#the time has come to post it

[egophiliac]

don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I

(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)

[hairmetal666]

"I'm going to marry you one day, Steve Harrington," he declares to all and sundry (Steve and Robin) in Family Video.

Steve laughs, ducks his head, hair a bountiful cascade that doesn't move an inch. He's blushing but it's not, like, a reaction to the sentiment of marriage. Steve knows Eddie is just like that, flirtatious and over-the-top and incapable of not speaking his thoughts as soon as they enter his head.

Robin roles her eyes, goes back to flipping through her magazine, something about cinema, and Eddie swipes his just rented movies off the counter.

"You think I'm joking," he twists so he's facing them, walking backwards to the door. "But I swear it, oh, beloved purveyor of movies and deleter of late fees."

"Yeah, yeah." Steve's face is pinker than before and Eddie recognizes and immediately forces himself to forget how cute it is. "But get out of here before I change my mind."

And Eddie, he loves to push his luck and also has very little filter between his brain and his mouth, so he says, "aw, don't be that way, Stevie, you love me."

Robin looks up, then, mouth a pursed twist as she tries not to laugh. "Gross, Eddie." She throws a Sour Patch at him. "Keep all that mushy stuff to when you two are alone."

It's his turn to blush, fierce and raging, and Steve whirls, squeaking, to whack Robin with a Twizzler.

Eddie points at her. "Rude, Buckley. You know I love you too."

"Again, gross." She sticks out her tongue, tinged blue from the Sour Patch.

"We really need to work on your ability to accept affection," Steve tells her.

She scowls, kicks him, makes Eddie laugh.

"I think that's my cue to leave, children." He says. He, quite literally, bows out of the store, just missing the barrage of candy thrown his way.

---

Three Months Later

Eddie stumbles into the Harrington house, kicking his boots off by the door. Steve's in the kitchen, fussing around the stove. His hair's askew and he's--

"Harrington, are you wearing an apron?" He ignores the kick in his chest at the sight. "You'll make a sweet little housewife one day."

"Shut-up," Steve says without any heat. "Try this."

He brandishes a spoon filled with red sauce in Eddie's direction, and Eddie--heart always on his sleeve--eagerly leans in to taste. He closes his eyes, savors, and it's good, truly. Perfect fresh acidity with just a burst of sweetness.

"It's amazing, baby," he says without thinking. He opens his eyes right in time to see Steve turning back to the sauce, blush high on his cheekbones.

"Thanks. You're making me nervous though, hovering." Steve hip checks him. "Go sit somewhere."

And Eddie does, jumps onto the island--the Harrington's are the kind of people who have an island--and chatters to Steve about his day, about his new campaign, about the new song he's trying to learn.

All the while, he's watching Steve cook, in his apron, with such care and thoughtfulness, with true command. Maybe it's the domesticity of the scene, maybe his raging crush, but he has this flash of the two of them in the future. In their kitchen, Steve cooking dinner, and Eddie's arms are wrapped around his waist, he's pressing kisses to his temple, complimenting all his hard work and--

Steve feeds him a bite of the finished pasta, and it's so good that he groans, full-throated, unembarrassed, and says--he says, "I'm going to marry you one day, Steve Harrington."

He laughs, face pink, batting Eddie's shoulder. "Go sit down, man. It's time to eat."

---

Two Months After That

Eddie's working on a new campaign when the storm rolls in, wind rocking the trailer, thunder and lightning crackling in the sky. The power doesn't go out, but only just barely, the flickers making his heart pound for reasons that have nothing to do with weather.

There's a knock on the trailer door, and he opens it to find Steve Harrington standing on the porch, hair plastered to his head, clothes soaked. Robin's bike is propped against one of the awning supports. Familiar panic snaps to life in his gut.

"God, Steve, are you okay? Did something happen? That's Robin's bike, where's the Beamer? Is it--is it Vecna? Is--" He's blabbering can't stop, so he shoves his palm against his lips.

"It's not--not Upside Down stuff." He runs a hand through his soggy hair. "Can I come in, man? I--I want to tell you something."

This snaps Eddie out of his panic, and he's moving aside, saying, "Oh my god, get in here, you're soaked. Let me get towels. Do you want a change of clothes, I can--"

Steve catches him by the elbow and he full stops at the look in those big hazel eyes, fearful and sad and he doesn't know what, but his anxiety amps back up.

"I was with Robin and we were--we were talking, you know? And I told her that I like somebody, like really like them, but it was unexpected and--and--it's a guy. He's a guy but I still like girls? Robin said--she said that I'm probably bisexual. That I like guys and girls and--and everyone, I think."

It sends shockwaves through him, and he hopes it doesn't show, doesn't think it shows, but he's having trouble processing. Steve is bi and he likes someone and--Eddie stuffs down the jealousy that claws at him, knows it's more important that he's here for his friend.

"Thank you for telling me, sweetheart." He reaches out, slow in case Steve doesn't want to be hugged, but he launches himself into Eddie's arms.

Eddie holds him tight, heedless of his wet clothes, can feel his shoulders shake, and it tears Eddie's heart in two. All he can do is hold Steve and offer comfort, jealousy be damned.

"You're so brave, honey," he says once the tears taper off.

Steve gives a wet chuckle, face still buried against Eddie's neck. "I don't know about that. I think I got snot in your hair."

"It'll wash out." He laughs. "Is now the time to welcome you to the family? Apparently, we're growing exponentially."

"Does the welcome include a cake or something? I could really use cake."

And God, Steve, is so fucking cute, so sweet, so--everything Eddie has always wanted, and he--it's an accident, or at least, thoughtless--he presses a kiss to Steve's temple. More than one.

Steve pulls back fast, and Eddie lets go immediately. "Sorry, sorry. I--that was stupid. You like someone already, and I--"

His words are cut off as Steve kisses him. Steve kisses him? His brain can't process, but he kisses back. Can't not, not with Steve. Like, he doesn't know anything, head empty, but his body is with the program.

They break apart, he's breathing hard. Steve is beautifully flushed, mouth red and swollen. "You like someone," is what Eddie says.

Steve laughs. "I like you, Munson. Fucking crazy about you."

He smiles, so big it hurts, so big it grows into a delight laugh. "I'm going to marry you one day, Steve Harrington," he says.

---

Six Years Later

They're in bed, Saturday morning, rain pattering softly on the window.

Steve places slow kisses against his naked tummy, makes him tremble, shiver with overstimulation.

"Baby," he whines. "Sweetheart."

Steve smiles up at him, something cold pressing against his ribs, then into his hand.

It's a ring, black metal, shiny and iridescent as he turns it in the light. "What--Steve?"

With one last kiss to his hip bone, Steve sits up, slips the ring onto Eddie's finger. "I'm going to marry you one day, Eddie Munson."

[upon-the-snow]

early mornings after nightmares

[salamispots]

something something giant isopod sharing is caring pass the detritus

inprnt

[pancakemolybdenum]

worlds smuggest tween owning noobs on wizard101

[mimimar]

finally completed my comic based on the song ivy by taylor swift!✿ please zoom in to read the text and see the details~

✿.✿.✿

you can get the digital zine pdf here! it includes extras like character profiles, costume design, more art of willow and ivy, zine-exclusive sketches and an illustrated guide to the symbolism of all the flowers in this comic.

you can also get prints of individual pages here!

✿.✿.✿

[asteraws]

my clown college grad project from december last year 🎪

[risestarkiss]

Orange, Baby!

Rise Ramblings #316

When I think about Mikey, this scene always comes to mind.

As soon as they step foot in the library to save Mayhem, Angelo instantly disqualifies himself…hilariously.

On first watch, I found it interesting that he made this decision with no hesitation, especially given the stakes.

At the time I just resigned to him being a silly silly boy, but now I know better.

Yet, before we get ahead of ourselves, let’s explore who Mikey is.

Michelangelo Hamato is the youngest turtle in the family, and it shows.

Consequently, he seems to possess a certain “youngest brother privilege" that his other brothers just can’t help but reinforce. This is the role that Mikey was born into. Therefore, he doesn’t have to push himself to be the smartest, or cleverest, or strongest turtle.

Instead, he decides to be the artist of the family. He’s a creative! He expresses himself everywhere, from stickers on his own shell, to tagging the lair, as well as on paper. The world is his canvas!

Michelangelo also expresses himself in virtually everything he does, so it’s easy to understand why he’s the most open, honest, caring, and emotionally expressive turtle of the bunch. To some it could be seen as a weakness, yet Mikey uses his emotional intelligence as a pillar of strength, of which he utilizes to uphold his brothers when they need support the most.

In the show, Michelangelo often takes on certain personas; Doctor Feelings and Doctor Delicate Touch. (For some reason, they are all doctors, but that’s beside the point.)

At first glance, the personas could be seen as silly bouts of make-believe. But I think that placing these roles upon himself for his brothers' sake is Michelangelo’s way of helping them cope with the world by offering them what they each individually lack.

For instance, Raph, Leo, and Donnie have trouble voicing their discomforts when someone does something they don’t like.

In other words, they have trouble putting their foot down.

But here is Mikey to the rescue!

Dr. Delicate Touch has no such hang-ups.

Similarly, when Donatello runs into trouble, as he is unable to recognize his own emotions, it’s up to Doctor Feelings to help his desperate client in need.

Through taking on these roles, Mikey is able to support his brothers and fill the emotional gaps in his teammates, which, inevitably makes them all stronger.

How is Mikey able to do this and how does he have the strength to take on these roles?

You could think that it’s just in his character, meaning, it’s just how he is. I don’t think so, though. He’s a free thinker, and a creative, but there’s something about these roles that is specifically catered to the needs of his family.

Then I realized, the only reason that Mikey is able to help his brothers in this way is because they first helped him.

Let me explain.

All four of the boys grew up in the same household. Although Splinter tried his very best (there is no Splinter hate here), a single depressed parent doth not a stable child make. Raphael struggled with the burden of his responsibilities as an ad hoc leader (see Being Big Red), Leo struggled with expressing his natural talents as a middle child (see Being Baby Blue), all while Donnie struggled with carving out his place on the team and his feelings of uselessness (see Being Purple Part One and Part Two).

Well, what does Mikey struggle with?

In my humble opinion, nothing.

The struggles of his brothers all related to each turtle coming to terms with themselves and coming to terms with their place on the team.

Yet, due to the love and support of his brothers and father, Michelangelo never had to ask himself if he belonged, struggle with his role on the team, or make huge life-changing decisions that could affect everyone.

Michelangelo is free to just be Michelangelo.

And as a free spirit who is completely in tune with his own emotions, he is able to do things like this:

and this,

and this.

Let’s get back to the scene in the library.

Angelo sees the high stakes of his friend’s pet disappearing forever if they fail but makes the decision to disqualify himself anyway. Why? Because he knows that no matter what he does, it will all be ok.

He has complete faith in his brothers and their ability to solve the problem at hand, so he might as well have some fun.

This not the first time he’s come to this conclusion.

Through out this entire scene, Michelangelo plays in the background.

It’s scenes like this that makes me believe that Mikey’s faith in his family knows no bounds.

Altogether, his brothers and his father were everything he needed to become who he is. Reciprocally, he is free to be everything that they need him to be and more. Over…

and over,

and over again

he trusts them completely.

And through this unwavering trust in his family, he is able to trust himself and his instincts. He knows that with everything they’ve poured into him, he can save them from, well, everything. Over…

and over…

and over again.

Hence, due to all of this evidence, I believe that through the collective love of his family, Michelangelo became the best version of the Hamato spirit, and thus, the best Mystic Warrior of all time.

All because, he’s Orange, baby!

○○○○

Previous | Being Big Red • Being Baby Blue • Being Purple ○ Part One • Being Purple ○ Part Two

Finale | Being Hamato Yoshi

[tierras]

hii everyone 🥀🪽 i wanted to share that i will be traveling to cairo at the end of november and will be meeting with displaced Palestinian families. til then, i will be fundraising for these families in hopes of providing funds for them to pay for their rent, clothing, food, medical expenses, and any other needs.

to meet my goal, i am also planning on having a couple raffles throughout the next two months so stay tuned <3

update 9/14: enter my first raffle!

but for now, please reblog/share and donate to my campaign

[omnificent-orion]

Don't ever forget. Wherever you go…

Commission Info | Support My Work

[teenagenutant]

a bit more weird, wild, and less structurally stable than the 2-turtle fusions, here's bosch (raph+mikey+donnie) and machiavelli (leo+mikey+donnie)!

pure impulsive destructive excitement and 'what if your annoying little sibling was also the world's most acrobatic awful cat'

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[mizgnomer]

Finding the right words with David Tennant and Michael Sheen

from Staged seasons 2 and 3

[gatoburr0]

[biblically-accurate-dca]

substitute

[slavhew]

i reread this scene and i could just. picture it. so vividly.