Alright class yall get to listen to me infodump about some of my ocs because someone needs to know them
Let’s start with a personal favorite, Damien
Damien is just a silly little very stoic guy who is definitely autistic but passes well. He also kills and eats people. Not for fun. Not really. His first kill was a coworker, whose name I cannot be bothered to remember. He killed him due to the fact that he was gonna do some bad things to Regina, who will be talked about in a bit. After that he’s forced to eat dead guy by his employer who is also Regina’s mother and a bitch. Throughout his story he becomes more and more numb to the things he’s doing to the point where he finds some sort of comfort from it.
Next is Regina, who never deserves anything bad to happen to her but because all my trauma is forced onto my characters she gets the ✨horrors✨. She was the one before that was being treated bad by the now dead guy, and is Damien’s main responsibility as a butler. She’s 6, has negligent parents who forget about her all the time and can’t even remember her name, and has a teacher who abuses her. Regina also has a crush on Damien that is really only formed because he is the only person in her life who is really there for her. (I do not ship Damien and Regina. No one should ship Damien and Regina. There is a nine year age difference, 15 and 6.) Regina is what is known as a ‘mature for their age’ aka just fucking traumatized, and it’s understandable due to the fact that she is an accessory to murder and also a cannibal without her consent.
Amelia is the bitch mother mentioned earlier, and also Damien’s employer. She’s forgetful as fuck, especially with names. Since the murder of the other housekeeper she has become a heavy drinker. Her and her husband are very wealthy (not sure how) and they spend most of their time away on trips, which is where she first tried human meat and why she suggested cooking Arnold (that’s his fucking name!).
Onto some different characters with less sad stories to them:)
Let’s start with Issac, who is very dear to me and I based him off the vibes I get from ranfren. He doesn’t use his emotions outwardly a lot unless it’s to get what he wants, and he likes to find bad people and torture them because hey, why not. But then he met his wonderful girlfriend and he is so fucking good to her I cannot stress that enough. He fucking loves Hanna with all his heart and is not afraid to show it. When they first met and were planning out a date he protected her from her slightly abusive ex by bashing his head with a crowbar (he lived). Sadly that’s all I’ve got for his story so far.
Now let’s talk about Hanna, his wonderful girlfriend who is amazing. She is the sweetest person you’ll ever meet, and no one knows why she fell for Issac but her and me. She’s clumsy, cheerful, a horrible cook, a wonderful artist, and likes to be outside in nature. She met Issac walking to work one day and decided to call in sick so she could shoot her shot. More than a little oblivious to social cues she didn’t notice that he was annoyed by her at first, but she didn’t miss it when Issac gave her his number. Now they live happily ever after and Issac still does his incredibly illegal activities but it’s ok because Hanna finds his sense of justice charming.
But anyways yeah that's my infodump for today. Soon yall can get some art for Damien and Regina and maybe one day I'll draw Issac and Hanna. One day.
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
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flowey and chara's relationship is always so interesting to me. when flowey absorbs everyone's souls and gains control over the timeline, he just wants to bring it all back to zero. back to when chara first fell. but he's already changed so much by that point - his and asriel's personalities and attitudes are almost complete opposites. would chara even still like him, if they met him as he was now? what if asriel's qualities that flowey buried and got rid of were what drew chara to him in the first place? what would he do if he realised that the person he is now, which was molded largely due to his past failures and regrets, is not the kind of person that chara would be fond of? what then?
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hear me out y'all. emo juri arisugawa.
like her ass sits up all day writing poetry about shiori and uploads them on livejournal. she's going on myspace to complain about her life, all while listening to paramore & mcr. she's posting corny ass evanescence lyrics to her facebook status. she doesn't dress the part because she has to keep up with her professional front but when she's alone? trust, the horrible eyeliner and the side bang is coming out.
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hey, remember that promo image of the antivan crow lady that was showing up in the early promotion material?
i think she's way too light skinned to be teia or lucanis, and possibly illario. so may i interest you in this idea: viago in a drag.
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