#they both were (at one point) treated unfairly as kids

[a-little-artsy]

DAY 11 OMFG SKDJSJJAIAJ IM SO EXCITED

DogManber Day 11 : Favorite Character(s)

AKDJSK I WAS SO EXCITED FOR THIS ONE I WANTED TO TALK ABOUT MY FAVS SMM

did i mention how excited i am for this one :33

I love their dynamics especially with their kids omfg

(i even listened to their respective songs from the dog man musical just to get in the mood kadjsiwjbsdhi)

I could go on for HOURS about them like

even popped in some hcs because yknow me

Aro dads aro dads aro dads aro dads aro dads aro dads aro dads aro dads aro dads aro dads aro dads aro dads aro

AND BONUS!!!

old art i made this prompt from :33

[cyberfreaky]

𝐁𝐎𝐔𝐍𝐃𝐀𝐑𝐈𝐄𝐒

— writing prompt: jake & reader have an argument over how he treats lo’ak.

— notes: this is set during atwow, widowed!jake & fem!metkayina. reader and jake don’t have an established relationship, they have a close dynamic lmaowjdiens

sngel = garbage

part two.

there was an eerie silence that had fallen in your marui pod. the discomfort was made worse with the way jake aggressively sharpened his blade, crouched down in the corner with a face of annoyance. you hadn’t dared to say anything in fear of potentially setting him off into a storm of rage — though it seemed that even the drop of a needle could throw him over the edge.

you’d secretly witnessed jake yelling at lo’ak earlier on for something so insignificant. you had seen how the younger boy’s expression was filled with such profound sadness, barely able to keep eye contact with his father while being scolded harshly. you felt hopeless in the moment, and even more so as the hours had passed.

you were aware that jake was dealing with the trials and tribulations of being a single parent, he had already told you the story about the unfortunate death of his mate. but this did not excuse his behaviour — especially since this was not the first instance of him raising his voice unfairly at lo’ak.

“what is it?”

the sound of jake’s thunderous voice broke you from your trance. you hesitantly look up and notice him glaring balefully at you, his demeanour adding to the existing tension between you both. “don’t know what you’re talking about.” you shrugged.

“don’t make me ask again.” jake seethed, dropping his equipment to the ground.

your dark brows knitted with confusion. was he threatening you? you quickly climbed to your feet and tilted your head to the side questionably. “or what?”

jake was almost taken aback by your stance. he followed suite and stood up, taking a few steps forward as he continued to stare at you with darkened eyes. “don’t get smart, kid. m’not in the mood.”

“you really wanna know what’s on my mind?” you challenged him.

“it’s what i asked, wasn’t it?”

at this point, jake was towering over you. his enraged gaze never faltered, it burned deeper into your soul as he looked down upon you — impatiently awaiting your answer. you were not intimidated by his presence one bit, in fact, his attempt to scare you into a confession was pointless. his ego was a trait of his you truly despised, and it was fuelling the slow burning resentment you were beginning to feel towards him.

“stop treating your son like sngel.” you spat, meeting his stare with an equally malefic glare. “you should never yell at your child like that.”

jake’s jaw clenched at your words. he was struggling to adhere to the fact that you had the audacity to even speak about how he spoke to his children. could it be the complexities of your ‘relationship’ had somehow opened up a door to allow you to critique his parenting? had he somehow given you leeway to make such a ludicrous comment? he was aware you had a mouth on you — but he didn’t think you’d outright cross personal boundaries.

“you have no place to say how i parent my kid.”

you looked at him baffled. jake was so oblivious to his own poor behaviour, you began to question why you even bothered to say anything. “you’re right, it’s not my place.” you stormed past him and grabbed his tools from the ground, throwing them angrily to jake’s feet. “take your stuff and get out.”

he laughed with disbelief, placing a frustrated hand to his temple. “ya’ gonna throw me out? even though you’re the one who started this?” he collected his things from the floor, shaking his head in discontent. “i don’t need this shit from you.”

“then leave!” you point towards the entrance of your pod. “go scream at your kids again, jake. show them what a great father you are!”

for a moment, you noticed the fury in his face contort into an empty look of hurt. it was as if your venomous tone had pierced through his chest, hitting him in the most painful spot imaginable. jake could only stare at you blankly before silently exiting, the numbness that settled into his body made him unable to conjure up any kind of argument. the fact that you had implied he was a terrible father was enough to break him — the one thing he prided himself in had been tainted.

you held your composure as you watched him leave, despite the rush of guilt that was rapidly emerging into your tummy. the remaining of your night was spent regretting everything you had said to him.

— all rights reserved ©️ cyberfreaky (2023) do not repost, translate or copy my work without given permission.

[epickiya722]

"If Gojo and Geto were really best friends, then why didn't Gojo realize there was something wrong with Geto mentally beforehand?"

And then I saw someone said that Satoru and Shoko were probably too selfish or too dense to notice...

A lot some factors play into Suguru's path to becoming a curse user, but I wouldn't say Shoko and Satoru were "too selfish, too dense".

With Shoko, she was indeed a friend to both Satoru and Suguru. But she wasn't always around, not because she didn't care to be. It was because she couldn't be. She practically had to stay at the school because her Reverse Curse Technique and sharpen that technique.

And it wasn't as if Shoko wouldn't have listened to Suguru because later on in the manga, she makes a comment about Satoru believing he was alone after Suguru left. She says he wasn't alone because she was right there.

Now with Satoru, he isn't dense and I know Satoru is arrogant to some level, but I don't even think he's selfish like that. He did notice something was up with Suguru. He did question him if he was alright and Suguru just told him it was summer heat. Satoru being Suguru's best friend, trusted that answer and probably didn't want to push it any further. I don't think he wanted to bother Suguru, just as much as Suguru probably didn't want to bother anyone else. He never would have thought Suguru would start questioning how things work in the world because the Suguru he knew always cared about others. Why do you think he spazzed out when he learned of what Suguru had done?

We saw the year prior that with Riko was upset about leaving the beach, Satoru suggested they stay longer. So it's not Satoru doesn't notice when someone is feeling some type of way. In fact, around that time, he was growing into being more considerate about others. Suguru deflecting solidified Satoru's change into who he became later down the line.

Also, just like with Shoko, Satoru was separated away from Suguru a lot of the times. He became the strongest and was assigned on more solo missions. The schedules for missions are irregular so they probably couldn't meet like that, let alone at all!

I think what gets me about people pointing fingers at who is to blame for Suguru's downfall is that it's at Satoru and Shoko who are just as much as victims to Jujutsu society and the Higher-Ups as Suguru was.

Even crazier, no one says anything about Yaga who was Suguru's teacher, who blames himself. And I wouldn't say he's at complete fault either given how the Higher-Ups treat him.

Sometimes, I feel like people who blame Satoru and Shoko are just Satoru haters (and maybe to an extend SatoSugu haters and looking for an "excuse" to slander the ship) and people who don't care about female characters.

Same fandom that likes to throw Yuki under the bus as if she directly told Suguru "go kill all non-shamans" in his ear.

Moments before she even appeared in that scene Suguru makes a comment to Yu saying how he's a good judge of character with "then why are you sitting next to me then" (or something along those lines), so he already knew that he (Suguru) was heading down a dark path.

It was just how it was gonna happen and what exactly what bothering him.

Yuki was just trying to have a conversation with him, that's it.

With Satoru and Shoko, they were just kids, too being unfairly used like tools.

Look, Suguru did wrong, but given all that has happened it was indeed going to happen. He was just a kid who at a time believed in doing good.

If, again, anyone should be blamed it's the Higher-Ups who treat those who work under them like garbage.

Who in their right mind sends a damn teenager on solo missions? Let alone one to a village?! With those kind of people?! (Because I don't doubt that the HUs didn't know what kind of people they are if they got word of what was happening. Surely, one of the villagers said something about the twins and blamed them. Two innocent little girls, mind you.)

Like, the HUs are the same people who orchestrated a death mission practically just to kill Yuji and would have also gotten Megumi and Nobara killed, too.

[am-i-the-asshole-official]

WIBTA for ruining my shitty boss' reputation and potentially discouraging good teachers from working at a socioeconomically disadvantaged school?

(apologies, this is a long one)

Last year, I (24F - then 23) got a teaching job at the public high school I graduated from. I worked under a vice principal (late 30s/early 40s), who I will call VP. I was hired alongside three other first year teachers, but I was the only one who was an alumni of the school. As a former student at the high school, and as someone who lives in the area the high school services, I know that the area (and school) have a bad reputation that isn't deserved (it's mostly racism and prejudice imo). The teachers are very supportive and have a strong sense of community with the students, and generally work to provide opportunities for underprivileged kids. I wouldn't be where I am today without their support, and they were super happy to have me back as well and work with me in a professional capacity - and I was excited to do the same.

Now, my VP and principal had been working at that school site for the past few years - long after I graduated - so I don't have the same connection with them, nor they with me. VP initially offered me a temp position, then it got switched to a permanent position as the teacher whose position I took decided they're not coming back.

So I always felt that the VP was picking on me for some reason, but never really brought it up because I didn't want to seem like I was complaining at work as the newbie. He would do twice a week walk-in observations of my classroom, while the other first year teachers got walk-in observations twice every three months. He would also have meetings with me during my prep time 4 out of 5 days of the week - meaning I barely got any prep (once again, he would not do this with the other first year teachers). He also frequently forgot my name and would write me up for ridiculous reasons (he once wrote me up because a student farted in my class and I didn't reprimand the student! What the fuck do I say to that?!).

It got to the point where, even though I wasn't complaining to my coworkers, they noticed. Other teachers brought up how oddly and unfairly he was treating me, and even set up a meeting with our union representative on my behalf. At the meeting, I brought up these grievances, and VP downplayed them all and claimed any perceived slight was not intentional, and since most of the issues weren't in writing (except for the numerous write-ups) it was his word against mine. The meeting ended with us both apologizing to each other, and really nothing else happened. His weird treatment of me actually escalated after the union rep meeting; he once came into my classroom and yelled at me in front of my students for letting a student go to the bathroom, and also demanded I work outside of my contracted work hours (which I refused, and he made it clear he didn't like that).

Needless to say, all of the other teachers in my department and myself were all wondering why the fuck does he not like me, and we found out why recently. During one of his tirades late last school year, he told me (verbally - no written proof) that he didn't want to hire me and only did so because the other teachers on the hiring committee insisted upon it. He told me to thank my lucky stars that my position was the one that "happened" to become permanent. I told my coworkers, and one of them (whose wife works at the school district's HR department) informed me that shortly after I was hired VP was in a super long meeting with HR arguing over a new hire - which we now guess was likely me. It also came out that the two other first year teachers frequently go to bars with him and play golf.

Long story short, earlier this week he told me that he's firing me so that he can instead transfer in another teacher from a different site - one that, you guessed it, he goes to bars with and plays golf. This guy has a bad reputation in the district, though, for generally being a shitty guy and an even shittier teacher.

When the news broke to my department, it quickly spread to the rest of the school. A lot of the older, more established teachers at my school became really outraged, apparently complained to the union and the principal about it, union said they can't really do anything because nothing wrong was officially committed, principal stood behind VP's decision, yadda yadda, and a bunch of teachers have since made it clear they are also not returning next year. Resignation notices, sudden retirement declarations, requests to transfer to other schools in the district - you name it. A good 85% of the teachers at the school are leaving suddenly, including influential pillars of the school's community, people who have been there since the school was founded.

Here is the main WIBTA:

Last year, I was also working on getting a Master's degree in education, and I accomplished that. Yahoo, yay, etc. Due to the nature of my thesis and Master's program, I worked closely with a few professors of education, who - in turn - have a bunch of connections with various big-name people in the area. Also, over summer break, my thesis was good enough that they toured me around a bit, and I got to make acquaintances with other notable people with notable connections. Once again, in an effort to seem professional, I didn't complain or really reveal any of my lukewarm feelings about my boss, but now, as my professors continue to want to have me showboat my thesis around, they keep asking how my work is. I'm going to tell them that I'm no longer going to be working at that school (partially to be truthful, partially to ask them to be references) - but moreso, I'm thinking of telling them how shitty my boss was. If I do that, knowing them, they'll likely tell some of the many people they know, who will likely ruin this man's whole career. However, these professors also teach teacher credential classes and trainings, and I'm worried they might discourage future teachers from working at that school. I don't want to doom the students of this school to shitty teachers who don't support them all because of a shitty vice principal.

So, WIBTA for complaining about my shitty boss to some influential people I know and possibly discourage teachers from working at that school?

What are these acronyms?

[caecilian-king]

Ok. So, i read some more Wuthering Heights today and this one paragraph really struck me- like it got to me just as much as lines like ‘whatever our souls are made of his and mine are the same’. But I don’t think this part is probably talked about as much, because its about 2 of the supporting characters and its not a poetic romance quote.

I’m talking about this paragraph, where Nelly Dean is walking outside and is reminded of her childhood:

“all at once a gush of child's sensations flowed into my heart. Hindley and I held it a favourite spot twenty years before. I gazed long at the weather-worn block; and, stooping down, perceived a hole near the bottom still full of snail-shells and pebbles, which we were fond of storing there with more perishable things; and, as fresh as reality, it appeared that I beheld my early playmate seated on the withered turf: his dark, square head bent forward, and his little hand scooping out the earth with a piece of slate. 'Poor Hindley!' I exclaimed, involuntarily.”

The reason this got to me so much is that this is exactly the way I’d been thinking about Heathcliff. ‘Sure, heathcliff’s a jerk!’ I’d think to myself, ‘but in the earlier chapters when he was a kid he was so cute and loved cathy so much! He was so unfairly treated!! He had moments where he laughed and played!!’ Not that i excused Heathcliff’s wrongful actions, but i sympathized with him, just a bit. Deep down i want him and cathy to have a happy ending, even though they’ve hurt and will hurt so many people.

(somehow, having many of heathcliff’s future actions spoiled for me by reading through the WH tag so often has not made the book any less enjoyable to me. This book is that good.)

Hindley, however….Up until this point I had always seen him as nothing more than a monster. We see very little of his childhood. We see him cry about his toy being broken, and then later we see him being racist towards-and then physically abusing- Heathcliff. After that, he’s a young adult/adult and is just consistently even worse to Heathcliff (and everyone else at Wuthering Heights) than he was before.

Nelly, unlike the readers, saw hindley’s whole childhood. She saw the moments when he was good, when he smiled and laughed. She saw ways that he was treated unfairly (his own father liking this new adopted son better than him and not hiding that bias at all).

Does this make hindley suddenly a good person? Of course not! But it really put into perspective for me how similar heathcliff and hindley are, and how i was biased way more towards one because I had seen his good side. Heathcliff and hindley are both incredibly violent, grumpy, abusive people who crave money and power. I’m sure I’ll continue to find similarities as I read more.

My three main takeaways from this paragraph are:

1) i think that hindley not only serves as a catalyst for heathcliff becoming a bad person, but also as heathcliff’s narrative foil. (Wikipedia says: ‘A foil usually either differs dramatically or is an extreme comparison that is made to contrast a difference between two things.’ I think this is a perfect description of how heathcliff and hindley work in the narrative- hindley is perhaps how we would view heathcliff if we hadn’t seen his childhood.)

2) i think this paragraph serves to remind the reader that everyone is a human who has at one point been innocent, and that this fact doesn’t excuse bad behavior, and that you should be careful about sympathizing with heathcliff so much that you begin to excuse his actions. I also think the fact that this paragraph comes so soon before isabella’s letter to nelly is incredibly important and intentional. That letter she writes about arriving at wuthering heights really highlights how bad of a person heathcliff is.

3) i am now slightly sympathetic towards hindley, and view him as a bit more of a complicated character than i took him for previously. I am also now a bit more conscious and critical of my sympathetic reading of Heathcliff up until this point.

All this being said- heathcliff is still (for lack of a better term) one of my blorbos. I am obsessed with his stupid edgy personality and his sarcastic comments and his over the top evil plans. I am ESPECIALLY obsessed with his relationship with cathy. I know it wouldn’t actually be romantic in real life but, man. I could write a whole ‘nother post about how much i love their relationship. I want to put him in a microwave and watch him spin around. the former-AP-english-student in me is aware that he is a terrible person but the silly drama-loving side of me cant help but just find all of his terrible actions sort of equal parts funny and badass (i feel like this will stay true even as he does some of the more horrifying things i’ve heard about later). silly side of me wants him and cathy to do whatever evil things they want and ride off into the sunset laughing maniacally together.

(JEEZ i did not think i would spend an hour writing like a full essay when i started this post. this is what adhd does to you, folks.)

[i-like-eyes]

So.. what's the deal with the cartoon network crossover? 👀

I'm glad you sent an ask I was originally going to make a separate post lol

The AU spawned from wanting to do my own take on FusionFall, which then became a fighting game, then the gameplay was reworked into an original idea and the designs of the CN characters were reworked into a comic. Since it started as a fighter that meant I had planned out separate stages for each franchise, as opposed to one uniform setting such as CN City or the popular shared school au. The fighter didn't really have a plot I just came up with the explanation that the kids are all KND (or TeenND) members and were just having a sparing match and the adult characters were somehow targets or smth. Now the current iteration is most the characters are just on the same planet and become involved in some way or another (probably the KND still). The reoccurring theme is just trying to find people like you.

The most clear idea I've had is between PPG and Ben 10; the girls are known around the world and Ben (and Gwen) feeling lonely want to meet other super hero kids their age. Grandpa Max reminds them they are still strangers and that Ben and Gwen have to keep their identities secret, but does some research into the girls and Professor Utonium and recognizes how he still value's their privacy. Max then tries to get in contact with Utonium to see if getting the kids together would even be a good idea. Utonium himself also recognizes the girls have tried to find other super hero kids to hang out with, but both he and Max spend like a year over email trying to see if they can even trust each other lmao. Eventually after the two meet up (and Max knows he can trust them with the alien thing) they agree to set up a playdate and the focus then moves to the kids as they interact.

Ben and Gwen are like uhhhh aged between the original and Alien Force. Kevin is also there but I want to write a different intro for him that involves Gwen more.

The girls I've pictured as this; Blossom handles the fame best of the 3 and also is the best when it comes to the press while Buttercup and Blossom prefer to stand back. While she is good at being the ideal Powerpuff Girl, she has ambitions in the same science as her father and struggles to balance the two. Buttercup still enjoys the art of fighting the most, and goes on the most solo missions, but gets treated unfairly for her more masculine behavior and has to deal with fitting in with neither girls nor boys. Bubbles also has to deal with unfair treatment by being undermined for being the most girlish (there is no winning) but lacks a hobby like the other two (though she has some artistic merit). She may be the loneliest of the three as a result. Although they all still share a good friend in Robin. Bubbles and Buttercup get along better than they did as kids, though Blossom doesn't want them to feel like she's ignoring the two.

For the sake of simplicity the ending of KND and the G:KND storyline with Nigel being shot into space is ignored. The KND as an organization is trying to expand the TND upon seeing the teen's potential for rebellion. They lack a way to regain old KND members back, so they go out trying to recruit teens while they wait for current KND members to just age up. Sector V was selected for TND and go out and try and recruit new members. The ideas I have for them involve the awkward wait between the V members going 12 -> 13 years and transitioning between jobs. My personal hc was that in the show at one point it's Kuki and Wally at 10, Nigel at 11, then Hoagie and Abby at 12, with Kuki being the youngest and Abby the oldest. During and after this transition phase they are sent out on recruitment missions which is where the crossover stuff comes in.

Hoagie is sent to see if either Dexter or Mandark is available. Mandark is a dick but Dexter get points knocked down for getting funding from the adult-run NASA. It turns into another ego battle between Dexter and Mandark while Hoagie has to deal with the two rich kids. Dee Dee is there to fuck with all 3 of them and is the one that gets recruited. Hoagie probably also treats this like a sports movie or smth.

The Time Squad sometime in the future are homeschooling Otto, they try to get him socializing with kids his age during missions but think that he should be spending time with kids from his century. Otto has been researching not just history but what happens after his time as well. He wants to meet heroes when they were his age.

I have A LOT of ideas for the Eds but most of it isn't crossover material. But I like the idea of them just accidentally walking into other shows, Courage or Foster's in particular.

The world in this AU is basically only limited by shows with hugely conflicting lore. That's vague but that mostly means like, the Land of Ooo conflicts with most shows. So to justify AT it's like. An alternate Earth and somehow Finn finds his way to this one and loses his shit over other humans. While he's glad to find kids like him Jake worries that Finn may prefer this world to Ooo and that he may leave. Jake is all ready to come to terms with this and Finn is like dude what we have only been here for 5 hours.

Billy and Mandy are mostly antags like in the KND crossover. I have a super vague idea for Billy somehow giving up Grim to other kids and they keep trading him for like a corn chip, and while other toon guys go on adventures with the reaper, Mandy drags Billy with her to get Grim back. At some point Numbuh 1 meets the Regular Show crew I forgot to draw and his world view is shattered. Gumball and Darwin are there. Etc.

I'd probably prioritize the first PPG and Ben 10 story as the clearest I got rn. But otherwise I'd love to see other people's crossover stuff and just old CN or cartoons in general.

[ghastlyfilters]

Hi! Would you like to maybe write for billy loomis with a GN embittered reader? Like that's just their personality (and also they're tired of everyone telling them they're bitter lol yeah that's me)

𝐛𝐢𝐥𝐥𝐲 𝐥𝐨𝐨𝐦𝐢𝐬 𝐱 𝐠𝐧!𝐞𝐦𝐛𝐢𝐭𝐭𝐞𝐫𝐞𝐝 𝐫𝐞𝐚𝐝𝐞𝐫 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬

pairing: billy loomis x gn!reader

warning(s): embittered/easily irritated reader. apart from that, none, just drunk stu occasionally bashing you and not understanding why you are the way you are

• Both yourself and Billy have gotten along for years. Why, you may ask? Well, it’s because the two of you are almost the exact same fucking person.

• Billy had always been a happy kid, but that was until the unfortunate abandonment he was forced to face after his mother hit breaking point with his father, Hank Loomis. No thanks to Maureen Prescott..

• You on the other hand had always been treated unfairly. Resulting in your never changing personality.

• You are much softer on Billy than you would be with anyone else, he appreciates it but he would understand if you were really struggling on how to act 100% most days.

• When it comes to the people Billy truly loves in a way no one else would understand, he knows better than to question their pain.

• The only little shit that has a problem with your mood is Stu. Mostly when he begs you and Billy to come watch a horror movie with him at his place on Friday night. You both agree and head over (even though you’re internally screaming that you’d wished you stayed home)

• Throughout the movie, Stu heads to the kitchen to get yet another bowl of popcorn, leaving you and Billy to talk quietly in the living room. You feel more calm, though nothing changes the irritated feeling of having to sit in Stu Macher’s house watching Halloween for the millionth time. God, you swore that guy had a hard on for Jamie Lee Curtis every single day of the fucking week.

Billy had already warned Stu not to tease you about how you may be such a ‘grouch’ as the other tall male constantly nicknames you.

He returns to see you staring at him but darting your eyes elsewhere when he caught you looking, that old frown of yours never leaving your face.

“Christ, Y/n.. crack a smile, huh?” Stu mocked whilst giggling. He’d had a couple of drinks, leading to him now bluntly stating his opinion. More like always..

Billy glared up at the older boy through his chocolatey brown eyes, knowing that his stare intimidated Stu, even creeped him out a little.

Stu huffed. “Okay, okay, i’m sorry. I guess I just ain’t that used to being in the company of grumpy the fucking care bear.”

“Get bent, Macher.”

• Billy always defends you and whatever mood you might be in. Even if it’s a reoccurring bad day for you, Billy will be there for extra support and comfort.

You are his. He chose you for a reason. It doesn’t matter if you are similar to him or the exact opposite, that man is not backing out of this relationship. Both yourself and Billy have a strong bond that no one else can break. And is that destined to change? Fuck no.

[lukecastellanshandholder]

Ok, I’ve been seeing a lot of opinions on the last episode and especially about the betrayal scene, so I just wanna share how I interpreted it. (And this is not me trying to be disrespectful of people’s opinions at all, I’m just sharing how I feel about the whole scene).

⚠️Obviously spoiler warning for episode 8⚠️

I really think that the changes made to this scene alone were perfect and actually builds upon what will happen in the books. Luke not immediately wanting to kill Percy makes much more sense considering that first and foremost, the entire base of Luke’s reason for wanting to dismantle Olympus, and take the gods out of power, is because he is tired of seeing demigods being treated poorly by their parents. He’s tired of seeing demigods dying left and right just because their parents are too selfish to think about anything other than what they want. He’s tired of the gods (to use the words of Medusa in ep.3) being bullies who believe that they can do no wrong, and who will punish even their own children when they feel threatened or they feel like their pride has been wounded.

Remember Hal? In The Diary of Luke? The first demigod that Luke had to see die because of the way his father punished him unfairly, simply for using his powers to save a friend? The first demigod of whom soon would be many that Luke is unable to save?

If Luke’s whole original meaning behind wanting to bring down the gods was to save demigods like himself, Hal and Thalia; then why would he automatically be trying to kill Percy? It makes much more sense that he originally just wanted to recruit Percy to his side! Besides, why kill Percy when he could potentially have the most powerful demigod alive (that anyone knows of) on his side? He would be absolutely stupid to not take that opportunity and Luke isn’t stupid, he’s actually pretty smart.

So yeah, I’m pretty ok with them leaving out the whole scorpion thing (no matter how much I liked it for joke purposes).

Then we have the fact that this Percy who obviously thinks and feels the same as Luke, still didn’t join Luke in the end.

Yes, Percy feels the same way about the gods. He still doesn’t care for them even after what Poseidon did. However, the main reason that Percy in the show doesn’t join Luke, even when he’s not actively trying to kill him, is because of his up bringing. Because of Sally. They make it a big point in episode 5 and 7 to point out that Sally had been keeping Percy from the world of the gods because she didn’t want them to make him into someone he’s not. She didn’t want to expose him to that world without him first knowing who he truly is and showing him unconditional love. How a family is really supposed to treat each other.

Then, we have Luke. Luke didn’t have any of that. He was only 9 months old before being thrust into the mythical world. All his life he had been exposed to the world of the gods. He never had a mother who was all the way there to show him how family is supposed to behave. He didn’t have any sort of strong pillar there for him. He didn’t have any chance to just take the time to find who he truly was without any influence from the gods. So, Luke fell into the trap of repeating history again.

Percy is able to see this. He’s able to see what Luke is talking about and he’s able to sympathize with him.

But, there is one main difference between them both. Luke knows exactly how the gods are. Having been exposed to their world for so long, he knows how things truly go and the lengths that they would have to go to for any real change to be made. Percy on the other hand, may have been taught a lot by Sally, but he is still naïve when it comes to the gods and how they really work.

Percy still thinks that change can be made without going to such lengths. He still has hope. He’s stubborn and willful to a fault. But most importantly, he’s still a young kid who has just began his journey and who unfortunately hasn’t even seen or felt a fraction of the horrors that this new world has to offer. He still feels like he can be this hero who saves everyone and make everything ok. He still thinks that he can save Luke.

However, as the prophecy says, "you will fail to save what matters most in the end". And if that thing that "matters most" is Luke, then he is technically the first person that Percy can not save. It is the start of Percy’s journey as a hero.

So, yes. Percy still deciding not to join Luke makes sense. Besides, Percy now has Sally back and he has his friends. He still has so much to lose and he knows that he would lose them if he joined Luke. With Percy’s fatal flaw being loyalty, even if it meant that the world would be 100 times better, he would still choose the people he cares about over anything. This is something that we see become more apparent about Percy as the series goes on so it’s cool to see that already being a factor more early on in the story.

And lastly, we have the inclusion of Annabeth being there to hear everything.

I personally don’t know why people are saying that it throws off how she’s supposed to feel about Luke as we go further into the story?

I mean, in the book Annabeth hears about what happened from Percy. When she first hears about it she’s in shock obviously, but when she takes a minute to think about it and get over that initial shock, she still believes Percy. After their first quest, Annabeth has grown to trust Percy so there’s no reason why she would doubt what he says. Yet, throughout the series she still knows deep down that there is a legitimate reason why Luke is doing what he’s doing. She also knows that most of this is caused by Kronos and that Luke is just being used as a puppet.

So, just because she heard everything that was said, doesn’t mean that she can’t still have the same kind of feelings. It doesn’t mean that she can’t feel sympathy for the person who she looked at as a big brother. It doesn’t mean that she can’t understand Luke and what he’s doing. I’d even argue that her hearing what he said would cause her to understand even more. And since they removed the whole thing about Annabeth having a crush on Luke, I feel like her being able to understand what’s truly going on is even more important since we won’t have her blindly following him because of her crush on him.

So my overall verdict? I personally feel that every change made in this specific scene actually makes more sense and flows into what will happen throughout the rest of the story even more.

[hello-nichya-here]

How do you feel about Monica and Richard's relationship? Do you think he was her soulmate instead of Chandler?

I think they were a pretty great, adorable couple (Richard trying to find a neurosis of his own to make Monica feel better about her OCD lives rent-free in my head), had a lot of things in common, did their best to work through their relationship issues and the actors had fantastic chemistry. Richard was THE perfect guy for Monica in my eyes... until I saw her fall in love with, date, and marry Chandler, her actual soulmate.

Now, I know a lot of people are creeped out not just by their 21 year age gap, and, more importantly, by the fact that Richard knew her since she was a child because was best friend's with her father (they even say they're like brothers, and at least here in Brazil she'd have absolutely grown up calling him UNCLE Richard).

However:

1 - They're not real, so who cares?

2 - I'm a degenerate and I'm into it.

3 - They did spend years without having any contact (to the point that he doesn't even recognize her at first) and it's very clear that Richard only ever started feeling attracted to her when she was an adult - and not in a "He was waiting to get on her pants the very second she turned 18" kind of way, but rather as "She's literally 27-years-old, she's been a fully grown, adult woman for a LONG time."

And even though Friends, like any sitcom, is known for having the characters in very unrealistic situations for the sake comedy, drama or both (and that's a feature, not a bug) the way Richard and Monica's age difference was handled was pretty realistic.

Monica clearly likes that Richard is this suave, cool older man - but unlike with the rich guy she dates after him, it's obvious that she actually does like him for who he is beyond the superficial stuff, and isn't just giving this relationship a shot because she wants to get married and have kids, and needs a guy to achieve that. I felt soooooo sad for Richard when he was feeling like "one of the guys" then Joey and Chandler let slip that they like hanging out with him because their DADS were not as cool, and Monica was super sweet to him after.

The entire episode of her parents finding out about them on her dad's birthday was freaking amazing, mainly because the writers took full advantage of literally every opportunity for a good joke. Monica is asked if she'll tell them that night, and replies with "Yeah, for my father's birthday I decided to give him a stroke." Their mother asks if they thanked Richard for the ride, innocently just acting like a mom making sure her kids are being polite to their father's friend, and Ross just says "I'm sure Monica thanked him for the both of us." And, of course, everyone awkwardly singing happy birthday right after they had a falling out.

And that episode was also an exemple of Friends, a show that both fairly and unfairly described as very sexist, actually being pretty ahead of it's time when it comes to pointing out the full on misogyny that people often give themselves permission to engage on the very second a girl dates someone much older.

All of the guys are talking about Richard banging a younger woman (that they don't know is Monica) in a really gross way, with her own father even comparing it to the time he bought a cool, expensive car to deal with his mid-life crisis, and, much to both Richard and Ross's horror, suggesting they trade for a day. Sure, it's painting Richard as at least a bit of a loser for dating a younger woman after a long marriage that ended in divorce, but they're still expecting him to brag about it, seeing it as something cool and worth envying him for, and quite literally treating the "mystery younger woman" as an object instead of a person that genuinely cares about him, and that he cares for as well.

The women at the party aren't any better either, making wild assumptions about how Monica is probably just a stupid slut with nothing to offer, and that maybe she's even ugly and the only reason Richard is into her is because she is "Just young enough that everything is still pointing up." They literally know nothing about her beyond "She's younger than him, met him after he got divorced and started dating him" and are all still acting in such a spiteful way that, hearing one of them talk without any context, people could easily assume something like "Oh, she was with Richard first, and this story about him meeting this younger girl after the divorce is bullshit. He met while he was still married, had an affair, filled for divorce, and now the ex-wife hates this girl"

Even Monica's own mother gets all condescending the second she hears her daughter say the word RELATIONSHIP. It all makes for great television because it's a conflict that is not at all forced, makes you really root for the characters' romance to last, and, again, the writers took ALL the opportunities to make jokes about it.

But more importantly, when it was time to make their age gap be the real why they broke up, they didn't do it by turning Monica into an immature moron that was not good enough for him, or retconning Richard's characterization to make him all condescending, arrogant and assuming he knows better just because he's older - or worse, adding a cheap twist that he actually IS a creep that only liked her because she was an adventure/trophy, would cruelly toss her aside the second he got bored, and that he had secretly been screwing younger girls all the time behind his ex-wife's back. NOPE! None of that.

Instead the writers did the smart thing and acknowledged that both Monica and Richard wanted to get married and have kids... but Richard already did it. He got married, had kids, had grandkids, and then got divorced. If he marries Monica now, even if she turns out to be the love of his life and his absolute soulmate he is simply not gonna do all of that again just for her sake, nor should he, because he is in a different state of life and just wants someone to grow old with. It would not be fair of Monica if she tried to force him to have kids again - and it would not be fair of Richard if he expected her to just skip a whole stage of life that she had been super excited for, all because HE already got to have it, enjoy it, and reach the stage where HE was done with it.

And sure, during the drama when Chandler is pretending he will never be interested in marriage and kids, just to surprise Monica with a proposal, they kind of retcon that a bit by having Richard say he regrets that decision and WANTS to have children with her, but I accept that writing choice because:

1 - Literally no one else could fit that role as Chandler's rivals for that storyline without it feeling completely, and it was one of highlights of the last seasons of Friends, aka part of why I'll defend said seasons forever despite the drop in quality.

2 - Richard doesn't seem to have had a truly serious relationship with anyone after Monica because he's clearly not over her, so the pain of seeing her happy with someone else could easily make him start seeing the absolutely correct, but still very difficult choice he made in the past look like THE biggest mistake of his life. When he hear of him later he is not becoming a dad again, so I'll just choose to headcanon that once he found the right person he realized he dodged a bullet when Monica chose Chandler.

3 - Monica did, in fact, choose Chandler. Over Richard. The guy he had been all insecure about, for good reason because Monica would have clearly married him if it wasn't for the not having kids thing, and they had lingering feelings for each other for a looooong time. Her being given the perfect chance to go back to him, and not doing so, is the best way to show to the audience that no, she's not just settling for Chandler because she couldn't have Richard.

4 - Chandler and Richard's talk in which Richard agrees that he already had his chance and that he needs to step aside now because what he is doing isn't fair, Chandler calls him a good guy, and Richard then brags about AND says he hates that is adorable and very funny.

So there you have it. Richard is not Monica's soulmate, but in an AU in which she never met Chandler, or in which they remained purely platonic forever, Richard would be the ONLY acceptable endgame for her because That. Storyline. Was. So. Fucking. Good.

[rabbittwinrithings]

I’m finally making it, My Beyond Reach Review

Disclaimer: While I didn’t have the best time with this mod, that doesn’t mean you may not. I never want my opinion to sour someone else’s, and have the risk of them not playing the mod. So I highly recommend you check it out. 

I’m putting this disclaimer as well since my playthrough of the mod is a bit unfair. I played it with godmode (since I suck at game combat,) and after a while started to clip through dungeons to get them over with. This started to happen around halfway through as I found myself more frustrated with the mod and kinda wanted it done. I also played through only mostly the main quest. However, a friend of mine did tell me about one sidequest I do have a problem with. So keep this in mind with my review that I may be treating it a little unfairly. 

There’s also the point that mods are hard to make, let alone one of this scale. The mod author did an amazing job at creating this mod and I never want to invalidate that. With all that said, let’s get going. 

CW: Sexual Assault, Child Abuse, Ped*****, Cannibalism, and Harm Towards Women.

And Obviously Spoilers!

First off, I’m not the best at writing reviews. It won’t be wonderfully crafted or anything, just mostly detailed bullet notes of what I liked and disliked. While there is more I disliked, I did find some positives and will be layouting things in a sandwich review (that’s the right word?) going from positive to negative. Here we go!

This is a review for the mod, Beyond Reach by razorkid. 

Good: Grimdark. I will always love me some Grimdark. Hell, my current playthrough of Skyrim is currently a grimdark playthrough all with dead trees, gallows, horror monsters, ect. And while I think some parts of Beyond Reach’s grimdark-ness falls flat, most of it holds up and creates an eerie atmosphere. There were bodies hanging, creepy monsters, creepy dungeons, and a lot of stuff that fit the tone of the mod. However... some of it did not... 

Bad: A lot felt like shock value. In grimdark there’s always a tendency to add a lot of stuff for shock value, and sadly, BR had an abundance of it. I knew the mod got dark, but still I decided to play the uncensored version as I did want to get all the content. However, some it felt just... unneeded. At one point the player is tasked to go raid an Orc stronghold where there are legionnaire prisoners. However, you end up finding two of them, both women, one alive, one dead. The player can piece together what happened from that alone, and yet the mod goes as far as to have the alive prisoner wail at one of the soilders about how she was raped and would have an Orc child. The only purpose of this scene felt like to show how horrible these Orcs were. But why not just do that with dead prisoners (doesn’t need to be SA,) or why have her go on a whole speech about it.     After playing through this part I really was trying to rack my head around how it could have been done better. And honestly, after a day, I was reminded of Red Dead Redemption 2, and the scene were Arthur finds a woman who was also SAed. The only difference is that the scene added more than just “wow, those guys we killed were pretty bad,” instead, it added to Arthur's character. He helps the woman home. When she’s about to explain what they did he simply said “I know.” Subtly in situations like this tend to be the most powerful. As people our brains peice together what we want to see and having the woman simply say “They...” and the solider reply with “I know,” would have made the scene much more powerful. (She’s also naked during the whole ordeal, let me give the woman a blanket, something!)    There’s other darker themes that I felt like were shock value (mainly the ending place with some children, however, talking about will just make me sick. So I think I’ll just move on. Basically, some stuff happens to kids and again I feel like it’s only there to prove how bad someone is and doesn’t give much of anything else. I feel like something horrible and big like that need to have numerous reasons to be there than a singular “look how terrible this dude is!”)

Good: Cool enemies. I don’t really feel like there’s much to say on this part. I just thought some enemies were really cool. I think the ones that stuck out to me are part of Vicn’s Creature Pack, but could be wrong. Mostly it was the bloody skeleton monsters. Very cool to see. 

Bad: Not much role playing. Honestly, this part kinda made me the saddest as after one sidequest (which may have been my favorite part of the mod,) I had become an enemy of the state. It felt super in character as I was playing Alllin and despite being a serious guy, is also a little chaos gremlin who will flip off authority. But despite all that, I still ended up becoming a knight of the very state I was an enemy of and was forced to pick dialogue options that bended my knee to the king and was very formal. I’m not saying multiple path options in the way of a knight or criminal are needed, I just wish there were more dialogue options. 

Good: Neat dungeon horror design. So this one is a bit here and there as the dungeons I went through had super neat astrosphere that did have the grimdark feel to them. One was an asylum dungeon which I found pretty neat. However, there was also a problem with length... 

Bad: Long Dungeons. While this whole review is subjective, this part may be the most as I hate dungeons. If they’re neat looking I don’t mind. But when they take around thirty minutes to complete and little progress has been made I get real tired of them. This is why I started clipping through dungeons to just get the thing I needed and get out. 

Good: Music is nice. (But as I type this I went to go find the composer. But I don’t see any credits to music, so a slight bummer. If you know who did the music, please let me know and I’ll edit this part with credits.)

Bad: A lot of dead women. And I get it, a lot of people in general die in this mod. And maybe I’m misremembering stuff, or looking to deep, but in the main questline there was one main female character. And she is killed. And then there are several spots that are just about women in harm. (Like the SA I mentioned before, a part where a little girl is killed by a griffin, an Orc woman being tortured, a brothel getting massacred.) And I just didn’t see so much focus on men. And that sounds weird. But when it leans to one side so much, it is just super noticeable. 

Good: Voice Acting is nice. I know there isn’t too much to say there. I just really liked it. There were some unvoiced lines, but I don’t have too much of a problem with that since they are still looking for voice actors for various roles. I think the only problem I have with the unvoiced lines is that there’s no white noise for the line so the dialogue would just blink in and out and I couldn’t read what was said. 

Bad: Very railroad path. You are forced to be a knight, and see red flags of the nobility and yet you can’t do anything. Most of the time when you question a noble why you should do something it’s “well I’ll just have you killed,” and sure, not dying is great, but then the next line I’ll talk as if my life wasn’t just threatened.     A friend of mine who tried to be a bit more through in the mod took a sidequest where it told you a noble (who turns out to be evil later on in the main quest,) is a cannibal. Can we confront the noble about it? No. Can we warn those who may be hurt by him in the future? No. Do we talk to him as if we don’t know that he eats people? Yep! It’s all just odd and I think again it just falls back to the lack of player choice. 

Good: So on my list I wrote “Liked sick town,” which makes no sense to those who haven’t played it. So to explain it better there was a Side quest I really liked. Not only did it give a ton of player choice, but it actually made me feel like a good person, and the people were nice to me!    During my playthrough I made a rule that if someone was mean to me, I wouldn’t help them outside of the main questline. Cause why would I help someone who is rude to me? (There’s also an issue that most of the place is filled with mean people, so it creates little to no agency to help High Rock.) But one event was with some guards at a city I had to get into. I had to help them with an issue of some sick people and one of their guards who went missing. Come to find out the guard got sick and was trying to find medicine for the town so that they could live about three more years in peace. And in the end I was given a choice to kill the town, or help it. Obviously I helped it and became an enemy of the state. But I loved it! While the sick people would threaten you if you got to close to them, the guard with them was understanding. And his compassion for these people really stood out to me. It’s a shame I later had to bend my knee to the very people that wanted to kill them... 

Bad: Lore Friendliness. This one is very short as I see lore in ES as free real estate. I don’t care what you add in your mod. That what makes it fun. However, I know this will be a turn off for some so I thought I would say it. I think the main factor is you talk to Mara on various occasions and I’ve been told that isn’t possible. 

Good: City Design. I just like the layouts and looks of the city. What else can I say? Districts were interesting. (I think I'm running out of typing juices...)

Bad: Too much going on at one. There’s an Orc extremist group, there’s reach men attacking, there’s Namira shit, there’s a plague, and there’s a civil war starting. That is a lot, and it’s just the main quest. I realize it’s good to have a lot going on in a location, but not all of it needs to be in the main quest. All this stuff makes it super confusing and hard to keep track of what is really going on. 

Bad: Buggy. I’m doing two bads in a row as I do want to leave the review off on a good note. There were quite a few buggy stuff. However, considering how I played through it I wouldn’t doubt if a lot was my fault. That being said, I know some who did play through it correctly did also suffer from bugs. That being said, I know the mod author is still working on the mod so bugs will most likely get fixed.

Good: Dialogue explanation. One thing I really found helpful was that in front of dialogue options were [lore], [quest]. These little tidbits made it super easy to tell what dialogue I was picking or which one I needed to pick. Very small detail, but works wonders. 

Oh me, oh my, that is long... Sorry about that. 

TLDR: The mod is successful in it’s eerie astrosphere, but is dragged down by heavy writing. lack of player choice, and shock value issues. 

Thanks for reading all this and want to say again I don’t want to sway anyone away from this mod. I think it’s always important to try out something for yourself. Though, if the Content Warnings from above upset you, I recommend playing through the censored version (it will ask you in the game.) I haven’t played through the censored version, but it says it get’s rid of those events. 

I may try and do more reviews in the future, but understand these reviews are never an attack on the modder as I get modding is extermley difficult. My reviews are here to be optional constructive critism, and if I’ve said anything wrong or you disagree with I’m more than happy to have a conversation in the comments.  (I also say optional as sometimes modders aren’t looking for critism and just want to mod/create and that is 100% valid.) 

Thanks for reading again, and hope y’all enjoyed! 

[absolutebitchgetter]

The problems of CS. Combined in one.

Since the CS ninjas are onto me, i shant give up. You will forever hear the tunes of the rumours of ABG'S unbanning.

Heres all the CS posts i can find:

All of this might share the same topic, and thats a feature of how Comic Studio doesnt - or probably will never - fix its problems. Insane. I know. However, why am i not giving up if we cant fix it?

To save people's sanity.

Im trying to get unbanned so i can prove i am trying to become a better person, and save people's mental health by pointing out thr flaws in:

-moderation

-people

-studios

-controversy

-kids

Its honestly pretty scary how kids are exposed to Jayst- i mean the toxicity of comic studio, and also how the experienced CS users are saying its worse than fucking Twitter.

Where can i begin with the fucking moderation? Where were they when i was getting banned? One is treated like an angel after the fucking outrageous calls he does. How long was i banned? 8 months? Yes. 8 Fucking Months. Above Half a year. One has literally made DOXXING JOKES TO ME and made me fear for my life. One in the cs discord takes someone elses side when i ask for a spoiler for Binding of Isaac (a pretty scary game). One is just fucking horrible at moderation. And one is probably biased after i did a few too many pings in a server. A server i owned btw, no one stopped me. You know who you are. :)

To name a few very shit studios,

-Probably fucking most of them

Probably 10% of the studios get used.

And a lot of them are just fucking shit.

We have a fucking NICK JR studio for like 2 YEAR OLDS.

When is there a fucking Despicable Me comic studio?

To name types of people:

Suspected pedophiles

probably pedophiles

pedophiles

nazis

racists

homophobes

transphobes

xenophobes

sexists

anti semetic

Jokes aside tho there are lot of people i named that are actually one of the things above. There are also lots of fucking toxic people.

To my next point

popular beats all apparently

If your popular, dont fear of being banned! You fucking wont be!

I can name, a shit ton of people that should be banned but wouldnt because they have a shit ton of followers and that would get a lot of people to quit the site.

-Puffyy (Should i say more?)

-Jaystar (☠️)

-Onion_Rabbit (Threw about users like hell, faked harassment, legit got people to witchhunt me (December 2022), was toxic to me before i got banned (unfairly) (July 2023)

-Deathzy (A fucking mpreg and sex comic untagged, did the same as Onion_Rabbit July 2023, has known cases of being cocky as fuck when they get their way)

-SarahKomik (Has threw about users under the bus pretending to victimise themselves over the slightest of out of context things. The current situation with Oka is one.)

-Zappy (The same as above.)

Theres a lot more! Holy fuck

This community has a complete fucking hivemind too.

When popular users say "this person has done something bad (slightly or horrible) target them guys" and when they say "dont harass this person pls" they're praying that the mods dont fucking mob them. Oh wait.

Its like a lot of people have pointed out popular beats all!

Also, this is how people say "fuck the rules" (e.g, Oka and me)

If you have any problems, comment it, You probably shouldnt have but if your a snowflake, combat me.

Oh yeah i also forgot Tammy got knocked about like the school thot at summer time with the football team. They need apologising yall. This is the reason why people quit, my point above. Tammy quitting is one of the worst things to happen to CS.

[mdhwrites]

Idk if you talked about this before but what's your thoughts on the Blight parents' relationship? Asking this mainly because I saw a long post saying all of Alador's actions were forced by Odalia (even the scene of telling Amity to drop Willow) and the only reason he neglected the kids was because he worked to protect them hence he wasn't abusive. Imo he and Odalia got along fine in their debut so when the "odalia abused alador" reveal dropped it was surprising for me. Since they were also hexside friends, I wonder if the show would've explored that aspect of their relationship before it went downhill (it would've been cool as Odalia as a character feels wasted)

I absolutely have talked about this before, in part because between S1 and 2, the Blight Family was actually one of the most interesting parts about the show for me. They were literally the first blog I wrote about TOH because I thought people treated them unfairly, especially Odalia, because High Society Characters are different from ones we normally sympathize with. If you want to see that version of the Blights, where they're both neglectful and making mistakes but also genuinely meaning well by their kids, I have a story called The Power of Love that explores a LOT of TOH's post S1 potential but especially Amity and her family alongside with making Boscha a real character. I've also just talked about them being shit in the past but I really want to focus on this in this blog: They're both terrible people. Everyone likes to focus on the fact that Odalia is a greedy capitalist but an honest story would recognize that Alador is a mad scientist. That Odalia would sell her children to get ahead while Alador would experiment on them if allowed or if he saw it as useful to his research. He makes robots though, so that's never in question. Amity ONLY gets Alador's attention... By besting his own creation. He watches that whole fight in Escaping Expulsion like he's studying it and liking the results. So yeah, he notices Amity is strong and is able to use that against Odalia to make her not be the dumbest form of villain, so they can claim to have some sort of principles... But how much do you really think that matters to him?

His statement when Luz tries to end the fight by saying the investors get it is that she has a point. Not that they are maybe going too far or that the abomiton's job of destruction is bad but just that the point has been made. Because that's what matters to him. After all, they specifically know that this creature is going to kill Luz. This isn't an interesting experiment for Alador. He doesn't care. He'd rather get this over with so he can go back to his lab.

Even Clouds on the Horizon actually reinforces this. Yes, he complains about not having a weekend off in five years... But that's FIVE. FUCKING. YEARS. There's a point where you know... Maybe he should have complained about this? Questioned anything. But that raises the question of: Before this... What the fuck else was he doing with his time? Both Escaping Expulsion and Reaching Out have him entirely in mad scientist mode where you might distract him for a moment but he will just keep working and ignore everything around him. That's part of WHY he likes Odalia. Odalia loves to talk. Loves to be social. Loves to remove the part he doesn't care about and easily gets distracted during. Even in Clouds on the Horizon, he doesn't explicitly state that his complaint is a lack of time with his kids. He's finally feeling it now because, if we're generous, Amity opened his eyes but... That implies he's a good person. That he just needed a reminder of who he was deep down, just like his daughter did (because Amity frankly has similar issues to this). But... if he were a good person, jokes like 'Immediate execution" would be done instead by having imply that the punishment is very light, revealing that his true nature, when he's not thinking, is kind. But it's not. It's more extreme than expulsion and goes all the way to murder. And why shouldn't it? He still had to have had this talk with Odalia. Agreed with the outcome. Learned the lines. If he was mad about it, he doesn't need to be at that meeting. He could be home working. This was instead important enough to him to get him out of the house. Same goes with dismissing Willow. He took time out of his day for that and didn't keep on script. Him cutting Amity off is not his job there unless he wants it to be. He defers power to Odalia though because she is better than him at this stuff. She is comfortable interacting with other people in ways he is not and their relationship is pretty much divided by those lines. It's very businesslike but neither person actually gives a fuck about people so why shouldn't it be more about collaborating strengths than it is anything emotional? And here's the thing: I'm just going by what the show shows us. Because if we claim Odalia made Alador do everything he does in the show... Who is Alador? We never get a real glimpse of that. If we even say the abomatons aren't something he wants, then he isn't an inventor. The best we have is he'd like to be a layabout and that doesn't technically include his kids. He could just be lazy then and do whatever he wants because that's what he already did... But at least he was making something.

The closest we have to anything else is Amity claiming that he used to spend time with his kids. We have literally no evidence of this, his personality doesn't support the claim, he didn't give a shit about Amity's well being until she challenged his creations as he was entirely on board with destroying social life, twice, so why should we think he was some paragon? Why should we believe Amity who doesn't even go on to ask about his fate once they're back in the Isles and she sees her siblings? Who seemed to care MUCH about her mother's opinion for Reaching Out rather than literally ever bringing up her dad?

It's revisionist in a way that tries to rewrite their dynamic into something more complex than it was. To try and make there be a point to Alador when him having control of the Abomatons doesn't even go anywhere because they still get shot down and still have to leave Alador behind to fight the damn things while they go rescue Luz. Cut out literally the entirety of Clouds on the Horizon and make it the Hexide kids rushing to the Day of Unity instead and you have a different force that can hold back the abomatons while Amity and co go off to help Luz. Worse yet, replace abomatons with "Elite EC Coven Scouts" and you effectively get the same result making Alador and Odalia even more pointless besides a very minor road bump on Amity's character arc all things said and done with how easy her rebellion against them is. They have no point in the story so people are going to scramble for some deeper meaning. Some reason they should exist by having them tackle something as provocative as domestic abuse or the like. But it doesn't. Instead, it's just inconsistent, wasteful writing that has no point to exist when the main character it should be affecting, Amity, is barely a part of any of it. She has some of the least screentime of any character in Escaping Expulsion. She isn't a part of her dad's transformation in Clouds except in an abstract way where Alador just wanting to spend more time video gaming would have been as meaningful with how shit their relationship is at the end of Reaching Out because they wouldn't even let us have a hug in that episode between the two because TOH refuses to just let a plotline end simply even when it involves extremely minor characters. And Reaching Out is the closest we come. An episode where Alador still rigs an entire abomaton to make sure Amity goes to the tryouts without knowing it's Odalia's dream not hers. And if Odalia really was the reason he did EVERYTHING... Shouldn't he know her better than that? Almost like maybe he sees the EC as a good future for Amity too because that's success and he clearly cares about success to some extent. Otherwise, he wouldn't have married a woman as greedy as Odalia. And even if in real life, I've watched a relationship turn toxic the minute they got married, nothing about either character, from their Hexide days, to a decade ago, to now, seems all that different from each other. They just now have kids they neglect or use as free labor. And yes, it's really that simple, no matter how much that fucking blows. And a final note actually: This is my interpretation. We get such little time with Alador and Odalia that statements like "This is why he likes her" are going to be somewhat subjective by how you interpret their relationship. If you think it's as shallow as Alador just found her hot and married her because of that and has been trapped for 16+ years... Well, A: why are you trying to paint him as sympathetic when you seem to not like him? but B: why hasn't her mistreatment been even longer? More over the top? We're just missing basic answers to these characters because they're so bog standard (even if Odalia feels like she comes from the 80s or 90s cartoons more than literally anything I grew up with) that I have to stretch and use literally every scrap of screentime we get with these characters because not only do they get so little of it, their family/kids reflect such little about themselves because none of the elements cohere into something whole. They're bad and really only stand out for that fact versus other one off villains because, well, they're related to Amity. But they're also dealt with just as easily as any villain of the week the show does so they have this weird contrast between Amity's importance and the importance the show actually gives them. Which again: Sucks.

[firstyok]

- Tonhon Chonlatee End Notes -

So, I've just finished Tonhon Chonlatee - yes, that notorious bl show that everyone is upset with. I'm not one of them, though. Like, yes every bl show, unless it's a classic one - have it's set of strong points and drawbacks, and so does this show. But honestly, I've immensely enjoyed watching this fabulous bl series. I was exposed to a lot of potential in this show. So, stay with me and hear me out on this!

Below, I've addressed a few of the strongest points of this show, along with the major flaws. But overall, it was a wonderfully enjoyable bl show for me, and I'd probably rewatch it's first episodes, once again.

STRONG POINTS

1. Chonlatee's Character

Ever since the first time I saw Chonlatee onscreen, I fell in love with this shy, kind-hearted, diplomatic, mature, and sassy boy. This young boy is the epitome of sweetness. Unlike most bl shows, where the bottom is often an innocent, reserved, naive, gullible boy who is constantly being taken advantage of, by others - Chonlatee is that sassy mature bottom, who knows how to stand his ground, be brave, and speak up for himself when he's treated unfairly.

Another thing I loved about Chonlatee - eventhough he seems soft, sweet and warm to everyone in his life, he is a strong person. He knows when to walk away from people, when to stop giving people another chance, or even knowing about which things to spill and which not. When he was badly treated by Amp, it didn't stop him from giving that woman a taste of her own medicine. He was firm enough to reject Tonhon when he found out about his kiss at the party, and carried that stubborness on until the last moment. He knows how to say NO, and that's the most attractive thing about him. Since, I often struggle saying no to people, this thing specifically made him so freaking cool to me. Overall, he is a gentle, warm, mature and lovely person, who also knows when to be sassy, savage and stand up for himself. I'm just sooo in lovee in with this boy.

2. Khaotungg's Acting

Yes, I had to write a separate point, exclusively for his acting in his show, because I was utterly impressed and stunned by his skills. Firstly, he was extremely adorable here with beautiful round black eyes, cute coconut hairstyle and he was so charming with a complete different aura, from the Eclipse. Since, my first exposure to Khaotungg's acting was in Eclipse, I'm only used to seeing his flirtatious gazes and seductive advances, but here! Omg, this man knows how to act in a completely different role of being a sweet, warm and adorable boy. From his minor, detailed eye movements to his soft, loving, low tone voice, everything in his acting was just beautiful and so damn enjoyable.

When you see an actor performing polar opposite roles flawlessly, that's when you realize how talented and versatile of an actor he is. After watching First's shows, I've finally watched another Khaotungg show - and trust me, Khaotungg's acting and screen presence gave me constant giddiness, smiles, and happiness. I couldn't stop smiling especially on the first episodes, because the setting was a lot lighter, humorous and fun, rather than the last episodes. I have been a huge fan of First ever since Not Me, but after I watched Tonhon Chonlatee, I've become another big fan of Khaotungg's acting too. I can't wait to see both of them in many more upcoming shows, whether as a couple or individually - I'd just be so happy to watch them work!

3. Best Supporting Cast

Now, believe me when I say - the Supporting Cast of this show couldn't get any better. It's absolutely the perfect supporting cast that the show would have needed. Where do I start? Firstly, the two amazing actors Mike and Toptap, portraying as Ni and Ai, were the best ever friend group the show could ever had. I was starstruck by their exceptional acting skills. Whether it'd be Chonlatee's iconic mom, Nam or his best friend Pang, the new rich kid, Na or even their new friend Miriam. They all are just absolute all-rounders at their respective roles. What is there that you won't enjoy about them? None.

It is safe to say that the entire Tonhon Chonlatee show was basically carried out by the Supporting Cast, whereas the main leads also did a wonderful job on portraying their roles. However, the Supporting actors wins on this, I'd say. These actors were the core essence of fun, entertainment and cheeky vibe of the show. They're hilarious, joyful and bring a sweet warmth to the show, they are also the best ever people one could ever find in their lives. Everyone is a loyal friend, they are helpful and has got one another's back. I think there's nothing more positive and beautiful than that.

4. A Simple, Humorous Show

To be precise, I'd describe this show as a simple, sweet, and humorous bl series. There are a few aspects of the show which aren't appealing, with complex ideologies and actions, however - this show still shines bright overweighting those flaws. The introduction of the first episode is hilarious, one of the best I've ever seen in a bl series. I was only half a minute into it, and I was giggling, smiling and laughing on my bed. Like seriously, the first few episodes were wholesome, adorable and endearing, despite a few disturbances, which could be ignored because of the stunning acting skills and vibe of the show.

The last episodes got a bit angsty, with a lot drama to overcome, but I cannot just forget all the warmth, happiness and joy this show gave me, when I was just starting out in the beginning. Many people have rated this series really low, because of how ending turned out. But for me, I believe it was a believable, sorta happy ending, which was needed for the peace of everyone. I was never a watcher who just rates stuff low because I didn't like the ending. I rate shows based on how much I enjoyed watching it. So here it goes, this show certainly over 8.7 for me, out of 10. I would highly recommend this bl to others who have backed out from watching it because of the scary reviews, but it is actually a lovely show.

WEAK POINTS

1. Tonhon's Character

Isn't it ironic how Chonlatee's character is in the Strong points list and I'm adding Tonhon's character here? Well, yes because he deserves it. Eventhough he is one of the main leads of the show, he is not a likeable character, due to several reasons. He is a tough, raunchy, macho dude ( atleast pretends to be ), who is too possessive over Chon, who is gaining lots of male attention in his University. He claims Chon as his brother but still obsesses over him like a psychotic jealous boyfriend. He doesn't like any male approaching Chon, atleast that's how he pretends, until someone sane put some wisdom into his brain that he actually likes Chon, more than like a brother.

Later on in this show, we realize Tonhon is always pressured by his family, especially his father to bring grandchildren to be an heir of his legacy -  which constantly puts Tonhon in an uncomfortable position. I also hated how Tonhon forced Chon to hook-up with women, eventhough he showed absolute disinterest towards it. Tonhon even kissed his ex-girlfriend Amp, while dating Chon, which was really infuriating for me. I hate seeing my baby boy Chon crying like that, I swear. Eventhough the kiss was planned and tricked, Tonhon did that to satisfy his ego and show others that he is not afraid of women, eventhough he loves Chon now. So, basically - there are plenty of factors why Tonhon's character was not a good one, instead it caused a lot of drama and pain, but we got to know his secret feelings at the end of the show, and everything was sorted out peacefully.

2. Annoying Villains

The worst part of the show is definitely the Villains, without a second doubt. In my eyes, the actual villains are Tonhon's ex-girlfriend Amp and her friend Neung. Technically, both of them are seniors at Chon's Department of Food Science, and that's why they get exceptional advantage for picking up on Chon in every way possible. Let's face it; they are the worst kind of people. Amp is a popular girl but with zero friends, funny huh? Her personality sucks, because she only focusses on how to create drama with Chon, how to give Tonhon a harder life, while damaging the peace of the show, so effortlessly. Neung is a side-kick of Amp, follows her plans basically, but worse because he tried to harm and force himself on Chon, after making him and his friends drink too much at the freshers party. But, it was Amp's plan though. I don't who is worse here.

But that's not all. When Tonhon actually starts dating Chon, she even dares to tell his family about Tonhon being gay, or tries to break their relationship apart by that kiss trick. She is rude, and disrespectful - she threw water at Chon, thinking as if she has the right of it, because she is his senior. I cannot even explain how much I hated Amp and Neung. I was glad that Neung stopped listening to Amp later on, because they both together are the worst duo ever. Amp's character is very under-developed and never evolved in the series. She constantly strategize new plans to tear apart Tonhon & Chonlatte. I'd have liked it if we could witness a little realization on her side, that what she did was wrong and felt guilty for that, but unfortunately we didn't get to see it. So, basically these two villains are pure evil, nasty and annoying, without any hint of humanity.

Tonhon Chonlatee is a quirky, charming thai bl series, showcasing the bloom of an exceptional love evolving from the unrequited phase. The show features strong loyal friendships, lessons on unconditional love despite any gender, and showcases messages on LGBTQ with a flawed yet beautiful storyline, and legendary acting skills from the actors. I wish this show was more popular, because it certainly deserves more recognition than it gets.

[raayllum]

there's such an unfortunate pattern of people pushing to age up characters of colour, black kids in particular for shipping and more mature purposes - there's alot of reasons behind why people do it subconsciously and I don't think you mean ill but as a Black tdp it's an uncomfortable across-fandom habit I thought tdp would escape, so far everyones been lovely so im hoping this is taken the right way, cause like I get it Tumblr is a lawless land for ships but that doesn't mean you can't be wary of anti Blackness accidentally worming it's way into how you treat young Black characters, you're usually pretty sound in how you treat Ez compared to some people here so I'm just asking you be wary of this as a Black tdp fan ✌🏾

Hey, thank you for bringing this in in good faith! I have definitely seen what you're talking about happen time and time again. Darker skinned characters of colour (and Black characters in particular) so often get like, pushed into mentorship/parental roles with very little else awarded to them (hi Allura from VLD, a fave who deserved better), sidelined with their plot lines (Finn from SW, Bow from She-Ra, Gus from TOH - all other faves who deserved better), or like... idk fans can definitely get weird about Black characters and have been weird about Ezran (and Harrow dear god) so I get (I hope) where you're coming from!

For me I stumbled into aged up Claudiez ship (when they're both in their 20s) as a crack ship, and then as something more genuine precisely, honestly, because of how it expands both of them, but mainly Ezran, as a character. Ezran I think because he's king and a child walks this line of overt maturation and subsequent infantilization (the fact he very much registers as Autistic to me, another Autistic, probably doesn't help with this facet of it either).

When I write canon compliant Ezran, I usually focus on the fact that however wise, he is still a child and deserves to be treated and respected as one (drabbles here: X, X, X) because the alternative that the fandom can lean towards sometimes is acting like Ezran can't have significant internal problems or messy emotions and subsequently not a fully developed interiority given to his brother (whose lighter skinned) or Rayla / the mage fam (who are white) under the guise of "well he's just too good and selfless".

The other side of it, though, is the infantilization of "well he's a bad king just because he's a kid" even though he's not a bad king, and as though youth means children's feelings/opinions can't or shouldn't be respected. Ezran is often the most level headed of the trio, he has a tried and true moral compass, and his gentleness/compassion are often times a conscious choice, not just naivety. I love Callum, but especially in arc 1 (during which my notions of Claudiez were born), he can have a tendency to unfairly infantilize his brother.

Thus I was drawn to aged up Claudiez because to me, it brought an interesting way to reconcile these two sides of Ezran (through fanon, of course - they're never gonna be 'endgame' and that's hardly the point).

On the one hand, you have the grown king - who's a man now, who's been on the throne for half his life, who needs something that's for him. Not for his kingdom, not for his council, not for his brother, but for himself. Ezran being with someone none of them would approve of - a disgraced former enemy turned die hard loyal high mage - was a way for him to righteously 'selfish' and prioritize something he wants, no matter what anyone else thinks. Claudia is goofy and can help him lighten up and sees the throne in the same way he does ("You're [being king] to help everyone" / "Maybe I can help the world better from a throne") as well as uniquely sharing in Ezran's burden of the younger sibling saddled with your father's mantle in ways your older brother just doesn't have to think and/or worry about. Claudia to me is someone who can honour his inner child and help him keep that kid part of himself - having an easier adulthood than they did childhood / adolescence.

Then on the other hand, you have how it curbs the infantilization. One of the reasons I was drawn to the ship was simply because I didn't think there was a world where Callum would take it well, and I've always liked the idea of Ezran asserting that he's king and doesn't need his brother's permission to do anything, especially if Callum's tendencies to sometimes infantilize Ezran continued in adulthood. He's capable, he does know what he's doing, and he's allowed to choose his own support system. I feel like sometimes fans can take any opportunity where there's a 'sheltered' Black character (whatever that means per context) as an excuse really infantilize them and need a white or lighter skinned character to Teach them about the world and - no thank you please. Ezran is everything that Claudia needs to learn (morality, animals, dark magic wise, etc), not the other way around.

Hopefully that gives a bit more clarity as to how the ship manifests (in my head at least) and why! If it's still uncomfortable (for a lot of people the age gap is the deal breaker, which is understandable) the ship is always tagged accordingly it can be easily filtered/blocked out; if you'd like to have more of a discussion, I'll happily listen to whatever else you have to say here in my inbox or my DMs (whatever's more comfortable for you), either about this topic or about any other. I'm glad to know I'm pretty sound and generally on the right track, but I know I can probably always be doing better! I appreciate you bringing your concern to me and please always feel free to do so - I do my best to keep my eyes peeled and any biases in check, but I'm bound to miss things from time to time.

[mzannthropy]

I never even thought of the point about Prim and Katniss's mother being left alone if she dies in her second games.>> Me too. I only realized it more recently when I rewatched the first and then the second film. I had only seen the first one once, so I decided to see what her situation was like, and she loved her sister and didn't get along with her mother. I also read that if Katiniss died, her family would have to leave the victors' village, and they would have to return the money. So which makes the whole saving Peeta thing pointless and a forced, cheap romance. At the beginning of Catching Fire, she doesn't give Peeta shit, so when the games are announced, her first thought is to save him and not her sister? And is she the one who inspires the rebellion? She doesn't do anything in the second film that shows she's a hero like she did in the first. All she does is treat Finnick badly even after he saved Peeta; not caring about Mags; and she still planned to run away with Peeta, while the others killed themselves. Detail, from the moment she asks Haymitch to save Peeta, it shows that not even she believed in his potential, which makes him weaker than he is. She can't even save him. If it wasn't for Finnick, he would have died at the beginning of the arena.

Nine years of pent up thoughts, feelings and frustrations about this series--and yet I suddenly struggle with what to say!

If any fans should stumble upon this post--please ignore, thanks.

Let me address your last point first: Finnick saves Peeta's life in the arena. Only for him to die himself. Peeta got to live and have kids with Katniss (that she never wanted), two whole people that would not exist had it not been for Finnick. I hope those brats at least learned his name. (In the book, nothing about any of the other characters is acknowledged, what the film did at the end, with Katniss looking at Annie's photo of her with her son, that doesn't happen in the book--clearly even the screenwriters realised some sort of conclusion was needed!). Look, I don't give a fuck about the k/p pairing, let them live their little life in their little meadow or wherever the fuck they are, I just hate how unfairly the series treats everyone else and how many people lost their lives bc of these two.

K/P are presented simultaneously as star-crossed lovers and fake dating to lovers, so both popular tropes and I wonder if that's why they are such a beloved pairing. Personally, I don't buy either. Like I said in your previous ask, the way they both get to win their first games is way too contrived for me. (Are you telling me that, in the previous 73 games, no other district tried to pull a similar "we are in love" stunt? The very fact that a boy and a girl are reaped from each district, pretty much begs for such a stunt, especially as they're teenagers. Or how about pretending to fall in love with someone from a different district, in the arena? That would make for a juicy viewing!)

Then, I don't understand why Katniss became the Mockingjay, other than that she was the main character and the author wanted it so. She doesn't care about the revolution. She's not some Alexei Navalny figure, gods rest his soul. She's a wind up toy that goes "Peeta Peeta Peeta waah waah waah". Am I supposed to be convinced that someone as powerful as President Snow is threatened by one teenage girl??? He could have her killed and make it look an accident or suicide without a blink of an eye. He could have Prim killed and make it look an accident without a blink of an eye. Jesus.

I don't think any particular character should have been the Mockingjay, btw. I think all of them should have been it. At least those that were at the forefront of the revolution. Go full I Am Spartacus, except literally, after all, this is clearly influenced by the gladiator games.

I wonder if fans of this series are all also k/p shippers, bc there isn't in reality anything else. But bc it deals with Serious Issues, it allows people to make deep posts on tumblr about how oppressive governments are wrong and war is bad. And still they get to have their OTP to write fluffy fanfics about.

I was looking through one-star reviews of Mockingjay on Goodreads again and found a recent one, which articulates the problems really well. Also there is a post I reblogged a while ago. I think the "terminal incuriosity of Katniss's POV" hits the nail on the head for me. Curiosity is a trait value highly, so her narration would never work for me.

I know Katniss has trauma. But the thing is, every-fucking-body in Panem has trauma, bc you can't live under an oppressive regime and not have trauma.

Mockingjay is the most disappointing book I've ever read.

[finleycannotdraw]

Oh I have read your opinion on Dettlaff and I agree. But I disagree on Syanna. Dettlaff is very unfairly treated by the creators. Game almost force us to kill him. Both main paths lead to killing vampire. Sparing him by not taking some ribbon is hard to achieve. Who knew how this ribbon works.Just look at the titles of endings. 'good' is when both sisters survives 'neutral' is when only one of the them dies, and 'bad' is with both sisters dead. What about Dettlaff. Creators treated him like connon fodder completely disregarding his character. Syanna is the real beast in this story. Only person out of mind would use a higher vampire who is like god compared to people. Syanna knew exactly how dangerous Dettlaff is and what he is capable of doing but she decided to use him anyway. This makes her even more idiot. Not to mention she is the reason Roderik of Dun tynn killed his own brother. she was responsible for bloodshed in Dun tynne.You cant blame gunpowder for exploding if you are the one playing with matches. But no she is poor and hurt because they threw her out from palace, its normal that in this situation you set beast on people. I let her die and felt no mercy. And I could never understand why according to Cdpr she is the one who should survive in this dlc. Moral of this story? You can commit the worst crime but if you have contacts you can get away with it. It's shame that Cdpr promotes such thing

Okay, I totally and completely respect your stance, and I agree with you on most points! Thank you for sharing. I appreciate you.

Dettlaff deserved better, there’s no two ways about it. He’s villainized for being blackmailed and manipulated, which I hate. Should he have killed people? No. There are a lot of factors that make this complicated, but the answer is no. But does he deserve to be killed? ALSO NO. I adore Dettlaff. The reason I started to like him was because Regis is so adamant that he’s a good person, and after reading the books and playing b&w I don’t trust anyone more than Regis. I feel like a lot of people are wary about Dettlaff because of how reckless/emotional he is, and because his main story dynamic is with Syanna, who is an abuse survivor and a young woman. His feelings were justified but his actions were inexcusable.

On the topic of Syanna now. I understand your reasoning for hating her and wishing her dead, but I just can’t agree that the ideal ending is for her to die. Was there an excuse or even a good reason for what she did? No. She crossed so many lines you could call her hatching practice. But. Does she deserve to be killed? I don’t think so either! In my opinion (this is just my opinion; you are not obligated to agree with me), she deserves consequences for her actions, but she also deserves to learn how her actions affected people, and she deserves closure, and being killed by Dettlaff is not a good or satisfying ending for her character. She wasn’t just thrown out of the palace, she was mistreated for her whole childhood and blamed for all of her family’s problems! That’s a lot of weight on a kid. She is acting out of a trauma response and likely has no grasp on what healthy coping looks like. Some of my friends have more sympathy for her because she’s a woman in a misogynistic, witch-hunting society, which I do understand, but it’s not enough for me to forgive her. Her feelings were justified but her actions were inexcusable.

Do you see the dilemma here?

I don’t think either of them deserve death. Dettlaff deserves to heal and remove himself from the horrible situation, and Syanna deserves the chance to be held accountable for what she’s done. Anna Henrietta is valid in her desire to see her sister heal as well, especially because she was one of the perpetrators of Syanna’s horrible upbringing. We also get to interact with Dettlaff and Syanna more personably than we do with Eredin or even Gaunter O’Dimm and Olgierd von Everec! Dettlaff comes to talk to Geralt and apologizes to him, as directly as he can in the present company, and we spend time with Syanna in the Land of a Thousand Fables. They’re both very flawed, human characters, and we get to see multiple sides of them, which is one of the things I love about their storyline.

But again. They’re coming from entirely different places here. Syanna was abused as a child and decided to get a higher vampire to fall in love with her, then staged her own kidnapping to manipulate him into killing people who’d wronged her in the past, even though they weren’t her original abusers and we know Dettlaff wouldn’t kill anyone if he had a choice in the matter. Dettlaff? Well, he killed five men. And then he apologized for it, and said that he was just doing what he was told in order to ensure his lover’s safety. Dettlaff did way less direct harm than Syanna, and was much quicker to take responsibility for it. As far as I remember, Syanna hasn’t apologized for anything she did. So basically, I don’t think she deserves to die, but you’re totally valid in thinking that she does.

However, I will say without a doubt that the ending I will ALWAYS go for is the one where Syanna dies and you let Dettlaff go. It’s the best one in my opinion, but I still don’t like it. Someone else has said before that the point is that none of the endings were actually “good,” but this felt different to me. I wouldn’t say that CDPR is promoting that message, but I do wish that you as the player had more agency in what happens, and I wish there was an ending that actually felt good to get.

Thank you for giving me the opportunity to talk about this! It’s one of the things I’m very passionate about in this game, and the reason I’ve started to write a fix-it fic.

If anyone disagrees with what I’ve said, feel free to say so! Just remember to be respectful. :)

Thank you for coming to my TedTalk.