#this is gonna be a good season

[golden-riff-raff]

Can’t wait to be sobbing over some stoats (an animal i did not know existed until this trailer)

[selfdiagnosedeyemotif]

oh this is a LONG one folks, strap in

[fishiecomics]

One of the nice things about doing Beastlife is I can think of something stupid, go "man, that'd be hilarious if I did it" then come to the realization that no one can stop me and double down on it.

[ato-dato]

Road help.

[botlabyrinth]

percy immediately apologizing to luke after he hurts him even though he is literally being betrayed because his fatal flaw is loyalty and he cannot fathom hurting the people he cares about… meanwhile luke turning around and hitting percy back without hesitation… i feel sick

[and-his-hands-were-24-crows]

They're Not Talking

Happy Season 3, friendos.

[xxlumos]

*smooch*

[livelovecaliforniadreams]

[bluenoisen]

plunged into the deep end

[p4nishers]

can we talk about how much queer and trans joy was this season? maggie and nina. they/them muriel, saraquel, beelzebub, even GOD. "you're a good lad" "im not actually, either". that one shopkeeper and his non binary spouse, played by a non binary actor. beelzebub and gabriel. shax, nina and maggie all thinking azi and crowley were together. also yes i'm gonna mention: crowley and aziraphale's kiss. it's just, i get that everyone's hurt and so am i but can we please focus on how beautiful this season was to us? we got so much and i'm so happy, despite the ending.

[house-of-cards-and-crime]

was on namemc cause i was curious if the fishing madness had progressed and

grian??????? NOW what's happened???

[bloomeng]

playing a little dress up (or at least Crowley is bc let’s be realistic Aziraphale probably wore the exact same thing for a century)

[eddie4bat-president]

Saw a drawing of Steve and now I'm suddenly thinking about artist Eddie who designed the Hellfire shirts and Corroded Coffin fliers and who draws the villains of his D&D campaigns to slap onto his DM screen for visual aid and doodles in class and-

And i'm thinking about Steve, in a relationship with Nancy, trying to ignore that things are rocky but knowing it all the same. He finds a notebook left behind in school and he only takes it because he forgot his own. He plans to use it for the day and then figure out whose it is and get it back to them in exchange, that's probably more than fair, right? And the person is really gonna want this back - it looks like half their life is contained in this thing; there is... a shit ton of loose paper stuffed between the pages and notes on all kinds of subjects and drawings and.... he doesn't even know what that is. Who is Vecna and what the hell is a... lich?

Anyway as he leafs through it he finds that some of the drawings are... actually really good. Like, absurdly good for being in a lined notebook that looks like it has taken a trip into a dumpster and picked up some debris on the way out.

Like! Those hands! Steve has no artistic bone in his body but he's heard people whine about drawing hands and - he looks at the hand not holding the book and back again - yeah, that's exactly what hands look like! And here - a few pages further (it's one of the most empty pages of the whole thing, mostly because this one seems to have started as a drawing and not as a page of notes that turned into a drawing) there are only a few lines on the page but it's still very clearly the back of someone's neck, the collar, one shoulder.... Then there's another one that is almost all lines, but they were all carefully placed to give the effect of perfectly windswept hair. Then there's one that he actually can't make sense of at first (he almost pages past it because it is just a few lines and dots taking up a quarter of a page of very annoyed... history notes? Maybe English.) It's just a jawline with some moles but... only the day before he had cut himself shaving a finger's width underneath those exact moles. And that's when it clicks. He goes back to the hair... yeah that- that could be him too. Maybe. He flips back to that one very detailed drawing of hands and... putting down the book he tries to get his hands into the same position - the angle is off but. Yeah. That's why they looked so perfectly...! Uhhhh... Handsy! Because they're his fucking hands!

Anyway Steve realizes that about a third of the drawings are or could be him. He realizes that he actually can't go through with giving it back because - what would he even say? "Hey found your notebook, nice shrine to me?" Yeah no. But he's... also reluctant to take it to the Lost and Found. There's something in the handwriting.... He has a feeling that it might not be a girl secretly drawing him. What if someone else connects the dots? What if they confront the mystery artist about it? Flashbacks to his fight with Jonathan, the line he crossed and immediately regretted. He doesn't want to be the cause for someone else getting called that. And unrelated to that, things with Nancy aren't great right now and it's... it's just nice to think someone is paying attention, alright?

Then Halloween happens a few days after. The Break-up(?), the demodogs, Billy and the tunnels- and afterwards it's nice to have the notebook to distract him from the pain. The mundane mystery of a schoolmate maybe having a crush on him. He might not even have to confront them - he can just figure out a way to slip it into their locker; it looks like at least half their schoolwork is crammed into this thing, no matter how half-heartedly done. They definitely want this back.

Man, I wish I could actually write this thing. Damn. Maybe I could even do a scene where Steve tries to Sherlock Holmes his way to Mystery Artist and confronts a (hatefully seething) Robin, because she sits behind him in that one class, only to find his own Watson in her instead. But alas. It cannot be.

[aduckwithears]

That was very kind of you.

Good Omens S2/Ep3

[ato-dato]

The adventure of Muriel Part 1

[theshippirate22]

season 3 starts. normal pan of The Street in soho. Nina is bussing tables. Maggie is opening a shipment of records and excitedly sorting them. Muriel is answering the phone, and while they’re wearing markedly more human clothes than we previously saw them in, the conversation they’re having with the other end of the line is unsurprisingly cryptic and/or misunderstood. We see a pale hand with a black sleeve take the phone and hear him mutter something along the lines of “fuck off” before slamming the phone back on the cradle. there’s an immediate cut from his hand to a startlingly similar one- but with a white sleeve instead. he’s tracing a familiar black car parked on the curb with tentative fingertips like he’s trying to summon a memory.

The bell to the bookshop rings and the door closes absurdly loudly in the silence. “Hello!” Muriel cries, reaching for the man behind them. He’s turned away, arms full of books that don’t really need to be moved but it gives him something to do.

“We’re closed,” he says vaguely, adding quickly “Indefinitely.”

“That’s a shame.”

Crowley drops the stack. The books clatter to the floor in a deafening heap. Muriel makes a noise like it physically hurt them

Crowley turns to face Aziraphale. It’s an awkward, stumbling moment of silence.

“I suppose you’ve come to take me to heaven, then.”

Aziraphale smiles. “No.”

“Why not?”

“I don’t think you’d like it.”