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luifaro · 4 months ago

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man i hate roblox roleplays that start off as silly little jokes that become more serious because i have a little guy now. a little siffrin variant but their lore is STUPID because when they were born (aka undied) we were still in the jokey phase so literal nonsense happened and i don't KNOW what to do... curse you stardust and your honestly exciting idea. so basically loop turns back into siffrin and siffrin turns into loop.

"but what's so stupid about that, tumblr user louie far o?"

it'll make less sense in context so here!!!!! (note really long and rambly + prolly makes no sense i'm so sorry)

ok you know how loops like a loser or something (idk i didn't play the prologue yet i'm mostly basing this off tumblr osmosis and how i roleplayed them don't kill me!!!!!!!) who ruins everything? WHAT IF absolutely crazy shit happened to them!!!!!

so to start off loop ended up meeting a siffrin they were fairly sure was the real one and fondly nickname them sleepyfrin because they look tired. they also meet hatfrin (sleepyfrin doesn't have their hat, hatfrin does) but don't like hatfrin as much as they like sleepyfrin (loop finds hatfrin annoying), so sleepyfrin's their favorite siffrin variant!!!!

anyway loop and bonnie end up egging the two siffrins on and trying to get them to fight, though of course sleepyfrin doesn't want to because he has like. morals or something boring like that. hatfrin's eager though!!!!

left loop and right loop (sits on the left side of the favor tree) (my loop sits on the right because i was stupid and forgot they sit on the left) end up beefing though i don't remember why (i think it was just a simple "there can be only one" thing but not entirely sure) the stars are fighting man. left loop and right loop are both trying to cook each other... bonnie gets popcorn and shares some with right loop (they absorb it??? idk they still don't have a mouth)

sleepyfrin sadly DIIIEES because they ate pineapple (left loop made them food that contained PINEAPPLE!!!!!) but hatfrin didn't (right loop also didn't because they don't have a mouth)

a little after that, bonnie also got hatfrin some pineapples and they and right loop basically guilt-trip hatfrin into eating it even though loop knew it'd kill him and then he loops, proving that HE'S the real siffrin. (right loop is not happy.)

they like. died because left loop built a BOMB to KILL right loop!!!!! (had glue so they couldn't get it off their hands.) they're told to defuse it but it doesn't really work out like that because the bomb would be very difficult if not impossible to defuse. the bomb EXPLODES so loop their little stardust DIIIE. (they were standing in the blast radius when it went off but on a good note so was sleepyfrin's ghost, so they undie because in this canon ghosts getting killed again makes them undie)

hatfrin loops again but loop is still dead (and now a ghost)

and then loop undies (something about how killing ghosts brings them back to life.) but this makes loop turn into siffrin and siffrin (formerly hatfrin) is turned into loop. this is a confusing predicament as there are already a couple other siffrins (just sleepyfrin at the time but confusedfrin also appears later on) (sleepyfrin's called that cause loop noticed they look tired)

sleepyfrin is ofc CONFUSED about what just happened. loopfrin tells sleepy to not look and that it'll make sense if they don't so they're like "ok." and he turns away for a bit. sifloop suggests that loopfrin pretends to be hatfrin and tells them where to find his hat (it's in the clocktower)

so yeah loopfrin just kinda skedaddles to go steal that hat. they return and sleepyfrin turns back to look at them and is like "what took you so long" (something like that i think) and loopfrin just kinda admits what actually happened, though it's kind of confusing.

so loopfrin renames themself stardust to not be confused with anyone else (but they'll still call other siffrins stardust so it's still very confusing. "Stardust!" vs ", stardust!") at some point confusedfrin appears (can't entirely remember how i think they were just also under the tree?) and they get the nickname confusedfrin because they were very confused at the time about what was going on. after confusedfrin appears the three siffrins aren't sure about what to do (mostly sleepyfrin) but then stardust gets a plan (totally not inspired by the one thing where siffrin and loop swap out every now and again) where the idea is they'll all pretend to be the same siffrin and interact with the party one at a time. stardust goes out first since the other two would rather not.

sifloop follows them. they meet bonnie and they come up with a story about how loop (actually sifloop) is a wish star that fell out of the sky and that they're going to help them get back up there and bonnie's like woaaw. skip a bit (i forgot part before this) and wowza it's mirabell!!!! stardust meets mirabelle and ends up accidentally spilling the beans about being in a timeloop (tldr got confused and thought mirabelle wasn't joking when she said she was trapped in a timeloop so they blabbed thinking they were both trapped and just never said anything to each other) and they feel so BAD and STUPID they RUN BACK to the favor tree and climb to the top where all they're friends are and start crying and freaking out cause they think they RUINED IT and that everyone knows now!!!!!!!!!

other frins try to comfort stardust but it doesn't quite work and at sifloop's suggestion they impulsively decide to run off to the clocktower to run away from their problems a bit. other siffrins chased them i think. they end up in the clocktower and i sadly miss the next part because i went afk but before the part i missed, it turns out isa and bonnie were downstairs and UH OH this is bad!!!!!!! stardust starts panicking and insulting themself because this was a STUPID IDEA and they're FUCKED NOW.

sifloop tells them to QUIET DOWN so the nerds downstairs won't hear them and they try to quieet doown... but end up having to hide anyway because skill issue. so stardust, sleepyfrin, and confusedfrin all end up HIDING and luckily aren't seen?? sadly then i miss a part but from what i saw i think confusedfrin and sifloop were arguing about something. stardust feels like. very terrible about everything and doesn't want to come outta the closet (they were hiding in there). sleepyfrin tries to talk to them but they won't respond, so confusedfrin talks to em and lets them know that they won't leave them behind. yk yk the whole moment is very sweet. (conversation went like this basically: "i'm so STUPID and RUINED EVERYTHING." "ok but i don't think anyone else would've known what to do in this situation." "why not just leave me behind?" "stardust listen. no matter what, we aren't leaving you behind.") stardust reluctantly accepts that confusedfrin just isn't gonna give up on them and decides they have to come out then.

yay the siffrin trio is BACK BABY!!!!!!!!! they come up with a new plan which is to basically pretend they're loop's guardians or something and they just happen to look like siffrin. they go downstairs and try it out!!! stardust gets to show off their charisma and stands on the table because they're cool. once they're done distracting isa and bonnie they RUUUUUUUUNN ALL THE WAY BACK TO THE FAVOR TREE!!!!!

stardust remarks that running from their problems has NEVER felt better and that they should do it more often! sleepyfrin and confusedfrin end up climbing to the top of the favor tree again and they have a conversation, though stardust isn't really paying attention at this point. sifloop suggests they just loop back but yk... they sadly can't because they techincally aren't siffrin. this reveal results in sifloop having an IDEA.... if stardust can't reset despite having physically become siffrin, perhaps sifloop can STILL loop despite being loop. but how to test it out? for a moment stardust forgets they have a dagger, that is, until sifloop reminds them of it. (first suggestion was to feed them pineapple like the first time stardust KILLED sifloop but they don't realize in the moment that it was a reference. dw they'll reference it again later and stardust will realize.) stardust stabs sifloop until they die, resulting in all the siffrins looping back to the meadow (but notably stardust is still a siffrin and sifloop is still loop.)

stardust wakes up in the meadow to have sleepyfrin tease them a bit about being a little sleepyhead, saying they should've been named sleepyfrin instead. as revenge, stardust makes fun of sleepy moments later when they get confused and says maybe they should've been named confusedfrin instead. sleepyfrin talks to stardust a bit about how they're upset they looped without warning the others (and also a little because they stabbed sifloop). they come to an agreement, that being that they'll ask the other siffrins before looping next time. sifloop on the other hand, is off talking to The Horrors (Mal Du Pays). no one properly recognizes mal du pays but stardust gets a little concerned cause mal seems aggressive and could be attacking sifloop. luckily for them, they get to avoid having a confrontation because mal du pays leaves. that is, until sifloop starts a SEARCH mission for them!!!!!!!

confusedfrin (as their namesake suggests), is a little confused about what happened both in and out of character (was afk dw we told em the LORE..) sleepy and confused end up following after stardust and sifloop for a bit before they'd end up searching the clocktower for mal du pays (sifloop saw them in the corner earlier) since sleepy and confused get the bright idea to just. not. and take a break so they can continue the conversation they were having before stardust RUDELY looped.

stardust notices they're gone and starts trying to look for them. they end up correctly guessing that they're back at the clocktower. stardust doesn't realize they were avoiding them and sifloop so no worries! they talk for a bit, stardust and sifloop have a convo where they reveal they no longer hate hatfrin (sifloop) and that they don't really have a favorite siffrin anymore cause they're all their friends now!!!! in this time sleepyfrin comes up with the idea of them having their own parties with a separate captain. sleepy and sifloop are one team, and stardust and confusedfrin are the other. stardust, being the captain of their party, decide that their party will buy sleepy and sifloop time by distracting anyone who were to discover team confusedstars, making it clear that if they're running away, sleepyloop better run.

uh oh Mal Du Pays at four'o clock!!!!!! sleepyfrin approaches mal and tries to free them. in return, they whisk em away to the void while traumatizing them with the voices of their party!! and NOT JUST them either, because poor stardust heard it too. the sound mal du pays made terrifies them so much they run all the way back to the favor tree again, confusedfrin chasing after them.

they're in full panic mode this time. they can't stop laughing, something's so funny they can't stand it. they let It take sleepyfrin. they let it take sleepyfrin. they let- oh heeeyyyy it's confusedfrin!!! they found stardust! yeeah stardust is not looking too good. confusedfrin tries telling stardust to calm down but YEEAH THAT DOESN'T HELP. HOW ARE THEY SUPPOSED TO CALM DOWN??? confusedfrin tells them to breathe. they're panting like a dog boiling in the sun. sifloop also tries telling them to calm down. they end up YELLLIING. CALM DOWN??? HOW ARE THEY SUPPOSED TO CALM DOWN? SLEEPYFRIN IS DEAD BECAUSE OF THEM! THEY KILLED SLEEPYFRIN! THEY'RE GONE!

sifloop: vro literally just loop. oh right they forgot they could try that. they're unsure though. would sleepyfrin WANT them to loop? should they really? what if it doesn't work? they consult their friends and come to a decision. they'll try out looping again.

wooo!!!!!!!!!!!! the wicked BEAST is GONE! sleepyfrin is BACK BABY!!!!!!! sleepy's kind of confused since once moment they were in the terror void and the next they're suddenly in the meadow again. stardust sees him and IMMEDIATELY rushes the poor guy and HUUUGGGG!!!!!!! they're so happy he's ok they're so glad sleepyfrin is back . in fact they're so glad they actually SCREAMED "SLEEPYFRIN!!!!!!!" when they saw them instead of calling them stardust. sifloop teases them ("when are you going to kiss?") and all the sentimentality is OVER. no more hugs. this is because stardust loves teasing but hates being teased.

and that's it... the... END.

#feel lucky i didn't make this LONGER. i could've done it if i also included everything PRE PLOT.#this is for those who know: please correct me if i mixed anything up i have a shitty memory like siffrin😭#how do i even tag this #nightmare ramble #full yap mode #just yapping #very long post #ramblings #should i even tag this isat it feels fucked up and wrong this is barely related to isat (the game) at all #isat rp roblox #<- ok yeah that'll do #that works!#apolocheese if i'm using it wrong but that's like the closest thing to what's happening here #some things i LEFT OUT either because it'd make things too long or i was too unsure about when they happened to include #i hope this is coherent #not quite enough to make sense but at least comprehensible lore #blablabla might draw stardust later...#idk if i'll separate them from this lore or make everyone SUFFER by having to read all of this if they want to understand anything #i could do both #ehhh future me'll decide probably #if i separate them from this lore something more connected to isat the game will have happened instead.#i think stardust gets the treat of having observed themself to recognize patterns in their thinking but not enough to stop.#so they're aware they're unreasonable but they CAN'T STOP.#it's worse than not knowing.

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reiding-writing · 1 year ago

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hi author your writing is great btw i just wanted to see when you would post part 2 of copycat??

copycat [ s.r ] | 2 |

The replication of a disturbing 2004 serial murder case calls for the BAU to get involved with the assistance of none other than the original killer themself. And whilst Spencer didn't work the original case, he was eager to learn every detail about it, including its offender.

WARNINGS: relationship between spencer and reader is not inherently romantic, sociopathic reader, graphic details of murder, graphic eye descriptions, mentions of spencer’s addiction and overdose, morgan and reader really don’t like each other, child abuse, childhood addiction, death by overdose, suicide

s3!spencer/gn!unsub!reader || mystery || 14.3k || masterlist!!

part one !! , part two !!

unsub!reader masterlist!!

a/n: after a whole 22 days of writing this, it’s finally finished 😭 sorry for making you all wait for so long this one was a nightmare to finish-

taglist (slashed blogs couldn’t be tagged): @devilsadvcte @marvellover98 @evvy96 @arlovesper @h3rt8k @pathologicalreid @sideshow-b0b @sunflowersndpeaches @mera3luna @madameparkerreid @fandom-mania @melaninsugababy @meyaareads

“Let’s go Doctor. I’m ready to get out of this beige abomination.”

You push yourself off the table and leave out of the same door that Morgan had, Spencer following closely behind you.

He was oddly grateful about your decency to respect his title, and it only made him want to read you like a book even more.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

The coroner's office, whilst not as bland and beige as the police station was still extremely muted, with light grey walls and a smooth tiled floor that was so shiny you're sure you could see your face in it if you focused enough.

“The second I see a change in your features I am booting you out of the mortuary understood?” Morgan’s tone held nothing but contempt for you as he walked step in step with you like you’d disappear if he looked away for more than a second.

“You keep speaking to me like that and I’ll shove the next rose I get down your throat.”

“Did you just threaten me?” Morgan’s contempt fizzled into a rising frustration, his eyebrows knitted into a tight line and his arms crossed tightly over his chest as if trying to puff himself out like a peacock to look more intimidating.

“Threats hold no value,”

“We should go inside now,” Spencer’s voice was much less confident than either yours or Morgan’s, but it held enough volume to be heard over your argument.

He was seriously beginning to question whether inviting you to come along was a good idea. He knew Morgan despised you, and yet he’d asked you to come along anyway out of his own selfish want to crack open your brain like a book and read your neuron pathways like pages.

He just hoped you’d actually find something valuable in the victim’s autopsy so that all of your arguing with Morgan wasn’t in vain.

“Ah, you must be the agents working on the case, I’m Dr. Toth,” The doctor introduced herself politely as Spencer opened the mortuary door, and Spencer gave her a small nod of recognition as the three of you entered.

“That’s right, thank you for allowing us here,”

“Of course,” The doctor walked her way around the autopsy table, where you assumed the body of the most recent victim was lying, covered by a blue sheet from head to toe and leaving only the silhouette in its place. “I should warn you in advance, due to the damage caused to the eyes whilst removing the rose stems, we had to excise them from the body during the autopsy,”

“Do you still have them?” Your question seems to strike a nerve with Morgan, probably thinking that you want to see the victim’s eyes as a part of a sick fantasy running through your mind, but he bites his tongue to keep his mouth shut so that he doesn’t accidentally air the fact that they’d brought a serial killer into a coroner’s office and freak out the pathologist they’re talking to.

“We do yes, they were professionally removed and placed in hypothermic storage, I can retrieve them for you if you’d like,”

“That won’t be necessary for now,” Morgan’s interjection elicits a roll of your eyes. You weren’t interested in seeing them because it would get you off or whatever, you wanted to see what kind of damage they went through to the point where they had to be fully removed from the victim’s body.

“Well, I’ll leave you to it, but if you need my assistance please don’t hesitate to ask,”

“Thank you,” Spencer, the peacekeeper that he is, gives the doctor a polite smile as he picks up a pair of latex gloves and pulls them over his hands, and you and Morgan follow suit after him as he takes place at the end of the autopsy table.

“You’re looking for differences, not entertainment.”

“Yes yes, I get it, Jesus Christ.” You scoff at Morgan’s tone, tugging the sheet down from the victim’s head until it was halfway down his torso.

“His name was Alexander Youlier, age 22, died of blood loss with the roses believed to be inserted post-mortem,” Spencer read through the autopsy file as you examined the boy’s face.

He was pale, much too pale for a normal person, but you suppose that’s what happens when you barely have any blood in your body, and the blood that he did have completely lacked oxygen. His cheeks were sunken, his lips almost blue from the lack of oxygen, and of course, in place of where his eyes would be, there were instead two holes lined with a dark reddish pink muscle that made it look like the cavity was much deeper than physically possible.

The minute you looked at his face you felt like you were going to throw up. So much for being ‘entertained’.

“Oi.” Morgan’s voice ripped you from your state of disassociation. “What did I just say, you’re here to identify the differences not get off to the victim’s body in your head.” He turned his attention towards Spencer with a disapproving look. “I told you we shouldn’t’ve brought them here,”

You didn’t respond to Morgan’s chastising with anything more than a tiny twitch of your eyebrows as you tore your eyes away from Youlier’s face.

“Are you okay?” Spencer’s voice was considerably softer than Morgan's, his eyes big and round, glistening with worry underneath the overhead light in the room, and his eyebrows furrowed in concern at the way you’d suddenly shut down.

“I don’t want to be here anymore.” The end of your sentence is marked by you tearing the gloves from your hands and leaving them in balls on the floor as you retreat to the door of the room.

“What do you think you’re doing? You’re not allowed to just leave. You wanted to be here. You chose to be here. So you’ll do your goddamn job.” Morgan’s anger falls unrecognised as you open the door and slam it behind you after you leave, and he begins to follow after you only to be stopped by Spencer at the door.

“I’ve got it,”

Morgan’s glance is unconvinced, and Spencer reiterates himself once more. “I’ve got it, I promise, they’re less likely to get angry if it’s me and not you,”

Morgan doesn’t get the chance to argue before Spencer runs off down the hallway to catch up to you, leaving him alone in the mortuary to continue his analysis of the autopsy by himself.

“Hey!” Spencer calls out to you as he jogs in your direction, catching you right as you open the door to leave the coroner’s office. “Wait up a second-” You don’t stop at his callings, but he can tell that you’re also not trying to deliberately get away from him, your pace slow and even as you leave the coroner’s office with him hot on your tail.

He’s very clearly out of breath by the time he reaches your side, but he pays no attention to his lungs’ cry for him to take a second to breathe and supply them with more oxygen as he begins questioning you. “Are you okay?”

“I‘m fine,”

He’s not at all convinced by your statement despite your tone conveying genuity. You looked paler than usual, any natural flush was gone from your cheeks and your lips, and you were absentmindedly picking at the nail bed of your thumb with your middle finger, something he assumes is a self-soothing act for you.

People getting disturbed at the sight of a freshly dead body wasn’t exactly something for Spencer to be astounded at. It was a natural human reaction to the incomprehensible knowledge of death that your brain desperately tried to work out with no results.

But you didn’t exactly fit the definition of ‘normal’. You were a sociopath. So for you to be put off by the sight of a dead body was something for Spencer to be astounded at.

Sure he was aware that sociopaths could still feel things like dread and fear of the unknown, but you weren’t just a sociopath. You were a sociopath who killed eighteen people.

You’d seen your fair share of dead people, manic episode or not. So why was this body making you react like you were?

He supposes it’s just another layer he’ll have to peel from your mind like the skin of an onion.

“Did you know that sociopaths have heightened emotional pathways? Every emotion sociopaths experience is allegedly 3 times stronger in intensity than that of someone without it,” He didn’t exactly know what to say to you considering you’d shut down any attempt to talk about how you were doing emotionally, and so he fell back on what he always did, niche facts and statistics.

“Is that supposed to make me feel better?” Your hardened expression didn’t falter, nor did the underlying monotony in your tone, but you did finally look him in the eye.

“I always feel more at ease when I fully understand whatever I’m dealing with,” Spencer smiles at you softly with a shrug of his shoulders, attempting to empathise with you the best he could.

“I already knew that fact,” You take a seat on the small half-wall lining the outside of the coroner’s office, gripping the edge of the brick with your hands. “And it doesn’t make me feel any different,”

“Well…” Spencer purses his lips slightly as he takes a seat next to you, running through things in his head that might hold some sort of value to you. “Did you know that roses symbolise different things based off of their colour?”

He was definitely grasping at straws now, but he didn’t want to end your conversation yet. He wanted to know what had you so perturbed that you felt the need to leave the minute you got a close look at the victim’s body.

If anything he’d expected you to follow Morgan’s accusation about getting some sick gratification from the body, not actually feeling sick because of it.

“Why do you think I used white roses? I’m not stupid you know,”

He’d never thought of that. “You used white roses for a specific reason?”

You shrug, swinging your legs back and forth over the edge of the wall. “When I was younger we had a dog, and when it died my parents planted a white rose bush over where they buried it,”

Your tone is rather emotionally removed as you divulge this little snippet of your past to him, like you were recounting something you’d read from a fictional story rather than an event that most children would find extremely distressing. “Mom said that the roses were white because they symbolised mourning and new beginnings, something about how it would help him pass over into heaven or whatever, and I guess even in my episode I held that knowledge subconsciously,”

“You don’t believe in heaven?” Spencer’s eyes scanned your face as he tried to decipher your micro-expressions, noting the small softening of your eyes once you brought up your parents. Looks like you did indeed still have some humanity.

“Do you believe in heaven Dr. Reid?”

No. Maybe? He knew that once your brain functions stopped working your consciousness was permanently ended and that was it. “I thought I saw the other side once,” His admission shocked himself more than it shocked you. Great, he was spilling his traumas to a sociopath he’d known for less than a week. What a riveting social life he had.

He could see the flicker of intrigue in your eyes at his sentence, and he pursed his lips into a line before deciding to continue. “I uh- 11 months ago I was kidnapped and forcefully injected with Dilaudid, and I- was overdosed…”

He could see the cogs turning in your head as you connected the fragments of earlier conversations with him in your mind to form a cohesive story, and you nodded at him as if encouraging him to continue with his story.

“I blacked out first, but it felt… warm? and I could see the beginnings of a light and I honestly still don’t know what to think of it,” He could feel himself squirming from the recollection. He was a man of science. Someone who only believed in what he could physically see and test. But that brief moment where he was sure that he’d died and was experiencing an afterlife that he didn’t think existed had carved a hole into his brain and settled itself into the back of his mind.

“I hope there’s an afterlife,” Your tone continues to carry that same monotonous drawl, but he can see the genuity in your eyes and the way your hands clench around the edge of the brick wall.

“Me too…”

It’d be easy for Spencer to forget you were a serial killer in moments like this. Sure you were still extremely emotionally stunted, but you felt human. And he’s sure that that’s the real difference between a sociopath and a psychopath.

Psychopaths were born without human ‘defects’. Sociopaths were made.

“Were your parents good to you?” Spencer’s question was full of hesitation. He didn’t want to assume anything, after all, your parents were the one topic you seemed to treat with genuine care in your words, but he knew something had to have happened. Something had to have made you the way that you are.

“My parents were perfect.” Your eyebrows knit into a small line, as if defensive at the fact that Spencer would suggest your parents were anything other than the perfect model of what two caregivers should be.

“What about your biological parents?” He could feel himself retreating back into his own mind the further he pressed for answers out of you, his conscience begging him to just stop talking before he accidentally crossed a line and ruined any branch of communication he’d formed.

“I don’t remember them,” You shrug lightly and your expression cements your nonchalance.

“You’ve never wanted to… seek them out?” It wasn’t entirely surprising that you don’t remember your biological parents. Most children who get adopted really young don’t.

“They’re dead.”

Oh.

Right.

Spencer’s eyes widen slightly at the revelation.

By this point, he’s completely forgotten about the fact that he’s supposed to be convincing you to go back into the mortuary to continue looking at the victim.

You had a great adoptive family and a pair of dead biological parents. Was that what broke you? Was them dying what caused your mental state to shatter and rebuild itself as a fragmented version of its previous state?

Maybe that’s why you didn’t remember them. Maybe your brain had built a wall in your memories to protect you from your own trauma of losing your parents. But he wasn’t sure it was enough for you to have a mental break like you did. There had to be something more.

“I can do some digging on them if you want,” He airs the suggestion like he’s not going to do it even if you say no.

“I have no interest in learning about them,”

Oh well. He’d get Garcia to do it anyway. Maybe you’d find more interest in the topic once there was actually something for you to learn.

“Are you- feeling alright now?” Spencer knew he was going to have to bring up the topic eventually. They couldn’t stay out here for too long both for the sake of the investigation and because if they did Morgan would probably jump to the conclusion that you’d killed Spencer and run off somewhere.

“I told you I was fine,”

“I don’t think I believe you,” Spencer could see the small shift in your expression at his hesitant accusation. But it wasn’t anger this time, it was something else. Something he couldn’t quite put his finger on. “Something caused you discomfort, and in order for you to be able to help us we need you to be relaxed,”

You turned your face away from Spencer as he spoke, eyes fixed on a bird flying overhead and then on the cloud that was behind it.

“What was it that caused you to feel like you didn’t want to be there anymore?” There was clear caution in Spencer’s tone as he questioned you, although that had essentially become a staple of every conversation you had with him by this point. “We can fix it,”

Spencer’s compassion for you left you feeling a little confused. You were a spree murderer. He was supposed to dislike you for that. That’s how the human mind works is it not? People are supposed to have a distaste for those who break the moral codes of society, and you did it 18 times over.

“I… don’t know,” It felt like every second you allowed yourself to be confused the feeling multiplied tenfold until you weren’t even sure that you could remember your own name if somebody asked you for it.

Your emotions were written all over your face, not like you really had the capacity to hide them even if you wanted to, but it was clear as day just how internally confused you were with your own feelings about the situation at hand.

“Let me help you figure it out then,” Spencer’s tone continued to carry that gentle compassion in it and it wasn’t helping you sort out your thoughts.

“I don’t need your help, I can figure it out on my own,” You knew enough about Psychology to be able to figure out your own thinking processes. At least you thought so. You didn’t go through three laborious years at university wishing during every hour of it to be doing something else to not even get anything useful out of it at the end.

Spencer took that as a direct invitation to shut his mouth and just let you think to yourself, although his eyes continued to scan your expression and your body language as he waited for you to come to your own conclusion on how you were currently feeling and what exactly made you feel that way.

“Will you stop staring at me?” Despite your gaze focused downwards towards the pavement your frustration at his lingering gaze made it sound like he was making direct eye contact with you.

“Sorry,” Spencer averted his eyes from you immediately after your order, flickering them around the parking lot of the coroner’s office and absentmindedly reading all of the number plates he could see from a distance so that he didn’t frustrate you anymore than he already had.

You gave up psychoanalysing your own mind after a few minutes, partly because it was an effort you didn’t want to expend and partly because it felt safer for you to just lock your emotions behind a wall of glass and leave them for another day.

Instead, you turned your gaze back to the doctor sitting next to you and watched him as he watched his surroundings.

“Your eyes are very alive,”

It’s an odd thing to say Spencer thinks. The concept of his eyes being ‘alive’. Of course, he’d heard the term ‘dead eyes’ before in reference to the lack of emotion shown on someone's face. He’d consider you to have rather dead eyes if he was thinking about it. Although he’s not sure if you’re referring to his eyes in terms of expressiveness or genuinely being ‘alive’ in a physical sense.

“Alive?”

You give him a short nod. “They have a lot of life in them,”

“Thank you?” He chooses to take your odd statement as a sort of compliment. Surely having ‘alive eyes’ couldn’t be a negative thing, right?

Now that he’s thinking about it you really did seem to have some sort of fixation on people's eyes. You constantly chased eye contact with the people you spoke to. You apparently had a habit of studying people’s eyes and how ‘alive’ they were. You pierced roses into the eyes of your victims.

Spencer’s gaze focused on you as he came to the conclusion in his head. You’d become uncomfortable in the mortuary because you couldn’t see the victim’s eyes. Because instead of being able to judge him based off of the look in his eyes you were instead greeted with a blank slate where they were supposed to be.

But why? Why was your judgement of somebody based off of what you could see in their eyes? Something had to have caused it.

“Why did you put roses in your victims’ eyes?” He could see the flicker of intrigue in your expression at his question, although he was unsure whether it was conscious or not.

From the way you’d spoken earlier about your discomfort, it seemed that your apparent fixation was unknown to even you, a subconscious thought process that even you were unaware of for whatever reason.

“I told you this already, I held subconscious knowledge about what they represented.” You furrow your eyebrows at his question, one that you’d answered a little over five minutes ago. Why was he asking you again? “I thought you had an eidetic memory.”

“I do-” Spencer’s not sure whether to be surprised that you remembered that small snippet of information or not. “I mean, why did you put them… you know, in their eyes specifically?”

A small amount of discomfort seeped into Spencer’s tone as he asked the question. As much as he’d become desensitised to the gruesomeness of what his job held, actively thinking about having somebody’s eyes being physically pierced with a blunt object was something that anyone with two functioning eyeballs would feel uncomfortable about.

“I don’t know, I just did,”

So it was subconscious. Something that the dark void in the back of your mind was aware of but wouldn’t let your conscious self have any knowledge of.

“Would you like to help me analyse the victim’s eyes? The pathologist said they were still being stored,” Your eyebrows turn from furrowed to raised, clearly confused by Spencer’s sudden fixation on eye-related things.

“They could be a useful asset to the investigation,” Spencer shrugged softly, lips pressed into a line, an awkward smile present on his face as if his suggestion was completely unrelated to the conversation.

You found yourself agreeing to Spencer’s suggestion despite that lingering discomfort in the back of your mind, and as the two of you stood up to re-enter the coroner’s office, Spencer pulled out his phone to send an email to Morgan.

‘Cover the victim’s face.’

Morgan had clearly read the message before the two of you arrived back at the mortuary, shooting Spencer a glance of confusion as you entered the room ahead of him, eyes already locked on Youlier’s body as if you were drawn to it by some unexplainable force.

Of course, with the blue sheet now placed back over the victim’s head, you couldn’t actually see anything, but you still had the image of his face in your head, causing a sense of unease to remain in your stomach, although not as bad as when you were originally presented with it.

Spencer gave Morgan a small shake of his head as if to shut down this conversation for later, leaving your side to seek out the pathologist so she could retrieve Youlier’s eyes from storage.

He returned not two minutes later, freshly gloved with a glass jar in hand, two vaguely spherical shaped objects floating inside it.

Morgan saw them before you did, his expression widening and then furrowing at the sight of just how ripped up these eyes seemed to be. “How on earth did they end up like that?”

Morgan’s question is enough to pique your curiosity and rip your gaze away from the victim's covered-up face, walking up behind Spencer to look at the jar over his shoulder.

“Dr Toth said the damage was from the thorns on the roses,”

You examine the jar as Spencer explains how they ended up in the state they were in, and you had to agree that Morgan’s bewilderment was right.

They barely even looked like a pair of eyes anymore. They were more ovular than spherical, with two gaping holes where the pupil and iris should be, and countless tear lines all over the scleras, presumably where the killer had struggled to push the stems through the eyes from the resistance of the thorns. Although, you couldn’t deny that seeing them somehow ailed any lingering discomfort in your stomach.

“Well that’s just stupid,”

Spencer jumped from your statement like he hadn’t even realised you were standing behind him, almost fumbling the jar out of his hands in the process.

“…maybe you’re just stupid…” Morgan’s muttering doesn’t go unnoticed, and you shoot a glare in his direction that he mirrors right back at you with just as much venom.

“What’s stupid?” It takes Spencer a second to regain his bearings, but once he does he turns his attention to you with round eyes and a slightly tilted head, eyebrows furrowing ever so slightly.

He watches as your focus shifts back and forth between the eyes in the jar and his own as if you were trying to visualise what he’d look like with the ripped-up excuse for a pair of eyes instead of the ones he currently had.

“Obviously you should de-thorn the roses first,” Your tone carried your phrase like you were telling him that you shouldn’t put metal in a microwave rather than de-thorning a rose before piercing someone’s eye with it. “This guy’s on what, their fifth victim? You would’ve thought they’d figured that out by now,”

You take the jar from Spencer’s hand to get a closer look at the remnants of the victim’s eyes from a better vantage point.

“I mean come on, I figured it out after my first try,” You’re edging into a rant about the intricacies of how to most productively pierce somebodies eyes with rose stems now, and it was beginning to remind Spencer that you had in fact actually done all of these things and it wasn’t just hypothetical. “It literally takes like ten seconds per rose if you know what you’re doing and then saves you five minutes of effort,”

Morgan takes the jar from you like you’re a child with a bottle of bleach, a scowl still etched on his face as you give him an incredulous look.

“I’m not going to like eat them or whatever, god-”

“Knowing your track record I wouldn’t be surprised if you did,” Morgan places the jar down on the small table by where the victim is lying.

“One, that’s disgusting, two, what the fuck?” Spencer finds your bewilderment at Morgan’s suggestion that you might eat the victim’s eyes quite amusing on a surface level, your response sounding like something a high schooler would say rather than a prolific serial killer.

“What? You’re the type of sick bastard that would probably get off on that sort of thing,” Morgan shrugs his shoulders as he turns back around to face you once more.

“I was experiencing a manic episode, I’m not some weird sadist who has a fetish for eyeballs,”

‘Not a fetish, but something,’ Spencer chooses to keep to himself during your squabble this time, walking over to the autopsy table to hike up the blue cover sheet and check for other injuries lower down on the body.

There’s nothing truly substantial, with no defence wounds courtesy of the blow to the back of his head before the attack, another staple of your spree to keep your victims complacent. The only thing of note was the two gashes across each wrist, severing both radial arteries, the source of the bleeding-out portion of his death.

He had to give you props on that part. The average time it took somebody to bleed out was only 3 and a half minutes, meaning it was a pretty effective way to kill somebody with minimal effort and ensure they were completely dead before any first responders might have time to arrive even if they were called immediately after the gashes were made.

It was very controlled, much more of an execution than a murder if he was to really think about it, especially considering all of your victims were unconscious when it happened and therefore probably didn’t even feel anything aside from the original blow to the head.

For a serial killer, it was actually very humane. Even if you did go out of your way to desecrate their eyes afterwards. But was the real harm in that, they were already dead anyway, it’s not like they felt it.

It ruled out any sort of sadism from your spree, one of the reasons he thinks your story of a manic episode was so easily accepted in court. You weren’t killing people for the fun of it. You didn’t drag it out or make it unnecessarily painful. It was like you were just following the steps of how to kill somebody with as minimal effort as possible to satisfy whatever violent urges you had in your head at the time and then fulfilling the apparent subconscious fixation you had with eyes by covering them with roses.

“Wow, this guy really has no idea what he’s doing-” You again cause Spencer to almost jump out of his skin as you appear behind him once more, looking at the gashes over his shoulder.

You reach out to touch one of them, stopped by a harsh hand on your wrist from Morgan, who continues to glare at you like you’d set his house on fire. “What do you think you’re doing?”

“Checking out the shitty incision work from this stupid ass copycat?”

“Put some gloves on you idiot,” Morgan drops your wrist with a scoff, walking across the room to pull out a pair of latex gloves from one of the boxes and shoving them into your palms.

You roll your eyes at his attitude but tug on the gloves anyway, making a show of raising your hands up in his face once you had them on. “Happy now?”

With a swat of your wrist away from his face Morgan concedes to stop antagonising you for now and let you focus on whatever you were originally doing, which you turn to do immediately like you’d completely forgotten about Morgan’s existence as soon as he exited your peripheral vision.

“What is it?” Spencer’s eyes follow yours down to the victim’s left wrist, and he watches as you prod at the gash with your gloved fingers as if trying to pry it back open.

“This is probably the shittiest attempt at bleeding someone out I’ve ever seen,” You bend down with narrowed eyes as you examine the wound. “It’d probably take like 20 minutes from a cut this shallow,”

Spencer can’t help but agree with your assessment. The cut was extremely shallow, so much so he’s sure that this victim probably could’ve survived it if he’d gotten immediate medical attention. He checks the other wrist just to be sure, and he’s granted with the same sight, an extremely shallow cut for somebody actively trying to kill people.

“So, what? He just sat around for twenty minutes whilst Youlier bled out so he could put the roses in his eyes?” Morgan furrowed his eyebrows at the revelation. “What sense does that make?”

Can they be sure that they were inserted post-mortem?

Spencer walked around the table towards the autopsy report to re-read the file in case he’d somehow missed that detail whilst reading it the first time.

Alexander Youlier. Age 22. Died of blood loss with the roses believed to be inserted post-mortem.

He hadn’t missed anything. But then that didn’t make sense. There was no way that the killer would just wait around for almost half an hour for somebody to bleed themselves dry, especially considering that Youlier was found under an open gazebo in a dog park. That would just be reckless. For it to work the roses would have had to be inserted whilst he was still alive.

“Having an epiphany over there or something?” Spencer turns his eyes upwards at your comment, leaving the report on the side table as he walks into Dr Toth’s side office without giving you an answer.

You and Morgan share a glance at his sudden departure, probably the most civil interaction the two of you had ever had, fuelled by the joined want to know what was running through Spencer’s mind.

The door of the office opened less than a minute later, Dr. Toth leaving her office with Spencer hot on her trail. “-reports from the main office so that you can cross-reference them all,”

You only catch the end of their conversation as they enter back into the mortuary, and Dr Toth leaves the room to assumedly go and gather whatever ‘reports’ she was on about from the main office, leaving you and Morgan blankly staring in Spencer’s direction with confused expressions.

“I think that our unsub might be inserting the roses into the victim’s eyes whilst they’re still alive,”

The revelation that the unsub was purposefully dragging out the death of their victims made the team have to rebuild the profile from the bottom up.

Spencer took the opportunity to do some digging. Or more accurately have Garcia do some digging.

He had her pull everything humanly possible regarding your biological parents, their life, their death, and most importantly, how they treated you.

They were 29 and 32 when they died, you having been born when your mother was only 23. They both had a history of substance abuse, and according to their autopsies, both of them had lethal levels of diazepam in their bloodstreams at their time of death.

What was interesting about their deaths though was that they were dead for three days before they were found, rotting in their own house with a six-year-old left living with them. Now that was something that could cause a mental break. A six-year-old, left for three days with the corpses of their dead parents and only found when the neighbours complained about the smell.

The file Garcia had faxed over also happened to have images from the scene when the bodies were recovered, and they were just as disgusting as he’d imagined they’d be. The two were sat paired on a couch, skin pale and turning slightly grey with the beginning signs of decay, small insects roaming on their skin, and the clothes they were wearing.

But the selling point for Spencer was their eyes. Wide open and staring blankly into open space with clouded pupils and ruptured irises. It freaked him out and he was looking at it through a piece of paper. He couldn’t imagine how it made a six-year-old child who lived with them like that for three days feel.

There was the origin of your eye fixation, and he honestly couldn’t blame you for covering the dead stare of your victims so you wouldn’t have to relive that.

The more he read the more devastating the report seemed to be. When asked why you didn’t call for any help from neighbours or the police you stated that you “just wanted them to sleep for a while,” and that your mother would “give me the sleepy pills when she wanted me to go to sleep, so I did the same for her and daddy,”

In an effort to get your parents to go to sleep so they would stop presumably treating you horribly, you’d unintentionally overdosed them both.

You were in a paediatric rehabilitation centre for almost four months after you were recovered from the house. A six-year-old. Being rehabilitated for an addiction to diazepam because your parents would solve any blip in your behaviour by feeding you sleeping pills instead of treating you like the child you were.

All of a sudden forming an addiction at 25 didn’t seem all that detrimental anymore.

He supposes that’s how you knew right off the bat. Addiction recognises addiction and all that. Although by the look of it, you’d made a full healthy recovery by the time you were adopted into your new family.

You’d been diagnosed with ASD after you were removed from the house, and Spencer is surprised by the fact that the mental impact it had on you only seemed to be acute, although, he’s sure that in hindsight the psychiatrist that diagnosed you would’ve made sure to be more thorough in their examination of your mental state.

Still, what happened had happened, and although Spencer nor anyone else could do anything to change that, he could form a greater understanding of who you were and why you did what you did.

Except he still didn’t really know why, he knew the origins, but what was the trigger that caused you to deteriorate mentally until you were back at your lowest possible point?

That wasn’t important right now.

He needed to focus on the actual case at hand and not the closed case of a serial killer from four years ago. It didn’t matter how much of a fascination he’d formed with your psychology, he needed to focus so that no one else had to die.

It was insane to think about, just how distracted he’d get with uncovering your past like it was a mystery novel that required the reader’s involvement to solve.

But now he really needed to knuckle down and actually put his intelligence forward to help the team find the unsub they were looking for or else earn a chastising from Hotch and up to 13 more victims if they followed your pattern to a T.

Why you though? Why was this unsub following your crimes specifically? Sure some people were mentally deranged enough to want to gain the same notoriety as the killers they replicated, but your case was in a small city and didn’t even make national news. Not only that, it was new. Really new.

Most copycat killers replicated national or even international-level crimes that had decades to form a legacy and settle into the back of people's minds. Your case wasn’t like that. Not to the full extent anyway. The state of California had recognised you as a prolific killer but in any other state your name was unknown.

So why you?

Spencer watched intently as the team scribbled down notes and ideas on the whiteboards taking up most of the room, leaving him sitting at the head of the conference table with his files on your background and you engaging yourself in the pass-time of making origami cranes out of discarded bits of paper to stop yourself from getting bored.

A serial killer replicating your crimes almost step by step. Bleed out the victims, put roses in their eyes, move on. Same victim pattern. Same time frame. But still with distinct differences.

This unsub bled their victims out considerably slower than you did. They used red roses instead of white roses like you did. They left the thorns on the rose stems when you pruned them beforehand.

Why did this unsub not de-thorn the roses first? After five separate murders, why would they not make their process easier by discarding the thorns to stop them from tearing up the victim’s eyes?

‘I figured it out after my first try.’

“Hey uh-” Spencer turns his head up towards you, tapping his pen absentmindedly against the table. “Do you remember what happened to your first victim? After your parents?”

“What?” You furrow and then raise one of your eyebrows at his sudden question, especially because he’d been sitting in his own little cocoon for the last thirty minutes.

It was quite a long shot of a question if you had been experiencing mania at the time, but you seemed to be remembering select details about your spree, so your first victim surely should be present in your mind at least somewhat.

“How did you… You know-” Spencer’s roundabout question was half amusing and half frustrating from your viewpoint, and you take a break from your paper crafts to indulge in it.

“Well…” You drag out the word and you divert your eyes from him to stare upwards towards the ceiling like it’ll aid your memory. “I incapacitated her first, with a… brick I think? It might’ve been a regular rock I’m not sure-”

“Him.” Morgan’s venom seeps into his correction of your account. “You killed eighteen people and you don’t even have the decency to remember the gender of your first victim? Seriously?”

“I do know my own victim pattern thank you very much,” You override Morgan’s correction with just as much ferocity. “ And it was definitely a woman. I chose her specifically because she’d be easy.”

“That’s not what our files say.”

“Then your files are wrong? What do you want me to do about it?”

Spencer runs over your victims in his head. Your first filed victim’s name was John Brandy, found lifeless on a park bench after a woman walking her dog called it in to the police.

He tried to remember any other things he’d read about your case that might indicate that Brandy wasn’t your first victim. Nothing. John Brandy was the only thing he could affiliate with the identity of the first victim from your spree. And most notably, Brandy was very male.

“…What did you do after you incapacitated her?” Spencer slowly edges his way back into a conversation between you and Morgan, mind on full alert as it continues to run through all of the details he knows about you and your case.

“I moved her against the like wall of the street we were down and then did the rest of it,” You shrug your shoulders in mild scepticism of Spencer’s sudden interest in this specific kill of yours. “You know, cut the wrists, wait a few minutes, then stick in the roses. Although I’m pretty sure I got one rose like half in because the thorns were being difficult and I gave up when she started twitching,”

You exhale exasperatedly. ”That’s probably why she’s not ‘in your files’, because the rose I did try and do wasn’t even fully inserted and probably just fell out or something,” You glare pointedly at Morgan, tilting your head back and forth in condescension. “It was my first time alright? Everyone’s gotta start somewhere.”

Sure everyone’s gotta start somewhere. When it comes to working a job or starting a hobby. You don’t usually ‘start somewhere’ when it comes to murdering people.

It’s the fact that you say it so nonchalantly that gets to him, talking about your murder spree of eighteen people like it was you learning how to bake a cake. Nineteen people. You’d actually killed nineteen people in your spree, and your poor first victim probably didn’t even get given the light of day that the rest of your victims did when it came to justice.

“Morgan,” Hotch’s voice proved to pull Spencer out of yet another spiral consisting of endless questions surrounding your psychology, even if not directed at him. “Call Garcia and have her pull up any unsolved murder cases that involved two slit wrists and trauma to the eyes in Malibu during the time they were active as a killer,”

“On it,” Honestly, Morgan would’ve taken any excuse to get out of your presence for a few minutes, feeling the overwhelming urge to punch you square in your face grow stronger with every snippet of information about yourself that you shared out loud without a single care in the world.

Did it have anything significant to catching this copycat? No. But that victim deserved just as much justice as any of your others.

One profiler down, the rest of the team turned back to fleshing out the profile, and you turned back to your half-finished paper crane, muttering to yourself under your breath about something that Spencer couldn’t quite hear.

“Okay, so we’ve ruled out mania as a possible cause of the kills because of how long it took for them to bleed out, we’ve ruled out paranoia because of the victim pattern following the original to a T instead of being random, it could be some form of ASD but that doesn’t really make sense with the rest of the profile-” Emily scans over the notes of the whiteboard as she speaks, picking absentmindedly on the red polish covering her nails and leaving small flakes of it all over the table by where you’re sitting.

“Would you stop doing that?” You make a show of wiping the table with your hand, and Emily doesn’t respond to you with more than a glance as she stuffs her hands in her pockets.

“Alright babygirl thank you,” Morgan sends a kiss through the phone before hanging it up and putting it away in his pocket and you swear you almost gag at the sight of it.

“Nothing,” Morgan shrugs his shoulders half out of resignation and half out of frustration as he takes a seat opposite you on the table. “There are no unsolved murders matching the description you gave us,”

He glares into your eyes like he’s trying to burn them right out of your eye sockets. “So? What is it? You get a kick out of lying or what?”

“Do I look like the type of person who makes the effort to lie? Because news flash, I don’t, it’s not like saying I killed one more person than I actually did benefits me in any way,” You furrow your expression with a scoff, leaning back in your chair to rest your ankles on the table.

“Right, sure, because someone like you totally doesn’t care about how they’re perceived by other people,”

“Why would I want to say I’ve killed more people than I actually have, it just makes me look more crazy than you already think I am-” You weren’t backing down on this. You were adamant that this person was your first victim and that you weren’t lying to him.

“Then why isn’t there any file of her whatsoever?”

“What if she’s still alive?” It’s like all of the puzzle pieces fall into Spencer’s mind at once, and he interrupts your arguing with Morgan yet again, except this time it’s not about keeping the peace.

“You said you gave up because ‘the thorns were being difficult and she started twitching’, was she alive when you tried to put the rose in her eye?” Spencer turns his gaze towards you, a completely different air surrounding his expression than the mildly awkward and apprehensive one you’d gotten used to.

“I don’t know, maybe?” You shrug like his question was absurd, watching as he stands from his seat to look over the whiteboard detailing the autopsies of each of the victims.

“Reid?” Hotch’s raised eyebrow asked a hundred different questions, and Spencer answered every single one of them with a single phrase muttered under his breath.

“…PTSD by proxy-”

He takes a second to study the photos on the board before continuing. “It’s a psychological disorder where victims of PTSD will project their trauma onto others,”

He pulls a few of the images from the board to lay them out on the conference table. “Of those who develop PTSD from traumatic incidents, roughly 2% then go on to try and satiate their trauma by projecting it onto other people,”

“If what you remember about your first victim was true and she survived, then there’s a high chance that the new killer we’re looking for is that first victim,” He arranges the autopsy photos in two groups, with one of the wrist gashes and the other of the eye damage.

“The victims bled out slowly, which in a lot of cases with first-time murder or murder attempts happens unintentionally because the killer doesn’t know how deep a cut like that has to be for it to be fatal,” He points towards the photos on the left first.

“And then the eyes would be pretty self-explanatory,” He turns one of the photos towards where you and Hotch are sitting. “If your first victim was in fact alive when you tried to pierce her eyes then that could explain why these victims were also still alive when the roses were inserted,”

“But that doesn’t make sense,” Emily chimes in with her two cents as Spencer gives his explanation. “We’re in a completely different city,”

“And it’s been three years since the original spree,” Rossi swirls the coffee in his mug with a furrowed expression.

“Well Las Flores is only an hour's drive from Malibu,” Spencer moves from the table to go back over to the annotated map on one of the boards, marking an invisible line with his fingers. “Maybe she decided she needed to get away from her trauma, 46% of individuals who experience life-changing trauma do,”

“But why now?”

Spencer’s eyes turn back towards you at Rossi’s question, as if you held all the answers to what the stressor was for this sudden murder spree. Your answer of course was nothing more than a shrug and an expression that asked ‘How am I supposed to know?’, which put a halt to Spencer’s theory.

That, and the fact that they hadn’t even confirmed if this woman was still alive let alone living in Las Flores.

“Alright,” Hotch cut through the team’s conversation with a wave of his hand. “Morgan, ask Garcia to track down women who went into the hospital for ocular injuries three years ago and have moved to Las Flores since then,”

Morgan gives him a determined nod as he leaves the room once more, Hotch then turning his attention towards you.

“What have you done in the last few months that would’ve been told to the public?”

“I don’t know?” You give him an exasperated expression and raise your hands in a defensive manner. “Why would I know that? It’s not like I have someone telling me when I’m on the news,”

Hotch furrowed his eyebrow at your immediate defensiveness, reminding himself to be patient and bear with your short fuse because it technically wasn’t your fault.

Although it didn’t make it any less frustrating either way.

He turned his eyes towards Spencer, gesturing towards the door and then towards you as a silent order for him to speak to you privately outside.

If anyone was going to be able to get a piece of information out of you, consciously or subconsciously, it would be Spencer.

It took him a few seconds to compute Hotch’s message, but as soon as he did he stood from his seat, mug in hand.

“I’m going to make some more coffee, do you want some?” Spencer gives you a small and slightly awkward smile as he looks at you, and you raise an eyebrow in his direction.

“You don’t know how to make my coffee,”

“You can show me,” Spencer raises his eyebrows enthusiastically, lips pressed taut into a line as he silently prays for you to take the bait. And you do.

You don’t respond with more than pushing your chair away from the table to stand, but Spencer follows after you as you leave the meeting room nonetheless, gaining a small nod from Hotch that he returns with one of his own.

In the break room, Spencer watches you prepare your coffee, taking mental notes of the precise amount of creamer and sugar you add. He's careful to keep the conversation casual, asking about your preferences and subtly steering you towards the topic of recent events.

"I got a new therapist a few months ago," you admit, stirring your coffee. "She recommended having me moved into psychiatric care." The implication hangs clearly in the air.

"Psychiatric care?" Spencer echoes, his mind eagerly piecing together the information.

“Mhm,” You give him a small nod and you leave the teaspoon on the counter, taking a sip of your coffee.

Now that was something that might’ve been made public. If you had been recommended by a specialist to be moved out of a high-security prison and into a psychiatric institute the local news was bound to know about it.

"You being moved to a psychiatric facility would definitely make the news," Spencer mutters, drawing your attention back to him. "That could be the trigger point for our unsub,"

“Me going to a hospital? Seriously?” You scoff like that being a motive is pathetic.

“Yes, seriously,” Spencer replies, his expression serious. “It could signify a turning point, a change in your situation that the unsub might interpret as you escaping justice. It could be the catalyst that pushed them into action.”

He abandons his coffee mug on the counter as he ushers you back into the meeting room with the rest of the team, and all it takes is Hotch getting a single glance at Spencer’s expression to know that there was indeed a trigger for this murder spree.

“A few months ago, their therapist recommended moving them to a psychiatric facility," Spencer shares the information as soon as you both re-enter the room, "That could have been publicised, potentially triggering our unsub-”

“We found her,” Morgan interrupts Spencer’s explanation as he hurries into the room, phone still pressed against his ear as he reaches over to scribble down the name and address Garcia had recovered.

Louise Nueves, aged 29 was born and raised in Malibu, never having left the city for more than a week her entire life. That was, until she was hospitalised for three days for a severe ocular injury to her left eye.

She left the city less than a week after she was discharged, and supposedly never returned as she settled down in Las Flores instead.

She settled down, got married, started working in a small bakery, and overall just seemed to have a well-rounded and stable life after the trauma that she had endured back in her home town.

Morgan knocked harshly on the front door of her house, gun held firmly in his hand just in case Nueves deemed the threat of their presence as an incentive to act violently. “Louise Nueves, this is the FBI,”

The silence from the other side of the door seemed only to heighten the adrenaline running through the veins of the team.

It didn’t take long before Morgan was looking for permission to force the door open, and once he gained a nod from Hotch that’s exactly what he did, kicking the door handle loose and forcing the door open as the team filtered into the house to search for their suspect.

You were an exception of course, being confined to the entranceway with Spencer as your personal babysitter in case you managed to get yourself into any trouble or think about running off.

You hear an echo of ‘clear’s from the group as they sweep the house, seemingly completely devoid of any human presence outside of the FBI team. Until…

“You guys might wanna come see this,”

Emily’s voice sounded from upstairs, and she backed out into the stairway as she gestured for the team to join her up the stairs.

You give Spencer a look before walking over to the stairs, and his curiosity overrides his need to try and keep you in the entrance as he follows after you with the rest of the team following closely behind.

“This little bitch-“ The sight you were greeted with would’ve been extremely disturbing under normal circumstances, a corpse of a man - presumably Nueves’ husband - lying in its first stage of decay on the bed of the house’s master bedroom, a red rose resting on his chest.

Instead, your response was more angry at the blatant lack of originality in the way he was killed.

"Copying my kills is one thing," you spat out, your eyes burning with rage. "But having no innovation or creativity of their own? That's just pathetic." You crossed your arms over your chest, your gaze fixed on the lifeless body in front of you.

"Unique or not, it proves our hypothesis of who the copycat is," Morgan retorted, his gaze hardening at your callous words.

You rolled your eyes, huffing in annoyance. "Great."

Ignoring your sarcasm, Hotch spoke up, "We need to find Nueves before she kills again. Morgan, Reid, you're with me. We'll check her workplace. Rossi and JJ I want you to track down some of her friends, maybe they've noticed something off."

As they left, Emily turned to you, her eyes scrutinising. "What about them, Hotch? Do we just leave them at the station?"

"No," Hotch replied without missing a beat. "They’ll stay with you as you monitor the area. Keep an eye on them. We don't know how they might react now that their 'legacy' is being threatened."

With that, they left you in the company of Emily, the silence in the room amplifying the eerie sight of the corpse on the bed.

The tension was still very apparent despite you and Emily having no previous background, and you could tell that she wasn’t exactly thrilled with your company as the two of you left the house just as the authorities arrived, presumably called by Hotch as they left the scene.

“How does it feel to babysit a grown adult instead of doing something important?”

Emily shot you a sideways glance, her lips forming a thin line. "I'd like to think that keeping an eye on a serial killer counts as important, don't you?" she retorted, her voice icy.

“You’re supposed to be finding a serial killer, I haven’t done anything in years, what makes you think that I’m the threat?” You can’t help but scoff at her intonation as she speaks to you, it feeling oddly derogatory considering that you couldn’t even remember what her name was. “That’s some audacity alright,”

Emily narrowed her eyes at you, a flicker of annoyance crossing her features. "You may not think so, but your presence here is still a potential risk," she said, her tone sharp. "And until we know more, I'm not taking any chances."

She quickened her pace, leaving you to catch up as you followed her out of the residential area and into a nearby public park. Emily’s eyes scanned the area like a hawk as she walked, making you roll your eyes. “You really think she’s just going to be hanging around right next to her own house?”

Emily's gaze flickered toward you, her expression unyielding. "We're not looking for Nueves herself. We're looking for any clues, any signs of her recent activity or whereabouts," she explained tersely. "Every detail matters in a case like this."

She continued to lead the way through the park, her pace steady and purposeful. Despite your scepticism, you couldn't deny the intensity in her demeanour, the determination to solve the case weighing heavily in the air between you as you reluctantly tailed her like a toddler on a leash.

As you walked, Emily suddenly halted, her eyes narrowing as she caught sight of a lone figure sat on one of the park benches with their back to the two of you.

“Oh come on, it’s the middle of the day, of course there are people in the park.”

“Be quiet.” Emily approached the individual with her words barked out between her teeth. As you drew closer, you could see the figure was a woman, her head bowed and shoulders slumped. Emily called out to her, her voice firm yet cautious. "Excuse me, ma'am. Are you alright?"

The woman looked up, her eyes red-rimmed and filled with tears. "I-I'm fine," she stammered, quickly wiping at her cheeks. "Just... just having a moment." Her eyes seemed to flicker downwards towards Emily’s vest in confusion but she didn’t make any move to mention it.

Emily studied her for a moment longer before nodding, her hand slowly retracting from her weapon. “Alright. Just be careful out here, okay?” she advised before motioning for you to follow as she continued on the path.

You glanced back at the woman, her eyes following you in a mix of her previous sadness and confusion, seemingly unsure of how she should feel at an apparent FBI agent approaching her out of nowhere and then advising her to ‘be careful’.

“It’s you.” The new voice turns both of your heads in its direction.

Standing a few feet away was a woman and her dog, her demeanour tense yet strangely familiar. She looked at you with a mixture of surprise and recognition, her eyes lingering on Emily’s vest for a moment before returning to you.

“Excuse me?” You raise an eyebrow at the bluntness of her recognition of who you were, furrowing your eyebrows dismissively like she didn’t have the right to have recognised you in whatever way she had.

“You don’t know me?” Her tone carried a clear betrayal, as did the furrow in her eyebrows as she took a step towards you, one which Emily retaliated to by forcing you behind her with a heavy grip on your arm, one which you did not appreciate whatsoever as you pulled yourself from her grasp.

“Mrs Nueves?” Emily’s voice held a mix of apprehension and concern as she spoke, and she reached into her back pocket to thrust her phone into your hand before holding her fingers ready over her gun holster.

“You don’t remember me, do you? The woman ignored Emily completely, her voice tinged with bitterness as she stared at you, her features filled with betrayal as she realised you weren’t even looking at her, too preoccupied with trying to figure out why Emily had given you her phone.

“Mrs Nueves, my name’s Emily, I’m with the FBI, I understand that what you’re going through right now is extremely difficult but-”

“Shut up!” Nueves’ voice was harsh and drenched in ice as she spoke, holding her hand up dismissively. “I don’t care about you or your FBI friends-”

You had your back to the two by this point, and after a message had come through from Spencer about Nueves not being at her workplace you figured that the reason Emily as given you the phone was to get backup from the team.

oh. Right.

‘shes in the park by her house’

Of course she was. Because she was continually proving to be one of the stupidest people you’d ever encountered. Who decides to take their dog for a walk in the park two minutes from their house whilst being actively pursued by the police? Stupid people, that’s who. God, couldn’t the person copying your crimes at least be a competent one?

‘We’ll be there in ten minutes. Hold tight.’

“Look at me!” Nueves’ raised voice caused multiple heads to turn from the people wandering the park, including your own, and you turn your eyes away from the phone screen with a furrowed expression of annoyance.

“Do you have any idea what you did to me? How much I suffered because of what you did?” Nueves’ outbreak was very quickly garnering an audience from passersby, and could could practically feel the tension rolling off of Emily in waves as she tried to figure out what to do.

“You lived, get over it,” You were not helping.

The look on Nueves’ face at your words was almost incomprehensible, like she didn’t know what emotion she was supposed to be feeling at your nonchalance about what happened. Like you hadn’t ruined her entire life and caused her eternal suffering.

“Get over it? Look what you did to me!” Nueves barked out her words as she brought her left hand up to her eye, pulling at it until the sclera fell into the palm of her hand, leaving a dark pink void in its wake.

Your eyes immediately widened at the action, eyebrows furrowed in clear distaste for what you’d witnessed and that uncomfortable feeling that you’d experienced in the coroner’s office rising in your stomach the longer you looked at her.

“This is my life now.” She held up the piece of glass in her hand. “This is what I have to live with because of you.”

“Mrs Nueves-” Emily took a small step forward in her direction with both hands raised to appear as not threatening as possible.

“Don’t move-” Nueves dropped her dog’s leash at Emily’s advance to pull a small kitchen knife from her pocket, similar to one that would be used to cut vegetables or peel a potato.

Emily’s shoulders tense at the emergence of the weapon lips pursed into a tight line, and you’re sure that you might’ve been mildly concerned yourself if the knife blade wasn’t smaller than its handle. It didn’t make her look as intimidating as you assume she thinks she is, more like a teenager who carries around a switchblade in an attempt to make themself look tougher than they actually are.

Then again, this woman had actually killed people. Just not very well.

Still, if she thought that was a ‘big’ knife then her husband must’ve not been very satisfactory when it came to the bedroom.

"Put the knife down, Louise," Emily's voice was stern yet calm, her gaze unwavering. "We can talk about this, help you get the help you need. But first, you need to put the knife down."

Nueves seemed to consider this for a moment, her grip on the knife wavering. But then, her expression hardened, her eyes filled with a cold determination. "No," she stated firmly, "I won't."

“Mrs. Nueves,” Emily tried again, her voice laced with a calm authority, “you're not a killer. You're a victim, and we want to help you.”

Nueves let out a bitter laugh at this, her gaze never leaving Emily's. “A victim?” she echoed, her voice filled with scorn. “I stopped being a victim the moment I stopped letting them control my life.” She thrusts her arm forward with the knife in hand to point it in your direction, thankfully too far away for it to actually be anywhere near harming you. “You left me alive and it ruined everything.”

“I had to live with the pain, the nightmares, the constant fear. I had to watch my life fall apart while you just moved on to your next victim and left me without so much as a footnote in your confession." Nueves continued, her voice shaking with barely suppressed rage. "You think I'm the one who needs help? You're the monster, not me!”

“You had a hard time. Boo-hoo. But guess what? You're not the only one who's had to deal with shit. You're not special, Nueves.” You replied, your voice dripping with sarcasm.

Nueves' eyes flashed with anger at your dismissive words. "You don't get to talk to me like that. You don't get to belittle my pain. You don't get to decide how I should react to what you did to me."

"Actually, I do," you retorted, crossing your arms over your chest. "I'm the one who put you in this position. I'm the one who made you who you are today. And you know what? I'm not sorry. Because without me your life would’ve been completely insignificant.”

“Maybe I am a monster. But you, Nueves, are just a sad, pathetic little girl pretending to be a serial killer.” Nueves' face twisted with rage at your words, her grip on the knife tightening. But before she could react, Emily stepped in, her voice calm and authoritative.

“Enough,” she commanded, her gaze fixed on Nueves. “This isn't helping anyone. We're here to bring you in, Louise. To make sure you get the help you need.”

“I don't want your help,” Nueves spat back, her eyes still fixed on you with burning hatred. “I just want them to pay for what they did.”

“They are Louise, they’re paying for their actions every single day in a high-security prison,” Emily stated, her gaze unwavering as she shook her head gently. “They’re getting their punishment, you don’t have to do this, please, just put down the knife…” Emily’s eyes caught the SUV that parked on the side of the road as she talked. Looks like she’d managed to buy enough time for backup to arrive.

For a moment, it looked like Nueves might actually consider following Emily’s suggestion. But then she glanced back at you, her gaze hardening at your stare of indifference. “No,” she said, her voice filled with determination. “I won't let them get away with this. I won’t let them have control of how I live my life anymore.”

Nueves’ ramble deemed her oblivious to the agents approaching her from behind, ushering the few lingering witnesses to a safe distance away so that they could contain the area, and your eyes caught Dr Reid carefully scooping up the leashed dachshund into his arms after it’d scampered away from Nueves in her fit of rage.

“You don’t remember me?” Her eyes turned from seething to desperate in the split second she looked at you, voice raised as she tried to force your attention back onto her from your seeming uninterest in the confrontation. “You will.”

Morgan didn’t even have time to un-holster his gun before Nueves utilised the knife in her hand. Not on Emily, nor on you, but on herself, impaling the blade of the knife directly into her operational eye and forcing it deeper by slamming the palm of her hand into the wooden handle until it was almost completely encapsulated into her eye socket.

The sight was ghastly, blood spurting out of her eye as she fell onto the ground, convulsing from the pain and shock. You watched, a morbid fascination in your eyes as Emily quickly called for medical attention, her gaze flitting between you and the dying woman on the ground.

As the medics rushed to stabilise Nueves, Emily looked at you, her face pale. “You-” She said, her voice barely a whisper, “stay here.” She then hurriedly joined the medics, leaving you behind. You watched as the medics tried to recover her, but it was clear that her chances were slim. The sight of her writhing in pain, the blood pooling around her, was oddly satisfying to watch. A small, twisted part of you felt a sense of triumph at the confrontation's results, if not a little discontented with just how dramatic this woman proved to be.

The rest of the team moved to properly secure the area now that it was officially a crime scene as Emily, still with the medics, was applying pressure to Nueves' wound, her hands smeared with blood.

As you watched the scene unfold, a bizarre sense of calm washed over you. This chaos, this pain, was a result of your actions, your legacy, and despite the horrific circumstances, you couldn't help but feel a twisted sense of satisfaction.

From a distance, you could see Hotch talking to Emily, his expression unreadable. Emily nodded, her eyes briefly meeting yours before diverting away. She looked shaken, the dark red of Nueves’ quickly oxidising blood on her hands a stark contrast against her pale skin.

You tried to imagine the emotions she was grappling with. After all, she was a part of a team that had sworn to protect innocents from people like you. And now, because of you, she had blood on her hands.

The medics finally lifted Nueves onto a stretcher, rushing her towards the waiting ambulance. Emily stood there for a moment longer, watching as the ambulance sped away, before finally turning her eyes towards you, unfocused on how Morgan was gently trying to usher her towards another pair of EMTs so that she could be checked over.

There was zero chance Nueves was going to make it to the hospital in time.

Emily’s gaze was hard, filled with a mixture of anger, confusion, and something you couldn't quite place. Fear, perhaps? Or maybe disappointment? Regardless, it was clear that the events of the day had left a deep impact on her.

As you watched them walk away, the satisfaction from earlier began to fade, replaced by a strange emptiness. You were alone again, left with nothing but the aftermath of your actions. And as you stared at the spot where Nueves had fallen, the blood still fresh on the grass, you couldn't help but wonder if this was all worth it.

But then, you remembered the look on Nueves’ face, the horror in her expression at her own pain. And you knew, without a doubt, that it was. Maybe she was right, you just might remember her for that stunt she pulled, although most definitely not in a positive light.

“Are you alright?” The ever-calm voice of Spencer Reid pulled you away from mulling over your own feelings, and you give him an animated sway of your head back and forth as a silent communication of you not falling in either emotional direction.

It truly was fascinating how removed you were from everything, and as twisted and convoluted as it might sound, Spencer wasn’t looking forward to your departure from accompanying the team. It meant that he didn’t get to speak to you anymore. Didn’t get to slowly peel away the layers of protection you’d built over your psyche so that he could pry at your inner workings.

And he didn’t exactly mind having you around. But that was something he was going to keep to himself for a multitude of reasons.

“It’s all too over the top for my taste,” You shrug your shoulders nonchalantly, stretching your arms above your head. “Here, it’s the one with the ponytail’s,” You hold the cell phone out between your thumb and index finger like it might give you a disease if you hold it properly.

“Why-” Spencer starts his question and is immediately interrupted by your answer. “She gave it to me to message one of you where we were,”

So it was you who’d messaged him then. He thought the punctuation was different.

“Right, that makes sense,” He takes the phone from you with an awkward smile as he puts it away in his back pocket. “Thank you,”

You give him a short hum in reply, crossing your arms over your torso and leaning back and forth on the balls of your feet like you were becoming bored with just standing around. You’d just been a potential hostage at knife point and then watched someone graphically commit suicide specifically to gain your attention and less than five minutes after it was over you were looking for something new to capture your attention.

It utterly fascinated him. You were fascinating.

And you were leaving.

Literally.

You were walking away, obviously having had enough of Spencer’s silence and wandering off to find Hotch and maybe experience something more enticing.

“Hey-” Spencer called out to you as you began to walk away, and you stopped with a glance over your shoulder and a raised eyebrow. “What are you feeling right now?”

You stuff your hands in your pockets at his question, turning 180 degrees to face him once more with a slightly furrowed expression as you tried to figure out the motive behind his question.

“I wonder if she saw the afterlife.”

Spencer’s shoulders drop at your admission, his expression morphing into a mix of understanding and confusion, contradiction written all over his features.

You seemed more objectively curious than humanly concerned, but you still were curious nonetheless.

That was another fascinating part about you, or just about sociopaths in general, he supposes. But he wasn’t speaking to every sociopath in existence, he was speaking to you. So it was less about sociopathy and more about you specifically.

“Do you think she saw the afterlife?”

“Logically, she didn’t have any eyes so she wasn’t ‘seeing’ anything, but metaphorically I’d like to believe so,”

Spencer has to stifle a surprised laugh at your morbid joke about Nueves’ condition, pressing his lips into a tight line with a small nod as he tried to focus on the second part of your statement. “Me too,”

There was a small sense of deja vu surrounding your conversation as the two of you fell into a mutual silence, hastily interrupted by Hotch calling the two of you to gather with the rest of the team now that the case was officially over.

You noticed the distaste in Emily’s gaze immediately, looks like you’ve gained yourself another detractor. She and Morgan stood side by side with matching expressions as the two of you joined them, although neither had time to make any comments as the team loaded up in the SUVs to head back to the station.

It was rather hard to believe it’d only been six days in Las Flores, but dates don’t lie, and by the time you stepped back onto the BAU’s private jet, it felt like you’d only left it for a matter of hours.

Nueves’ face was fading from your mind by now, as was her name, and as you plopped yourself down on the same seat you’d occupied on your flight from Quantico, you’d almost forgotten that she even existed.

Your mind was more preoccupied with what was going to happen next. You were going to fly back to Quantico, be recovered by California state officials, and taken back to the concrete hell of the California Correctional Institution until your appeal to be moved to an inpatient psychiatric care facility was considered and ultimately rejected because they still deemed you ‘too dangerous’ to be around vulnerable individuals despite sharing mental issues with a lot of them.

Spencer gave you an awkward wave as he walked down the aisle of the cabin and stopped at the seat opposite you, hoping the movement would grab your attention.

“Do you-” He half gestures to the seat facing you with his hand, and you dismissively wave him into it as you return your attention to the window. “Thanks…”

You give him a hum at his politeness but otherwise remain uninterested in his presence, fastening the seat belt over your lap as the jet pilots prepare for the five-hour flight back to Quantico.

“What’re you thinking about?” Spencer abandons his original plan to sleep through the entire flight the second he sees the pondering in your expression.

You glanced at Spencer, contemplating whether to confide in him about your concerns. Out of everyone, he was probably the one person you’d met on the team who seemed genuinely interested in your experiences. He was one of the few who could understand the complexities of your situation. With a sigh, you decided to open up a little, "Just thinking about what happens now. Back to the concrete hell of my enclosure I guess.”

“I thought you were appealing the decision? That’s why you agreed to help, isn’t it? So the officials are more likely to accept your appeal?” Spencer tilts his head slightly in your direction, raising an eyebrow in your direction as he curled his legs under him in his chair.

“You really think that it’s actually going to do anything?” Your voice is dripping in sarcasm as you let your head fall back against the seat. “They’re seething enough that I didn’t get the death penalty, there’s no way they’re going to cut my sentence,”

“I don’t see why they shouldn’t,” Spencer blinks at you with a mildly furrowed expression. “You’re not an active threat to anybody, and having the help that you need could greatly improve your quality of life,”

“Yeah well you’re not the person who’s going to be analysing my case, so your opinion doesn’t really matter in the greater span of things does it, Dr. Reid?” Your tone carries no malice in your statement, although it comes off much more rude than he’s sure you mean it to be.

His opinion could matter. He knows that as a part of the evaluation you’ll have to go through Hotch will have to write a report on how you acted during the case. Maybe he could put in a few extra things he’d experienced with you. He’s sure that the psychiatrist assessing whether you were actively violent would benefit from knowing how much you adored your parents, how you wondered if your childhood pet was in the afterlife and how you engaged in a genuine emotional conversation with him despite all of your social stunts from your disorder.

You obviously still had your humanity, so he didn’t see why they wouldn’t allow you to have the facilities to improve your mental state to a point where one day you could possibly be a functioning member of society, or at least be in a position to help researchers understand more about your condition.

“Having optimism about an upcoming situation has proved to actually affect the outcome of said situation, with 36% of people who had been optimistic about negative situations physically affecting the outcome of those situations based on their outlook alone,” Spencer presses his lips into a line, another one of those awkward smiles that you’d become used to over your time with him.

“I prefer realism, but I suppose I’ll take that into account,”

“That’s all I can ask,” Spencer gives a soft exhale at your inadvertent agreement to take his advice, brushing a strand of hair behind his ear. “I’ll visit you once your appeal has gone through,” The statement fell out of his mouth without any real thought behind it, simply a reflection of his brain deciding he wasn’t quite done with your company yet despite the case officially being over.

“Of course you will,”

Spencer gives a short laugh of mild embarrassment. “Of course I will.”

#unsub!reader ᝰ.ᐟ #spencer reid x reader #spencer reid #criminal minds #criminal minds x reader #spencer reid angst #criminal minds angst #asks 🫶#mgg

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bitegore · 1 month ago

Text

I made a character sheet to plot your OC's development over time! (There's supposed to be a character name in the big white space next to "over time" but it got eaten a little lmao)

You can use this for whatever you want, and you don't have to credit me. Feel free to change or edit anything you feel like. Please don't tag me if you credit me - just link to the original post.

Credits, explanations & a transparent version under the cut :D

Credits:

The actual image was made with the free NBOS character sheet creator, which is a sort of dated but free and solid text-layout sheet maker intended for ttrpg style character sheet creation.

Fonts used were Bisdak (titles) and Rockwell (body). Both are free! You can use them to fill it out if you like.

Inspired by a comment @maybe-solar-powered-calculator made on this other post about filling it out for characters at multiple points along their arcs. Thanks for putting the idea in my head :D

This is explicitly released under a CC0 1.0 deed, ie: you can do fucking whatever you want with it and I don't care and you don't have to tell anyone where you got it from and no one gets to stop you.

Last time I made one of these I got a bunch of questions on all manner of things, and I can never keep up, so I'm just appending a set of notes for how to use it and a glossary because I know some of these phrasings will be confusing.

Ignore or change anything you don't feel like works for you here. You can do whatever you want forever.

Suggested / intended use & general notes:

This sheet could work for something story-level, if you want. But it's really only good for individual arcs; if the character goes through multiple arcs in your story, then they're going to fit poorly here. In that case, you're probably better off doing versions for each arc, or just adapting this to a different format more suited to your thing.

Also, if your arc has a nontraditional structure - divorced from the typical "rising action - climax - conclusion" type of structure where there's a clear 'important turning point' - it may not work as well either.

The mindset section is meant to come at it from a 'golden mean' standpoint - that is, everything on either extreme of the slider is 'too much' and therefore bad. It's not bad-to-good! The far right side is a flaw too. They're only grouped the way they are on basis of the specific OCs I personally had in mind when I put it together.

Growth is labeled 'worse'-to-'better' but it means, like, active decrease in that area vs active increase; if nothing changes, it should stay at the center even if it sucks. The category is about contrasting changes, and sometimes changes are for the worse!

The entire sheet is very deliberately subjective. It should really be answered from the character's perspective - how they feel about it, not what's necessarily true. Technically you can do whatever you want and I can't stop you, but it's a better tool if you approach it from the point of view that the character may believe things that aren't true - that will define their behavior way more than the objective facts of the story.

Definitions:

This part is long as hell - recommend using ctrl+f to find the specific words you're stuck on. I defined everything.

General categories:

Mindset: how your character thinks about themself and how they act. Their understanding of their own approach to life. Attitude, viewpoint, decision-making process, that sort of thing.

Circumstances: the relationship between your character and the world around them. Where they are, what that place is like, and how they feel about it.

Growth: how the character and their impact - their attitude, their behavior, their immediate surroundings - changes over time.

Outset: the start of the character's arc.

Present: the 'center' of the arc. If you're planning something ahead of time and it hasn't 'happened' yet, then this is the near future.

End-game: where they are after the conclusion of the arc.

Mindset terms:

Center of the world: "If I have a problem, it's the only thing that matters to me." Self-centered, self-absorbed. Doesn't necessarily mean anything beyond that - they don't necessarily have to be unpleasant to be entirely focused on their own life.

my life isn't relevant: "Everyone else's problems are so significant, I don't pay any attention to my own". Someone who ignores or neglects their own life in service of some other thing, or doesn't consider their own behavior to have any real importance.

Only see enemies: Paranoid. Everyone's out to get them. Anyone who seems nonthreatening is hiding their potential for danger and everyone who seems threatening is a threat. The character must remain ever-vigilant, lest the cashier at the 7/11 suddenly stab them, or their best friend turn out to secretly be trying to poison them to death.

Only see friends: Naïve. Everyone is a good actor who wishes everyone else well, and if they don't seem like they're acting from a place of kindness or care then you probably don't understand what they're up to. The character is pretty sure the stranger holding that knife is, like, someone to chat up maybe, they're clearly only hanging out in this dark alleyway because it's a nice spot and no other possible reason.

overthink everything: Ten thousand thoughts per every single action taken. Maybe they never get around to acting at all. They have to consider every possible outcome. What if by eating lunch they accidentally trigger the apocalypse?! Who's going to think about these things if not them?!?!?!

impulsive to action: Act first, think never. What do you mean "consequences of actions"?

Unilateral decisions: "I will make every choice and no one else's opinions or thoughts are relevant". Discounts outside suggestions. Firmly convinced that they know best in any situation, and will brook no disagreement with their views when it comes to actually doing things.

Command me, please: "I don't know what to do and I don't know what to even start with, someone please tell me what to think". No confidence in their own views. Will not make any decisions unless forced and even then will beg someone else to please tell them what to do. Has no idea what's best and is pretty sure anyone else will have a better idea.

can't ask for help: No one will ever help the character; they have to do everything themself, even the things other people have repeatedly offered to do for them and have much more experience with. Doesn't necessarily mean that no one will help them or that they are explicitly barred by some real-world circumstance; just that, for whatever reason, they refuse to ask for help. This is an attitude thing - will they ever reach out? No? Then they're here.

too reliant on others: Have they ever solved a problem alone? Do they believe they're even capable of doing so? The character all the way at this end of the scale absolutely never expects to be able to do anything themself, has no trust in their ability to solve a problem, and needs someone else to come save them from it. The kind of person who needs ChatGPT to do their homework. Again - doesn't actually mean anyone will help them, or that the people they're relying on are reliable - just that they think they are helpless without ... well, help.

Weapon maker: This has to do with problem-solving strategies and not actual weapons. The weapon-maker is a character who views every situation as a conflict that cannot be de-escalated or solved by cooperation, and responds appropriately. The most fundamental weapon maker character turns everything into an argument, a fight, a war, etc. There are a bunch of other responses to conflict, though - they might avoid problems that need solving because they avoid conflict generally too. Fundamentally what you want to answer here is: when they see a locked box and they don't have the key, do they respond to it the same way they'd respond to someone telling them "you can't open this box"? And how do they respond to that? Typical weapon-maker approaches: - brute-force the box open or try and then give up if it doesn't work; and also get into an argument that might turn physical with the hypothetical person - shrug and give up immediately, in both situations so on and so forth. Another hallmark is that they kind of suck at problem-solving and give up if brute-forcing a problem doesn't work. This is not someone who is picking locks unless someone else told them to - they have one solution, it's to make everything into a conflict, and then to win that conflict by beating them or to give up because they think they'll lose.

Tool maker: This person approaches every situation like it's a puzzle, not a fight - up to and including actual fights. Tool-maker characters generally assume that a situation can be solved by just finding the right approach and doing it the clever way. There's the same fundamental question as above - if your character sees a locked box and has no key, would they approach it differently than someone telling them they're not allowed to open the box? 'Typical' tool-maker approaches: - I can trick the person into giving me the key by saying the right things, and I can also pick the lock because fundamentally there are 'right answers' to both of these - If i make friends with this person, they might change their mind, because now we're cooperating. I can still pick the lock because there are 'right answers' there. - The person has a reason for wanting me not to open the box, so I can definitely figure out what that is and solve the reason so then they'll let me open it. I can take whatever it is even if they really want to keep it if I just find the right answer. I'm going to break this box into little pieces because that's the easiest way to get into it but I could probably open it some other way if that wouldn't work.

A note - the center of this bar is someone who generally has different responses to different kinds of situations - like, in the box example, they'd approach the box and the person with two different general attitudes and processes - but generally responds to those situations using the same kind of decision-making process for each category every time. Most people are nowhere near either extreme. Characters tend to be classifiable into weapon-maker and tool-maker because they are fictional and it's easier to define one kind of approach than many. Approximately average approaches: - pick the lock if no one's around, but give up if someone is there because someone telling me not to open the box is a conflict i think i'll lose but a locked box is just a puzzle that i can solve - argue with the person, but give up on the box, because they're approaching the box as a puzzle and they don't think they have the skill to get into it, but the person is someone who can be convinced or bullied into handing over the key

I made this particular dichotomy up, which is why I think I get a lot of questions on it whenever I put it into anything, but I also don't know of any other snappy way to describe this sort of thought or approach variance, and it's genuinely useful for character writing in my opinion.

Pessimist spot-finder: Generally a downer but not necessarily. This kind of character just approaches everything with a close eye for problems, issues, reasons to find fault. If they're miserable, it might be why, but like, they can be a cheerful spot-finder if you want, I just wanted to get at "the glass is half empty" and "the glass is half full" more than anything.

Optimist upside fan: The opposite. "The glass is half full". If there are problems, they can find something about them that's not so frustrating or bad to focus on. Pretty damn good at overlooking minor issues if there's no reason to fixate on them. Not necessarily cheerful.

Abysmal company: could not give less of a damn about treating people the way they 'should' be treated. Maybe they take pride in that. Maybe they just think it's irrelevant. Either way, they know they treat people badly and they don't see any reason to stop. Does not necessarily mean that they treat people badly if they think they're doing the right thing and are wrong. Doesn't mean they're actually pleasant or unpleasant to hang out with, either, unless you really want it to mean that.

Decent to others: treats people well as a matter of course, or at least they sure think they do. Makes an effort. Would probably care and/or consider changing their behavior if someone said they were treating someone poorly. As before - they can be completely un-self-aware and just think they're doing right by people while treating them completely horribly.

Morality is irrelevant: 'abysmal company' for broader approaches to life and problems. Maybe they just know they're myopic and don't think other people's problems matter. Maybe they just gave up on trying to differentiate between 'good' and 'bad' and outsourced it to someone else or stopped paying any attention. Maybe they just like to take morally unjust actions and can't be bothered giving a damn when someone points out that they're morally unjust, or maybe they're proud of it. Kind of a villain trait generally, but not necessarily - it doesn't have to mean they act badly, just that they don't care if they do. Also, this is about how they choose their own actions and view their own behavior. They can think morality is relevant for other people as long as they ignore it when they act themself.

Always in the right: feels morally righteous in every decision they make. Standard superhero type of trait. Doesn't necessarily pass judgement on others, doesn't necessarily act well according to everyone's moral code (see: blue and orange morality), but they are extremely principled and will never deviate from the moral code they personally believe in. And they do genuinely believe in it.

Circumstances terms:

Generally terrible to generally excellent: how subjectively decent is your character's situation, overall? If they think everything is horrible, but the situation is charmed to everyone except them, then it's generally terrible.

Need for changes to passive tolerance: will they do something about it? Do they feel like they have to?

No agency in action to decisions are huge: agency being "how much power do I have to make changes here?", this just asks how much they have. No agency means that, no matter what they do, nothing will happen - they might be locked in a cage or somehow otherwise completely unable to use any sort of power at all, even the power of just leaving. The other end of the spectrum is where every decision the character makes makes a huge difference, not just to themself but to everyone around them as well. They can start wars, they can have anyone they want killed, they can do anything whenever they feel like it. If they think they have no agency even though they do actually have agency, they don't have agency here. If they feel like they have all the agency in the world and can do anything, then they do even if it's not true. It's perceptual again.

Stakes are deadly to mistakes solvable: what are the consequences of failure? Will you die, will you lose status you can't afford to lose, will you lose belongings, will you have to apologize, will nothing happen at all? Mistakes solvable is where they think every mistake is solvable forever - the character pushes someone through a woodchipper and they come out and to fix it, maybe an apology has to occur, but not much else. Does not necessarily mean no one gets hurt or killed as long as the character thinks there are no permanent consequences. This is the most important one on this section to keep subjective because it will greatly influence how your character approaches situations. A character who thinks everything is deadly-stakes may go to cartoonishly-extreme lengths to avoid turning a report in a day late. A character who thinks all mistakes are always solvable may push someone through a woodchipper and then just assume they can say they're sorry and it'll all go away. The setting and their approach do not need to be applicable.

Needs go unmet to attended with care: how do the people around them treat them? Do they pay attention when the character needs something, or do they ignore it? Does the character have to do everything themself around here, or are there people who will help out?

Regarded poorly to regarded well: how do they think other people see them? Are they respected, are they liked, or are they disliked? Do people broadly trust them or are they pretty sure everyone regards them with suspicion?

Nothing changes to changes in seconds: functionally the 'stability' meter of your setting - is the situation generally stable, or are things constantly changing? Does your character feel like every five minutes, there's a new problem that needs dealing with, or do they feel like nothing has ever happened ever?

Growth terms:

Changes in place: do they go somewhere else? Does the physical setting otherwise change (eg; earthquake, war, etc) ? Are there any other reasons that the 'vibe' or 'experience' of the place is different from before?

Change in power: does the character's percieved agency (see: no agency in action to decisions are huge) change? Alternately you can use it if they've gained or lost power in some percieved way (deposed, assigned a commanding position, etc).

Change in bonds: do their relationships with people change? Have they made new friends, lost old friends, changed the nature of their relationships with friends or partners, etc?

Change in beliefs: straightforwardly, have their beliefs, morals, etc, changed?

Change in hurts: have they undergone some horrible experience? Do they have past trauma from some pre-arc horrible experience they're healing from and/or discovering they're more powerfully subject to? Did they experience a physical injury that they're recovering from or which materially changed their life? Did something recent dredge up old issues? So on and so forth.

Change in hopes: Do their desires for the future look the way they used to? Do they care about different things now? This is something the character is not actively working for, but may be tied to actual goals.

Change in fears: are they overcoming fears? Growing past them? Gaining new ones? Are they scared of shit different from how they used to be?

Change in goals: Not the same as a hope because it needs to have a specific, achievable outcome the character is actively working toward. Do those material goals look different? Perhaps they no longer want to work against something, maybe they didn't have any goals and now they do. Or maybe they've realized the goal is impossible, or something has happened to make that goal unachieveable. Whatever it is, if there's a change, it's a change.

Change in self-awareness: their beliefs about who they are and what they're like, and what their circumstances are. Have they gotten more self-aware, have they gotten less self-aware, or has nothing changed?

Change in relationships: their relationships' overall health and resilience, as far as the character is concerned - which doesn't mean they're necessarily good, just that the character thinks they're how they're supposed to be. Have they improved? Have they gotten worse? Have they not changed?

Change in knowledge: do they feel like they know more about the world, their place in it, the people around them, etc? Not necessarily how to do things - just general information and awareness.

Change in social standing: how does others' regard for the character change over this part of their arc? Do people like them more or less? Are they respected more or less than before? Has nothing changed? And so on.

Change in skills and abilities: do they feel more skilled than they were before? Do they feel like they know how to do as many things as before? Again - not necessarily rooted in reality - a classic example of a character being wrong about this is a 'big fish in a small pond' character who used to be the high school sports star going to college on a sports scholarship and discovering they're not the best any more, and suddenly feeling like they're the worst - when they're better than they've ever been in an objective light. Use a subjective viewpoint for this.

Change in agency in life: how does the character's percieved agency change? Do their decisions matter less now than ever? Do their actions make way more happen than before? (See: no agency in action vs decisions are huge)

Change in outlook: Here's the upper/downer part. Are they more or less hopeful for the future? Do they think things are more terrible now? Are things improving as far as they're concerned? Or has that not changed?

Change in goal progress: how do they feel like they're progressing on the goals they've set for themself? Are they getting further and further away? Are they getting closer?

If some of this doesn't make sense and you want a clarification, you will have to tag me to get my attention, because I'm turning notifications for this post off the minute it leaves my immediate social circle.

Transparent version: (sorry you had to scroll so far)

#thank GOD we can just turn notifications off now so i wont have to delete this post #red rambles #also. if you want to follow me for this because someone reblogged it. Don't i make like one of these every [checks notes] 2 years #typically i just reblog a lot of nonsense and you will not enjoy it probably #im writing this like i expect it to take off because i do . Because i'm scared #character sheet #red makes memes #<- because those are the tags i used on the last ones #i dont really think this quite qualifies #oc reference #what fucking tags are there for this sort of thing lmao #ttrpg sheet #ttrpg tools #i know people want this for ttrpgs. if everyone used the other thing for ttrpgs.#oc tools #i was gonna make a fillable version but i gave up. someone made a cool one of the ancient blorbo sheet but tbh i have no idea what the fuck #they're doing with js modules (<- everyone point and laugh i dont know javascript LMAO) and i dont feel like figuring it out #hey guys its midnight im out of post jail. image upon ye #ALSO you CAN put your sheet on the post i dont like. Care #like i said a zillion times. I will be turning notifications off if too many people say things #but until i get really sick of everyone filling things out the same way im curious #you understand.

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