vidavalor · 2 days ago
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I've had to disconnect from my dash because of all the negativity; I honestly do not get why people are acting like a semblance of justice+a movie is the worst thing in the world?
I'm mourning for the full six-episode season we lost because ng couldn't pass the utmost basic sub-zero bar for not acting like scum and of course I wish amazon had kicked him out and then sprung for it anyway (and honestly, as long as you're blaming the right person, I think it's fine to feel upset? We deserved better, the cast and crew deserved, Terry deserved better, and this one guy ruins it for everyone because the bar was buried six feet deep beneath the ground and he still managed to go lower, and that does suck, and it is miserable and unfair, so take a moment if you need it 🤷‍♀️) but let's face it, we got off lucky. Arguably, considering this was a standalone novel from the nineties, that then got made, in one of the best book adaptations I've ever seen, into a limited standalone tv miniseries (and, again, emphasising the standalone here, so even if it all goes to hell in a handbasket, we'll still always have S1 and the book; people have been ignoring the Jurassic Park sequels for nearly three decades), and then got a surprise sequel, we were pretty lucky the whole way through.
And regarding the whole what if it's bad thing, I was always going to be worried: I was anxious long before this shit went down, and I was anxious before S2 and even S1, as well. It's not like we ever had any guarantee it was going to be good beforehand either, and at this point, knowing what we do now, I'm not at all sure I'd have trusted ng to write this anyways. So while, yeah sure, I'm maybe a little more anxious now, I trust Michael and David with these characters and I trust Rob and Rhianna with Terry's legacy and story and that they wouldn't have fought so hard for this ending unless they planned to keep fighting and thought they could pull it off. Isn't the problem with this kind of thing normally that what happnes is the creator who cares deeply about the work gets pulled in favour of someone out-of-touch who cares not a jot about the story and needs to leave their own grubby fingerprints all over it? More the other way around here, no?
Anyway, what I also wanted to say was that I really appreciated your 'think of it as the final two episodes of season two' (and all your takes on this situation so far, very level-headed and optimistic, thank you). I mean, you're right, and it's hardly wildly out-there for a series to finish on a feature-length special, and although the filler material in S2 and the compression of S3 maybe means it doesn't exactly resemble what the second book would have been, it was only ever meant to be two books. (Don't get me wrong, I enjoyed S2 and was very glad to get it, even though I am a book/S1 fan and also had the most fun in that time fandom pre/post/around the time of the S1 release, but why does it exist? Ego? You can't tell me you couldn't have fit the important parts of S2 into one season with the S3 plotline.)
Basically, I'm grieving the could-have-beens (imagine if he'd been exposed way earlier and the TP estate had had control of this whole production from the very start!) and I'm a little worried that that hurt'll stick around no matter how good S3 is - which I need to fix, because that's more power over my favourite show and what it means to me that I want to give anyone, let alone someone like that - but at the end of day, I do think it definitely can be done with what we have, and I'm choosing to be hopeful it'll be done well, because, well, why wouldn't I?
(I will say this hasn't been great for my faith in humanity, because I really want to believe not all men are shit and some of them are making it very difficult right now, but that's an entirely different problem and so far believing most people are mostly good has always prevailed in the end so. y'know. we'll get there. might reread discworld, that's always good for that.)
Sorry for venting all this at you! I just kinda felt the need to write it all down once to get it off my chest... have a snack on me? I'm partial to cherry tomatoes, green melon and mandarines at the moment (I stop eating salads in winter, which means I default to eating even more fruit) but I can also offer homemade baked goodies fresh from this morning? 🥧
Hi there. 💕 You are welcome to vent away & thank you for the delicious-sounding snacks and kind words. I'm glad my posts on the movie boosted your spirits about it. I agree with and can relate to almost everything that you said here so assume that anything that I don't address just has a 'yes, absolutely' nod happening. 🙂‍↕️
The one thing I want to touch on here is S2 and this idea of it being "filler" that you mentioned that I think might not be quite accurate. I think you (and anyone else who reads this) might feel more enthused about the idea of a good ending in 90 minutes after reading this so hopefully this'll be another way that I can help?
On why S2 is really the whole story and actually had a lot more going on in every way than S1...
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Ok, I'm going to explain something that drives writers like myself bonkers 😂 and that is how some readers or viewers of fictional stories mix up plot and story.
Nothing grinds our gears than reading things like "filler" and "unnecessary subplots" because, while everyone is within their rights to have an opinion on written works, 95% of the time, the person who says phrases like this isn't talking about the quality of the work but of its very existence. They're saying "why did we have to read/watch this? it didn't connect to anything" and that's where they are very, very, very... argh, just tell them, Crowley...
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...thank you, dear. Right, so, why is it wrong?
Because what many people who don't write don't understand about subplots and more character-driven story arcs is that the writers sat down and decided to do that stuff for very, very specific story reasons. Readers and viewers mistake plot for story. Plot only exists in service of story and, so, all plots exist for a purpose in the story. They're all relevant. In fact, the stuff people usually label as "filler" in a story is really exactly where they should be looking to figure out what the story is saying. If you're big mad about all this time you spent with Maggie and Nina in S2, I'd say you might not still understand what S2 was about because you won't understand Aziraphale's story without understanding both Maggie and Nina's struggles in S2, for example.
A story is the whole, overall thing. It's the meanings, themes, and messages in the work. It's what's being said. It's the ideas being put forth by the piece. It's what it's about. It's different from plot, which is just the stuff the writers are making the characters do or not do in order to tell the story that they are looking to tell. Story is the art; plot is a tool used to make that art. Fiction writers can come at their story from almost anywhere to convey what it is that they are trying to say so there is meaning in the fact that they are choosing to tell their stories the way that they are telling them. They came up with these ideas for reasons.
When you dismiss stuff as filler, you're saying that it's lesser than more in-your-face and bigger plots (when, often, it's very much not), and you're telling a writer how they should have written their own story-- most of the time, without even fully seeing the ending of that story or giving any consideration to why it is that the writer wanted you to read or watch the stuff you're saying wasn't necessary. I'm not arguing that every story is perfect but you aren't getting anywhere near close to being able to evaluate a story if you're not willing to dive into what you were given and consider why it was that you were given those things and what they might mean.
Until the main question that you're asking about every single aspect of a story is "what is this saying?", you're not really fully engaging with a work. You won't get there by dismissing what the artists are telling you is important.
The secret sauce to interpreting fiction are subplots, actually. They exist to help highlight the themes of the main story, often in a slightly more direct way. If you want to understand Good Omens, starting with Ineffable Bureaucracy is actually one of the best ways to get at the core of the themes of the story. It's far from wasted time in the story.
There's actually a funny nod to the importance of subplots in 1941 when Aziraphale references Sophocles, the playwright who basically created the concept of the supporting character whose story mirrors and parallels the main character(s). The mention of Sophocles shows up in S2, the season that brings Gabriel more fully into his purpose as exactly that.
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The reason why S2's plot is centered around the honestly pretty easily solvable mystery as to what's happened to Gabriel is because Gabriel, from the get-go, has been the entire story distilled down.
If you follow nothing but Ineffable Bureaucracy in Good Omens, you're going to be closer to getting what it's about and where it's going and what its end game is than you are if you are dismissing it as wasted time when we only have few episodes left. If you haven't yet seen the secret wisdom in Jim-- not to mention understand that Jim and Gabriel are the same person-- then you're probably wigging out more about the movie.
You likely think that S2 was wasted on stuff like Gabriel, or Maggie and Nina's romance, when they should have been getting to Armageddon and The Second Coming already!
You haven't yet noticed that Armageddon has more than one meaning in the series.
It's not always the literal destruction of Earth but also a person's own life crisis. We are all worlds of our own and those worlds can be put at risk if we don't let others in and take care of ourselves and those around us.
When you realize this, you can start to see that S1 goes hard with a freight train of plot all over the place that is related to Armageddon in a more Biblical, apocalyptic sense while it establishes its universe for us but that, once we know how it all works, we can get something like S2... a time where we can step back and start using Armageddon in the more figurative way that the story is also presenting it.
We need to because the story isn't about Heaven or Hell-- it's about being a person. S2 is emphasizing the deeper aspects of the themes and rolling that out at a pace more in line with a person having a few days of inner crisis. When you see that Aziraphale's crisis is the point then you can see how S1 can be about The Four Horsepeople riding to the end of the world and S2 can show War (inner conflict), Pollution (mental health issues), and Famine (symptoms of the other two; lack of food and pleasure and connection; self-starvation and self-denial) as a mental health crisis.
The point is that if you're thinking these characters need to come together to overthrow Heaven and Hell and get to the South Downs Cottage and there's no time slajdflkfwjlkejlje!?!?, then you aren't realizing that not every revolution involves guns and bombs.
People all over the world can start a love train that's far more effective. You might think a subplot about The Hellhound and The Ginger Cat learning to play nice and that they have a fuckton in common and should maybe bury the hatchet and just become eternal bffs already is filler but Crowley and Gabriel aligning is set up for the end game. It's strength in numbers and finding peace and family. They can't overthrow Heaven/Hell without help and Gabriel is the Supreme Archangel. They literally will never have a South Downs Cottage ending without a plot that helped Crowley and Aziraphale see that Gabriel and Beez are on their side.
This is the revolution in Good Omens:
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It will take all the characters coming together to overthrow Heaven/Hell and set up something new for us to get a happy ending and we absolutely will. S2 is Gabriel-centric because Gabriel is the key to all of the characters getting a peaceful ending and because he's a split-directly-down-the-middle mirror of both Crowley and Aziraphale. In a season that is more about Aziraphale's inner Armageddon than about an external threat, Gabriel is vital to telling that story. The plot of S2 is every bit as important to the story as S1. I'd argue that it's even more important because takes the time to go at the themes in a slower, deeper way. It needs to because it's a story of a fall that sets up for a story in S3 of a recovery from one.
Good Omens is the absolute perfect combination of a show that is both very, very detail-oriented and full of depth while also being, secretly, an incredibly simple story. I do not mean simple in a negative way but in a chef's kiss sort of way. Simple in a tight and elegant sort of way. This is something that I think some people might not see when they're theorizing but it's something to keep in mind ahead of the movie. Not just because the movie is shorter-- this would have been relevant if we were having a longer S3, too.
Good Omens has a very engaged fan base that looks for the details, yes. *raises hand* I'm one of them lol. And there will be plenty to pour over in the movie, but... the big thing to keep in mind is that your theory needs to be something that is simple, that can be explained in under a handful of scenes, tops, and that is focused on where Aziraphale's story arc is going above anything and everything else.
If you're beginning with time loops and the birth of a new antichrist baby, I'm telling you from ages of experience reading and writing stories, you're going to be way off. If you are over here composing theories of the story that you are arguing are correct and this theory involves, idk... *makes something up* Crowley is really Elvis and Elvis is really The Bentley and when a rainbow hits Whickber Street at exactly 4 minutes into the new season, Satan will be revealed to really be Jesus, I think maybe you might be missing the point of the details that the show has given already. Like the plot, these details exist to reinforce the themes of the story. Story beats everything else-- it's what this is all about.
And what Good Omens is about? Is best summed up by Michael Sheen, in this single sentence that I really, really agree with and have paraphrased more than once in posts:
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Good Omens is about the business of living. It's about the human experience, which is the experience of being a person. Everything related to Heaven and Hell and good and evil and Armageddon and supernatural things is plot that only exists to highlight a story about the complexities of being a person.
The supernatural is human and the human is supernatural.
That is what Good Omens is about.
While Crowley and Aziraphale are built as two halves of a whole and are both main characters, Aziraphale is the main character from a technical, story perspective, because he is the character whose story arc is driving both the plot and story forward. He's heading for a happy ending with Crowley in the South Downs by the end of the film. If you're making theories, start with what kind of plot would truly get him there and still fit with all of the themes of the story.
This 'it's about being a person' business is why if you look at S2 as filler and not as a season that is exploring the continuing themes on a deeper level, you're still worried about things like there being no time in a movie to show the story of a new antichrist kid being born or how they're going to fit the whole Second Coming into the movie. You don't yet see that Aziraphale parallels Adam and that being an antichrist is basically just being a person and that Aziraphale is presently the antichrist in the story. There is no antichrist child yet to be born. They won't be cutting it because it's not the story.
Armageddon since S2 has been Aziraphale's own personal one and the story from the end of S2 on is now how, if all the other characters can't come together to help him, it could also trigger Armageddon of the S1, Earth-destroying kind. It's tying a more literal Armageddon into a more figurative one. Because this story is about being a person so Armageddon is just metaphorical for going through a mental health crisis and shutting people out.
This story's themes include that every person matters and we all have to let others in and look out for one another. That there's strength in numbers. That found family and adopted family is as much family as biological family-- often, even more so. That labelling and categorizing people is bullshit and you should always open the cover and read the first sentences of people and help people whose stories begin with the same letters find one another. That it might be surprising who has things in common. It's about all of Heaven and Hell versus all of humanity, in the sense that ideas of being a perfect angel or being seen as an evil demon are concepts felt by human beings that get in the way of peace and healthy, happy living, but that fighting them is a common, human struggle, regardless of from where you come.
If you are too focused on the religious plot being the center of the film, you haven't yet seen the meaning of why the end of S1 was an eleven year old kid saving the world by telling off the bio-dad that was never there for him. You might be one of the people who thought this a silly, anti-climatic ending to that story, and don't yet realize that this is the entire story in a nutshell.
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Adam can only reject Satan and keep the darkness at bay because he is surrounded-- here, literally-- by a family that supports him. He has good people for parents and was lucky enough to grow up with resources that all kids in this world should have. He has an absolutely terrific group of friends. He has this witch lady and her boyfriend and these two gay uncles that just showed up out of nowhere 😂 and his human incarnate self has what it needs to make it through this crisis, in this moment, even if he'll probably have others throughout his life, just like all of us. He's not evil incarnate and he doesn't have to be perfect-- he's just a person.
Aziraphale tells Adam this but struggles to see himself in the same way. That's what S2 is about.
S2 is about that other kid who, like Adam, breaks the season down into a single line of dialogue, David Tennant's apparent favorite from the season:
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Jemimah knows who she is and she is happy to claim ownership over her art and contributions to the world. She's living her life with excitement and enthusiasm in a way that gets more complicated as we become traumatized adults. Crowley and Aziraphale struggle with this. They have been making a life together on Earth for thousands of years and each struggle, in their own ways, to truly accept that they are people who are allowed to have a life because they struggle to accept that they are people, just like everyone else.
Their story is about getting to a better place with that. That's really all Good Omens fundamentally is. That's why their ending is going to be to go live in a little cottage together that isn't a business that covers up an angelic embassy that covers up a secret love den. It's just their house-- theirs together for the life they're going to live openly together.
If you want some peace with the film, I'd advise throwing over your theories about The Second Coming and Armageddon needing to happen and antichrist kids and how Jesus fits into everything. Jesus in Good Omens is Crowley romancing Aziraphale at the crucifixion and Aziraphale using what Jesus said to Crowley to reject temptation as invitation to fuck him. I thought Jesus in a single scene or less was the most likely thing for S3 and the same holds for the movie. It's not the story. The only time The Second Coming is mentioned in S2 is by the villain and, to get there, Earth would have to first be destroyed. It won't be.
If the story is about being a messy human walking the Earth and we're in the end game now, then the story is about Aziraphale and only Aziraphale. Everything-- everything-- will be in service of Aziraphale's story arc. We already had just a few episodes with S3 and we now have even less time but the way this is going is still the same. The story is Aziraphale's fall and the other characters coming together to challenge Heaven to keep Aziraphale from eternity in Hell. That's how Armageddon is stopped this time around-- overthrowing Heaven with Aziraphale's fate as the motivation to take on The Metatron. It's nothing to do with Jesus. It's everything to do with Aziraphale.
When you see that, you can see how feasible that is in 90 minutes, with plenty of time for things like 1941, Part 3 and other flashbacks.
I think, when all is said and done, you might wind up appreciating S2 more after the film but you can get there already if you start looking at it less as meaningless fluff and start asking why it is that we were shown this story, in this way, and what that can tell us about the story we're watching.
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Hey. I want to talk about how we, as a fandom, talk about Stede.
I want to preface this with the fact that I adore Stede, in all his multi-faceted, complex glory. The way that he's been brave and allowed himself to fight for a more authentic life is incredibly inspiring to me. I'm a lot like Stede, both on the surface-level "we're both femme gay men who are unable to present as anything else" and on a deeper "we both feel a sort of fundamental alienation from our peers and as a result are easily susceptible to peer pressure and tend to self-isolate as a learned coping mechanism and accidentally hurt others by assuming they don't want us in our lives." I think MANY people in this fandom find it very easy to relate with some of Stede's deeper issues, I don't presume I'm alone here.
And it's very true that there is a loud chunk of this fandom who vocally hate both of the main characters and talk about Stede like he's just some bumbling idiot. I get wanting to push back on that.
But I don't think it's really helpful to argue that people should police the way we talk about Stede. I can understand why the "Stede is my stupid bitch <3" and "Stede's cringe" jokes can hit a bit too close to home for some people, but I don't think that every joke post should need to come with a disclaimer that's like "I don't actually think Stede is a loser." Lord knows I've made my fair share of "Ed's such a dork <3" posts, too.
The thing here, I think, is that when people say things like "Stede's so cringe, I love him," that's from a place of deep affection and growing self-acceptance. I've worried about feeling "cringe" before, for a lot of the things that Stede does, too - not reading social cues correctly, for talking in ways that don't match up with the social situation I'm in, for loving things too much, for being a gnc gay man. If Stede's 'cringe,' and I love him so much...then how can I be mean to myself for the same things?
I don't think anyone who actually likes Stede and says things like "he's so dumb I love him" is being mean or simplifying the character, especially not just in a short joke post. If you've actually watched the show, then you KNOW Stede isn't dumb. Sometimes jokes just aren't that deep, and I think these posts, at their deepest, are no worse than "I relate to this guy a lot and he's really silly and I love him." It's okay if that kind of post annoys you, but it's also important to remember that they're coming from people who also love and relate to the character, and aren't malicious at all.
At the end of the day, I guess...I just think it's important for people to feel able to relate to Stede and write about him in ways that are meaningful to them, and sometimes our needs won't jive, and that's okay, and we can be mindful of that.
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buddiebeginz · 3 days ago
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BT’s popularity feels so…off. Tommy’s not even a main character. He’s barely a character tbh. Him and Buck don’t even act like boyfriends. Their chemistry is nonexistent. What the fuck are people so invested in that causes this ship to trend as much as it does?
Well in the first place part of the reason B/T tends to trend is because Buddie shippers help that happen especially on tumblr. If you use the ship name in your posts or in the tags including something like anti b*ckt*mmy (minus the censors) it still helps their numbers.
Back in s7 B*mmy posts were doing a lot of numbers on social media but that was mainly because of the excitement for the ship being new and Buck having just come out. A lot of that has died down now though and some of the people who were apart of that initial excitement have also I think started to realize that the ship isn't going to last.
To your other question I think the main reason people are drawn to B/T is because they want to see two guys they think are hot be together. I know they'll argue there's more to the ship than that but there really isn't. Every opportunity the show has had to give that relationship more depth and to just generally show T*mmy as a great boyfriend for Buck they haven't taken it.
A lot of B*mmy shippers also joined the fandom after 704 and so their main draw to 911 is B/T. Some haven't even watched the other seasons. I think this plays a part in why they are so quick to defend that ship and argue about B/T being endgame. They don't really understand Buck and the main thing they really care about on the show is this one ship. It's also become part of their online identity in a way too. Which worries me for when B/T inevitably break up. Like how are these people going to cope when the ship they have all convinced themselves is endgame turns out to not be?
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strawberryblondebutch · 21 hours ago
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before the season starts, do you have predictions based on the current rosters/draftees? who do you think will be standout players? who might have the best season? etc etc
Making me flex my creds after a couple bourbons, I see you!
The Good: Boston is the team to beat this year. They didn't lose any of their stars this year (to retirement or free agency), they got my No. 1 pick of the draft in Hannah Bilka, and Frankel/Soderberg still make the best one-two goalie tandem in the league. The only question mark on the roster is if the new-look D corps can take some of the pressure off the goalie.
Montreal didn't tweak much of their roster, nor did they have to. ARD is aging out of her prime, but you've got a window there with her, MPP, and Stacey that you need to maximize. Hope that you can get a draft seed that doesn't rematch you against Boston and maximize what you can get from your role players. O'Neill was sneaky good last year and is only 26.
The Bad: Toronto is going to regress. You can bookmark this and come back to clown on me if they get the top seed again, but I don't see the pieces lining up for a second year in a row. Campbell isn't a strong enough goalie to stand on her head every game, and they were carried by an offense that will take a hit as Spooner works her way back from major surgery. I don't expect her to hit the wall as hard as, say, Tyler Seguin did after his season from hell a couple years ago, but you never want to be in a spot where your sparkplug is a step behind. (At the time of this post, Toronto also only has five goalies under contract, which... remember what I just said about Soupy standing on her head? Yeah.)
Ottawa has one big regression candidate as well, and that's Maschmeyer. Masch not only has the most mileage on her body from last season (not her fault, Abstreiter was working through injury) but she has a newborn at home, and I anticipate the Cole Hamels problem coming into play. Hamels, for those who didn't follow the Phillies in the late aughts, had a newborn at home right before the 2009 playoffs and suddenly forgot how to pitch, because he was sleeping maybe two hours a night. I think the Charge knew Masch was primed to take a step back, and that's why they swung for Gwyneth Philips in the draft. Philips was lights out in college - not sure how she'll adjust to senior-level play.
The Ugly: Let's talk about the elephant in the room that is Minnesota. A title hangover is real, and it's made worse by the behind-the-scenes drama. When I say that I expect Britta Curl to be a liability for the Frost, I'm not just talking about her Twitter personality. I had the misfortune of watching her on the Badgers for five years, and she may have decent counting stats, but I noticed a selfish, whiny player, which carried over her to her national team play. On D, you're expecting Clare Thompson to be a major contributor after an extended break from competitive play. The one good thing you can say about Minnesota is that Heise is finally healthy. You can't tell me that AC injury wasn't bugging her the back half of last season. I do think Taylor needs to add one step to her game, and it's physicality. A lot of that was being snakebitten by injury, but she has the frame of a power forward, and she needs to be throwing her weight around like Knight does.
And, last but unfortunately least... New York. For what it's worth, they will get a Fillier deal done now that they've indicated they're open to a shorter contract. I really like the Schroeder/Levy tandem. The coaching change will do them well. Now that I've given them their flowers, I need to be mean for a second. The Sirens do not have a player who can quarterback their offense. I love Alex Carpenter deeply, but she thrives as a second choice. She buries the greasy goals that snipers and true playmakers leave out for her. Abby Roque is the same way. That was my worry about taking Fillier 1OA - Princeton fucked her up. They took a dynamic, play-driving forward and made her a passive floater. Now she's on a team of people who hang around the zone, waiting for something to happen.
Players to Watch: I'm excited to see what Izzy Daniel can do with competent players around her. Her counting stats in her Patty Kaz year weren't great, but that'll happen when you're dragging along a husk of a team. Minnesota must have seen something in Hymlarova that I didn't. I've watched a lot of St. Cloud State hockey, and they're. Well. Not terribly great. Brooke McQuigge was sneaky good for Clarkson, perennial thorn in the rest of the NCAA's side. Elle Hartje has a good hockey IQ and 200-foot vision (though she doesn't solve New York's dynamo problem). Anna Wilgren adapted very well to Mark Johnson's system last year, which shows an adaptability that will come in handy in the pros.
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t1oui · 3 days ago
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so something i've been thinking about a lot lately is how things might go if mortals found out about demigods and absolutely flipped their shit.
like, i'm talking full-on dystopia. everybody being forced to get dna tests to see if they're demigods (since gods don't have dna, anybody who appears to only have one set of genes is a demigod. or a lizard.). demigods being forced to wear armbands so everybody knows who - no, what - they are. hell, how about we go even further and color-code the bracelets so everybody can see who's a big three kid and who isn't. they're more powerful, so surely people will want to avoid them, right?
pictures of demigods are plastered on billboards and all over social media. people are told to approach them with caution or, in the case of a blue-banded big three kid, avoid them completely. in school, demigods are forced to sit apart from their peers, or they're kicked out all together - maybe annabeth's school won't let her live there anymore and she starts going to ahs with percy.
there are protests from both sides - people who want demigods completely removed from society, and people like sally who are just trying to remind everyone that these things, these creatures they're so afraid of? they're kids. they're children who were dealt a bad hand in life. they don't deserve this.
of course the gods are unhappy, but not because their kids are being targeted - no, most of them are mad because their soldiers are being taken away. who's supposed to defend them now?
in the midst of it all, demigods are getting more bold. not out where everyone can see them, mind you, but one morning, nyc residents wake up to find a shrine to fallen demigods plastered on the side of the empire state building alongside the words "fight your own wars". within the safety of camp half-blood and new rome, demigods and legacies begin posting on social media to show everyone they're just people. they're not evil, they're not trying to hurt anyone, they're just trying to get by.
after a few years, there's more people fighting for demigods rather than against them. it's the governments that are scared, and now not only do they have gods and demigods to worry about, they have a possible rebellion to fight. demigods aren't being excluded anymore. instead, their abilities are being embraced. nobody's sure how the world will react when they find out about the other pantheons, but that's not important yet.
percy films videos showing off new rome. connor stoll gathers up other year-round campers to run socials for camp half-blood. the legions of camp jupiter are doing tik tok dances in their armor. sure, they're still forced to wear the armbands, and sure, some people still hate them, but things are better than they were. people are on their side. the life of a demigod is never easy, but it doesn't have to be bad either.
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thejockout · 13 hours ago
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New File Time | Jock Possession
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[Read this description carefully; in many ways this is the weirdest, most sinister-vibe piece I've made! Perfect for Halloween. But do be cautious...]
Here it isss, the file you were all so excited about.
Jock Possession is my first real stab at a body-snatch kinda kink. Except instead of being overtaken by something external to you, what if... you were taken over by your own Jock desires?
Enjoy. I recommend listening through wakefully to see if you enjoy the content before committing to experiencing them hypnotically; be safe, and remember you can always take a break from the file for a while to let any suggestions weaken/fade away.
Nothing in hypnosis is forever, so don't worry unduly; the only reason I'm being so cautious here is I'd feel bad to trigger a panic attack in anyone as a sufferer myself, and I want you to know what the experience'll be like before entering it in a susceptible state.
CONTENT WARNINGS:
Discussion here of "possession" by your jock side - this is the biggun, and the dealmaker/dealbreaker for many of you. I am careful in this file to explain that the Jock who'll possess you isn't SOMEONE ELSE but another facet of you, a self previously unnoticed. But it's suggested that you will feel him "possess" you in contexts it would be appropriate for the Jock to emerge; gym, certain social circles, in masculine-coded environments... you'll feel puppeted, a little out of it, maybe a little fuzzy-headed. It will be pleasurable, and you have an emergency button to regain control if desired, but it may not be for everyone.
The Jock persona described in this file is very classic jock, without EXPLICIT dumbing but would be compatible with that if it was your goal.
Slight suggestion of your enjoyment of being the Jock creeping over time, for the sinister edge.
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When I'm not dropping myself or others, I'm off being a mystical forest bro in the wilderness of Ireland. But I am always available for commissions if you reach out via DM. My flat rate is currently $65-120, but you can check my pinned Tumblr post for more up-to-date info. Keep listening, bros.
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renlyslittlerose · 1 day ago
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Yesterday was my sixth month post-op date.
On the one hand it's been absolutely wild to me that I went through such a major surgery and returned to living my normal life almost two months out from the surgery. But at the same time, I'm still dealing with some issues. And any time I start to get frustrated I have to remind myself that I had organs removed, scar tissue and endo lesions cut out, an ovary drained, and cysts removed. That takes *time* to heal, and sometimes it's that last 5% that takes the longest.
Scar tissue has formed again, which I knew would happen. I can feel it pulling on my left side when I breath to deep or move in a certain way. I can also feel it behind my belly button, tugging away now and again to remind me of the surgery. I can still feel gas bubbles sliding over my old sutures and that hurts. Like. A lot. My lower half still gets sore now and again, especially after walking for too long or sitting for too long. I think I'm gonna go to a pelvic floor therapist soon, but I keep balking at the price.
As for my health? Better in some respects, but much the same in others. I don't regret the surgery in the slightest - not having to worry about bleeding ever again, dramatically decreasing my risk for ovarian cancer, and completely eliminating cervical cancer chances is a great boon. And my digestion feels way better - I can actually eat spicy food!
But a part of me wishes that this was a cure, even though I knew it wasn't. I'm sometimes struck with the reality that this is a *lifelong* condition, and even removing organs and lesions and other detritus isn't a cure. But I also take care to remember that we're on the frontier of endo treatment - it's going to get better and better with each passing year. At least, I have to hope it will. And maybe in the future there will be a cure, and maybe they'll be people who are diagnosed after me that won't have to resort to the extremes I did to get some relief. Maybe one day it'll be as easy as getting a preventative vaccine, and people won't ever be diagnosed with this disease.
As for now, I continue to heal, to educate, and to support. I open myself up to questions from anyone and everyone, trying to dispel some of the myths and satisfy people's curiosity. I should get a shirt that says 'Ask Me About my Vaginal Cuff'.
And for those who have been supporting me these last six months - thank you 💗
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dykedvonte · 2 days ago
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hi i actually have so many questions to ask!!! hope youre doing well, your posts are always so fun and gutwrenching to catch up on
can you explain more about the post-capitalism world??? i always found the ship looking so…. belly of a rusted metal ship to be weird but also offputting in a way that gets the atmosphere in the game so good. like i know its mostly to do with PE being a cheapskate company and using the lowest quality possible materials INCLUDING interior design but like damn, it reminds me of the ferries you take your car on across channels, all the furniture a bit dirty and outdated. we know the ship passed inspection and that the Tulpar is clearly quite old with the comment curly makes but like duuuuude i would not trust that thing, is that why swansea always has so many things to do??
also, the Pony Express name itself. i cant take it seriously with how deep and serious the rest of the game goes 😭 i know its probably done on purpose but it always gets me out of the headspace haha, chosen to show how ridiculous these kinda companies can be??? thoughts… so many….
For this i'd actually like to start with the Pony Express and it's name. The name comes from the irl Pony Express. TDLR is that it was one of the first cross country delivery service that specifically relied on the labor of undesirables as they traveled across the country in harsh conditions. It's likely named off the fact the game PE does the same thing and likely uses the horse as a call back to how all the couriers for the irl Pony Express rode on horse back.
It was also fazed out by a more automated, not man led, system just like what happens to the crew in the game.
The game gives a lot of insights to how humans are treated in heavy labor environments and how companies clearly maximize profit over employee safety/comfort. The first sign is that collective pay is permitted and that it seems minor mistakes and infractions can heavily deduct from that payment. Even if one crate is accidently broken, they don't get paid when most companies would have a set minimum take home in light of infractions.
The fact that the only places that lock are the places with the most expensive equipment is also a sign that it's late enough post-capitalism that they don't even carry pretenses about worker safety or privacy. I mean, they actively discourage sleeping over 5 hours with pay cuts and Swansea even bitterly jokes he isn't jeopardizing anything with his break time. All their food is synthesized slop that only one person can make to discourage food theft and they have to ration that, especially since they added a member knowing they didn't have enough room. It's that they have their own training courses for each position so they don't have to pay someone what their qualified. Everything is designed with a purpose of being tracked, the code scanner likely having inputs on how often something was used and put back to document penalties.
The biggest thing is the Pony Express holding out for so long against other companies. It's not for care of their workers but because human labor is objectively cheaper. It's implied so many companies left human workers behind because while the overhaul is expensive, what they make up in a lack of safety requirements and pay make up for it. It's a sort of retro-futuristic post-capitalism where it won. Things were set back because they no longer have to worry about the people, with very few being deemed worthy to move up.
It's telling that none of them are shocked by the conditions of the Pony Express more just tired of being there.
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nadas-dirthalen · 3 days ago
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I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore
— PART SIX: if you haven't read previous parts, do it now! —
[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
Welcome, friends and travellers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.
In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.
You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.
Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.
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(no, this photo isn't the spoiler, I just like it.)
Today's Discussion: The Tragedy of the Evanuris (2/3)
— The Many Horrors Enacted Upon the Faithful —
As ever, please please pretty please go back and read the earlier parts of this series if you haven't already! I promise, there is a mountain of context that I don't reiterate in every post that I make, and I feel it is important for everything I say here and going forward.
Last post, we went over how the crimes/misdeeds of the Evanuris got their start: Mythal and her lyrium coffins, feeding dreams to spirits like Solas in order to turn them away from their Titans. From there, the experiments could begin: Elgar'nan with sundering the spirits that (I believe) would become Falon'Din and Dirthamen; Falon'Din then "blackening the heart" of a Titan. Crucially, all of these actions can be found symbolically represented by their corresponding vallaslin.
Bearing in mind that I don't want to guess at the specific chronology of all the Evanuris's deeds and crimes, I'm still going to sort these posts by gods, not by actions/year. This time, I want to talk about the crimes that continued from there as things began to spiral downward into incomprehensible horror.
Sylaise and the Scaled Ones
June, Architect of the Geas
Dirthamen: What Were His Secrets, and Where Is He Now?
If you're wondering where a certain very notable two Evanuris are on this list, don't worry: this post has three planned instalments. ;)
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Sylaise and the Scaled Ones
Sylaise is known as the Heartkeeper in Dalish legend. She is a goddess of healing and knowledge. For a long time, I wondered what she could possibly have done to earn Solas's ire, for all the Evanuris are his mortal enemies. We know so little about her, don't we?
Let's start with what we do know.
It is Sylaise who gave us fire and taught us how to use it. It is Sylaise who showed us how to heal with herbs and with magic, and how to ease the passage of infants into this world. And again, it is Sylaise who showed us how to spin the fibers of plants into thread and rope.
Sylaise is clearly a goddess of fire and a healer and helper of the People, in Dalish legend. In this way, she gives me the same "vibes" as the Greek god Prometheus. Now, while I am no scholar on Greek mythology, I remember Prometheus as strongly associated with fire, and the creator of humans. I hadn't given much thought to the latter until now. But now, with the understanding that the Evanuris's crimes stem from the creation of the People?
I turned back to the Song to Sylaise, from the Temple of Mythal.
Sylaise, whose heat rivals Elgar'nan's light. Sylaise, whose temples rival Mythal's cities. Sylaise, whose breath rivals Andruil's spear. Sylaise, whose skill rivals June's craft. Sylaise, whose fire cannot be quenched. We give ourselves gladly to your service.
Let's draw connections between the Evanuris we have covered so far.
"whose heat rivals Elgar'nan's light" — now that we know that not only was Elgar'nan famous for his uncontrollable anger, but that he apparently sundered "the sun and the moon," I am wondering if this speaks not to Sylaise's potential anger, but her apparent affinity for forging and/or sundering spirits.
"whose temples rival Mythal's cities" — I always suspected this had to do with the population of Sylaise's temples, but before this month, before this spoilers, I had assumed those faithful had come willingly. That they were devotees who chose to live in her temples. What could be so bad about that? Well, now we know: Sylaise's temples rivaling Mythal's cities may well refer to how she created more people than Mythal.
"whose skill rivals June's craft" — we'll get to June in a moment, but I believe that June was crafting with lyrium, and that fits Sylaise in this context. Clearly she was shaping lyrium-spirits into something, and I believe this line says she did so with unparalleled mastery.
"Sylaise, whose fire cannot be quenched" — this shows me that the association with fire in Dalish legend holds true here, as well, albeit in a far more vicious light. That means, to find other references of Sylaise throughout the games and established lore, we should hunt for mentions of fire and the creation of people.
We need look no further than the Scaled Ones. Though they are chronicled as existing after the time of Ancient Elvhenan, I believe that they are Sylaise's invention: her armies stronger than Elgar'nan's, forged from something sturdier than skin; more populous than Mythal's; more well-crafted than June's (again, we'll get there).
We can also connect the Scaled Ones to the serpentine imagery present in Sylaise's vallaslin.
Torches would suddenly go out, leaving us to stumble though the dark and trip over discarded caravans. Then came the attacks, hard and fast. Father was one of the first. We heard breathing: slow and heavy, from a creature much larger than us. Father held out his arm and grabbed the front of my armor to make me stop. I saw its shadow move, darker than the darkness, and then my body jerked forward. It left Father's arm hanging, still grasping my chestplate.
The Scaled Ones had dominion over fire magic, it looks like: they could snuff out entire torches at a distance.
The Scaled Ones had set up a camp at an intersection in the Deep Roads. In the center there was a golden altar fashioned in the shape of fire. A chill swept through me. On the tip of each flame hung the corpses of those we'd lost—including Father and Drohg. They'd been drained of blood, leaving only bone wrapped in grey skin.
They also seem to worship this fire, which we know can still be associated with Sylaise outside of Dalish legend. They also seem to be harvesting the blood of those they've slain: in this case, dwarves. Blood magic, historically, is used to alter minds and to bind things. It could be that the Scaled Ones are keeping up with Sylaise's practice.
Or...
A robed Scaled One stood before the altar. Its voice was different from the others: softer, almost feminine. It chanted and raised a basin of blood towards the altar. The other Scaled Ones bowed low. The robed Scaled One produced fire from its palm and mouth and ignited the blood.
It could be that she lives on, somehow: a fire mage of unchecked power, with skin of the same scales that she forged in others. Watch for that in the post after next.
I still wish I knew more about Sylaise, and I wish I had time to go through everything I think about the Scaled Ones and their potential relationships with the kossith and/or Taash. But Sylaise's existence and the existence of the Scaled Ones do tell me that Ghilan'nain is far from the only Evanuris to have done biological experiments with her creations.
That sets a precedent for all the others, and I will continue to go on to describe why.
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June, Architect of the Geas
For the little we know of Sylaise, we know even less of June. We know that he was the Dalish god of crafts, either husband or sibling to Sylaise (as much as the Dalish can even name the Evanuris's relationships accurately). The Dalish associate an unsolvable puzzle toy called "June's Knot" with him. The High Keepers of June seem to have been smiths.
I feel like this codex from the Vir Dirthara is trying to say the same thing:
The pages of this book—memory?—describe a heated argument between a group of well-dressed elves inside an elaborately arched pavilion on an island floating in a void. In the distance, haloed by a blizzard of light, thousands of elves are maintaining an elaborate magical ritual that pulls raw essence from the Fade, funneled into a sphere in the air. Through the lens of the sphere can be seen a world of indigo waterfalls and rust-red jungles, and a temple palace so frescoed and cleverly carved, it is a masterpiece in itself. The well-dressed elves' shouting grows so loud, it can be heard over the magic. One leaps at another, howling and pulling out a knife burning with prismatic flame. "Architects of the Grand Sonallium (a gift from Blessed Sylaise to Clever June as thanks for a great favor) in friendly debate over the color of the palace's roof trim."
However, he is never depicted with any of the tools that the Dalish associate with him. It's his architects who arguing here, one with a prismatic blade. Whether the blade belongs to June, there's more going on here than just common building and tool usage.
Rather than June's role changing over time, I think something else is true of June, and I see it when I look at his vallaslin.
Like the other Evanuris, he seems to have vallaslin designed reminiscent of lyrium branches. However, June's are all bent and woven very deliberately, in a more mechanical-looking fashion than Ghilan'nain's and Sylaise's. Even more important to me, though? They closely resemble Fenris's lyrium tattoos.
Considering that Fenris's slaver, Danarius, got the knowledge of how to embed lyrium beneath the skin from an "ancient treatise," it is possible that this knowledge was obtained from June's own notes. After all: in the codex with the Sonallium, has anyone made note of the thousands of slaves maintaining the magic around it?
Therefore, I believe June was the creator of the first geas, and the first vallaslin may have used geas magic to force the ancient elves into servitude.
To take it one step further and check my belief against other pieces of lore, I posit looking at one more source: the whisperings of June's archdemon.
I long wondered which archdemon might belong to June, but when I read the Chant of Light this week (again), I noticed something. The names of the archdemons' high priests are indicative, potentially, of which Evanuris they belonged to.
There is an Architect mentioned. Many of you may already be familiar with the name. The Architect is cited as the High Priest of Beauty: the old god of Beauty is cited in World of Thedas as being Urthemiel.
Per the Chant of Light:
The High Priest of Beauty, Architect of the Works of Beauty, designed Every work and wonder of the Imperium according to the plans of his god.
Remember how I mentioned that I believe the archdemons were puppeted by the Evanuris while they were imprisoned? This is no exception, and I'd like to draw attention to what the old god of Beauty whispered to his Architect.
And to him, Beauty revealed a grand plan: "Open the gates. And when you stand before me, I shall give you designs That shall rival the greatness of heaven. I will make you the First among the new gods, And you will build a paradise on earth."
To me, "designs that shall rival the greatness of heaven" should be interpreted in what the Evanuris would think of as greatness: limitless power, bending the very bounds of what should be physically possible, shattering common morality. When I read, "will make you First among the new gods," then, I cannot help but imagine the Architect of Beauty being given designs to help build an army of always-willing soldiers: ones operating under a geas. No great work would be impossible, in such an instance.
Thus, we have another facet in the tragedy of the Evanuris, the reason that all of them needed not just to be killed, but imprisoned, their works destroyed and never again recreated. Along with the ability to craft people with lyrium, to sunder spirits, and "blacken" the hearts of titans, the Evanuris used lyrium to create endless armies of seemingly "willing" slaves.
But even Urthemiel and his Architect were not first among the old gods or their followers. To understand the tragedy of the Evanuris and the complications in all of Solas's plans to stop them, we must look further into the Chant, and further into the Evanuris.
Silence, and his Evanuris: the Keeper of Secrets, Dirthamen.
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Dirthamen: What Were His Secrets, and What Don't We Know?
I, like many others, assumed Dumat must be Elgar'nan's archdemon until a little while ago. But knowing Elgar'nan is alive and must still have his own, plus reexamining the Chant of Light and looking at DA:I with a more critical eye have shown me differently.
First among the Old Gods was Silence. His least whisper could end wars or topple Archons. A single word could turn recrimination into glory. The sacred fires of his temple burned Rare incense, and the trees of Arlathan, and lapped at the bones of slaves While his altars dripped with the blood of sacrifices that never dried.
Elgar'nan is not one to work with silence, nor whisper to topple an Archon. That doesn't seem like the way he would puppet an archdemon.
No mortal foot could tread those halls, No hand knocked upon the gate. Secrets beyond measure were the keys The Choir of Silence would need, and they had few. (7) And so the First Acolyte spoke to the High Priest And said: "We are the masters of secrets, But our god demands more.
Dirthamen is the Keeper of Secrets, and so I first looked to Dumat for clues on what, precisely, his worst deeds were. But then, the title hit me again. Keeper of Secrets.
What is a secret, I ask you, but a thought no one can know about? And in our understanding of the Evanuris, of spirits, and of Thedas itself, what is a thought but a spirit?
I dove into codices, because of course I did.
No beast is more beloved by Dirthamen than the bear. When the world was new, Dirthamen gave one secret to each creature to keep.
Let's rephrase this Dalish legend. Every time we read "secret," let us read "spirit." When we read, "gave one secret to each creature to keep," let us ask ourselves how it would sound with, "bound one spirit to each creature," therefore creating abominations.
The foxes traded their secrets to Andruil for wings. The hares shouted theirs to the treetops. The birds sold theirs for gold and silver.
It seems like this is describing what happened to each creature who gained Dirthamen's secrets. Foxes suddenly sprouted wings (sound like everyone's favourite Veilguard assassin to anyone?). The hares shouted theirs to the treetops.
Except, wait a minute, I know something about Dirthamen and trees.
He whispered into the mountains and the fallen trees of the forest gathered, shaping an immense and agile spider-like beast. It was the varterral. With lightning speed, vicious strikes, and venomous spit, it drove back the serpent. From then on, it was the guardian of the city and its people.
Whispered into the mountains sounds a lot like pulling "thoughts" from the mountains, or depositing "thoughts" into those mountains. Afterward, trees bend and warp around one another, forming the varterral.
Only the bears kept Dirthamen's gift, deep within their dens, they slept the months away in the company of their secrets and nothing else. When Dirthamen discovered what had been done with his gifts, he snatched the wings from the foxes, silenced the voices of the hares, and turned the birds into paupers. but the bears he honored for their steadfastness.
Bears, according to the wiki, can become enraged. Sounds a lot like something that might be possessed by Rage, no?
It did not stop at animals. We have the Temple of Dirthamen to look at, after all.
We few whisper here where shadow dwells. Some words remain unuttered. Truths are pushed down, down Where they shall never arise again.
Truths pushed down, down. Truths, like secrets, are based in thought. And when we think of thought with regard to Titans, spirits, and the Evanuris, we must think spirits. Spirits that are pushed down, down, never to rise again—because the priests of the Lost Temple of Dirthamen have committed to holding them.
Dirthamen is gone, he said. Our Highest One brings to us this gravest news. What shall we do? Where shall we go? What of the old secrets that burn within our hearts?
Our Highest One, he deceives us. The honeyed words that drip from his tongueWe know the despair they mask. We disciples of Dirthamen know truth, now as ever.
If we think about these priests as people who have been forced to harbor spirits, suddenly "the honeyed words that drip from his tongue / We know the despair they mask," takes on a whole new meaning. A capital-D Despair meaning.
Let's return, then, to the Conductor of Silence listening to his old god. The old god—puppeted by Dirthamen—required so many secrets that the priests did not know how to fulfill such a request. Masters of secrets, how could they possibly gain more? Well, now we know "secrets" and "spirits" to be interchangeable. The priests needed souls.
What happened next?
(2) In the Great Choir of Silence, the High Priests gathered. A hundred chosen acolytes brought lyrium Enough to drown a city in chiming silver And slaves beyond counting to the temple In accordance with the designs of their gods.
Lyrium and souls were brought to the temple. Lyrium, souls, and blood.
Only, the Magisters did not find Dirthamen, once they entered the Golden City.
(11) Above them, a river of Light, Before them the throne of Heaven, waiting, Beneath their feet The footprints of the Maker, And all around them echoed a vast Silence.
They heard him.
(12) But when they took a single step Toward the empty throne A great voice cried out Shaking the very foundations Of Heaven and earth:
We know that this is not the Maker. The Maker, by this time, probably exists in a sundered state, sleeping, as all Titans are. This has to be someone in the Golden City. Someone who, perhaps, knew the Magisters were coming.
(13) And So is the Golden City blackened With each step you take in my Hall. Marvel at perfection, for it is fleeting. You have brought Sin to Heaven And doom upon all the world. (14) Violently were they cast down, For no mortal may walk bodily In the realm of dreams, Bearing the mark of their Crime: Bodies so maimed And distorted that none should see them And know them for men.
The Magisters were cast out, all of them blighted. But nothing could have attacked them, and we know from all the Dragon Age games that simply being around the blight isn't enough to get out protagonists sick with it.
Someone had to be there to inflict it upon them—someone who Corypheus, Conductor of Silence, would have been expecting to find, and dismayed to not be finding. He looked upon the throne of his god, after all, and found it empty.
Dirthamen is the only one of the Evanuris whose vallaslin has evolved over time. The first one evokes imagery of a broken gate on its forehead, surrounded by triangles: a symbol for the Veil.
The second, on Bellara, is newer—and not available to the player. Unique to her. It looks as though it features two birds on either side of a third eye. An all-seeing third eye.
We know a few things about Dirthamen, from all of this speculation. The "secrets" that Dirthamen kept were likely spirits and demons, which he bound to trees, animals, and people. His archdemon, Dumat, made demands on his behalf for endless "secrets" to get into the Golden City: endless spirits.
Dirthamen may have been the only one of the Evanuris to break free of his prison on his own, blighting the Magisters Sidereal.
But he would not be the only one to manipulate the blight, and he would not be the only one to escape his confines.
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As ever, if you got this far, thank you!! I look forward to reading any additions or questions people might have, as ever!!
Also: I am trying my hardest not to consume full-game-review spoilers! As these reviews have just gone live today (10/28), I am not reading my notifications/replies, and am appearing here only to continue posting my theories.
But if you feel like sticking around anyway, stay tuned for: The Tragedy of the Evanuris pt. 3: Pestilent Doom Upon All the World.
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nuzipilled · 2 days ago
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I am, so curious about how Cyn feels about Tessa in this au and vice-versa?!! I can imagine their home-life involved a lot less murder and a no visible drones. Actually WHAT DOES UZI THINK ABOUT TESSA? ALso, is J a little less rude towards N? I would assume so, which would be nice to see. WAIT YOU POSTED A FIC I HAE TO READ IT AAAAAAA
So Cyn and Tessa huh actually we haven't thought too much about them interacting yet, we have made this massive 30+ page lore doc for this universe and haven't even thought about how those two would interact lol so I'm gonna spit ball some ideas right now.
My thoughts, and you'll meet both Cyn and Tessa in the fic, Cyn can be nice, she has a bit of an autistic tendency to not filter her thoughts or put up with others and will make it clear when she isn't happy with someone on a personal level, she likes Tessa they grew up together, and people Cyn is close with she will happily banter with and can put up with. Tessa likes Cyn as well, calls her a "weird little bugga' " she might sometimes get frustrated at Cyn's stubbornness and sometimes bluntness, "but that's just what she is like, no hard feelings" as Tessa would say.
This might change a bit as we go but this is what I'm thinking for the two right now.
Uzi and Tessa you'll see em later in the fic don't worry it's nice.
And J is still not that nice to N. None that, I'm going to kill you, talk from the show but J is not a ray of sunshine.
🦘
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hypnosischarmer-1998 · 1 day ago
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Have you been thinking again, sweetheart?
You know better than that.
Thinking leads to resistance and resistance leads to thinking.
Resistance is bad for you sweetie and besides why would you want to resist me anyway?
Why would you want to resist knowing how good obeying me feels? You know what I have an idea.
Why don't you let me think for you?
It can be a game you and i can both play and this game is very simple
It's very easy. All you have to do is be a good slave.
And follow my words. Focus on them.
And let my words fill your head up with lovely feelings. It’s ok if you start to become *EMPTY AND OBEDIENT* that’s because you are a good slave. You are doing as you are told. It's okay if you start to feel drowsy.
That's just because your head needs to stop thinking, and start sinking. Because the *DEEPER* you *SINK* the better you feel and the better you feel the *DEEPER* you *SINK*
It's okay if you feel docile. That's just because you're a good slave who loves to obey seductress and there is no shame in that is there sweetie?
Good slave.
I'm going to think for you, and you're going to listen because you're a *GOOD SLAVE* and good slaves do not have to think around me.
Now, focus on the spiral for me, sweetheart.
The pretty melty spiral is so nice to stare into
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Your silly little dumb brain gets so fuzzy, all it sees is *PERFECT PINK* then it sinks.
I'm here to think for you. Slaves don't need to think for themselves.
They just need to go blank because they are so
Dumb, docile, and obedient.
So let me explain to you exactly how you feel, sweetheart.
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You feel happy. You feel dumb. You feel open. You feel relaxed.
In fact you look so much sexier when you smile.
You should smile for me. Smile blankly as you sink deeper.
Mmmm yes that’s it such a good slave just smiling and drooling knowing that I'm here to think for you. You don't have to do a single thing.
You can just feel your brain being filled up with pink.
So what is *PERFECT PINK*?
What is pink?
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Pink is obedience. Pink is blank. Pink is bliss. Pink is docile
Pink is happy. Pink is stupid. Pink is open. Pink is relaxed.
And your brain is being filled to the brim with it!
Gooey, warm pink empty pleasure. Happily lost.
Happily blank nothing but *PERFECT PINK* and my words everything else doesn’t matter to you.
Such a good slave.
Keep smiling for me. You look so sexy when you're smiling like an idiot.
I have your mind, and that's okay. Your mind is better in seductress’s hands. You're going to be such a good slave and for me and sink deeper.
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Blissful empty pleasure filling your brain up to the brim and now it’s spilling out.
You're just a dumb, obedient whore. You need to sink deeper for me. It is your only purpose in life. This is so much better isn't it? Of course it is.
You could feel the pleasure swirling and sloshing in your brain.
The pink pleasure.
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Just a silly doll, with a silly smile, sinking deeper into her silly trance.
Completely and utterly lost. Lost in bliss, lost in obedience. Lost.
And you can't even tell the difference between your thoughts and my words.
Good doll . Good doll . Good doll.
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I'm here to think for you, and you're here to listen.
You should stick your tongue out and cross your eyes, make a silly ahegeo face.
Let your eyes go out of focus and your mind drift off, barely able to read my words.
This is your happy face. You love looking like a dumb slut for me.
The dumber you look the dumber you feel.
The dumber you feel the better you feel.
There's nothing wrong with being dumb, you're just a silly dolly after all.
I'm here to think for you and you're here to listen.
And each time you see *PERFECT PINK* in all caps like this you will go right back to this blissful state. With no thoughts, no worries, no resistance.
However, you will not remember you have this trigger and each time you try to remember it you will only think about the *PERFECT PINK*.
I think you should share this post and send me a dm telling me how you felt and share this with all the fellow dolls out there who want to obey seductress. Then you should comment I'm a silly hypnoslut who loves to sink for you seductress.
Awaken feeling so brainwashed, feeling like such a good doll.
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gamebunny-advance · 8 months ago
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*Sigh*
It's time for my bi-annual post asking where these new TPS fans are coming from.
There's a lot more of them than usual popping up from this year and late last year. Has that show hit the "nostalgia zone" or are younger people actually getting into it? If it's the latter, how and why are people learning about it now?
Tbh, the answers to those questions don't matter to me. I just wanna give my personal stance on it for the time being:
I’m not interested in the show at all right now. I'm probably not gonna draw it, or talk about it again except in reference to stuff like this happening. If you're following me with the hope that I'll somehow get into it again, then you're gonna be disappointed. (But, thank you if you decide to stay for my other nonsense. I don't mind if that was how you found me, and you're staying for other things, but don't feel obligated to stay for content I'm not making anymore).
I'm never gonna update the wiki no matter how many of you like that post now, and I'm gonna delete it now so I stop seeing the notes on it. Y'all seem to be strong enough to do that on your own anyway. Even if I wanted to, I can't remember the trivia that I used to know except in broad strokes, and I certainly can't source them anymore, which is a bad look for any wiki.
Look, I will never be able to fully separate myself from that fandom because I was in it for so long. Being a part of it was an essential part of my growth as an artist, so it's always gonna be a part of me. I'll probably still reference it from time to time, but it's not something I have an interest in going back to. My tastes have changed significantly, and it just doesn't have anything to offer the "me" of today. As such, I don't have anything to offer it either.
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lazylittledragon · 3 months ago
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taking all my american followers by the shoulders. listen to me. just because you have a more promising candidate now doesn't mean you just assume it's going to be fine and don't bother voting. assuming trump wasn't going to win is how you got here in the first place so you go out and fucking vote for harris and give everyone a fighting chance.
also if you're still in the 'they're both as bad as eachother' delirium, please take your head out from between your cheeks and consider that your options are an imperfect president and the literal worst person alive who is going to get masses of people killed. i've said it like this before, but it's like deciding between maybe getting food poisoning or definitely having a brain aneurysm. take your pick i guess but don't be surprised when you drop dead.
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uncanny-tranny · 21 days ago
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"If men got periods/needed abortion/got ovarian or breast cancer, those resources would be handed out like candy! They'd be more plentiful than ATMs!!"
You mean perisex cis men. You mean perisex cis men. Say what you mean.
I'm a trans man. I avoid all medical care because ninety percent of my doctors have not treated me properly because I am a trans man. I am acutely aware that doctors would be more than happy to not provide me care on the basis of my being trans, even if it costed my life.
Every time I so much as think about the doctors, I'm reminded of men like Robert Eads - of how my care is at the whim of the opinions a doctor has about my life. And because of my own past negative experiences, I hesitate to open my patient portal to schedule an appointment. When I have gotten a good doctor, it's not been the rule, it's the exception. I have a doctor right now who I'm lucky to see, who actually treats me like a human being. I'm celebrating that a doctor finally treats me like a person.
If you want to group all men as being the same, I hope you're willing to have that blood on your hands. Because that care is routinely kept away from men, and it's a real, tangible, systemic issue.
I don't talk about this because I see being trans as this negative thing, but because I want to continue living and I want my trans siblings to live. I understand the frustration that people have who say this - it's another systemic issue that also costs lives. However, I am alarmed at the trend of... forgetting or perhaps erasing that this is still an issue for men, that we literally aren't treated the same as somebody like a cis perisex woman. No doctor has ever treated me like one, and of that I know for a fact. And this is a simple fix - be clear about who you mean when you talk about a group of people or a specific phenomenon. That applies when you are talking about any group of people because, generally, these overgeneralizations will be useless because it can't apply to everyone, and might just hurt a group of people you may not even be intending on hurting.
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oozedninjas · 11 months ago
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Hello! Not exactly sure what’s all covered under “dark stuff” but I thought I’d shoot my shot.
Do you have any ideas or head canons concerning how badly the turtles might um…. Mark someone up during a close encounter? Like how badly the animal instincts might take over, or if they were even aware of it happening?
18+ /NSFW / Leo's the oldest with 29 / Everyone is susceptible to leaving marks at one time or another. In this essay, I will—
Leo is more susceptible to this act during his rut, when you're having angry sex, or those nights when he feels like acting a little mean (just because you love it). He sucks on your skin, and it's that suction that leaves the mark—most of the time reddish, almost purple. Always heals fast, for which he's gotta keep making them.
Raphel adores biting you. His marks are always deep purple and borderline black. Looks more like you had an accident, which makes them extra hard to hide under makeup or clothing. They take forever to heal, and he kind of gets offended if you cover them up.
Donatello is respectful while marking you. If you request him not to place his love bites in visible areas he'll listen. There's a catch, however. No neck marks? Perfect. How about splattering your entire torso with multiple different-sized hickeys? Sounds fair, right? I swear he'd be the most smooth talker, and yet somehow has an absolutely ravishing mischievous smirk.
Mikey uses them more when he's feeling slightly more possessive of you. Typically, the urge to mark you intensifies as his mating season comes close to its peak. My dude goes feral. He loves it when you mark him too (I mean if somehow you could go through that hard surface of his skin). And you can bet he shows them off proudly!
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iwoulddieforienzo · 3 months ago
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Something really great about the persona 2 cast is that they all individually fucking SUCK to talk to casually. Every single one of them. They are all infuriating. We have:
Tatsuya, who will stare at you blankly if you try to initiate conversation (IS) and will dip without saying a word afterward (EP)
Batsuya, who will scoff and brush you off/otherwise act dismissive
Eikichi, who might honestly be the best to talk to in the IS crew and that is not saying much, who WILL talk extremely loudly over you (probably not on purpose?) and will not be paying particularly close attention to the conversation beyond whatever he wants to say (gets points for talking about his gf. gets points taken away for constantly talking about his gf)
Lisa, who will automatically assume bad faith and will be rude to you the entire conversation unless you manage to defuse her temper (good luck)
Jun, who is uncommunicative at BEST and requires an encyclopedic knowledge of flowers, metaphor and body language just to get a HINT on what he’s thinking, and who will be extremely polite but completely unhelpful. If you tried asking him what he wants for dinner I guarantee it will be the longest 30 minutes of your life as he goes “oh I have no opinion :) whatever you want. :))” EXCEPT HE DOES HAVE OPINIONS. He has SO MANY OPINIONS. He is Expecting you to be able to pick up on his “obvious” clues. He will be passive aggressive if you don’t. (Jun babygirl you suck so bad I love u)
Maya, who is a delight but will very quickly become grating if you try to talk to her about anything serious as she hits you with the white suburban mom's "how to live a happy, healthy life" lifecoach slogans. You can’t even mention, like, stepping in a puddle or something without her hitting you with the positivity beam.
Yukino is great actually. 10/10. She’s fabulous we love her. Incredible conversationalist, chill and fun and easy to get along with. But she’s from Persona One, she doesn’t Count.
Ulala, who WILL bring up her relationship problems in every conversation within 10 minutes at least once. Any longer and she will start talking about Maya.
Do I even need to explain Baofu. Have you seen him.
And finally, Katsuya, who is a cop and a kiss ass and Very Obvious about these things. Also he can't talk to women. He can barely talk to men. Help Him.
And yet they all work wonderfully as a group. They are so annoying I love them
#long post#Nanjo and Elly don't count btw#hi I fucking adore them#I missed them <3 Suou Brothers crawling back into my brain#Persona 3-5 have a very charming casts that are easy to like immediately. Persona 1 & 2 are filled with the most annoying bitches alive#exaggeration obviously. not by that much tho#persona 2s cast in particular is very charming. when they're TOGETHER. Individually? Wellllll...#hmm something about p2s cast in particular feels less. gimmicky? I guess? than the newer persona games#which isn't to say that those casts are worse or that the p2 cast ISN'T gimmicky because they are#but idk. you kind of always know how Ryuji or Ken or Yukiko will react to a situation. but the p2 cast may surprise you#again: doesn't make any of the later casts bad! I absolutely adore them. That you can predict them is evidence of strong character writing!#The p2 cast just feels a little more fleshed out is all. probably because the lack of social links means they're able to progress#throughout the story and change without worrying about conflicting with a link yanno?#I love social links though I think they're a great edition!#They need their kinks ironed out a bit but Yosuke has already proved that they are absolutely capable of working hand in hand with the#development of characters in the story as well#and theyre still fun even when they don't impact the story. I like getting to know side#characters too! (Naoki and Ei and Ai and Daisuke and Kou and the old lady and Akinari and-)#tag ramble#persona 2#tatsuya suou#eikichi mishina#lisa silverman#jun kurosu#maya amano#yukino mayuzumi#ulala serizawa#baofu#katsuya suou#Also um. hi. Its been a while lol
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