#thinking decoded

[thinking-decoded]

How to Get Rich Fast But Slow?

Do you know that you can do anything you desire? It’s true! Your entire life is under the direction of desire. Having a burning desire is crucial.

No other book has produced more billionaires than Napoleon Hill’s Think and Grow Rich. This blog provides an in-depth understanding of the key principles of the book.

3 Essential Principles from “Think and Grow Rich” Book: Learn them or Ignore them

[zoe-oneesama]

Incentive to give up Magical Cosmic Power: 0

Episode 53 Part 37 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51, Ep 52

Bonus:

(the problem with drawing myself into these as a cameo is that I NO LONGER LOOK LIKE THAT)

Ko-fi

[eggwishing]

sans looking at ice or something

[kaddyssammlung]

WE HAVE NEWS!!!!!!!!!!!

There is a code in the German website with a phone number and when you call that number then you get this message:

Thank you anon :)

I recorded the message if someone wants to hear it.

According to twitter the morse code spells out: endurance and end / end...

[aria-greenhoodie]

Decided to redraw that lovely Bill Cipher Circle (does it have a proper name?) to act as a cover image for my Bill Cipher playlist…

+ sticker-friendly colored version! ↓

Click for Quality!

[littlecrittereli]

Hey there! I read both Reprogrammed and Decoded and was blown away. Unfortunately (sorta), my odd little brain had one little question that was burning from the end of Reprogrammed till the end of the story: what about the Wild Kratts Kids? How did they react to Chris's disappearance/return? I know if I were 8 and my teacher (i guess thats an okay metaphor? maybe?) randomly disappeared for 3 months and came back 10 pounds lighter with dozens of new scars and white hair in their early twenties, I'd be a little torn up/curious. How would Chris feel about showing up on screen in front of a bunch of kids in his state? Would he...wear a...hat...or something...? I don't know, just thoughts lol

They never told the public that Chris was missing (Didn't wanna scare the kids or give the Villains the knowledge that they were vulnerable)

And being out in the most rural parts of the world, it's not uncommon for them to go months without any sort of public appearance. For now, Martin is handling any sort of press alone until Chris is ready to be back in the public eye.

But of course they still run into a wild kratts kid every once and a while.

He's still working on his alibi.....

[reality-detective]

There has always been meaning behind what Melania wore.

I will let you decide 🤔

[serpentface]

Here's what typical vestment for The Odomache looks like.

The pelt of the lion that was originally sacrificed and worn raw for her incarnation is retained throughout the years of service, preserved and fashioned into a headdress and cape (obscuring a helmet). This can get dreadfully hot in the summer but no one ever said that being a hollowed out pathway for God's spirit was easy.

The body is always obscured near completely, barring the hands, feet, and parts of the face (philosophically, these are the body's least vulnerable parts as its modes of Action, though this is in large part a practicality). This is partially a matter of psychological enforcement that this person is not Just a human, and partly a matter of protecting the part of God's living spirit that's in a wholly human body. Conceptually, the Odomache Enables tremendous power rather than being intrinsically powerful in of herself, so all manners of protecting the metaphysically vulnerable human body are of tantamount importance in her case.

The complete obscuring of any identifiable feminine form is also notably important to the underlying philosophies and biases involved. It is necessary that she is female, a condition ascribed a unique malleability to change and transformation (for good or harm), but the act of female/non-male sex and gender assignment also serves to uphold an underclass in a patriarchy that she By Necessity must be distanced from. This extends beyond the masculinized social and dress performance of Odonii to a masculinized social performance with dress that utterly obscures any part of the body that could be gendered, and dress that is not gendered in of itself (women do wear less revealing clothing than men and skirts of similar length, but the act of Fully covering the body in this form exists outside of the bounds of gendered dress).

[[It should be noted that on a historical level, this role is largely a descendant of a variety of 'celibate and/or masculinized female religious authority' figures in pre/proto-Wardi societies stretching back centuries, rather than an emergent property of contemporary religion and philosophy. This is an adaptation of older roles and worldviews to securely fit the contemporary zeitgeist, and that's part of why many aspects of this role Superficially clashes with said zeitgeist.]]

The relatively undecorated white cloak and robes in comparison to culturally favored displays of color and opulence further emphasizes a sense of the Odomache's separation from humanity. The Wardi image of God is not a human lord, but rather the world itself and the functions of the world distilled into the forms of animals. Human hierarchies exist Within God rather than God having a place within human hierarchies, so in this philosophy it's natural for this particular person of high authority to not closely resemble a Human Authority.

This is still ultimately a human body existing at the top end of a human hierarchy (and in the dimension of religious thought, it a human body holding aspects of God most specifically concerned with maintaining concepts of 'right' civilization and hierarchy), so public-facing garb like this will still include a few mundane trappings of lordship such as this fancy gold khattanocuy displaying an image of an enemy being trampled by the Face Odomache as the guardian lion. Purely ceremonial garb for the Odomache hides the body in its entirety beneath the white cloak and forgoes all decoration save for the obligatory weaponry.

A sword and dagger is worn at all times as a matter of being the ultimate physical bastion of her society's military might, and she is always accompanied by a retinue of 'lieutenants' (Extremely elite servants/squires) who carry whatever other elements of her perpetual armament are not currently in use. These weapons are Completely ceremonial in nature (to the point that they're made or plated with gold rather than anything like, durable) and there is absolutely zero expectation that the Odomache will ever directly engage in combat (the times this has happened historically have been when things have gone horribly wrong).

Her face is usually masked in public, though this is not a strict necessity of the role and is forgone for some ceremonial purposes. On these occasion, it's standard to paint the face red to still partly obscure human features in the same fashion of battlefield Odonii. As the color of blood, it positively evokes bodily vitality and strength, the living spirit of the world itself and the mode of connection to God (and will also be reminiscent of the rite of incarnation during which she is Actually covered in blood)

[infamously-winking]

Silly Straw Page Fully Translated:

hbh grfwru ri d gliihuhqw nlqg/ zkr zdqw wr pdnh klv sdwlhqw eolqg = “eye doctor of a different kind/ who wants to make his patient blind”

Qeb alzqlo pxvp/ qeobb pfmp x axv/ tfii jxhb qeb sfpflkp/ dl xtxv = “The doctor says/ three sips a day/ will make the visions/ go away”

Ixvvb hdwhu/ edeb eloob/ zrxogq'w gulqn/ xqohvv lwv vloob = “Fussy eater/ baby billy/ wouldn't drink/ unless its silly”

215 858 117 450 110 628 19 211 120 2256 216 951 25 256 27 532 212 506 18 1317 110 1137 221. 658 23 1330 210 231 118 929 112 2043 = “Twisted out of shape after the kill, the ghosts of his family are haunting him still.”

we’re not talking about that last cipher enough…

[falling-into-deceit]

"I'm here, it's okay" + Reverse

((@the-greatsage-oftruth

Leaving the peak and his tower wasn't common.. but today he felt the need to visit someone he refused to admit he cared for. why? well, he wasn't sure why.

but when he did arrive, he paused at the door, watching the Sage in this state.. a small, buried and hidden part of him sparked back to life.

"Sage.. I'm here, its okay"

He walked over finally, gently putting his hand on the others arm.

[jils-things]

my mains in ranked matches C:

[biweeklydavekat]

day 401

strawpage guest art

(strawpage submissions are open again!)

[dasketcherz]

when the vat7k concept arts/the creators said Hugo and Varian are equals—@dreadpirateurania13's And They Were Roommates fic understood the assignment and what that really meant and executed it so perfectly and masterfully that I have to stand up and give em a thousand applause cuz holy shit the True Hearts Day arc (part 3 specifically) just made history and changed lives (mine)

[littlecrittereli]

DECODED

"Martin was the self-sacrificial type. He was the one who woke up every night just to pull Chris out of a nightmare. He was the one who tested the more questionable technology Aviva whipped up. He was the one who took on extra tasks when someone wasn’t feeling well. He was the one who would take the blame when the brothers landed themselves in trouble. He was the one who would carry the burdens of everyone else around him, while locking his own away in a dark corner, and never once complain.  And Chris knew for a fact, the only reason Martin didn’t trade places with him when Diego dragged him away and locked him within his own mind was because his brother couldn't work miracles. But Chris didn’t think he could share this burden with Martin. He decided he wouldn’t even give him the choice."

Reprogrammed part 2: Decoded's first chapter will be posted this Saturday.

Also special thank you to @nervousloveheart for suggesting the name "Decoded"! It's honestly stuck with me and I kinda just started subconsciously referring to the fic as that before I even officially chose the title lol

[wreathedwith]

Beautiful Possibilities: The Abbey’s ‘Beautiful Possibility’ series through a fandom studies lens

I’ve been reading Faith Current’s Beautiful Possibility series, a new serialised piece of writing – also available in audiobook/podcast format – on accepting the possibility of an explicitly romantic relationship between John Lennon and Paul McCartney, and an assertion of the wider ramifications for our culture at large that the acceptance of this could possibility offer.

This series has not yet concluded, and my writing here is offering neither a line-by-line critique nor an examination of the plausibility of the series’ central premise. Rather, what I want to consider at this point in time comes from a perspective different to that of the series’ author: that of a long-time active participator in fandom.

The Beautiful Possibility series’ interplay with mythology intrigued me, especially in part 1:3 (which is the part I will be focusing on here) because of my interest in fandom studies. Unlike most stories that we would consider ‘folklore myths’, two members of The Beatles are currently living real human people (and the other two aren’t exactly denizens of ancient history). For those four men, and for a relatively small inner circle of other people, The Beatles is a deeply personal story. The Beatles is also, of course, a shared story retold endlessly, well-known – at least in its fundamentals – by millions the world over.

What’s also a shared story? Absolutely anything fandom gets its hands on. By the author’s own admission, she “[doesn’t] really fit into either” (Part 1:3) mainstream Beatles studies or the fandom side of things, and so, naturally, Beautiful Possibility is not written from a fandom studies or fandom participant perspective – nor does it claim to be.

There are several aspects Beautiful Possibility that caught my attention from the perspective of a participant in fandom. The first is its anonymising and obscurating citation of fandom, by referring to it as “countercultural Beatles studies”. This is protective of fandom in a way that I personally appreciate (i.e. from those who are in no way familiar, immediately dismissive, and would come by on any clickable link solely to gawp and laugh), yet also serves the purpose of protecting (that is, legitimising) the author’s own work, primarily by reducing any even very hazy link between Beautiful Possibility and works clearly delineated as fiction – even if those same writers are also digging up genuinely new information and factual analysis.

It was also a pretty surprising approach to me: the general concept of ‘fandom’ has massively mainstreamed and, to a degree, commercialised over the past decade or so. Although RPF continues to often receive (and/or require) special or additional protection, perspectives on RPF have continued to shift. (For an up-to-date overview of the history of RPF and the state of things today, read The RPF Question by Sacha Judd (Fansplaining).)

To be clear, the majority of my active fandom participation has been RPF, and I’m personally very much of the ‘lock it all down and keep it solely to its intended audience’ school. And yet I’m also buoyed by the increased accessibility of fandom, and the kind of genuinely exciting and vital research that is being carried out by fans: not only am I thinking here of the Beatles RPF crowd fitting things together that have previously remained unjoined, but also the fandom-to-scholarship pipeline (with academic community engagement!) and getting to experience other fan’s original research that I enjoyed as part of the fandom for AMC’s The Terror and its attached true story.

A second example of something I found distinctly ‘unfandomy’ in Beautiful Possibility 1:3 was this commentary on edited photographs of John and Paul together:

Unlike writing about the lovers possibility, the fake “kissing photos” are without question unethical… The fake photos hurt John and Paul and the ability of serious researchers to prove the credibility of the lovers possibility.

I would say that it is of course helpful for these to be clearly labelled as manips (aka “fake photos”) just as fic is identified in its own context as a fictional work – to help me build my own personal narrative interpretation and understanding, I want to know if a photo is real or not. However, I don’t agree with the sentiment expressed above. I understand that we are far beyond the days of photoshops posted to LiveJournal and well into the horrifying era of GenAI infecting everywhere, but providing that the manip is labelled as such it in no way hurts “the ability of serious researchers” to prove anything, at least any more so than lines from fanfiction breaking containment and being presented as genuine quotations from real people (which sometimes happens). This sentence also results in a strongly implied separation of fans and “serious researchers” into two entirely separate categories, when they can often be one and the same. (For more on The Beatles RPF in a fandom context specifically, both now and then, check out The Beatles Live! by Allegra Rosenberg, also on Fansplaining.)

Sources that are especially potent for fannish interpretation and transformative works also require an absence or some remaining ambiguity, but that absence is not a necessarily a “wound” (as the distorting of John and Paul’s story and the refusal to acknowledge the damage of this distortion is characterised by Beautiful Possibility). That absence is something to be filled in, elevated – marquetry, kintsugi – something that for whatever reason the source material didn’t include but did (probably unintentionally) nevertheless leave space for.

The part of Beautiful Possibility 1:3 where I most acutely felt the absence of a fandom perspective is the following:

As I opened myself to the possibility of John and Paul as a romantic couple, I could feel a part of me that had been numb for as long as I could remember come alive with a new sense of hope and creative energy and a deep effervescent joy — not unlike the feeling of falling in love. The possibility of a romantic affair between John and Paul quite simply set my life and my soul on fire, and this feeling has stayed with me for over three years and counting with no sign of fading away.

To me, this glow is what I’d call ‘fandom’ �� it is not unique to John and Paul and by now I’ve felt it many times over. I, and many others, have also felt (and made) the comparison between how one feels falling headfirst into a new fandom and falling head over heels in love with someone.

The author does not need to be all things to all people, and of course one person’s unique perspective yields a unique body of work. But it is this section where it feels most relevant to bring in a fandom-familiar perspective, because the near-total uniqueness of John and Paul and The Beatles and their impact on the world is a central pillar to Beautiful Possibility’s thesis. The wonderful feeling the author has written about experiencing is felt by many – about John and Paul, but also about many other narratives and other characters.

Myth and folklore aren’t important because of what percentage of the total characters or story may or may not be real. They’re important because they tell us stories that have stuck around and been reinterpreted many times over. Antimatter was theorised to exist before it was proven because it explained a gap, because nothing else would make as much sense as its existence. There isn’t even that level of a leap of faith here, because the love between John and Paul on at least some level is clearly evidenced, but the attraction of proving the veracity of romantic feelings is often that there is nothing else that is as good or as all-encompassing an explanation. It can’t heal the world, it can’t conquer death, but it can heal those affected, it can make sense.

Even if you believe John and Paul were in romantic love that was in some way consummated, even if this is somehow one day proven beyond reasonable doubt, it is already far too late: they cannot be joined back together. It’s a mystery that can only be solved after the fact, with a modern lens: and therefore it’s not John and Paul that’s helping. Like many mythical protagonists, John and Paul are, and will only become more so, archetypes newly reinterpreted in the light of our own times.

Fanworks can bring John and Paul together, and that is in order to heal our fannish hurt and satiate our desires, but reality is left untroubled. And that’s okay. The noticing in and of itself is to heal more widely in some sense – to convince the sceptics, to satisfy through the resolution of a mystery – but only up to a (lance tip) point.

Beautiful Possibility’s perspective proclaims John and Paul, the ultra-famous white male geniuses, as the “lifeforce love” source – transgressive but subversive – forming the foundation of a myth that, should we recognise its reality, can offer salvation for us all. The fandom studies perspective, and probably the folklore studies perspective too, would say that it is our veneration and continued reinterpretation of the story that gives it its continuous power, whether or not the events within that story ever really happened.

The Beatles without their attendant cultural veneration would have remained in the past as echoing music in an empty room. The ruinous nature of the fruitless quest for the Holy Grail for those who come to believe in its genuine, literal existence is to be found in that definite article: ‘the’. Only one. How could it ever be possible to find one small object in the entire world? What if the belief that there is one best or ultimate source of anything as important as world-healing love is just as limiting?

Modern-day fandom as it stands would barely exist without the modern consumerist culture it centres around and interacts with, and yet (as per good old Henry Jenkins) by its very nature fanfiction also counteracts, is “repairing the damage” of corporations’ control of contemporary myths, thereby intrinsically rejecting the assertion that there is one single correct, centrally-controlled, true narrative. There are many, simultaneously. All of them can feel true. Or none of them. And then you can go and write your own.

Of the thousands of fandoms that there are, every fandom has its source – a novel, a movie, the publicly available personas of a group of real people – but finding one of these sources is not the end of our quests. It’s the start.

[reality-detective]

For those who have their panties in a wad about any of these trials that Trump went through.

I want you to see the bigger picture.

Think GAME THEORY

Trump KNEW the enemy would use the corrupt justice system against him.

He welcomed it.

That’s why he forced McConnell to confirm all his judges in record time and flipped the Supreme Court.

But here’s what you need to understand.

This is the most important thing if you want to fully see what is actually happening.

Trump WANTED all of these trials.

Trump WANTED all of these corrupt judges and prosecutors to go after him.

If you can’t ACCEPT that fact, then you will continue to miss the plan in motion.

The enemy isn’t in control.

Patriots are in control.

Trump ALREADY knew he wasn’t in any danger legally because he hasn’t broken any laws.

The Supreme Court is his backstop, preventing anything from happening to him.

But why did Trump WANT all of these court cases?

It’s really simple:

If you want to completely get rid of the two tier justice system then you have to offer yourself as the target.

President Trump wanted them to come after him legally so that he can set the PRECEDENT that nobody is above the law, including past presidents.

A return to the Constitution.

But look at these trials.

Look at what he was being charged with.

This is KEY.

1) Falsifying Business Records.

2) Conspiracy to Defraud the US.

3) Conspiracy Against the Rights of Citizens.

4) Solicitation of a Violation of an Oath by a Public Officer.

5) Mishandling Classified Records.

Now think!

Think real hard...

Can you think of any past presidents that are ACTUALLY guilty of those crimes?

Clinton, Bush and Obama... All three.

Trump KNEW he was never in danger of being sent to prison for any of this.

But guess what he did by purposely taking all of those legal slings and arrows?

Trump’s lawyers got to strategically “strip away” every single “defense tactic” that Clinton, Bush and Obama will use in the near future, during their own trials.

Trump disarmed their defense team even before they’ve gone to trial.

BUT MORE IMPORTANTLY:

Trump just stripped away all the “defense tactics” so that FUTURE presidents will also be equal under the law just like you and me. They don’t get to argue presidential privilege.

And soon the justice phase will begin.

Prosecutions of all these traitors will restore the constitution and the rule of law while also protecting the people’s constitutional rights.

America and the Constitution are being made great again right now and most people are completely missing what’s happening. 🤔