s stuff like pascal’s story, which i think is an interesting one because like... frankly, it’s not entirely rapunzel’s fault that she stood pascal up. yes, as the princess she could have stood up at six o’clock on the dot to say no more petitions, i am going to dinner. but also she’s the princess, and she’s busy, and pascal’s story is as much an episode about pascal learning that just because rapunzel is busy that doesn’t mean she doesn’t still love him as much as it is about rapunzel learning how to navigate work/life balance—but it’s also very clear that rapunzel’s perspective is “i have been a HORRIBLE friend and i need to put EVERYTHING ELSE on hold until i have FIXED my TERRIBLE BEHAVIOR” when the reality is more like “rapunzel and pascal are both going through a major adjustment period and need to have a realistic talk about expectations now that rapunzel is, like, training to rule a country.” 

in painter’s block, rapunzel feels so traumatized by the (largely correct) decisions she made in QFAD that she can’t make any decisions at all and falls prey to sugracha’s manipulation, and i personally think this is the beginning of the tipping point for her where she begins to see that hey... she’s just a person, she literally cannot be responsible for every bad thing that happens, she can’t be in two places at once, she can’t fix everything for everyone... and sometimes she needs to prioritize one problem over the other. that’s why the emotional climax of that episode is rapunzel saying “difficult choices are what make us who we are.” that’s her letting go of the horrific guilt she felt about choosing corona over varian, and letting eugene and the others put themselves in danger to save her parents. 

that epiphany carries her through SOTS and enables her to make the tough calls she needs to make re: stopping varian, but it also doesn’t mean that her tendency to blame herself for stuff that isn’t her fault goes away altogether. just look at BTCW: while she’s trying to make sense of how/why eugene could be marrying stalyan, her first instinct is to blame herself. to wonder if maybe this is a response to her kind of sort of turning down his kind of sort of second proposal. 

and the rest of the vardaros arc is like... i would say half rapunzel delaying moving on because she’s scared of what waits for her at the end of the black rock trail (as freebird confirms) and half rapunzel making vardaros’s problems her problems and trying to fix them because she feels responsible. 

curses is... not a good episode (canardist, why) but the plot basically hinges on canardist successfully making rapunzel feel guilty / dubious enough about taking back her own telescope that she starts buying into the curse stuff and psyching herself out. 

*as a sidebar here, there are also instances in this same period of rapunzel acknowledging her culpability in stuff she DID do wrong, for example in under raps—but in these cases, it’s interesting to me to note that her apologies actually aren’t very good apologies. in the under raps example, for instance, she also foists off blame on cassandra (saying basically, well i wouldn’t have interfered and put you in danger if you had told me everything, even though i am terrible at keeping secrets and we both know it). and this makes sense, because gothel certainly did not model good, healthy apologizing habits for rapunzel, lol. so she’s in this weird zone where she tends to feel guilty for everything / feels responsible for other people’s feelings but when she DOES mess up for realsies she also doesn’t really have the skills to navigate a true apology. this poor girl

i would say that RATGT is about the point where rapunzel switches gears from accepting blame (both for things that aren’t her fault, like all this stuff, and for things that are, like when she apologized to cass for being a dick in goodbye and goodwill or when she apologized to pascal for belittling him in king pascal) to sort of... overcorrecting and entering her “i’m right, you’re wrong” phase. RATGT is when she starts overtly shutting cass down, and RATGT is when cass’s injury happens—something so horrific and scary that i tend to think rapunzel just cannot process the guilt. it’s too much, too painful, and not something she is emotionally equipped to hold onto or work through in a healthy way...

...so she shoves it away and blames cass instead, very openly. she transmutes her guilt into anger, lessening the pain she feels. and she sticks to that throughout RDO, throughout the rest of s2, and evidently through the rest of the series given she literally never apologizes for it. which is outside of the scope of what you asked alksdfjklsfd but i tend to think basically, rapunzel is not very good at distinguishing between “i feel guilty, but it isn’t my fault” and “i feel guilty, because it is my fault” so in the process of unlearning the former behavior she also forces away the latter, and at the end of s3 she’s in a place where she needs to re-learn how to feel guilt in a healthy, reasonable way. because guilt isn’t always a bad emotion, sometimes it’s just your brain’s way of saying “i did something bad, and i want to make up for it” and That’s Good. 

[ultrahpfan5blog]

Rewatching the Bourne series

Just recently rewatched this series. In my opinion, one of the best action-thriller franchises around. I caught onto the Bourne movies fairly late. In fact I think Ultimatum was the first movie I saw in theaters. But I caught up with Bourne Identity and Bourne Supremacy before watching Ultimatum. The initial trilogy in particular is pretty superb trilogy of movies. While I know there are people who don’t like The Bourne Legacy and Jason Bourne, I still find them enjoyable to varying degrees. 

The Bourne Identity is my second favorite film in the franchise behind Ultimatum. In context of the series, you can tell this one is made by a different director since the action scenes look different. The film is a bit more of a mystery because we are basically finding out about what is going on as Bourne does, which can be tricky because, if not executed correctly, without knowing who the character is, you can find it hard to feel attached to the character. That’s where I think Liman did a great job in making Bourne seem like an underdog but still making him a complete badass. The relationship with Marie is key here. Unlike in many spy films where romance seems extraneous to the story, here it works to ground Bourne to some sort of normalcy which he craves and which is why he doesn’t want to continue being a killer. The CIA stuff is also compelling because actors like Cooper and Cox are able to deliver exposition in a compelling way. The pacing is key, which is key to the entire franchise. All 4 movies with Damon clock in under two hours and not a minute of the movie is wasted. The action is excellent but the highlight action piece is definitely the car chase, which is superbly coordinated. Also surprisingly affecting in a very short role is Clive Owen. His death scene is exceptionally well executed and his performance in that scene is really well done. What he says in that scenes comes back later in Ultimatum. Matt Damon was all fresh faced around the time this movie came out and it really was a casting against what he had done prior to this and that works big time. He has a casual, unassuming presence but he just turns on the badass in an epic way. The role suits him perfectly and he’s excellent in it. Franka Potente is also great as Marie. A 8.5/10

The Bourne Supremacy is my third favorite film of the series, just a smidge behind Identity. Its still excellent. Its the shortest film of the series and it does feel it at times. It just hurtles along. I was initially a little annoyed at how they killed off Marie to give Bourne a motivation, but I also understand that practically, its impossible for Marie to keep up with Bourne as he shuttles all the way across the world. The scope of this movie is significantly increased. Whereas the first movie was set in interconnected Europe, largely in Paris, this film goes from India, to Naples, to Berlin, to Moscow. The film also gradually expands Bourne’s past as we gradually start learning about the things he’s done. The film acts as part revenge thriller and part mystery as Bourne tries to figure out his memories. There is a bit of narrative convenience here, that Bourne is remembering details of that assassination just as the CIA is digging into the Neski files. But the film flows so well that you can forgive minor narrative conveniences like that. The film introduces Pam Landy and the CIA side of things is given a bit more of a stronger narrative. Whereas in Identity, the CIA guys were the clear antagonists to Bourne, here Pam Landy is also posed as a figure who is trying to do the right thing. Cox and Stiles are back as Abbott and Pasrons respectively. Julia Stiles didn’t have much to do in Identity other than follow orders but you start to see her role get expanded. Cox takes the role of the primary CIA antagonist. Karl Urban as the Russian assassin was a welcome presence, but in the end the film is carried by Damon. He’s a bit angrier and bit more emotional and he’s excellent throughout. The film introduces Greengrass’ now infamous shaky cam action. For me, while I normally don’t like it, Greengrass is one of the few directors who knows how to do it well. Admittedly, the fight scene between Bourne and Jarda is not the best filmed one, so his technique was still a work in progress, but the rest of the action is top class. Again, the car chase sequence in the finale is top notch and thrilling. Also, it has probably the coolest ending of the series. A 8/10

The Bourne Ultimatum was the first Bourne film I watched in theaters and its my favorite. I think the film is near perfect across the board. I think this film makes the best use of all the cast and Greengrass gives us some terrific action sequences throughout the movie. And because this Bourne tracing back his origin, its perhaps the most compelling mystery of the series as he tries to find out how he became who he is. Firstly, the action is the best it is in the series. The Bourne vs Desh fight is the highwater mark when it comes to individual fight scenes in the series. Its compelling, brutal, and you feel every punch. All the chase sequences, be it foot chases or car chases are incredibly intense. I think the CIA part of the movie is the most compelling it has ever been with David Strathairn is excellent as Vosen, who plays the new CIA antagonist, and Joan Allen continues to be terrific as Pam Landy. Them playing counterparts to each other makes it fascinating to watch even the non Bourne scenes. Then Julia Stiles get an even more expanded role as Nicky Parsons. The Bourne and Nicky dynamic is interestingly played with a touch history and one sided romantic tension which is never directly addressed. But it does make it compelling. Albert Finney shows up as the Dr. Frankenstein of the Treadstone/Blackbriar operation and he’s enigmatic as hell. The climax between Bourne and Hirsch is terrifically acted by both parties. We also see a mirror of the scene from Identity where Bourne repeats the same dialogue to Edgar Ramirez’s assassin that Owen’s character had said to him. Damon is superb as always. Completely natural in the action and perfectly balancing stoicism with vulnerability when required. The film ends on a note that would have been perfect if they had chosen to end the series here. A 9/10.

The Bourne Legacy is kind of the step child of this series. The only movie which doesn’t have Damon/Bourne in the series. Intended to start a spinoff series but didn’t quite have the commercial success to do so. I admit that when I first saw the film in theaters, I didn’t like it. Over time, I have grown to appreciate it more although its still well below the original trilogy of films for me. Firstly, what’s good. Jeremy Renner is an excellent protagonist. Being compared to Damon is a thankless job but he managed to forge a different character in Aaron Cross. Rachel Weisz also does a strong job as Dr. Shearing and Renner and Wesiz have decent chemistry. The film doesn’t try and ape the previous Bourne films and it goes for a different angle. Its more a survival film for the protagonists than a mystery. The characters aren’t trying to bring down the program, not trying to find out something, just trying to escape the clutches of the Defense Department. The action scenes are good. However, the film is the longest of the series and it feels like it. The film also royally wastes an actor of the caliber of Edward Norton. He does fine with what he has but he’s literally just there barking orders in front of monitors. He shares one short flashback scene with Renner, but otherwise is disconnected from the other two leads, Whereas in the previous Bourne films and even in Jason Bourne, there were always at least two main characters who had interactions with each in the rooms of the CIA, allowing for some interplay, this time Norton is all on his own which makes the search for Cross and Marta a lot less interesting. I also wasn’t a huge fan of the idea of chems, but I have grown to accept it. The film also doesn’t have any major hand to hand fighting sequences. They hype up the Larx assassin but he ends up dying because Marta pushes hum while he was riding a bike. Pretty underwhelming after all the build up. What I especially didn’t like is how the film tries to undo Ultimatum’s ending. I don’t know who thought that was a good idea but it pissed me off. In the end, its a decently entertaining movie but its disappointing within the context of the franchise. A 5.5-6/10

Jason Bourne is a bit of a polarizing movie. Everyone was really excited when this movie was coming out and a bunch of them were disappointed. While I do think this is not as good as the initial trilogy of movies, I still do enjoy it. My issue with the movie lies on two fronts. The film is essentially divided into 3 sections. The main part is Jason Bourne continuing to track into his past as he finds out that there might be more to his recruitments than he thought. That part works perfectly and its very compelling. There is the CIA backroom drama between Dewey and Lee and the Asset, which is also solid. What doesn’t work is the third angle about the new blackops program connected with Deep Dream. It feels like the writers and the director stretching to try and be very timely and addressing issues of privacy without making it fit very organically to the story. I mean, Bourne isn’t even really connected to that part of the story and whenever that portion of the movie takes focus, its less interesting. In addition, the film doesn’t make it clear exactly how Dewey is connected to Bourne’s past. The film indicates that Bourne knows Dewey but the how isn’t explained. But everything directly connected to Bourne works well and I did like that the Asset is given a more direct personal connection to Bourne, which makes their individual fight be more personal. I think Matt Damon is excellent in this movie. He plays Bourne more broken and on the edge than he’s ever been in this movie. There are several scenes, such as his climactic scene with TLJ, where you feel him teetering. Julia Stiles shows back up as Nicky who starts Bourne on her journey. Like with Marie, I was disappointed she was killed off but I also get that Bourne needs to be alone in order to be able to move as fast he does from one place to another. TLJ is an old pro at roles like these and it shows. He does it with ease. Alicia Vikander is good as Heather Lee but I feel as the role needed someone a little bit older to be believable as someone as high up as her in the agency. But I suppose her being a young ambitious upstart is part of the point. When it comes to the action, I think its all top notch. I know not everyone likes shaky cam but Greengrass uses it well. The Greece sequence, the car chase in the climax, and the hand to hand fight sequence in the end, is all well done. I am also glad thiat it does seem to indicate that not everything that Bourne exposed in Ultimatum was covered up and Blackbriar was exposed, unlike what Legacy indicated. The film doesn’t address Legacy at all apart from listing Outcome and Larx in the list of Blackops programs. Overall still a good movie. A 7/10 for me.

I do think the series should be ended. There is a feeling of the films becoming formulaic setting in at this point and Bourne has taken down everyone who had to do with him becoming who he was and has no figured how he became who he was. So I don’t think there is anything more to explore. I don’t see The Cross series continuing since it underperformed at the BO and its been a long time since that movie came out now.

[sierraraeck]

In Anticipation

Spencer x OC Aundreya

Masterlist | Series Masterlist

Summary: Partially inspired by 8x10 The Lesson. Spencer is stressing about meeting ‘Phone Booth Girl’ and Aundreya breaks down and gives him a pep talk. Story twelve.

Category: Some angst, some fluff.

Warnings: Cussing. Some self doubt I guess.

Word Count: 3.9k

A/N: I love Alex Blake. I do. I want her, and all of the characters, in my fics but I think a 13 person BAU team is a bit excessive. She just doesn’t exactly fit with my series so unfortunately I’ve made the executive decision to leave her out. Sorry. I still love her though. =D

Four weeks and three days.

That’s how long it’d been since essentially cutting all ties with Reid.

Not only had myself and my beliefs reverted back to old ways, but so had Reid and I’s relationship. We were avoiding each other, only speaking when we had to for the case. Neither of us were too proud to allow our problems to get in the way of our job, which was probably the only reason that Hotch didn’t interrogate us or scold us for whatever was going on.

They were all profilers, so of course they had their theories, but I don’t think any one of them understood the magnitude of what was really going on. What had gone on. Not like Reid and I were particularly easy people to read anyway.

During this last case, something was up. Reid was acting strange and the rest of them seemed to be in on it, but I had no idea what was going on. I assumed it had to do with his mystery woman. There was a small chance they could have been talking about the new/old dynamic between Reid and I, but I doubted it.

I wanted to ask to be let in on whatever was going on, but thought better of it, remembering that I was no longer someone he confided in, and whatever it was he was doing was no longer any of my business or concern. But just because I wasn't going to ask them for answers to their faces, didn’t mean I wasn’t going to scope them out behind their backs.

Whenever I approached any door that I knew they were whispering behind, I would just casually stand there for an extra few seconds, seeing if there was anything I could pick up on. I would walk by the same door multiple times if I had to, slowing down each time, all in an effort to pick up just a couple of keywords. The majority of the time, all I got was a ‘Spencer’ here, a ‘she’ there. Super specific stuff. But I hit the jackpot when everyone had been out in the field while Reid and JJ stayed behind to work on the geographical profile.

“... Phone booth girl?” JJ asked. That quickly got my attention.

“She wants to meet,” Reid answered.

“Wait, you guys have never met? Aren’t you curious what she looks like?”

“It doesn’t matter what she looks like. I mean, she’s already the most beautiful girl in the world to me,” he replied. I knew it was a bunch of shit when he tried to tell me that he was just making phone calls to her about his headaches. “It’s just … What if she doesn’t like me?”

There was a moment of silence before I heard JJ sit down and ask in a caring but stern way, “Why wouldn’t she like you?”

“Because I’m weird,” Reid answered with no hesitation. “I slouch, my hair’s too long, my tie’s perpetually crooked.”

“Your hair’s fine,” JJ said, and I could hear the smile in her voice.

Reid's voice was quiet, almost shy when responding, “Really? Thanks. My mom thinks it’s too long. So does my aunt Ethel.”

“Well, you’re not dating them,” JJ pointed out.

“I just - I - I just wouldn’t want to ruin something so special over something so trivial as looks.”

“I think you’re excited but afraid. Seeing her will only make the relationship better. Trust me,” JJ said with confidence. I agreed with her in spite of myself, even though I still felt bitter about the whole thing. “When does she want to meet?”

“Right when we get back.”

“Do it,” JJ encouraged. “Don’t psych yourself out.”

“We’ll see,” Reid responded with his classic hesitation, especially when it came to ‘Phone Booth Girl’ as JJ was now referring to her as.

I leaned against the door frame to announce myself, not wanting to risk being caught lurking outside the door. As expected, they both immediately stopped talking and looked up at me, like I was a parent that just caught her kids stealing cookies out of the cookie jar.

“Hey, how’s it coming?” I asked.

“Fine, fine,” JJ answered. She revealed the fakest smile, but with knowing eyes, followed by, “I’ll be right back, I’m going to use the ladies’ room.”

I just leaned back out of the room and pretended to go in the direction of the main conference room we’d initially set up in, but quickly turned to follow JJ into the bathroom.

I was so eager to know what she was going to say that the moment the door shut, I immediately asked, “Yeah, what’s up?”

“What do you know?”

“Huh? What do you mean?”

“I know it’s been killing you not knowing what’s going on, and I’m not sure if anyone else has noticed or put it together, but I’m sure you’ve been eavesdropping or doing something to figure out what’s going on,” she didn’t even wait for my reaction before continuing, “He’s going to meet that girl he’s been talking to on the payphones.”

“I know,” I said, confirming her theory. I didn’t know what else to say, but I could tell there was something more to this conversation. “What is it?”

“He’s stressed,” she simply put.

“Right…” I said. I was confused as to where this was going.

“Look. All of us-”

“Who’s ‘all of us?’” I asked before she could proceed.

“Me, Derek, and Emily. And Penelope of course.” I nodded for her to continue. “We’ve been thinking about how things have been rocky with the two of you lately, and we don’t exactly know what happened, but we do know that Reid has some new woman in his life now and he needs our support.” Her words rushed out, as if she was worried that she wouldn’t be able to get all of the necessary information out before I … what? Stormed off?

“Okay…” I prompted. I still couldn’t figure out what she was getting at. I hadn’t made any snarky remarks or discouraged him from talking to her or seeing her. Hell! If it was up to him, I wouldn’t know jack shit.

“We noticed that, despite how much we all pressed for information or assured him that things would work out, he still seems on edge.” I leaned slightly forward. She was doing a real good job dragging this explanation out. She let out a heavy sigh of defeat, like if I couldn’t read her mind, it wasn’t worth it. “I just think we all need to support him.”

“Are you saying I don’t support him?”

“No that’s not what I’m saying, I’m just merely-”

“No. That is what you’re saying,” I said, somehow keeping my voice normal and neutral, but cocking my head to one side. “But I do support him. I haven’t made any efforts otherwise. Plus, he doesn’t really seem like he wants me in his business and I respect those boundaries.”

“Okay,” she said a little harshly, eyes wide and arms crossed.

I could tell she wasn’t convinced so I followed with, “Seriously, JJ. I don’t have a problem with his personal choices. I don’t care what he decides to do, or who he decides to talk to in his free time.”

“Exactly. You don’t care,” she huffed. What the hell?

“And you don’t have any idea what you’re talking about,” this caught her off guard and I could tell her face switched to one of concentration, profiling concentration, so I finished with, “I’m fine with his choices, he’s fine with his choices, everything’s fine. There’s nothing to worry about, he has my support or respect or whatever it is you came in here looking for.”

“Great,” she said, obviously still incredulous and exited the bathroom.

I followed right after, following her into the conference room to catch up on the case.

# # # # # # # # # # # # #

I had a tough time focusing because I was paying more attention to Reid and mulling over JJ’s words, trying to find hidden meanings behind them. But before I could further my silent investigations, the vital question to all of this jumped into my head.

Do I support him in this?

I couldn’t tell. I felt like my mixed emotions balanced each other out so that I was just feeling … nothing. Thinking about him with another girl didn’t trigger any reactions, and neither did thinking about him sitting at home alone.

On one hand, I was still hurt and pissed at him for what he did. He was literally calling a girlfriend before and after sleeping with me while helping me over a major obstacle. He made me believe he cared about me, then had sex with me, then basically left. He’d broken my trust, which was very hard to earn, and impossible to regain.

On the other hand, I figured at least one of us should come out of the whole mess happy. Why not have it be him considering I don’t deserve it and am probably destined to continue my path of pain and loneliness? Or I’d wreck whatever good situation lies ahead of me. Either way, he deserves happiness, and I’m fairly certain he is not going to find it with me, so he might as well find it with her. Whoever ‘her’ is.

So I didn’t know. Did I support him? Did I not support him? Was I just a neutral third party that couldn’t make up her mind whose opinion was also irrelevant to the matter? Who knows.

For someone who doesn’t like to dig too deep into her psyche, I’d sure been spending a lot of time holding a shovel as of late. The two sides of my brain played tug-of-war while I was trying to concentrate on saving lives, but luckily, each side got tired and gave up allowing me to focus on the case, but leaving me no where closer to an answer than I was hours ago.

I continued to go about my work as usual, not going out of my way to avoid him, and not going out of my way to see him. We finally wrapped up our case and boarded the jet, leaving everyone drained due to the late nights the past few days.

I, however, refused to sleep on the jet. I never got any good sleep, and then I couldn’t sleep later, and I didn’t like the idea of the plane crashing down and me not being fully awake and ready to deal with that. Plus, as an ex-hunted criminal, I didn’t like the idea of being vulnerable with a bunch of FBI agents around, even if they were a part of my team.

Clearly Reid didn’t like the idea of sleeping on the jetride back this time either, because he was sitting in a corner by himself with a cup of coffee and a book. I could tell he wasn’t as relaxed or as focused as he usually was, because it took him longer than usually to flip through the pages. After spending nearly a year doing a book swap, I got pretty used to the rhythm of his page turning.

It’s because he’s stressed, I reminded myself. He is still worried about meeting that girl, and according to JJ and company, he ‘needs our support’ and you haven’t been too sharing on that front. Maybe you should talk to him.

At the same time, though, I don’t owe him anything. He hasn’t approached me about it, hasn’t shared any information with me whatsoever, so why should I cross that line? And what good would it do anyway? It’s not like anything I say is going to make a difference.

But what if it does? What if, even though I’m trying to push him out, not give a single damn what he thinks of me anymore, he still does? Could he still care what I think, what I have to say about... all this? I was basically his ‘best friend’ for a while there, and maybe after everything got complicated, he feels … bad? Well, obviously Aundreya, but like bad in the sense that he feels like he can’t move on without me telling him it’s okay or something? He’ll probably continue to beat himself up over it and then he’ll never be able to enjoy himself and will just stress himself out and wallow in guilt.

Not ‘probably’. You know him better than that. That’s exactly what’s happening, and that’s got to be what JJ was getting at.

But what if he doesn’t want to talk to me? What if I just make him feel worse? And why should I care if he’s worried or not?

Come on, Chambers. You’re trying to be better and you know it would mean a lot if you just talked to him.

I’d made up my mind.

I was sitting with my own book and cup of warm tea and wanted to laugh at how, even though we weren’t doing it together, we were literally still doing the same thing we always did. I got up and made a fresh cup of tea, careful not to spill any or cross contaminate, then I set it down next to mine on the small table right beside the couch.

I took a deep breath, and with my book still open and in my hand, walked over to where Reid was sitting before I could talk myself out of it. Without a word or tearing my eyes from my own book, I casually picked up Reid’s coffee mug, then turned around and walked back to the couch. I sat down and put his mug next to the other two. I refused to turn around and look at his reaction. Instead, I just waited for his presence to appear across the couch.

It came soon enough, which I knew it would because he’s kinda a caffeine addict. He reached for his coffee but I slid it across the table toward me so he couldn’t get it. I quickly slid the fresh cup of tea I’d made across the table, practically pushing it into his hand, the whole time continuing to look at my book. I stifled a laugh when he picked up the tea, examined it, then made a pouty face. I took a sip of my own, then set it, and the book, down on the table.

I sat with my back leaning against the arm of the couch, my legs criss crossed in front of me, facing Spencer head on who was sitting in nearly the same position. Finally looking up at him I whispered, “It’s going to be okay, you know.”

He slowly looked up at me but didn’t say anything, so I continued with, “It’s fine if you don’t want to talk about it. And it’s fine if you don’t want to talk about it with me. I just wanted to tell you that she’s gonna love you. She probably already does.”

We sat there in silence for a while, and I was about to pick my book back up again, thinking that he wouldn’t say anything, but then he said, “I just don’t know if I can do this.”

“Why wouldn’t you be able to?” I inquired.

“Because of …” he trailed off but I followed his train of thought.

“Don’t worry about me. It happened. It’s over. I don’t want you guilt tripping yourself out of happiness. I am not worth that,” I whispered, careful to keep my voice low enough the others wouldn’t wake. This wasn’t exactly a conversation I wanted anyone else to be a part of.

“You are worth that-”

“I’m not.”

“-and I do feel guilty-”

“I know. And I appreciate that but there is nothing either of us can do now except move on. So do that. Move on. This girl, whoever she is-”

“Her name is Maeve,” he blurted. It stopped me right in my tracks. I think I was the first person he gave her name to.

I quickly recovered, “Maeve. She seems right for you. She’s obviously smart, she’s helping the FBI solve cases and she’s keeping up with you, and you, you seem … you seem … you’re happy. You get that goofy smile on your face when you talk about her. When you think about her. When other people talk about her. I know it’s in your nature to worry, but seriously, I don’t think you have anything to worry about.”

“Thank you,” he said.

“What else?” I asked. There was more but I knew he felt awkward opening up to me about it because … well.

“Huh?”

“What else is going through your mind? I know you need to get something off of your chest and remember, we used to tell each other everything before things got complicated. That wouldn’t be a bad place to return to…” I offered, hopeful he’d be okay with that.

He gave me a small smile and said, “I’d like that.”

It was odd but I was relieved. I don’t know why there would have been any pressure on me to begin with, but I did feel relieved. More and more of the bitterness I felt was dissipating every day, and was continually replaced with the feeling of missing the one person I’d opened up to the most. I wanted that back. I needed that back. “Great. So what else?”

“It’s just - we’ve never met and she wants to meet.”

“Okay, that’s exciting, right?” I asked, testing the waters.

“I mean, yes.”

“But…”

“But I’m nervous. I want her to like me and I’m afraid she won’t once she meets me,” he expressed.

“Spencer,” I started, leaning over the one cushion in between us, “you are an amazing guy. She already likes your personality, and considering how long you’ve been talking to each other, you’re already past all of the small talk too. You’ve already completed all of the hard stuff, and now you just get to enjoy the easy little things, like her hair, her eyes, her smile. As for her, she gets to enjoy your hair,” I ruffled it up a bit, “your eyes, and your smile.” He fixed his hair and flashed me that very same goofy grin I was talking about, golden eyes twinkling. It was honestly a shame he didn’t smile more. “There you go. Flash her one of those and she’s done for,” I chuckled, “Plus, you are a phenomenal judge of character. If you believe that she is worth taking a bullet for, I’d trust that gut feeling. And like I told you when we were first starting to get to know each other: I’ve met a lot of people, like a lot of people, and you are by far one of the coolest. If she doesn’t see that, it is ultimately her loss and her problem,” I concluded. It still hurt knowing that I was encouraging him to continue on with the relationship that almost ended ours, but I could tell it was what he wanted, and who was I to get in the way of that? I had no reason to feel spiteful toward Maeve, she hadn’t done anything to me, and besides, she seemed like she would be exponentially better for him than I could ever be. I was going to have to start coming to terms with that and getting over it. Getting over him. But at least I knew we could start rebuilding our friendship and that would have to suffice.

“You don’t know how much it means to hear you say that,” he looked down at his fiddling thumbs. “I’ve just been sick this whole time that in doing this I would really lose you forever and I didn’t want that.”

“I’m here. I’m not going anywhere. You should do what makes you happy.”

He nodded and I could visibly see the weight being lifted off of his shoulders. I was glad I could be the one to do that.

He took a sip of his tea and scrunched his nose up. This time I had to laugh.

“Oh come on. It is not that bad,” I rolled my eyes.

“It’s just not coffee,” he complained.

“You don’t drink coffee. You drink caffeinated sugar water with a dash of coffee,” I accused. He just shook his head and set his tea down about to reach for his other mug again.

“Nuh-uh,” I scolded. The last thing he needed was to be over-hyper and jacked up before meeting this girl. Maeve. “Tell you what,” I got up from my seat and grabbed the sugar and honey, “Usually I only put a little bit of one of these in my drink, but because you have the taste buds of a five-year-old child, I will break down.”

He smiled at me and quickly poured a kidney-failing amount of each into his tea. I put my palm on my forehead as he swirled it around and took a sip.

“See. That is much better,” he commented happily. “You should invest in adding more to yours.”

“Oh no. I am quite alright, thank you.”

“You know you want to.”

“Actually, there’s this really cool thing called blood sugar levels, I’m not sure if you’ve heard of them,” I teased, “but I’m all good leaving mine where they’re at. I wouldn’t want to induce a heart attack.”

He laughed, and I laughed, and it felt good to be laughing together again.

# # # # # # # # # # # # #

“Are you sure?” Spencer asked.

“We’re sure! You go and have fun. The rest of us will finish up for you,” Emily said, and Derek, JJ, and I all nodded enthusiastically.

“Okay. Thank you,” he said, turning toward the parking lot.

“He’s in a much better mood about this than he was before,” Derek acknowledged.

“Yeah that’s true,” Emily agreed, “I wonder what changed his mind.”

It was more like a statement than a question, all three of their heads turning to look at me. I shrugged and feigned confusion, “I have no idea. Maybe the stars are aligning,” I said sarcastically, raising my eyebrows.

Derek rolled his eyes and said, “At least we can always count on you.”

“To what?”

“To be an irritatingly helpful smartass.”

“Wow,” I put a hand to my chest in appreciation, my voice becoming velvety as I wiped away a non-existent tear, “I don’t think I’ve ever been so accurately described.”

We chuckled and entered the office, ready to file some closing paperwork.

Penelope met us at the doors, hugging us all and offering us special drinks she’d been practicing making while we were gone.

“Wait where’s Spen - wait! Is he with Phone Booth Girl!” she cheered, not even waiting for a response. “I knew it, I knew it, I knew it!” She giggled then turned to Derek, “How come you don’t take me out anymore?”

“Oh, baby girl, we have so much more fun staying in,” he returned, smug.

She stepped closer to him and turned her tone from pouty to sexy, “How could I forget? It could have been because I was near blacking ou-”

“Woah!” I interjected. “Some of us would actually like to sleep tonight without the graphic details.”

“That’s the problem. I’m not one for sleeping,” Garcia purred.

“Dammit. I asked for that one,” I shook my head.

Both Penelope and Derek placed a hand on one of my shoulders, and I’m not shitting you, said at the same time, “Yeah, you did.”

They walked away as I knit my brows together and turned toward JJ and Emily. I put one hand out, gesturing at their backs and mouthed ‘what?’ JJ shrugged and Emily just shook her head in amused disbelief.

As the night was coming to a close and we were all about to leave, a sudden crashing came from the stairs and elevator. We were halted by a stampede of police officers, weapons drawn, barging into the bullpen.

“Everyone put your hands up.”

We quickly complied, looking around at each other for silent answers. There were only the seven of us in the office, but it was the eighth they were looking for.

A woman, probably 5’8” with short brown hair demanded, “Where is Doctor Spencer Reid?”

Taglist (open)

@justanothetfangirl

@kris-stuff

@blameitonthenight21

[thegreatlarryfisherman]

The Parallel Is Painful. The Progress is Powerful.

It's the inner demons knocking again. I had to write this for my future self.. because days like today, I won't always be able to pinpoint this feeling.

This is an awful thing to say but lately, it's felt like kicking all over again and I wasn't ready to feel that.. reality. That twinge. I'm okay. Sobriety still in tact obviously, but the feeling is a very specifically triggering one that replays those sweat filled nights in the back of my eyelids when I go to sleep. I can finally look into the eyes of my siblings and I love them so much, but my brother took my hands before he left. And he said "Please don't get depressed again." It was unexpected and I tried to sort of just allow the information to process, you know? We had been laughing and taking pictures before that, they were on their way out the door when suddenly he goes, "You have your own place.. You live on your own. No one thought this would happen." And he hugged me, and was like "Don't cry after we leave. Just don't get depressed again."

We took a bunch more pictures, and they leave.. and I was okay for a minute.. but then it hit me. Like, fuck. It's like when I get that sudden urge to text one of my friends and tell them I love them because in my brain, I'm seeing what could happen. I was at a point, living in my own place and.. getting fucked up in the bathroom with my family in the living room of my huge ass apartment really thinking I was thriving and doing the best. I know I have moments where I can see me back in the position I was in when I first tried to live on my own. I didn't have a job, I didn't have photography, I didn't have anything but a lease, a boyfriend, and a grocery list of problems. I was fucked up everyday and trying to stay upright through the evening. My family would make surprise visits to see me and I would be tensed up until I could get a minute to myself to drown out that dead look behind my eyes. Trying to keep this facade up that I was important and that I was a good person. That was eleven fucking years ago.

I went to bed last night, with guilt. Because my older brother, my best friend, you know.. Is scared for me. Begging me to stay mentally sound. I could see the tears in his eyes, my car battery was acting finicky, he didn't even want me to drive him home, because he was scared I'd be on the highway alone. He looked so fucking concerned and in the back of my head, I'm like "Dude Chill. My Buick broke down every time I drove anywhere. This is nothing for me."

It really hit me this morning, this is what he was saying on New Years Eve. I was driving him back to his girlfriend's house and he frowned, looked over at me, and asked: "You're going to spend the New Year alone?" He tried so hard to get me to come home with him.

It's because I've never been alone. It's confusing for my folks, they're used to when I am alone, I'm fucked up. I can't think straight, I can't stand the boredom. I can't be alone with my thoughts. I was so fucking scared that I couldn't be alone, that I just kept getting into relationship after relationship. Crying because I was afraid shit wasn't going to get better, living with my grandparents because I knew it was what was best for me. I was genuinely scared to trust myself to carry myself with control.

So much has changed in ten years. The first five, I was building.. Then that year hit with my granddad and I just.. cancelled the existence of me that let the demons win.. That disassociated me from anything other than work and trying super fucking hard to not end up alone. I think back to the day I realized, I needed to get my shit together-- after I'd gotten wasted and called my ex, black out drunk and begged him to take me back. I was so fucking afraid of being alone and battling the demons of stuff.. Being sleepless, having flashbacks, etc. And I was lucky then. I had roommates, I had my ex who was still my friend, I eventually got into a relationship and I was stable and very calm for a long time. Until the relationship started falling apart and I just wanted to know what was so wrong with me.. Why I was going to end up inevitably alone again? After all the nights I couldn't even fall asleep because I'd have anxiety attacks and have to be held until they stopped.

Moving here, being alone, I wasn't stable at first. Not mentally, not emotionally, not at all. But I'd already learned to stop running from my problems and to be more open about them, so I just kinda put that professional determination to just stay focused.

Now, finally, almost two years later, a year after I got out of my last toxic relationship, I am trying to cope with understanding that.. The way I was living.. It wasn't as bad as it was before sobriety, but it wasn't right. I lost my sense of self preservation. I was living fully off of survival. It took a while to process that, come down from it, and understand that survival isn't a healthy way of living. It's not gonna leave you happy. You've gotta work through shit. My siblings.. They love me, and it's taking a lot of mental fortitude to accept that because I'd been separated from them for so long. I feel guilty for knowing that the thought of them just now finally understanding who I was when they thought I had it all together, and who I am now are the same person-- just rid of all the toxins.

The fear in my older brother's eyes as he watches me navigate being a healthy independent person who can be alone breaks my heart and holds that guilt to me. That remorse.. and it never occurred to me, that he was always saying we're the same... That I've never seen him out of a relationship for an extended period of time without multiple suicide attempts because he can't cope with the stresses of what we went through as kids.. He can't process that trauma, he needs love to keep him stable. So when I looked at him, and he looked at me.. We kinda zeroed into the mirror for a second, and when he smiled at me.. I knew. He's proud of me. More proud than I can be of myself right now because stepping back, I see the scope of ten years. I'm underwhelmed by the process because had I never been so determined to escape my problems in the first place, you can only imagine the shit I could've achieved by now. My therapist says that it will take practice and determination for me to accept that trauma helped shape the lifestyle I led, and that most people who are trying to survive.. Don't recognize what circumstance they've put themselves through and that some people never realize it.

It's supposed to be a good thing but guilt has been a constant lately. I don't want my family to worry about me. Especially considering how much we've all been through. I'm the second oldest and me getting my shit together means if/when my younger siblings or even my older one gets a grip of like.. shame and self destruction for what we were put through as kids, I want them to have someone they can look at and say, "Hey, my sister made it through this. So can I."

Even as I'm underwhelmed at how slow this process of making my dreams come true is because money is such a fucking obstacle and I can only make it so fast while still maintaining balance and health and eating.. I know for the first time in a long time that every time I said "I hope one day it all makes sense..." that it makes more sense now than ever.

There's a purpose beyond myself and that achievement is on the other side of this sinking guilt I get everyday waking up. I can get past that and I don't need to be wedged into healing someone else in a relationship to rid myself of that guilt. It's something I have to process on my own.

[kendrixtermina]

The Team Dynamics of the Three Houses

Essay time! =D

Part One: Team Makeup and Thematic Framework Blue Lions

Overarching Theme: Classic basic fantasy archetypes but with a dark twist (We have Prince Charming/ Guilt-ridden softboy standard-issue JRPG protagonist, Handsome Lech/Idiot Friend, Standoffish Rival, Gentleman Thief, Lady Knight, Sweet nice healer, Adorable spellcaster Girl, the Gentle Giant etc. )

Composition: Has the most people with crests, and the one guy with a naturally occurring major crest. Foreshadows how the crest obsession is particularly bad here, due to Faerghus’ harsh environment and a society that’s both religious and has a serious element of hero worship

History: Notably the most tight-knit group. Everyone knows each other already. It’s basically Dimitri, Dimitri’s longtime best friends, the daughter of Dimitri’s former instructor who heard lots of stories about him and her super nice BFF who gets along with everyone... and Ashe, who didn’t know the others until the academy, but since he is a honest sweety who loves cooking and knight stories, he hits it off with the others right away. 

Atmosphere: Everyone has kind of the same hobbies (cooking, handicrafts, weapons collecting, knight stuff) and a lot of history, some posters have remarked on missing the “family ambiente” in the other routes but since the bonds are stronger they’re also more charged, it’s also been said that it’s the group with the most inter-team drama, especially when you feature in their relatives - You have Dimitri’s whole character arc, all the family drama between the Fraldariuses and the Dominics, Ingrid’s hangups regarding poor Dedue etc.

As expected if you recruit any of them they’ll kinda have a hard time going after their old home, even the tsundere ones. 

The Leader’s position: For all that Dimitri’s friends refuse to drop his honorifics they really are his friends. They’re just all kinda polite with the obvious exception of Felix, and he’s largely tsundere. Despite the afore mentioned drama we see plenty of Dimitri just hanging out with his friends and even coming to them for help, he’s really just one of the bunch . 

Since Faerghus is in chaos everyone’s pinning a lot of hopes on Dimitri and it’s not like he’s completely unaware of that or doesn’t have the corresponding sense of duty, he’s always torn between that and his revenge plan which eventually just takes over. He pursues this entirely on his own, too, with not even Dedue knowing what he’s sneaking around the library for. 

How this “flavors” part one: Gives it a very “personal” touch. Faerghus, it’s culture, recent past and current state of chaos are fleshed out a lot (we learn plenty about the Alliance and the Empire but Claude and Edelgard have greater scope plans) and since a lot of the part I missions concern the instabilities in the kingdom they affect the characters directly. Basically since they’re more “regular” fantasy protagonists we gotta hit em all with the Drama hammer to keep things fresh. And that’s how it continues - They follow Dimitri because of personal loyalty (both toward him specifically, and because it’s in their culture), and Dimitri just wants to protect (or avenge) the people he cares about. 

How this Ties into The Themes: The Kingdom route eventually becomes very much a Power of Friendship story where they all stick it out with Dimitri in his time of need because he’s their friend and they want to be there for him and that makes a lot more sense if there was a big emphasis on friendship/ found family before that, and of course their friendship is what eventually helps him turn his life around. 

How does Byleth fit into this: Dimitri, like Hubert and Leonie, can be filed into the box of those who aren’t immediately awed by their heroic charisma. He doesn’t really get people who aren’t as outwardly expressive as him (eg. Edelgard) But unlike, say, Leonie, Dimitri has no settings between crushkilldestroy and stilted politeness and seldom expresses or responds to overt hostility most of the time. On the one hand there’s a side to him that’s a bit judgemental and vindictive, but that extends to himself too so he’s very ashamed of his flaws and is afraid that he won’t be accepted, so he projects outward that same acceptance that he likes to receive.

So the end result is that he goes out of his way to befriend Byleth, he encourages everyone to speak with them in a familiar manner, insists that they join the victory celebrations etc. Then of course he gets to see that they’re actually quite supportive and so in time they become, as Dimitri puts it “the heart of the group”.

By the time they find out that Dimitri ever disliked them, that’s long past. He’s a very high-empathy, emotional person so once he likes you he really likes you and will regard your troubles like his own. Some ppl might say that maybe the bond feels more special since it took longer to “earn”. He’s practically ready to swear a blood oath with them once Jeralt dies.  There’s an unappreciated Symmetry here like he goes through the trouble to ‘defrost’ them, and then they return the favor by supporting him through his difficult times when they perhaps get to see the ugliest side of him.

Further Dynamic Notes:

So you have a dynamic of working past/ understanding and accepting each other despite one’s flaws and differences. (whereas Claude and Edelgard are interested in Byleth right away, because they’re unusual, but in slightly different ways - Claude can kinda relate to the experience of sticking out itself but is still stumped by being unable to read them, whereas Edelgard sticks out in the same way  so you’re actually on the same wavelenght to begin with)

“opposites attract” specifically in the way that they balance each other out. A cool steadfast leader type certainly has a grounding effect on Dimitri as a very reactive person, but he also pulls them into the ‘normal’ world a bit after they spend all this time just wandering the world like all places are the same to them. They basically put the magic destiny on the backburner to help him out. They still become archbishop and all to fit the standard fantasy look of it all but not like full messiah like on the church route

Even after the timeskip Byleth kinda plays the mentor role or at least that of the dominant person/ big spoon in the relationship (though Dimitri ends up waaay taler than them especially fem Byleth), “Excuse me this is my emotional support mercenary”

If you go the platonic route you very much stay at „mentor“, Byleth is basically the brains of the operation post timeskip ‘cause the old Mitya can‘t come to the phone right now and Gilbert and Rodrigue would follow him off a cliff

Plot wise, their contribution is to stop the revenge trip when it gets to be a too obvious kamikaze stunt, which they, as a relative outsider to Faerghus and experienced, pragmatic fighter, would do when someone like Gilbert would not

Character journey wise, they refuse to give up on Dimitri and still see the good in him so that he eventually comes to a point where he could envision his own redemption/ come to accept/forgive himself and learn that its okay to move on and live his own life

Byleth can be said to somewhat even out the flaws in everyone‘s leadership styles (while the house leaders help Byleth find their own direction – i didnt come up with this alone there was a brilliant post a while ago that i cant find rn) – In Dimitri‘s case, he has authority/credibility/integrity („Pathos“), being the rightful king with many loyal followers,  and emotional/ personal leadership as an emphatetic person who inspired respect for his character („Ethos“) but is lacking in plans („Logos“)

Golden Deer

Overarching Theme:  Ragtag Bunch of misfits /Unlikely Heroes (let’s see, we have trickster turned lying politician, upper-class twit turned opportunistic conservative, lazy rich girl,  shy glasses boy and his best friend dumb muscle, cursed werewolf girl, stuckup teen genius and the mean money obsessed one )

Composition: Has the most honest-to-goodness commoners - and they largely got in on their own merits, too, while almost all the others had connections. You have a few peeps from the Alliance’s prominent merchant class and one completely ordinary village person whose father was a simple hunter. 

History: Bar the two merchant kids none of them know each other and even they’ve been a little estranged since the demise of Rafael’s parents. There are a few backstory connections (Such as Lorenz’ dad basically having murdered everybody’s dead relatives, or Leonie’s village being in his territory) but they’re largely indirect. They come from a range of different backgrounds and life experiences. Even Claude just showed up the year before and doesn’t know anybody. Of course this is all so you can watch them grow into a team on-screen all leading up to Claude’s epic speech about how they got along despite being from different backgrounds (or be surprised if they show up as one post-timeskip)  

Unlike Dedue or Hubert, Hilda can still be napped early on because she doesn’t really become Claude’s right-hand person until halfway through part oneIf you recruit any of the deer they’ll say that they didn’t have that much ties to their homeland anyways. 

Atmosphere: These are definitely Garreg Magh’s party animals.  Or like a bunch of theatre kids. They’re tremendous fun. “Less complicated” as Claude puts it though some have missed the intensity/drama of the other bunches. The Alliance itself might be full of political intrigues but this younger generation is fairly chill with the important exceptions that are Leonie and Lysithea but Leonie’s lack of chill is largely Byleth-specific, she’s plenty chill in her other supports, and though Lysithea probably donated all the extra chill for the other deer and hence doesn’t have any left, the others  love her anyways wether she wants to or not because try as she might she can’t really get an argument out of them. 

This certainly jives well with Claude’s “friendly surface level extrovert” gimmick they all get along on a surface level and you’ll be hard-pressed to find an ounce of social skills in the Black Eagle house, and the Lions have the Drama Moments, but some have also perceived the deer as not quite as open. 

At the same time they’re not superficial. We have a large abundance of Artsy Ones, we have Ignatz, Claude and Lorenz both write poetry, Leonie isn’t good at it but she does draw etc There’s enough insightful ones for depht and insight to be a significant undercurrent in the group dynamics. They all have different sortts of insight - Hilda can read people well, Ignatz has this sort of intuuitive thoughtful understanding, Lysithea is observant and logically astute, Leonie has street smarts etc. 

The Leader’s position: Precarious. No one knows him, no one trusts him. He just showed up one day, very suspicious timing, not long after his uncle dropped dead (that was Lorenz’ dad but it’s not like anyone knows) and then he’s a shifty weirdo who cannot help being slightly unnerving despite his friendly extroverted demeanor. 

Still he’s a big believer in teamwork, appreciates the value in everyone’s perspective and he can do the friendly extroverted charm well enough to eventually win over most people based on that, though its not until waay after the timeskip that he even considers letting anyone past the soft outer layer.  (In Recruited, Raphael remembers him mainly a lover of feats and merriment)

The longer the story goes on the more the Deer transition to being “Claude’s jolly detective bureau” in which he pulls on all their individual insight for maximum info collection. 

How this “flavors” part one:  It’s taken up largely by Claude’s search for information with the various events being seen in that light.

Claude’s first reaction is often to ask questions and be curious with the emotional response hitting him somewhat later, though it’s definitely also that he keeps up a cheerful face for the team. 

Ironically he’s the only one who came to Garreg Magh for it’s intended purpose: To get a ruler’s education and do networking. Dimitri and Edelgard were already onto Thales courtesy of his having killed their families, him searching on his own, her making preparations for her takeover, and Claude doesn’t know - it’s probably a game balance thing because Claude is the smartest person in the game and if he started out with all the info there would be no plot. 

How this Ties into The Themes: It all builds towards Claude’s big speech about people from different backgrounds coming together. It’s like a microcosm for what he wants to do with the world, to bring people from different places and backgrounds together and have them understand each other.

Lorenz takes until halfway through part II to come around, but come around he does. (markedly, this happens only on Claude’s route, otherwise he sticks with the empire out of self-preservation and opportunism, though he gladly jumps ship to join the kingdom. )

How does Byleth fit into this:  Now I‘ve seen some people saying that Claude initially didn‘t like Byleth or just wanted to use them, but I don‘t think that‘s true. I do think he actually liked them, found them interesting and wanted to befriend them. But Claude, on principle, doesn‘t trust easily, and will in any interaction look at how he can use it.

It‘s a habit born out of both natural curiosity and intelligence (What the 12type eneagramm calls a „Mercury“ Personality type) and the need to survive in a hostile environment where people tried to kill him as a child, and as such it‘s automatic second nature. He has a strong overruling self-preservation instinct.  Claude is suspicious and will interogate people completely independent of how much he likes them. No amount of like makes him trust implicitly.

He doesn‘t have a bad impression like Dimitri, but he doesn‘t immediately click like Edelgard and the curve is pretty nonlinear: With Dimitri we have a clear progression from dislike to like and then the reversal where Dimitri had defrosted Byleth and now Byleth must defrost Dimitri. With Edelgard she likes them immediately out of similarity (like Felix likes Byleth, or like Edelgard likes Lysithea and Petra), and the difficulty/drama only comes later when Byleth‘s connection to the church and Edelgard‘s plots become apparent, but mostly she‘s sad that she‘s „destined“ to be enemies with this person she likes, her level of like never goes down. Claude meanwhile – you might compare him with Dorothea. He‘s used to being able to charm people as well as read them, and Byleth is not only a brick wall, but remains one upon closer examination. They really don‘t know about their past – but Claude takes that as evasions and becomes more and more suspicious.

A big turning point here is the Jeralt situation, where Byleth finally opens up and tells him everything, and Claude realizes they‘re not hiding. And that‘s something I really love about their dynamic – Byleth tells him all and Claude is so interested in them and looks out for them.

Though you could assign each of the three a „turning point“ after which they open up - The diary for Claude (which shows him that Byleth really isn‘t hiding anything) Flayn‘s dissapearance for Dimitri (which convinces him that Byleth cares) and the holy tomb scene for Edelgard (which shows her that Byleth won‘t betray her)

Further Dynamic Notes:

Claude and Byleth relate because they both stick out, but it‘s notably about the experience of sticking out in and of itself, whereas in Edelgard‘s case they stick out in the same way. They’re also alike in that they only found out some secrets about themselves when they were already young adults, Byleth’s magical destiny, and Claude finding out he was related to the ruling house. From how he mentions “not being raised in the lap of luxury” and how his royal connections in Almyra are also “distant”, he might in fact have been raised in a normal village and not known he was the king’s bastard son for some time, though once the secret was out he definitely got some princely instruction like training with Nader. 

The dynamic both interpersonally and as an action duo is very much a complementary one. Dimitri is very different and has that sorta morality chain dynamic going on. And though they each have their specialties that the other is lowkey jelly of Edelgard and Byleth actually fill a fairly similar niche as the charismatic superhumanly powerful field commander. Meanwhile with Claude there’s a division of labor: Claude’s the planner and Byleth’s the enforcer. He repeatedly observes that his plans would be way less effective without someone of Byleth’s caliber to carry them out.

Out of the three lords Claude is the only one where you get the sense that Byleth works for Claude post-timeskip or that Byleth becomes his subordinate. Dimitri’s lost without them, and while Edelgard offers them a formal position as royal advisor after the mock battle and gets this line about how they can’t yell orders at her in public now that she’s the emperor, but it’s phrased in such a way to suggest that she just wants them to yell orders at her discreetly. They certainly balance out Claude’s presentability/trustworthyness problem the way that Hubert quickly puts them in charge of morale to patch Edelgard’s PR shortcomings, but Hubert pretty much says this to Byleth’s face whereas Claude is the only one who knows where the ship is going for the majority of verdant wind. And in the end he’s like “Babysit fodlan for me while I finish world peace” He’s also the dominant one on an interpersonal level, he gives Byleth this speech about how they should use their position more confidently and promise to detective out their mysterious past for them. He also tries dropping hints that maybe Rhea’s not to be trusted though Byleth’s dialogue options are written to suggest that they bought her maternal act and want her back – some ppl said but this way really expositions that „well meaning deception“ aspect of Claude‘s character. He frequently steers ppl toward something they don‘t want but with the hope that they‘ll want it eventually. Perhaps he could be said to have a very fluid/dynamic view of things and people; The other two lords view them more as fixed, hence „I respectfully disagree… lets settle this by stabbing each other“ 

The platonic end result is your basic Epic Friendship, tell each other everything, very supportive, look out for each other, take down a zombie warrior together in an epic team attack, what more could you want I think I‘ve made a whole post about what a good friendo Claude is, initial ulterior motives nonwithstanding… He certainly had strategic advantages in the back of his mind but I don‘t think he ever faked liking Byleth

Plot wise, having The Messiah on his team gives Claude a bargaining chip to seize control of the church with its greater influence. On the other routes, he wisely refuses to touch that particular hot potato with a ten foot pole.

Character wise Byleth‘s influence largely serves to mitigate his jaded cynism. He starts to actually believe his far-flung dreams might happen, so he plays far less defensively than on the other routes.

Claude is smart and charismatic („Logos“ and „Ethos“), his main problem is that nobody trusts him. This is a bit more dimensional than just a flaw though, because he hides his real goals (though they are not truly sinister) both to avoid fights with people who would oppose these goals (contrast Edelgard who declares her intentions openly and deals with the fallout, so she has to fight the knights whereas claude manipulates them) and get the chance to gradually convince them and reveal the truth once ppl agree, also he‘s more a tactician than a strategist and often changes his plans in accordance with what he thinks is doable under the circumstances, and not telling what his plans are gives him the freedom to do that – either way, a downside of that is that no one trusts him. He lacks credibility and, having shown up out of nowhere, has less loyalty and support. Byleth, as a chrch-sanctioned charismatic figurehead, naturally mitigates that.

Black Eagles 

Overarching Theme: Subverted Villain tropes. We have Emperor Evulz / mad science supersoldier, Black Mage classic,  Seditious Chancellor Junior, Sexy Mage, Eccentric Scholar, Pretty Barbarian, Fighting Obsessed Blood Knight and Antisocial Sniper

Composition: It‘s nobles all the way down, even the one commoner used to be famous and is from the capital where all the wealthy ppl live (as opposed to the decentralied alliance and the very spartan kingdom nobles) – The capital‘s a heaven for culture and sophistication but you also see the evident elitism/corruption/inequality problem going on. In keeping with Adrestia being more secular, Ferdinand‘s the only one who‘s explicitly stated to be a believer (in the Marianne support) and he‘s not even super devout

One should also appreciate the irony that the side with the ‚saintly‘ crests is now against the church whereas Faerghus, ruled by the descendants of Nemesis‘ former allies and where he used to have his stronghold are now fighting for the church. But should you go with the church route it also makes a kind of sense as they‘d be goig back to the empire‘s distant origins in a sense.

History:  They all vaguely know/ have heard of each other due to their parents being co-workers or living in the same town, many have at least met each other but at the same time they‘re not BFF like the Lions and many take a bit to warm up to each other.

Another thing of note is that while many of the Lions‘ families were also friends and have been associates since the days of Nemesis, many of the backstory connections for the adrestian studenrs would seem to predispose them to being foes rather than friends, half their dads‘ essentially dethroned Edelgard‘s and are various degrees of complicit in what happened to her siblings, Petra was basically taken hostage by the previous administration, Dorothea has good reason to have beef with the local rich people etc

Atmosphere: I‘ve seen some ppl who played the other routes first say things like how they were struck by how individualistic they are and how there‘s far less team cohesion, or how they „all seem to hate each other“ - I don‘t think that‘s correct assesment but they definitely are quirky, independent-minded or both. They scamper off in all directions when introduced and definitely don‘t bother with formal politeness or friendly facades, if they‘re annoyed with you most of them will probably say so. Even Bernie gives Ferdinand a lecture once XD They‘re basically goth. Though I do think it‘s sorely underappreciated that there definitely IS friendship and admiration between them esp. later in the story, admiration & appreciation being key factors especially since they‘re none too easily impressed.

Of course being independent minded makes it likely that they wouldn‘t blindly follow a leader who‘s up to no good, but it would make them just as suitable to participate in a rebellion

Another thing of note is that while the Kingdom nobles all learned to hold sharp objects in the nusery and many of the deer have street smarts or survival experience having had to live through tough circumstances most of the Eagles are complete greenhorns when you first deploy them – sure many have seen their share of effed up stuff but not in a warlike setting. And you have many of the sensitive/reluctant ones like Bernie, Linny and Dorothea. This of course could either make you think twice about the church sending them on missions or predispose you toward Flayns brand of pacifism.

Of course this just leads to Hubert and Edelgard (and to a lesser extent Petra) to clearly stand out as the experienced ones. El-chan and Hubie dear have most definitely killed a man before. The rest of them will definitely have to measure up to pick up the slack after the two of them leave.

The trajectory certainly goes differently, in CF they all return notably more confident after the timeskip (most notably with Bernie) perhaps in keeping with how Edelgard believes in & promotes self-reliance whereas in Silver Snow they never quite stop being like „AAAAA“ though I suppose the point is that they get their act together and do the deed regardless.

The Leader’s position: Absolute both in terms of power (sorry Ferdie) and dynamics. Definite ‚student council president‘ vibe, she largely interacts with them as a taskmaster/ to make them do their homework. She markedly doesn‘t like this and would like to be one of the bunch but genuinely finds it hard to step out of boss mode.

She does try her best to cultivate an equal atmosphere and for what it‘s worth most do drop the honorifics and tell her when they disagree.  

How this “flavors” part one: The emphasis is certainly on expositioning how much everything in the setting sucks especially on the church‘s horribleness, I mean in the end if she‘s essentially like „We‘ve all seen it this past year“ but of course there‘s also definite foreshadowing that sHE is up to something, there‘s certainly peeps who picked her ‚cause she‘s pretty and she looked more put-together/less obviously dodgy than the others but then didn‘t personal taste wise jive with her character. The whole scene after Jeralt‘s death is definitely a point where you either decide you hate her or love her forever; You get both „WTF“ and „I get it“ type of dialogue options.  

How this Ties into The Themes:

No matter what route yo pick you essentially get a story about going your own way and putting right what the previous generations done fucked up – wether they do this by leading Adrestia back to its holy origins, or by backing Edelgard‘s revolution.

On a political level they either go against their homeland or the previous administration, and personally they‘re all sorta expected to take over their parents‘s job and follow these expectations of proper nobility that they have no interest in and many of them renounce their titles or cut ties with their folks. Only Ferdinand particularly wants his fathers job and even them he means to do it very differently. The happy ending, for most of the eagles, is getting to choose their own paths

How does Byleth fit into this: 

Mostly, they shift the team dynamics from Edelgard as the absolute leader in a lofty, distanced position to her coming closer to being „one of the group“ working under Byleth.

There‘s a reason she later names her elite troop the „Black Eagle Strike force“ in honor of their time at the academy. This is almost the bigger difference, because Byleth isn‘t there for the timeskip. The big change is caused by creating this situation where all the black eagles leave with Edelgard, so she knows she can trust them and having real allies needs the slithers less.

It‘s very hard for her to step out of boss mode for reasons ranging from her personality, backstory, monarch obligations and fear of vulnerability, but having Byleth be the boss for once helps. Some of her most formative experiences were a) Her family betrayed by almost all its allies including her own uncle b) being helplessly dragged around as a hostage. She wants to avoid being helpless ever again at all costs and thus grew to be a very proactive decisive adult which is mostly a good thing but can cause her tome come off blunt and unyielding at times. I mean when she‘s worried that Hubert, her best friend, is hiding some worrysome secret from her she‘s like „Tell me that‘s an order!“ and when he expertly sidesteps that (since he knows her well and understands that she wouldn‘t actually force it out of him) she‘s stumped and doesn‘t know how to tell him that she‘s worried about him – and this is a guy she knows since forever. With the other eagles she really looks out for them but can only really show it through her „leader“ persona, she has this one trick, and when it doesn‘t work (like with Caspar or Linhardt who don‘t really want anyone to boss them around or talk politics) she‘s stumped.

This is hugely mitigated when another person of her caliber shows up with whom she can share the responsibility or even leave it to them so she learns to allow herself to be soft and do stuff like admit her doubts, this starts with Byleth but also radiates into the other relationships. See Caspar and Linhard revising their bad first impressions of her later in the support chains

Further dynamics notes:

A recurring theme is being misunderstood (outright stated in the introduction and that one quote by ladislava – and also in the church route dialogues where Seteth says that „the people will never understand her ideals“ ) and finding someone who understands, which is different from Claude and Dimitri who ultimately want the world at large to understand and accept them. Edelgard has given up on that long ago - her version of the „pep talk“ scene implies she thinks its impossible to truly understand anothers sorrow – I like to think that after her siblings died she found great comfort in Hubert being „not much for condolences“ and talking plans rather than sympathies while everyone else was showing pity for something they couldnt understand. Dimitri is basically traumatized (he relates to Dedue about losing everything and thats why they‘re so tight knit), Claude is basically an outcast and relates to all that dont quite fit in, but Edelgard… yes her family‘s dead much like Dimitri‘s, but in addition to that, she has been through an indescribable science fiction fantasy thing that no one has any context for. She views herself as so altered that she considers herself a whole different person and her past self basically dead. Hence someone like Byleth or Lysithea who could relate to all that is very, very tempting to her – we‘re not told if that‘s the truth or just her perception though, Hubert doesn‘t note her being extremly different, and later on she kinda admids that she herself distanced herself from other people.

Likewise the ship dynamic is ‚birds of a feather‘. Edelgard tells you right away: She feels that she and Byleth are similar and is drawn to them because of that. It‘s not just the mad science background,  both are stoic natural leaders with a bit of a dorky side. This goes both ways – While others are often mildly stumped by Byleth, she can read them pretty well and gets a lot of dialoue like „wow you‘re telling the truth“ or „I can tell you‘re lying“ - that happens so often that it‘s even used to hint that she‘s the flame emperor.

If you had to name a dominant person it would probably be Byleth but overall this combination is disntinguished by being relatively equal and balanced. She likes having Byleth‘s support but repeatedly mentions wanting to support Byleth as well  - As she says after the big mock battle, „sometimes its better to have someone to rely on to support each other through the darkness“. Team dynamics wise they feel a similar niche – the abnormally powerful, stoic charismatic leader who inspires many followers and is a gifted field commander. When they‘re not allies they are foils after all. But as pointed out in their A support despite their similarities each of them have their own particular strenghts that the other envies – Byleth is a better tactician and ultimately better at moral support (though their time powers help). On the flipside, Edelgard is more proactive whereas Byleth struggles with that, and at least her 22 year old self probably has more raw strenght (judging by her stats total and how they‘re evenly matched in the church route reunion cinematic though she isn‘t using her preferred weapon)

If you don‘t marry her then the note the A support ends on would suggest that Byleth sorta gets adopted as a honorary big sister/brother with how El asks them to use her childhood nickname and just lampshading the sense of kinship between them – the platonic outcome is a family bond, which buils as much on similarity and alikeness as their romantic outcome

Plot wise, Byleth‘s presence gives Edelgard something that she wouldn‘t otherwise have: Reliable allies. This means not just Byleth themselves, but the other Black Eagles whom she feels are more firmly on her side as they never defended Garreg Mach from her assault. As she puts it when she tries to recruit you as the „Flame Emperor“, the slighterers will go around causinga strocities but with the sword of the creator on her side she could courttail that better and generally has less need to coorperate even for purely pragmatic reasons so she is free to weaken them ahead of time, kills Cornelia right away rather than work with her etc. Interestingly this is why the front lines are actually further back when Byleth returns than they are in the other routes, but then the war ends the quickest.  

Character journey wise, Edelgard goes from being convinced that she has to give up everything to be a tough leader to allowing herself to just be a person, cummulating in the ending where she pulls a washington/cincinatus, abdicates and gets a normal life.

In terms of leadership style, Edelgard has „Logos“ and „Pathos“ to spare, she‘s described as a remarkable leader who inspires remarkable devotion and has a cause/ rationale – but she‘s got her weakness with inspiring loyalty on an interpersonal level. The followers are loyal to the cause – Edelgard herself is perceived as unapproachable and shady/unsavory, see Dimitri‘s rant about how she‘s „strong“, or statements by herself and Ladislava that people tend to misunderstand her. As a superhuman science experiment she is by definition not a „relatable“ leader. So once Byleth proves trustworthy Hubert immediately puts them in charge of morale and of support/pep talking the reluctant recruits.

(In part II we‘ll get into decision making processes but I think here we have to separate by route rather than house since it’s most evident post-timeskip and dependent on plot events.)

Team Dynamics and Decisionmaking

Empire Route

Here, there is a very clear distinction between inner circle and outer circle. Edelgard and Hubert have their own thing going on and once you prove loyal, you’re in, and you get to see a whole different side to both of them, Edelgard lets down her guard, Hubert acts polite and sympathetic where he was previously suspicious and mocking, and they basically tell Byleth everything, including the unsavory pursuits that they keep secret from everyone else – but overall the secrecy, maintained for realpolitik reasons, never truly stops. Basically those three make all the decisions.

Notable is that if you’ve recruited Lysithea she hovers on the threshold between inner and outer circle. She was fed the cover story of the nuke being a church weapon (though she did’t buy it) but WAS told about the secret assault on Arianrhod. This is prolly cause Edelgard likes her, she can become her main advisor in their paired ending.

Kingdom Route

Dimitri describes himself as as someone who thinks change should come from the people and that the leadership should serve them, for all that he prefers to uphold the basic order of society, and this is reflected in his leadership style – though this also reflects that he is a ‚people person‘ rather than a planner, so the plans are left to his advisors like Byleth, Gilbert and Rodrigue. He is more the emotional/ spiritual lynchpin than the mind or will of the group.

In Azure Moon, especially later on, the decisions are really made by the entire group and you see them considering their next step together. Dimitri spills the backstory as soon as it comes up, telling everyone about his relationship with Edelgard for example.

In early part 2 this is at an extreme in that Byleth, Rodrigue and Gilbert are de facto making the decisions and Dimitri is at best a grumpy figurehead that they‘re putting up because they need him as a symbol, but at the same time he doesn‘t really compromise on his revenge obsession and is just dragging the whole team along/ not really reacting to how they are making him the lynchpin for their hopes. (though it is important to note that he didn‘t ask him too either – they decide to follow him out of friendship or loyalty to his house) yet inwardly Dimitri too is blindly following what he believes are his obligations.

A huge turning point is when he returns after the whole rain conversation and Byleth gets to ask him some variety of „What do you want to do“ in which Dimitri makes a step toward both inner and outer self-directedness, but precisely because of that becomes are more complete/better consensus leader.

I also want to stress that Claude and Edelgard LOVE togetherness and cooperation and equality as concepts every bit as much as Dimitri does they want to be one of the team but they find it difficult. And of course Dimitri’s style has its own flaws too

Alliance Route

While the Blue Lions decide everything together and either variation of the Black Eagles setup has an „inner circle“ that makes the decisions, in the Golden Dear that inner circle is basically just Claude.

Even Byleth doesn‘t find out his plans until part two, and it‘s later still till he comes clear with the team (and still doesn‘t reveal all but points to Cyril as a stand-in) Hilda and Lysithea are discernable as preferred right hand people, and Byleth and Marianne as special confidants, but in the end Claude rarely shows his real self and only he knows the plan. If Hilda and Lysithea pick up alot about him and his true self it‘s because of how observant THEY are and how much Hilda is basically a lot like him.

Claude does all the thinking and motivates followers (from Lorenz to the random merchans who support him) by promising them things they want – because even if he can‘t trust peopöle, he can trust their self-interest.

Church Route

Since you are with the church that is ideally a sort of benevolent parental authority under the supposition that people need guidance and that‘s a good thing it is perhaps fitting that though Byleth winds up the nominal leader, this is actually the route where they are more of a follower. They do watch Seteth says, who is doing what he believes is his duty and mission, and we have Flayn as an innocent, pacifistic voice.

They lost their dad, and the Nabateans are a sort of surrogate family. (wether its one that youre born into or marry into, the wiord „family“ is stressed) – they are the „inner circle“ making the decision and the empire kids, ragtag misfits estranged from their homes, follow. On the one hand they‘re going against their home country on the other they have the saint‘s blood and Adrestia USED to be church aligned so it also makes a kind of sense.

Among the Adrestian kids themselves, Ferdinand and Petra get a chance to shine as the ostensible leaders. They are stalward, competent leader-like people in CF too , but there they are more overshadowed by the much more experienced Hubert and Edelgard.  - Though when you think about it they are like „pure hero“ versions of them who were never forced to become as cold and pragmatic. Ferdinand, like Hubert, is a nobleman from a storied family who is proud of it but wants to fix its tarnished reputation from his corrupt father. Petra, like Edelgard, is a former political hostage who experienced hardship at a young age and worked her way up all on her own, being very serious and competent despite her young age. I prefer the version where they stay buds rly.

It‘s worth noting that Seteth, ‚Heir of Purpose‘, sees it as their families duty to protect Fodlan and is the only one really doing that – his brothers noped out, and Rhea, uneknowst to him, twisted „protect“ into „rule/subjugate“. One might question who gives him the right to decide things because his mom is magic but on the other hand he really is 100% benevolent and I see no sign that he has any greedy intentions especially in in Silver Snow, all the countries collapse and someone needs to keep order, he doesn‘t understand what the empire‘s doing and why just sees their agression and really is rising to the challenge of upholding peace because something needs to do something about the violence. He had withdrawn to protect his daughter but then in the end he‘s the last one who is really doing what Sothis would have wanted. He looks most like her too having the slightly darker, ‚spikier‘ hair.

Further Thoughts

I’m curious to see how Yuri, the Ashen Wolves, and Cindered Shadows compare/contrast to this and i theyll manage to make the dynamics sufficiently different so that its neither a carbon copy or a blabk mary sue ish superlative. 

I mean the other routes are so interesting to dissect because its a tradeof and all have their own flavor so really CS would do better to try to be “different” or, better yet,  “complementary” than “better” or “cooler”