I bet on losing dogs
I know they're losing and I'll pay for my place
By the ring
Where I'll be looking in their eyes when they're down
I'll be there on their side
I'm losing by their side
MARTIN
Yeah, but if, if you're that connected, that dependent, what happens if we actually, y'know, do manage to—
ARCHIVIST
We'll cross that bridge when we come to it. For now, I just need us to be moving on.
The price of a long due reckoning
Laid in blood when the battle has done
Old King Cole has paid the toll
Of the crimes levied upon his soul
The rebel blades have achieved their goal
Laid in blood when the battle has done
Pip: We're doomed
Flip: We're not.
Pip: Are you sure?
There's been so little time to share
We've always had our loads to bear
I won't forget
I won't leave you this time
This time
MARTIN
I refuse to accept that this—
ARCHIVIST
(Firm) Tough! The world doesn't care what you accept. It just... is!
It just is.
It's getting late, Little Moon. Finish the song. It's not that late. You are my moon, Little Moon, and it's late enough. So climb down out of the tree. Is it safe? Safe enough. Are you dead as well?
MARTIN
Yeah, yeah. Come on. We've got a job to do.
(“i bet on losing dogs” - mitski // “mag 181 - ignorance” // “laid in blood” - the mechanisms // “war of the foxes” - richard siken // “ragnarok v: end of the line” - the mechanisms // “mag 194 - parting” // “the worm king’s lullaby” - richard siken // “mag 181 - ignorance”)
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“He was pointing at the moon but I was looking at his hand. He was dead anyway, a ghost. I'm surprised I saw his hand at all. All this was prepared for me. All this was set in motion a long time ago. I live in someone else's future.”
The Worm King's Lullaby by Richard Siken
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the worm king's lullaby - richard silken
1
The holes in this story are not lamps, they are not
wheels. I walked and walked, grew a beard so I could
drag it in the dirt, into a forest that wasn't there. I want
to give you more but not everything. You don't need
everything.
2
This is what they found on the dead man's desk when
the landlord let them in: twenty-eight pages, esoteric
and unfollowable, written with perfect penmanship
and a total disregard for any reader, as if the intended
audience was a population not quite human. Angelic
script, says the detective, lifting the pages, feeling their
heft and he wonders what he means because it isn't.
His partner nods but ignores him.
A park bench, white roses, dark coats and white roses,
snow and repetitions of snow--it's hard to read but
pretty much how they found him: dead on a bench in
a black coat, the snow falling down.
Twigs and blackbirds, snow and red horses, the ghosts
floating up, the snow falling down--the detective is
weeping--and the black coat.
3
Someone has to leave first. This is a very old story.
There is no other version of this story.
4
It's getting late, Little Moon. Finish the song. It's not that
late. You are my moon, Little Moon, and it's late enough.
So climb down out of the tree. Is it safe? Safe enough. Are
you dead as well?
The night is cold, it is silver, it is a coin.
Not everyone is dead, Little Moon. But the big moon needs
the tree. There is a ghost at the end of the song. Yes,
there is. And you see his hand and then you see the moon.
Am I the ghost at the end of the song? We are very close
now, Little Moon. Thank you for shining on me.
5
He was pointing at the moon but I was looking at his
hand. He was dead anyway, a ghost. I'm surprised I
saw his hand at all. All this was prepared for me. All
this was set in motion a long time ago. I live in someone
else's future. I stayed as long as I could, he said. Now look at
the moon.
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“This is what they found on the dead man's desk when the landlord let them in: twenty-eight pages, esoteric and unfollowable, written with perfect penmanship and a total disregard for any reader.”
The Worm King's Lullaby by Richard Siken
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