#they're SO SO GOOD

[anotherfanaccount]

Hae In and Hyun Woo's story is already so tragic. Don't communicate well and think the love is dead when they're both very much hurting.

And on top of this there's sketchy grandfather's girlfriend, sketchier brother's wife and sketchiest ex-boyfriend.

Also the songs, the scenes, the actors all bringing their A game. I live it when a kdrama kdramas properly.

[grinchwrapsupreme]

man remember when rudyard funn said "one day one of us will bury the other" to his nemesis before plummeting over a waterfall? remember that? i nmeed to go to bed

[cookiecomics]

Y'all I've been staring so hard core

@DollamyArt 's fanart of Goro's disguise in ATOTT'S Chapter 33 and ALSO 35 fjsjkffj

[raayllum]

Trying to decide what meta I want to focus on next now that I’m done with my more myth / research focused ones and thought I might as well ask you guys, as I know sometimes I focus on metas that I think up on my own > the lovely asks you guys send in, sooo

Big Bois

“The Art of Deflection :: 4x03 Reunion Scene Analysis,” Rayllum focused

“The Cycle, Speculation” regarding the parallels between S1′s tracking spell with Rayla’s braid, the Magma Titan’s heart, the pull of the Cube / Aaravos’ missing chest piece

“Callum + Looking Away Motif” (S1-S4) with how it mirrors his arcs with Rayla and other characters (Harrow, Claudia) season by season

“How S4 is Emotionally Paced Similarly to S2,” basically exactly what it says on the tin, companion piece to how S4 mirrors S1 structurally

“Rayla’s Position In The Narrative as a Dual Antagonist,” S1-S3 Analysis with just a dash of how S4 follows up on this but also transforms this dual plot thread

“Plot, Theme, and Pacing :: 4x02 Fallen Stars,” an in-depth analysis of all aspects of 4x02 as part of my How S4 Establishes and Builds Upon Theme series

“Can You Let Go? :: A S4 Meta,” focused on Callum, Claudia, Viren, Terry, and Rayla

“Chains, Monsters, and Dehumanization in TDP,” started pre-S4, basically focusing on what makes a monster, mage fam, and most of the main cast

Mini Metas

Viren and Callum’s S4 intros with Aaravos Comparison

1x06 and 4x03 Ultimatum Comparisons, Rayllum focused

How Rayla sleeps in arc 1 vs arc 2

Rayllum and Conflict resolution framing parallels, feat. 2x03, 2x07, 3x08, and 4x03

Ones I have not yet started but would like to:

Possible symbolism / examination of Callum using a light spell in 4x01 vs grabbing a candle in 4x02 (mini meta)

Callum and the Perpetual Struggle for Agency (long boi, S1-S4)

Why my [redacted] crack theory about what happened to Rayla during the timeskip might have more grounding in the theme / S4′s setup than I initially thought

Vote away if you want to in the replies, tags, and/or my inbox!

[georgia-stanway]

Morocco's defense is fucking mint

[dirtytransmasc]

the men and boys are innocent too.

we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.

I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.

I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.

I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.

I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.

the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.

[grilledkatniss]

I feel like we moved on from "All Of The Girls You Loved Before" and "Need" way too fucking fast. This is a March 2023 Leaked Tracks appreciation post.

[hansoeii]

stuck in the rain.

[biggest-gaudiest-patronuses]

so important for every character to be an idiot, but each in their own unique beautiful way

[soappox]

they're amusing to me

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[arabella-s-arts]

Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:

The confession booth scene.

Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.

Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.

All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)

Having all the gay jokes be on Dean instead of Sam.

Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.

The boner Dean got when Cas cleaned up.

Dean gulping after Cas does an impression from a Western movie.

Charlie, a lesbian, calling Castiel "dreamy."

The way Mary looks at Dean and Cas when they hug.

Dean wondering why everyone assumes he's gay, while Sam not caring.

The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.

Dean seeming disappointed when learning that Aaron's flirting was fake.

The amount of time Dean and Cas spend staring at each other.

Dean canonically having an orgy with Crowley.

A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.

The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.

Edit: To the people who say I can't use the siren as an example because the siren is supposed to be his brother, and therefore his siren being a man doesn't work. If you reread that bullet point, then you will realize that I didn't put it down as just simply Dean's siren being a man. I recognize that the siren is supposed to be his brother. It's the fact that Sam still thinks the siren infects people through sex, not knowing that it's actually through saliva when he realizes who the siren is. So when he sees that Dean's siren is a guy, he had to assume they had sex, and he does not seem surprised by this at all.

[hayden-christensen]

It all started with a farmboy, a scoundrel, a princess, and a dark lord...

HAPPY STAR WARS DAY STAR WARS WEEK 2024 DAY 6: MAY THE 4TH BE WITH YOU

[notbecauseofvictories]

I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"

Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.

............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.

[calista-222]

Team Chaotix means so much to me,,✨

[writeouswriter]

People sorting ao3 solely by stats and only clicking on fics with a certain amount of kudos or comments, you will not survive the winter, nor the summer, nor at all, *brings out knife,* run