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#there’s something about rhys darby man
dildofaggins · 2 years
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if i had a nickel for every time rhys darby played a character named ste[d/v]e that had a short lived relationship with an extremely attractive goth pirate who wore leather, had long flowy hair, wore eyeliner, and smoked then i’d have 2 nickels which isn’t a lot but it’s weird that it happened twice
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celluloidbroomcloset · 6 months
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I know this has been mentioned many times before, but I'm gonna mention it again, because it just chokes me up: the smile of absolute joy on Stede's face when his crew proclaim him a real pirate.
This man who just wanted real friends and had never felt accepted or loved, and he's got an entire crew of people loudly declaring him to be a pirate, right in the face of one of his childhood bullies who tried to claim him for "my world."
And his crew are like, "No, he's ours!"
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Like, that's not just the face of a man relieved that he's going to live. That's someone who really didn't think there was anyone who cared whether he lived or died being told that a whole crew of people love him.
And he immediately gets a bunch of bitchy confidence:
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It's so important that it's not just Ed that stands up for him, but all of them.
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I dunno, man, it really makes me tear up.
(Also Rhys Darby's ridiculously expressive face that he puts every emotion into so you can see Stede's joy and relief and pride.)
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flamingostalker · 2 years
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Rhys Darby Pussy Out Vibes (Rhussy Out? Darbussy out?)
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wastingyourgum · 5 months
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Some good news! Rhys has more confidence than ever in his leading man abilities and is booked and busy, thanks to Our Flag Means Death!
Darby currently has a number of films in the pipeline in which he takes a leading role. “Thanks to Our Flag Means Death I've kind of proven to myself, and hopefully the world, that I can front something. “So I want to do more like that. I want to do movies, I want to star in a film. I'm writing a screenplay this year. And I'm also involved in about three movie projects that are likely to come together this year, and which have me leading them.
Can't wait to find out what those projects are!
Quote taken from this article linked to a 35 minute radio interview with Rhys and Finn!
(Just try not to cry when they ask him about OFMD S3!)
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carrymelikeimcute · 7 months
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I want to take every red-pill, incel, Tate loving 'women only want giggachads who are 6"2 and ripped like wolverine who never cry' man and hold their heads under the water of the good omens/ofmd/wwdits fandoms.
I want to slap them in the faces with every post waxing lyrical about the arm veins of a 40/50-something actor, or the single perfect tear they just cried, or the way they pronounce a word. I want to staple pictures of hairy tits to their foreheads and break into their homes to show them Michael Sheen's tummy or Rhys Darby's nose crinkle.
Sorry but this is what peak male performance is boys, and it's middle aged dudes with accents, slightly crooked teeth, warmth and personality, who look good even when they're crawling around in the gutter chewing the scenery with patchy beards, in very old jumpers. Deal with it.
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saltpepperbeard · 7 months
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Poison into Positivity: A List of What I Liked in OFMD S2
Hello hello everyone! Things have been a little rough around here. Even away from the more heated takes, I've still seen a few "down in the dumps" murmurs. To which, I'm giving y'all big hugs, but also offering up some little bits of warmth! I wanted to share quite a few bullets of the things I enjoyed about this season. Maybe it'll serve as a reminder, or maybe it'll just serve as a chaotic, silly little read as per usual PFFF.
But I invite you to read along, and even add some of your own points should you feel inclined! Also, this might not even be my full list; these are just the ones that came to me quickly/off the top of my head. Still, let's dive on down like a fantastical, dazzling goldfish, shall we?
All the callbacks/parallels. My goodness. When I tell you I'm a SLUT for metaphors/parallels/callbacks/etc etc. Seeing so many things and being able to just *Leonardo Dicaprio pointing meme.* I know people might not share that same opinion because some might view it to be excessive, but I personally LOVED being able to point at my screen and be like "oH EYYYYYYY!!!" Maybe because it makes for such immaculate gifset/meta material <3 SJKJDLHSK
The costuming and makeup. WHEN THEY TALKED AT ECCC ABOUT EVERYONE GETTING HOTTER, THEY WERE NOT KIDDING LMAO. EVERYONE LOOKED SO, SO GOOD. and listen, i am on my knees begging for them to give ed with his hair up back to us. i need Her back,,,ALSO, SOMETHING SOMETHING COMPLICATED EMOTIONS TOWARDS STEDE'S LATTER HALF LOOK, BUT ALSO...GOD DAMN, MR. DARBY,,,,,,
Speaking of Mr. Darby, the acting in this season. The ACTTTINNNGG. Everyone acted their ASSES off. Everyone put their entire piratussies into this season. Though, I'm PARTICULARLY impressed with Taika and Rhys, because again with their "oh we're comedians lol so idk drama can be Difficult Difficult Lemon Difficult." MMMM I THINK THE FUCK NOT, MY GUYS LMAO??? They both did SO well with all the drama and painful moments. The acting in episodes 2, 3, 6, and 7 in particular like...God. GOD!!!
I loved so many characters in this season, and I'll of course have to give two individual shoutouts to my two favorite new ladies, but man. LET'S GO FRENCHIE!!! ALWAYS A DELIGHT!!! FANG/KEVIN MY ABSOLUTE SWEETHEART. JIM SERVING ABSOLUTE FUCKING GENDER THIS SEASON. OLU OLU DARLING OLU. PETE NEVER MISSING WITH HIS ONELINERS. LUCIUS BEING SO THEATRICAL AHDJKSDK LIKE NATHAN PLEASE YOU KILL ME. ROACH MAKING ME LAUGH OUT LOUD NUMEROUS TIMES AS HE DOES. WEE JOHN AND HIS KNITTING AND DRAG!!! AND THEN OF COURSE MY DEARLY BELOVEDS, ED AND STEDE. I JUST LOVE THEMMMMM!!! But okay okay okay-
Zheng my beloved. I just love this badass pirate queen with her sweet little pigtails and her IMMACULATE LINE DELIVERIES SDHJKSKL. A lot of my favorite deliveries from the entire season came from her quite honestly. Please see: "Girl, how ARE you?" and "Hiiiiiii. I KNOWWW it's been a day" and "I've killed mediocre men. I've killed exceptional men. But you're the worst kind: a mediocre man who thinks he's exceptional."
AND ARCHIE MY BELOVED. She kills me because I remember seeing like, those ~*~audition tape whispers~*~ WAY back in the day, and subsequently thinking she was going to be quite a different character. Only for this silly goofy bubbly energetic darling to pop up and snag my heart. HER deliveries kill me also, like when she goes "Like...STEDE Stede?" and the whole "I was IN the fuckin' snake!" also hhngngngngnershkfhslkds tattooed ladies Hot :(
Speaking of which, the comedy. THE DELIVERIES. THE WAY I LAUGHED OUT LOUD NUMEROUS TIMES THROUGHOUT, EVEN WITH THE DEEP UNDERCURRENT OF DRAMA/ANGST. The whole bit where Stede is in hysterics over his cursed coat is just hsjkdhsklds; it will NEVER not make me wheeze. And then, like I said, almost EVERYTHING Pete says this season kills me; another thing that will never not make me laugh is "a doggie...?" weird little pirate show with weird little humor my beloved
The ROMANCE??? I genuinely was going into the season with the expectation of getting maybe like, one or two Gentlebeard kisses. Imagine my shock and utter delight when we ended up with FOUR, AS WELL AS AN INTIMATE SCENE, THE LETTER SCENES, AND THE LOVE PROFESSIONS. Like, one of them dropping a legitimate "I love you" felt like an unrealistic expectation--the HIGHEST dream tier really. And then wouldn't you know it. And that doesn't even account for all the rest of the couples either! The murder wives having their chaotic little moments of fucked up affection??? LUCIUS AND PETE GETTING ENGAGED AND THEN MARRIED??? HELLO??????
The sets! I know people have pointed out that the world felt a bit simplified this time around, due to budget restraints and what have you. But I still loved what they did with the world even with the various constraints. The market in episode 6 is a PARTICULAR favorite of mine; it's just so lush and colorful. I also love what they did with The Revenge during episode 6 too!
Also, this might be an unpopular opinion, but I really actually liked that they filmed on location. First of all, love that the Kiwis got to be right at home in Aotearoa. Love that they have an even more special connection to the show now. But second of all, I just like when scenery is...actually THERE? It feels way more TANGIBLE. Don't get me wrong; that hugeass wraparound screen that they use to film a lot of sets is a technological marvel. But I'm a sucker for practical.
The deeper and more complex dives into character motivations/trauma. Like, homie lol...When I tell you episodes 6 and 7 utterly set my brain alight in the best way possible. I was CHUGGING through thoughts. You know those gifs where someone is walking around and ranting/passionately talking,,, yeah. Yeah. Maybe because a lot of it "struck a chord" with me indeed, but I love love LOVE getting brain food like that.
Speaking of brain food, in PARTICULAR, the deeper dives into Ed's self-loathing and into Stede's troubles with confidence and masculinity. A lot of Stede's choices were fueled by those two things, and it was SO friggin fun to catch all of them, put them in a jar, and shake them around. I've seen a lot of people fearing his actions in the latter half were out of character, but to me, I don't see it that way. I just see a man who has been so spurned, so left behind, and SO deprived, a man who is stuck thinking he has to be someone else to mean something. And I think that plays a lot into even the EARLIEST developments we saw in season 1, so it was just so intriguing to watch everything messily play out.
THE INNKEEPER. THE INNKEEPER MY BELOVED. SO much about that episode absolutely has my heart. All the different developments, the stakes, the pacing, and the payoff at the end. Not to mention that I had a FEELING that mysterious figure in the trailers was Hornigold, so it was so SO validating to see him pop up PFFF. And also, all those dream/gravy basket sequences were so so good too. I don't know if it's the chemistry between Taika and Mark, or the deeper symbolism, or the lines that have become vocal stims for me SJKDLS (please see: ooOOoooO eddie eddie eddie...you're laying some heavy shit on me, bro), but man. MAN.
And this one gets its own bullet because of course it does: the fucking mermaid scene. Like, are we kidding. ARE WE KIDDING. THE ROMANCE OF IT ALL? THE FANTASTICAL-NESS INDEED?? THE WAY IT WAS ALL FUCKING PRACTICAL AND RHYS SWAM DOWN TO TAIKA AS A BEAUTIFUL LITTLE GOLDFISH AND THEY HAD TO THROW HEART EYES AT EACH OTHER UNDERWATER??? WHAT THE FUCK!!! And don't even get me started on Kate Bush lol. This Woman's Work might easily be one of my favorite songs, if not my FAVORITE song from the season. And man. Man. The whole meaning behind Ed seeing Stede as this beautiful, sparkly being, and not some hypermasculine/extraordinary thing. He fell in love with Stede for who Stede really is. And so I ADORE that acknowledgement.
Speaking of songs, the MUSIC!!! Absolute bangers all throughout. And I loved how there seemed to be even more intermixed within the episodes. Like God... "These are the kids..." 🗣️ HELLO MY LOVE I HEARD A KISS FROM YOU 🦗🦟🦗🦟🦗🦟 . And all the beautiful classic piano pieces and NINA SIMONE AND JUST HSJKDHSFJKLHSKD????
Okay, I've always had and STILL have complicated thoughts and opinions on Izzy, but man, seeing him interact with the Revenge Crew was really something. Seeing Stede's influence come over the lot of them like a warm blanket, extending its welcoming and familial hands...It was just lovely. I love seeing our little sea family care for each other so much. They've probably all hurt so so much in different ways, so to see them all being a collective heart is just so nice.
Speaking of which, the queerness of it all, the queer celebration of it all. The way the whole crew is just...a representation of queer people finding each other, and subsequently finding love and family in each other. Like, when the whole world wants to cast you out, you pull each other in. When no one else wants you, you take refuge in each other. And just...the joy, beauty, and wonder that can be found in that.
And speaking of which x2, the overall care that was put into the entire thing, the effort that was put into the entire thing. I know Max fucked us over with the budget, which subsequently fucked things like the intricacy, the amount of characters, and especially the pacing. But, I don't know; I personally could still tell everyone involved was trying so so hard to deliver for us. Based on the little details, the little callbacks, and the little moments that felt so catered to us, it just seemed so...gifted to us. Not to mention of course, the way they so deliberately chose to end on a hopeful note in case we never get a third season. They care about us. They've always cherished our excitement and passion, so it just...idk; it feels so special to have a bit more of an intimate connection like that. I've never been involved with a piece of media that so avidly SEES its audience, and celebrates along with us. So, despite everything, despite any sort of troubles, despite any sort of lows, that's a big part of what has me clutching all of this so closely to my chest. And I really hope they can still see that love, because I want nothing more than for them to see this beautiful story through.
Also, getting to enjoy this with everyone. Getting to ride the wave from the beginning of filming, all the way through the finale. Getting to see all the excitement, all the theories, all the art, all the fanfiction, all the gif sets, all the meta, and everything in between. It has carried me through some nastiness in my personal life, and has subsequently served as a very welcomed distraction. It's been such a pleasure getting to delight in this new content with you all, and I hope we get to do so into the future. <3
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londonspirit · 7 months
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Was there ever any doubt that Our Flag Means Death Season 2 wouldn't end in thrilling fashion after taking all of us on a rollercoaster of emotions? Probably not, but show creator David Jenkins and writer John Mahone, who teamed up on the script for the finale episode, seemed distinctly driven to squeeze as many tears out of us watching as possible. With the dynamic between Stede (Rhys Darby) and Ed (Taika Waititi) seemingly fractured as of the season's penultimate installment, it was unclear how — or if — the two men might eventually reconcile, but a new threat to the Republic of Pirates, alongside Ed's realization that maybe he isn't meant to be a fisherman after all, sends the two back into each other's arms, literally.
While some characters are afforded something resembling a happy ending, with Stede and Ed deciding to try their hand at being innkeepers as they watch the Revenge sail off into the sunset under Frenchie's (Joel Fry) command, not every single crew member emerges from the finale battle unscathed, chief among them Ed's first mate and formerly ruthless right-hand Izzy Hands (Con O'Neill), whose parting words to Ed may be the very thing that the former Blackbeard needs to hear in order to fully come to terms with accepting the man inside him all along.
Ahead of the Season 2 finale premiering on Max, Collider had the opportunity to reconnect with Jenkins to discuss some of the episode's biggest moments. Over the course of the interview, which you can read below, Jenkins explains why Izzy's speech is both a eulogy for the character and a statement about the show itself, how the Season 2 premiere and finale bookend each other with those beach scenes, and why he wanted to use that Nina Simone needle drop in particular. He also discusses why the season concludes with a wedding at sea, what the finale sets up for Season 3, and more.
COLLIDER: I feel like my first question, in a completely non-serious way, is: how dare you, and my immediate follow-up is: what gives you the right?
DAVID JENKINS: I'm sorry, I'm sorry. Also, I am God to these creatures! But it was hard. It was a hard decision.
The episode kicks off with a somewhat more lighthearted moment, which is Ed realizing he's not cut out for the fishing life after all. On the heels of Stede and Ed’s big fight in the episode prior, why did it feel important to have Ed humorously have the revelation of, “This isn't what I really want after all?”
JENKINS: Well, I like the idea that Season 1 is about Stede’s midlife crisis, and Season 2 is about Ed's midlife crisis. I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he’s a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, “At your heart, you're a pirate. You have to go back and do it,” he doesn't want that to be true, but it was true.
Speaking of characters that have a revelation about themselves, Izzy's speech about piracy, about belonging to something and finding family, feels like the thesis statement of this show. Was that the intention behind it?
JENKINS: When I wrote that, I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it. Yeah, this is how he sees piracy, and also that's not how he would have viewed piracy in the first season. He would have viewed it as, “I'm here to dominate you, so you work for the boss.” By the end of his journey in the second season, he sees that they built him a unicorn leg, he learned to whittle, and he mentored Stede. He's learned that, actually, a pirate crew works differently than what he thought and that they are all in it together, and they do this for each other. So it felt right for Izzy’s arc, and it is kind of an overall statement about the show.
It's interesting that you call it a eulogy, because, by the time we get to the scene where we know Izzy's not going to make it, it feels like he's using his last moments for Ed more than himself. He has those final words to Ed of, “They love you for who you are. Just be Ed.” Is that the kind of the thing that Ed needs to hear in the moment — even as he's losing, arguably, someone he's known even longer than Stede and is just as close to on an emotional level?
JENKINS: Well, I like that Izzy gives that to him, and then Izzy also apologizes to him because he says that he fed his darkness and that they were both Blackbeard together — that Blackbeard wasn't just Ed, that they did it together. In a way, it's very much for Ed, that speech. The “we were Blackbeard” is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, “You can give it up.” There can never be a Blackbeard again as far as Izzy’s concerned because he's dying, and they did that together.
I wanted to ask you about the Stede/Ed reunion. We get Ed finding Stede's love letter that was written all the way at the beginning, and then also the beach fight/reunion. It's definitely a callback to the dream, but was that always the way that you wanted to bookend the season? Here's the dream and the fantasy, and then this is the real moment that we get to have?
JENKINS: It was nice. I knew that I wanted to have the Republic of Pirates at the beginning and end up with the Republic of Pirates. I think the reunion of it was a nice surprise, but it felt right. And finding the letter in a bottle — if you have a letter in a bottle, it's thrown out somewhere, it has to pop up somewhere, you have to see one of them at some point. But yeah, there's a circular nature to it, and that's why I thought it would be good to use Nina Simone at the beginning and at the end as a callback. This dream in this way did come true, and they made it come true.
When I talked to you at the beginning of the season, you mentioned the Nina Simone needle drop, but couldn't say anything about the significance of it at the time. I talked to [music supervisor] Maggie [Phillips], as well, about the needle drops throughout Season 2, and she said you always had a very clear vision for what song you wanted there. A lot of people know the original, but why did you pick Nina's cover? It strikes a different tone; there's a hopefulness to it in a lot of ways.
JENKINS: Yeah, it's wistful. There's a lovely part that sounds like church bells, which is great for the wedding part of it, and then it's just moving. I love her interpretation of it. It’s wistful, positive, and it felt like the end of the show to me. There's a size to it that, up against these images, I just was like, "Yeah, this would be really good. I want this to be in the show."
I did want to ask you about the wedding because on the heels of Izzy's death, it's bittersweet, but also, it's a sign this crew has become a family, and they can still find happy moments and reasons to celebrate. We’ve seen Black Pete and Lucius reconnect, but also reconcile and navigate through Lucius's problems and have their own, almost parallel trajectory journey as a couple alongside Stede and Ed in a way. Was that something that you always wanted to close the season on, the two of them getting hitched?
JENKINS: Yeah. We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other.
Speaking of Ed and Stede watching everybody sail off, that was an outcome that was somewhat surprising, I think because where they are, you think maybe they're going to end up sailing off with everybody else.” But no, instead, it's just this sweet, lovely note of them getting to play house for a little while. What inspired that turn for them?
JENKINS: I think that they've come to the point in the relationship where they say, “Yeah, we're gonna give this a try,” and that's where the story really gets interesting. That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, “Can they make the relationship, and can they do better than Anne and Mary?” That's the question that we all ask ourselves when we end up in a serious relationship is: can we make this work, and can we get through the hard times? Then they're both very damaged, and it's gonna be a challenge for them, and that's where the story gets interesting.
I'm not sure you can really tease much for a Season 3, but we talked before about how you have your vision for where you want to take this, and based on what we see at the end of Season 2, the implication is that we're going to have Stede and Ed off together, but is the plan to also continue with the other characters as well in their own places?
JENKINS: Yeah. Frenchie’s in charge of the Revenge, and I think Frenchie's Revenge would be an interesting place to work and an interesting ship to be raided by. Then I think that the Revenge means a lot to Stede, and it would be very hard for him to give it up, and he hasn't had a great track record of that. So I think the odds of them all finding each other again are quite high.
All episodes of Our Flag Means Death Season 2 are available to stream on Max.
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05/28-29/2024 Daily OFMD BTS
TLDR; Rhys Darby; Samba Schutte BTS; Nathan Foad; Vico Ortiz; Dominic Burgess; Tell Tale Awards; Upcoming Fuckeries; Watch party reminders; Schadenfreude; Fan Spotlight; MerMay; Love Notes; Daily Darby/Tonight's Taika.
== Rhys Darby ==
To 29 And Beyond is coming up fast and our dear Captain wanted to remind everyone that he'll be there! For tickets and more info, visit To29AndBeyond.com
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Source: Rhys Darby's IG Stories
== Samba Schutte ==
More Season 2 BTS from the man who deserves all the things -- Samba Schutte!
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Video 1: Roach Bobbing for Plums
Video 2: Fang + Samba Dance
== Nathan Foad ==
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Source: Nathan Foad's Instagram Stories
== VIco Ortiz ==
Vico is going to be back at Them Fatale price this June 21st!
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Source: Them Fatale's Instagram
Vico also wanted to send out the following resources for those looking to help with the situation in Gaza. Operation Olive Branch
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Source: Vico Ortiz' Instagram Stories
== Dominic Burgess ==
Our precious Jeffrey Fettering is out and about in Los Angelos visiting the Queen Mary!
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Source: Dominic Burgess' Twitter
= Reminder to Vote =
Our dear crewmates over at @saveofmdcrewmates put together a helpful guide for the Tell-Tale TV Awards! They've listed the queer shows related to OFMD in someway and are reminding us you can vote up to 3 times per category! Vote here.
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Source: SaveOFMD Crew Instagram
More Under The Cut! Long Post is Long
== Watch Party Reminders ==
Our Flag Means Death Season 2 Dates: May 28-31 Times: 3:30 pm PT / 6:30pm ET / 11:30 pm BST Need access? We're doing a WP on the RhysDarbyFaction Discord server, feel free to hit me up on tumblr @gentlebeardsbarngrill or @ aspirantabby42 on Twitter for access.
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== Upcoming Fuckeries ==
As you all have seen around, there's a fuckery planned for June 3rd! Which is approaching fast! Our friend @patchworkpiratebear made a nice graphic to remind us. Mark the date on your calendars if you want to join the fuckery!
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Source: PatchworkPirateBear's Tumblr
== Schadenfreude ==
Just a nice ending to the day. June 3rd's shareholders meeting is coming fast WBD.
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== Fan Spotlight ==
= Cast Cards =
More Cast cards tonight! Thank you @melvisik! The first, George Maunsell is listed as "Valet" in 'Calypso's Birthday' and Zach Douglas "is "Roderick," aka the Bluecoat rudely reading the love letter meant for Ed"
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Source: @melvisik's Twitter
== Mermay ==
= Snejpowa =
Our friendly neighbourhood @snejpowa is back with another MerMay prompt, this time featuring the Republic of Pirates! I have to say, the Instagram liked by is a nice touch :P.
Day 29: Republic of Pirates
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= Blueberreads =
Our fantastic friend @blueberreads has done it again with a Stede portrait this time! I am blown away by the detail of the hair and shirt. Just lovely!
Day 29: Republic of Pirates
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= Eros The Artist =
Our darling @erostheartist has another Mermay submission for us-- to learn more about this prompt visit the link below! Day 24: Murder's a Natural Cause
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= Spencer Does Artt =
Another Mermay day for @ SpencerDoesArtt on instagram! This time Day 29 is Republic of Pirates and they were kind enough to give us our favorite folks all gathered around.
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= Stjernegaupe =
More lovely vector art from @stjernegaupe for mermay! Ricky almost looks innocent in that first one! (Almost)
Day 13: Road to Moscow
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Day 14: Orange
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Day 15: Blind Man's Cove
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Day 16: Kraken
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== Love Notes ==
Hey lovelies. It's Wednesday here which means we're half way through the week. I hope it's treated you kindly. We could all use a little extra kindness these days. I'm not sure the following statements are going to make much sense, so apologies if not.
Tonight I wanted to mention a few things about changes. Sometimes change is something we can predict, and sometimes it hits us without warning.
Sometimes change makes things better for us and sometimes it can make things worse.
Sometimes change is the hardest thing in the world to do, and yet somehow the most important.
Change could be anything, a change in routine, in friends, in location, in attitude, in jobs, in weather, in boundaries-- it can be so very many things. Sometimes, the places we are, the people we're with, the jobs we have, the patterns we practice just aren't going to suit us forever. We as human beings are ever changing, ever evolving, ever moving. Situations and life styles we may have embraced previously may no longer serve us, and you know what?
That's okay.
Chang is part of the fun and wonder of life. Every day we learn new things about ourselves, and in doing so we evolve. This is a good thing, lovelies, you dont have to hate or love the things that came before or the things that come after-- you can look at where you are, where you want to be and where you've been and appreciate what came with those changes. Maybe you were in a terrible situation before, and now you're only in a mildly better one. Maybe you're worse off than before, but because of that you know exactly what you need/want to become.
Change can be a scary, unpredictable catalyst, but it can also be a very important tool that helps us reach the places we want to go. Sometimes changes take us back rather than forward, and sometimes they jump us ahead eons. Both are valid, and both are part of this life, and experiences we need to have. Don't be afraid of change lovelies, there's always more around the corner. It'll work itself out-- I know it will, because I know you're strong enough to brave it. You are so very wonderful and lovely the way you are, and you'll be wonderful and lovely when you're something new. Don't forget that. Rest up, new day tomorrow as always. I'm so glad you're still here with us.
== Daily Darby / Tonight's Taika ==
Tonight's theme is Floor Antics! Gifs courtesy of the brilliant @mxmollusca and @soapbubbles511!
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asoulwithadream · 9 months
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EXCLUSIVE FALL PREVIEWS
Mates. LADS. BRETHEREN.
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I think I'm going to die now. AAAAAAAAAAAAH—
BUT OF COURSE WHAT WOULD BE THE SENSE OF MY EXISTENCE IF I DIDN'T SHARE MY OWN PERSONAL THOUGHTS ON THESE BEAUTIFUL THINGS BEFORE THE MEDICINE KICKS IN.
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The Crew — I think this is where they see LUCIUS!!!! I'm so very convinced this is where they meet Lucius. As we can see, they're all in the same clothing as the Vanity Fair first looks, where Black Pete is visibly overjoyed. But can't you see that he is missing from this shot? Probably snogging Lucius' face off or hugging him or doing something as such.
Lucius probably popped around the corner in the Vanity Fair one, and now they're sharing an intimate moment (keeping it PG) on deck while the rest of the happy crew watches on (as visible from Roach's, Oluwande's, and Wee John's faces). Of course, Buttons has no interest in human adoration, and instead looks on towards his own lover, the sea.
Stede is looking quite perplexed, or maybe contemplatively—perhaps as a result of Lucius telling Stede what happened to him. He doesn't look directly all that happy, does he?
(OMG OMG OMG WHY DO THEY ALL LOOK SO HAPPY EXCEPT STEDE BUT OLU YOU DEAREST MAN AND THEY'RE LOOKING SNAZZY AND I LOVE THEIR SOCKS I'M AHHAHASIJDHKAE)
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Stede — That's the floor of the Revenge guys. I know it well since the last time Stede was pushed onto it. (Solidarity for the harm that the foot touch caused in these trying times) He is wearing what looks to be ye olde fencing gloves, and this means that was just handling a sword. (Though, he could have been using the cannons; we all know Stede would probably confuse fencing gloves for heavy artillery)
There are a few scenarios I can find at the top of my head: he's either training with Izzy (though would that explain his terrified expression? maybe)—we also see the lack of the red ribbon, which I think he removed when he teams up with Izzy, for whatever reason—or he's been duelling with someone else, someone who is extremely better at swordsmanship, someone we know to have been excellent at both maiming and receiving stab wounds. Has he been fighting with Edward?
I think it's the former, but who knows? The best part of theorising is being wrong, after all. I guess we can just gang up and say "calm down mr wavey blade" to whoever is behind this. Plus, do I see traced of some fuzz on his chin? Confirmed baby steard, guys???
(He's such an ICON I WANT TO BREATHE HIS HAIR AND SEE IT BEHIND MY EYELIDS. In the wise words of Rhys Darby, "I wish I had his hair". BUT LIKE HONESTLY WHAT'S GOING ON HERE WHY DOES HE LOOK LIKE HE'S SEEN A GHOST)
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Frenchie and Ed — This has me on actual alarm bells mode. I can't tell whether or not this is Blackbeard or post-Blackbeard era—he's not wearing any dark chunky make-up, and has his hair up in his classic, beautiful half-up half-down, and we finally get a more close-up and clear shot of his earring, which we first spotted from the Vanity Fair first looks?
A detail I spotted for Frenchie's new goth uniform, which he is still wearing in this shot (further confusing me on the timeline of this image)—I think that his jacket is the very same from the "The Best Revenge Is Dressing Well" episode, which is so incredibly sweet and a beautiful little detail to connect back to season 1. I'd like to think he customised it himself, since we know Frenchie can "sew like the wind."
That's also still the Revenge, in fact the very spot where Lucius was about to get his finger cut off in "The Art of F**kery". But what intent Ed has with this confrontation with Frenchie, who seemingly looks like perhaps he wasn't even doing anything wrong, escapes the depth of my theoretical mind. What contributes even less to this is that Ed is smiling? Rather maniacal, might I add.
(WHAT. THE. FUCK. help me why is this happening. I LIKE AM SO ANGRY AND SO HAPPY AT THE SAME TIME THAT I CAN'T FIGURE ANYTHING OUT FROM THIS PICTURE. NOT EVEN WHAT STAGE OF GRIEF ED IS IN. HELP ME)
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Edward — That chair looks like it's from Stede's room, from one of the desk-like tables in the corner next to his bed, and perhaps even the only chair which Ed kept in the room after his rather ill-tasted renovations. What's he doing there without his make-up on? Perhaps this is still during the early stages of new Blackbeard, and he's just in the transit period between washing and re-application.
BUT, if we look at the background, does that look like the Revenge? Not really... There is what seems like a fireplace or some sort of stone plate in the background, with a painting on it with a man on the left side of the composition, who seemingly looks to have lighter coloured hair. So what I may be thinking, is that Edward is visiting MARY ALLAMBY! The painting in the background may be the one from Stede and Mary's wedding, and Mary might have kept it as memorabilia in ode of her now good friend. (Stede is on the left in that painting). Plus, where else would Stede get his furniture and taste for his bedroom than his own former house, which Mary currently lives at?
Even though I think David Jenkins said that Mary wouldn't be present in the season, do I believe him? No. I think I have the right for me to be delusional without external interference at this point.
(Please let me be right please let me be right I NEED A MARY / ED INTERACTION AT SOME POINT TO HEAL MY HEART. I need Mary to realise that fucking Blackbeard is the Ed that Stede was talking about, I NEED ED TO THINK THAT STEDE DIED, FOR EVEN A MOMENT. I think my brain has stopped receiving oxygen.)
Send hopes and prayers
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camillescreations · 8 months
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I just need to talk about how much I adore Stede, especially in these new episodes. Yes, he's made mistakes, yes he's flawed, yes he can be a total bitch. But he's, in my eyes, just a really kind and sweet man, who's doing his best. Some of the things he's done have been undesirable, sure, but he is a traumatized and deeply insecure person who is just trying to find his place in the world. He's just trying to find something that makes him happy, that makes him feel fulfilled. Isn't that all anyone is after?
And then he finds that place on his ship with his crew. And Ed finds him and he falls in love for the first time. He meets someone he can share his life with. Someone he can laugh with, that loves him unconditionally and actually openly cares about his silly model ship and two chandeliers and his secret rooms. And that's all he wanted, really, on top of feeling like he belongs. And then he leaves because he feels like that was all in his head, that Ed couldnt possibly be happier with him around. The growth really starts to happen when he resolves the complicated family situation he created and sets out to find the love of his life. He spends the first episodes talking about finding Ed nonstop, taking whatever awful situations he was forced to be in if it meant it would bring him closer to reuniting with him.
Stede has grown so much since last season. He gives Lucius pretty solid advice all while admitting how much he messed up, and he always tries to keep a positive attitude for his crew (family), because he knows their situation sucks and he's trying to make the best of it. Because that's what Stede does, he hopes. And then he FINALLY gets back to the Revenge, only to find it in absolute ruins. His baby is destroyed, and he knows, deep down, who did it. And we know that hurts him. But that doesn't stop him from welcoming Blackbeard's group back with a smile on his face, asking for them to give him a straight answer as to where Ed is, because that's all he's thought about for months.
And then he sees the truth: Ed has been killed by his crew. Ed's body is there, clear as day, hidden away in the bowels of the Revenge. They lied to him. They killed his love, his reason for going back to sea, the person who has consumed his every waking thought, who has been in his dreams every night. Ed is gone; it was all for nothing.
But Stede doesn't scream. He doesn't shut down. He doesn't resort to violence or retaliation against his crew. Even when Izzy directly confronts him, he still doesn't take the bait. No, once he is shown the truth and realizes that there's no more talking it through with Zheng, that his crew will be killed unless something is done, this beautiful man sucks it up and formulates a very solid plan of escape. And he does it on his own!
Even though he knows that he's escaping to the Revenge, his home that won't feel like home anymore because Ed isn't there, he does it anyway, to keep the people he loves safe. Even Izzy, whom he absolutely loathes at this point in time. Stede never let his love for Edward or his grief overtake his love for his crew and his desire to get back the family he once had, all back on his beloved ship.
And it's only after they were all safe that he let himself grieve, going to visit Ed's body and lamenting about how he thinks he messed everything up. And it's such a beautiful moment when he grabs Ed's hand and realizes that his love isn't gone, that he still has hope. Ugh the man is just so wonderful.
I'm so excited to see how Stede grows as a person and a leader this season. He's already shown great strides in his character development. And Rhys Darby's acting is phenomenal. I loved every moment he was on screen. Especially when Stede was in anguish, and his more serious moments. I can't wait to see what the season has in store for my favorite guy!!!
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To the person who sent me an ask worrying about this article from Consequence TV maybe being the start of OFMD being cancelled, I accidentally deleted it so I'm responding here!
Tl;dr: absent any other information, I'm not worried about it. When I first saw it, it was paired with a headline that said somehting along the the lines of "Taika Waititi hints he won't be returning for OFMD season 3," which seems to have changed and just isn't actually said anywhere in the article itself.
The first part of the article is immediately a bit scary:
When Consequence asks writer/director/actor Taika Waititi if he’s feeling optimistic about a third season of Our Flag Means Death, his initial response is this: “Have you seen the end?”
While this looks scary, I encourage you to stop, breathe for a moment, read that again: crucially, that's not really an answer to the fucking question, and it's presented without context or even any indication that was TW's full answer. It's such a vague opener and without any follow-up it's practically meaningless.
The next parts of the article that a lot of people are concerned about are these paragraphs:
Max has yet to announce plans for a third season but Our Flag Means Death has become a fan favorite for its loving portrayal of its core relationship between Ed and Stede. For Waititi, though, the Season 2 finale “feels like a natural end to their story. Just because I feel like, you know, they’ve been through so much and then wind up in that nice place at a happy ending.” Waititi calls Our Flag Means Death “a really special show,” adding that “I love the show so much and maybe it can survive without Rhys and I. Maybe, I don’t know. I do I think the character of Blackbeard is something I’m really proud of.” Waititi says, though, that “I don’t want it to feel like Rambo III suddenly, you know, when you’re like, ‘Oh man, they have to leave their idyllic life again.'”
When I first read that headline, I was obviously like what the fuck, but when I clicked the link I immediately dismissed this whole article. I'm a person naturally given to anxiety and over-thinking - I'm not saying that to dismiss anyone who is worried about that, I'm saying that to emphasize just how contextless and clickbait-y this article is.
It's important to remember two things: OFMD is a mainstream property that is still generating a lot of traffic due to speculation on whether it's going to be renewed, and Taika Waititi, as a person, attracts a lot of divisive media attention that is often very clickbait-y in nature. He's also the biggest name attached to OFMD.
If we look at this article, all of TW's lines are presented to us out of context. We are not given the questions he was asked or told anything about when this interview took place (other than after the finale, obviously).
A breakdown of what TW says with possible, more likely context:
"The s2 finale felt like a natural, happy ending for Stede and Ed." This is true, and we also know this was intentional in case the show doesn't get renewed. This is not new information.
"Maybe the show can survive without Rhys and I." This is what people are (understandably) worried about, but this is both not a firm statement of "I don't want to come back for s3" and completely devoid of context. A possible explanation is that DJenks has mentioned possible spin-offs; TW could be here referring to spin-offs that don't involve him or Rhys Darby. As an executive producer, there is literally no way TW doesn't know at lesat the broad outline of DJenks' plan for s3.
"I don't want it to feel like they're leaving their idyllic life again." TW doesn't want Ed and Stede's story to be beaten to death, he wants it to have a satisfying, happy ending. Again, this should not be surprising information, it's just presented in a way that makes it seem like he definitely thinks s2 should be the end of Ed and Stede when that is not what he says.
This article is completely devoid of context, and because of that I consider all TW's statements in here to be essentially meaningless because we don't know any of the questions he was asked. I believe the most logical context for these quotations were him talking about the finale and how it was satisfying in case they didn't get s3, speculating about possible spin-offs, and then talking about how he doesn't want the story to be one of those TV shows that go on too long.
A bit of additional context: Consequence is, primarily, a music review and news site. They have a TV segment, where this article is housed, but music is their main focus and they are not a website where you expect to find actual breaking TV news, let alone from big names like TW. Larger film and TV publications we've seen covering the recent release of Next Goal Wins, in comparison, universely refer to the OFMD s2 as "successful" and refer to a "likely" third season - for publications actually focused on TV, the predominant view seems to be that OFMD is successful and a 3rd season seems very likely.
This article is very clickbait-y and tells us absolutely nothing. It absolutely does not say that TW is uninterested in returning for s3 (in fact, it says the opposite, he repeats again how much he loves the show) or that OFMD will be cancelled.
We're okay. Even if we do get news that OFMD hasn't been greenlit for s3, I promise it's not going to break on Consequence TV of all places.
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triflesandparsnips · 2 years
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stede bonnet is weird about touch
The beginning of a four-part journey of overwhelming nonsense, featuring more research than was strictly necessary. But fuck it, here we go.
Figure 1. Local man commits to least possible physical interaction imaginable with new fiancee.
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Because it was driving me bananas that I was picking up on this thing that very few others seemed to notice, and also because I am desperate for a particular brand of hurt/comfort Stede-fic in this fandom:
I watched the entire series again and made up a bunch of charts detailing all the ways Stede is touched, touches others, and the degree of "closeness" of those touches.
You can find the finished product here -- first page is an overview, and remaining pages are breakdowns of each episode, including notes. If I missed something, or you disagree with a classification, pop in a comment. (You can also see my progress and original notes here.)
Broadly, though:
Stede is both touch-starved and touch-sensitive. And you can see it on the screen.
Because there's so much here, this essay got ridiculously fucking long. As such, I've divided it into four parts -- links to each section will be at the bottom of each post, but I encourage people to engage with whatever part of it they want.
Why is this important, though? Why go to all this trouble?
I think this behavior tells so fucking much about Stede, and that understanding his relationship with touch is crucial to getting a more rounded idea of his character.
I'm this close to calling it criminal that we aren't more thoroughly acknowledging how much nuanced work Rhys Darby and his various scene partners put into this, holy shit.
I want to see this in fic, damn it.
And with that, finally:
✨~My evidence, let me show you it.~✨
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1. Stede wants to be touched, but is afraid of it.
Stede expects either violence or withdrawal from loved ones (or ones he's supposed to have a close relationship with, at any rate) if he's done something to displease them.
Nearly every memory of Stede's father involves this on some level: blood on Stede's face (and castigating him for his squeamishness), yanking Stede's arm, bending over and getting into his face specifically to yell at him, and not looking at Stede when Stede's essentially asking for comfort prior to his marriage.
Some of Stede's memories of Mary at the dinner table show her as angry and physically distant from him (regardless of whether that memory is an accurate one). This is repeated later in episode 10 when we see her and the children again on the opposite side of the table.
The anniversary gift scenes in episode 4 are particularly telling: When Stede gives Mary his gift, he starts by dropping to a kneel next to her, his arm up on the table near her -- and then Mary, over the course of realizing what he's done/doing, proceeds to retreat from him three times -- once a little ways, then again farther to the other side of the chair, and then finally leaving her chair entirely to face him. As Mary does that, Stede mirrors her retreat, a few beats behind and in reaction to her withdrawal, finally standing from his kneel, curling into himself, and losing his consistent eye contact with her.
Figure 2. Totally okay and not-at-all concerning body language in response to an upset life partner.
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Ed reinforces this belief when he leaves the Revenge with Jack (immediately after Stede has actually expressed anger at someone he believes is Ed's friend).
Considering all this, when Ed almost immediately runs off to find a dinghy in episode 10, leaving Stede alone right after he's participated in an act that's transgressive on multiple counts (gay AND cheating on his wife, tsk tsk)... well. It may not be what Ed intended, but there's a bit of Stede's brain that thinks "Ed left; therefore I did something wrong."
Interestingly, this means that Stede will sometimes initiate the withdrawal if he perceives that someone's displeased with him.
This could be for a couple of reasons: if he does it first, it makes it a choice on his part rather than a rejection on theirs; likewise, if he does it first, then perhaps that might placate the other person (by removing his "wrongness" from their presence). Most likely it's some kind of inseparable combination of the two. We see how this maladaptive practice bears out with:
Mary presenting Stede his anniversary gift. At the start of the scene, he stands next to her, leaning in slightly, with his hands to either side; when he realizes he's insulted her, he doesn't step away but he does clasp his hands in front of himself, effectively removing the possibility that he might accidentally touch her skin (or she, his).
Stede leaving Mary and the children.
Stede offering Ed a nature walk. Ed demurs (using language that implies Stede's suggestion wouldn't be acceptable to various people) and Stede actually subtly leans away from him as his smile drops. You can see it below, particularly if you keep an eye on his relation to the rope in the background between them.
Figure 3. The subtle tragedy of a man whose best friend has just said that maybe his interests aren't actually that cool.
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Almost as soon as Ed lets go of Stede's face following the beach kiss, there is a very slow distancing happening between the two of them.
Stede leaving Ed.
Finally, one of Stede's ways of withdrawing from someone else's "space" is by losing eye contact.
This is something he developed after childhood -- while in flashbacks we see that tiny Stede holds eye contact solidly with Father Bonnet (and only turns his head away when he's shocked by the goose's violent death), by the start of the series he's pretty awful with it (dropping his gaze when Olu shakes him; closing his eyes to hide from the Nigel "ghost"; eventually dropping his gaze when Mary yells at him about the model ship).
He improves over the course of the show and as he gains confidence, though it's easiest to tell in scenes of threat/violence where he would previously have dropped his gaze-- this includes his steady stare at Calico Jack when he orders him off the ship, his violent twist of Doug, and his anger at Mary after the murder attempt.
However, when he feels uncertainty, that trouble with eye contact comes back again... including, unfortunately when Ed asks him to run away to China.
Figure 4. Local baby gay in middle of sudden revelation as to own sexual orientation is faced with object of said revelation asking for a life-changing decision instead of just, like, double-checking the kissing thing some more
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-----
ONWARDS:
-> Review the raw data and notes
-> Go to part 2: Stede will avoid touch to protect himself.
-> Go to part 3: Stede has found/developed "safe" ways to physically interact with people.
-> Go to part 4: The top three people who touch Stede, or who Stede touches, are Ed, Mary, and Izzy.
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blakbonnet · 2 months
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Artist of the Week!
So last weekend, I announced that I'd like to feature an artist every weekend for both new fandom joinees who might not have seen some of this art and older fans who like the nostalgia. This week's artist is Ash @aha-my-villainous-thoughts 💖 who also, wonderful that they are, agreed to answer a few questions for me!
Which App Do You Use To Draw When I’m at my big set up I use Clip Studio Paint, I love it so much. It’s very straight forward to dip straight in, has all of the bells and whistles you need from an elite drawing program, and the community elements where you can see assets and brushes is a lot of fun - although I still to this day have no idea how to earn coins to buy assets?! I use a XPPen Artist 15.6 Pro Graphics Tablet to draw into the program, although my best tip with graphics tablets is to get a screen protector, mine got covered in marks before I noticed. Recently I also got an iPad 10.9 to use as a digital sketchbook I can carry around, and while I am enjoying Procreate, I think CSP is a better art program overall.
Fave Brushes? On iPad I stick to the technical pen, studio pen and the soft airbrush, along with the textures and the light pen. I don’t think Procreate has great ‘painting’ brushes, whereas on CSP I would marry the Gouache brushes, I love how they blend and texture as you work.
Your favourite piece you’ve drawn? I’m a super self indulgent artist, I try to draw the kind of stuff I like to look at, so it’s a lot of colour, a lot of fabric and details. My fave piece for detail is the one I did for the OFMD RBB last year - Crescente Devotione, there’s a blushing sentient stool in it! For colour I’m in love with this sleepy time Ed in a lil negligee and a Holly Golightly eyemask, he's my lock screen because I'm trash.
Who harder to draw: Ed or Stede? Oh for sure Stede. I love Rhys Darby, but the man has like no lips. I stand by this meltdown.
One essential tip for beginner artists? Comparison is the thief of joy, don’t measure yourself against others - particularly when you’re finding your groove. Be self indulgent af. Also get a screen protector for whatever digital screen you draw on, and BACK. THINGS. UP. Whether in an online account, or on an external harddrive - or both?! BACK THAT SHIT UP.
Why OFMD? I’ve been in a few fandoms in the past, always as a pretty passive enjoyer, little fanart here or there, little fanfic sprinkled around, but there’s just something about the way this fandom feels? It feels like a group of friends who’ve got their own lives and their goals, but they still exist in each other's orbit, it’s like this feeling of returning home to somewhere you’re always welcome. There’s so many good moments in the show for both comedy and some gut wrenching pathos. Sign up for the hot guy in leather and get got by this beautiful delicate little love story. It’s something about queer joy of thriving, not just surviving. Something about finding love and romance no matter your age or what’s past before. Something about found family, and unlikely friendships, and community and silliness. I was already a goner when Taika put on the wig, but then when he teared up in a blanket fort while trying not to die? Excuse me sir, I did not need feelings that powerful. It was literally waking me up at night thinking about his last shot weeping in the nook - like are you kidding me?! I’m supposed to finish watching and be normal after that??
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rhysdarbinizedarby · 5 months
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Road Trip with Rhys and Finn Darby
At 49, New Zealand comedian Rhys Darby says he's finally found the confidence to be a leading man.
He joins Summer Times for a road trip with his son Finn.
The Route? Auckland to Nelson. The passengers? Marcel Marceau and Marcel Duchamp. The vehicle? A 1984 Land Rover.
Music comes courtesy of Finn’s indie-folk-rock band Great Big Cow.
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Rhys Darby filming the TV show Our Flag Means Death at Bethells Beach (Te Henga) Photo: Samba Schutte
(click below to listen the audio)
Now based in Los Angeles, Rhys has fond memories of childhood roadies with his mum.
“We went from Pakuranga to Orewa which was lovely. We stayed in a camping ground, and I fondly remember that one because I saw a ghost and saw some big footprints on the beach.
“Bigfoot…turns out was just a big man's foot I think, but you know, when you're young.”
Last year, Darby returned home to Aotearoa to film the second season of the HBO Max series Our Flag Means Death*.
“We were in New Zealand during the rainy season, which could be any time really, last year making that.
“And it was really special because we got to be home. The first year, the first season, we were here in Los Angeles. I was 15 minutes from my house. And that was cool and then the whole show got moved to New Zealand, which was … it's a plus and minus on my account because obviously, I'll leave these guys, but I get to go to the old home.
“And it was really fantastic. Working with the New Zealand crew and just having more New Zealanders in the cast, as well. It's very Aotearoa-heavy season two. So yeah, I'm really proud of it.”
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New Zealand comedian Rhys Darby hosting the 2023 International Emmy Awards Photo: chaoticmulaney
In something of a career pivot, Darby also hosted the International Emmy Awards last November.
“It was amazing because I thought 'It's not my bag. I'm not a host, I'm not a jokes guy. And I also don't kind of like rib people, my humour is very optimistic and fun. It's not like the kind of thing Ricky Gervais does where you bring people down to make light of things.
“So when they asked me I was like 'I don't know, what I'm gonna do?' I was picked because it's international and because I can do physical comedy as well. So, I wrote this monologue and also involved a lot of funny walks and some physical stuff. They worked out really well and I had so much praise from the audience and from the producers saying that was one of the best hosts have ever had.
“Because with a strict English-speaking person who's just doing quick gags, half the audience, it just goes over the head. So, what I offered was something that I guess they had more universal appeal.”
Darby currently has a number of films in the pipeline in which he takes a leading role.
“Thanks to Our Flag Means Death I've kind of proven to myself, and hopefully the world, that I can front something.
“So I want to do more like that. I want to do movies, I want to star in a film. I'm writing a screenplay this year. And I'm also involved in about three movie projects that are likely to come together this year, and which have me leading them.
“I've been a character actor for so long, and I've popped up in many, many things in small parts here and there, where I've made everyone laugh, and then I run away.
“But it's taking that next step of going, OK, imagine watching me for an hour and a half, letting me lead you down this track and have the confidence that now finally, at the ripe old age of 49, I think I can do that.”
*Max has announced that it will not be making a third season of Our Flag Means Death
Songs played:
'Iguana Love' by Great Big Cow
'Captain Boyfriend' by Great Big Cow
'The Last Song' by Great Big Cow
Source: RNZ
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melvisik · 8 months
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OFMD S2 SPOILERS
This is complete self indulgence (but then, this is Tumblr, and there is an analysis towards the bottom). Just reiterating how notable the merman scene is, both from the practical way it was done and the metaphorical significance. But first to preface with a confession: I seek out spoilers, so with the prior expectation of seeing a merman!Stede, it was fairly obvious he was going to show up at this particular moment. Honestly not sure how this could be handled without disclosure. That knowledge or lack thereof is absolutely a contributing factor on the 'cringe' element. It can seem a little cringe, mostly from the fact we got something so outlandishly unexpected at a beautifully critical moment. But Stede is a cringe person:
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And besides, as far as unusual things happening at emotional scenes, last season we had this:
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Here is poor Edward Teach spilling his heart out, and Stede is presenting a much different air than the situation might call for. It didn't feel inauthentic per se (that is legit moment of confusion), but the atmosphere for a scene in an emotionally charged, key-point moment of a character's story arc just felt a little off (in my opinion anyway).
But you know what? This is a comedy. And as far as the performance goes, from what we've seen so far, Rhys Darby charges into any situation with stalwart commitment and full steam ahead, no matter how cringeworthy the risk.
And that includes donning a shimmering fish tail, grabbing a trident, and swimming in a large water tank to smile at the camera.
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Major props to him for that, it takes guts.
(Also, it's just frickin cool to try out a gorgeously decked out merperson tail. Lucky sunuvabitch...)
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Plus, as so many others have pointed out, the metaphor is just breathtaking. It's not just about the show being a comedy and playing off the strangeness of a merman showing up, but it's about what the scene represents. Hold on now, this is gonna be a long one... During that kiss on the beach, Stede Bonnet was so much of what Edward Teach has been yearning for in his life. Yes Stede is a representation of the 'finer' things (which Ed's own mother told him he could never have), but he's also kindness, understanding, support, love... things that Edward has more than likely been denied over and over again. For instance- in this tiny moment in his dream sequence, when Ed tries out being Jeff the Innkeeper, the figure of his old captain Hornigold is all for taking it way too seriously, bringing Ed down to face the cruelties of reality.
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But in these kinds of scenes, Stede plays with Ed. He is all for Blackbeard's Bar and Grill, and if someone is being a dick and not wanting to go visit the gift shop, he'll be there to give Ed encouragement.
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And then there's this:
And this:
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Ed vaguely reminds me of Aldonza from Man of la Mancha, which is a whole other analysis, but it's basically a character so beaten down by life that the very concepts of feeling worthy and being treated with kindness are devastating: Blows and abuse, I can take and give back again. Tenderness, I cannot bear. -"Aldonza" from Man of la Mancha. But Ed's vision of Stede seems to represent all the gentleness and sweetness Ed so desperately craves, and when Stede shows up here, he is so happy to see him. First mate 'we've-known-each-other-a-long-time' Izzy Hands flat out tells Ed that he loves him, and this is Ed's reaction:
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Because, lest we forget, Izzy told him that he wanted Blackbeard, not Edward, and that Edward better watch his fucking step.
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From Ed's point of view, who the hell is the harsh pirate Izzy to tell Edward that he loves him, when all he really seems to love is the persona of Blackbeard? But this is his reaction to the warm, gentle Stede Bonnet, who is supportive of the man Edward Teach and all his vulnerabilities:
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Also, within the scene itself, it is so important that Stede doesn't untie the rope from around Ed's waist. Here, this lays it out beautifully:
Edited based on a post I cannot find: This is also a rebirth for Ed - surrounded by wet and darkness, going towards the light, and taking his first new breath (while This Woman's Work plays in the background, a song literally about a problematic birth as the partner feels practically helpless to do anything)...
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So it's something Stede can't physically assist with. He can only give Ed support and a little guidance. In summation, as Edward plunges into the depths of despair, literally weighted down by his trauma, here comes this sweet, loving sea creature that is so different from anything he has ever known but has always wanted. Now, this could be problematic, as this season is probably going to delve more into how Ed and Stede see their roles fairly differently, with one ready to move on from the pirate life and the other ready to jump right in. Stede certainly doesn't seem to view himself as a sweet, goldfish merman, as currently he is all about being a swashbuckler.
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But for now, Ed's vision met with Stede's heart-wrenching desperation...
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...brilliantly highlights how much Ed and Stede mean to each other. And for this sequence, Rhys Darby learned a new skill and was fully present with Taika Waititi (MAJOR props to him also for shooting this underwater moment so frickin beautifully) in one of the most memorable scenes thus far.
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Maybe his motivation for doing it was just because merpersoning is a neat thing to do, but the result really meant a lot. To see him there with Taika's Edward in an actual tail, and not just Taika reacting to a body double with a masked over face or a CGI tail that will always be fake no matter how real it looks... Mad respect, man. And thank you. P.S. Also this:
Absolutely. Personally could not be more thrilled that they used practical effects rather than CGI. It shows, OFMD team. It really shows ❤️
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panelshowsource · 6 months
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alex talked about that recently in this interview! [rubs hands together like a mischievous little shrimp] i hope we see it one day heh
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hehehe it was a fun task! we've NEVER seen alex play such a character during a task like that — he's received cuddles and made demands and eaten meals, but this was next level Alex Acting — so that was really fun!
lucy talking incessantly about alex's legs but mans also got his long sparkly toes
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i think people are too quick to call this or that iconic, but ngl the second i saw this final image...it's practically a horror movie poster...PERFECT
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can you imagine greg davies being your drama teacher and then he quits to become a comedian and the next day you see him on tv as Massive Greg hand feeding a man with no teeth who is pretending to be a tortoise
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honestly if that's the one that haunts you i'd say you got off pretty easy, i scrub my eyes with concrete mix every night to try and forget ass sandwich and yet... but hey at least when he hurt his hand he finally had an excuse for that stupid bandage he wears hahaha
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she was being so sincere and he was Such A Little Shit 😭
you know what i was binging some simon stuff as well, since it was his birthday, and ran across this again after all these years!
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aw anon i'm so glad ♡
moooost of my fave episodes are like ~2005–2015ish? probably the nostalgia!
21.01 with jess hynes bc she is an icon to me
21.05 love seeing simon and miquita together
21.07 with martin freeman
22.02 with stephen fucking fry YES
22.04 was crazy like conchords-era rhys darby was there (i LOVED flight of the conchords lmao) and then johnny vegas and danny dyer next to each other? what a lineup
22.12 with josh groban, omid, martin freeman, heston is an ALL-TIME CLASSIC
i LOVE the guest-hosted episodes with martin freeman, rhod gilbert, frankie boyle (especially 24.12 with miles jupp and professor green), jack dee, alex horne, kathy burke, and johnny vegas
23.12 doctor who special HANDS DOWN
24.02 it's hilarious how respectable catherine tate is offset by how ridiculous catherine tate is
25.06 when greg hosted with frankie boyle, h was there just being h, holly walsh angel, it was a riot
john barrowman is also extremely iconic on buzzcocks, probably most so on 19.05 but also when he hosted 25.12
there are tons of older episodes from the lamarr era that i love — bob mortimer is so funny on this series especially on sean's team, 12.05 when jimmy and claudia were with phill, fun to see ian dury on 5.01, and so on — but these above are some of my personal all-time faves!
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aw i really appreciate the rec! first i would like to say i looked it up on youtube and stumbled across the american version and holy shit the dude who hosted brainsurge on nickelodeon is hosting that and WOW my brain would have died never having remembered he existed if i hadn't seen him just now — so that was very weird. ANYWAYS i'll check it out!
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imo it didn't start with ben miller...rob is always like this... sometimes when the pod episodes are shorter (less than 10min? does he do that anymore), you can tell some of the bullshit is edited around, but now that they're longer-form conversations he is dominating every episode. i'm certainly no rob hater, but it's really unsurprising to me because facts are facts — rob is self-involved, extremely concerned about being seen and being heard, incredibly pouty if not outrightly bitter when he's not recognised, when fame/success doesn't chase him, when he's getting less from life than he believes he deserves. there are aspects of rob in the trip that aren't far from reality, if you see what i mean. rob is, honestly, quite showbiz. don't get me wrong, he's funny, affable, talented, we love him! but he's not a stellar podcast host because he doesn't have the attention span to let someone else have a moment. have a story. put something on the table. there are definitely times i give him the benefit of the doubt and assume he's trying to form a connection by sharing a related experience/feeling/whatever, but other times he's just being self-involved, pivoting the convo, and it is what it is. it's too bad when we don't always get lengthy, insightful content for someone we love — like miles, let's say — and when we finally do rob isn't doing his part; i felt that way about the dara episode. i don't think rob means any malice, it's just how he is...+ a dash of being a middle-aged white man in showbiz...
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i got this one yesterday...
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...and i'm going to dedicate it to you<3
and frankly sign me up for the woz/vcm experience i am happy to be a little tomato in that flapjack sandwich
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you guys are really sweet, it makes me smile ♡ i don't know why some days the trolling can really get to you and other days you forget it in a couple blinks... i feel like i've been having some bad days. last week i saw something on my own dash with thousands of notes outright mocking me and i haven't really recovered from the uncomfortableness/just general hurt feelings. i want be better about letting those things go, but i also think a holiday break will do me good. anyways, thank you for always enjoying the blog and taking the time to be so kind ♡
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