#they use genre structures to great critical effect!!!!

[halfdeadfriedrice]

I want to say that like 90% of my weekend leisure attention is focused on Homestuck but the other 10% is contemplating learning how to make gifsets so that I can tell people about Kevin Can Fuck Himself more effectively

[avelera]

One time my writing workshop that I recommend to everyone (they have online courses and a free podcast!) had sci-fi author David Brin as a guest lecturer and he gave some advice to new writers that has been living in my head rent-free ever since.

He said, first time writers should consider having their first novel be a murder mystery.

The reason being as follows:

Mysteries require a great deal of structure to work properly.

They also teach one a great deal about how to build a plot, especially around characters who want something (like: to solve the mystery or to not get caught)

How to have conflict and tension that grows out of each scene,

How we're introduced to characters, and finally,

How everything must build to a satisfying conclusion in which attentive readers are just a little bit ahead and casual readers discover the solution and see all the clues laid out in a satisfying manner in retrospect.

And it's a great genre for bringing in a friend to see whether or not you achieved the goal of laying out the clues properly, because it is in fact impossible to do on your own (this is true of most things in writing, but it's a bit more subtle when trying to tell if other stuff like romance has landed properly).

Putting a cut here to go over some popular examples and how writers can learn from them to improve their stories.

And the more I thought about this advice, the more I realized just how many of the most popular genre works of recent years had a mystery (whether or not it's a murder they're solving) as the way to drag the audience into the story, at least at the beginning, even if the plot then evolves into something else midway, because mystery is also an excellent way to dump exposition because it's all about finding out the truth.

The Winter Soldier film, in addition to being a Bourne-style action thriller set in the Marvel universe, has a strong plot through-line of "Who "killed" Nick Fury? Who is the Winter Soldier?" which gets us through a good chunk of the film that would otherwise be a slog of exposition and it works so well.

The first three Harry Potter books are actually very well structured mysteries. I've argued for ages that Book 4 onward is where Rowling lost the mystery plot structure to the series' detriment, the plots ballooned, and the whole thing got quite sloppy (this in addition to her reprehensible views, to be clear, I've been a critic of her structure in stories for quite some time short version: she's very bad at it when not grafting onto a school year).

The first Game of Thrones book and S1 revolved around Ned Stark as our primary protagonist seeking out the answer to the mystery of Who Killed The Hand of the King and Why - revealing the deeper mystery of Joffrey's lineage and setting up the events that eventually led to his execution. AND, by the way, that's PART of why Ned's execution was so shocking and effective: GRRM borrowed from the murder mystery genre to build a portion of his plot around, and then disrupted it by killing the investigator which as the POV character generally speaking very rarely happens in mysteries, which made it an even bigger and more effective shock for readers when Ned, who seemed to have plot armor on many levels, dies thus reinforcing the theme of "You win or you die" and the brutal chaos of the GoT world.

What I think makes all 3 of these very popular examples so effective is the blend of genre. Murder mysteries are tantalizing but they do sometimes fail to answer the "So what?" of one person dying in a small town. But combine the murder mystery structure, which demands so much of its writer and is so effective at dragging the reader along through the hardest part of introducing them to your world, with a genre that is better at answering the "So what?" like epic fantasy or action thriller, and now you've got a very effective combination for entertaining an audience.

[actualbird]

Hi zak! I've been a longtime reader of your original works. Do you have any tips on what pieces to put in your writing folio?

hi anon !!! im very sorry it took me forever to get back to this ask, and doubly sorry if you are no longer in need of tips OTL. still, thank u for reading my original works, thats a pleasant surprise to know!! i havent posted my original writing website here in......a long while, since im the (very slow) process revamping the site HAHA,

but yeah, tips on what put in a writing portfolio!! if ever you still need em or if ever anybody out there can make use of this. all of these based completely on my personal experience of applying to writing workshops and writing jobs, so feel free to take what you think applies to you/would help you, and leave the rest behind

-

1 ) in general, put your Best Works. but take into consideration that You are usually your own worst critic, so you definitely could benefit from a second opinion (or many)

so, obviously, you wanna be putting in your best stuff. and thats still the general method that i'd choose, but with the added reminder that a lot of the time, writers can be blind to certain works that they themselves made that other people really liked or found immensely compelling.

this for lots of reasons: writerly self-esteem problems, that odd experience of mostly remembering the arduous Process of writing the thing and less the actual finished product, general blindness to stuff in your own work since you Wrote That (and probably revised it 76439754985 times) so it's just hard now for you to realize the level of skill thats apparent to many others

the opposite effect is also very possible, where you can be Incredibly attached to a work (maybe for sentimental reasons, maybe because the you learned a lot along the way, etc) but other people kinda found the whole work meh.

bottom line: by this point, you know youve got skill in writing. but the skill OF seeing and evaluating your own skill is a whole different animal

reach out to your friends, writing peers, or reading peers and ask them what they think some of your best works are. personally, i think it's good both to ask people who are Also in the practice/study/career of writing, and people who arent, simply because a more diverse set of information is always better than a lesser diverse one. if you want, you can ask follow up questions like "why?", or you can just stick to getting a general pulse check of what is resonating to the people who read your work. because [tv commercial voice] The Answer May Surprise You!

and once you know what resonates with others, you can start chopping down the list with armed with that new knowledge

-

2 ) "Best" should not be a catch-all term, cut it up into specific categories and showcase your Best in top categories you want to focus on. this way, you get a folio that's showing a wide range of your capabilities

if i were picking between two applicants, both of which submitted portfolios of their Best fiction works (and theyre both Very good), i would ultimately choose the applicant who gave a portfolio that showed a wider range of what Bests theyre capable of rather than the applicant who submitted 5 really great stories but they all still employed the same techniques/concepts/themes

......if that makes sense?

like, okay, let's assume the portfolio is a fiction portfolio. no specific lit genre limitations or whatever, just, fiction in general.

"fiction in general" is a ridiculously huge field! theres the genres of course, so many damn genres. but what im more focused on is Technique. there are so many ways to structure your plot and pacing, there are so many ways to create your cadence and tone, there are so many kinds of characters and so many ways you can make them clash, so many dang ways to make your story's themes come to light. theres a Lot

so take a portfolio as a chance to show the widest possible range of what you can do, and what you can do Well

let's say you did Tip 1 and coming from that, youve got a list of 15 stories you think would be good for a portfolio. your next step then is to identify which stories are doing the same Thing (whether that be in its genre, structure, themes, etc) and then decide which of those stories showcases your ability to Do that Thing best.

if ive got 3 different stories that are all magical realism pieces using a very subdued tone to communicate the plot's conflict and emotion, then im gonna need to pick just one to put in my folio, the one that did it Best. and then you can go back to Tip 1 and get a second opinion on that if you want, and THEN i repeat with the other stories, this time picking a different Thing-Technique-Structure-Theme-Etc to focus on

basically my point is that a portfolio, ideally, should show different Kinds of Bests. because that is much much more appealing than only seeing One kind of Best

-

3 ) you can make as many portfolios as you want, tailor-made specifically for what youre using that portfolio for

this is something i learned after college and when i was applying for various writing jobs. for context, i dual wielded fiction and nonfiction in college. though my degree ultimately/officially went into the nonfiction track, i still wrote a whole lotta original fiction, and when i was applying for jobs, my personal list of Bests included a lot of fiction pieces, as well as nonfiction pieces

but i was applying to all different kinds of jobs, and it would be slightly off-course to submit a fiction piece to a job like Feature Writer For Magazine. additionally, it would be slightly off-course to submit a nonfiction piece to a job like Romance Game Writer

(.....both of those real jobs i applied for and man, sidenote, can you believe i almost became a romance game writer? like, how ironic that is now that im into the fandom i am Currently into. guys. guys i got to the second interview stage of that job. Guys. jdhvfhvfkshd)

anyway, remember how Tip 2 is about showing off a diverse array of what youre capable of? well, dont get Too diverse. always remember the people/organization/etc that you will be submitting this portfolio to, and keep in mind what They are looking for

if youre applying for a sci-fi fiction workshop, submit your Best pieces that do different techniques or things BUT are still within the parameters sci-fi fiction, so they are relevant. if youre applying for a feature writing job, maybe fiction might work, but read the works that the magazine puts out, maybe. get a feel for their style, what they like. like idk , if theyre super into that Anthony Bourdain-esque kinda description of gritty details, then maybe a fiction piece that shows off that kind of descriptive skill can still be relevant.

make a new portfolio whenever the need arises to best adapt to whatever it is youre gunning for

-

in summary :

tip 1: Best works but cast a wider net and ask other people because us writers can get tunnel vision sometimes

tip 2: whittle down your list to show different kinds of Bests that you can do, avoid redundancy

tip 3: keep your Bests relevant to whatever the task at hand may be

well....thats all i can think of. i hope some part of this can be helpful to anybody out there. hope youre doing well, anon :")

[threewaysdivided]

(same anon that asked about YJ Phantoms) I'd love to read a critic on Harry Potter one day because you'd have a lot of interesting things to say.

(follow up from this ask)

Good to hear from you again nonnie!

I’m very flattered that you’d like to hear my comments on Harry Potter but… I don’t think I’d have a lot to add? 😅  I wrote most of my Young Justice meta-analyses because I’d noticed some specific structural and writing patterns that weren’t being discussed in the wider fandom critiques, and I wanted to change that.  (A lot of people were pointing to the time-skips and specific characterisation issues but not many seemed to be touching on Thematic Contradiction, Scope Management or the Side Quest problem, for example.)  Meanwhile, Harry Potter has been dissected to the moon and back with a fine tooth comb – there isn’t much I could say that hasn’t already been said better, more eloquently and in more detail elsewhere.

If you put the Harry Potter books in a bubble, my takes are actually pretty mild.  The books were important to me.  I was a 90s kid who read alongside releases throughout primary school.  I was a pretty big Potter-head at the time - I was daydreaming Potter fanfiction before I even knew what fanfic was.  I think it certainly had an influence on my modern taste in literature; there’s a reason I gravitate towards fantasy and mystery as my comfort genres (I’m currently having quite a bit of fun with The Dresden Files). 

On a technical level, Joanne Rowling was a decent writer.  I think she’s strongest at emotional and character-writing, and she kept a consistent theme of love/grief/family/loss going throughout the series.  Her use of mystery as a secondary structure to add pull makes the stories engaging and satisfying to “solve” on re-read.  Her prose and dialogue was quite snappy – it flows and reads well, and there are some very quintessentially British-humour lines that made me smile each time.

Where she was weakest, in my opinion, was sociological storytelling and worldbuilding.  There are some unquestioned biases and blind-spots in her writing (especially around stuff like the house-elves, the goblins, certain character descriptions and how she treats the status quo).   I generally agree with the sentiment that her worldbuilding wasn’t necessarily the most original – not as derivative as Eragon (which I also liked) could be in places, but nothing especially new – although that’s more of a subjective note than a great artistic sin, and Harry Potter was a good execution of that well-trodden ground.  There are definitely times when you can tell she was figuring things out as she went – some of her dates don’t line up and there are a few moments in early books where characters break “laws of magic” that she would later retcon-in (Mrs Weasley shouldn’t have been able to make sauce pour out of her wand in Book 2 according to the Principal Exceptions to Gamp’s Law of Elemental Transfiguration introduced in Book 7 and, based on the rules introduced in Book 6, Hagrid shouldn’t have been able to disapparate away from the station platform when Harry wasn’t looking in Book 1).  And of course, the infamous “vanishing poop” tweet.  In a bubble, pretty average, for-their-time 1990s fumbles from a debut children’s fiction author.  Flawed but in a mostly harmless, kind of charming way. 

I’m also pretty iffy on the movie adaptations, which have been generally… okay.  They showcased some good practical effects work and cinematography, but I never really felt they captured the magic (pun intended) or nuance that I enjoyed, due to the cuts and changes needed to fit the screentime.  That’s kind of my general vibe with a lot of adaptations, though – with a few exceptions I generally prefer to experience stories in their original intended medium.

However, we do also have to take the books out of their bubble and discuss the context of Rowling’s current politics.  I think it is not appropriate for people to try and erase her authorship of the books, or the way her largely open and accepting stance towards fan-content (in comparison to more litigious predecessors and contemporaries) contributed to the current state of modern fandom.  Their popularity and widespread influence makes them an important cultural touchstone and point of reference for their time period, and I think we do a disservice by pretending them away or acting like there’s nothing to be learned from their success just because we disagree with the author now. 

That being said, however, in the present Joanne Rowling is using the clout and funding she receives from the Harry Potter franchise to push policies and rhetoric that actively make life harder and more dangerous for transgender people (and has dragged in the neurodivergent community as a rhetorical device).  She has also expressed that she considers support for Harry Potter to be tacit endorsement of those politics.  Unlike past problematic-but-influential authors like Howard Phillips Lovecraft, Rowling is alive, politically active and benefiting from fandom engagement - and so the relationship between her work, her work’s fans and her current politics has tangible impact on real people.  I think it is up to every fan to decide how they personally want to navigate that difficult and at-times painful environment.

Personally, my decision (and this is just my decision) for handling that has been to pull away from Harry Potter as both a franchise and a fandom until such time as Joanne either revaluates her stance on transgender people, retires from public politics, passes away (provided she doesn’t will ongoing profits to anti-trans causes), or her books become public domain.  I still have the books I was gifted in the 90s, but there is a reason I generally haven’t shared or promoted Harry Potter content (even fandom stuff) to my blog for a few years.  Hopefully that will one day change, but until/unless that happens, I probably won’t be doing that kind of deep dive.

Instead, here are some videos that I found particularly interesting when thinking about the writing, implications and adaptations of the series:

Just Write: Construction of Mysteries in Harry Potter | Fantastic Beasts: Revisiting Mystery Construction

Quinn Curio: What Went Weird With Ron in Adaptation | Does Draco Need Redemption? | Why Does Slytherin Still Exist?

Pop Culture Detective: Newt Scamander and Empathetic Masculinity

Dominic Noble: Lost In Adaptation – The Harry Potter-athon [Playlist]

And here are a couple on Rowling’s current politics:

ContraPoints: JK Rowling and the Sociopolitical History of Transphobia | The Witch Trials of J.K. Rowling

SuperGeekMike: How Creators Become Their Villains

Dominic Noble: A Harry Potter Fanboy's Response To J.K. Rowling

If you’re looking for other fantasy book recommendations I would heartily suggest Tamora Pierce.  Specifically the Song of the Lioness series (4 books), its sequel Protector of the Small (also 4 books) and the unrelated the Circle of Magic universe (2 sets of 4 books plus an epilogue and 2 side-stories).  Pierce writes to roughly the same reading-level as Rowling, and her books are a mix of magic, character- and mystery-driven. I would say she’s overall stronger at original magic systems and worldbuilding.  She also has her own interesting relationship to fandom (being a former fan-writer herself) and a feminist streak, with books that focus on young heroines without being dominated by romances.   They can be a bit hard to find in print these days but if you can they’re well worth your time.

For sassy British kids and urban fantasy, also consider Jonathon Stroud’s Lockwood & Co (recently adapted to a Netflix series) and his slightly-older Bartimaeus Sequence.  Again really fun worldbuilding, snappy prose and dialogue, and a generally good romp.  Lockwood is a ghost-hunting story and Bartimaeus uses demon summonings as its core worldbuilding conceit so if you like a little more horror in your fantasy then these will be a good time for you.

Hopefully that makes up for yet another doughnut! 🍩

[mystacoceti]

In the course of a number of these debates, literature, philosophy, and the political aspects of both have come under a radical critique. Although deconstruction is not the same as demystification (and you will still find people with a faint knowledge of the one confusing it with the other), a good deal of demystification has, indeed, gone along with that critique. Everything from the effects of phrenology and popular science newspaper articles in the early nineteenth century on the novels of Charlotte Brontë to the hidden political agenda in the formation of the literary canon, when, after World War I, literature first became an academic discipline, have, among these debates, been teased apart in great detail. When it is put back together, literature will not be the same object that it was. (More accurately “Literature” can not be put back together.) The “literary” will no longer be a single, unified theme autonomously placeable in the greater text of Western culture. Marginality and marginalizations have been of primary concern through a number of these debates. The ways in which black writing, women’s writing, Third World writing, and gay writing have been marginalized and kept marginal have been and still are bein explored.

Now, the traditional thematic critical stance of the SF academic critic has been (if I may be forgiven such a crude characterization) to shout, “Look! Look! We’re literature too!” These critics have been as responsible as anyone for the near thousand classes in SF currently taught in American universities. Is it simple ingratitude, then, to question just how much understanding of our history, our practices, our traditions, and our texts the majority of these classes are producing—or can produce under a thematic program that presents SF as exhausted with and mastered by not half a dozen themes that, in my opinion, terrorize our genre: “New Worlds,” “The Alien,” “Technology,” “Time,” “Space,” and “Utopia/Dystopia”? However you judge it, I know that when I have discussed science fiction and its marginal status, how it has used its marginal status as a position from which to criticize the world, how it has organized itself differently from literature in everything from its material practices of publication and printing to the semantic conventions that govern the reading of the sentences that make up its texts, and when I have suggested SF has a philosophical worth and an esthetic beauty that can be valorized by intensive analysis, among critics with more recent allegiances, I’ve often felt that I am being heard, that the ideas I am putting forth are familiar to them. When I talk with thematic critics, however, frequently their response is: “But surely you too want science fiction to be literature too . . . “ To which my answer is (surprising as some still find it) I don’t and never have.

I don’t even want literature to be literature.

I love them both too much.

from “Neither the First Word nor the Last on Deconstruction, Structuralism, Poststructuralism, and Semiotics for SF Readers”, Samuel R. Delany

[courtwizardsirdoctorclydesdale]

FILM REVIEW POWER HOUR MY DUDES

"Psycho" (1960) dir. Alfred Hitchcock

"2001: A Space Odyssey" (1968) dir. Stanley Kubrick

"The Shining" (1980) dir. Stanley Kubrick

Pardon for the absence of actual content for over a year, it will happen again.

"Psycho" (1960) dir. Alfred Hitchcock

"Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother."

Despite it being among the most stigmatizing films ever made in its effect on public perception of mental health it was much better than I had expected!

Mechanically the film was good for its time, the cinematography was striking at times, my only gripe would be how the deaths were handled but for the first film of its genre I'm willing to give it a pass. The acting and dialog are where the film shines, every actor, save one which I'll mention later, is excellent in their roles and sells the performance. Norman Bates is very realistically portrayed as an uncomfortable kid isolated from reality with genuine gripes in his situation. Each protagonist also has a realistic motivation and acts intelligently according to their goals. The acting was superb from everyone involved each behaving realistically and believably, if I were to name a star performance it would be Anthony Perkins as Norman Bates both for merit and pure screen time dedicated to him.

The soundtrack was delightfully unnerving and used sparingly so as to keep its drama, never underutilized or overstaying its dramatic highlights. My favorite aspect of it was how much restraint was shown in saving the iconic track which *made* the film for the very final reveal and confrontation, following harrowing silence.

A great film with something for everyone I only have light criticism beyond the meta handling of mental health. Each of the murders looks horrid, everything criticized today for its laziness and cheap quality is shown from a shaky camera, poor special effects, and several too many cuts from different angles. I am willing to be swayed of my opinion on this matter however given its revolutionary genre setting weight and the shoe string budget the film boasted. The very worst and most out of place scene was the "Parlor Scene" trope from mysteries which "Psycho" most certainly isn't. The psychiatrist delivers such a lively and pseudoscientific performance in his explanation for the killers actions. His explanation is something I would expect from Tim Currys Butler in "Clue" from a less experienced director. So full of passion and excitement we he as he narrated the tragic and harrowing events of the film that he had completely overshadowed the second final reveal.

In conclusion I often find myself returning to classics and trendsetters and am often surprised by how refreshingly unique they are from what was inspired by them. Some films which adhere to this observation are Casablanca, Night of the Living Dead, and now psycho each offer ingenuity in their decisions which are sadly lost to time from their bigger budgets or poor directing decisions. Despite the "Parlor Scene" I was surprised I liked it as much as I did and could happily reccomend it to anyone who likes films.

"2001: A Space Odyssey" (1968) dir. Stanley Kubrick

An imposing black structure provides a connection between the past and the future in this enigmatic adaptation of a short story by revered sci-fi author Arthur C. Clarke. When Dr. Dave Bowman (Keir Dullea) and other astronauts are sent on a mysterious mission, their ship's computer system, HAL, begins to display increasingly strange behavior, leading up to a tense showdown between man and machine that results in a mind-bending trek through space and time.

The sci-fi film ever made.

Mechanically among the best I've ever seen, I don't usually go out of my way to see the behind the scenes but the cinematography of this film is beyond beautiful, it's fascinating. The environmental stills of the pre-human landscape, the stark and bright reality of a near future space travel, an even the colorful primordial imagery of the nature of the universe and the Cosmic reality of space and time. There is so much to talk about with this film that's done exquisitely but the cinematography steals the show. The audio is weirdly quiet the whole film and the background noise and dialog are weirdly synced but the audio is a titan of quality still. The film dares to be quiet and to let the audience fully bask in the sounds of space. The grand classical pieces which would be used in every sci-fi to come are a bit grating in their repitition in other films but still sing a triumphant tune of the human race I'm sharp contrast to their ape ancestry. The chanting of the Obelisk is haunting and beautiful in its theme of Cosmic presence, both inhuman yet made entirely of human vocals.

The acting in this film is great but not perfect. There are only three important characters to the film that being Frank, Dave, and the HAL unit. While there are other characters their acting is merely good as well as short-lived. Frank and Dave both serve as reasonable protagonists and great contrasts as representatives for humanity's relationship with A.I. Dave played by Kier Dullea is the star of the show both as the primary protagonist and the king of non-vocal acting, the scenes of his silent thinking expressions or intense concentration rival any I've seen before. The choice of the HAL unit to speak without any fluctuation in cadence or emotion was haunting in its final moments as it begs for its life and quietly sings a song as its last act of sentience and first known command.

There isn't much to criticize technically or narrativally but I can point out some aspects of the film which might have estranged it from general audiences. The film is long and travels at a very slow pace through the whole thing, even with a theatrical intermission it feels long and takes its time throughout. Between its pace and a fractured, disjointed plot the film can easily bore or confuse someone who doesn't love every aspect of films or at least with a schedule to keep. The film also unfortunately never becomes very exciting or thrilling, nor is there any comedic relief; I don't think these things are flaws as such but they can easily make someone else's dull experience even more unsatisfying. The film at its best, and I've noticed Kubricks films in general follow this idea, is when it's asking for self reflection or trying to ask you existential questions. When you begin to drift from the audio and the visuals and engage with the questions it poses while still enjoying a feast for the eyes or ears as more a background.

In conclusion I loved "2001: A Space Odyssey" it was a fascinating and lovely film, the moments of quiet add both to the tension and impact of the scene; but also serve the dual purpose of setting a stage for introspection or questioning the actual filmmaking decisions themselves. The dialog feels very mellow and human compared to most sci-fi films where the alien is the point and highlight. The film is too long and slow to reccomend to a general audience in my opinion, but anyone with a love of sci-fi themes or Cosmic horror should find as much enjoyment as anyone obsessed with films in general, a delightful time. Also watch the space song music video for it, I didn't make it don't know the person who did but it's on YouTube and also lovely

"The Shining" (1980) dir. Stanley Kubrick

I've got very strong and mixed opinions on this film that I hope someone is willing to endure

Mechanically it's great, the cinematography is good throughout and gorgeous often, the color pallete might be among the best of Kubricks work, and the setting is believable and used to it's perfect heights. The audio was done well if again weirdly quiet like A Space Odyssey, the screams were the only time the audio really sounded strained. The acting was also excellent, both of the stars Shelley Duval and Jack Nicholson are giants of acting talent, even if Duval was horribly mistreated on set her performance is still immaculate.

The soundtrack was serviceable in points and yet again great. I find the string pieces excellent I'm general for building unsettling tension bu it never held the same weight as the pieces for A Space Odyssey. My issue with the soundtrack is that it didn't hold enough tension to be worth the focus put on it by the film, it seemed to struggle for attention over the acting instead of setting the tone for it.

I have several salient criticisms for The Shining and then a more vague personal assessment. Of my criticisms; any dialog out side of the Torrence family is very strange and stilted, even Jack himself can sometimes appear less (redacted) and more awkward which is likely a director choice given the rest of his work and even other parts of the film. The maze scene is fantastic but the final scenes with Mrs. Torrence make no thematic sense with her character until that point. Jack Torrence even with potential supernatural aid had no established means of leaving the food storage. Finally the small moment where the old-timey villain calls the only major Poc character in the film a slur was just distasteful, it was neither shocking, nor did it make the villain seem any more old-timey or villainous; even still since it's never brought up again it serves no character building purpose.

In conclusion despite everything good and great about the film, despite all of the acclaim and how influential it was the film didn't grip me in any meaningful way. I was left feeling surprisingly underwhelmed and neutral about the film as a whole, even worse without any real way to describe why even with all of this word vomit. I think I can reccomend The Shining to a general audience if for no other reason than the quality of the sum of its parts. As for my own opinion of the film it bears another watch, a read of the book and more thought.

Big Conclusion

More to come but these were three big films I hadn't seen before and it was fun to watch them all I'm rapid succession. I have more big films coming my way shortly and I have an unlimited supply of unhinged raving at the noir genre so I'll try to post again before the year is out but I won't try too hard. If you made it this far I reccomend watching one of the listed films, all are good with Space Oddesy being my personal favorite.

[sanelow-label-blog]

9 Best Steps To Start A Record Label

This is a complete guide on starting your own record label with or without a startup budget.

Starting your own record company can be a daunting undertaking, but with a little hard work and devotion, it’s certainly possible. Here are some pointers to help you get started:

1. Decide on the musical genre you want to focus on. This will assist you in narrowing down your target audience and efficiently marketing your label.

When it comes to creating a record label, there are many different musical styles to consider. Some people prefer to listen to mainstream music, while others prefer to listen to indie music or dance music to mention a few. It is critical to choose the musical genre that appeals to you the most. After you’ve decided on a genre, you should research the various styles and trends that are popular in that genre. This will assist you in creating your own distinct tone and style 2. Defining your target audience

It’s crucial to consider the type of music that you enjoy. If you’re a fan of dance music, you might want to consider targeting people who like dance music as well. On the other hand, if you’re into electronica, you might find it more effective to target people who are into electronica. Ultimately, it’s important to create a musical experience that is tailored to the individual. 3. Choose a record label name.

Deciding on the name of your record is a crucial role. However, you need to ensure that the name you choose is available and has never been used before by any organization. This can be achieved using websites such as Google, and the last stop should be namecheck.com to ensure that you leave no stone unturned. 4. Build up operational structure

You’ll need to spend some time researching about local regulations and drafting the agreement forms you’ll need to start your business. There are several fundamental rules to remember that apply across all scenarios. If you’re establishing the label with other people, you’ll need a partnership agreement that specifies who owns what share of the company and how the decisions will be made. It is essential to outline how the record label will run, such as who will be in charge of particular responsibilities and how employees will be compensated, how many releases per month etc. 5. Build a strong team

A record label is nothing without a great team to support it. As you build your label, make sure to surround yourself with people who share your vision and who are passionate about music. There are a few things you can do to help your team become more cohesive. First and foremost, ensure that your team has a clear vision and goal. This will assist you in determining who is best suited to collaborate with you and keep you focused. Second, make sure you’re communicating well. This entails being precise and straightforward, as well as always informing your colleagues of what you’re working on and your objectives. Finally, ensure that your staff is always learning and developing. This entails allowing them to experiment and attempt new experiences while also providing them with feedback and support. 6. Deciding on which distributor to use

Assuming your record label is almost ready. Now you’re wondering how to get your music to popular music selling stores and streaming services such as Amazon, Beatport, Traxsource, Spotify, Youtube etc. This step involves researching the distributor you work with going forward. Be aware that there a paid and free distributors, however, the free ones usually deduct a certain percentage of the overall royalties. Digital distribution is considered to be the smart way to get the music out to listeners and start building a name. Below is a list of some trusted distributors in the dance and electronic music scene. - Labelworx - CD Baby - dig dis! - TuneCore - Ditto - Fuga - Pressology - Africori - United Masters - LANDR

7. Establish a brand identity

Take some time to decide on the branding of your record label. Hire a professional to design a logo and social media covers for your brand. Be consistent and ensure your brand identity is professional so that people can take you seriously. 8. Establish an online presence.

It is crucial for a record label to be active on social media platforms to reach new potential audience. We suggest you at least have Twitter, Facebook, Instagram and often launch ads if the budget allows you. Also, create a SoundCloud, Hearthis, Mixcloud or Podomatic accounts to share your samples or podcasts. It’s important to have a website but not compulsory. It is expensive to launch one, however, it might help in reaching a global audience. Customers can find out everything they need to know about you, your releases, gigs, videos, and most importantly shop your music on the website. 9. Music Promotion

Previously, there was no way to start a record company without capital, but nowadays, all you need is time and an internet connection to promote your music. It’s time to start generating buzz about your new tracks, logo, and website. This is where your Facebook, Soundcloud, Youtube, Instagram, and Twitter accounts come into play. Try to be active on social media, but don’t overwhelm your audience with unnecessary personal information. Simultaneously, try to respond to everyone who sends you a message, as personal touches go a long way. Start gathering email addresses and sending out a newsletter with updates and freebies — people love free stuff!

[pneuma-char]

UA\EN Мій досвід у створенні візуальних новел

source: visual novel I'm currently working on, a test build джерело: тестова версія новели, яку я зараз пишу

EN: My experience with creating visual novels So, creating a visual novel is a complex process, don't let the simple structure of the genre deceive you. It is a hard work that covers many aspects: branching structure, writing, art, music, sound effects, user interface etc. I've completed only one visual novel, which is a work for a game jam (that was completed in a week). It was a psychological horror story and I've received a lot of useful feedback about the plot structure. I've also reflected on some heavy topics it features. I've came to conclusion that I should've approached the subject with more care as opposed to just using it to provide shock value. Also I have some abandoned projects, but they still were of great help in learning the ropes of this genre. It is very hard to finish projects, but I'm approaching it bit by bit with my latest work. My advices: - plan small. your idea is still going to get very expanded, don't let it overwhelm you and sabotage your work - let yourself get the feel of your story and then write a plan (and maybe rewrite it a few times, if something feels wrong (but don't rewrite it 100 times, because that's a perfectionism issue)) - don't be needlessly critical to your story, but be ready to make changes. I've had to substantially change the scale of my story and to get rid of some elements completely. These changes help to shape your story, match it to a vision and make the finished project more achievable - don't feel the need to make your first (or second) story very nonlinear. Try to think of ways to make choices meaningful exploration of narrative's themes without overblowing the game (or don't implement choices at all) - don't blame yourself for not working on it. and work every time you have the smallest urge, if you're like me, who tends to procrastinate a lot

UA:

Отож, створення візуальної новели – це складний процес, не дозвольте простій структурі жанру обдурити вас. Це великий обсяг роботи, який включає в себе багато аспектів: нелінейна структура. написання сюжету, іллюстрації, музика, звукові ефекти, користувацький інтерфейс і т.д. Я завершив тільки одну візуальну новелу, яка була доробком на конкурс, ігровий джем (який тривав тиждень). Вона була психологічним хорором, і я отримав багато корисного зворотнього зв'язку про її структуру сюжету. Також обміркував тяжкі теми у цій історії і дійшов висновку, що певні елементи потрібно було описати делікатніше замість того, щоб використовувати їх заради шокового ефекту. Також я покинув багато творів у процесі, але вони дуже допомогли краще осягнути цей жанр. Завершувати проєкти – дуже важко, але потрохи-потроху працюю і не кидаю мою останню роботу. Мої поради: - плануйте мало. ваша ідея все одно розшириться, не дозвольте цьому перенавантажити вас і завадити роботі - спочатку відчуйте атмосферу вашої історії, а потім напишіть план (і, мабуть, перепишіть його декілька разів, якщо щось відчувається неправильним (але не переписуйте його 100 разів, це вже проблема перфекціонізму)) - не будьте надо критичні до вашої новели, але будьте готові робити зміни. Мені довелося сильно змінити масштаб моєї історії і взагалі вилучити деякі елементи. Ці зміни допомагають надати форми вашому проєкту, адаптувати сюжет під загальне бачення і зробити створення новели більш досяжним - не відчувайте потребу зробити вашу першу (або другу) історію дуже нелінійною. Спробуйте вигадати шлях зробити вибори значущими, при цьому не занадто збільшуючи історію (або взагалі не додавайте вибори) - не звинувачуйте себе за те, що не працюєте над новелою. І коли у вас з'являється наймаліший імпульс — працюйте, якщо ви такий самий прокрастинатор, як я

[thought-bubble-doodly-doo]

Spoiler Discussion For "Once Upon a Time in Hollywood"

I only recently watched the film, and it's given me brainworms. Additional spoilers for Chinatown.

I had heard that the film was Tarantino's love letter to Hollywood, but it wasn't until I saw the ending that it all made sense.

"Once Upon a Time in Hollywood" takes place during the Hollywood Renaissance, a period in film history from the late 1960s to early 1980s, in which Hollywood was going through a massive upheaval in its structure, subject matter, and identity.

We can see this through Rick Dalton's character as he struggles to make the transition from Old Hollywood to New Hollywood. He is quickly becoming a fossil from a bygone era. His whole character arc is about the fear of being past his prime.

But the thing I most want to talk about is the Hollywood Renaissance and genre subversion. The Hollywood Renaissance is normally split into two different movements: Genre Deconstruction and Genre Reconstruction. The Reconstructed are movies that took old ideas and modernized them. It gave them better budgets, improved special effects; they were basically a love letter to old films the directors had grown up watching. Jaws is just an updated creature feature, because Spielberg loved those movies and wanted to make one of his own.

The Deconstructed are where directors take a much more critical stance of old Hollywood. They call into questions the ethics of grand narrative, take inspiration from the counterculture movements, they subvert genre because they have an awareness of genre. The best example I can give is Chinatown, a neo-noir. Because of the Hayes Code, films of Old Hollywood had to have a just ending. Not necessarily a happy ending, but a just one. Good would triumph over evil. And Chinatown has all the stylistic markers of a classic noir film, so it lures the audiences into this false sense of security. We keep thinking somehow it has to work out, because that's what movies do. The bad guy can't get away with it... But he does. Evil wins. And it's a real gut punch that can really only be appreciated when both the director and the audience are aware of the decades of cliche that subversion is based on.

And the ending of "Once Upon a Time in Hollywood" is almost a subversion of New Hollywood's subversion. New Hollywood was all about realism and tragedy and violence. It didn't have happy endings. And Tarantino takes one of the most famous murders of all time to give this sense of suspense for the audience. We know how this story ends. We've seen it played out again and again and again. We know what's going to happen in a story about Shanon Tate.

But then he pulls the rug out from under us. She lives. She gets a happy ending. Everyone gets a happy ending. Dalton's career revitalizes. Cliff probably gets his old job back now that Dalton can support him again. No one ever gets murdered by the Manson Family. We think we know 100% how the story is going to play out, but then it doesn't work out that way.

And it's this beautiful moment. Because it combines both elements of the Hollywood Renaissance. It's this love letter to Hollywood, because it's STEEPED in reference and callback and the knowledge of cliche. But it also deconstructs the Renaissance by showing that sometimes what we LEAST expect out of a film is a happy ending. oh my mind was blown! I can't even tell you! <3 <3 <3

Then when we finally see that happy ending play out, the title comes up. It's "Once Upon a Time in Hollywood." It's a fairytale. It's giving us a happy ending, because reality so often doesn't! And that's what Old Hollywood was really about, because it arose during the Great Depression when people wanted some kind of positivity and optimism.

It's just such a WONDERFUL FILM.

[music-ntproduction]

Navigating The World Of Music Promotion: How To Choose The Right Service For Your Needs

In the vast and ever-evolving landscape of the music industry, one key element stands out above all: promotion. The secret sauce can turn talented artists into household names and underground hits into chart-toppers. But with so many music promotion services vying for your attention, how do you choose the right one to elevate your musical journey? Join us as we navigate this maze of opportunities and help you find the perfect match to amplify your sound and reach a wider audience. Let's dive in and uncover the world of music promotion services together!

Understanding the Importance of Music Promotion

In the competitive realm of the music industry, more than talent alone is needed to break through the noise and capture listeners' attention. This is where music promotion becomes crucial for artists looking to elevate their presence and reach a wider audience.

Effective music promotion goes beyond just creating great tunes; it involves strategic marketing efforts to showcase your work to the right audience at the right time. Artists can increase visibility and attract new fans by leveraging various promotional channels such as social media, streaming platforms, blogs, and playlists.

Promotion helps build momentum around your music release, generates buzz within the industry, and opens doors to opportunities like collaborations with other artists or placement in films and commercials. It's about creating a ripple effect that propels your music career forward.

Investing in music promotion is an investment in yourself as an artist. It's about honing your craft while also ensuring that your hard work is recognized and appreciated by a broader audience.

Different Types of Music Promotion Services

When it comes to music promotion services, artists have a wide range of options available to increase their reach and visibility in the industry. One type of service is social media promotion, where companies help promote music on platforms like Instagram, Facebook, and Twitter to engage with fans and attract new listeners.

Another popular option is playlist pitching services, which focus on featuring songs on curated playlists across streaming platforms like Spotify and Apple Music. These services can significantly boost an artist's exposure and help them connect with audiences who are already interested in their genre or style of music.

Some music promotion services also specialize in securing press coverage for artists through online blogs, magazines, and other media outlets. This exposure can build musicians' credibility and introduce them to new fans who trust the recommendations from these sources.

Moreover, radio promotion services assist artists in getting their tracks played on traditional FM and internet radio stations. This can be a powerful way to reach a broader audience beyond online streaming platforms.

Understanding the different types of music promotion services available can help artists make informed decisions about which ones best align with their goals and target audience. Each service offers unique benefits that address various aspects of promoting music effectively in today's competitive landscape.

Factors to Consider When Choosing a Service

When choosing a music promotion service, it's crucial to consider your specific goals and needs. Start by evaluating the services offered by each provider. Do they align with what you're looking to achieve?

Another critical factor is the target audience of the service. Make sure their reach matches your target demographic for effective promotion. Consider the pricing structure as well – does it fit within your budget while offering value for your money?

It's also essential to examine the music promotion service's track record and reputation. Have they helped other artists succeed in the past? Reading reviews and testimonials can give you valuable insights into their credibility.

Remember customer support. A reliable and responsive team can make all the difference in ensuring a smooth and successful promotional campaign.

Top Music Promotion Services in the Industry

Are you looking to elevate your music career? Here are some of the top music promotion services in the industry that can help you get your tunes heard by a wider audience.

1. Playlist Push: This platform connects artists with playlist curators on popular streaming platforms like Spotify, helping them reach new listeners and increase their streams.

2. SubmitHub: This service allows artists to submit their tracks to blogs, playlists, and labels, receive feedback from curators, and potentially gain exposure to a larger fan base.

3. Feature.fm: This service offers innovative ad campaigns tailored specifically for promoting music across various digital channels. It allows artists to target specific audiences based on demographics and interests.

4. Soundplate: Focusing on organic growth, Soundplate helps artists promote their music through social media marketing strategies and playlist placements curated by industry experts.

Utilizing these top music promotion services allows you to take your musical journey to new heights and connect with fans who appreciate your sound.

Case Studies: Success Stories from Artists Who Used Music Promotion Services

These case studies showcase real success stories of artists who have leveraged music promotion services to elevate their careers. From independent musicians to established bands, the power of strategic promotion must be considered.

By utilizing targeted marketing campaigns, social media strategies, and playlist placements offered by music promotion services, these artists reached new audiences and significantly increased their fan base. Some even secured record deals or landed major industry opportunities.

Whether it's gaining thousands of streams on Spotify, selling out shows, or getting featured on popular music blogs, these success stories highlight the impact that effective music promotion can have on an artist's journey to success.

If you want to take your music career to the next level and expand your reach in the competitive music landscape, consider exploring the world of music promotion services. With careful research and consideration of factors like target audience, budget, and goals, you can choose a service that aligns with your needs and helps you achieve your musical aspirations. Remember, strategic promotion is critical to standing out in today's crowded market - make sure you find the right partner to support your artistic vision!

[mediaevalmusereads]

Kaikeyi. By Vaishnavi Patel. Red Hook, 2022.

Rating: 3.5/5 stars

Genre: fantasy

Series: NA

Summary: “I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.”

So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on tales about the might and benevolence of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the worthy. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to the marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.

Desperate for independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With it, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen.

But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind.

***Full review below.***

Content Warnings: violence, sexism

Overview: This book has been on my TBR since last year, and I finally got my hands on a used copy. The premise is very intriguing; though I'm not familiar with the Ramayana, I do love a good mythical retelling, so I had high hopes for this book. On the whole, I did enjoy my reading experience, though there were some things that did prevent me from loving the story. My primary criticisms have to do with pacing and narrative, so for those reasons, this book gets 3.5 stars from me.

Writing: Patel's prose is fairly run of the mill for your typical first person POV young adult/new adult fantasy. This doesn't mean it's bad - in fact, the prose is very clear, flows well, and balances showing and telling in a way that I found effective. But it does mean that there's not much about the style itself that sets it apart from other authors. Some readers may like that; it's easy to sink into the story, and if you're not a fan of lyrical prose, you might get along great with this book.

But my main criticism has less to do with the sentence-level craft and more with the overall pacing and structure. Much of this book feels slow while big, important events feel a bit rushed or randomly inserted (to the point where the last 200 pages feel like the meat of the book but have the least amount of time and attention). I'm not sure if the answer is to cut anything from the narrative because I can see how Patel was laying a lot of groundwork. But I also think Patel could have focused more on building up the narrative threads that mattered most so the last 200 pages felt like more of a culmination.

Plot: The plot of this book follows the life of Kaikeyi, a warrior queen who is a significant character in the Ramayana. According to the Author's Note, Patel wrote this book as a way to imagine what Kaikeyi's motivations might have been for exiling her stepson in the Ramayana, so this novel is technically a mythical or epic retelling.

I haven't read the Ramayana, so whether or not this story is a faithful or insightful is beyond the scope of my expertise. I will thus only comment on what things did and did not work for me as a reader with no background knowledge. I encourage you to seek out reviews from Indian (especially Hindu) readers if you wish to know more.

Personally, I wavered back and forth between being fully engaged and being a little bored. Reagrding the things I liked: I really liked the last 200 or so pages when Kaikeyi is forced to make a heartbreaking decision. The emotional turmoil of seeing evrything Kaikeyi worked for over decades being brought down because of forces beyond her control was incredibly gut-wrenching, and l thought it was thematically a good parallel to the story at the beginning of the book (which emphasized how men will punish women for their own actions).

What didn't quite work for me was the mixed messaging on feminism and how it fit in with the premise of the book. Patel seems to be trying for a feminist reimagining of the Ramayana, and while I can respect that, I also think it was unclear what readers were supposed to take away from the story. At times, I thought Patel was criticising the masculine lust for war and the way women are blamed for male violence. At other times, it seemed like criticism was levied at the patriarchal religious leaders. Still, at others, I got the impression that the criticism was of the idea of epic heroism and holy war. By the end of the book, it seemed like we were supposed to be happy for the small improvements to women's lives completely separate from the court (and if so, why focus on the court at all?). This is not to say that I think the "message" of the story should have been plainly spelled out or that it can't manifest in multiple ways. But I do think Patel was trying to do too much, so any message that may have been intended feels surface-level.

Still, I think Patel does a good job of creating complex character relationships that add interesting dimensions to her story. I loved that Kaikeyi and her brother Yudhajit were close and yet Yudhajit had biases that made him unable to see the damage that patriarchy can do. I also liked the respect and partnership that formed between Kaikeyi and her husband Dasharath, and the sisterhood between Kaikeyi and Dasharath's other wives was refreshing. I even enjoyed the complexity of Kaikeyi's relationship with Rama and how she viewed him as a son who she loves dearly and also a threat to the well being of the kingdom. These character relationships, in my opinion, made the narrative more interesting and multifaceted.

I also quite enjoyed the magic of the Binding Plane and how it was used as a visual metaphor for things like the strength of a relationship and influence. Granted, I do think Patel relies on it sometimes as a shortcut for describing the nature of relationships, but I did like it as a motif that exists throughout the story and turns the idea of the "manipulative woman" into something more interesting.

Characters: There are quite a few characters in this book so I'm only going to focus on a few to keep my review a reasonable length.

Kaikeyi, our POV character and protagonist, is admirable for the way she fights for the betterment of women throughout her kingdom. I really liked that over time, she let go of a lot of internalized misogyny and went from avoiding being "too much of a girl" to recognizing different ways women can participate in society. I also really liked her complex relationship with the people around her and with the gods, and I admired her strength when making tough decisions. My only criticisms of Kaikeyi are that I kind of wish she hadn't been portrayed as almost single-handedly inventing feminism and I wish we had gotten more scenes of her using the Binding Plane to influence people on her husband's behalf.

Speaking of Dasharath, I liked that he was open-minded to the idea of a woman serving on his council and that he was also aware that attitudes can't be changed overnight. He seemed like a reasonable ruler to me, which made his eventual fate all the more devastating.

Dasharath's other two wives, Kaushalya and Sumitra, were a pleasant surprise in that I thought there might be some jealousy or competition between them. However, they turned out to be a formidable team and great support system for both the women of the kingdom and for each other, and I liked the easy way they all got along.

I also liked the sons and the sibling dynamics between Rama and his three brothers. I think Patel did a good job of writing Rama as this divine being who obviously has a good purpose but who also falls prey to the sexist treachings of "traditional" tutors. It made him somewhat sympathetic and fallible, but because he also had great love for his brothers and for Kaikeyi, it was hard to dislike him entirely.

I do think, however, that Patel could have done more with Manthara. Manthara is Kaikeyi's servant who has been with Kaikeyi her whole life, and she acts as something of a confidante and mentor. Personally, I felt that we were told of Manthara's importance more than we were shown, so it felt like Manthara was less instrumental in Kaikeyi's story than perhaps she should have been.

I'm also not entirely sure how I feel about Ravana. Ravana is a half-demonic raja from a faraway kingdom, and every time we see him, he is sympathetic and kind. The reason I'm not sure about my feelings regarding his character is we're told towards the end of the story that Rama has gone to confront Ravana, and I'm not sure if we're meant to see this as a good thing. Because Ravana is a demon, I at first though Patel was trying to make a point about not judging people by their bloodlines, but once Rama got involved, I wasn't so sure if this was the correct takeaway. Maybe it's more complex because the Hindu Ravana is complex, but I'm not really in a position to judge.

TL;DR: Kaikeyi is an ambitious reimagining of a classical Hindu epic that seeks to put women at the center of the narrative. While the story could have been a bit more focused and the overall themes a bit more concrete, Kaikeyi is a compelling tale that is sure to delight fans of mythological retellings.

[writeleg1ant]

The Best Writing Tips and Tricks from Famous Writers

Outline

- Introduction - Importance of learning from successful writers - Brief overview of the writing tips and tricks to be covered - Finding Your Unique Voice - Embracing individuality in writing - Learning from renowned authors who have distinct voices - The Power of Observation - How keen observation enhances writing - Examples of writers who excel in observing the nuances of life - Crafting Compelling Characters - Techniques for creating memorable characters - Insights from famous authors on character development - Mastering the Art of Dialogue - Importance of authentic and engaging dialogue - Dialogue tips from acclaimed writers - Navigating the Plot Structure - Understanding the fundamentals of a strong plot - Examples of well-structured stories from renowned novels - Utilizing Literary Devices - Exploring the impact of literary devices - Instances of famous writers employing devices effectively - Balancing Show and Tell - Finding the right balance between descriptive and narrative elements - Writers who excel in the art of showing and telling - Handling Writer's Block - Strategies for overcoming writer's block - Personal anecdotes from successful authors - The Importance of Revision - Why revision is a crucial step in the writing process - Stories of famous authors and their revision journeys - Embracing Feedback - Understanding the value of constructive criticism - Writers who credit feedback for their success - Staying Disciplined and Consistent - Establishing a writing routine - Success stories of authors who prioritize consistency - Exploring Different Genres - Benefits of experimenting with various genres - Examples of writers who successfully transitioned between genres - Dealing with Rejection - Coping mechanisms for handling rejection in the writing industry - Success stories of authors who persevered through rejection - Conclusion - Recap of key writing tips and tricks - Encouragement for aspiring writers to apply these lessons

The Best Writing Tips and Tricks from Famous Writers

Introduction: Writing is an art, and learning from the best is a surefire way to hone your craft. In this exploration of writing tips and tricks, we'll delve into the wisdom of famous authors who have left an indelible mark on the literary world. From finding your unique voice to navigating the complexities of plot and character development, let's uncover the invaluable insights that can elevate your writing. Finding Your Unique Voice: Writing is an expression of individuality. The most celebrated authors have a distinct voice that sets them apart. Embrace your uniqueness, and draw inspiration from writers who fearlessly let their personalities shine through their prose. The Power of Observation: Great writing often stems from keen observation. Learn to observe the world around you, capturing the nuances that breathe life into your narratives. Writers like Ernest Hemingway and Jane Austen excelled in translating their observations into compelling stories. Crafting Compelling Characters: Characters drive a story, and creating memorable ones is an art. Explore techniques used by renowned authors to breathe life into their characters, making them resonate with readers long after the book is closed. Mastering the Art of Dialogue: Dialogue is a powerful tool that can bring your narrative to life. Dive into the secrets of crafting authentic and engaging dialogue, drawing inspiration from writers who masterfully navigate conversations on the page. Navigating the Plot Structure: A strong plot is the backbone of any successful story. Understand the fundamentals of plot structure and learn from the storytelling prowess of authors who intricately weave their narratives, keeping readers hooked from start to finish. Utilizing Literary Devices: Literary devices add depth and texture to writing. Explore how famous authors employ devices such as metaphors, similes, and symbolism to enhance their storytelling, creating a rich and immersive experience for readers. Balancing Show and Tell: Finding the right balance between showing and telling is an art form. Discover the techniques employed by successful writers to create vivid imagery while maintaining a compelling narrative flow. Handling Writer's Block: Writer's block is a common challenge. Uncover strategies to overcome creative hurdles and glean inspiration from famous authors who've faced and conquered the dreaded writer's block. The Importance of Revision: Revision is where good writing transforms into great writing. Understand why revision is a non-negotiable step in the writing process, and take cues from renowned authors who attribute their success to the refining power of revision. Embracing Feedback: Constructive criticism is a writer's best friend. Explore the value of feedback and learn from authors who credit the input of others for the refinement of their work. Staying Disciplined and Consistent: Consistency is key in the writing journey. Establishing a writing routine fosters discipline and sets the stage for success. Hear stories of accomplished authors who attribute their achievements to a steadfast commitment to their craft. Exploring Different Genres: Venturing into different genres can be a source of growth and inspiration. Discover the benefits of experimenting with various genres and learn from writers who seamlessly transitioned between literary landscapes. Dealing with Rejection: Rejection is a part of every writer's journey. Develop coping mechanisms and draw inspiration from authors who faced rejection but emerged stronger, eventually achieving literary success. Conclusion: In the vast realm of writing, the wisdom of seasoned authors serves as a guiding light. From the nuances of observation to the resilience required in the face of rejection, each tip and trick uncovered here contributes to the rich tapestry of becoming a proficient writer. As you embark on your own literary journey, remember: the best stories are often written by those who dared to learn from the best.

FAQs

- Q: How can I find my unique writing voice? - A: Embrace your individuality, draw inspiration from your experiences, and experiment with different writing styles until you find what feels authentic to you. - Q: What's the significance of mastering dialogue in writing? - A: Dialogue adds authenticity and brings characters to life. Mastering it enhances the overall readability and engagement of your narrative. - Q: How do famous authors deal with writer's block? - A: Strategies vary, but many authors take breaks, engage in different creative activities, or explore new environments to overcome writer's block. - Q: Is it essential to stick to one genre as a writer? - A: No, exploring different genres can enhance your writing skills and provide fresh perspectives. Many successful authors have excelled in multiple genres. - Q: How do I handle rejection in the writing industry? - A: Understand that rejection is part of the process. Seek constructive feedback, persevere, and let rejection fuel your determination to improve and succeed. - The #1 rule of writing: Precision and Clarity. In the realm of effective communication, precision and clarity stand as the bedrock. Writers must articulate their ideas with utmost clarity, ensuring that readers effortlessly comprehend the message. A well-crafted piece resonates when it communicates seamlessly, capturing and maintaining the audience's attention. - Improving writing skills demands a multi-faceted approach. Writers refine their craft through consistent practice, soliciting constructive feedback, and voracious reading. Actively engaging with diverse genres and styles broadens perspectives, honing the ability to adapt and innovate within one's own writing. - Insights from bestselling authors underscore the importance of authenticity and connection. Crafting relatable characters, weaving engaging plots, and maintaining an authentic voice are pivotal. By forging emotional connections with readers, authors create narratives that linger long after the last page, a key ingredient in the recipe for bestsellers. - The paramount advice for writers: Persevere and Embrace Resilience. Rejections and setbacks are inherent in the writing journey. Embrace them as stepping stones, learn from critiques, and persevere with an unyielding passion for storytelling. Resilience transforms obstacles into opportunities for growth. - Top-tier writing tips involve Goal Setting, Self-Editing Mastery, and Consistency. Establishing writing goals provides a roadmap, refining self-editing skills ensures polished content, and consistency fosters discipline. These principles lay the foundation for sustained improvement and success. - Drawing from renowned authors involves meticulous study and application. For instance, J.K. Rowling's world-building expertise can inspire immersive settings, while Hemingway's concise prose encourages impactful brevity. Learning from these masters enriches one's writing toolkit, enabling the infusion of proven techniques into personal styles. - Expert-level writing tips encompass nuanced elements such as Tone Mastery, Subtext Utilization, and Pacing Perfection. Achieving precision in language, experimenting with diverse styles, and ruthless editing elevate writing to a sophisticated level. Embracing these nuances refines storytelling, leaving an indelible mark on the reader. Read the full article

[finesse1]

Unveiling the Editor's Magic: How to Find the Right Editor for Your Manuscript

Introduction:

Manuscript writing requires a lot of love and commitment. It has the capacity to enthral readers, stimulate thought, and make a lasting impression on the literary community. But the astute observation and skill of an editor can enhance even the most brilliant ideas. This blog post will walk you through the confusing world of online editing services and offer priceless advice on how to choose the best editor for your work.

1. Determining Your Editing Needs:

It's critical to determine your precise editing needs before starting your search for an editor. Are you in need of a thorough editing services that includes proofreading every word as well as structural adjustments? Or do you just need some minor copy editing to improve the way you write? To focus your search, be specific about the kind of editing you need.

2. Investigate and Compare Online Editing Services:

Given the abundance of online editing services accessible, it is essential to carry out in-depth investigation and evaluate offers. Take into account elements like their track record in your genre, the caliber of their editors, references, and customer feedback. A trustworthy editing business should have an extensive list of services provided, clear pricing, and an open and transparent approach.

3. Request Recommendations and Peer Review:

Speak with other writers, writing groups, and networks to get suggestions for trustworthy editors. Peer review can offer a useful viewpoint on the skills, professionalism, and punctuality of the editor. Finding the right match might be accelerated by exchanging tips and experiences.

4. Evaluate Editorial Style and skill:

Every editor possesses a distinct style and level of skill. Some are great at fine-tuning the story and structure, while others concentrate on improving the grammar and vocabulary. To assess an editor's expertise in your genre and their capacity to improve your work while preserving your voice as the author, ask for a portfolio or sample edits from the person handling your work.

5. Establish Open Communication:

The key to a fruitful working relationship between an author and editor is effective communication. Make sure the editor you select is open to hearing about your ideas and offering helpful, courteous criticism. Look for an editor who can give you thorough notes and justifications for their recommendations so you can comprehend and accept the modifications made to your work.

6. Take Budget and Turnaround Time into Account:

When contrasting editing proofreading services, take into account their cost and turnaround times. Keep in mind that proficiency and high-quality editing are frequently expensive. Seek out experts who provide competitive pricing without sacrificing quality. To guarantee a smooth project completion, set clear expectations at the outset and discuss timelines.

Conclusion:

In conclusion, the quality and success of your work can be significantly impacted by your choice of editor for your manuscript. You may locate an editor that elevates your book, fits your writing style, and lets you shine as a writer by doing extensive research, asking for referrals, and keeping lines of communication open. Accept the magic of expert editing, and watch as your manuscript becomes a work of literary art.

[theatre-expert]

The Art of Scriptwriting: Writing Interested Narratives for Film

Introduction

Scriptwriting is the backbone of filmmaking. It's the creative blueprint that guides every aspect of a film, from the dialogue spoken by the characters to the camera angles used to capture the scenes. A well-crafted script is essential for bringing a compelling story to life on the silver screen. In this article, we will explore the world of scriptwriting, discuss why it's crucial to the filmmaking process, and provide some valuable tips to help aspiring writers create impactful scripts.

The Importance of a Strong Script

The Foundation of Filmmaking: A screenplay serves as the foundation upon which a film is built. Without a solid script, even the best actors, directors, and cinematographers can't create a successful movie.

Storytelling

At its core, filmmaking is about storytelling. The script is the storyteller's tool, and a well-written script can captivate audiences, evoke emotions, and leave a lasting impression.

Guidance for Filmmakers

A script provides clear instructions for everyone involved in the production, from the director to the actors, cinematographer, and editor. It ensures that the creative vision is communicated effectively.

Tips for Effective Scriptwriting

Start with a Strong Concept

Begin with a compelling idea or concept. Ask yourself what story you want to tell and why it matters. Your concept should have a clear theme or message.

Develop Well-Defined Characters

Create characters with depth and complexity. They should have clear motivations, strengths, weaknesses, and arcs. Audiences connect with characters they can relate to or empathize with.

Structure Matters

Familiarize yourself with screenplay structure. The three-act structure is a common framework, but it's essential to understand when and how to deviate from it to keep your script fresh and engaging.

Show, Don't Tell

Instead of telling the audience what's happening, show it through actions, dialogue, and visuals. Let viewers draw their conclusions and feel more engaged in the story.

Write Engaging Dialogue

Great dialogue is crucial. It should reveal character traits, advance the plot, and be authentic to the characters. Read your dialogue aloud to ensure it flows naturally.

Create Visual Imagery

Use vivid descriptions and imagery to help the reader (and ultimately the viewer) visualize the scenes. A script is not just about words; it's a visual medium.

Edit and Polish

The first draft is rarely perfect. Revise and edit your script multiple times. Seek feedback from others, and be open to constructive criticism.

Study Existing Scripts

Read scripts from successful films in your genre. Analyze how they handle pacing, character development, and dialogue. This can be an invaluable learning experience.

Stay Consistent

Maintain consistency in tone, style, and character voices throughout your script. Sudden shifts can confuse or alienate the audience.

Know When to Break the Rules

While adhering to conventional script writing rules is essential, don't be afraid to break them when it serves your story. Sometimes, innovation can lead to groundbreaking scripts. You can learn much more through Script writing course.

The Creative Process

In addition to the essential tips mentioned earlier, understanding the creative process of scriptwriting can significantly enhance your ability to craft compelling narratives for film.

Inspiration

Inspiration can come from anywhere – a personal experience, a news article, a dream, or simply a fleeting thought. Keep a notebook handy to jot down ideas and concepts that strike you at unexpected moments.

Research

Dive deep into your subject matter. Whether you're writing a historical drama, a sci-fi epic, or a contemporary romance, thorough research will help you create a world that feels authentic and immersive.

Outlining

Before you start writing the script itself, consider outlining the major plot points, character arcs, and key scenes. This roadmap will help you maintain a clear sense of direction as you write.

Character Development

Spend time getting to know your characters intimately. Create character biographies that include their backstory, motivations, and even details like their favorite childhood memories. The more you understand your characters, the better you can write them.

Writing Routine

Establish a writing routine that works for you. Some writers thrive in the early morning, while others are night owls. Find your most productive time and create a consistent schedule.

Rewriting and Feedback

Don't be discouraged by rough drafts. Writing is rewriting. After completing your initial draft, take a break before revisiting it with fresh eyes. Seek feedback from trusted peers or writing groups. Constructive criticism can be invaluable.

Visualize the Film

Imagine your script as a movie playing in your mind. Visualize the scenes, the characters' expressions, and the camera angles. This can help you write in a way that translates seamlessly to the screen.

Read Aloud

Reading your script aloud can help you identify awkward dialogue, pacing issues, and areas that need improvement. It's an effective way to ensure that your script flows naturally when spoken.

Embrace Collaboration

Filmmaking is a collaborative process. Be open to input and collaboration with directors, producers, and actors. Their insights can enrich your script and lead to a stronger final product.

Stay Persistent

The journey of a scriptwriter is filled with highs and lows. Rejections are part of the process. Stay persistent, continue learning, and keep refining your craft.

Conclusion

Scriptwriting is both an art and a craft. It's a skill that can be honed with practice, dedication, and a deep love for storytelling. Whether you're a seasoned screenwriter or just starting your journey, remember that the script is the heart and soul of filmmaking. By following these tips and immersing yourself in the world of scriptwriting, you can create narratives that resonate with audiences and bring your cinematic visions to life. So, grab your pen and paper, or your keyboard, and start writing your next masterpiece.

Scriptwriting is a dynamic and rewarding pursuit. It requires dedication, patience, and a commitment to honing your craft. By following the tips provided and embracing the creative process, you can embark on a journey to create scripts that resonate with audiences, evoke powerful emotions, and contribute to the magic of filmmaking. Remember that every great film starts with a great script, and your storytelling talents can play a vital role in shaping the cinematic landscape. So, keep writing, keep learning, and keep bringing your stories to life on the silver screen. Happy writing!

[zipavika]

Teaching in a Flash: Engaging 30-Minute Library Lessons

It presents an innovative and time-efficient approach to library instruction, tailored for educators seeking to make the most of limited classroom time. In this fast-paced teaching resource, librarians and teachers will discover a treasure trove of creative and captivating lessons designed to fit within a 30-minute timeframe. The book offers a diverse array of activities, including quick read-alouds, interactive games, research exercises, and hands-on projects, all carefully curated to instill a love for learning and reading in students while maximizing the impact of each session. Whether for busy school schedules, after-school programs, or homeschooling, "Teaching in a Flash" equips educators with the tools they need to create enriching and effective library lessons that will leave a lasting impression on young minds.

The Power of Time-Efficient Teaching: Embracing the 30-Minute Library Lesson

It delves into the significance of time-efficient teaching in today's fast-paced educational landscape. Educators are often faced with limited classroom time, and the pressure to cover essential curriculum can hinder the integration of meaningful library instruction. This subtitle explores the benefits of adopting 30 minute library lessons, emphasizing the importance of concise yet engaging activities that leave a lasting impact on students. By efficiently using these short bursts of time, educators can spark curiosity, nurture reading habits, and foster a love for learning within their students, all while seamlessly integrating library resources into the overall curriculum.

Quick Reads, Lasting Memories: Crafting Compelling Read-Alouds

The heart of any great library lesson lies in the magic of storytelling. In this section, "Teaching in a Flash" delves into the art of crafting compelling read-aloud sessions that captivate young minds in just 30 minutes. From selecting age-appropriate books to incorporating expressive narration techniques, educators will discover how to make every minute count during read-alouds. These short yet impactful sessions not only expose students to diverse literary genres but also provide opportunities for critical thinking and open-ended discussions, leaving lasting memories of shared literary experiences.

Interactive Games and Challenges: Transforming Learning into Play

Incorporating interactive games and challenges into library lessons is a surefire way to engage students' active participation and excitement for learning. This subtitle presents a wealth of dynamic game ideas, tailored to fit within the 30-minute time frame. From book-based trivia to creative scavenger hunts, educators will explore how to seamlessly integrate play and learning, reinforcing crucial reading comprehension and research skills in the process. By transforming learning into an enjoyable and interactive experience, students not only retain knowledge more effectively but also develop a positive attitude towards academic pursuits.

Research Nuggets: Nurturing Information Literacy in Bite-Sized Sessions

Information literacy is a fundamental skill in the digital age, but finding time for comprehensive research lessons can be challenging. In this section, "Teaching in a Flash" unveils creative strategies for nurturing information literacy in bite-sized library lessons. Educators will discover how to guide students through efficient research exercises, teaching them to locate reliable sources, evaluate information, and cite their findings accurately. By breaking down research skills into manageable chunks, students gain confidence and independence in their quest for knowledge, all while fitting seamlessly into the 30-minute lesson structure.

Hands-On Projects: Cultivating Creativity and Critical Thinking

Hands-on projects are a fantastic way to foster creativity, critical thinking, and problem-solving skills in students. This section of "Teaching in a Flash" introduces educators to a myriad of hands-on project ideas tailored to the 30-minute library lesson framework. From crafting book-inspired artwork to creating mini book clubs, educators will discover how to unleash their students' creative potential and deepen their engagement with literature and learning. These projects not only enhance students' academic abilities but also instill a sense of ownership and pride in their work.

Diverse Reading Initiatives: Celebrating Literacy and Inclusivity

In this essential section, "Teaching in a Flash" emphasizes the importance of celebrating diversity and promoting inclusivity through library lessons. Educators will explore how to incorporate diverse literature and culturally relevant resources into their 30-minute sessions. From multicultural book displays to discussions on diverse perspectives, these initiatives foster empathy and understanding among students, nurturing a sense of belonging and appreciation for the world's rich tapestry of cultures.

Reading Partnerships: Amplifying Engagement through Collaboration

Collaborative reading partnerships are a powerful tool for amplifying student engagement and promoting social learning. In this section, "Teaching in a Flash" explores strategies for fostering reading partnerships in 30-minute library lessons. Educators will learn how to pair students with complementary reading interests, encouraging shared discoveries and mutual encouragement. These partnerships not only bolster reading skills but also cultivate a supportive learning environment, where students learn from one another and celebrate each other's achievements.

Conclusion

It celebrates the transformative power of time-efficient and captivating library instruction. As we reach the conclusion of this resourceful guide, educators are armed with a wealth of creative tools and strategies to make every minute count in the library setting. From dynamic read-alouds to interactive games, research nuggets, and hands-on projects, the book exemplifies how impactful learning experiences can be crafted within a 30-minute timeframe. Emphasizing the celebration of diversity, collaborative learning, and the joy of reading, these lessons not only foster academic growth but also nurture empathy, critical thinking, and creativity in students. As educators embrace the art of teaching in a flash, they unlock a world of possibilities to inspire young minds and cultivate a lifelong love for learning, all in the time it takes to share a captivating story.

[miss-mandy-m]

30 Minutes to Success: Library Lesson Ideas for Busy Parents

30 Minutes to Success: Library Lesson Ideas for Busy Parents provides quick and simple library activities for parents eager to help their children succeed in school. Each activity in this book is designed to take no more than half an hour, making library lessons more accessible to busy families. These activities focus on key library skills such as finding books, research methods, and online resources. The book also provides helpful information about how to choose quality materials, which can help ensure that lessons are both enjoyable and successful. Additionally, each activity includes exciting extension ideas and different ways to use what was learned. A variety of activities are included that range from scavenger hunts to book clubs. In this way, 30 Minutes to Success is a wonderful resource for busy parents who want to give their children a head start in the library. The 30 minute library lessons will cover topics such as novels and nonfiction genres.

Maximize Learning in a Limited Time Frame: 30 Minutes to Success

Time management and efficiency are key components for maximizing learning in a limited time frame such as during a thirty-minute library-based session. To begin, create a structured and organized calendar that outlines the specific tasks that need to be completed during each session. Start by scheduling five to 10 minutes for introductions, announcements and/or a center warm-up activity. Then, use the remaining time to focus on the planned library lesson, with a goal of weaving in kinesthetic activities, games, discussions, and/or technology-based projects to help promote interest, exploration, and engagement. As the lesson progresses, include breaks and/or transition times between activities as needed to accommodate needs and prevent burnout. After the main lesson, allow five to 10 minutes for a debrief or a review of what was learned. Finally, set aside time at the end of the session for closure and a summative assessment or project. With an effective time-management system set in place, students and library activities can reach their full potential during a thirty-minute time frame.

Engage Your Child in an Innovative Library Program

Engaging a child in a library program can be an effective way to supplement in-classroom learning and help young people develop a lifelong love of learning. Innovative library programs offer an array of exciting opportunities: read-alouds that bring books to life, crafting and creativity sessions that promote problem-solving and creativity, and lessons in coding that can lead to career opportunities. Aside from these tangible skill-building activities, participating in a library program also has more intangible benefits, such as building social skills, introducing new ideas and topics, and sparking interest in a variety of subjects. Engaging a child in a library program is a great way to help foster their growth and learning potential.

Tailor Your Library Activities to Your Child's Interests

When planning library activities, it is essential to consider a child’s individual interests in order to maximize learning. Whether it is mathematics, art, or literature, the best library activities consist of relevant and engaging content that appeals to a young person's interests and abilities. One way to tailor learning activities is to narrow down choices to subject areas, topics, and relevant authors. To further individualize activities to a particular student, recognize their strengths and weaknesses and choose appropriate activities accordingly. For example, if a student enjoys sci-fi or fantasy, choose a book or a movie that is age-appropriate, but also provides enough challenge to engage them. Then, create activities that buildoff of the book or movie, such as a discussion on the characters, a critical analysis of the plot, or a creative writing assignment inspired by the book or movie. Tailoring activities to individual interests will ensure maximum learning and engagement.

Strengthen Your Child's Research and Writing Skills with an Innovative Library-Based Lesson

Writing and researching are two key skills that young people must develop in order to succeed in the classroom and beyond. An innovative and engaging library-based lesson can help strengthen these skills in a meaningful and enjoyable way. Start by choosing an engaging topic that contains several angles that can be explored. After discussing the purpose and audience of the piece, introduce the research process, helping the student identify appropriate resources and materials. Then, allow the student to conduct the research and synthesize the data into a well-thought-out piece. During the writing process, offer help with transitions, structure, and brainstorming. Finally, provide feedback on the content, grammar, and overall presentation. This type of library-based lesson can effectively strengthen research and writing skills while also reinforcing content knowledge.

Prepare Your Child for Academic Success with Fun and Stimulating Library Sessions

In today’s academic environment, library sessions can be powerful tools to help prepare children for successful futures. By engaging in fun and stimulating library activities, children can develop the skills and attitude needed for academic success, such as collaboration, problem-solving, critical thinking, communication, and creativity. Library activities can also broaden a child’s horizons by introducing them to new ideas, topics, and potential career paths, helping them become aware of possibilities and interests that they may not have otherwise encountered. And by creating an enjoyable learning experience, library sessions can also foster a positive attitude towards learning, helping the child develop the confidence, curiosity, and self-motivation to pursue a future of academic success. 

Create a Dynamic and Interactive Learning Environment with Library-Based Activities

Creating a dynamic and interactive learning environment with library-based activities is an effective way to engage students and enhance their learning potential. Begin by encouraging students to take ownership of their learning. Allow them to explore their interests, ask questions, propose solutions, and direct the course of the activity—rather than having them simply observe or take notes. Incorporate activities that require collaboration, engage in problem-solving, challenge critical thinking, include discussions, and promote creativity. Incorporate technology when possible to help keep learning exciting and stimulating. Finally, use appropriate guiding questions that help young people think deeper, ask questions beyond the surface level, and interpret ideas in ways that may be new to them. These types of activities can create an engaging and interactive learning environment for students.

Nurture Your Child's Love of Learning with Engaging Library Programs

The library is an ideal setting to engage young people in meaningful and productive learning experiences and to help facilitate a lifelong love of learning. Library programs offer a diverse array of innovative activities that can both entertain and ignite a passion for learning. Using stories, problem-solving games, art projects, and research projects, students can explore their interests in ways that go beyond reading and writing. With the help of technology, library activities also offer an opportunity to explore potential career paths and introduce children to topics and ideas that may have not been available to them before. Ultimately, library programs are inspiring ways for young people to gain knowledge, build skills, and engage in an enjoyable and meaningful learning experience.

Conclusion

30 Minutes to Success: Library Lesson Ideas for Busy Parents is a valuable resource for busy parents who are looking for ways to supplement their children's academic career. The book offers fun and interactive activities that will allow parents to take advantage of the resources available at their local library. The activities included in the book provide children with a variety of learning opportunities.