#their live performance WAS JUST THAT AMAZING

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[fruitgummies01]

So I managed to get time tonight to see Jung Kook's 'I Am Still' documentary, and I have many thoughts lol.

Spoiler Free Review

JK is so ridiculously talented. I'm sure it was already obvious. but seeing him in the studio, recording his first album, was amazing. He has such a unique ear for music, and it was impressive to hear him in the studio with his English-speaking producers in the U.S. JK repeatedly talked about how nervous he was whenever he was doing something new, and the astounding thing is you could never tell. His nervousness never showed. He was always delivering at such a high level, that you could never tell in any of his performances. Hearing his luscious vocals and tone in surround sound in a loud theater was worth the price of admission alone.

Spoiler Filled Review Below

There's honestly not too much to spoil. If you watched many of JK's performances during his promo run, you probably have already seen like 80% of the documentary. The TSX performance in Times Square, GMA, Global Citizens Festival, the Golden Live on Stage Showcase, and one of the performances he did in the UK were all highlighted. It's crazy that JK was sick through so much of his promo run. One of the only times he mentioned in the documentary that he was feeling in good condition was for the TSX performance. It was also very obvious how much JK's staff loves him. The fact that they were always taking care of him and asking how he slept, and would cheer if he slept well was sweet.

The behind-the-scenes of Jung Kook recording Standing Next to You, going to the doctor before his GMA performance, and the cutting of his hair all felt like the most significant scenes to me that were actually new. JK recording SNTY really showcased his genius as a musically gifted artist. I mentioned this earlier in my spoiler-free section but JK has a remarkable ear for music, and the fact he could hear a note sung by a producer, immediately knew what they wanted and how to sing it, and deliver it back despite the language barrier was insane. Even though JK was too humble to admit it in the documentary, he 1000% is a musical genius with an innate natural ability that can't be taught.

In terms of appearances by other members, there was not much. While rehearsing Permission to Dance for Global Citizen Festival (I think lol) JK mentioned that Jin and Jimin drive him crazy because of how high their parts are in the song, and that fact he had to sing their parts 😅. He visited Barnes and Noble and saw all the members albums. Tae made a suuuuuper awkward appearance while JK was recording lol. JK's one-arm sideways half hug (with his other hand still in his pocket) made me laugh. Next, Jimin. I have no idea if JK had any input on how the documentary was put together, but Jimin making an appearance at the very end, being one of the last things included, actually felt so meaningful. JK had just buzzed off the rest of his hair, had finished recording Never Let Go, and went to find Jimin. Seeing Jimin's full body reaction to seeing JK's hair for the first time felt equal parts funny and emotional. JK leaned into Jimin as Jimin rubbed his head and then asked him how it looked, like he needed his encouragement at that moment. I thought it was really touching. The scene with Jimin and the scene with his barber/hairstylist who cried after cutting JK's hair felt like two of the most personal scenes in the film that didn't have to do with JK as the artist, but with Jung Kook the person.

This leads me to a few of my issues. While I loved it, I did at times find myself wishing it was a little more personal. A lot of time was spent on interviews with his English-speaking producers who worked on Golden and their thoughts, but thankfully PDogg and Son Sung Deuk were also included to add some much-needed insight into Jung Kook as a person. (I don't want to get flamed for mentioning it, but I really hated seeing Scooter appear, but thankfully he remained in the background during Seven's recording.) The jumping around in time didn't really work for me either, but maybe it's because I was crazy locked in during that time and know the exact order in which his performances happened lol. I also wonder why they didn't include more rehearsal or practice dance footage. They included sooo many full performances from Golden Live on Stage and so much hard work and preparation had to have gone into pulling that off, so it was a little surprising not to see much behind-the-scenes content from it. Or maybe BigHit is saving that footage to use at a later time, which would be very like them lol.

Overall, I would HIGHLY recommend everyone watch 'I Am Still' to see Jung Kook's genius at work on the big screen!!! For a 1 hour and 33 minute documentary , it was time very well spent. Again thank you again to the anon who messaged me asking for my review, this very very long review is really all your fault haha. 😅

[darl-ingfics]

Sicktember Day 23: Under a Spell

Fandom: Seventeen

Sickie: Jun (cold)

Caregiver(s): Mingyu (virtually)

Word Count: 878

Notes: Two Jun fics in a row. It's almost like he's my bias-wrecker or something.

“Junnie-Hyung!” Mingu cheered instantly when the Facetime call was accepted. He had been biting his lip, hoping that Jun wasn’t busy. He could’ve always left a voicemail if so, but he just really wanted to talk with Jun tonight. And the feeling appeared to be mutual; the sight of Mingyu made his hyung smile on impact. 

“Mingyuuuu!” Jun exclaimed, shifting around to a more comfortable position. He appeared to be on a couch, wherever he was. “How are you?”

“I miss youuu!!!”

“I miss you too! How are promotions going?” His voice sounded off to Mingyu, but he figured it was the audio quality. 

“Amazing, hyung!” Mingyu sighed. “Everything has been going so smooth, but it’s just different without and Hannie-hyung.”

Jun pouted. “I know, I’m sorry.”

“Not your fault. You’re living your dreams right now! How’s filming?”

“Filming is going great! My scene partners have been fantastic, and…” Jun broke off, disappearing off the screen, sneezing twice.

Mingyu’s face fell. Something in his brain clicked. “Hyung, are you sick?”

Jun nodded, swiping at his nose. “Yeah. Just a cold, though.” 

It was Mingyu’s turn to pout. “I’m sorry to hear that…” 

“It’s okay, really. It was bound to happen. I had to get thrown in a pool for a scene the other day, and wet clothes plus cold weather plus AC blasting inside PLUS erratic sleep hours…” He shrugged. “It’s more annoying than anything.” He sniffled, rubbing at his nose again. “Besides, I’ve had worse.”

“But we’re not there to take care of you!”

“No, and that’s definitely been felt. Luckily I have the next two days off anyway, and my cast mates have been really kind…”

“But they're not us,” Mingyu interrupted. 

Jun shook his head. “No, they’re not you.” 

Mingyu couldn’t fight the frown off his face. Yes, of all the members, Junhui was probably one of the most adept at taking care of himself when sick; he never made a fuss about it but advocated for his needs and spoke up to let others know what was going on, took his medicine and drank plenty of fluids and slept as much as possible. But just because Jun was self-sufficient didn’t mean he had to be. When he was at home, in the dorm, with his team, they knew how to take care of him without being asked. Mingyu knew exactly how Jun liked his tea, knew which blanket in the living room he preferred, knew the recipes that comforted him the most. And knowing that his brother was so far away from all that… it broke his heart.  

“Gyu? Are you still with me?”

“Y-yeah. I’m just… bummed that you’re sick and I can’t be there with you.”

Jun laughed. “I’m pretty sure you have better things to do then hang out with me and my germs.”

“Okay, fine, I’d rather not hang out with your germs, but I’d take them if it meant I could hug you.”

“Are you homesick for me?”

Mingyu blinked. “Honestly, yeah, I think so. Aren’t you?” The words escaped his mouth before he could stop them. He slapped a hand against his mouth, eyes comically wide. 

Thankfully Jun laughed before his smile turned thoughtful. “Desperately. But I am also so happy to be here. This all feels so…”  He began to move his hands in a circle, searching for the right word. He opened his mouth to respond, but pitched forward with another sneeze instead. “See, I don’t even have words for how much I miss you!”

Mingyu chuckled, shaking his head. “Should I let you get back to resting, then?” 

“No, no, I want to hear about the comeback!”

“Are you sure?”

Jun nodded. “Talking with you has been the highlight of my week.”

So, beaming brighter than the sun, Mingyu talked. He explained every detail of their comeback from practice to pre-recording to performances. He explained their outfits, their sets, the memes and jokes that they’d created. After a few minutes, distracted in his story, Mingyu noticed that Jun’s eyes had slipped closed. He hadn’t noticed when that had happened. 

“Hyung? Are you still with me?”

Jun smiled before opening his eyes. “Yes, I’m listening. Your voice is putting me to sleep, though, it’s so peaceful. It’s like magic.” 

“Adila kiya akiya shurapoeh / With a language only we know, I cast a spell,” Mingyu sang softly. Jun beamed. Mingyu continued singing, starting back at the top of “Spell.” Jun moved his shoulders along to the beat, arms twisting and winding in an interpretive version of the actual choreography. Mingyu’s voice grew sillier in time with Jun’s movements until both of them were giggling hysterically. 

Suddenly a knock came on Mingyu’s door. He turned to see Joshua poking his head in, gesturing that it was time for dinner. Mingyu nodded before turning back to the phone. “Okay, hyung, I’m so sorry but I gotta go.”

“That’s okay. Thanks for chatting so long. I love you, Gyu.” Jun formed a heart with his hands. 

Mingyu copied the gesture. “Love you too, Junnie. Feel better soon, okay? Pretend I’m there giving you the biggest hug in the world.”

Jun wrapped his arms around himself. “I can feel the love.” 

“Good. Bye, hyung.”

“Bye bye!” 

[secondstar-acorn]

can’t think of anything to say other than it was everything I could have ever expected and wanted and hoped for. seeing them perform truly is an electric experience and I am so, so grateful I got to be there. I’ve never felt such overflowing joy and love in one room before and that truly is down to what a one-of-a-kind group Starkid is. I’m so happy and a little emotional that it’s over but like it’s sung in days of summer, “don’t wanna see you go but it’s not forever, not forever” ⭐️💜

[foxgloveinspace]

People jumping ship cause of the new masks is very ahhhh. Telling. Tbh.

[unsurebazookacore]

hot take, mike and el arent in love, because they are fourteen

well i guess mike is fifteen but still like as someone who has been fourteen/fifteen

GUESS WHO I WAS NOT DATING:

A. THE LOVE OF MY LIFE

B. MY FUTURE SIGNIFICANT OTHER

C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT

D. ALL OF THE ABOVE (the answer is D by the way)

LIKE Y'ALL THEY ARE FOURTEEN

THEY MET WHEN THEY WERE TWELVE

"I knew right then and there in that moment that I loved you" MY ASS

[sakuhai]

[speakofcompersion]

Ballad King Taemin 😌💕 [x]

[greghatecrimes]

Yes, I'll take "Scenes that make me want to cry" for $500, please

[polikszena]

Someone please send a bouquet of flowers to Mahmood's stylist. Or a bottle of champagne. Or a unicorn. Or whatever they want because they're doing the lord's work.

[dany36]

the added vocals at the end of this live performance of Accept Things blows me away each time. Dolores you absolute queen.

full performance here

[froginaskinsuit]

born to stand at smokey 1920s jazz bars with velveteen lounge chairs and good music while looking mildly mysterious in a slutty suit that only slightly gives away my position in the criminal underworld

forced to exist in the age of thirty second music snippets

[eraserheadadult]

the way its basically crickets for everyone else but when the interviewer gets to joan all of the girls in the audience start screaming so loud she can't even say anything

[sfsolstice]

I'm gonna be what you need Darling, please worship me Unless you prefer to bleed God, I could try To be the one, to be the one

[chvrchesgifs]

Just Like Heaven