#there's a whole issue here i could write an essay on about how the d& s of b d s m became mainstream and normalized even in sfw settings

[casiavium]

Can't sleep again. Thinking about how I don't like knight/prince(ss) as a trope. Besides the fact that it's boring to me. This isn't "discourse" or a call out or anything it's just a personal interpretation and analysis

while yeah there's nothing wrong with that level of power imbalance in fiction, these tropes always act like that's a cute thing which I just find to be. 😬 y'know. Referring to a character as a "pet" for the royal one without understanding that that's. not a great dynamic to have. The "don't call them toxic or problematic!" When the relationship is inherently not equal and can never be without issues, but this can't possibly be discussed because then the person who ships it is a bad person 🙃

and for someee reason still bitching about the "more obvious" power imbalances like enemies, who most of the time end up being MORE equal because they're the same person same situation different fonts

It's fine to me when it's used as an insult (something something loyalty) and then there's discussion of "you know you mean so much more to me than that", or when there's a Very Obviously Fucked Up imbalance that is Very Obviously Not Normal and yet the one that gets the short end of the stick is like "fuck this I don't care that you think you're better than me. Your power only exists because I give you it, so be very careful how you use it" (and when they use it wrong there are consequences that don't get magically forgiven)

If the one with less control isn't very very aware of how much power the other has over them and could exert if they wanted to (but also the fact that the relationship and its genuineness hinges on their agreement) it gets a bit too concerning for me. If there isn't a certain level of meta intertextual analysis and understanding of the way the very much dominant/submissive dynamic works then it's just. Not interesting and often frustrating

Edit: this should have said intra-textual ("in the text itself", which I apparently not a word) not inter-textual (between texts)

[mitten-kittens420]

I miss early seasons of sunny.

And not really the type of jokes— I think dark humor is hilarious (duh) but some times they were a bit much. But I miss the dynamics. I feel like it’s even stretched up to s10 but the past few have felt so different. They felt out of character even though it’s still the same writers and the same characters and what not.

I guess I just miss when it seemed like The Gang actually cared about each other a bit. As much as they could, anyway. They’ve always been pieces of shut but they’ve always been each others pieces of shit, and it was special.

Even if they were doing something for their own gain, there was always a hint of them doing it for each other. Like, for example, Charlie Got M*lested. Dennis and Dee went full on private investigator, and sure they were only trying to “help” their their own ridiculous ego-centric/competitive reasons, but the factor the matter is they were still trying to help Charlie. In Charlie Has Cancer it seemed Dennis was truly concerned when Charlie told him, if not a bit uncomfortable. And I feel he only acted so weird because the way the Reynolds household worked when they were little. That’s a whole other post in itself, however.

In Dennis And Dee Get A New Dad, Charlie tagged along with Mac to visit his dad— and sure it was because the idea that Mac’s dad could be like a father figure to Charlie as well, but he was there to support Mac at the end of the day. As well as the fact they were so ready to beat the shit out of D&D’s biological dad for Frank.

In Dennis and Dee Go On Welfare, the twins hung out and acted like actual siblings. There was bickering and arguing sure, but that’s just how you act with your sibling. They hung out, they enjoyed each others presence, and it didn’t always have to be some huge joke about how everyone hates everyone.

Charlie Gets Crippled— when Dennis hit Charlie with his car it was real concern he had seeing Charlie in the hospital. As well as in Gun Fever when Dennis accidentally shoots him. You even see Dee talking to Colin about Charlie— letting him know Charlie’s okay. Like a friend does. Like you do when you care about someone. They even say they’ll help Charlie out with his rent!

There’s many more examples so I’ll just breeze through them here so this post doesn’t get too long. Dennis checking on Charlie and helping him write Dayman, Dennis knowing exactly how to calm Charlie down in The Gang Gets Extreme: Home Makeover Edition (and The Gang Goes to Hell), Sweet Dee Gives Birth, Dennis is a good brother. We see him being a good brother. And it’s not for any reason other than to care for Dee while she’s having her baby. Sweet Dee Has A Heart Attack, Dennis and Dee bond like actual brother and sister and he’s concerned about her well-being— actually concerned. In The Gang Wrestles For The Troops we see Charlie Dennis and Mac enjoying being together. We hear about them wrestling and having fun with one another and they stick together in those goofy fucking bird costumes. Macs Banging The Waitress: call it selfish desire or extreme attachment issues and an insane ego, but Dennis was troubled when Charlie and Mac agreed they were bffs and not him, he tried everything to get Charlie to change his mind. Charlie Kelly: King Of The Rats— I could write a whole essay on this episode alone. Dennis Dee and Mac went above and beyond for Charlie. Just to make his birthday special. Mac And Charlie Write A Movie: again, they just act like friends. Real friends. It’s obvious they cared for each other. In Charlie’s Mom Has Cancer they all try and figure out a way to help. And yeah there’s that whole subplot of Dennis not feeling anything, but I feel like that makes it matter more that he wanted to tag along to find a “cure”, whatever that cure may be.

And there’s so many more instances of them just…. Enjoying each others company. And I’m not saying it doesn’t happen anymore, I’m just saying it doesn’t happen nearly as often as it used to. It feels like now they’re just a group of ex-friends that all resent each other just below the surface. They had selfish reasoning, they always did, but they also cared about each other. The things they did, they did to try and benefit each other. And maybe it’s just because their characters are being flanderized, maybe I’m insane, I dunno. I just miss old Sunny.

[duckprintspress]

Round Table Discussion: Grammar Pet Peeves

Today, March 4th, is National Grammar Day! Last year, we celebrated with six of our favorite grammar quirks. This year, we’re going to the other end of the spectrum: we had a conversation with our editors and blog contributors about grammar things we hate. They may be technically correct, but that doesn’t mean they don’t make us crazy. Eighteen people, many anonymous, contributed to this discussion.

Dangling Modifiers

boneturtle: Dangling modifiers, hands down. Even when I can decipher what the writer meant based on context, it viscerally hurts me every time. When I am editing I have to stand up and take a lap around my apartment when I hit a dangling modifier. Remind myself that I am here to help. Learn more about dangling modifiers.

Commas

anonymous: Commas are not difficult! Commas end phrases. Full stop. That’s all they do. Is a phrase necessary to the grammatical coherence of the sentence? if the answer is yes, no commas because that phrase hasn’t ended. If the answer is no, commas! comma hug that bish if it’s the middle of a sentence. The difference between grammatical and informational is whether or not the sentence makes sense without the phrase. 

Examples: 

The man who ordered the six double anchovy pizzas claims to have a dolphin in his pool. 

You need “who ordered the six double anchovy pizzas” because you need to identify which man you’re talking about. The world is full of many men. 

The ancient Buick, which Madeleine purchased via Craigslist, belched black smoke whenever she pressed the accelerator. 

We don’t need to know how Madeleine purchased the car for the sentence to make sense. You don’t even meed “Madeleine” for the grammar to make sense. Therefore, hug that phrase! 

(a comma on each side of the phrase) or give it a dramatic send off with a comma and an end punctuation. (i could go into conjunctions, too, but those are a little more complex, and if you were taught them properly, i understand not getting the comma use 😂 ) 

Prepositions at the End of Sentences

Tris Lawrence: There was a dictionary (Merriam-Webster? Oxford? idek) that posted recently on social media about how the rule about not ending a sentence with a preposition came from English scholars trying to make English line up with Latin, and that it’s totally okay to do it… and I’m just wanting to point to it to yell THIS because uhhh trying to rework sentences to not end in a preposition often creates clunky awkward things (my opinion, I recognize this).

D. V. Morse: Ending sentences/clauses with a preposition. Well, not doing that is supposed to be the rule, but depending on the sentence, it can be a convoluted mess to try and avoid it. Winston Churchill famously told someone off after they “caught” him breaking that rule, saying, “This is the type of arrant pedantry up with which I will not put.” (Yes, I had to look that up.)

Pronoun Confusion

anonymous: I hate playing the pronoun game when reading. I hate it in life when someone comes up to me and tells me a story involving 2 people of the same pronouns and stops using names halfway through, and I hate it while reading too. Nothing makes me fall out of scene more if I don’t know who just did/said what. Use names. That’s why we have them.

Nina Waters: epithets. If I know the characters name…why? Also, when people use “you” in third person writing. There are times I’ll allow it as an editor/times when I do think it’s at least acceptable but not gonna lie, I absolutely hate it.

anonymous: My pet peeve … I read hundreds of essays in a given month for work, plus a whole lot of fanfic for fun. A rising issue that I have noticed in both places is incomplete sentences (lacking subjects, typically). I think it’s because people rely on Google’s grammar checker to tell them if something is wrong and…Google doesn’t check for that apparently. I’m increasingly convinced that my high schoolers simply weren’t taught sentence structure, because when I ask them to fix it they almost universally say some variant of “I don’t understand what you’re asking me to do.” Therefore, it might be punching down a little to complain about it. I’m not sure. It does drive me nuts though. Lol

“Would Of”

Neo Scarlett: Not quite sure if that falls under grammar, but I hate hate hate when people use “should of” instead of should’ve. Or “would of.” It just makes my toe nails curl up because it may sound right, but it looks wrong and is wrong.

Semi-Colons

Shea Sullivan: I saw a list punctuated by semicolons recently and that made me froth at the mouth a bit.

anonymous: I think any editor who’s worked with me knows that I have a pet peeve about using colons or semi-colons in dialogue. Or really, any punctuation mark that I don’t think people can actually pronounce. Semicolons can live anywhere that I don’t have to imagine a character actually pronouncing them.

English isn’t Dumb!

theirprofoundbond: As a former linguistics student, it bugs me a lot when people say that English is a dumb or stupid language because it has borrowed from so many languages. What people mean when they say this is, “English can be really difficult (even for native speakers).” But I wish people would say that, instead of “it’s dumb/stupid.” Languages are living things. Like other living things, they adapt and evolve. English is basically a beautiful, delightful platypus. Let it be a platypus.

Dei Walker: I remember seeing somewhere that English has four types of rules (I’m trying to find the citation today) and everyone conflates them. And I guess my pet peeve is that everyone treats them equally when they’re NOT. There are rules but not all of them are the same – there’s a difference between “adjectives precede nouns” (big truck, not *truck big) and “don’t split infinitives” (which is arbitrary).

And, because we couldn’t resist, here are some of our favorite things, because when we asked for pet peeves…some people still shared things they loved instead of things they hated.

Oxford Comma

Terra P. Waters: I really really love the Oxford comma.

boneturtle: me: [in kindergarten, using oxford comma]

teacher: no, we don’t add a comma between the last two objects in a list.

me: that’s illogical and incorrect.

anonymous: I will forever appreciate my second grade teacher’s explanation of Oxford comma use: Some sentences are harder to understand if you don’t use it, but no sentence will ever be harder to understand because you do use it. Preach, Mrs. D

anonymous: I am definitely Team Oxford Comma. I even have a bumper sticker which says so

Other Favorites

Shea Sullivan: I adore the emdash, to every editor’s chagrin.

Shadaras: zeugmas! I think they’re super cool!

Shea Sullivan and Hermit: I use sentence fragments a lot. Fragments my beloved.

English Grammar vs. Grammar in Other Languages

anonymous: so in English my favourite thing is the parallel Latin and Saxon registers because of how that affects grammar, but in Japanese my favourite grammatical thing is the use of an actual sound at the end of the sentence to denote a question, as opposed to how in English we use intonation? Also how in Japanese the sentence structure requires reasoning first and action second in terms of clauses. So rather than go “let’s go to the cinema because it’s raining and I’m cold,” you’d go “because it’s raining and I’m cold, let’s go to the cinema.” (My least favourite thing is the lack of spaces between words in the written form but that’s purely because I find that level of continuous letters intimidating to translate.)

I also love how Japanglish in the foreign communities in Japan starts to develop its own grammatical structure as a way of situating yourself in this space between the two languages. It’s used as a call-sign of belonging to that specific community, because in order to make some of the jokes and consciously break the rules of English or Japanese grammar and/or choose to obey one or the other, you’re basically displaying your control over both/knowledge of them. Like, the foreign community in Japan is often a disparate group of people with multiple different native languages who are relying on their knowledge of at least one non-native language but often two to signify their status in the group as Also An Outsider and I think that’s really interesting.

Nina Waters: Chinese and Japanese both drop subjects, and Chinese doesn’t have like… a/the… Japanese doesn’t have a future tense… Chinese kinda sorta doesn’t have tenses at all… (these are not pet peeves, btw, I love how learning a language with such different ways of approaching these things reshapes my brain). Chinese also doesn’t really have yes or no.

There’s a joke somewhere on Tumblr about that, though I actually think it’s about using “a” versus “the,” like, someone was giving a Russian speaker a hard time after they said “get in car” and they were like “only you English speakers are dumb enough to feel this is essential why would I be talking about getting into any random car of course I mean our car wtf.”

anonymous: on the subject of other languages, epithets are also something that happen differently in other languages. In French repeating a word (names included, and sometimes even pronouns) is considered bad writing. As in, way more than in English. Going by how grating the English translation of the Witcher books was to me when the French one was fine, I’d say it’s the same with Polish, at least. It’s also very interesting how brains adapt to writing styles in other languages.

What are some of your favorite and least favorite grammar quirks, in English or in the language of your choice?

[meraki-yao]

Hi! Thank you for reflagging my little rwrb ask game. Here are some numbers as another thank you and because I’m a little bit curious :)

1, 2, 11, 12 and 16 💜

Feel free to ignore the ones you don’t feel like answering, if there are some! 

First and foremost thank you so much for making this ask game!!! and also thank you for asking me!!! Writing this was really fun :D

What was your introduction to Red, White and Royal Blue? How did you become aware of it, what was your first impression of it?

It was completely coincidental. The day the trailer came out it popped up on my recommendation, and I was intrigued so I watched it, and then I couldn't stop watching it. I swear, within like, three days, I watched it at least 30 times, and I ran to get the book two days later

My first impression after watching the trailer for the first time was that it looks a little cliche, like something I'd find on Ao3, but it also looks like a genuinely fun and delightful movie, and I think I would have a really good time watching it. And I did!

2. Team Alex or Team Henry? (I know you love them both equally but choose anyway. OR choose depending of the circumstances. Like, "I’d go shopping with Alex but I’d marry Henry. Or I’d hug Alex but I’d go karaoke with Henry. I don’t know. Try something.)

I love both boys in both universes/mediums in different ways, but I'd say I personally relate a lot more to Henry, particularly movie Henry

11. Choose your prison. Would you rather live in a royal palace or in the White House? 

If we're talking about the buildings themselves, I'd say the palace, mostly because I grew up with fairy tales and I like that regal, medieval/classical/romantic aesthetic.

12. Share one of your unpopular opinions about the book and/or the movie.

Ooo, this is gonna be a slightly longer one. I was thinking about making a full post on this but I might as well just answer it here.

This has to do with the bonus chapter: I didn't really like it? Or more accurately, it made me feel kind of... disappointed or sad. With all due respect to Casey of course.

It took some time but I came to terms with Alex wanting to work in smaller law firms, especially after talking to my law student friends. My issue is Henry's abdication.

It's just, so much of the original book is about making history, about being in a prominent position AND being gay. Henry keeps track of gay monarchs, and they tend to have to hide or give up something one way or another: King James I had to commission the translation of the bible and sort of... lie about his relationship (I'm technically not religious, but I did read the bible a lot as a kid, and I really don't think the relationship between Jesus Christ and John, namely teacher and disciple is comparable to a very, very homoerotic relationship), and King Edward II (Yes there are two gay kings in Henry's name) had to exile his lover. So to have Henry finally be a royal who can keep both his title and his love would be historical, just as they said they wanted. Henry can step back from royal duties without stepping down: irl Princess Beatrice while still a working royal, had a full-time job in 2017 and split her time between New York and London. Henry could have done something like that. I understand that in the book the royal family is a lot stricter, rigid, and overall awful than in both real life and the portrayal of the movie, but I thought that with Princess Catherine coming back to take charge at the end, things would improve, fixing the system instead of going "fuck the system". Also this might be because of certain things happening in my life right now, but I'm kind of sick of seeing stories where you have to choose one, instead of coming to a compromise. You don't get all the good, you don't get all the bad, you find somewhere in between, and that's okay.

Plus given the more benevolent portrayal of Henry's family, especially his grandfather in the movie (I wrote a whole essay about it), if we get a movie sequel, I really don't want Henry to abdicate, and it also makes less sense.

But then Casey posted a story about their thoughts when writing the bonus chapter, about the boys taking a break from making history, not giving up; preserving their flame instead of letting it burn so hard that it burns out. That made me wonder if my perspective and opinion on the bonus chapter are affected by me being young.

16- Pick a line and/or a quote for each:

-You have to sell the book/movie to someone who doesn't know anything about it.

Bith "But you're the one who decided to put your dick into the heir of the British throne!"

yeah I think that summarizing the initial selling point pretty well

-The quote that makes you the most emotional.

Romance/ Love wise:

Book: the entire fucking list, but also "give yourself away sometimes, sweetheart. there's so much of you." (I started sobbing when I read it)

Movie: "I'll break the sound barrier for you. "

Lines that make me emotional for personal reasons:

Book: "I honestly have never thought I deserved to choose. But you treat me like I do."

Movie: "But Henry, Nothing will ever happen to you."

(I feel like just from that you could tell what my personal issue is lmao)

-A quote/line that could be a life lesson to you.

Both: "Sometimes you just gotta jump, and hope you're not standing on a cliff."

This was so much fun! Again thank you for sending in the numbers, and if anyone else wants to ask me (the list is here!) please do!

[icharchivist]

barges in onto the P&P discussion because i'm a huge british lit nerd:

i know you're more of a fuyu fan but i once wrote a pseudo essay comparing Banri watching Juza's portrait to Lizzy reading Darcy's letter so, if it ever were to be adapted into the stage at Mankai, i think Banri would do a pretty great Lizzy with a wonderful Juza Darcy

OOOOH, very good to see you here!!

it's true i'm a fuyu stan, though to also be fair i was mostly answering to the prompt i got ahah, i'm opened to most ideas.

(tbh i was also thinking how thematically wise the troupe who would likely do P&P would be Spring, but i also can't really think of any good casting choice at the moment, so it has to remain thematic). (thematic swap troupe events where every troupes are taking up on the thematics of others troupes. Here. Fixed my thematic problem just like that. can't wait for Comedy!Winter or Tragedy!Summer)

T H A T S A I D i absolutely love the idea of trying to put it on Autumn. I think the constant infighting between Lizzy and Darcy where they have started on misconceptions about each other and carried on provocating each other would fit those two INCREDIBLY well.

Especially considering Juza's problem is that he naturally looks unfriendly and that he doesn't have the communication skills to bridge that gap, it fits the idea i have of Darcy in my mind really well, while Banri jumping to conclusion and being the one refusing to let go of the petty things he holds against Juza, even if it steams from misconception, can fit really well with Lizzy's issues especially early in the novel.

The fact the letter reading fits them and that you could write about it really makes it all clicking perfectly together, i can totally see it.

I feel like they would be a more perfect cast as the lead duo than what was decided for Winter, but i'm really unsure about how to cast the rest of Autumn?

For sure we'd need to keep Azami away from the main romances and wait i just remembered i made this meme forever ago that i've never imagined i would actually use in an a3 conversation:

Then i'd say the people we'd really need to cast would be Jane, Bingley, and Wickham?

I suppose we could have Taichi as Jane and Omi as Bingley, and Sakyo as Wickham to finish the whole casting? i don't have as strong an opinion as to how it would fit but i would trust all of them to really manage to play it well.

I feel like, Banri and Taichi would play really nice siblings, at least, and Omi can nail Bingley's "too nice, too well natured" that Juzarcy would like to protect?

Like focusing on how Banri&Taichi and Juza&Omi have this complicity that could make them play the siblings/friends very well.

Sorry Sakyo i'm making you into the villain into this one i suppose? :sob:

though i guess we can also swap Sakyo and Azami without too much problem is Wickham doesn't flirt too much in this version?

Of course we can also make it a crosstroupe play but i'm already running on fumes brainwise so idk if i have the energy to comb through everything for the best bets.

What i said on my Fuyu casting about the younger Bennet siblings being played by Yuki and Muku doing cameos still stand and instead of Juza i think we can do with Sakuya instead, to keep things moving up. Though i feel like Kumon would insist on staring in the play but i feel like if he has to play Banri's sibling instead of Juza he might adlib himself into insulting BanLizzy and insist on wanting to become Juzarcy's sibling so i don't know about that.................

but yes, that still works ;D

[a-really-big-cat]

Does anyone have more constructive thoughts on the whole Was Tolkien Racist debate (please no "he wasn't the critics are just grasping at straws" or "he was but that's alright" or any other one-note comments)

IMO, (and this is a really disjointed list of points here, not really a proper essay)

a) without a good and agreeable definition of racism the argument is pointless anyway; the word "racist" and its meanings have become muddied with unrelated and morally neutral meanings such as an insular or naive, ethnocentric perspective, which lends these neutral meanings the same heated and morally charged implications of the "racist" term, so it is unhelpful and unfair to call someone living in the past "racist" using a modern, unclear definition;

b) he 100% did not share the social darwinistic and white supremacist views of many of his contemporaries, as evidenced by his stated "hatred of apartheid" and well-known anger towards the Nazis;

c) the "literary agent hypothesis" with which he wrote Silmarillion and LOTR can suggest that xenophobic (in the proper sense of "fear of other peoples") or insular narration, in many points in the the books, is an artifact of the perspective of the viewpoint characters;

d) much of the dated language he used to describe orcs (i.e. "sallow; slant-eyed") would hardly raise an eyebrow at the time, and one cannot find any personal fault in Tolkien for not having any knowledge of what language might offend a hypothetical East Asian reader;

e) aside from the datedness of the language itself, the stereotypical "invader from the east" appearance of the orcs themselves has a number of qualifiers, as described in Tolkien's oft-quoted description of the orcs: "They are (or were) squat, broad, flat-nosed, sallow-skinned, with wide mouths and slant eyes: in fact degraded and repulsive versions of the (to Europeans) least lovely Mongol-type" is found in a letter in which he is complaining to a scriptwriter who has written the orcs as being (get this) bird-like in appearance. Tolkien is also, again, describing them as being ugly in the same way an insular Medieval European would describe the perennial "steppe nomads" who were considered "enemies of Christendom" and "the Scourge of God". I don't think that this necessarily says that Tolkien feared or harboured some sort of prejudice against East Asian people (or "Mongoloid" people as was a common term at the time). It only speaks to what he was attempting to do, by drawing from the Medieval Christian perennial fear of invasion from the pagan steppe peoples, in the same way that he drew on the Medieval Christian idea of "glorification of Rome" by writing in a powerful but declining "Christian" nation in the south. Whether this was in itself a bad idea is distinct from the question of whether Tolkien was just displaying a malicious hatred of "Mongoloids".

f) the orcs themselves are a very complex issue which I don't have the time nor space to get into too much here, but they have a lot to do with Tolkien's own experiences of the War and seem to have been essentially made first as a truly demonized enemy, a species of minions which the heroes could fight and slay without having to have great moral philosophizing and outpourings of guilt over doing so. Tolkien didn't want to write a slow and work where the heroes have to try to redeem every enemy they encounter before resorting to fighting them, he wanted to write a traditional folk epic about the nature of war, and so, once Tolkien became troubled by how he had essentially written an entire species of sapient being, with their own motives and culture, whose entire purpose was to be unsympathetic and evil, he continually tried to find solutions to this problem that would settle his mind (it seems he never found one). I think that the way the orcs are summarily shuffled offscreen at the end of the LOTR, so as to avoid the difficult question of whether they can be redeemed or not, is perhaps the only genuine shortcoming which can be found in the entire work...but any sort of good solution would likely have required a late in life revision of Tolkien's entire body of work.

g) And the whole "moral geography" debate is itself bad scholarship...we know that Tolkien was a devout Christian. He was writing a story about and for a European, Christian perspective, not because Europeans are inherently more virtuous than other peoples, but because (at least at the time he was writing, and especially in the Middle Ages of which Tolkien is often called a surviving relic because of his mindset; ironically now you are perhaps more likely to find more devout Christians in Africa and Asia; the "Global South") Europeans were generally more Christian (and therefore free in the salvific sense) than other peoples. The use of the term "Free Peoples" is not to imply that fair-skinned westerners are the good guys, but rather that they are the lucky guys; i.e. the guys with the most contact with the Valar.

I think I would love to make all this into a proper essay sometime but I have school to deal with...but in general I think that Tolkien drew far, far more from Christian history and attitudes than he did from contemporary racist beliefs, and that it is wholly unfair and incorrect to call him and his work "racist" when fundamentally it does not much adhere to contemporary attitudes of Caucasian superiority. His work places a much greater emphasis on faithfulness to the Valar and friendliness toward the Elves as a measure of determining "freeness". The ending of LOTR implies that all other Mannish peoples become friends with the "Free Peoples" after Sauron is overthrown. It is possible that, had Tolkien been able to find a more satisfactory answer to where Orcs came from and what their role in the "Salvation" of Middle-earth could be, then he might have given them a different, more redemptive ending rather than shuffling them offscreen quietly so as to avoid the thorny question of whether his heroes were being uncharitable in killing them so casually.

[snat-snailcat]

TLDR: we gain more from being critical in our consumption and analysis of problematic media than we do throwing it away.

There’s already been essays written about it but I just am having one of those times where I feel I shouldn’t have to justify still being able to enjoy a media even if there are problematic elements. Just because a clearly bad take was made doesn’t mean I have to throw the whole book in the trash.

It feels harder and harder right now to be like “here is a thing I hyperfixated on for months/years and really care about” when I *know* that somewhere in the history of that thing is some racism. I know it, I acknowledge it, I learn to be better, and I move on still being able to hold these characters and stories close to me.

Need some sort of stamp that I can smack on things like “I know that this media has some Issues, I have come to terms with them, acknowledge them, and will still enjoy the parts of them that really mean something to me”.

I really like Dungeons and Dragons. I just do, I love Forgotten Realms for how vast a setting it is, and for the decades of world building and details that it has put into it. I know that there’s a history of the game and its lore having some Issues. Some pretty bad ones too. As someone who loves to plunder the (digital) pages of books from the older editions (AD&D 2e is my current baby), I see a lot of it. Some of it has been addressed and changed to be less racist in the years since, some of it has been retired or shuffled away altogether, but I trust myself in having a critical eye to see the parts of the game that aren’t as inclusive or thoughtful as they ought to be, and I change them for my games.

I love drow. I’ve always been fascinated by the ideas of underground worlds since I was a kid, reading books like City of Ember and writing Warriors Cats fics about sprawling underground mazes. I love the aesthetic of caves and tunnels, of luminescence and strange fungi. And I love reading War of the Spider Queen, a series of nothing but drow and their betrayals. It’s far from unproblematic, but it’s a study in magnificent bastards, in characters who are so far from being moral paragons that they stand out. And from the moment I first read of her, I love Eilistraee. It’s that same story over and over again, about enduring all that is horrid and still choosing to be kind, to be better than those before you. But I also will not deny that in these books, especially the older ones, there is racism. There’s white authors depicting struggles far from their own with clear analogies to real world people.

I enjoyed a lot of shows, especially in grade school; Steven Universe comes to mind. And some issues do exist with this media, but at the same time, I enjoyed it. It did things that had never been done before for a network cartoon for children. Are there much better shows now that have similar, if not better representation? Yes! Absolutely. But someone had to walk so that others could run.

We learn nothing from tearing down the world behind us as we all move forward. It’s important to have it there to see how far we’ve come.

Part of being a good consumer of media is being able to identify that, take it, and reflect on it. What is being said? What do you believe the author’s point was in trying to include this? What were the common views/rhetoric at the time this was written? Was there intention to cause harm by this, and if yes, how can that intention appear in other places? What can we learn from this in what not to do, and what we can do to fight against people like this in our world today?

I’m not saying to ignore the issues that many pieces of media have, but to be able to use those faults and flaws to better yourself. When it comes to a media as vast as TTRPGs, it’s easiest to rewrite and disregard issues, because it becomes *your* world, your rules, and your place to exist.

There’s no easy way around it. Hate still exists, there are still terrible people out there, a lot of which we should not be supporting. But there are also people who make mistakes, who mess up, who are still learning. And there are ways we can learn from those before us, or those we watch.

It’s all about how we work with what we have.

[txbbo]

I've been debating making this because this is definitely not what my blog is known for and I was worried that people wouldn't want to see it, but with the amount of shit im seeing on twitter it's compelled me to make this because I'm so frustrated.

I feel like I could make 100 posts about 'Cancel Culture' and it wouldn't be enough, so I'm just going to focus on what caused me to write this tonight - the Tommy situation. *Warning for a VERY long post below*

To be clear, Tommy has been in 'hot water' on twitter for the past couple weeks, roughly starting with the KSI collaboration where he made a joke about dream stans.

Last week, when the SBI 'exposing account' got made and twitter hyped it up, someone made a Tommy account and made a thread of things he needed to be '''educated''' on: https://twitter.com/idktommyinnit/status/1379158964148002821?s=20

I'll let you read it for yourself (and come to your own conclusion) but to me.... half of this stuff does not require a twitter thread? Breaking it down accusation by accusation:

1) 'The Mexican accent' - the clips show he is clearly only doing it when copying big Q (who famously exaggerates his own accent) and there is zero malicious intent (Big Q is also IN the 3 clips mentioned in the thread, and obviously didn't tell Tommy it was offensive). There's debates in the comments from people who think it is offensive and people who don't, so I'm not trying to pick a side. To avoid accidentally offending anyone, maybe it is best for him to stop, but the way twitter acts as if he was purposefully doing this to offend people is just not true.

2- 'Making a slave joke' - Even saying that feels wrong, because it suggests Tommy is doing something awful. Instead, they are referring to the 'bit' that Tommy, Techno, Tubbo and Ant were involved in, when Tommy and Techno took Tubbo and Ant as their slave. People are taking this vod and using it to accuse Tommy of being insensitive to Black people, but I think people are just assuming the worst. Slavery existed long before the transatlantic slave trade and still exists today. This is a role-play server - Tommy 'forced' Ant to work for him and used the word slave, which to me is exactly what was happening? People 'murder' others on the SMP, people 'kidnap' on the SMP, people are 'terrorists' on the SMP, and all happen without issue. To add, Ant is a WHITE man. Tommy taking a WHITE man as a slave is not something uber problematic.

3- 'His reply to Techno's 'murder is bad' tweet'. - I get people saying that Techno's initial tweet was insensitive, but saying Tommy's agreement to this from almost over a year ago is something notable and worth addressing is just super nitpicky and is clearly only in there to pad out the thread. It also makes me wonder what other CC's interacted with it and if THEY should be cancelled too (according to twitter).

4 - 'The saying slurs' tweet / jokes about 'whats the worst word you know' - This one I can kinda see how people might not like it. However, it's clearly a 'poke' at his friends, making them seem like bad people. To me, its in the same vein as 'Tubbo is a Tory' or when Tubbo shoots back that 'Tommy is a Nigel Farage fan'. They're obviously not, but its making fun of your friends by saying they are, and mockingly making them out out to be bad people.

5- 'Covid jokes' - People are taking jokes he made about him 'having covid' and saying he shouldn't joke about this, even going as far to linking it to asian hate crimes. I don't even know how to explain that that this is just? not a 'cancellable offence'? I'm sorry but if I hear anyone in my family coughing I make a little joke that 'they better not have covid' and I know other people do. I have someone in my family who is extremely vulnerable to Covid and if they caught it, would quite literally die, but I can understand that jokes like these are harmless. The whole internet had a running joke that we were in a 'panoramic' or 'Panera' or 'insert any word that sounds like pandemic.

This thread got a lot of attention and anything he tweeted afterwards was spammed with the link and there were so many people upset that he hadn't addressed it. I saw so many people say how 'upset' and 'disappointed' they were in him.

Going on to today, this happened: https://twitter.com/khasiid/status/1380611890104139776?s=20

I get it, it looks bad. But for context (which the tweet doesn't give), the reply was only up for less than a minute. It was obvious to me, even BEFORE Tommy addressed it in his stream (clip here: https://twitter.com/cowrpse/status/1380640046202593283?s=20 ) that it was a mistake. In the clip, he clearly acknowledges his mistake and seems embarrassed. To me, this situation should just be laid to rest because a mistake does not need this much attention, but twitter disagrees.

In case it wasn't obvious by now, the tide is turning against Tommy and people are less willing to ignore genuine mistakes and assume the worst.

Today, during his birthday stream people were clearly already waiting for him to mess up. Around half way through, he started saying 'finna' out of context and Tubbo joined in. This led to tons of tweets telling him he was misusing AAVE, and while there were plenty of people willing to be patient and educate, there were also people seeing this as an example of him being a 'bad person' and someone who should be 'without a platform'. I think people forget that not everyone has the same internet upbringing as they do. In general, I think its noted that the misuse of AAVE is something that has just recently been brought to attention. I learned about it through tiktok and stan twitter, and I don't think it's unimaginable that a British 17 year old boy (who is not active on either) has never heard of 'African American Vernacular English'.

Just for a fuller picture, today has also brought about another 'criticism' that I just had to address.

1) 'Tommy made a KKK joke' - Like the 'slavery' point, saying this is extremely misleading. It makes people think the worst. Here's the clip: https://twitter.com/ghostburz/status/1380673589612011522?s=20

Here, Tommy and Tubbo are both joking about Tubbo's 'bit' of naming his alt streams 'aaaaaaaaaa', 'bbbbbbb', 'cccccc', etc and how it would've been bad if it was 'kkkkkkkk' (for obvious reasons). That is literally it. It is a less than 20 second clip. Acknowledging that people woulda thought about the 'KKK' is not him 'not understanding Black issues', its a throwaway joke about the obvious.

Lastly, someone on twitter has made a tommyinnit (address asap) doc - https://docs.google.com/document/d/1tZEZtBzikS-EYYkssfFtwVOoFqOwCK0zhStLe6H1wCc/edit

I've basically already covered everything in this document, but I wanted to mention how extremely 'guilt trippy' the whole thing is. I struggled to come up with the perfect word for the situation, and I am open to hearing other peoples opinion, but as I have mentioned none of these things Tommy has been accused of were done with malicious intent, and some I believe don't even need addressed at all.

'slavery is a source of astronomical trauma for black people, and isn’t something to be taken lightly if you’re to look into the horrors of the slave trade."

and "Oftentimes they are the last words we hear before we die and it really is not Tommy’s place to joke about words that affect us so negatively."

Are extremely emotional words for a 17-year-old boy to hear on his birthday, for stuff that I believe has been taken out of context and blown out of proportion.

I really feel bad for him, because such a large proportion of twitter (which ofc is the loudest side of the fanbase) is angry at him and is demanding (as the document says) ''either a stream or twitter thread/twitlonger to addressing this' and 'a long and serious apology instead of a short statement pre-stream'.

We all know how twitter works, and unless his apology is perfect (which to me means apologising for stuff that he should't have to, as explained in the thread), twitter will continue with this weird hyper focus on everything he does, and it's not going to end well.

Twitter's mentality of 'putting everything this person has done that could ever be considered problematic' into one neat little thread is so unhelpful and counter intuitive. I got overwhelmed reading some of the stuff people were saying about him, I can't imagine how he feels.

I feel like I have more to say but at risk of writing an essay longer than my actual work I have to do, I'm going to end here.

[jackoshadows]

The ASoIaF fandom can be so frustrating sometimes.

It’s okay to admit that one doesn’t like this or that character. There’s nothing wrong in disliking a character.

I am pretty open on my blog about my indifference towards or dislike for Sansa because of her stans. I don’t make disclaimers about how much I love the character before proceeding to criticize Sansa. I am not a Sansa stan and that’s okay. My blog is a place for me to jot down my thoughts and celebrate characters, books and shows I do like. If you love Sansa as a character, block me, don’t follow me etc.

What’s obnoxiously annoying are the folks who claim to love all the characters the same and then give their ‘unbiased’ opinions which are held up as canon facts because they came from neutral book reader experts. To hell with that nonsense.

These posts reek of hypocrisy and double standards. It often tears down some characters while subtly propping up others - and it’s gobbled up by the wider fandom as unbiased interpretation of the text.

One example is pushing forth the notion that calling Arya pretty (Something that both her father and brother tell her she is in the books) is wrong, it’s sexualizing her, it’s okay for Arya to be ugly, she’s canonically not pretty because Cat/Sansa said so and no other interpretation is allowed etc. And then the same person who says all this celebrates Sansa’s beauty and ships her with a 27 year old man who falls in lust with Sansa.

Or when they say that the Arya-Lyanna (and Sansa/Lyanna parallels, because it’s always important to mention Sansa with respect to Lyanna even if said person claims to not care about Lyanna as a character) parallels are overrated and not important and they don’t care about Robert’s Rebellion characters but on their blogs there’s all these posts, fanarts and meta about Elia Martell - a Robert’s Rebellion character.

A so called book expert would note that GRRM has several characters outright compare Arya to Lyanna or mistake Lyanna for Arya in the books while Sansa has no such comparison. But no, the unbiased book expert thinks that the Arya-Lyanna and Sansa-Lyanna parallels are equivalent and are both overrated.That post just annoyed me excessively into writing this long ass rant post.

Why are these neutral, unbiased folks so interested in stripping away from Arya’s story?

In the books Jeyne Poole is masquerading as Arya Stark - but that story is only Jeyne’s, has nothing to do with Arya or Arya’s importance to the North. 

Arya is a strong warg, Nymeria and her wolf pack are a ‘Chekov’s wolf pack’ that GRRM has hung on the wall  -  Our expert opinion is that Direwolves are not all that important in the grand scheme of things.

Arya is pretty - why needlessly call Arya pretty, it adds nothing to Arya’s story and is all about sexualizing a child.

Arya-Lyanna parallels - why do we need these parallels, Arya is distinct and interesting without them.

These aspects are all important parts of the character’s story. There are so many very well written essays exploring these concepts with respect to Arya’s journey of self discovery in the books, the narrative significance of her parallels to Lyanna, her bond with Nymeria and her warging talents. For those who are interested, here are two bloggers who actually like Arya and have written about her character and character arc.

https://donewithwoodenteeth.tumblr.com/meta-masterlist

https://ashotofjac.tumblr.com/tagged/arya-stark

Some of these same people will rush to condemn any reading of the books that does not have Sansa wielding power at the end as being ‘Sansa hate’. But they will have no issues to undermine and devalue Arya’s actual book story, the relationships she has, the parallels she has, the skillsets she has, her appearance, her importance to the current story happening in the North.

There is a whole ass plot currently in the books of Northerners rallying for Arya Stark and preparing for battle against the Boltons for Arya Stark. But that’s not important because it’s actually Jeyne Poole and Arya’s story is about sailing off west of westeros.  But hey, Sansa will definitely go North and hold power and that’s like 100% happening because we are the unbiased book experts and we say it is so.

Or when all else fails - Arya is a Mary Sue, she’s a fantasy character, she’s a ‘strong female character’ because she fights with a sword, people like her because she’s a tomboy who fights. Sansa is realistic, Sansa is complex - but here are all the essays that basically transfer Arya’s complexity and story to Sansa - because it fits more with their fave, because these aspects would fit better with the traditionally feminine character even though they never tire of talking about how GRRM is deconstructing tropes. Because the trope deconstruction is only applied to Arya, Jon and Dany. Never Sansa.

And honestly, why are these people reading a high fantasy series if they hate fantasy and fantasy characters so much? We love Sansa because she’s so non-magical! Then go read non-fiction books. They also twist Jon, Arya and Dany into ‘fantasy’ characters - despite these characters going through some very real and human experiences. What’s fantasy about Arya’s experiences in war torn Westeros, Jon dealing with bigotry at the wall, Dany trying to rebuild Meereen, while dealing with famine, disease and insurgency?

Or how Jon and Dany getting any kind of happy ending or becoming rulers would be so boring, sweet, predictable, conforming to tropes, a happy ending etc. But Sansa getting love, romance, going home, becoming the Stark in Winterfell, getting her fairy tale ending - that’s totally what GRRM is going to do! No trope deconstruction there!  In may ways, Benioff and Weiss’ ending is not all that surprising -  Mad Queen Dany, Jon remaining a bastard with the freefolk, Sansa having power as a leader - are all popular theories among bnfs in the fandom. D&D wanting to wind up the show quickly with easily found fan theories is not that much of a stretch.

ASoIaF reddit is equally frustrating. Instead of Sansa stan bnfs on tumblr who pretend to like Arya and Dany while subtly undermining their story and importance, on Asoiaf reddit it’s Stannis stans who dislike Jon and Dany because these characters present a challenge to Stannis. The mere suggestion that Jon may play a role in the battle against Ramsay sends them into frothing at the mouth rage. They hate Jon, Jon is a Gary Sue because he dared advice Stannis - the greatest general ever - on Northern military strategy. Never mind that Jon grew up in the North and learned from Ned, how dare Jon Snow know more than Stannis! Unacceptable!

And I love Stannis Baratheon. I want Stannis to crush and defeat the Boltons. But unlike reddit dudebros, I can see that he is a secondary character, a tragic character who is most probably going to perish and Jon takes over because Jon Snow is a central protagonist in the story.

I feel it’s the same with Sansa. IMO, GRRM clearly doesn’t see Sansa in the same way as he does Arya, Jon, Dany, Tyrion and Bran. Whenever he is asked questions about the books, book plots, long term arcs, endings, age gaps etc it’s these characters he often brings up and references. It’s these characters who are important to him.

And that’s why there’s a lot of undermining and undervaluing of these character’s and their stories, them being described as fantasy characters, tropes, Mary Sues and Gary Sues, ableist rhetoric about Tyrion and Bran to undermine them.

I am damned certain that if it was Sansa who had all the parallels to Lyanna, or if she was the warg, or Jeyne Poole was impersonating her, this would all be ‘VERY IMPORTANT’ and on all the gifsets and essays. But she isn’t. So fandom bnfs are reduced to talking about how these aspects are not all that important anyway.

It’s like how this quote - ‘You may be as different as the sun and the moon, but the same blood flows through both your hearts’ turns up on gifsets every other day on the Arya tag but this quote - ‘Sansa could never understand how two sisters, born only two years apart, could be so different. It would have been easier of Arya had been a bastard, like her half brother Jon. And Jon’s mother had been common, or so people whispered’ very rarely does and will not get reblogged when it does.

Or when Sansa sees Joffrey trying to kill Arya and sides with Joffrey or when Sansa throws Arya under the bus and tells the Lannisters that it’s Arya who is the traitor - just sisters being sisters y’all!

It’s all about maintaining a certain narrative about Sansa - and when others point out her actual relationship with Arya in the books, we are accused of hating and wanting Sansa dead and how we should be criticizing Tywin and the Mountain instead. This is nonsensical whataboutism and ignores that people talk about  these aspects of the books because sometimes bullying, getting mocked for one’s appearance, abuse and neglect from parental figures etc. can resonate with certain readers unlike getting one’s head smashed in by Frankenstein.

At the end of the day, I wish these people would be honest about the characters they like and relate to. We are all biased. That’s why our opinions and interpretations are subjective. There’s nothing wrong in saying, hey, I like Sansa more than Arya or Dany, I relate to her character more.

I relate to Jon Snow a lot, I see things from his POV, I would disagree with the characters who disagree with Jon,  I enjoy his story at the Wall and the North. My interpretations of the text are therefore colored by my bias towards Jon. 

For others, it’s Dany or Sansa or Arya or Tyrion or Jaime. And that’s okay because these are fictional characters and liking one more than the other is not going to earn anyone woke points and lead to women’s rights.

And finally, there’s nothing edgy or cool about disparaging the central protagonists of a high fantasy series as being fantasy characters - go read other books if one is not into fantasy.

[utilitycaster]

Skill Proficiencies are the Bedrock on Which the Success of a D&D Party Rests, Monks are  a Utility Class, and Other Correct Opinions

This came up when I was thinking about the Cobalt Soul subclass and the discussion thereof, especially the dismissive way in which people sometimes treat the mystical erudition feature. I am also a bard player, in my longest-running game, and I prefer utility classes in general, so I decided to write a whole essay that maybe like 5 people will appreciate, two of whom are in my inbox (thanks for the encouragement, @ayzenigma and @agigabyte and one of whom is me.

In D&D, on a fundamental level, this is what happens:

A DM describes the world

You decide to interact with the world in some way

The DM decides if you automatically can do what you want, if you automatically can’t do what you want, or if there are a range of possible outcomes. If the last option, roll a d20.

The DM narrates what happens when you act or fail to act, ie, describes the new state of the world; the cycle begins anew.

The vast majority of those d20 rolls will be skill checks. Some will be combat rolls, which are a whole other thing, but most will be skill checks. Some will be incredibly important skill checks. Some will be relatively minor. Sometimes you’ll be aware of how important the roll is; sometimes you will not. Spells can sometimes guarantee or improve the chances of a success, as can some class abilities; but those are finite resources, and in the end a lot of D&D is resource management, and many of the choices you make in interaction are going to be influenced by what resources you have left.

Consider: the party comes upon a door with a single lock. The party is D&D four-person-party classic: a mage archetype, a thief archetype, a healer archetype, and a strength-based battler archetype.

The mage can cast knock to open the door. This does guarantee success, but it’s extremely loud and will not only alert anyone nearby but also uses a second level spell slot. They may be able to get around this if they or the healer also casts silence, depending on how you play it*, but that’s either another spell slot gone, or ten minutes wasted.

The battler can, for free, either kick down the door or attack it. This is also going to be very loud unless silence is employed, they might choose to use a finite resource (a once a day weapon ability, a rage) and even if this itself doesn’t alert anyone on its own, the big hole where a door should have been, or even the smashed keyhole, probably will.

The thief can, for free, pick the lock. Assuming they are specifically a rogue, because of their class build there is a very high chance of success, and specifically a high chance of quick, quiet, secret success even without additional help. And if they fail, well, the other options still exist and only a small amount of time has been lost.

Things like a single rage, or a second level spell slot, don’t seem like much on their own, but that is the other thing about D&D: usually you go to bed with some things left in the tank, but occasionally you do not, and as the resources get into the red line it is not terribly difficult to get into a death spiral of throwing your limited resources at a problem too large to be solved by them. When you’re in a game where, mechanically, there is no difference between having 100 hit points left and having 1 hit point left, but there is a vast chasm between having 1 left and having none, that extra second level slot worth of healing or damage can mean everything.

Or: at levels 5 through 8, with a cleric, the difference between an ally’s life and potentially permanent death is whether the cleric is left standing with one third level spell slot at the end of a battle.

This isn’t to say you shouldn’t use spell slots to achieve things, especially if they’re important; just that there’s a balance, and sometimes a single good thieves’ tools check, investigation check, or persuasion check makes just as much of a difference in terms of the party’s success as a high level spell, even though it’s far less flashy.

The game designers realize this. Older versions had the idea of taking ten: if time is not of the essence and there is no significant penalty for failure, you could take ten and guarantee an average job (which does still require some skill proficiency to take that assumed roll of ten to “pretty good”). This still remains in 5e in the form of passive checks. It’s a core element of the rogue and bard classes that they are people who are highly skilled - both have more skills than most classes and access to expertise, which significantly increases their proficiency bonuses and therefore reduces the chance of failure - and both have additional class features that either improve the breadth (jack of all trades for bards granting them partial proficiency in everything) or depth (reliable talent for rogues granting them a guaranteed average job) of those skills. Frequently, and especially for bards, this is not seen as a significant help, possibly because it rarely comes up in combat. This is wrong.

Here’s the thing: combat takes a long time at the table but in terms of what the party is doing, two minutes of combat a day (20 rounds, total) would be considered an incredibly difficult day. The rest of the time, you’re not in combat.

Here’s the other thing: how did that combat happen? Did it happen because someone failed a check - that a better stealth roll or deception check, perhaps made by someone with expertise in one of those two areas, could have prevented? Or if this conflict was inevitable or necessary, was the party able to use that stealth or deception to get a surprise round? Investigation, nature, arcana, or history to know a little bit more in advance about what they’re about to face? Perception or survival to even find the enemy they need to stop? Persuasion to gain an ally? All of these can make the difference between a success and a failure.

When you come to the end of a long-running D&D game, you will probably think back a lot to combat moments and RP moments, and unless it was one of those few clutch ability checks where you knew how momentous it was at the time you probably won’t think back to the dozens of locks picked without issue, or social encounters navigated with relative ease, but they’re going to be there, and you would have felt the strain without them.

This isn’t limited to skill checks, honestly; it’s a problem with almost all so-called fluff/flavor abilities. It’s interesting, in that the words we use to describe a well-built character are themselves quite neutral in terms of the specific build (min-maxed, optimized) but in practice many people assume these fit into one of two categories: the tank, or the glass cannon. Of course, those are combat-specific abilities, and see above with regards to combat. And maybe you are in a D&D game that is very much about combat and combat only, but if you’re not, that so-called fluff is far too dismissive of utility.

And monks, in particular, are more of a utility class than one would expect. Sure, they get a lot of attacks and they’re sort of tanks of the ‘too fast to hit’ variety and they can stun, but monks are utility in a negative-space sort of way.They don’t need your buffs, and a monk in your party, like a rogue who can pick locks or a bard who can talk their way out of trouble, saves your resources. They are incredibly fast, and don’t need longstrider or jump cast on them. They don’t need feather fall or fly because they run up walls and avoid falling damage. They don’t need to be healed, if they just catch the arrows that were shot and evade the area of effect spell; they don’t need a magic weapon (or any weapon); they don’t need a restoration to end effects, they don’t need protection from poison or disease, they save you the need to cast comprehend languages or tongues, they’re less likely to need a buff to help them save against other effects, eventually they don’t even need food or water. A monk, like a skill check, helps the party by saving finite resources. The Cobalt Soul build merely makes it a little more literal by granting the monk themselves the ability to make those skill checks.

In conclusion: skill checks are cantrips that everyone gets, and if a class got 8 cantrips when most others got 4, and they had an extra bonus to hit, you’d absolutely notice.

*per a quick search it’s up for debate based on the ranges of the respective spells and whether the lock needs to ‘hear’ the spell or not and anyway if this is what you choose to fixate on in this essay I cannot stress this enough: you have the reading comprehension of a slime mold and the sense of relevance of a Republican congressperson.

[berriusagi]

Stomach Bug Ch2

Dinner Announcement

Should I be writing my geology essay? Yes. Am I going to write it right now? No. Am I instead going to write a new chapter to this fic? Absolutely. Thank you everyone who showed interest in this story it means a lot that people actually like this and to everyone asking to be tagged I’d take a bullet for you. You are all the best.

~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.

The calm collected tone Bruce had during his call did well to hide the absolute madhouse that was Wayne Manor. While he was trying to subtly interrogate his youngest son over the phone his other three were playing the world's worst game of charades. Dick’s arms were flailing around as he made exaggerated motions trying to get a read on what Damian was saying through Bruce’s stony features. Jason was seemed to be working his eyebrows as much as humanly possible seeing if he could get even a hint of a reaction from Bruce. Tim, however, was just patiently waiting too tired to do any of the over the top actions of his brothers.

“Okay son, if you’re sure I’ll speak with Alfred.” Bruce nodded before hanging up and took a moment to compose himself before his sons launched into their own interrogation.

“What’s going on?” Dick asked, “Is little D okay?”

“What’s up with Demon Spawn I’ve never heard him have an emotion other than anger before,” Jason asked leaning forward.

“Why was he at Ivy and Harley’s?” Tim asked sipping his coffee.

“He didn’t say much.” Bruce sighed rubbing his eyes, “he told me he’ll be out for the rest of the day but that he’ll be here at dinner to explain what happened. He’s also bringing a few guests though he wouldn’t give any names.”

The three boys all shared looks before flying out of the room and scrambling through the halls towards the Batcave. Alfred stepping out of the way as they flew past him all shoving each other away or jumping over the other to try and be in the lead.

“They are quite lively this morning.” Alfred hummed walking over to Bruce with a raised eyebrow, “What did I miss?”

“Damian ran out during breakfast after a phone call and won’t be back until dinner he’s bringing three guests. He didn’t tell me more than that.” Bruce sighed leaning back in his seat, “How am I not grey yet Alfred?” he asked

“Must be favorable genetics as it can’t be from your tranquil life.” Alfred mused as he cleaned up the table and headed off to wash the dishes leaving Bruce alone to listen to the distant shouts of his sons fight their way into the Batcave.

~.~.~.~

“Angel, you need to eat something.” Damian said rubbing Marinette's back as she covered her nose turning away from the food set out in front of her, “I know it makes you nauseous but at least eat some toast.” he coaxed grabbing some dry toast and held it up to her.

“Eating is the last thing I want to do right now.” Marinette groaned still a little green from her last round of sickness.

“I know but the baby needs you to eat.” he soothed looking in her eyes, “you need to eat so the baby can be fed.”

Marinette groaned and pushed the plate stacked meats and eggs away from her and leaned back further to get away from the smell. Once her stomach seemed to settle she gingerly took the toast Damian kept insisting upon her eating and took small bites slowly working through it. Her stomach settled further the more she ate allowing her to relax a bit more and a healthier color to finally come to her face.

“Think she’ll be a vegetarian during this pregnancy,” Harley chuckled taking the plate away and deposited the food in the doggy bowls by the door for the two hyenas to come rip through later, “probably for the best for her to not have any meats though might really mess with her stomach.”

Ivy hummed looking through the pamphlets reading up on the different options, “Marigold we should set up an appointment with the OB-GYN Dr. Beau recommended. We should also grab some prenatal vitamins too since you’re not going to be getting enough nutrients from eating like a little bird.”

“I’ll go buy some,” Damian said standing quickly only to get shoved down in his seat a second later by Harley.

“Yeah no,” Harley said grabbing her brag, “That’s just what we need you on the front page, ‘ Wayne Heir spotted buying prenatal vitamins ’ this whole city would be in an uproar trying to figure out who you knocked up. You stay here and keep our little bug comfy we’ll go do the shopping.”

“You’re just going to leave your daughter alone with her boyfriend unsupervised?” Damian asked raising an eyebrow.

“What are ya goin to do? Knock her up?” Harley chuckled raising an eyebrow at the two blushing teens at the dining table. “You two talk, cuddle, be teens and red and I will do the shopping then later we’ll all go to Wayne Manor and act as buffers for marigold here so she doesn’t go catatonic.”

“Thank you,” Marinette mumbled looking up at the two women who so kindly took her into their home and wanted nothing more than for her to grow and be happy, “for everything I can’t thank you enough.” she sniffled scrubbing at her face.

Ivy and Harley both smiled and wrapped her up in another tight hug showering her in love and affection until her sniffles died down once more. The two women pulled back giving Mari kisses all over her face until she was giggling and pushing them away her face flushed with laughter instead of tears. Only once she was smiling brightly again did they finally pull away and leave the two teens alone.

“She’s going to be okay.” Harley smiled slinging her arm around Ivy’s shoulder, “our little marigold is gonna be just fine.” she sighed as they made their way out of the apartment building.

Marinette finished her dry toast sipping on some warm tea to soothe her throat from the torture it had gone through that morning with her stomach issues. Damian cleaned up the discarded dishes and helped Marinette up walking her over to the couch keeping a firm hold on her so she wouldn’t trip over the stray toys littering the floor. “Dami I can walk just fine.” she giggled softly as Damian helped her to sit.

“You’re pregnant I don’t want you to fall.” He said sitting down beside her, “I don’t want anything bad to happen to you.” 

“Walking around the apartment isn’t going to hurt me or the baby.” She sighed leaning on his side, “I might be a klutz but I’m not going to fall that easily. I was Ladybug for three years have some faith in me.” she mumbled closing her eyes all the stress and tension from the morning finally easing off now that she had Damian by her side.

Damian sighed wrapping an arm around her hugging her gently, “I have so much faith in you,” he whispered leaning down to kiss the crown of her head, “I’m just worried about what could all go wrong.”

Marinette sighed sitting up and turned to face him looking up into his emerald eyes, “I don’t want you to worry, I’m already scared I just want you to be the one to tell me everything is going to be okay. That we’re going to be okay.” she said moving forward to bury her face in his chest, “I want to act like this wasn’t an accident and that we’re not two stupid teens.”

Damian wrapped her up in a tight hug pressing a gentle kiss to her temple, “Okay angel,” he mumbled, “I’ll be your rock, we’ll get through this and we’ll be the best parents we can be.”

“That’s all I want.” she sniffled nuzzling closer using Damian's relaxed state to shove him back to lay on the couch quickly climbing up to cuddle up onto his chest burying her face into his neck, “I love you Dami,” she mumbled.

“I love you to angel.” he smiled softly gently running his fingers through her hair to help her relax as she began to slip away into a quiet sleep. He waited until she was fully asleep to allow himself to fully relax and take his time to process just what was happening. “I’m going to be a father.” he mumbled rubbing a hand down his face a soft laugh bubbling up from his chest as he smiled at the ceiling, “Todd’s going to have a stoke.”

~.~.~.~

“How is there nothing?” Dick asked staring at the screen of the bat computer, “That’s impossible there isn’t anything you can’t find.” he said turning to look down at Tim as he tapped away at the keyboard staring intently at the screen.

All three of the eldest Wayne boys had been down in the Batcave for hours scrubbing through phone logs, security feeds, anything and everything to get even a hint of what was to come for dinner. The longer they searched the more interested they got at the sheer lack of anything involving Damian and anyone else that would prompt him to act how he did.

“Doesn’t make sense Demon Spawn doesn’t just change overnight so either he’s just really good at covering his tracks or he’s a clone,” Jason said stretching out in his chair propping his feet up on the desk.

The other two made a humming noise as they continued to search through the documents for what felt like the hundredth time. “Wait!” Dick shouted jolting Tim and Jason nearly out of their seats as he pulled the keyboard from Tim’s grasp and started typing away, “We’re going about this all wrong.”

“And how, pray tell, should we be doing this?” Jason deadpanned looking over at Dick with a raised brow, “We should just go ask Demon Spawn and let him feed us a load of bullshit?”

“I mean clearly he doesn’t want us knowing anything because he buried it so deep but maybe asking him will give us some answers?” Dick said smiling in the face of his two brothers thoroughly unimpressed looks. “Oh come on it’s worth a shot.”

“Master Dick,” Alfred hummed walking down into the Batcave, “Master Timothy and Master Jason.” he nodded looking at the three men, “Our guests will be arriving for dinner soon please head up to the main house to clean up and get ready.”

“It’s time for dinner already?” Tim muttered turning to look at the clock noticing just how long they had been down there looking for the proverbial needle in a haystack.

“Yes so if you three will make your way to the manor proper.” Alfred nodded turning on his heels and headed back up the stairs so that he could continue with the dinner preparations.

The three men sat in silence for a moment longer before slowly making their way up the stairs. “Well, maybe we’ll get some answers during this dinner?” Dick asked looking at the other two only to receive shrugs in response.

Reaching the top landing they all split and went their separate ways to get ready for dinner taking their time to do their own thing. Soon enough a hard knock was heard through the manor signaling their mystery guests arrival. The three ran down once again shoving and tripping up each other to try and be the first in to see who would come through just narrowly avoiding crashing into Bruce’s back as they slid to a stop behind him.

Alfred calmly walked past them and opened the door, “Good evening Miss. Quinn, Miss. Ivy.” he said stepping aside allowing the two women to enter, “Welcome home Master Damian.” he said bowing his head to him, “and good evening miss?”

“You can call me Marinette.” she smiled softly up at the older gentleman, “I brought dessert,” she added holding out the large pastry box to Alfred trying to hide her nerves.

“Thank you, Miss. Marinette I’ll go put this away now. Dinner will be served shortly I hope you enjoy your stay.” he smiled softly nodding to the three women as he made his way to the kitchen.

“Damian you had us all quite worried when you ran out of here this morning.” Bruce said looking at his youngest and taking a moment to look over the three women before him, “Would you care to explain what happened?”

Marinette started to fidget keeping her eyes on anything but the Wayne’s before her, the soft pressure from Tikki in her purse doing little to keep her heart from beating out of her chest as her mind filled with everything that could go wrong. She managed to relax just a little as she felt the calm warm pressure of Damian's arm settling around her waist gently squeezing her hip to help ground her.

“Father, this is Marinette Isley-Quinzel,” Damian started his features cold and unreadable as he stared his family down, “she is my girlfriend.”

A pin could drop and sound like a gunshot in the silence that followed, the Wayne patriarch did well to hide his shock keeping a blank face as the three sons behind him ticked down to their own detonation.

“How much is he paying you?” Tim shot out.

“Where did you meet?” Dick grinned leaning forward.

“Blink twice if he’s holding you hostage.” Jason cut in.

Ivy and Harley stifled their laughs as they watched the three Wayne boys continue to throw outlandish theories and questions at poor Marinette. She seemed to calm down a small smile beginning to show on her face as she giggled at the two thinking she’d been coerced and the one trying to find out her life story. “He isn’t paying me or forcing me to be his girlfriend.” she smiled as Tim and Jason looked completely unconvinced, “and we met through a penpal assignment when I was thirteen but we didn’t start dating until I was fifteen,” she added on to answer Dick’s question.

“Well it is a pleasure to meet you Marinette it’s not often my youngest shows interest in anyone.” Bruce smiled stepping forward to take her hand, “shall we move to the living room while we wait for dinner?”

“That sounds just lovely Brucie.” Harley smiled stepping through them grabbing Marinette's arm and dragging her along out of Damian’s hold depositing her on a large armchair. Ivy shook her head smiling and followed her as she shrugged at Bruce taking a seat beside Harley on the loveseat as the Wayne’s made their way in. Once everyone was settled in and Damian got Marinette resettled on another loveseat so he could be beside her Harley decided it was a great time to drop the bomb, “So who’s gonna tell him?”

“Harls,” Ivy warned giving her a stern look.

“What? They need to know,” she said looking far too innocent for the chaos she was about to start.

“Tell me what?” Bruce asked looking at the two women carefully.

“Father,” Damian said drawing the attention of his family, “I know you just met Marinette but we feel you should know.” he said wrapping an arm around her to help keep her grounded, “Marinette’s pregnant.”

Silence doesn’t even begin to describe the absence of noise that followed, it was like a cold void swallowed the room as the Wayne’s collectively shut down at the news. Bruce’s face was unreadable as he took in the latest bit of news. Dick was practically vibrating out of his seat his eyes filled with glee. Tim looked as if his own brain was blue screening like a cheap laptop. Jason was the one to break the silence.

“Demon Spawn fucks.” Jason deadpanned

“JASON!” the room erupted from there Harley and Ivy cackling, Dick asking a million and one questions, Tim trying and failing to keep a straight face, and Jason roaring with laughter.

“What?! You’re going to look at me and tell me that I’m wrong?” Jason laughed, “the only thing I’m wrong about is that Demon Spawn would lighten up if he got laid.” he pointed at Marinette grinning wide, “She’s proof that he can fuck and still have a stick up his ass!”

“How long have you known?” Bruce asked his voice calm and collected effectively shutting down all conversation.

“I...” Marinette started her face a little pale from fear as she looked at Bruce’s emotionless face, “I found out this morning. I’ve had morning sickness for the past week.”

“You’re positive it’s Damian's?” he asked

“Father!” Damian glared moving to stand only to be held down by Marinette's small hand on his shoulder.

“I expected this,” she whispered urging him to remain seated before taking a deep breath and looked at Bruce, “I’ve only been with Damian since we began dating. If it’s not him then it’s Jesus coming back.”

Jason snorted getting a wide grin at the joke as he eyed Bruce trying to gauge his reaction.

Bruce seemed to take in everything he’d learned before a small spark lit up his eyes, “I’m going to be a grandfather.” he whispered tension starting to leave the room as he looked at Damian and Marinette pride and joy filling his eyes as he smiled wide, “I’m going to be a grandfather.”

“I call dibs on best uncle!” Dick shouted hopping up racing over to Marinette only to be tripped up by Jason.

“Like hell!” Jason shouted jumping over Dick, “I’m the best uncle for Pixie Pops kid.”

“Pixie pop?” Marinette asked letting out a yelp as Jason got right up to her practically throwing her up in the air as he lifted her from Damian's grasp.

“Hell yeah you’re small like a little fairy.” he grinned holding her as he jumped away from Damian's reach and Dick’s attempts to grab her, “so you’re Pixie Pop.” he chuckled.

The chaos began to unfold as Marinette finally relaxed all the stress bleeding away as she was welcomed into the crazy Wayne household. Ivy and Harley chuckled watching the two eldest and the youngest Wayne’s fight to grab hold of Marinette while Tim and Bruce seemed to quietly come to terms with all that was happening.

“So when’s the baby shower?” Ivy asked grinning wide.

~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.

@myazael @beautiful-disasters-sunshine @moonlightstar64 @moonlitceleste @stainedglassm @casual-darkness @mochegato @ultimatetornshipper @heemsanddamemes @nathleigh @qualitypeacepainter

[amphibious-entity]

TMBS Book 1 Brain Dump

~An Embarrassingly Long Post~

I don’t know why I’m writing this or why I’m so determined to do it. Maybe to finally assume my true form and become a mega dork on main, or maybe just for fun!

This is basically a compilation of all the main points running through my head after reading The Mysterious Benedict Society (2007) for the first time. Rather than posting a ton and spamming the tag, everything’s here in one neat package! (hopefully this gets it all out of my system rip)

Contents:

The Book Itself

The Book Itself, for real this time

The Characters

A Funny Parallel

The S.Q. Section

Lines & Scenes I Liked

Spoilers abound!

The Book Itself

Upon acquiring the first three books (don’t judge me pls), I was surprised at just how long they are. Like, they’re still pretty light being paperbacks and all, but these books are hefty lads.

The first book has this Disney+ Original Series circle thing printed on it, which is kind of unfortunate. Regardless, I love the cover illustration and yellow is actually my favorite color :D It made me weirdly quite happy whenever I saw the book lying around in my room

Also, it’s really cute how there’s a letter from Mr. Benedict at the end! (It only reveals that you can find out his first name if you “know the code”, meaning the bit of Morse printed below the summary on the back.) Shock and horror, though, as I realized I’m starting to recognize some of the letters

The Book Itself, for real this time

It’s wonderful how the tone of the book really shone through to the show adaptation. Something about the deliberateness of the aesthetic, from the set designs to the fashion to scene compositions, that really sells that particular style— like it’s very clear that this story is being told to us, rather than one we’re seeing unfold, if that makes sense.

Where that narration style stood out to me the most was the first chapter. We are told (rather than shown) how Reynie gets himself to the point of the second test, and there’s this whole twisty time maneuver for that whole sequence of events that’s really interesting

A super secret fun fact about me is that I wanted to be a writer when I was younger! So this particular balance of show vs. tell is really neat, since it runs counter to my own tendencies. The sheer amount of commas in every sentence is also kind of comforting, since Ahah, I Do That in those few serious-ish attempts at writing lol

Overall this book’s style reminds me a lot of Roald Dahl’s books, which are very nostalgic for me :D The whole “kids are more competent than adults” angle helps a lot too haha

The Characters

Oh boy here’s where I get a little bit critical! Overall I did really like this book!! it’s just that that expresses itself in all this weird “”analysis”” lol

Reynie - much better in the books than in the show

It’s sort of a lukewarm take but I feel like show!Reynie is kind of boring? He doesn’t have a lot going on flaw-wise, and obviously since he’s the protagonist he can’t have too many weird traits or else the kids watching can’t project themselves onto him as easily

(I call it the difference between an aspirational protagonist and a vessel protagonist. Going off of the Roald Dahl vibes, think Matilda vs Charlie. show!Reynie is more of a Charlie)

Thus when we get to see him really struggle with the Whisperer and doubt himself it gives him a lot more dimension, at least in my opinion

It is a federal crime that the white knight scenes were not adapted into the show

Sticky - my son

I’ve long held to no one besides myself and my long suffering sister that Sticky is The Best Member of the Society

He happened to hit a lot of the Bingo squares of Stuff I Like In Characters: glasses, anxious, nice :), kind of a coward but ultimately is there for his friends, etc

For some reason I don’t talk about him nearly as much as you-know-who, but I love him just as dearly

Kate & Constance - I don’t have much to say

Kate is really interesting in this book! I like how we get to see more of her depths, in particular that one passage about her belief that she is invincible being the only thing that keeps her from falling apart? :c

Also her constant fidgeting is relatable lol

Constance is somehow a lot more tolerable in the book. I think I’m just one of those people with no patience for small children, unfortunately lol

(Some of) The Adults

It’s interesting that they had such an offscreen presence for most of the book. Giving them more time was probably one of the stronger changes of the show

However if that decision was made at the expense of the white knight scenes I think the choice should have been clear

I like the way Rhonda and Number Two are written

Milligan always on sad boy hours 😔✊

The “mill again” passage is touching but kind of messes up the pacing of the getaway, at least for me. Maybe I should read it again to make sure I didn’t miss something

Miss Perumal is much better in the show. We see so little of her in the book she doesn’t function well as an emotional anchor for Reynie, imo

The Institute Gang

Jackson and Jillson serve their purpose well, and Martina was surprising to say the least. I like the direction they took her in the show! I can’t imagine how funny it must have been to watch the tetherball subplot come out of nowhere lolol

These sections were written out of sequence, so random tidbit I couldn’t fit in The S.Q. Section: I like how he stumbles over his words. relatable

Mr. Curtain

While I think I know why they decided to not give Curtain the wheelchair in the show, we were totally robbed of Actor Tony Hale’s performance for the reveal during the final confrontation

Speaking of the wheelchair, it’s such a powerful symbol of his need for control or rather, his fear of losing it

The Contrast between him and Mr. Benedict. This point is expanded on in A Funny Parallel

Mr. Benedict

Oh boy, Mr. Benedict… How do I say this

I find it hard to trust Mr. Benedict, unfortunately

I mean to say, I do in the sense that I know he would never hurt the kids, thanks to knowing that a) this is a children’s book series and b) the meta (tumblr) states that he is really nice and lovable and stuff, but seriously. Why do the kids trust him at first?? I probably missed something somewhere

I like to think I’m an optimistic person, but unfortunately I’m also super paranoid. The premise of “a bunch of vulnerable orphans team up with a strange old man” is just so odd to me I don’t know how to explain it

I don’t know!!! I really want to trust Mr. Benedict

One of the strengths of the show is that we get to see him more often, and thus he gets to acknowledge more often that the plan is weird and that he feels really badly for putting the kids in danger and that he’s trustworthy and genuine

But his lack of presence for most of the book just makes him into something of a specter, invisible and unknowable, speaking only in riddles from across the bay

Which is why the white knight scene is so important!! I loved that scene ;-;

Because here’s an actual emotional connection! We can actually see it happening, rather than only being told that it exists

Reynie asking for advice and receiving encouragement, in words that demonstrate that Mr. Benedict actually cares about him and worries about him and agghh

It is a federal crime that the white knight scenes were not adapted into the show

But overall this whole issue didn’t ruin my enjoyment of the book at all! It’s just ->

A Funny Parallel

Okay, ready for my biggest brain, hottest take ever??

Mr. Benedict and Mr. Curtain…. are… the same

I mean obviously not entirely, given that one is benevolent and kind and the other is… Mr. Curtain

But seriously. Genius old man seeks out children (mainly orphans) to enact a plan. Said children often end up incredibly devoted to his cause and deeply admire him this is a little flimsy

Undoubtedly that’s intentional and is supposed to show the difference between them, like some kind of cautionary tale? “Let yourself be vulnerable and let others help you, lest you turn eeeeviiillll”

I guess that’s where the aforementioned epic contrast comes in. You get Mr. Curtain, strapped into his wheelchair and hiding behind those mirrored sunglasses, terrified (but unwilling to admit it) of ever showing the tiniest hint of vulnerability, vs. Mr. Benedict, who can let himself fall knowing that someone will catch him :’)

Anyhow I have nothing against the parallels, I just think it’s funny

The S.Q. Section

The S.Q. Quarantine Thread so it doesn’t leak out everywhere else <3

I’d like to meet the emo angstlord genius who read this book and decided to make SQ into Dr. Curtain’s son. What in the world

Okay I should probably preface this by saying that I absolutely adore both book!S.Q. and show!SQ with all my heart. Somehow, despite being a completely different character in both mediums, he has managed to be one of the best characters in either and certainly one of my favorites (besides Sticky of course) in the entire franchise, despite the fact that I’ve only read the first book/watched the show so far. I am confident in this statement.

But seriously! How?? Why?? I could probably write a whole other essay about why show!SQ is such an interesting character, and the change works so incredibly well. I’m just. Baffled

Okay, focus. book!S.Q. is such a sweetheart, oh my goodness. Like, 100% one of the most endearing characters in the book. Poor guy. I don’t even know where to start!!

He just seems to be a genuinely good guy at heart, despite being technically one of the bad guys. He’s genuinely happy for Reynie and Sticky when they became Messengers and helped Kate when she “fell” and was concerned about Constance when she looked sick and how he was in that meeting with Mr. Curtain and Martina?!!? aaahhhhghgh ;-; he just wants people to be happy TT-TT

Comparing him against literally every character at the Institute is probably what makes him so endearing tbh. When everyone else is so awful to the kids, it really makes him stand out. Like a cheerful little nightlight in the worst, most humid and rank bathroom you’ve ever been in

It’s kind of pointless to theorize about a book series that’s already concluded (I think?) but. Is the implication of S.Q.’s forgetfulness supposed to be that Mr. Curtain used him in brainsweeping experiments somehow? The timeline probably definitely absolutely doesn’t line up but like. How did he get to being a Messenger being the way he is now, given how cutthroat the process is? And then of course Mr. Curtain keeps him around as an Executive because he’s fun to mess with and presumably his loyalty. I’m very curious as to how their relationship develops in the other books, if at all. Those are probably where the seeds of the “let’s make them family” logic were planted

But wouldn’t it be hilarious if the reason we don’t know what “S.Q.” stands for in the books is that he just. Forgot

Another thing that occurred to me. Given that he and the other Executives were Messengers at some point, what were their worst fears? What is S.Q.’s worst fear?? Inquiring minds need to know

One last horrible little anecdote: I was thinking about book!S.Q. while eating breakfast, as one does, and suddenly it hit me.

I want to believe The Author Trenton Lee Stewart had the name for a character, S.Q. Pedalian, and was like, “Hm! What sort of quirky trait should this young fellow have?” Because, of course, in this style of fiction every character has to have at least one cartoonish or otherwise distinguishing trait to stand out in the minds of children. (For instance, Kate has her bucket, Sticky has his glasses, Constance is angry, and Reynie is Emmett from the Lego Movie)

Anyhow, he looks around the room, searching for inspiration. Suddenly he comes across a jumbo box of plastic wrap. Completely innocuous in design, save for one line of text. 300 SQ FT.

“…large… S.Q. …feet? THAT’S IT!” i’m sorry

Lines & Scenes I Liked

In no particular order!

Sticky quotes Sun Tzu, The Art of War

Evil combination aerobics/square dancing in the gym with the Executives

Everyone being happy at the end :’)

Everyone partying after Sticky reunites with his parents, and later finding Mr. Benedict asleep at his desk from the moment they shook hands :’’)

Literally any scene with Sticky in it

Any time Kate says “you boys” or “gosh”

[“Um, sir?” S.Q. said timidly, raising his hand. “A thought just occurred to me.” / Mr. Curtain raised his eyebrows. “That’s remarkable, S.Q. What is it?”] clown prince of my heart </3

S.Q.’s determined monologue about searching for clues after he bungled up the first time

Literally any scene with S.Q. in it (please refer to The S.Q. Section)

Reynie trying to resist the Whisperer.

[Let us begin. / First let me polish my spectacles, Reynie thought. / Let us begin. / Not without my bucket, Reynie insisted. He heard Mr. Curtain muttering behind him. / Let us begin, let us begin, let us begin. / Rules and schools are tools for fools, Reynie thought.]

NO MORE HURTIN’ WITH CURTAIN

Milligan showing up on the island!!

Remember the white knight hhhhhh

“controle”

A Super Secret Bonus Section

I would be extremely surprised if anyone read through all the way down here lol. Regardless, here’s a little acknowledgements section :D not tagging anyone since I don’t want to bother all of these people

Special shoutout to tumblr blog stonetowns for unknowingly yet singlehandedly demolishing my reluctance to read the books by posting a ton of cute quotes. Thank you for your service o7

Thanks to the two OGs that liked the post I made right before this one, for being my unwitting enablers and for sticking around despite being a) technically an internet stranger (hello!) and b) someone I haven’t spoken to irl in literal years (hey!!)

Last but not least thankz 2 my sister for putting up with me ranting about the book when I first got it and for asking about “CQ” sometimes lol. (i desperately hope you’re not reading this orz)

[dodo-begone]

ALRIGHTY! LOYAL HERE COMING IN WITH THE CIRCUS HAHAHA

Btw, I’m like 90% sure that I fell asleep while writing so it just stops. Like, there’s no ending/summary/whatever word I’m looking for but can’t think of at the moment and my bird is currently chewing on my phone case oh my god can she please stop—

__________________

I believe the concept of yanderes ft. a isekai-d reader has been mentioned by Shepard and her anons, tho it’s been mainly for Origins SMP. So, I come to you with ideas for the Dream SMP because that’s all I’m familiar with HAHAH—

Also, I apologize in advance because this thing is borderline an essay with how long it is. I’m so sorry—

For example *cue dramatic lighting and a cheesy flashback monologue thingie* oh my god I think I’m losing it, I’m so tired

Y/n and their younger sibling, Frisk, had just finished up another press conference regarding Monsters being back on the surface. All seems to be going well until the ground beneath their feet vanishes and they fall unconscious a few moments later. When they awaken, they notice they’re surrounded by humans—wait they aren’t all humans, what the fuck, since when are there hybrids? They knew everyone from the underground—by name, no less—and had never heard of any currently living hybrids. Only of ones from before the war. Besides, Monsters have been on the surface for a month at most, so there is no way for... oh boy, their head is spinning.

After some very...tense...introductions (“Hi, I never saw you guys Underground, nor have I heard of you, no offense. So, uh, which monsters are you guys related to?” “OI, I’LL HAVE YOU KNOW THAT TUBBO IS NOT A MONSTER!”) they come to the realization that y/n is most definitely not from this world, or even this universe. Y/n’s adamant refusal to fight the “real monsters” that roam this land (“I did not spend countless timelines weeks putting my life on the line to befriend every monster, break the barrier that trapped them Underground, and defend them against my own god forsaken race just to turn my back on them.”) was a pretty big sign, after all. That, along with species of monsters that the SMP members have never heard of and how y/n talked about Souls as if they were a tangible thing.

It’s a rocky start before any sort of friendship is formed: y/n, wanting to be cautious, (and also not having Sans there to CHECK for them) decides to ask everyone what their LV is. It’s risky, and they had no way to prove if anyone is (or isn’t) telling the truth, but it was worth a shot. “Our levels?” A small goat hybrid asked, his head slightly tilting to the side. Everyone assumes that y/n is talking about enchantment levels. “I’m at 26! Ranboo, you’re at 30, right?” “I’m at 37 now, actually.” “Well, I’M at 58. Clearly I’m the superior one here. A real big man, a very manly man, aren’t I?” And a few others pipe in. Color drains from y/n’s face and they take a few steps back, hands shaking as their eyes dart between each person in the room and the exit. ‘How many lives have they each taken to make their LOVE so high? Why do they seem so proud of it?’ Yeah... that was an interesting experience.

- even though they have been reassured multiple times that the monsters of this world are nothing like the ones from their home, y/n still refuses to kill a single one, as I had mentioned earlier. They also refuse to kill animals. It takes a couple tries at explaining LV or LOVE—Level Of ViolencE—along with EXP—EXecution Points—but eventually everyone is on the same page

- Y/n is hesitant to bring out their SOUL when asked. First off, though they’re now friends with those from the Underground, they can’t help but be reminded of every spear, knife, bone, petal, gaster blaster, and fireball that has been aimed at them with the intent to kill whenever their SOUL was drawn into an encounter back then. Second of all, showing your SOUL is something you do with those you trust with your life—after all, you’re literally putting your lifeline out on display when you do so. There are so many different ways that the SMP members can see it

- Perhaps a monster appears

- Eggpire or Dream attack

- Someone forces y/n into an encounter because everyone is too curious to just let this opportunity slip by

- When y/n discovers that the people of this land have more than one life, they’re confused. There is no way that all of these people have SOULS of Determination, and there’d definitely be some issues if people kept rewinding time to their last save point. Besides, only one Determination SOUL—the strongest one—should be able to respawn. Then again, they only know what Frisk had explained to them. They were never able to see the save stars that Frisk would interact with in the different sections of the Underground. So they only have so much to go off of.

- Battle for them is completely different. Despite being in a different world, the mechanics from their world still apply. They can FIGHT, ACT, use an ITEM or show MERCY.

- They use Frisk’s tactic and flirt their way out of a fight or two. They never understood why Frisk did it until now... ‘I mean, I...wow. That was actually effective.’ They’re impressed.

- Oh no, maybe that wasn’t the best idea...they might have some yanderes after them bc of it...

- They probably have accidentally called Philza ‘Asgore’ and Tubbo ‘Asriel’ because both hybrids remind her of the two males from her world. Similar personalities AND Tubbo is a goat hybrid. The poor child is going to be so confused

- If Tubbo’s a yandere oh boy it’s going to be so easy for him. Y/n will probably be constantly at his side and telling him stories about the first fallen child and how they were adopted by the royal family, who are goat monsters! And just explaining the history of the underground and how important the goat family is. Talks about Asriel a lot as well. Probably makes him butterscotch cinnamon pie and tries to recreate golden flower tea to share with him as well. Or, they do that and he’s not yandere and it’s just wholesome.

- If we follow the headcanons that some fans have made, perhaps Frisk (and/or y/n) gave up half of their SOUL to give to either (or both) Chara or Asriel so they’d have another chance at life

- Not only does y/n refuse to kill, which leaves them vulnerable, they also only have half a SOUL, which means they’re incredibly weak. Someone needs to protect them, someone needs to keep them safe, someone needs to—

- Y/n is incredibly agile thanks to all the battles they’ve faced Underground. With their SOUL always out in the open during an encounter and the fact that they refuse to harm anyone, it’s required. I’m imagining them moving like a dancer, using jumps and spins to help them avoid any weapons swung at them.

- This is gonna be annoying for any yandere that wishes to lock y/n up. Even if they won’t physically hurt someone, they WILL put up a fight and make it as hard as they possibly can to be dragged into isolation or imprisonment

- When it comes to who goes yandere, I believe what color of SOUL y/n has (their personality, in summary) would play a big role. Here’s a few of my ideas, feel free to move people around or add to it, I’m really tired and can’t think of many characters LOL

- Red (determination): Wilbur, Technoblade

- Orange (bravery): Technoblade, Dream, Tommy

- Yellow (justice): Sam, Technoblade

- Green (kindness): the kids of the server, Fundy, and Ghostbur

- Cyan (patience): Ranboo, Ghostbur, Karl

- Dark blue (integrity): Tubbo, Philza, Sam

- Purple (perseverance): Dream—this man would love to see how long it would take for your perseverance to run out. I wouldn’t be surprised if your perseverance is the only reason he’s interested.

__________________

From what I saw of the end of what I wrote, it is DEFINITELY cut short. At least I mentioned every SOUL type lolol.

Also, I found a whole other note that’s a continuation of this concept but for y/n being from another game what the hell was I doing—

Expect that to come in another ask once I eat dinner

Sorry i took so long to answer!! I kept getting distracted!

That stuff is so pog man!!!! Puffy might be called “Toriel” once in a while because mom energy and she sheep,,, close to goat!

Gosh all the flirting will bring in so many yanderes or make ppl like “yo wtf??” And there’s a very small amount that are inbetween.

OKAY BUT WITH THE MONSTER STUFF ON THE DSMP- they’d keep the monsters in their house. They’d give them food and everything. Some def become very friendly and will defend. Haha giant spider go prrrrrr

I’d write more but there is so much amazing stuff I don’t think I could add to some of them anyways!!! Plus my mind is just racing other places rn haha

[julie-and-the-himbo-ghosts]

Willex rwrb au!!!! I loterally made a headcanon post about that like last week because Henry and Alex remind me of each other SO MUCH!!! Please tell me more!!!

Willex rw&rb au!!! So I actually first got inspired for this au by @a-chaotic-ananas (at least I’m like 99% sure) and this post by @sunsetscurving and I just saw it once and it lived rent free in my head forever

I haven’t written or planned it at all but it lives in my fic prompts list rent free and I can never pass up the chance to scream about it so here’s what I’ve got in my head:

I actually had a really hard time thinking of which of them would be Henry and which would be Alex? Bc like you said Alex gives me big Henry vibes yknow just their personality, the anxiety, family issues, all that but on the other hand I could totally see Alex as, well, Alex (Claremont-Diaz) for several reasons like Alex really gives me the “I want to be a politician to change things and work for equality” vibes and just Alex’s (C-D) law school, anxiety-writing essays at 2am, shit sleep schedule, chaotic sibling relationships, etc just are so Alex for me

And then willie gives me Henry vibes bc he’s more of the “I do not wanna be a politician/ruler I just wanna be gay and chill” Henry vibes yknow? Like I could totally see him saying hell no to all of that like Henry and also the whole depressing family vibes fit Willie to me for some reason. There’s not a lot here oop but Alex gives me Alex energy more than Willie gives me Alex energy so yeah

And since Alex is Alex I wanted him to have a weirdish family dynamic and even tho we’ve never met Alex’s parent I just. I don’t like them. So Alex is the first son of the president or whatever it’s just that he was adopted by the Molinas bc his parents kicked him out when he was like 15 and came out to them and Julie and Alex were childhood best friends so the Molinas were like nope and just adopted him

I haven’t decided if that meant Ray or Rose would be the president bc on one hand Ray would be a vibe and easier for me to write but on the other hand Rose being president would be iconic yknow and she could have the vibes

Yknow what no I have decided now Rose would be an iconic president

So then Julie is June and Carlos is just an extra character bc I love him

Reggie is Nora bc smart!reggie supremacy I said what I said and bc they have the same genius but also chaos bisexual energy and I just love the idea of Julie, Reggie, and Alex being little shits together

And Luke takes the place of willies best friend bc the chaotic adhds gotta stick together of course and I just think willie and Luke would be great friends and also this gives the whole possibility of a lil bit of Julie and Willie kinda pretending to be together like June and Henry do but with the added bonus of juke and willex angst bc that’s the wrong person!!!

Sorry just the idea of Rose with Ellen energy is amazing like just imagine Rose making the whole “why dating the prince of England is a TERRIBLE idea, Alex” powerpoint. The pure chaotic energy you could get—

Also the whole “Alex demanding Henry see him by causing problems on purpose outside the palace” both a) has “i thought we were having fun together”/“that’s not good enough, Willie” jatp parallels and b) I just feel like Alex would totally do that

Bobby as Luna bc more jatp parallels (kinda)!! and Alex-Bobby friendship!! It’s what we deserve really

And also instead of Alex’s dad we get the close family friend Trevor bc I said so and imagine the Alex-Julie-Reggie-Willie-Luke dynamic at the lakehouse with Carrie too (and Flynn of course bc Julie, Carrie, Flynn, and Alex were all childhood friends and Carrie and Flynn are totally dating)

Caleb Covington as Philip or just some royalty or maybe even instead of the Queen? Idk I just like the idea of him causing problems with willex like how he’s the jatp antagonist

I think that’s everything from my head? Yeah it is but I’ll add more if I think of it and feel free to add your own stuff!!

[life-rewritten]

Manner of D*eath (MOD); The Little Mermaid and The Warped Prince

This is a fun one, I promise. MOD  continues to be a ride with excitement, worries, and more questions to bring. But you know what after major rewatching and analysis, I have come to terms with how I think the story will go—the whole reason one; word Little Mermaid. I've written a past suspect list (here) before about who I thought the culprit is from episode 1. There's been a few changes to that, but I think I can finally guess who the culprit is that took Jane's life. And it's because of this foreshadowing with Little Mermaid. I'll explain even more. Little Mermaid not only helps me bring up my final suspects, but I also think it is a base for the romantic relationships in the show as well. So without further ado, let's dive into this analysis.

When writing my suspect list, I stated that there were many apparent hints to who the suspect is and why they could possibly do it. I didn't want to believe in my simple theory because it seemed too easy to guess and too simple to be. But after thinking about it, I also said that it's not about who's the suspect that matters but how we get to that information. The show has littered many plotlines making sure we don't feel comfortable about our feelings on who we think the suspect is. We've questioned Tan's involvement, That, Pued, The Mayor, Jane her self and others. So even though the suspect may be easy to guess I think with the way the writers and director made us go through loops slowly revealing the information and leaving some clues that can't be fully vouched for, or 100% agreed on, the reveal will still be shocking and fun to see how it unveils and ends, and there might be a forgotten person that surprises me. The issue I had with the show at first since I hate mysteries was if the plot wouldn't leave enough clues or subtext for us to understand what's going on and the reveal will be out of nowhere. But to my surprise, Jane already mentioned who killed her and why because of her mention of one book Little Mermaid. Let me explain more;

The warped Prince and the Little Mermaid

Little Mermaid, not the Disney one, the one (apparently an allegory to a gay unrequited love by the writer who is also important later for the base of the couples) where we have a depressing ending, betrayals and sacrifice. Here is a summary of that one, and the things we should focus on when reading it.

 Little Mermaid is about Ariel (that's not her name in the original, but I'm going to call her that), Ariel falls in love with the prince after saving him. She is determined to be with him and lets her self be changed to human to join his world, there's a list of rules, she has to be mute, she can't return back to the human world once she takes the potion, and she must make the prince fall in love with her. She goes through a lot of pain once she takes the potion, reunites with the prince who never saw the girl who saved him but someone else, if she wins the heart of the prince she'll obtain a soul, but if he marries someone else she will die with a broken heart and dissolve into sea foam. Alright great, so you're starting to see the difference with the Disney one right? Let's keep going. 

 The prince begins to like being with  Ariel, who is beautiful; their relationship becomes the best. Still, he does not have feelings for her romantically (I know I was shocked, why haven't I read the full story of this before. Poor Ariel she got friend-zoned) But the sad thing is the prince does love Ariel (the girl who saved him that he can't remember). He believes that the person who saved his life is a girl from the temple, the girl who found him when he woke up (sigh), so when his family tells him to marry the temple girl, the prince agrees. All of Ariel's sacrifice goes in vain. She is broken and is denoted by her sisters to eliminate the prince in vengeance to come back to the sea. However she can't do it, she loves him too much, and so she ends her self instead. Luckily the story doesn't end all too bad for Ariel; she obtains an immortal soul and goes up to heaven for her love and selflessness. The end.  

You're probably wondering why on earth I had to read this out to you. But bare with me, listen to the things that you need to see: 

The Little Mermaid sacrifices her self to get to the world of the prince. Her love for him makes her willing to be in pain, bleeding on her feet, stay mute, and lose her home because of him.

The prince is not in love with the little Mermaid despite her sacrifice. He loved the temple girl because he thought she was the person who saved him, and he was pressured into marriage with her by his family too. There's a love triangle.

The little Mermaid feels betrayal at the reveal of who the prince loves. She is forced to wait for death because she cannot speak or go home. 

The little Mermaid is told to get revenge by her sisters and get rid of the prince. But she wants to do the right thing.

She dies for love and selflessness.  

Are you seeing where I'm going with this? Let's look at Jane and how she fits this storyline.

Sacrificing her self for love; 

One of the biggest reveals of the show is that Jane was in love and happy with Pued. They had been a couple that was the talk of the town until one day they weren't. Jane went through a miscarriage that got her to fall into depression. No one knew why or understood why she and Pued ended. We discover that Pued coerced Jane into selling her body to the mayor and others so that he could stay prosecutor and have power. 

One, Pued is a warped version of the prince. The prince was indebted to Ariel for his life just as Pued was indebted to Jane for her acceptance to help him stay in power. Pued viewed his wealth and power as his life. Second, Jane let her self get assaulted, drugged and abused to make sure her boyfriend stayed on his throne. This is the same as the little Mermaid who lost everything of her, her tails were transformed forcefully (bleeding each time) to legs, and she had to deal with that on her own, she lost her voice, and she also lost her home. She gave up everything for the prince. 

It gets worse, Jane got pregnant and was forced to bleed (see the visual?) through her legs by getting a miscarriage. Pued and her broke up then. We can assume, she wasn't okay with what happened and her depression consumed her, I think there's more to it. Just as Ariel lost her voice and right to speak (her tongue was also taken, I know right? this story is wild ), Jane was forced to keep quiet by the higher-ups and the world of Pued. 

Now let's pause, Ariel had to lose her world and her home to go into the prince's. Pued's world was the same as Tan and Por; it was the mafia organisation. This probably was funded and supported by the mayor and the corruption of the justice system. The organisation put each of its members in a high position of power and status as long as they did something for them. Tan is Dam; he's a puppet as I wrote about in my past essay. He didn't mean to go into this life, but his mother wasn't alive, and his father was the one who roped him into taking care of his brother Pued. It's important to see why Tan had to hide and help Pued go into hiding. He didn't know the full details; he was told something different by Pued. I will explain what I think he thought was the reason soon.  Like the little Mermaid for love, Jane joins Pued's world of corruption without knowing how deep and dangerous it was.  She only notices the errors of her ways when another girl is eliminated due to mishap with the miscarriage, and that's Nat. She couldn't as a teacher stay still anymore. But it's more than that as well. Although she's a martyr, I think she also wanted revenge. Why? Let's go into point two.

2 There's a love triangle

You didn't see this one coming, did you? I mean I'm guessing people are starting to jump on the train with this. The first time we saw Jane, she was with Tan, so we assumed the love triangle was between her, Pued and Tan. This was further hinted at when Tan punches Pued because of how he grabs her and spoke to her (we didn't know). Tan protected Jane like a  girlfriend, but he didn't show any signs of remorse when she was removed. He went and covered up the truth instead. Still, moments after her demise, he speaks fondly of her she and him were friends, he did care about her and did miss her despite needing to ensure why she left was hidden. 

He's just a puppet under Pued's lies and instructions. The other love triangle was foreshadowing what we thought in episode 1; Tan, Bun and Jane. Bun thought Tan was straight, and in a relationship, we saw him go through remorse and sadness when he discovered the guy he wanted was already taken by his best friend. However, this love triangle isn't the reason why Jane took her life (or why she was removed because of love). There's one more we haven't seen, but it's been there. And it's upsetting and frustrating. In my first episode 1 suspect list, I wrote that Rutingwa was not to be trusted, but I was going to trust her for now because I didn't understand how she could be the one to pull Jane up the rope etc. However, I did notice her overreactions and over emotions when she walked in and saw her sisters demise. She was in the same clothes as the day before at the event. I found it odd.

 The second thing I called out and remembered is the terrorising of Bun only started to happen when she ominously asked him to keep updating her on her sisters MOD, Bun had gone to her first to say the MOD wasn't sui*cide, but it was actually mu*rder. Lastly, she again showed even more interest and anger once she discovered how the cops were hiding her sisters MOD (it's a red herring she couldn't care less, I'll explain soon) and she vowed to find out what happened. In the current episodes, she showed up again determined to know what Bun knew about the case, and she claimed she didn't know about her sister's reasons for depression. 

She didn't know anything about Pued and her sister's relationship just what others know.  So here is where you hear it from me first; Rutingwa is the person who is the suspect. I'll explain how she did it and how she is involved. But she's the temple girl, the person who misleads the prince into thinking she saved him. If the prince is warped in the show as Pued, then the temple girl is also warped. And it's the biggest betrayal. See why I think Jane had more reasons for why she was desperate to reveal the truth. She wanted to do it for justice (selflessness of the Mermaid) but because of revenge. The prince chose a girl from his world, and I think Runtingwa is also part of the corruption ring, and she is aware of it. 

3 The mermaid victim

Ariel, once she discovers the prince's betrayal at first isn't angry at him. She's just depressed, she cries and cries and waits for her demise. However, that's important to note because Jane also went through her fair share of depression. The reason why Ariel cried was because of loss of her self, and the sacrifices she made for this man, she felt stupid, heartbroken and defeated. She understood he didn't love her, but it felt like she had wasted everything for him. The reason why Jane went into depression in my theory is that she found out about Runtigwa and Pued. 

Her depression stemmed from her miscarriage, but she started to want to say the truth, the reason why she stayed with Tan to be protected because she knew of her sister's betrayal. She may have found out during the period of her depression and Pued may have told her it wasn't the case, but I think what drove her the most to want to reveal the truth at first was revenge. What led to her demise was confronting both Rutingwa and Pued that same night after discovering the truth. However, she kept quiet at first because of Pued telling her not to say anything, and the higher-ups threatening her to be quiet. I believe Pued made Tan keep an eye on her (he didn't know the real reason). 

4 Vengeance and Selflessness

But it's more than just the anger at the betrayal that probably made her break up with Pued. It was also the other factors. She knew what was happening to Nat and she couldn't say anything. She knew about the world of corruption and how it was taking her students and others, and she had kept quiet not because of love but because of fear, once Nat was hurt by the botched miscarriage, she couldn't stay silent anymore. 

I believe she not only uncovered the betrayal of her sister which led her to more anger and determination, to tell the truth, but her sense of responsibility as a teacher made her feel it was no longer acceptable. This is her little Mermaid's choice to be selfless. Instead of choosing to hurt the .prince at first after her sadness (she didn't choose to say something because of the betrayal at the end,  but she had the thought and probably started to gather evidence then), she decided to put her self in danger and unveil the truth about the corruption. (hence risking her life).

 The only issue is because of love for Pued she told him what she was going to do. He didn't take it lightly and warned her not to. She realised who he really was and he lost his temper and hurt her.  Remember that Ariel wants to get rid of the prince because her sisters give her that idea, just like removing the girls she cared about made Jane more determined, to tell the truth.  This is why Tan came and punched him; he didn't like what his brother said or did, even if he has to be a puppet Jane was his friend. This again shows you Tan didn't know what was really going on; he had to follow orders underneath Pued begrudgingly. The reason why he thought he had to cover up Jane's MOD was because he was misled. 

I won't be surprised if he knew about Runtingwa and Pued's affair and that's what he thought Jane was going to unveil and why Pued told him to keep an eye on her. He knew Pued was involved in Jane's demise, but he thought because her MOD would reveal the organisation he has to hide and protect his family, he had to keep their jobs intact. He was a puppet under orders which only started to realise the gravity of the situation once he fell for Bun. 

5 D*ying for love and selflessness 

So Jane, like the little Mermaid, decided to sacrifice her self and reputation. She decided to expose the higher-ups. However, on that night, she didn't expect that Pued would follow through with his warnings and come and try and convince her. Remember how I said I didn't know how Rutingwa would do all this to her sister, or where she got the strength to hang her sister? (Not that women can't be strong) it's because I think she and Pued both got rid of Jane. Now despite Pued being warped and cruel to Jane, I still think parts of him cared for her. The prince cared and felt indebted to the Mermaid; he saw her as a close friend. I don't think Pued meant to end her life. I think he went to warn her and scare her to stop like he made Tan do to Bun. 

I think Rutingwa, however, is the one who convinced him to make her demise look self-inflicted (trying to avoid words is so hard but I have to use all these synonyms not to get flagged on Tumblr haha). Rutingwa knew about Jane's MOD; she was involved in it; she also came to warn her sister. She even stuck by Bun's side to ensure evidence was taken care of, to keep him quiet by snitching. 

Pued went into hiding to avoid being seen as a suspect he faked his kidnap. Rutingwa could get away with hers by feigning ignorance. Now I really tried so hard to prevent a girl from being a villain in another BL, but I think Rutingwa is a brilliant villain. She has shown that she's heartless and determined to get her way if she is the villain. She's a plot twist because she's been hidden under layers and layers of other red herrings as we uncover the plot, and she and Pued hardly interact. When she feigned her ignorance about her sister's condition, it made sense to us seeing her fight for the police to expose her sisters MOD, but that's because she knew he was one of the corrupted people involved. They had planned to get Bun of their case. To make her self seem innocent. It's fantastic. 

The most obvious clue is that she is the closest person to the victim, just like Bun said in episode 1; it's always the ones closest to the victims that are the suspect, he just didn't deep how close it was, he was right it was her boyfriend, but it also was her sister who was putting on a show, in clothes she wore the night before and was acting naive about her sister's depression and spiral to her demise. Rutingwa is someone to keep an eye on. She'll go to lengths to be seen as innocent, and I think she's the main head of this, not Pued. Pued is just as Jane said spineless and weak, he's just spoilt and wanted to stay in power, he didn't care about Jane enough because he was in love with Rutingwa and they both sacrificed her to let him stay in his position and she in hers as his lover. It's messed up, but hey it's a brilliant plot. 

To Love or Not to Love: Little Mermaid a foreshadowing device for the couples 

So that's the first way the little Mermaid is connected to the foreshadowing of the plot. The second is the base of the romantic couples.

Two worlds apart; the little Mermaid and the prince are prevented from being together because of separate worlds until she joins him sacrificing her self and voice and then life for him to be there. 

To k*ill or not to k*ill. After discovering his betrayal, the Mermaid has to choose to save herself, go back to her world, or leave for love. She decides to sacrifice her life for love.

Misunderstandings and Regrets: The prince misunderstood the temple girl as his saviour he couldn't move on from that mindset, and so he didn't let himself love Ariel. Until the end, he never knew Ariel was the one he truly loved. 

Two worlds apart: Justice vs Corruption

As you can see, one of the themes of the love stories with everyone who is in a romantic relationship on the show (not the subtext ones) is being two worlds apart. Let me explain. 

Jane is torn by her ethics as a teacher vs her love for Pued, and she chooses to sacrifice her self to get to his world and be with him. 

Bun is torn by his morals as a pathologist and determination for justice ( due to past experiences with the police) vs his love for Tan who is part of an organisation that does crime and is linked to corruption. He sacrifices his suspicions and fears to get to his world and be with him despite being afraid he could be just like the people he hates. 

Sorowit is torn by his innocence and also determination for justice to his friends vs his blooming love for Tat who is connected to violence and the corruption ring that hurts him. He sacrifices his worries and resentments (because Tat even injured him when they first interacted for his friend) to get to his world and be with him. 

In all these love stories, the characters end up unveiling a betrayal, which makes them feel used with wasted hearts and love because their love was never real. In my theory, Jane discovers that Pued is not just spineless and heartless, but he also didn't love her, he loved her sister, and before she could do what was right she was eliminated. 

Bun has to come to terms that Tan may be the suspect and has lied and used him just to hide the evidence and the truth. Their love was never real, and he wasted his trust and heart on him. Sorowit will also come to the same terms when he discovers that Tat may be working for someone who knew about the corruption that is affecting all his close friends and Jane. (Nam, Nat, Jane). He also would force himself to question if Tat has a heart because of how cruel he can be. Bun is the person to warn him about Tat. 

Whilst Pued is warped prince, That and Tan are puppets forced to follow orders of an organisation that they can't escape. Without meaning, they both fall in love with Bun and Sorowit despite the danger and the fact that they're meant to stay emotionless and unfeeling since all they can do is be loyal to the organisation to remain taken care of. Tan has had no choice in the matter, and because Tat works for him, he also didn't have a choice and was probably forced into it at a young age. 

2 To maim or not to maim. 

The issue is that all couples had entered a dangerous situation, in order for one of them to survive in their world; one must be removed. For Jane, to return back to her world of responsibility and justice, Pued has to be exposed, and his reputation had to be ruined. If she told the truth, the whole town would be ruined. It had to be a decision between her and him and the rest. She chose to go to him selflessly, and he decided that she was the one that had to go. 

This is why it's a sad foreshadowing at some point Tan will have to make the same choice. Bun's life or His. And Bun will have to do the same after discovering the truth. They are both in a situation where one of them can't survive if the other does. If Tan survives, the organisation survives, the higher-ups win and the town is not ruined. But Bun is silenced. If Bun survives, Tan will be hurt and taken care of by the higher-ups and framed. Tat and Sorowit are the same. Sorowit's curiosity has got him involved in this too, the more he knows and stays with Tat the more his life is also in danger, the more Tat would also have to follow orders to get rid of him. Sorowit has to decide like Bun if he can sacrifice Tat for the truth to be revealed. In Little Mermaid, you know what path she chooses, she chooses love. Bun and Tan will choose love; what that means? I don't know, Tat and Sorowit are the same. 

Misunderstandings and Regrets

That's why we're in a sad predicament. Right now, the misunderstanding and lack of recognising Tat and Tan's innocence is going to drive a wedge in the relationship and case. Bun will believe Tan is the suspect, and Tat was the one who threatened Bun. They're both going to get framed. Just like little Mermaid was framed in the opposite as not the person who saved the prince. There's a lack of clarity happening at this time that could lead to fatal consequences; unfortunately, same as what happened with the prince and the Mermaid. For Pued and Jane, I wonder if Rutingwa framed her, could Rutingwa have been the person to make Pued stop loving her or trusting her? I don't know how, but like I said, she seems to be the strongest and scariest villain/suspect. She does what she wants to get what she wants.

 Could Pued have loved and cared about Jane the way the Prince cared about Ariel and the girl who saved him but somehow got lack of clarity on who she was in his life? Did Rutingwa seem more like the better person to help save his life and career? If she's involved in the corruption ring then yes. She probably seemed like a better wife or choice. But again Pued is the warped prince, Tan and Tat aren't. Their love is genuine and authentic. Bun and Sorowit will later come to terms with that, and choose to be the ones that sacrifice everything for them I believe just like the Mermaid did. Luckily the little Mermaid may not be a happy ending for Jane in the way she wanted, but it is a happy ending in the tale. She is rewarded for her love and selflessness. Jane's reward is the truth getting uncovered by Bun. Saving more girls from the situation she was in.  I also believe Tan and Bun whoever sacrifices would be rewarded, I believe this will have a happy ending, but that's just me.  They'll reunite at the end, finally unveiling the real villains and surviving. That's what I believe. 

So Manner of Death is about to become my favourite just from seeing the next episodes unfold. I could be wrong about this, but I don't see how yet, there are so many clues hinting to Runtingwa as the badass villain she is, as much as I hate girl hate, I commend her on her villainy, she's stone-cold,  if she is, she doesn't mess around, and I like seeing flawed women sometimes. I just want her to be the head of the whole thing, not just doing this because of love for Pued. But because of power and greed and determination to have a good reputation. I want her to be more cunning and stronger than Pued as a villain, even if he's the person who did it, I want her to be the one who suggested it. I don't know sometimes I like seeing women in this role, she's not an ex-girlfriend of the Bl couple who is determined to ruin them, she's not even the villain because of jealousy Pued wants Jane, she's doing it for power and reputation. Like Yes, you show how evil you are, and you own it. She'll be a great villain if she is as cunning as I think she is. Pued in my mind is a wimp, even if he hurt Jane, I don't think he meant to do it. But we'll see how cruel he can be.

I know the mayor, and police detective could be the ones, but with their reveal now, I don't think Jane was tricked or eliminated by them, they are red herrings to the story. Disgusting corrupted people who have power and control, but it's a puppet who did it because of fear. It's Pued. But maybe I'm wrong, and it is them, it wouldn't make sense with the foreshadowing of d*ying for love. They didn't eliminate Nat; she was eliminated because of the botched miscarriage, that's what I believe anyways. Let me know what you think? Any other suspects I'm missing?  You can check out my other analysis of the show in my masterpost. Let’s discuss about the show.  

[minshinxx]

//tw abuse, manipulation

Big huge /roleplay !!!

(Sorry for any grammatical issues and dumb formatting errors. There’s a reason I’m an artist and not a theorist. It’s because I can’t write a good essay or armument to save my life, so bear with me please! This might be a little sloppily written.)

Ok, first off. The abuse and manipulation c!Dream put c!Tommy under is inexcusable and I will in no way invalidate c!Tommy’s mental state after what happened to him. Those streams made me so uncomfortable and upset I ended up skipping a few. C!Tommy’s already shown and will continue to show how c!Dream made him feel helpless and dependable on him and what impact the manipulation had on him. I’m very sorry if I made anyone think that or feel upset! Abuse is a very serious thing and c!Dream definitely cannot be excused for his actions!

I do not excuse anything he did just because I feel like it! I take responsibility for not clearing that up directly, sorry :/

I 100% agree that Dream not showing his pov is probably one of the best decisions made in the whole series! It definitely made me unbelievably curious about his character and motivation and I’m always on the edge of my seat when he makes an appearance on anyone’s stream.

A lot of the following is based off Punz’s last dream smp stream because that is one of the few times we actually get some insight on c!Dream and his motives and character. Also I’m taking a few things from a twt thread by @/dr3amt3am3. I wanna credit her, because it’s a very interesting thread. I am not speaking for her though! I guess this is just my interpretation of her theory.

C!Dream has been from the beginning on all about having a unified server and as he said in the conversation with c!Punz, he thought of them all as a family. Then came around people who destroyed that ideology by splitting from the group and making their own countries and stuff. I think c!Dream does think of everyone on the server as his family and you want the people close to you to get along, right? I think that was always his intentions. But instead of that happening- L’Manburg happened. And then Manburg. And then the Badlands. And then Mexican L’Manburg. I’m not even sure he knows about Dry Waters yet? His plans backfired and the server split up in more and more pieces. I think at this point c!Dream is very desperate because he lost the one thing he always needed. Control. Control over the server and it’s inhabitants. Also I’m not sure, so please correct me if I’m wrong, but I think c!Dream’s way of operating changed after his deal with c!Schlatt? I don’t want to blame all his wrongdoings on something that has no standing at this point in the story, of course, but I’m way too curious about that book c!Schlatt gave him to not at least mention it.

I wish I could just easily blame Dreamons or possession by a certain ghost, I’m not gonna lie, but that would invalidate literally EVERYTHING that happened story and plot wise. I did want to mention that as well though because this fandom does tend to ship off all the blame on possession, me included :’D

I think c!Dream took a huge step in the wrong direction after the Pogtopia/Manburg war.

My theory is actually that he thinks he HAS to commit to being a villain, as it is the only way to make everyone be unified. That’s why he’s sure he’s gonna be hated by everyone after whatever he’s done. He’s destined to be their ultimate villain and they bond and stay together after it. This sounds farfetched, I agree but this is what my brain latched onto after the information c!Dream dropped on us!

Something even a little more fucked up I’ve read by before was what if c!Dream just ends up putting everyone in the prison to rule over them as one nation? That sounds even more unrealistic but I did want to mention it.

Of couse this depends on whether or not c!Dream actually spoke the truth while talking to Punz. If it turns out he just manipulated Punz too by telling him that my theory is made null and my hope in c!Dream as well.

And yes, you’re right that Dream is well on his way of making c!Dream an inexcusable villain. There’s no doubt. None of my theories are based on c!Dream being a good person. Maybe he had good intentions once (???) but at this point he’s too far gone.

Don’t take this too seriously though, it’s all just some thories I have. I can definitely be swayed on my opinions if anyone thinks I’m 100% in the wrong here and should see it another way!! Please just don’t come and hate me, I get upset very easily :(

I don’t even know if any of this makes sense tbh I think I’ll just go back to drawing after this :’) Writing analysis and theories is really not my thing-

I do have to apologize for not clearing up that I do not excuse any actions of c!Dream though. When I made those posts before, I woke up after sleeping for two hours. I am sleep-deprived 24/7 but today was really bad and I didn’t really think before posting so there came up some weird things that I’m not very proud of, I’m really sorry. This does not excuse my dumb takes but I did want to explain it!

I hope I could at least relay some of my thoughts and I’ll take a break from tumblr today because this took like all my brain capacity available ngl

Have fun discussing my dumb thoughts though!