these frames are 37 seconds apart. for eighteen months we’ve been reading and writing and theorizing about their eventual reconciliation, and stede bartholomew bonnet managed to speedrun it in THIRTY-SEVEN SECONDS.
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I need Mary and Doug to show up at the inn so we can have an exchange that goes like:
Mary: Stede?!
Stede: Mary?!
Ed: Mary?
Stede: *remembering dinner at Anne and Mary Read's house* Ed...
Mary: *doing the math* Ed?
Stede: *affirmatively* Ed!
Ed: *confused, pointing at himself* Ed.
Doug: *also confused* ....I'll go wait in the carriage.
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"But Lucius is physically disabled and he survived, so it's fine to kill Izzy -"
As most of you know, I am physically disabled. Have to use a lot of very visible mobility aids, get stared at in the street, have kids asking uncomfortable questions, etc.
If you are also physically disabled and cannot see that there is a WORLD of difference between Lucius losing his finger in a way that was played as a joke and really didn't impact his character or plot, and Izzy having a hugely traumatic, majorly life-changing disability thrust upon him, becoming suicidal, using alcohol to cope, crawling along the floor, hating himself and feeling useless and worthless, thinking he's a burden to the people he cared about because of his physical inability to protect them...
Then getting built up again by that same crew, given a beautiful prosthetic that they made for him, accepted and loved, and learning to accept and love himself specifically as a queer disabled man....
THEN SAYING EXPLICITLY THAT HE WANTS TO DIE, AFTER ALL OF THAT BEAUTIFUL GROWTH
If you cannot see how that might be JUST A LITTLE upsetting to other disabled cripplepunk folks....
I honestly do not know what to say to you.
His WHOLE ARC was about self-acceptance and self-love as a disabled queer man. To have him declare that he wanted to die after coming to terms with his disability and queerness is, in fact, going to upset a lot of disabled queer people.
If you are not physically disabled, feel free to reblog but don't say a word unless it's in support.
[Edited to remove the parts about Ed being canonically disabled, as someone kindly pointed out to me that they were incorrect. I hadn't realised that his knee brace was just fanon! The creators shouldn't get credit for creating a 'disabled' main character if the disability is only really acknowledged by fans.]
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Listen. One of my favorite parts of the "stab me" scene is Stede calling Ed a nut. Like, I could listen to him say "I've stabbed you, you nut!" over and over again. It's sweet, incredibly endearing, and just so so silly.
And then the writers had the absolute NERVE to bring it back when Ed died? How did they expect me to recover from this? Why would they devastate us in this way? What gave them the right?
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The sigh of pure relief after Ed tells Stede he loves him, and Stede replies that he knows.
To finally know that he is capable of both loving and being loved.
To know someone will always be waiting for him with open arms.
To know he's safe.
It's all Ed has ever wanted, and I cannot begin to tell you have soul-achingly gratifying it is that we got to watch it happen.
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Stede couldn’t let Ed talk to him about Lowe’s death because he still thinks he needs to be able to handle the blood on his face! He still wants to prove he’s a man! He thinks that a man defends his crew, his love, his space, with his sword; and he can’t let Ed ask him about it so gently, because he’ll end up sobbing in a bathtub under a robe. And he’ll defend Ed’s right to do that any day, but he is not prepared to fall apart, not when he’s spent the whole season trying to be Ed’s pirate prince, with the beard and the sword and the ruthlessness. Ed’s telling him he doesn’t need that — that he wants the sparkly, golden Stede whose strength is in saving, not killing. But Stede isn’t ready to see what Ed sees — to give up his own dream yet.
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