honestly though dragon age 2 was the exact perfect game to follow dragon age origins and it's almost entirely because of the things that most hardc0re gamerz hated most: the inability to change or divert what happens
you go from a game where you are a special rainbow star who the plot and world seems to rotate around to a game where you are just a person who ends up a significant figure mostly by chance. in origins you are one of the only survivors of a mass betrayal by the king's right hand man, and you have it drilled into you again and again that your choices matter. not only do they matter but they are the fulcrum the worldstate moves around. not a fan of the werewolves? kill them all off and let the guy who cursed them in the first place off scot free. think golems would be a sick way to really fuck up an archdemon? revive that ancient tech at the cost of who knows how many lower-class and casteless dwarf lives. you are the one who determines if the archdemon dies or gets reborn as a supernatural infant boy. it is all on you.
in dragon age 2 almost nothing is on you. the other characters have goals and motivations and you might be able to slightly affect them, but some things happen regardless. fenris always kills hadriana. anders always blows up the chantry. isabela always has already stolen the qunari artifact and merrill is not capable of being persuaded not to fuck with the eluvian. sure, you can affect their fates. do you sell fenris back into slavery? do you kill merrill's entire clan to protect her reputation or let her take the brunt of it to spare them? does anders live or die? bethany? carver? but the actions the characters take mostly happen regardless of hawke's input. the worldstate does not morph to fit what you want it to be anymore because the characters have too much weight in the people they already are.
and the wider plot reflects this, too. the qunari are unwilling to negotiate a peace, especially once they deem kirkwall too far gone to be worth saving. meredith is set in her ways and cannot be convinced out of her mindset. you cannot save leandra. anders, again, always blows up the chantry. hawke is involved in many of these events but they are far from being the fulcrum the world spins around. they are just a person, like most other people, caught up in the conflicts of forces so much more powerful and more ingrained into society than they are, that the best they can do is to ride the waves. to leap forward as the world changes around them, as flemeth fortells early in the game. the big reveal varric hesitates to tell cassandra for so long is that hawke was just a person, caught up in a million conflicts that they tried to stop but could not because the world was already too set against them. a fish struggling upstream for its whole life, and if you buy the depiction of hawke in inquisition, one who sort of resented the role they ended up playing in what became of the wider world.
it's perfect. it's beautiful. I know the narrative these days is that it's so constrained because of the short dev cycle, and while I do think that if the dev cycle had been longer there would have been more polish and shine, I think this theme was always intended because it's such a perfect foil to origins. origins says show me how important you are, the world your warden wants to create. da2 says that the world already exists, and the best you can do is try to keep things from getting worse, and make a tiny impact for the better in the lives of the people around you. the mages you help escape kirkwall while they can, the people you manage to save from slavers. maybe you can't change the world, maybe it's too set against you. but you can change something. some little things.
it slaps.
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I think I just love people and I love the things that people do.
I've said this before, but I don't really like the notion of culture-the-count-noun, "cultures" as discrete entities. Rather, I think of culture broadly as the whole body of human practices, institutions, and ideas. Naturally, many of these institutions and practices are geographically or socially localized, but always in ways that have fuzzy and ever-shifting boundaries. Culture is just "the things that people do".
But, you see, what I want to stress here is I am fundamentally, at my core, filled with love for the things that people do, and filled with love for and excitement over the world we make together. I am obviously well aware that human society is imperfect, that there is injustice, and so on, but... I'm not quite sure how to articulate this, surely that fact is "secondary"? Surely what is wrong with injustice is that it is a stain on an otherwise wonderful world? If the world was nasty to its core, I don't really think I could get so worked up over injustice. Injustice is bad because life is full joy if we're allowed to access it, the things that humans do and make ("culture") are in general wonderful and joyous things, often marred as they are by the imperfection of the world.
Food is a good example. There is, at the end of the day, no way that I can justify the mass consumption of meat in the present world. I value the lives of animals and so, in some sense, meat consumption is an abomination to me. But when I look at cuisine, broadly, which in most regions of the world does feature meat... I mean, I love cuisine! I love how it tastes, I love the passion people show for cooking it, I love the way it brings people together. These are clichés but they are true, this is in fact the nature of things. Food is endlessly fascinating, endlessly exciting and subtle to the senses; food is an example of human culture, that is to say human activity, at its absolute finest. And yet it is, in the present world, inextricably linked to the slaughter of animals, something I regard as deeply and utterly heinous.
You can have two responses to this. On the one hand, you can disavow all the joys of food, at least food connected to this slaughter, you can become hardened to its joys and hateful of it. I regard this as unambiguously the wrong choice. On the other hand you can... hope for something better? For instance, I hope that one day in the not too distant future, artificially grown meat will allow meat-based cuisine to exist without the killing of animals. And... well, if I was faced today with a button that said "turn everyone on earth into a vegan, thereby bringing about an end to animal slaughter but also to humanity's collective knowledge and practice of meat-based cookery, to all local specialties and family recipes and subtle techniques featuring meat that have not been thoroughly documented", I think I would probably feel I had to press the button. But I would be devastated by doing so. I would regard it as a tragedy of extreme proportions, necessary only to prevent a much greater evil.
I sometimes encounter people, not just with respect to meat but with respect to a variety of topics, who would gladly, enthusiastically, without hesitation push that button. Who would relish the opportunity to cleanse the world once and for all of its imperfections. I regard this attitude as antithetical to almost everything I stand for.
This post was a bit rambling but I think I've made my point.
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Shadow of natal Venus-Lilith aspects
This post is about Black Moon Lilith and i'm mainly talking about the conjunction and harsh aspects.
I have Venus conjunct Lilith in my own chart so here's some notes based off of my personal experience and observations. Sidenote: I am not shaming anyone for having these shadow aspects as they exist within me as well. Dominant Lilith folks are meant to self integrate their shadow sides to gain better awareness and to accept them to become whole. Everything I speak about are things I currently struggle with or have previously struggled with. I want this to be nothing but a safe space for Lilith dominant folks.
Sexualization and fetishization: These people are often sexualized at a very young age and throughout their lives. People often make sexual comments or gestures towards these individuals. Venus-Lilith folks may also become fetishized. People can project their fantasies onto Venus-Lilith natives, treating them as objects, only viewing them as sexual figures rather than actual human beings. People may have hidden agendas towards the Venus-Lilith person as well usually revolving around wanting to obtain something from them such as sex. People may paint Venus-Lilith people to be provocative and "sexually suggestive" when they're simply just existing.
Society: Lilith dominant people are often shamed by others. People project things onto them and create false perceptions of them. Society will stare, create assumptions, and speak behind these people's back. One of the purposes of Lilith dominance in a chart is for the person to completely leave societal expectations to follow their own unique path and to do it fearlessly. This is a huge challenge for them as they will often feel judged, unaccepted and ridiculed by others. They may have had family members project certain ideals onto them which in return they internalized and grew up trying to fit in with everyone around them. They may have been bullied during their developmental years, or got sucked into societal standards. Whatever a Lilith dominant person does that isn't deemed acceptable by the common collective, there will be talk. They must learn to disregard this and to continue to walk their own path and life their lives to the fullest; something that's true to them. They must honor the things that make them different from others.
Self image and self esteem: When/if sexualized at a young age or shamed by others, they can easily internalize this and seek external validation which in return ruins their perceptions of themselves and their self esteem. They could have an obsession over wanting to achieve perfection committing to an ideal that often is projected onto them by another. These people must work on healing this aspect within themselves as they can easily act on self hatred or create a false image of themselves, essentially creating a mask.
Control: Venus-Lilith folks may have issues regarding control within themselves and their relationships. They may resist any control that is put onto them, but can push to control their partners. They have a difficulty with being told no which can lead to acting impulsively and seeking instant gratification to get what they want; when their eyes are set on something, they do everything to get it. They also can have a hard time with compromising with partners due to their need for control. The need for control often stems from not wanting to be taken advantage of by others, especially by their partners.
Men...: Something to be mindful of is men treat Lilith dominant people weirdly. Men who are in relationships will show interest, men will stare at you wherever you go, their eyes will dart or follow your every move, men will unsolicitedly approach you, men will try to control and dominate you, men will think you're seducing them, men will project their fantasies onto you and have no shame in making it known, and men will objectify and sexualize you. I've had men suggest sex or straight up ask me for it; men who I've barely spoken to or just met. It's disgusting.
Sexuality: I have seen this play out in mainly two different ways; one being the Venus-Lilith person refraining from indulging in their sexual desires, restraining their sexuality and sexual expression, or the Venus-Lilith person discovering their sexuality earlier on and becoming sexually liberated. The shadow sides of these two scenarios is they can either be sexually repressed, usually caused by shame or guilt for having such desires, or they can overt their sexuality in an unhealthy manner, leading to debauchery or to gain or win something from another by luring them in. These people must create a healthy relationship with their sexuality and sexual desires so it's not completely dormant and kept on the backburner, or so it doesn't completely overrule their lives.
Relationships: Oftentimes relationships are complicated for Venus-Lilith natives. They can become another person's rebound, can become a third party (or what they call the other woman/a mistress) in someone else's relationship, can enter a toxic relationship, can confuse passion, limerence, and lust for love, or can repeatedly face heartbreak and chaos in one's love life. Something i've experienced in myself and have noticed in others is that there's sometimes there's a struggle with give in take in their relationships. They may want or expect their partner to fulfill all their needs, essentially wanting more than what they can give. They can have a difficult time with feeling entirely satisfied and may unconsciously ask for more than what a person can give. They may put their needs first or focus on how a relationship will serve them rather than entering something solely for love. Venus-Lilith people may be obsessive and have attachments towards potential partners OR they attract obsessive people. Even in the beginning stage of a relationship, they may find that their partners become quickly attached and possessive over the Venus-Lilith native. Jealousy is also another thing they may face within themselves or whomever they're romantically involved with. When they are in love, they're super intense; feeling love so strongly that it consumes them. Heartbreak is incredibly painful for anybody, but people with Venus-Lilith may completely rip themselves apart if heartbroken. At the end of a painful heartbreak or lesson in love, there's always an incredible transformation these individuals go through to better understand themselves and their shadows, deepest desires and fears, and others.
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i only read tumblr once a day because i [try] to stay sane so only just caught up with the art discourse, which I do have some bits n shit I want to add: a bit fasile for one but, dont you as an artist have upkeep and resource needs to produce? even if its just like...computer, tablet and necessities to continue existence because art takes time to make, those are real, and cost money. "art" in an absolute sense can be made for free with minimal time through just thinking, but like, a webcomic that is a physical thing made of electronic patterns and hosted on a server, takes time and takes stuff. "Webcomics" isnt a free infinitely repeating resource, and you are more than a machine to create webcomic, and none of us are infinite as a resource! at worst, art hits public domain eventually. that said even from that place of survival in capitalistic society it DOES make sense to at least have free public facing art as PROMOTION even if its just idk downtime sketches, doodles, memes, fanart etc so like im not 100% disagreeing yknow, and I am not and artists cant be a paying consumer my/their own art, art has to exist for the self too, the self that isnt a "paying class", or i just start making marvel movies and then its time to find my cool wet hole in the dirt and express my creative individuality like im a mathmatician of statistical analysis of fluid dynamics.
now that im awake i was going to answer these point by point, but this kind of flies past my point that making art exclusively for those who pay is abysmal and treating your audience like they're thieves is a poisonous and off-putting response to one's perceived "loss of income" (which is not even theft because the item being "stolen" can be reproduced infinitely. im talking about like a digital image like a comic page and not a physical item where there's limited copies lol). people either want to pay you or they dont; you can't force people to pay you by making access to your work harder, worse, more inconvenient, and more degrading to your audience. you can't induce artificial scarcity and be a good person.
like yeah obviously art production takes money. that's why most artists work desk jobs instead of trying to make it a solo venture and just expecting the world around them to pick up their slack. i didn't come out of a lotus blossom with a tablet ready to go, i worked desk jobs from age 15-24 in order to have enough savings to cushion myself if need be and pay for base supplies. i use tablets and items gifted/sold to me at a steep discount by my friends. i lived really poor in order to have the life i wanted. and i really loved it lol. i still think of that time so fondly.
once the comic is produced and posted, it is free for my audience to look at and the reproduction costs of the finished image is 0 dollars. it can be copied and reposted freely without charge. it costs me basically nothing to host. the production costs are currently covered by patreon donations. if they were no longer covered by patreon donations i would get a desk job instead of making my choice to go into the financially unsuccessful field of the arts my audience's personal problem to solve. if i don't make things people want to buy, that's my problem and not my audience's.
yeah, it would suck to have to stop doing this because its no longer financially viable (it is really financially hard right now; the state of the world around us is not conductive to the patreon life), but i wasn't entitled to it anyway. i get to make art for a living bc i have an audience that permits me to. why would i start treating them like dogshit or lying about value of my work to squeeze extra money out of them after what they gifted me?
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