#this does slap

[sizzlingsandwichperfection-blog]

Buy your coffee and tea from Keats and Co. We have over 10,000 monthly subscribers for a reason.

[ghosted-jazz]

I am not immune to this car salesman fairy and his traumaised iPad kid

[oscahhr]

Dissecting this video cause I can!

1. Lando could’ve grabbed ANYWHERE else, like his shoulder, but no!

2. He put FORCE into it

3. Lando’s hand stayed for a little longer than its supposed to…

4. Oscar definitely felt it with the way his head moved

5. Lando was nonchalantly staring at his ass anyways (me too, lando)

6. His hand also hand slides up Oscar’s ass

Thanks everyone 😇

[wishchip106]

Erik “never taking his eyes off Charles” Lehnsherr

absolutely sick of him. whats wrong with you

ever since he got out of the ocean he’s never looked anywhere else

[average-acorn]

and I'm asking

if this is how I

[ladyofthecreeddraws]

Armandsferatu for my health.

Also on Bsky~

[26ja]

the way Connor can sidestep over drunk Hank is fucking funny to me

[chamerionwrites]

Need to invent a word for the specific unpleasant experience that is (1) someone making the assumption that you are one of The Ingroup (2) and, therefore, a safe person for them to vent their most absolutely rancid opinions to while expecting zero pushback

[thatone-highlighter]

I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.

[scriblesandbits]

So god created us in his image, right? And that’s cool and all but what if it turns out god, like, hates his own image??? What then????

[uncharted-constellations]

Skipping ahead a bit because we’re a bit unfinished with the c-di fam, so anyways~

The smallest feral menace, why anyone ages him up to be the wise one is Beyond me.

[beetlebabber]

more hand kiss bc reasons

щ(ಥДಥщ)

[transmothofaman]

“I really like that one (romantic) movie from 2011 that James McAvoy was in where he mostly just pines for his red-themed counterpart throughout the movie while said love interest is destined to be on the other side of the growing conflict going on that is bigger than the two of them” my guy WHICH ONE?!

[eleventh-mugiwara]

[antianakin]

I'm kind-of genuinely devastated that they decided to cut out the reveal of Perrin having known all along about Mon Mothma's rebel activities and was getting interrogated WEEKLY by the Empire and never cracked even once.

This would've helped answer SO MANY QUESTIONS about Mon and Perrin, and it could've easily helped answer the question of why Mon felt like she could just walk away from her family after making herself public enemy number one.

She goes to finally explain it all to Perrin right before she makes the speech because dammit she might not have trust him or even like him all that much but she doesn't want him DEAD and he deserves the chance to find this out from her and get himself to safety before she turns his life upside down, and he tells her he's known all along and covered for her this whole time and never once cracked or been discovered, even when she framed him for gambling and sold off their daughter to a gangster's son. He lets her know that he doesn't need to go to safety, he's not just going to run now because that'll just make him look like he was involved in it. He can continue to cover for himself when the Empire comes to interrogate him again, and he can do it well enough to ensure Leida doesn't get implicated, either. Mon's priority is the rebellion, her priority is her work and it always has been, even to the detriment of her relationship with her family, and Perrin understood that but it meant that HIS priority had to be protecting and taking care of Leida in the absence of her mother. So Mon has to go, but Perrin has to stay because their daughter needs him now more than ever.

And it just makes the choice that Mon has made so clear, the sacrifice she chose to make for the sake of the rebellion, and she can't back out now, she can't make a different choice because she tells herself she's doing this FOR Leida, to try to make a better world for her daughter to live in, but in order to give Leida that world, she has to leave Leida behind.

But she realizes now that she CAN trust Perrin, she could've trusted him all along, so she chooses to trust him now. She trusts him with their daughter, she trusts that he can take care of himself and Leida in her absence once more.

This helps Mon's arc SO MUCH, and I honestly love it, and as Bissell says it's technically a non-canon thing now because it clearly never even made it into the script really let alone got filmed, but it's pretty easy to slot it into what we DID get to see, so as far as I'm concerned, this is my canon. This fixes so many of the problems I had with the end of this arc for Mon and makes it so much more emotional and almost tragic. Mon made her choices and you can argue that some of them were mistakes if you want, you can argue that it made her a bad mother if you wanted to, but it's so much more complicated and nuanced than that, and I love that this finally makes that so clear. Mon made her choice and her family paid the price a long time ago, long before Mon was willing to acknowledge that she'd made that choice.

[stars-obsession-pit]

“So, ectoplasm is a vicious fluid—”

“Viscous. The word is you mean is viscous.”

“No, I do actually mean vicious. You should see what it does to processed meat…”