#these are just the sketch/planning phase!!
retquits · 29 days
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i guess we're doin this
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vexdeta007 · 14 days
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my two fav band parents as my fav mafia parents🥹
Anw heart steel x Jojo would be nice hehe🎉
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keymintt · 1 month
I was watching the stream at the end there, just had it in the background, I normally already just lurk, and i dont have a twitch account so i didnt comment anything, thank you for streaming! That was a cool looking lizard/dragon thing
omg thank you for hanging out !! i appreciate it hehe
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chibelial · 1 year
Doodlin some ygos no idea what I’m actually planning on making this look like once I go over these first layers
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Cringetober day 5: MS Paint
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coffee-bat · 1 year
Love tf2 content, please keep it up I'll be a loyal follower for life
aw, thank you! i'm glad you like it :)
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unkillability · 1 year
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looked thru sketchbook/ etc/ in various stages of decay -__-
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All this talk of Tomalak reminds me… I really need to get back to that Qcardalak drawing soon. -First Officer
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tomswifty-fr · 2 years
Dramatis Personae of the currently-unfolding clusterfuck
Yuu: Notoriously negligent oracle who did not bother confirming the address before pulling an entire Lady-of-the-Lake-and-Excalibur routine on some poor random schmuck who wanted nothing at all to do with this.
Sponge: Said random schmuck who, despite his desperate wish for everyone to forget about this whole prophecy thing and leave him alone, is too much of a people-pleaser to put his foot down and say “No, this is insane, I don’t wanna be a king.”
Lucy: Just Some Guy who happened to witness the oracling and decided that this is awesome, actually, and she’s gonna help Sponge achieve kingness no matter what :) Is having a fantastic time.
Elvis: Just Some Guy who attached herself to Lucy at some point and goes along with whatever she does. Strong and silent type.
Groove: Hates that this happened at all but especially to her roommate, hates these two randos who won’t stop hanging out in her apartment trying to redecorate it to be more “““royal,”““ and hates Sponge for not shutting this down earlier or at all. Desperately trying to find a new place to live but you know how it is in the Hewn City.
Margaret: Has decided that deposing the new tyrant is 1) a most worthy task for her order of noble knights, 2) something constructive that will prove to the world that the age of knights and heroes is an ongoing thing, not just a closed chapter of a bloody and disorganized history, 3) a great excuse for a recruitment drive, and 4) completely unrelated to her midlife crisis.
Glitzi: Involved against her will and pissed off about it.
SixtyEight: Involved due to proximity to Glitzi and actually kinda interested in this whole knight thing. Confused as to why this makes Glitzi even more pissed off.
Ulysses: Blissfully uninvolved and in another flight territory to boot. Good for him. Good for him! Arguably his fault for not leaving a forwarding address for the oracles but good for him!
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transgender-catboy · 10 months
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Family photo!! This is my goodnight post, ily guys!! See ya tomorrow!
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cheriladycl01 · 5 months
No because that hurt me! Lando Norris x Girlfriend! Reader Part 2
Plot: Lando goes one step too far ...
Credit to purplephantomwolf for the GIF
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As you'd promised you'd gone straight back to London, you thrown yourself into your work. You spent the days on the construction sight for the new house you were flipping, overseeing the progress. You spent the evenings in the studio working on more plans for the interior of the house.
But you did miss him, of course you missed him.
He was your person ...
Your guy...
The love of your life.
In the time that you'd come home however, videos had surfaced, many videos had surfaced...
The first was of you and Lando in the club, someone from a table across from the one your friends had been sat in showed how Lando had acted towards you and how his friends had tried to back you up. The next was of you running up to Alex, begging for a lift.
Afterwards, videos were leaked of the rest of Lando's night where he celebrated his win, by dancing with his friends and random girls that were being pulled into the big group. Nothing scandalous but enough to upset the fans who really liked you.
Later on, after the first few videos came out a video came out of Max Fewtrell and him arguing before him and Pietra left. Max actually pushed him a little and lots of hand gestures were flying round, but Lando looked just as angry as Max did.
Normally when you were in London, people knew they'd get content on your Instagram stories of you doing what you do best. People had suggested you to start a YouTube because your live's and reels were so funny that they'd definitely spend the time watching.
But you'd been dark since the argument with Lando and people were getting worried including Lando. So when you posted a titkok with your team, in the trend that AstonMartin did where the camera is up high above and you all do funny things, the media went crazy.
You then posted a video on instagram talking about the new house and the progress that was coming on.
"Hey guys! Y/N here! Just wanted to show you how the latest project is coming on. We've torn down the living room and put all new flooring in, which actually has built in underfloor heating which i think here in the UK is a real money move. We're going to hook it all up to a central network from the hallway as you walk in, which we finally finished the painting for that last week" you pan showing the round the areas you'd been talking about.
You showed you and one of the girls tearing down the kitchen.
Captioned 'Best Part of the Job, Free Rage Room', which is how you'd always referred to the demolition phase of house flipping. People on twitter of course took it out of context and rumors started flying that you and Lando had in fact called it splits, even one of those WAG update pages 'confirming' the breakup from close sources.
You'd found it laughable really, but you knew it would be hurting Lando, and no matter how much he hurt you ... you weren't a bitter person. You didn't want him hurting as well.
You were sat in your studio at your desk, sketching for the garden. The pen was currently in your mouth, sat back debating whether you should reach out to Lando or wait for him to come to you.
It had been three weeks at this point with no communication. You'd spoken to Lando's family, who had talked with you about everything that had happened. Cisca and Adam had apologized for their sons behavior.
As you were about to pick up your phone, caving in to messaging Lando first when you swore you wouldn't on knock on your wooden studio door sounds.
You frown, wondering who on earth would be coming to you at this time of the night. You weren't even open, office hours were long over. It was about 11pm, so your clients knew you weren't taking calls even though you were still here and working with a light on.
You open the door, bolt and latch on for added protection.
"Lando?" you ask seeing the curly haired boy, hoodie up and his eyes looking more tired than you'd ever seen them.
"You want to open up and let me in baby?" he asks softly, a slight crack to his voice.
"I was just about to call you" you admit, unlatching the door so it swings open fully. He stops just under the arch of the door observing you. It was like he was having a small inward debate with himself.
"Gonna cave coz you miss me?" he jokes, testing the waters. He didn't know how you were now that you'd have some time apart. He was hopeful that he could talk to you again and fix what had happened.
"Honestly yeah. I hate you and how much of a hold you have on me" you admit, leaning back into your chair directing him to the sofa.
"I came here, to say I'm sorry and that I was horrible to you. And I know it's not excuse but I want to explain what happened. In full... I think you deserve more than an explanation... but I think you need one for if we are ever going to go back to what we were" he sighs. He leans forward and takes your hand into his.
He explains how, after the race people told him you'd said you were leaving the race track. So he went to the hotel to find you, only for you not to be there, Max came round and said you were probably getting ready with the girls as P had told him you were all gonna meet them there.
"I didn't think this was too out of the ordinary for you, your especially close with P and Lily, and it wouldn't shock me if Kelly and Kika would drag you all into a girl pre-club party in their hotel room..." he laughs knowing that normally you and P would do each other's makeup when Max and her came to race weekends. Or you and Lily would switch outfit's loving to venture into each other's styles.
When he got to the club and no-one had seen you, and Pierre and Charles had come up to him with celebratory shots, he hadn't declined.
"The shots were the start of what slowly just went downhill, I don't think i ever want to drink that much again, I was so happy at the start" he laughs flushing red and the thought of him knocking back shots, which was rare considering he didn't like to drink. He wouldn't be doing it anytime soon that was for sure.
"You deserved to celebrate though baby, don't make it seem like you shouldn't have had a fun night" you admit, both of you were being open and mature adults right now. You were so glad you'd both spent some time apart to think before you fought more, now you were both talking and listening to each other and you couldn't help but think it was beautiful and intimate.
After the three hour mark he was fed up that you hadn't bothered to show up at such an important night for him. Talking to Charles and Pierre who were also drunk, weren't the best influences on suggesting places you could be. All of them being ones his drunk mind could picture vividly, his sober mind would have known his girl would never dream of doing that to him.
"Charles said some things and I know sober me would have known you wouldn't do that, but i was already angry thinking you'd just ditched me. I shouldn't have drunk as much and I know its no excuse... but" he starts and you nod.
"The main thing is you know how you would have acted. Yes you upset me, yes your hurt me because you said some horrible things to me..."
"Yeah, I've heard the video and It wasn't my intention to embarrass you the way I did, especially in front of our friends. I'm so so sorry!" he admits.
The other group, had tried to convince him that maybe you'd just got held up and thats where Oscar, Lily, Max and P had all messaged you.
"Baby, I'm so so sorry that i wasn't there for you after what happened!" he says tears in his eyes. This would forever be one of his biggest regrets in life, not being there for you when you needed him.
"How did you find out?" you gulp, not really wanting to think about what could have happened that night if it wasn't for the Mclaren Mechanics.
"Well, after having a scolding from Oscar, and Max, and Alex, and Zac... the mechanics also threatened to botch my pit stops. So i listened to what they did for you"
"Mmmm it was scary. All i wanted was you" you nod, rubbing a thumb across his hand.
"I'm so so sorry, I promised you that i'd protect you always. And I've failed!" he says with a little snivel and tears brimming his eyes.
"You've not failed, you just made a mistake, there's been some miscommunication and Charles and Pierre didn't help with their boyish meddling but ... we'll get there" you smile before pulling closer to him and nuzzling into his neck breathing in his sent.
"Do you think you'll ever forgive me?" he asks softly pulling you back so he can fully look at you.
"I already have, darling" you smile.
"What did i ever do to deserve you, I don't think i do" he smiles.
"Hmmmm, well I think the historians will argue one day its me who didn't deserve you" you sigh, brushing some of his hair back.
"I doubt that" he scoffs, knowing that when you first started dating, even with your lack of status people still thought you were too kind, too sweet and too innocent for someone as jokey and brash as Lando was seen to be.
"I've never had anyone treat me the way you do, I'm so so in love with you. And I don't ever want the feelings I have when i think of you and see you to stop. I feel like i can do anything when i have you by my side. Why do you think the first person i seeked out was you?" you offer, softly leaning in and placing a kiss on the corner of his lips.
You guys, talked more that night. About how you actually had fun helping the Mclaren boys pack up, regardless if you thought Lando had forgotten about you.
A week later and the media had picked up on the sighting the paps had got of both of you. Some fans had seen you both at a restaurant and make posts on it.
The comments bashed you either way, being between saying how silly you were for taking him back or the others saying they were upset you were back. It got to the point where you had to release a statement saying that you and Lando, are grown adults who can talk through the miscommunication and issues you'd experienced and were better for it now.
"I love you so much, and I'm never ever ever acting up like that again" he says as you help him do up his fire suit for the race you were currently at with him.
"I love you too, now go out and get another win for me baby so we can celebrate properly this time" you smile, kissing him before Jon comes forward asking for Lando's presence in the front of the garage.
A/N: I hope you guys think this did the first part justice as so many people requested a Part 2, so I'm really scared that this hasn't done it justice! If you want a rewrite with something better... something longer where its more of a series. Or where it goes the opposite way and it takes her longer to forgive him let me know. I just thought that Y/N and Lando in this one specifically would be the type to maturely talk about things!
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People requesting for just this part...
@christianpulisic10 @ilovechickenwings @basicallyric @runs-with-sciss0rs @dreamerrosie @eviethetheatrefreak @luv4kani @randomgirlnumber-13 @simpingcorner @c3ndr1n3 @bibissparkles @littlehoneyfreak @80sloverry @xjval @de1u1ugyal @meadhbhcavanagh @solphin @devotedleycrookeddonut @gg-trini @urfavnoirette @manuosorioh @angelbunny222 @randaaz @nvi111 @allabouthappiness @loloekie @error1190 @itsprashimusic @goldenharrysworld @glitterf1
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ryanseslow · 2 months
How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners
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Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->
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Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.
Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.
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Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!
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I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.
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This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)
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I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.
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Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.
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Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.
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Here is another variation with a different character.. What do you think? Shall I make more?
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akanemnon · 5 months
How do you draw this comic?? I'm realy curious because its just so good!
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That might need a little more explaining. It's a long read, so please proceed under the cut.
Basically, since I like to plan things way in advance, these comics follow a strict script (that is already finished). Only on occasion do I add an additional comic inbetween, but only in order to make things a little more clear if I notice there is some confusion going around and stuff. I work in Clip Studio Paint for all my comics and art in general.
Naturally I start out with the sketch. The script is written in such a way that I can easily put together the overall panel layout. This right here is how the sketch of the latest comic looks like:
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Typically I like to keep my sketches super clean that they almost count as lineart. This one ended up a bit messier than my usual ones. It might've been the second draft, since I always go over my sketches three times. They typically start out looking like this (oh hey a sneak peek!)
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2. I add the dialoge and organize the text boxes in the earliest sketching phase. That way it's easiest to figure out the best text flow.
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3. Next is foreground lineart. I like using a pixelated brush for crispy lines and ink the whole characters once using different brush sizes for details and such. And at the end I go over them one final time for the outside lines to make each character pop a little more.
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4. The flat colors speak for themself I guess.
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5. Same procedure for the background.
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6. Most of the heavy lifting is done by the shading and coloring the inked lines. It adds to the ambiance and makes the foreground characters pop.
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7. Last step is the rendering phase. This is basically where I do the shading on the characters, add highlights and color the inside lines. It's what ties everything together.
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8. (Optional) I do this for specific lighting to set a certain mood, where I put a gradient mask over the colors for added effect. Notice the difference?
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So yeah. That's how I do these comics. Hope this was a comprehensive enough read haha...
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moiraimyths · 3 months
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Howdy, fateful friends! Are you an artist or illustrator with an interest in visual novels?
If so: Moirai Myths, creators of the visual novel The Good People (Na Daoine Maithe), are in need of guest artists! More specifically, we're looking for up to two artists to help us with the content graphics ("CGs") for Maeve and Shae's upcoming routes. All of the details will be listed on our application form (linked below), but here is the gist:
This is paid work with 20-30 business day deadlines per piece!
Complicated revisions in the post-sketch phase are compensated!
You will be prioritized for future guest artist opportunities!
You will be featured/credited on Moirai Myths' website and in the game itself!
Sound interesting? If so, apply here:
Click under the cut for some F&Q 👇
Who are you? (I'm new here!)
Hi! We're Moirai Myths: a small, newish visual novel company based out of Canada. We're making a game inspired by mostly Irish mythology, which was funded on Kickstarter in 2023! Our game's got fairy politics, a diverse cast, a Gaeilge-to-English translation tool, and routes that can be played either romantically or platonically! Also horses. An ungodly amount of horses, really.
If that odd pitch sounded intriguing, perhaps you'd like to play our demo! It's free on Steam & Itch.io.
Why are you looking for guest artists?
When we originally launched our Kickstarter, the plan was to have our three in-house artists collaborate on the CGs in the same way our header image was. However, we quickly realized that adding CGs, even if they're done collaboratively, onto the existing duties of our artists was a tall order. Add to that the departure of our original sprite artist (who has since been replaced by our graphic designer), and we determined that having our in-house team work on CGs was simply not possible if we still wanted our first release to happen in 2024. So, rather than omitting CGs or adding them in at a later time, we came up with the idea of hiring guest artists. Overall this means our CGs will be a bit more varied in terms of art style, but we like to think of this as a positive! NDM's development will take a number of years to complete in full, so we hope our CGs will allow us to feature a lot of artists either within the VN/indie dev community already, or artists who aspire to work in gaming and are looking for entry positions.
How long will applications remain open for?
This application will be open until Sunday, March 24 at midnight (EST)! If we intend to extend past that deadline, we'll make an announcement about it.
I can't apply right now. Will you look for more CG guest artists in the future?
Definitely! As mentioned, NDM will take a while to develop in full, so this is by no means your only opportunity to apply. That being said, we suspect we're going to end up shortlisting a number of artists over the course of this application period, and we intend to keep a list of all the runners-up. So, even if you won't be able to participate this time, it might be a good idea to apply anyway just to remain in our contacts! Either way, this will not be the last time we have apps.
Will you be looking for guest artists outside of CGs?
Maybe! We already have two guest artists (Nefukurou and Madi Funk) working on sprites and CGs respectively, so it's always possible that we'll have other artistic needs later down the line. Likewise, we may also reach out to past guest artists for future work with us, whether it's on this game or something else!
You say we need to sign an NDA. What does that entail?
The non-disclosure agreement essentially means you will be legally unable to publicly disclose any confidential information you become privy to as a result of working with us. This would include personal information about the developers, as well as spoilers from the game itself. In addition do this, you will be expected to sign over the IP and copyright of any artworks you produce for us.
Can I still use my artworks in portfolios, even if I don't own the copyright?
Yes! We'd only ask, if your portfolio is a website, that you wait to do so until after your art has been made public by us, either on our social media or via the publication of the game. Our first release is anticipated to happen later this year, most likely mid-autumn.
How do you guys feel about AI? Do you intend to use it, or would you ever train an AI off of the artworks whose copyright you own?
Making a game is expensive and time-consuming, but AI is no replacement for human artistry. We fundamentally believe that any advancements in AI should be used for the purpose of giving people more time to make art, not take away opportunities for it. Moirai Myths will never, ever use AI or train an AI off your work.
If you've got any more questions for us that we didn't think to include here, feel free to send us an ask!
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kheprriverse · 6 months
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I see your OOT's Princess Ruto and raise you my Jellyfish Princess Ruto.
Masterpost | Kofi | Inprnt The full image, including her sketch/concept phase is on my kofi for members!
This has actually been sitting in my drafts for a while. I totally forgot to post this. I think my plan was to post her when I had finished a certain someone’s zora form, but ended up changing my plans for that kinda post and just… forgot.
Design may vary a bit as I re-visit her, but otherwise I really like how she turned out. I think the jellyfish inspiration kinda fits the character I’m gonna be giving her :D
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nicki0kaye · 7 months
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Junior Guard Captain Garazeb and Underworld crime prince Sasha fall into each other's orbit and hard. This is the 'verse where they have complimentary force powers; Guard (Zeb, empath) and Watcher (Kallus, heightened senses). you can check out the sketch phases of this here. Zeb characterization and general Lasan HCs courtesy of @sidhebeingbrand
Not ten minutes after meeting, Sasha tries to use Zeb as his ticket off Coruscant, which creates something of a diplomatic incident.
The Kallus' aren't a very powerful underworld gang, but they don't want to lose Sasha and are more than willing to become a pain in the surface's ass to get him back. Zeb's superiors don't want any of that, but there's a hiccup; Zeb and Sasha are already 'bonded'. Their auras compliment one another, and have more or less interlocked in what little time they've known each other. Untangling them now would be a process. That, and Sasha has told them some concerning things about how his family treats him and his gift.
So the plan becomes; parlay with the Kallus Family down in the Underworld.
It goes better than expected, all things considered. Sasha's family wants him to stay and are willing to accept assistance from the Lasat, because they're under no illusions that their family's way of doing things is working. Sasha's magic has always been more than either his brother or grandmother could handle. If the Lasat are willing to spare a teacher, the Kallus' will put them up and treat them like family.
Which means Zeb is going to stay.
Sasha is furious. He wants to stay with Zeb, yeah, but he wanted to go with him to Lasan. Not ruin the guy's whole career by getting him stuck in the frozen ass-end of Coruscant's basement sectors.
There's one place Sasha goes when he's feeling trapped and overstimulated. At the bottom of level 1996--a level comprised entirely of the piping needed to keep the above levels running--is a giant empty space where the next level should be. Over a hundred stories of nothing between the pipes of '96 and the sewage pit of 1994. This is where Sasha goes to worship his god. The Lasat know him as the Bendu--the one who walks in the middle--but in the north-eastern sectors of the Underworld, they simply call it 'The Void'. It isn't the kind of god to lend its favor, but it is there all the same, and it will listen. Sasha comes to it often to vent his frustrations, to scream into the dark, and this time, Zeb follows.
The whole thing freaks Zeb out. He's a good, devout child of the Ashla, and this big yawning pit his bonded feels compelled to dangle over scares him shitless. He respects the Bendu, respects Sasha as a child of the Between, so he doesn't interfere. Zeb does, however, reel Sasha into the safety of his own arms the second his crazy little human is done.
That's when this conversation happens. Across their bond, in the privacy of their auras, Zeb promises the next time he sees the stars, Sasha will be there beside him. "I know why it calls to you now, the emptiness."
A shiver works its way through Sasha. "Why are you like this?" he asks, pressing into Zeb's space, forehead to forehead. "You just promise like it's nothing."
"To be your Guard is everything. I do not want another bondmate. Terrifying small human."
Sasha's laugh is a little wheezy and broken. He forces a grin as he asks "what if?" aloud, pretending it's a game, a new way to tease the overly serious Guard, and that there's no growing fear he may misstep and give Zeb reason to abandon him.
Zeb says he doesn't know, but then counters; "what if I steal you?"
The question is left unanswered--they aren't alone in the 1996 and need to get going--but it isn't forgotten. Nor Zeb's promise that one day, the two of them will hunt the stars.
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