Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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The more I learn about the history of the middle east in general, the more I realise that the "Israel-Palestine conflict" is actually just a group killing their own fellow shared ethnic group who are "too brown".
Hebrews and Arabs both originate from Phoenicians, aka "Abraham's descendents" according to their respective oral stories and passed on histories. They are from the same place and people. However, there is a narrative that twists this and claims that Arabs were "always an outside force that invaded", when the various groups within that ethnicity always had their share of cooperation and conflict in various stages of history. Just like, say, the various groups in France. They were of the same group and no particular ethnicity had no more of a "claim" to the land than the other, they just had their beef and eventually integrated.
So when I see "but the Arabs are colonisers" I can't help but ask; what is a colonisers to you? Seriously. If colonisation means "any conflict in the past between a shared group from the same place" every single group would be colonisers. There's no such thing as "an innocent conflict" where atrocities weren't committed by either side. So please get that out of your head if you want to say "but the Arabs did X, Y, Z to the Hebrews so it's colonisation and they don't belong in A, B or C areas". That's just not how colonisation works. It's like calling TERF or cis a slur when they're not. Conflict between the same people from the same area is, yeah, a conflict hit not colonisation. However, a people who are from a completely different place who want to erase an ethnic group and take over their culture, erase their history and get rid of their physical features? Yeah, that's what colonisation is. It's genocide with the aim to erase a specific group or culture and take it and the land over. For example, the British in the Middle East.
The problem with calling Arabs "colonisers" is not only is it completely historically wrong, they're from the same place and have the same origins as the Hebrews, but they (like Palestinian Jews) have been their since before the British came. Compared to European Jews who came later on after having lived in Europe (and became European as that is genuinely a part of their culture and ethnicity as well and shouldn't be erased or forgotten, that's also cultural erasure of Germanic, Polish, etc traditions passed on) and, sure, do have origins there *as well* but it needs to be understood that they, specifically Zionists, are a part of the British colonial project aimed at killing *both* Arabs and Jews. The point isn't to help Jews against a colonisers from the first few centuries (sorry to tell you everyone, but no, the Ottoman Empire, Baylon and the Pharaohs literally do not exist anymore, like how Italy isn't the Roman Empire by default because that's where Rome is), but a group of people who've just been living there for the past few centuries and generations who just want to live. The problem is, they haven't been allowed that and propaganda keeps being pushed that completely jumps around historical facts like, for example, Jews (ethnically speaking) were not always Jews but the Ancient Hebrews, aka, Phoenicians, aka where Arabs came from ethically. They are the same people, just who moved to different areas and developed different cultures and languages. Sort of like, you know, every other nation with specific dialects for specific regions and different cultures and folk stories depending on where you go.
The point is, so much of Jewish history is actively being erased to "protect the Jews" by...commuting cultural genocide of the Jews and Arabs. It ignores the actual impact of Nazism within Israel's formation and history, how much it influenced policy, how Jews who were "too visibly Phoenicians" aka appeared too Jewish or arabic or middle eastern in appearance were deemed as "weaker" and "lesser" for my surviving the holocaust and used as a reason to deny rights to both Jews and Arabs who were too visibly Semitic. It ignores how antisemetic Israel is towards Jewishness and how utterly antisemetic Islamophobia is because they are literally from the same origin and, yes, hatred and fear of one does carry into hatred and fear of the other. So much of the propaganda and denialism of history happening right now is a direct response to dear and hatred of "big noses", "brown skin" and people deemed as too middle eastern because they, just like in World War II, World War I and beforehand, antisemetism is the backbone of British imperialism and conquest of the middle east (yes, this also means a targeting of Arabs and Jews as people who look a specific way). And yes I'm annoyed and yes this is a ramble that's probably not very coherent, but damn I'm so sick and tired of misinformation and the twisting of everything to suit this narrative of "Arabs versus Jews" as if they aren't both just Semites who are being collectively oppressed, erased and reinvented by the west to suit western ends.
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