a development team that looks like this could not possibly have any preconceived biases against Black people. noooo way. its just a mistake that all of the Black people in fo4 are slaves or named after fascist colonizers or murdered or stereotypical conspiracy freaks. there is no way that the reality of this team is reflected in the art they create over and over and over and over and over and over and
[ID 1: A photo of the Fallout 4 development team taken from above and forward, showing a large crowd smiling at the camera, made up apparently entirely by white people, and almost entirely by white men. End ID.]
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I think what really bothers me about fanon!Astarion isn't just the woobification. That happens to every problematic white boy. It's annoying, but not news. It's that almost every trait that the fandom assigns him is something that is already explored through a different character in this very game
You want a character that's too focused on the task at hand to want to stop and help innocents? That's Lae'zel! Astarion is cool with dicking around, but Lae'zel spends most act 1 actively in a panic about the tadpole and pushes you to just find a cure already
You want a trauma survivor that is mostly self-serving but can't help but care about people in a similar situation? Well, Astarion disaproves of you helping slaves, but Shadowheart really wants you to look out for kids! Even when she gets tortured for it!
You want someone who is prone to sympathizing with the monstrous? Despite being a monster hunter, it's Wyll that has that covered! Astarion doesn't even like you sympathizing with a recently orphaned goblin kid
You want a proper courtship with a prince charming? That's literally Wyll's romance!
You want a character that tries very hard to be bad, but deep down enjoys doing the right thing, and starts to accept that over the course of the game? Shadowheart again! A massive part of her story is just that
You want the angst of a character still having been a minor when entering their abusive situation? That's the case for literally everybody except for him and maybe Karlach! He was an adult with a job
None of this is meant to be an attack on Astarion as a character, but pushing all those traits on him does the game a massive disservice. All these character's storylines exist in conversation with each other, they all benefit from the existence of the others. To instead pretend all those things apply to one character, is just
Well, it's incredibly boring
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The Curator. Her name is Gloria Beatrix. [Achromatic Loop AU]
She can summon close-ranged weapons [preferably daggers] using her blood as an offering to the tattoo of three crows on her skin. The Crows will give her a fraction of its power in return.
The tattoo can move anywhere on her body but is usually seen on her neck or chest.
She doesn't physically show up in the story until way later in the timeline.
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“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”
Katsuki Bakugou, my friends.
His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.
I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.
Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all
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What kind of clothes would Vasco wear after Machete's death? He tends to wear bright and warm colors, and I was wondering if he would start wearing dark and cool colors to reflect his inner state
I also had thought that he might start to veer towards more somber shades. In reality, late 16th century fashion was dominated by dark colors, if you look at portraits from late renaissance/early baroque eras you quickly notice that pitch black was the most fashionable color (compare that to early and high renaissance fashion from 1400 to 1550 which was visibly more vibrant and colorful). I might be bending the timeline a little bit by having him dress in vivid blues with gold accents, but it's his signature style and I think it mirrors his luminous, free-spirited and approachable personality well. After Machete's death he might've experienced a period where jewel tones had lost their luster to him.
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