#theres just so much in the arc that it was too much to put into only two episodes n i feel like they mised

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[rookflower]

the horrifying implications of Cinderpelt as a pawn of Starclan- trying everything she can to unsuccessfully stop her apprentice from leaving because she's terrified of the internalised idea of "failing" her clan and her job due to her impending death, while unaware that the entire Crowpool situation is intentional by Starclan for their own benefit to initiate the Power of Three prophecy and that her death in itself is to be Leafpool's motivation to stay- the idea that the stars, the ancestors and family and friends she devoted her life to always meant for her to die young and hopeless and were willing to manipulate her emotionally for the best outcome for them- is alone a piece of her character that's infinitely more heartwrenching and tragic and interesting than "she actually had a crush on Firestar and she's sad she can't date him :((" and I'm so mad that the latter is her primary legacy instead of any interpretations of her as a character that go beyond boring forbidden romance #17 that was barely even implied to begin with

[bacchuschucklefuck]

What about sorcerer Adaine? It'd keep the way her parents treated her consistent because of in that case they'd see her having the easy way of casting instead of studying to be a "proper" caster

this is a great idea!! the only reason why I'm not gonna pick it up is bc I've already locked down sorcerer for kristen haha

[suffarustuffaru]

you wanna elaborate on the Heinkel-Otto parallels?

SURE THING ANON 👍👍 alright so a while back i made this reinhard-otto parallel analysis here if youre curious and wanna check that out - i also briefly go into how the suwen and astrea families have kind of sort of crossed paths? and also ottos hometown (picoutatte) is historically where ex novel drama involving wilhelm, theresia, stride, etc happened so theres that too!!

yeah so apart from the suwens and astreas having small connections in the past - regarding heinkel and otto specifically, i think the two biggest parallels are 1. the…. alcoholism……. and 2. certain. Aspects. of their personalities. im just gonna address the alcoholism first bc thats probably the most obvious parallel. (also im gonna go into arc 8 spoilers a bit btw!!)

so. i mean we all know heinkels an alcoholic - hes turned to alcoholism to deal with the Trauma Conga Line thats basically been his family history. and yeah. id say ottos an alcoholic too. when we're first introduced to otto in arc 3, hes off in a bar drinking to cope with getting into debt. in general he seems to drink often, which in story its acknowledged that yeah, hes a merchant, negotiations often include a bit of alcohol and otto knows hes gotta be able to hold his liquor - theres an arc 5 side story where he goes to find the dude he needs to restore the tome, ottos brought liquor as a gift, then they drink and thats why theres that one bit in arc 5 where otto shows up again late and hes drunk as hell lasjdfljds. but also like we get more confirmation that otto drinks to cope bc at the beginning of arc 5 after the emilia camp-ana camp meeting, hes drinking and complaining about how shitty the emilia camp's negotiation skills are to garfiel and subaru, who both act like this (otto getting drunk to deal with stress) is something that happens often. (im referring to the wn btw i dont have access to the ln hah)

(also this ask turned out very long so im putting the rest of it right under the cut)

This is what he's like when he's drunk. He's working a stressful job, so they give him his drinking time, but it might actually just encourage even more stress.

also additionally theres a few more alcohol-related things with otto. like how he gets drunk at the end of arc 4 knighting ceremony celebration - which yeah hah you can chalk up to him just you know drinking at a party to celebrate the occasion, but i swear otto 1. just keeps getting drunk on and off screen and 2. given otto is a very Anxious person, the timing of him getting drunk as hell at this party celebrating not just subarus knighthood but also like. officially marking safety - for now - and the end of all the arc 4 mindfuckery that otto got dragged into.... like the moment otto got reunited with alcohol again in arc 4 he decides to get blackout drunk akdndn. the timing is very interesting, i think. or maybe im just reading into that a bit too much hah but im 100% sure ottos an alcoholic anyway so.

(other alcohol stuff with otto includes him having to get banned from alcohol after he was bedridden bc of his arc 5 leg injuries + every time we see otto drink alcohol in canon he drinks to get drunk aidndnd. EVERY TIME.)

anyway moving on to other details. i think its interesting to look at heinkel and otto as characters and examine who they are as people and also their arcs bc 1. i do think theyre a bit similar in some ways and 2. this factors into Why their coping mechanisms are incredibly bad T^T

yeah so. heinkel as i said earlier. we all know hes dealing Badly with his familys entire trauma-filled drama. but i also think its interesting to examine him as a person in Full, and what i mean by that is - the heinkel we see in the main story is very different from the person he used to be. and we dont get a lot of content on younger heinkel specifically, but we get still get a Lot out of it. we see that he used to be a kinder person. he loved and doted on reinhard (when you have a four year old that sneaks out of the house just to see his dad bc he got worried about his dad and the moment he sees his dad he immediately goes up to him - like that shows TRUST). and heinkels given a lot of interesting descriptions in the once upon a time in lugunica side story that are very much at odds with how he is in the present day - he has a "gentle" face, "his voice and countenance was sweet", marcos explicitly tells him "It's time you stop being nice to everyone. It's because you're like this that you've been forced into a job you're not suited for." and this is also after we get the implication (?) that heinkel basically got peer pressured into being the one to ask marcos to come back and rejoin the knights.

marcos also purposefully pokes aggressively at heinkel's insecurities; you get the sense that heinkel is lonely, most likely friendless, an outcast even as hes simultaneously well known due to his family. marcos insults heinkels abilities as a swordsman, and marcos also harshly says that heinkels cocky and tries addressing marcos as if theyre friends when theyre not. "Since when were we such good pals, you and I? Surely you don't think so just because we have the same teacher? How many students does Bordeaux have? Are all of them your friends?" and heinkel tries his best but ultimately hes in the shadow of his family and hes expected to be able to keep up while also looking after reinhard and desperately trying to find a cure for his wife (who was most likely his only Equal and close companion).

but heinkel in the end always falls short of expectations. hes painfully aware of this, with the implication that its always been this way basically for the majority of his life, if not all of his life. and being an astrea and being a knight means that hes watched very closely - or at least thats what i think is the most likely case. so when you compare younger heinkel and current heinkel, you also get the sense that he eventually burned out and gave up even trying that hard at much of anything. thats why he kind of doesnt give a shit most of the time about being harsh and mean, lashing out, saying almost anything he wants, doing what he wants but also failing miserably at that 99% of the time, and also he falls deeper into his alcoholism too and doesnt care about showing this either. hes very publicly a disgrace. he knows this. hes an emotional wreck and he cant crawl out of his own failures, so why care about what other people think? why try to fix himself? its too late. hes a miserable man only driven by 1. spite towards his family and 2. trying to find a cure for his wife and 3. his own alcoholism and 4. possibly his kind of sort of care for schult (aka heinkels reinhard replacement T^T). and we see in arc 7 and 8 too that hes so depressed and tired and jaded after dealing with a lifetime of failure that he just. kind of gives up. last time we see him in arc 8 hes being dragged around by groovy and rowan and he was drinking with rowan in the middle of a zombie apocalypse.

so. what about this is similar to otto?

well, otto and heinkel both struggle with dealing with their emotions and insecurities. with heinkel thats pretty easy to see, but with otto its harder to see until you hit the really Obvious parts (arc 8). like yeah, otto gets flustered a lot, hes simultaneously sensitive but at the same time hes pretty independent, he can handle himself, he's dependable - right? but the thing with otto is that he and heinkel both have a habit of lashing out. theyre anxious. they turn to numbing behaviors to cope. theyre pushed around by external factors but at the same time theyre also reckless and do things that speed towards inevitably helping in destroying themselves. they both have friendless and lonely backstories, theyre Extremely aware about their own weakness and powerlessness especially when it comes to dangers theyre up against and especially when it comes to comparing themselves to others. they get Very angry at people they love(d), which makes them get aggressive, and for heinkel we know for sure that theres a LOT of resentment there, and for otto, the anger is Bordering on resentment if it isnt already kind of resentment at this point. theyre also haunted by their failures - with heinkel this is more obvious, but i think once you examine otto deeper hes also kind of dealing with this too.

that, and - while otto hasnt hit rock bottom like heinkel has, i think that if otto keeps going down the path hes on now, hes gonna end up hitting that rock bottom and end up having a similar fate to heinkel right now. bitter. jaded. tired. burnt out and angry and miserable. which, when you look at the ifs - yeah any otto that ends up enslaved by russell fellow ends up bitter, jaded, tired, and an empty shell of himself. and this is also, of course, assuming that the main otto permadeath flags dont happen aljsdfljsd. because if you remember otto's third trial line, it was something along the lines of "if that's the case, then you should've left me in that cave (to die)!" (correct me if im wrong) which 1. sounds like something he would say at any point in the current arc 8 otto-related conflicts and 2. my guess is that this line is referring to when otto was captured by the witch cult in arc 3 and put in a cave. otto is eventually gonna reach a point where he just goes "well you shouldve left me to die in that cave then" which. you know, its not boding well for him hah.

and yeah so. ok im gonna try and elaborate a bit more on some of what i just said about heinkel and otto hah bc its a whole list.

heinkel and otto, i think, have spent so much of their lives with factors out of their control while simultaneously making decisions that make things worse for themselves.

of course with otto, this also manifests as his bad luck - his luck is so bad that he nearly drowned as a baby in the bath, in addition to generally being clumsy his whole life. like this is "getting fucked by the universe itself" levels of bad luck. then you have the impact otto's dp left on him which leads to him having problems with socializing with others, which also leaves him friendless and also bullied growing up (see: people ostracizing him and calling him a "freak") and later he gets chased out of the town by assassins...... then he almost gets sold into slavery, gets captured by the witch cult and almost dies to them, etc...... yeah its a lot. but then you get to otto CHOOSING to save roswaal's tome and that tome being one of the demands the witch cult makes during the arc 5 siege. and then otto gets injured by ley as a punishment for this. he spends time being bedridden, having to be banned from alcohol, knowing that some of his friends are off on some dangerous mission that he cant do anything about, and also he cant be his usual workaholic self either. when we see otto again in arc 7-8, he's participating in a full fledged WAR. and he's decided to dedicate himself to opposing subaru despite being warned that he'll destroy himself doing so. otto is making Poor Decisions right now.

otto turns to micromanaging to deal with all of this, while heinkels the one whos at the point where he gives up. he cant really go on without being pushed along. he collapses to his knees in the middle of the battlefield in arc 7 and he admits out loud that he cant do this (specifically addressing louanna as he does). for otto, he's dealt with his biggest more traumatic events thatve caused the most change in him (pre-arc 3 and arcs 3-8) all crammed in the past year. for heinkel, he's been dragged through the dirt by life and his own decisions for around the past twenty years of his life. thats more than HALF of his life. hes thirty-nine, which, yeah thats older than a lot of the cast but thats only because so much of the cast is in their twenties and under. thirty-nine is not that old. especially when you remember that that means heinkel had reinhard when he was nineteen.

but again, we dont get too much content from heinkels pov directly, but theres no denying that much of the shit happening to him is also his fault. hes ultimately self-destructive and hes also pretty much destroyed his relationship with reinhard (and people like carol and grimm, judging off of how carol understandly reacts negatively to heinkel and grimm likely follows suit), which really DID NOT need to happen. yeah. all the astrea drama involving louanna falling into a coma, theresia dying, wilhelm being an Ass, reinhard being the sword saint, the astreas in general being watched and controlled by the kingdom, and general expectations from the world are all out of heinkel's control. what couldve happened, however, is that heinkel couldve done his best to be an adult and a parent to reinhard - ESPECIALLY when he still had carol and grimm to help out with that - which wouldve turned out better for both himself and reinhard. but that didnt happen.

heinkel turned on his own son and pushed everyone away. otto has similar isolating behaviors, because like heinkel, otto doesnt actually talk to anyone in a way that makes himself vulnerable. heinkel and otto arent actually close with anybody. which, again, isnt helped by the General unpleasant aspects of their personalities (anger, irritation, lashing out, etc).

its hard to see otto's isolation more than heinkel (who is very clearly hated by a bunch of people, his wife has been in a coma for ages, and basically almost no one respects him so like. OF COURSE he doesnt have anyone to confide in), but i think that it gets more clear when you look at otto closely. yeah, otto usually makes it clear when hes annoyed or irritated or angry about something, and otto does things like declare hes subarus friend or open up about his backstory to the emilia camp in various side stories - but hes never actually more vulnerable. when you look at him talk about his backstory, it doesnt feel like theres emotion attached to it - its more like "yeah this happened and this happened". its more factual. and then you remember that he doesnt actually talk about his feelings any deeper than that with Anyone. hes either got his head stuck in work, or theres the occasional "otto sneaks off and gets drunk" scene, or theres all the times where otto goes "yeah so i did this for you, subaru, but im not gonna tell you why or anything" or "yeah i will totally leave at the first sign of danger", or otto only lets himself be a tiny bit vulnerable at a time. like when he tells subaru that theyre friends, or when he reunites with subaru in arc 8 and takes the time to sneak into the room just to quickly say that hes glad that subarus back and to not worry that much. but its absolutely more focused on other people, namely subaru, and not otto. his problem in arc 8 is that hes keeping all his feelings to himself because its all connected to all his other secrets (his arc 8 plans). hes open about being pissed off about staying in vollachia, but its more so "this is a dumb decision and puts us in danger, the more logical route would be to leave" and less "im afraid that we might get hurt the longer we stay here and its making me anxious and angry". he doesnt ACTUALLY talk to anyone in depth about whatever the hell his issues are (roswaal doesnt count bc otto just brushes off roswaal's warnings), he just insists on dealing with it himself like he does with almost anything. his tsundere habits are normally played for laughs, and yeah it IS amusing. but no completely well-adjusted person deals with intimacy by getting all pissy like otto does. why did he see subaru in the forest in arc 4 and immediately jump to punching subaru and giving a "this is why you suck, but also please just let me help you" speech?

and when it comes to like - complicated issues regarding Relationships, you look over at heinkel too and heinkel still misses reinhard. heinkel wouldnt need to use schult as a reinhard replacement if heinkel didnt actually miss reinhard deep down. theres like a love-hate dynamic there when it comes to heinkel and reinhard - heinkel hates reinhard the sword saint. but heinkel misses his son, which is interesting because schult Conveniently looks and acts like how a younger reinhard would, right? heinkel and little kid reinhard was most likely the last time heinkel was ever happy, judging off of the trajectory of heinkels life so far. reinhard is the last person that heinkel has left, and reinhards near silence when hes anywhere near heinkel says so much because there USED to be love there. but heinkel very much obviously resents reinhard now because after reinhard kills theresia in arc 5, heinkel VOWS to make reinhards life a living hell.

its kind of like a version of otto deciding to oppose subaru but to a Much Further extent, because otto doesnt hate subaru. but otto hates subaru's actions in arc 8 because it puts subaru in danger. but again, ottos playing with fire here because the ottosuba conflict is pitting them against each other and Resentment and Anger are gonna come out of that. and i think that otto misses subaru, because the arc 8 conflict is drifting them further apart more than ever. ottos afraid to lose subaru, so hes been going to extremes to not lose subaru. heinkel, i think, thinks that hes Already lost the reinhard that he loved. so turning to schult + getting rid of the current reinhard is the next best thing. otto is still clinging onto subaru with all his might, basically. which ironically is what heinkel was doing with reinhard - especially with Everything going on with the astreas - until that switch from "reinhard is my son and he wouldnt kill his grandmother" to "this is all reinhard's fault" happened somewhere around when reinhard was five or so. that switch wasnt instant. you dont go from loving to hating someone in an instant in most cases, and we know that heinkel defended reinhard from wilhelm at first. this change was gradual, the cracks just started then.

we're seeing these cracks happen with ottosuba, because subaru is ottos closest relationship. theres something to be said too, about the slight parallel between heinkel-louanna and otto-subaru in the sense that i think that theres a very likely chance that heinkel knows that even if louanna wakes up, she most likely wont like him anymore. and theres no way that heinkel doesnt know that things wont be the same anymore with her anyway because she was frozen in time. shes twenty years old. the same age as their son. shes missed Way Too Much, and if she even still remembers anyone, shes absolutely not going to approve of heinkel being an absolute asshole. and i think heinkel hates himself too much NOT to notice - at least a little bit - this. that louanna might just end up hating him in the end. but heinkels one redeeming quality now is that hes still dedicated to his wife all these years later. hes been trying to find a cure for her since he was twenty one years old. theres a side story where we see him in the present tracking down a possible lead and being absolutely devastated AGAIN that the lead was a dead end and theres still no cure. and this is with the possibility that heinkel knows that louanna might end up hating him when she wakes up anyway.

and otto, with all of his intelligence and how much time he devotes to doing things behind subaru's back, most likely knows that subaru will end up angry and devastated and might even hate otto if he ever finds out about ottos plans regarding louis/spica. like imagine being subaru and you find out that otto, someone you very deeply trust, has been keeping secrets so that your DAUGHTER dies. like this is relationship ruining shit, and theres no way that otto doesnt know that. otto knows that subaru cares about her. otto knows all about subarus love for others and his self-sacrificial tendencies. thats why ottos keeping all these secrets - he knows subaru wouldnt approve and he does it anyway. i know i love to joke about how otto is basically hitting subaru with a car and then trying to nurse him back to health like a baby bird but that is quite LITERALLY what otto is trying to do.

also regarding otto and heinkel being insecure about their weaknesses: heinkel is clear with this - the dude has been scrutinized by everyone for at least the past twenty years, AND everyone else in his family from theresia to wilhelm to reinhard is more powerful and capable than he is. this is also not helped by heinkels alcoholism, general mental instability, and reoccurring failures - failing to measure up to expectations, failing to find a cure for louanna, theresia almost killing him in arc 5 and then being killed by reinhard in front of him, and the first time theresia died was because she went on the white whale mission in heinkels stead because he was too afraid to go on it and KNEW that he wasnt fit for that mission. AND THEN reinhard got her sword saint dp. heinkel has dealt with a lot of failure in his life. it made him bitter and harsh but its worn him down. otto is the one whos gotten Sharper because of his own failures.

with otto, we dont see much insecurity about his powerlessness UNTIL arc 8 is extremely straightforward about it with "walking in light/darkness". otto compares himself to julius, emilia, subaru, and says that they walk in the light while he walks in the dark. its honestly sad to see - this is otto acknowledging that he CANT be as good as julius, emilia, and subaru. otto straight up lists their good traits - their idealism, their determination, their ability to see the good in things and try their absolute best at that - and otto says that he cant do it. otto acknowledges that hes basically useless compared to them unless he resigns himself to the "darkness" - so he takes up being an enemy, essentially, to subaru as his reason to live on. its quite frankly depressing and self-destructive. hes going "i cant be good like them, so why try? i'll go another path even if it kills me" which i think is a sentiment heinkel can relate to.

but heinkel and otto think that theres no other option than what they are Now when thats clearly not the case. and they need to see that theres Other Ways to go about their lives. theres no need to stay in the darkness forever, which is the key problems they need to deal with at the moment.

and one last quick note - yeah, heinkel and otto are the black sheep of their family. of course, the suwens have an actual healthy family dynamic while the astreas are a whole mess of generational trauma, but otto notes that hes lead to a lot of trouble for his family. iirc in the arc 4 wn he calls himself a burden on them too and how he'd like to pay them back for all the years they looked after him despite all the trouble he brought (you know, regarding ottos dp, that one time he caused a bug swarm in the town, being chased out by assassins, etc). otto is basically the unwitting "trouble child" of the family. this is a fact that also increases when you remember the ifs - in every if, either otto ends up dead, sold into slavery, or hes main otto whos stuck in the middle of a war right now and is willing to get his hands dirty. otto is known to his whole family as someone who gets into trouble, and they all worry about him but purposefully make a point to not think about him too much or theyll get anxious thinking about wtf hes even doing.

meanwhile heinkel is a black sheep with his own family in the sense that 1. this is even reflected in his character design with the sheer amount of black and brown hes wearing - just take a look at his design compared to the rest of his family and 2. hes way weaker compared to everyone else (not counting louanna) and 3. hes distant from all of them. wilhelm, theresia, reinhard. regarding wilhelm and theresia - we dont know much about their parenting when it comes to heinkel, but its interesting to note that it seems that even before everything went Wrong, it may have been a bit distant. when theresia tells wilhelm that heinkel cant go on the white whale mission, wilhelm calls heinkel a coward. i know that like all these characters are thinking with Medieval Logic, but its still a Cold thing to say. if heinkels not ready for that mission, then hes going to fucking die on that mission, which doesnt seem to occur to wilhelm. like yeah, theresias sworn off sword sainting and its a whole Thing that shes got trauma about. but theresia the sword saint logically wouldnt have died on that mission if it wasnt for pandora + losing her dp suddenly. heinkel on the other hand most likely wouldve died if he went on that mission.

and post-Everything Going Wrong in the Astrea Family, in arc 5, theresia is dying again and her last words are ONLY for wilhelm. she has more than enough time in her last moments to spare AT LEAST a quick "love you" for reinhard or heinkel but she doesnt. she has nothing to say to her son and grandson, and heinkel notes that theresia looked hatefully at him and reinhard. heinkel specifically says something along the lines of "who else could that have been but mother?" after noting how she looked at him too. yeah, heinkels an unreliable narrator who thinks that everyone around him hates him just like he hates himself (see: his narration in arc 7 thinking that another character is looking at him angrily when that character from their pov just Pities him). but at the same time - theresia not having anything left to say to her son and grandson is not a good look. and wilhelm deciding to turn his back on five year old reinhard, and most likely heinkel for trying to defend reinhard at the time, is not a good look either. this is also not helped by heinkel again being very Publicly an absolute wreck, so of course no one respects him.

so yeah uh. tldr: heinkel is an extreme version of ottos worst traits in a lot of ways and otto is just the one thats a little better at looking put together while heinkels so damn tired hes given that up a long time ago. and if otto keeps trying to do questionable shit hes gonna end up miserable in a very heinkel-like way. they are both pretty sad and pathetic and also in desperate need of psychiatric help <3 also they need to ACTUALLY address their core issues and feelings or they are going to keep being fucked in that darkness forever for sure.

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[themyscirah]

Philippus? Wym philippus this is a wholeass other woman?????? She's white?????? Guys come on now

ALSO cursed white Euboea in this same sequence.... homeboy she's Asian please stop

Joe Phillips I'm sorry but this is some shitty ass guest pencilling how can you not know anything abt what these people look like thats literally your job... you also just needed to read the issue before this to know?

Editors should have caught this one these are major Amazon characters

[beatcroc]

comic planning/roughs on the clock at work 👍 ok. this one's still a few posts out though

[arc-archernar]

.

[yansurnummu]

ok I lied I'm gonna talk about it more

90% of the narrative changes I made to the necrom story in my fic are mostly because when put into the format of written word, they don't go over as well as they do within the context of the game (mostly stuff that boils down to fetch quests, or quests that rely heavily on game mechanics like combat & exploration) I wanted to keep the core ideas and essence because I did really love it! I have a real love for cosmic/eldritch horror and high fantasy and mystery, and I think they did a fantastic job of blending those elements together in a way that still felt very ESO. Some details I don't really vibe with and think they could've done better (why put such an emphasis on the dusksabers being vampires if you're not going to use that in any interesting way, for example)

Mostly what I think it boils down to is the kind of story I want to focus on vs the focus of the story in-game. Like I could go for a one-to-one novelisation, but frankly I would find that boring. In shifting the focus to drals and his self-discovery journey, I do feel like I've had to pair down on some other elements (having gadayn as more of a background character, cutting out meln's ghost and leaving him as a figure of drals' past) in order to keep the focus on drals' relationship with azandar and friendship with leramil. Also dialling back the world ending-ness of it and just having apocrypha and mora being the ones in danger, lowering the ultimate stakes but still giving them all a reason to be extremely invested in the Plot.

Haven't planned as far ahead as The Reveal yet, but honestly? I might leave out the whole ithelia thing and come up with some other big dangerous secret mora's hiding. Not because of anything against ithelia, but because it does end on that kind of cliffhanger and sense of impending doom, and I think I'd prefer it if I could just end the story there and allow the characters to rest after a bittersweet victory.

[youmustfixyourheartt]

fucked up what happened to mike crew.

[coredrill]

one day i’ll have smth coherent to say abt how ep23 is not the end of rossiu’s arc, but the beginning of simon’s

[tsukiida]

i just scrolled through my blog and i realised i have only two modes: weird pseudo-philosophical rambling. and absolutely unhinged yelling. AND I TELL YOUUUU IT'S SO FUNNYYYYYYY because i spent so long trying to curate my voice and sound like a normal, fun, easy to approach person back when i first made this blog!

then again it's been 3.5 years so i guess my voice changed naturally 🤨 i'm not smart enough for this 😮‍💨

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[roseworth]

hi. here are my top 5 favorite comic moments ever (sort of in order, they can all be switched around sometimes depending on my mood)

"the son has not surpassed the father" (batman #645)

i cant even put into words what i like about this scene because everything about it makes me insane. its just so beautifully written and fits so well thematically and shows so much about how bruce is feeling without explicitly saying anything. so fucking good

2. "maybe he did. but my little girl is still dead." (batgirl #19)

fucking. fuck. again this moment just shows so much about how cass feels without saying it explicitly. theres a flashback to the man she murdered right after this because she sees herself in the murderer and doesnt believe she can be redeemed. itsfuck ignf. yeah. maybe he changed but she's still dead

3. "i owe you no explanations. i took the only compassionate option." (titans #12)

hoooooooly shit. i get chills every time i think about this im serious. adeline was suffering and about to die and kory killed her. kory saw herself in the suffering of someone else and KILLED HER. hard as fuck. i will refrain from going on a whole tangent about this but i feel like writers sometimes have the Good Guys kill someone and it doesnt really feel right, but this does it so well because it makes sense within the story AND for kory's character. she was right

4. "the last two bullets are for us" (green arrow #32)

this was so fucked up. can i call this a power couple moment. dinah has so much fucking kidnapping & torture trauma then she finds ollie after he was kidnapped & tortured and she goes dw babe we're gonna kill ourselves later. HELLO. i need to chew on them

5. "for all the times i will never forget. for all the things i can never forgive" (gotham city sirens #21)

everyone drop what youre doing and read gotham city sirens #20-21 right now. or read til the end of the book. gcs is mostly just an okay book but it fucking nails the ending. but this moment in particular makes me lose my mind because harley shows exactly how competent she is and gets into joker's cell in arkham with a gun when she thinks about how he hurt her. then the second she sees him she joins him again. its the ideal pre-breakup harley writing to me and this issue (this entire arc tbh) changed me

in conclusion i love my picture books 💞💞 i think more people should post their fav comic moments too because i wanna see everyone else's plsssss

also im putting honorable mentions under the cut:

"its not them" (blackest night: titans #3)

"i still dream of krypton" (supergirl woman of tomorrow #8)

"to the microscopic beings alive on his skin, this child is the entire universe" (poison ivy #6) (basically this entire issue is my favorite but i had to choose one page)

[disruptivevoib]

Long Ramble about CCCC and my overall feelings on what the album means and such

Something I find important about CCCC is like.

The fact that all three of them are, in some way, trying.

Heart is emotion, he is prone to himself and being reactionary, in the moment. Prone to the past of learned behavior and trauma. Reactive and rapidly changing. He isn't going to make pure sense because he isn't based in logic or in societal ideals or views. He is an instinctual response to the environment and circumstances. His manipulation is not intentional. He has very little control of himself in the end. Its why Mind talks about claiming to relish entropy yet clearly needing help. But, Heart in earnest wants them to be okay and safe. He believes that Mind's control will drain the life from them. It will make things monotonous and the same. Too much order.

Mind in turn, believes Heart is manipulative with intention. He wants to control Soul or wants to just drag them all down with him into this depressive state. Mind is logic, he is the reasoning out of your emotional instinct. Your inner critique, and when unchecked, that inner critique goes from a guiding hand for your emotion to one that debates and bullies it. Invalidating its responses. Ultimately, though. Mind just believes he is helping. He is doing what must be done and telling the "hard truths" to Heart. And that Heart is being the petty child. Which- I mean. Sort of sure. But Mind is definitely fucking petty and childish. He's stubborn! Prideful! So ofc he is. Admitting you're wrong? No.. why would he EVER do that.. nuh uh.

Which is what makes Light so crucial. Mind asking Heart for help- but also. There is Soul.

Who while ambiguous in purpose, is mostly that background voice. Your inner narration. If Mind is Logic and Reason then Heart is Emotion and Instinct,, Soul is all that lives between it. And he is constantly silenced or spoken over or around. He does not get a word in edgewise until TSE. He may show up in the background occasionally but as much as Heart and Mind claim to want to keep him alive and help him, they also fail to actually acknowledge what he says.

Which is that they both are right and wrong. That this fighting is doing directly what they both feared it would. Soul is desperate by the end. He is angry and resentful because.. well. Self hatred due to intense self awareness and reflection is rather ig. Common. Im not a professional here but from personal experience, you get so tired of rehashing the same shit with yourself over and over. It all feels pointless.

The only out, by the end of it all to Soul is that if they cannot be Whole, whats the point? He is desperate. He does not want to die but he feels theres no other solution.

And. About Whole, Soul throughout the album seems to want that. At the beginning, to be Whole or Harmonious is to be mentally healthy, maybe even "normal" by society's standards. To be able to put a mask over your problems and be, again, "normal". It takes the entire album for Soul to realize that this:

1. isnt possible

And

2. There isn't anything evil or wrong with him for that.

Mental health is a struggle. But you are not evil and should not be othered because you struggle. You also do not need to be fixed for being a little different and people's opinion of you is not what matters most so long as you are happy (and not hurting others. Lol).

Thats what Two Wuv is entirely about as a song. Its a "fuck you. Fuck this! I thought I needed to be this! But I DON'T. Stop telling me who I am! How to be! I'm gonna be me!"

His entire arc is parallel to Heart and Mind's and is crucial in the culmination of becoming yourself again and accepting yourself.

But, as mental health will always be, this period of respite and self acceptance is not always forever. And as life continues or as you lapse back into a depressive episode.. you cannot help but forget what it is like when you're not this way- and hell! Vice versa too! Some people have this disconnect between the periods. Where the things from the depressive state seem dramatic or obtuse to you while you are doing better. And from the other end, you just want to be happy again.. but you get so lost in it all you can struggle to feel like you've ever been happy.

The album is about the human experience. It is about self-sabotage, mental illness, self-hatred and reflection and it is, maybe more importantly about self-acceptance and healing. Having a bit of mercy on yourself. Accepting that you are imperfect and that this is okay. And whatever flaws you may have that need to be mended or worked on, can be. And that who you are, for example, if you are queer, is okay. And no one has the right to take that identity from you! That the internalized ideas of how someone should be are not always correct or right. Not for you, at least. Stuff like that.

[big-box-of-kinda-silly-fop-ideas]

Just wanted to make like a proper way bio thing for peri (irep coming soon probably if i bother)

I would write fanfiction but uh idk if i could so these are more like characters notes

real long post below

Peri is a highly independent adult, he doesn’t like being coddled or touched without any warning and isnt the type to ask for help at all even if he really needs it. He’s an extremely closed off person using the suave act as a way to personally seperate himself to others which he developed due to his celebrity status, the suave personality also acts as a way to keep face as he never knows where could be camera. He pretends this cool collected guy, that can worm his way to getting anything (which is true) that has everything under control but in reality he’s this kinda dorky dude, that always anxious on how people perceive him and his grades. He’s an overachiever, after the initial first baby born hype died down he’s mostly known as the really smart youngest fairy in existence, he’s was an academic weapon throughout spellementary school and hs (im basing his education system off mine which is only two schools no middle 4-12 and 12-18) and came to uni with overconfidence in his educational abilities. Theres one thing thats consistent between his suave act and his actual self which is he’s petty as hell and very snarky, you can try talking him down but he’ll roast you back or give you a vaguely threatening threat. As well as being a bit prideful and vain, like he knows he’s pretty and smart and cares a lot about his appearance.

In this uni au he’ll be a bit of a static character he doesnt grow much, and struggles with demonstrating his affection or his struggles. (Which is why dev and peri dont exactly work much cause peri is overcompensating on how much coddling he got, and show affection in a more subtle way that dev doesn’t need as he need a more direct way (and heres a thought i dont think peri wouldve ever said he cared for dev unless delirious) ) . But he’s more openly affectionate with his parents cause he loves them. What he mainly goes through is humbling, he starts fairly prideful and overconfident but starts to slowly crumble from the pressure and anxiety. As in he doesnt say no to anything, hes somehow always busy or doing something, he also studies not enough and too much (crams shit in) and he also got his celebrity things to do. Another arc will be opening up to Goldie and Irep (but they'll be his only friends) cause he doesnt learn shit about how to socialise without depending on the act. He’s also easily frustrated, if things dont go in the way he wants he gets frustrated at himself, like he really put his self worth on his abilities to do things and less on who he is as a person. Like everyone praised him for his intelligence, charm, talent, magic and appearance, like he hates being coddled but he likes being praised, while irep doesnt get praised and seeks getting praised. But that doesnt change the fact he is a genuinely nice-ish person he just doesn’t like disappointing people, especially those close to him but he’s got a bit of an ego but not in a narcissistic way but in a young adult way where he doesnt exactly think for others first but for himself because he doesnt want to disappoint people. (Which is seen in battle of dimmsonian where hes more worried about being seen by his parents and his career choices then dev). Which is also why he’s a stickler to the rules, like he doesnt want people to think he’s bad person but also jorgen literally drilled it into him that breaking the rules is bad. Like he’s the type to do it right by the books, that comes from him being a bit of a people pleaser, and genuine concern of him messing up his perfect facade.

Speaking of Goldie, i would describe their relationship as fairly close. It takes a while for the either of them to open up to anything personal but they start off as friends of mutual benefits. They use eachother as study buddies, people to hang out with and to talk about their slightly weird interests. And the more they go through uni the more they will confide with each other. Like i imagine a tipping off point for their friendship is when peri finally breaks and gets like a panic attack, Goldie will be there to boost him up. Irep is also their friend but he’s in it more to best Peri or to piss him off. Irep is one of few to see through his act and knows how to break it.

Like genuinely i do think hazel and peri may be counterparts to each other like they both lost their sibling figure, both overthinks scenarios and both want to be appear more mature then they actually are. Like i want anw to be where he grows the most because he’s more challenged to question his behaviours and habits, especially with how these traits affect his and dev’s relationship for the worse.