#there's no happy endings. the work is all there is. etc.

[the-fandom-is-now-my-life]

Because I think I might get around writing for most of the men at some point for the future au I wanted to see or already arrange how many kids they would have

Jin would have two kids in complete accident, he was very happy by his father's discontent at his heir's lack of kids but things happened, the person who celebrated them the most was the grampa. Maybe two boys or a boy and a baby girl.

Thoma screams girl dad, doesn't he? Just imagine him braiding her hair for evening tea and being a menace to any boys she brings home with Alan if they break her heart, he is still a delinquent at heart.

For Luca I'm split between wanting him to have two boys to mirror him and his brother or a spoiled girl he plays knight for, sigh, such a hard decision...

Kaito, how did he reproduce?

Alan, two kids, one of each, no hesitation, he has a ‘little princess’ who he is nervous of hurting accidentally when he holds her but is as much of a wild beast as his brother. They like going hiking and getting chased by their dad when they get too close to a lake or too far away from the path.

In Leo’s scenario i see him with a daughter that managed to soften out his meanness (while she is around so she doesn't pick up on much of his sass, kids don't make miracles) and left him with another on the way that I also feel would be another girl. He is just a bit annoyed he doesn't have to redo the nursery for content but whatever.

Sho I KNOW that in his fic I said ‘nephew’ but imagine a baby girl that was playing with her family before she was even born and had you two scattering to find a girl's name at the hospital. It's just the beginning of her mischievous streak. Sho thinks it's his karma from being a thug as a teen.

I don't know why but I can see Romeo having three kids? Maybe because Gucci had like five kids or it's to a certain degree to assure himself the MC wants to stay with him and wouldn't leave out of the blue 💔 attachment issues bb.

Ritsu originally only wanted one child, he was an only child and was happy getting all the attention, but not everything went as he planned so he got twin boys.

Taiga, why would you do this to yourself??

Haru already has a son, peekaboo, but when he grows up he accidentally has a boy who he starts giving some minor tasks around, separating some leaves for the animals, brushing peekaboo’s hair, plucking weeds, etc etc. Don't look at him like that! He need all the help he can get.

Towa has girls! They like fairy tales with happy endings and always bother their dad to tell them your love story. When they become toddlers they go through a vegan phase to mimick him and will cry if they have meat or egg on their plate.

Ren was 99% sure he was going to die a virgin. He ends up with a girl he plays games with everyday after work. Borderline ipad kid.

Can grandpa Ed even have kids? Lol if he has I think I could see him with just one vampy baby that sits next to him and drinks tears off a sippy cup while his dad watches iceberg videos. Another ipad kid.

Rui (if somehow you broke his curse) is someone who I don't think would have kids, or at least not planned jajs but maybe one girl that he ends up overprotecting from playboy men like him in his youth.

Lyca I want to say they have a litter just for the joke of him being a werewolf but he doesn't seem to have any siblings so the joke doesn't get far :(

I see Subaru with only one child if any. He loves the little thing but feels he is intruding on their privacy, whenever he touches his preteen/teen kid he feels sorry enough to apologize.

I see Haku as someone who would be pretty chill with his life after Darkwick and go along with it as it happened. If you two had a child, great; if you didn't, great too. Very go with the flow parenting too.

Zenji he is dead wth jajajaj

Yuri NEEDS a little child that is always so impressed with their papa and he gets to brag about being the best or something. Please just don't let him be a strict teacher so your kid will follow his steps, he thinks it's for the best of their future but you can coerce him into just giving a very lengthy lecture about anomalous medicine without tests.

Jiro HAS to have a boy that is so similar to his uncle 🥹 always cooing since he is able to vocalize and chasing his dad around to get uppies while he tends to the backyard filled with herbs.

[talekinesis]

Ninjago Headcanon: Jay used to be afraid of storms, because I love irony

When he was a kid, Jay used to be scared of thunderstorms, and anytime the clouds got a bit too dark or the wind picked up a bit too much for his liking, he'd drop whatever scrap metal he was holding and run to his parents

If it was just his mother home, he'd cling to her leg or stay by her side and hold her hand while she worked on whatever she was doing, and knowing Edna she was always happy to comfort her boy and keep him close, reassuring him that he was safe

Ed had a slightly different approach that, at the time, Edna disapproved of and worried would make his fear worse, but honestly he's the sole reason Jay got over his fear of storms (and Ninjago should thank him since Jay ended up being the master of lightning)

Ed would hold Jay on his hip and stand out on the front porch with him while they watched the storm pass over the junkyard, and just talk to his son and answer any questions he had. He taught Jay to count between lightning strikes and the clap of thunder, he had his son help him instal a lightning rod while explaining what it would do and how it would protect their house, etc.

Eventually as Jay got a little older, like 12, instead of being scared of storms, he'd ask his dad to go out onto the front porch and watch them with him, having grown fascinated by them. If they knew there wouldn't be lightning or anything dangerous, Jay often would play outside in the rain, only for his mother to have to dry him off on the porch so he wouldn't track water inside.

"Hold on there, mister, you dry off first. I know we live in a junkyard, but that's no excuse to track all that mud and water inside," and she'd hand him a towel before she let him in.

(Currently just picturing child Jay with a towel wrapped around him, sitting in a chair on the porch, kicking his legs, waiting to be dry enough to go back inside like :] )

I firmly believe his hair got extra curly when wet and drying off and his parents adored it

When Jay later learned he'd be the master of lightning, I think he called back home and basically went, "Hey remember when I was terrified of storms," because he thought it was funny. I also think Ed responded, "Yes and you're welcome for desensitizing you to them," as a joke, but he's actually so proud of his boy.

[dragon-toad]

HOT TAKE : Makarov was a bad father (and a bad grandfather)

I'm expecting a big wave of hate with this one... BUT LET ME EXPLAIN

We can dive into the generational trauma theory : we know Yuri has been profoundly hurt by his wife's death (giving birth to Makarov) and this is a thing we should consider. In most cases, people live with the burden of the death of their partner until they die, which could have been Yuri's case. And the idea that somehow his wife died for his son... Well, angst potential.

Now : death of a loved one + wife who dies giving birth to his son = difficult father-son relationship

And even if Yuri didn't do it intentionally, there could have been a distance between the father and the son, and it has repercussions on the futur.

So yes, it maybe happened completely differently, but let's consider this hypothesis to understand what comes after :

Makarov was raised in the guild, where everybody is friendly. The only thing is his daddy issues. He ends up considering the guild more important, so the thing to cherish and protect at all cost.

Everything is fine.

Then, Ivan enters the game.

I know it's very fun to have an antagonist in the family of the master, the man presented as the most loving, a father for all the lost children, etc. BUT maybe we can go a little deeper.

We sometimes have this idea that some characters are born meaner than others, it allows us to ignore psychology and sociology, but it's not fun.

We can suppose Ivan was born in the guild, like Makarov and certainly Laxus. And as it's shown every single second that Fairy Tail is a very healthy environment, a "big family", so even if Ivan was a bit twisted, he would not have been so mean with his colleagues, provoking his exclusion, and he would have not tried to destroy the guild.

Unless he have daddy issues too. Let's consider : Makarov has a son and the mother is nowhere to be found. Doesn't it remind you of something ? But Makarov know his relationship with his father wasn't awesome, so he tries differently.

So two possibilities can be explored :

1- Ivan is a spoiled child. Being the master's son allows him to do reprehensible things and not be punished after, or not too much, and Makarov wants to give him all the freedom he didn't have. Until he almost kills another member of the guild. Then Makarov is forced to expel him. He takes away the thing that gave Ivan an almost unlimited power, and he doesn't like it. So if he can't have Fairy Tail, nobody will.

2- Makarov prefers the guild to his son. He doesn't know how to raise a kid, what if he screws like his father ? (Spoiler : he does) So when Precht makes him the new master, he puts all his soul into his job. But Ivan wants a father. So he does everything to make his father notice him, to make his father proud. It leads him to dark places, and thus, being strong = being good enough. Unfortunately, it doesn't work, because he ends up expelled. So, by pure rage, he decides to destroy the thing his father loved more than him. (It's my favorite version)

In both cases, Ivan manipulates his son into believing that being strong is the only way for him to be respected, to be seen.

Which leads us to the Laxus part (finally)

It's canon that Ivan pushed his son to be the strongest (to the point he put a lacrima in his body) so yeah, Laxus has daddy issues. But he has gampa issues too.

Let's continue with the theory we built on this post : Makarov doesn't really raise his son, why would he raise his grandson ?

But we see Makarov taking care of a very young Laxus. Thus, Laxus once loved his grandfather. Except Ivan didn't. So we can suppose he decided to keep his son under his control by manipulating him into thinking he has to be the strongest.

Then Ivan was banned.

The problem with an abusive relationship is that the victim thinks the abuser is on the right, which explains why Laxus was all but happy his father was expelled. But he stayed in Fairy Tail, because despite everything, Fairy Tail is his home. But this home is controlled by the man who banned his father (his abuser)

Laxus becomes a rank-S mage, which means he's the strongest. He has all the rights to make Fairy Tail his home, not Makarov's.

Well yes, but no.

Because there's Mirajane, a prodigy so fucking strong she becomes a rank-S mage too. But Lisanna dies, and suddenly everybody loves Mirajane. She even becomes the right arm of Makarov, because she's too weak now to create problems now.

And there's Natsu and Gray, Makarov's little boys. They're noisy, annoying, but they have potential. They have the potential to become stronger than Laxus. And Makarov loves them.

But more important, because there's Erza, who is so strong, so kind, so nice... Who is his grandfather's favorite. The same grandfather who did nothing when Ivan imprisoned Laxus into a psychological jail and who banned Ivan for somebody else's weakness. And Laxus knows it : she is the future master of Fairy Tail. She will steal his home and make it even weaker.

So he has to take Fairy Tail now, even if his grandfather dies in the process. Better, it will make things easier !

But in the end, Laxus loves Fairy Tail. He loves the guild enough to not betray everybody by joining his father's guild.

Laxus broke the cycle. And I don't think it was thanks to Makarov. If Laxus broke the cycle, it's because despite everything, he has weirdos to stick with. The Raijinshuu are a safe place for Laxus, they are strong enough to be his friends colleagues, they don't call him "psychotic" when he tells them he wants the guild, and more important, they care for him.

Laxus broke the cycle thanks to people who cared for him. They even wanted to follow him when he was banned ! But he said no, because he care for them and he knows they will be better in Fairy Tail.

Now, let's consider : travelling must have felt like therapy for Laxus : he's not part of Fairy Tail anymore and he's sure he will never have the possibility to come back, but he will not join his father because he doesn't want to put his friends in danger. So he has to do something by himself, not under the influence of his father. And I believe this emancipation was beneficial for him. He could learn what it means to be himself, not Ivan's son or Makarov's grandson.

I don't think he fully forgave Makarov for his inaction and for loving other more than him, and he's not completely out of Ivan's philosophy, those things need time, but he escaped the cycle.

[fallenclan]

so!! starting off to say Moon 263 [part 2] might be one of my favorite fallenclan updates ever. here are some more specific thoughts because i have A Lot

the first panel with the "not actually chosen" ones chatting is so nice. the colors for this update are so tasty and really have a mystical vibe, but i especially like this first panel with the mushrooms. also, the textboxes look so neat overlapping. i like how wolfbite is quieter and not saying much while feathersight is speaking the most. it can be inferred that he's explaining about how starclan/the glowcave usually works with darkstone and honeysong occasionally adding on, and at the end wolfbite is just like "all right guys, i get it."

the way the starclan cats are drawn is so cool... the "fading" effect that makes them look all watery, as if bits and pieces of them are drifting away?? incredible. i love it! i also really like how the stc textboxes are a different shade. it's just a neat detail. the star effects surrounding them is so pretty also. i just love how you draw the starclan cats in general, they look so magical. i like how away from the glowcave, their colors bleed past the lines, but at the glowcave they appear more solid, as if they're stronger there. i just,, i love it

the cameos! omg. i literally never thought i would see nick again but here we are. i'm a big fan of all the appearances!!

silverbelly is adorable. i love how excited feathersight is to see her. also, when she first appears, i like the detail of darkstone sweating. despite being a medicine cat, he's literally never seen a fully formed starclan cat before. he's nervous!! wolfbite looks shocked but i feel like this is more about the idea of her being "special" rather than seeing silverbelly tbh. she's like "damn i guess i actually am plot relevant."

salmonskip... i was so happy to see her... she's such a goober. nick's "we all had our own cats we hoped would come" was such a fun line as well for its thought provoking effect. i feel like it's a nod to how there were so many different "fourth cat" theories in the discord server but i could be wrong. we all had our ideas! now i'm super curious as to who nick was rooting for... and also who each of the previous leaders wanted (should i send another ask with my theories on who specific starclan cats wanted to be the fourth cat?)

big fan of the "you weren't actually chosen, you chose yourself" yada yada. wonderful! i love choosing your own destiny narratives. i'm sure nothing bad will happen to our little feline heroes

sleepycloud :(

"you sound different than i thought you would" - honeysong, had me in shambles. honeysong is older than lionsong was when he died... he looks so young here

poppyfeather made me laugh. i love the "not that this isn't heartwarming..." that i read in a 100% sarcastic tone. she is not in the mood for happy reunions!! she has a dictator to depose, guys. time to see her vengeful trait come into effect...

the ending! darkstone and honeysong look so envigorated whereas feathersight looks exhausted and wolfbite... looks ready to "do what has to be done." i love how happy she was to see sandsnap, and then how her happiness is buried once the poppyfeather and cherrystar step in with their plan, as if seeing sandsnap only strengthened her desire for revenge.

i had a dream after this post where the squad was about to confront ravenstar and he was all like "you thought i didn't know about your little schemes? cute." and his little gang rolled up (sleepydawn, flamefall, levi, patchback, etc.). i don't remember much else of what happened but i woke up like " oh no . . . the little guys are in danger . . . " anyway this segues into my prediction that there will be at least one death as a direct consequence of their attempt to depose ravenstar.

-🐉 (giggling and swinging my feet)

as always dragon... you literally never miss

i'm so glad you picked up on the textbox thing, you basically got it in one!!! feathersight and honeysong explaining helpfully, darkstone chiming in with his little snips and jokes, wolfbite talking less because she's got somewhat of a listening role there etc

IT WAS SO FUN TO DRAW THEM LIKE THAT... the white lines made it kind of difficult to see the white cats (looking at you sleepycloud) but otherwise. so fun. your assumption is correct, they're more solid there than they are as ghosts, and then in Starclan they arent wispy at all, just faintly glowing with those white lines (though they're so fun to draw like this i might have to just draw the ghosts like this always. idk)

cameos!! Nick was a special request from my sibling that I agreed with wholeheartedly. he was so silly

"damn I guess I actually am plot relevant" LMAO

yup it was a nod to all the guesses!! if i had infinite time and energy i would have put in more starclan cats as nods to specific guesses (Canarywish aka the greatest red herring I ever fished comes to mind), but alas. and you KNOW id love to hear all your thoughts fuck yes!!! (I didn't have anyone in particular in mind for Nick, but if I had to choose I'd say he was hoping for Snailpetal as well, she's his only surviving descendant)

i'm sure nothing will happen ! nothing bad at all!

sleepycloud :( indeed. i will let slip that i've got some plans as far as the sleepydawn situation but that's all i'll say about that for now

SHES ALMOST TWICE THE AGE HE WAS WHEN HE DIED... i always forget how young Lionsong was. not even 30 moons :(

i love Poppyfeather she is ALL business. "listen you guys can come back to the glow cave literally any time after we kill ravenstar's bitch ass can we get on with it pls"

YES EXACTLY!! Honeysong and Darkstone are the Young Optimistic ones, Feathersight is very cautiously optimistic but has seen a lot of shit and is more realistic about the odds they're facing, Wolfbite is in Get Shit Done mode. she's locked in. her thirst for blood has died down a bit upon seeing her dad and now it is HER job to save her clan. weight of the world on this poor girl's shoulders

i'm sure there will be no consequences. dont worry

[radioapplerevue]

Hello!!! I was wondering if u had any radioapple headcanons? :)

Hello! I am... very sorry it took this long for me to reply. I saw the ask at work and then closed it to answer later, but once it was closed and out of my view then in my brain's opinion, it promptly ceased to exist.

Anyway my headcanons are a bit malleable depending on the situation/how they got together/the environment they're in/etc. But I'll try and jot down a few.

Alastor picks Lucifer up a lot. I mean look at him, he's tiny. Sometimes Alastor will have conversations with people with Lucifer slung over his shoulders, hanging from the crook of his elbow, or in the occasional princess carry. Alastor enjoys this because he thinks it's embarrassing for Lucifer. Lucifer enjoys this because he gets to be carried (even if he acts like it's embarrassing so Alastor will keep doing it).

Their coming together was slow, and started by them just learning to be in the same room without going for the throat. Eventually it turned into them talking, and then their chairs getting closer, and then Lucifer showing interest in one of Alastor's hobbies -- probably music. Because they are both overenthusiastic weirdos about their personal interests, and while Alastor doesn't share some of Lucifer's (the ducks, the circus, all things fruity and sweet, etc), Lucifer shares quite a few of Alastor's (music, dancing, cooking, disliking television, well tailored clothes, etc).

One of their favorite things to do is just hole up in a room in their respective spots and read. Their tastes in fiction don't always align, but they learn enough about the other's tastes that they can recognize what they might like when they come across it. Lucifer starts bringing Alastor books as gifts, and eventually Alastor starts to reciprocate, but only by leaving books in places that Lucifer is likely to run across them. If Lucifer tries to thank him, he'll disavow all knowledge.

Lucifer enjoys listening to Alastor's radio show.

Alastor enjoys listening to Lucifer sing.

Lucifer, as an angel, existed long before sex and gender were even things. Thus, he doesn't have any particular attachment to either. He's been in one form for ten thousand years because it's the one that Lilith (and later Charlie) knew, but he's fine with shifting it around as he pleases. Regarding sex, Lucifer enjoys it, but doesn't need it. If his partner isn't into it, then neither is he. What he desires isn't sex, but intimacy. He wants to be wanted, in whatever form that takes.

It takes a while before Alastor trusts Lucifer enough to even begin to allow any sort of sexual activities, but he quickly relaxes once it's proven that Lucifer will not only not force anything onto him, but will not expect anything of him, either. Lucifer will be just as happy if the night ends in a cuddle, or even just lying side by side and talking if Alastor's not up for that.

When they do start having sex, though they will play around with different dynamics as it suits them, Alastor tends to prefer letting Lucifer take the lead. Since his interest in sex is most often not the sex and more about being close to Lucifer and enjoying being the source of his pleasure, he doesn't feel any particular inclination to be the one making decisions. Plus, this way Lucifer has to do all the work, and Alastor's the center of attention the entire time. Why would he pass up on that?

Alastor doesn't feel like he's lacking any control when Lucifer leads in bed. There's a heady sort of power that comes from the knowledge that no matter what they're doing, no matter how close Lucifer is to climax, all it takes is one word or one unhappy noise from Alastor and Lucifer will stop completely. And if Alastor says so, then that's it for the night. He's tested it, in the early days when he was still skeptical, and Lucifer never complains, never pushes. (There's safety in this as well as power, but Alastor tries to think about that less.)

Lucifer, for his part, understands how much trust Alastor is showing in him by allowing himself to be that vulnerable. This makes him feel touched, honored, possessive and honestly, very protective. (Angel Dust has learned the hard way by now not to ask for details about how Alastor is in bed -- and it wasn't from Alastor. Lucifer will protect Alastor's vulnerabilities with his life).

I'm thrilled that fandom has run with the "Alastor's shadow is affectionate with Lucifer" idea, because it's one of my favorites. I also believe that his shadow is an extension of his own feelings, particularly the ones he hides behind his buttoned up exterior -- so when things start to get friendlier with Lucifer, the shadow shows Alastor's growing interest before Alastor himself does. And when they do get farther along... well. Good luck reining that thing in. (SHADOW RIGHTS)

When Charlie first found out, she thought it was a prank on their part in order to get them out of bonding exercises.

That's some of them! Hope that'll do!

[commsroom]

im sure you've talked about this before but what are your opinions on hilbert

hilbert is... a fascinating character. he's an archetype disguised as another archetype, concealing a real person with understandable motivations and sincerely held ambitions. in a way, that's very reflective of how his work has been hollowed out and warped with each iteration of himself he becomes to continue it. hilbert is an insidious type of evil, because his goals are noble and he doesn't enjoy hurting people, but he will carry out orders and rationalize his actions "for the greater good." which makes him an excellent foil for eiffel; hilbert is nothing if not a Big Picture thinker. "you talk about helping people, but what about the real, live people around you?" / "increasingly, i find them to be of negligible importance." etc.

i think it says a lot about wolf 359's character writing philosophy that hilbert's betrayal and big reveal is really kind of his first character moment. he's there for two seasons after that, but he's never redeemed, and his goals never change. what makes hilbert more complex, more real, more understandable, is entirely perspective.

and the tragedy of hilbert, i suppose, is that he sacrificed everything for what he believed was right, sold his soul to the devil for it, and then... wasn't even particularly good at it. he's a big fish in a very small pond, as far as wolf 359 antagonists go. his death virus was never going to be anything but a death virus, and cutter figured that out (and found another use for it) ages ago. in change of mind, he was so certain he had the right answer - of course it was the scientist, his work was threatened - and they wouldn't have made it out if not for fourier, who realized it was really about human relationships. in am i alone now? hilbert's part is the only one where no one else speaks. before he dies, jacobi cuts his comms line, and his final words are a cut off "can anybody hear-?"

so, again... hilbert is a narratively and thematically significant character. this is barely even scratching the surface of that. but do i like him? hell no. absolutely not. he tried to murder hera and then said "tell me you're not mourning that appliance" so i think it's fine that he died, actually. that's how i judge all wolf 359 characters.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[icewindandboringhorror]

Some (late) holiday photos of the boye~!

[carnivalcarriondiscarded]

i only just found your au and i need everyone to have a happy ending so badly im gonna cry ;-; sally is gonna be so freakin upset when she wakes up for real and sees she decimated barnaby.

oh, Barnaby already has his arm stitched back on when she wakes up! and really, even if he didn't, that'd be the Least of her worries. she wakes up into a Real nightmare - partially of her (unintentional) making

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle

[torybrennan]

show tempe gang crossover with the morris islanders would actually have been the best episode of bones ever. btw

[please-picturemeintheweeds]

Re: the end of your Joever/renegade post, it’s almost like wondering at what point does the “rough patch” cease to be a rough patch and just how the person *is*. As in, this is just how they choose to exist or are most comfortable living as a person.

(Not villainizing him at all, it’s just alluding to what you and others said… at some point it stops being a single issue or issues to fix and starts revealing itself to just be fundamental differences in compatibility and outlook.)

Just got this and I know it was sent pre-TTPD tracklist, but yeah!! Like it makes so much sense to me that a relationship would take over a year to go from Renegade to YLM and then another year to reach breaking up for good. That honestly feels like the most normal progression in the world, and I’m sooo interested to hear how she describes this experience and gives voice to something that I think a lot of people have been through.

I’ve talked about it on here before but my current relationship is 6 years old, and Renegade literally sparked some very VERY serious conversations for us when it came out because it gave voice to things we were dealing with and we were able to address using the language she offered us in the song. That was a definite “rough patch.” We nearly broke up, and had a real epiphany about things that we both needed to change in order to continue, and the types of support we both needed in order to stay safe and healthy. I felt so seen by Renegade and then in midnights as well- labyrinth and The Great War come to mind - the decision to stick it out. When I heard about joever it hit me (and others, from what I’ve heard!) suuuuper hard because it was like wait. Whatever measures they took after Renegade and the Great War actually didn’t fix it; what does that mean for me!? I was soo shaken up because of how strongly I related to the struggle (as it was portrayed to us). But that gets to the point of this ask: the difference between a rough patch and something un-fixable. I’m certain this will come up on TTPD, and it’ll be a deep portal time travel exploration of how she came to that exact conclusion. I can’t wait.

[skitskatdacat63]

Yaaaayyyyyyyy vettonso wip!!:

THEY WON'T LEAVE ME ALONE!!!!!!

I barely ever use my physical sketchbook, but now there is literally 12 pages just of trying to figure these guys out....

But hey happy to say I can actually draw Seb's face from memory!! I like it better when I can draw from memory than having to stare at ref pics. Nothing wrong with using ref, I use it all the time, but it causes me to think about it way too much. Fernando I've really only drawn one other time so I kinda just copied off my last one as a placeholder 😭 so I should probably just stare at pictures of him for a while, like I did with Seb, until his face is eventually burned into brain

This is like, first joint portrait into the arranged marriage type vibe sjfkfl

[skollwolf]

I know I wrote Blinding back in like 2013 but even to this day my villain origin story is when people comment that they're glad Tony has a happy ending in it

[capricores]

wowow i thought this post would only get a couple notes but it seems you guys liked it?! i'm so happy!!! would anyone be interested in more posts of this kind of advice/tips style??

in general, if anyone has any specific post requests, topics/planets/etc you'd like talked about, please let me know!! i'm gonna try to be more active 🥺

[astrxealis]

hiii :333 i think i am alive !! ( small update in da tags )