The more the show progresses, the more I want to see the 90s cast infiltrating the modern timeline. We've gotten hints of it with Shauna and her younger self, her Jackie hauntings. We've gotten a little more with adult Lottie seeing teenage Nat (and Laura Lee), and with Natalie getting teenage Lottie in her final moments. I want more. I want the teen cast to be absolutely invasive on pivotal adult moments, infecting their adult counterparts when least expected. I want Taissa's argument with Van to dissolve into their teenage selves, their bond endless and timeless and inescapable. I want Misty absolutely wrecked by young Natalie lurking around corners, watching from mirrors. I want to see these women unable to navigate adulthood without the specters of their teenage selves cropping up absolutely everywhere, more and more as they let the memories in, as they stop being able to repress the trauma. They didn't grow up. They never could. You are always doomed to regress around your high school teammates. You are haunted by the phantom elements of your misspent youth. It is a comfort, and it is a gift, and it is a trial, and it is a curse. I would love to see that reflected with greater intensity, until the lines blur, until the timelines have no choice but to intersect. They haven't escaped themselves at all. They didn't grow up. They just got older.
[ID: a digital drawing of characters from the owl house based on the song "up the wolves" by the mountain goats. At the top of the drawing there's a rectangular panel showing Camila and Eda. Camila looks out at the boiling isles at night with her bat. Eda mirrors her pose, with her arm covered in feathers. Shadows form to look like the collectors face, covering Eda's eyes and parts of Camila. Beneath this panel is a star with King and the Collector inside of it, holding hands and spinning midair. Beneath this is the archway portal from thanks to them, which is glowing, and at the bottom of the image is the hexsquad lined up in their designs from for the future, lit by the portal light and looking determinedly into the distance. The lyrics that span the image are "our mother has been absent/ever since we founded Rome/but there's gonna be a party when the wolf comes home". The background is black. End ID]
I knew I couldn't say goodbye to this show without redrawing one of my favorite old pieces, this lyric comic based on Up The Wolves by the mountain goats. I made it pre-ttt and was honestly really vindicated by all the wolf imagery that ep, lmao
thinking about how the greens are so conquerors-coded. obviously aegon ii has those parallels to aegon i, a terrible legacy and expectation of fire and blood, but helaena also has parallels with rhaenys as a queen who’s considered a softer counterpart to her husband and beloved by the smallfolk.
then there’s aemond. possibly the most visenya-coded targ since the woman herself. he has her dragon, her penchant for war crimes, her commitment to her duty, potentially also her black magic depending on what the truth of his relationship with alys is — but i think the way he’s most like visenya is in his relationship with his siblings, especially aegon. he really is aegon’s visenya — his sullen, sometimes disagreeable protector. his sword will always fall on aegon’s side. he saves him at rook’s rest, rules the country in his stead and doesn’t try to take it, eventually dies trying to secure his crown. say what you will about aegon and aemond’s relationship, i think at the heart of it he has visenya-like devotion and duty.
This Donnie and Raph move from Owari, while short-lived, changed my brain chemistry permanently.
These two end up having THE BEST battle choreography in every series, you actually can NOT change my mind. Unless you're talking about the rise movie choreography
We need more acknowledgement regarding Donatello's strength and Raph's agility in this series, because there are multiple moments where this boy is dramatically spinning and twirling. I think Donnie can bench press a schoolbus if he tried.
i wrote this as a joke because I wanted to strangle a guy watching tiktoks without headphones on the bus, but im genuinely disturbed that we've gotten to a point where convenience comes first. and it depresses me even more that its used to justify and monetize greed